566:, however, and featured a far wider remit. It covered not just literature, but also arts and music, along with an increased attention to history and the figurative arts. Most importantly, during a decade in which government was becoming increasingly hands-on in respect of the media, it followed fascist precepts in ways which, for later post-fascist commentators, risk being interpreted as parody. The aspiration to national greatness and a new order were to the fore, along with backing for myths illustrating the superiority of Latin-Mediterranean civilisations and the intrinsic universality of fascism. Much of the editorial management and writing was entrusted to
422:
perilous (and less readily identifiable from the air) than Venice itself. Although the extent of the exercise and of Ojetti’s responsibility over it is not entirely clear, it does appear that annihilation of Venice’s rich artistic heritage by
Austrian air raids was avoided. Another unusual commission came in March 1918, when Ojetti was appointed “Royal Commissioner for Propaganda over the enemy”. His best remembered task in this role was to compose a short bilingual manifesto addressed to the citizens of Vienna. 350,000 copies were printed on a colourful two sided sheet against a tricolour backdrop of the Italian flag, and they were
413:
military service, appointed a second lieutenant-engineer in May 1915. Other journalists who enlisted in the
Italian army undertook parallel careers as war correspondents, sending reports to the newspapers in the major cities, but Ojetti was destined for a more unusual wartime career, and his journalistic contributions between 1915 and 1918 are restricted to a few stridently forgettable patriotic pieces which became more numerous after his transfer to propaganda work in March 1918. His first assignment following enlistment in 1915 involved providing protection for the many art works and monuments in the city of
722:, but he would have been that under any government of whatever character that had chosen to set up a Royal Academy. He was accused of having joined the ‘Repubblica di Salò’, but those accusers forget – or choose to forget – that in 1943 Ojetti was a poor old man afflicted by Alzheimer’s, trapped in his wheel chair, and completely under the control of an overbearing and very fascist wife who had subsequently gone through Ojetti’s personal notebooks and carefully purged everything that amounted to even the slightest hint of criticism in respect of the Mussolini régime”.
627:, of which the initial tranche of volumes was published progressively between 1929 and 1936, taking a vital role till 1929 as coordinator of the compendium’s arts section. Through this period he was, in addition, organising numerous art exhibitions as well as injecting his own magic into various publishing initiatives such as, notably, the series “Le più belle pagine degli scrittori italiani scelte da scrittori viventi” (‘’loosely, “The finest pages from Italian writers, selected by living writers”’’), published by
343:, but the couple would, for the rest of their lives, live in or close to Florence. Ojetti would go on to describe himself as Roman by birth and by cultural inheritance, but Florentine by choice. A prominent figure in the city, Ojetti quickly became part of the Florentine intellectual elite, which for reasons of history and habit, was in some ways more internationalist and liberal in outlook than equivalent social networks in Rome or Milan. The decision to move away from
139:(15 July 1871 – 1 January 1946) was an Italian journalist-commentator and author. He wrote prolifically on a wide range of topics. His output also includes short stories and at least seven novels. Nevertheless, during his later decades he increasingly focused on arts criticism, and it is as an art critic that he is most frequently identified in the more generalist sources. Widely admired for his mastery of language, and especially of
582:. His contributions nevertheless appeared prominently in it. His rejection of the idealistic liberalism characteristic of nineteenth century risorgimento and his endorsement of the fascist vision of “Humanitas” were, for instance, on full display in a feature he contributed to the January 1934 edition under the heading “Avvertenza al lettore” (‘’”Warning to the reader”’’). After two years
351:, was an astute one which, helped by his ever more restricted professional focus on the arts, a dimension of human existence in which Mussolini had vanishingly little interest, permitted Ojetti to live out the later decades of his professional life with an element of intellectual and social freedom which would never have been available surrounded by the political hot-house that was
236:
at that time, would have been particularly familiar. The style sits somewhere between well considered literary criticism and reportage. The volume confronts later generations with an opportunity to analyse in some depth the rapidly evolving literary trends of its time. In 1896 Ojetti progressed matters by organising a conference at
757:“Alla scoperta dei letterati: Colloquii con Carducci, Panzacchi, Fogazzaro, Lioy, Verga, Praga, De Roberto, Cantù, Butti, De Amicis, Pascoli, Marradi, Antona-Traversi, Martini, Capuana, Pascarella, Bonghi, Graf, Scarfoglio, Serao, Colautti, Bracco, Gallina, Giacosa, Oliva, D’Annunzio” / “Discovering the literati: Conversations with ….”
319:, taking on a regular column identified by the title “Accanto alla vita” (‘’loosely, “Alongside life”’’). The columns were attributed to an ill-disguised fictional contributor called the “Conte Ottavio”, and Ojetti was able to raise the profile of the column with readers, eventually changing its name to “I capricci del conte Ottavio” (
519:. The number and diversity of the distinguished contributors reflected Ojetti’s underlying conviction that the value of art is enhanced by the way in which it offers visible testimony to history and of civilization more effectively than any other body of sources. In 1921 Ojetti also launched his regular “Tantalo" column in
175:, his father, was an architect and in political terms a man of liberal instincts, with an exceptionally broad cultural hinterland. Raffaello Ojetti also contributed commentaries and criticism on architecture and other arts based topics. Ugo Ojetti's mother, born Veronica Carosi, came originally from
235:
Ojetti's first book was published in 1895 and reprinted in 1898. It brought his written work to the attention of a wider readership. “Alla scoperta dei letterati ...” consists of a series of biographical essays set out as though they were interviews. The approach was not one with which readers,
475:
and then transferred to Rome. “Dedalo” was launched in June 1920: publication ceased in 1933. It quickly gained a following through Ojetti’s determination to appeal to the widest possible readership by insisting on concise readable prose and focusing on the widest possible panorama of subjects
421:
from which 42 air raids reached central Venice during the course of the war. Although the extent of the damage was minor by the standards of later wars, Venice was not unscathed by the bombing. Major art works were evacuated to locations in the surrounding flatlands which were considered less
412:
during the early months of 1915 to visit Reims and inspect the situation by the battlefields for himself. A powerful anti-German speech that he delivered in
Florence on 29 November 1914 was published shortly afterwards as a booklet. As soon as Italy became militarily engaged he enlisted for
598:
a new literary class emerged comprising returned exiles from fascism and including, among its younger members, former partisan fighters against the
Mussolini government and the German armies in Italy. In the immediate aftermath of the Mussolini years and the unpopular
256:, still provided a rich context for much contemporary thought and writing in Italy at the end of the nineteenth century. The conference, and Ojetti’s ideas presented at it, triggered much comment and not a little discussion among the intellectual classes in Italy.
702:(and less formally, especially among detractors, as the “Repubblica di Salò”) was proclaimed, with Mussolini installed as both head of state and head of government. In reality critical decisions were handled throughout this period by the German military. Due to
542:
tended, from the outset, to concentrate on modern and contemporary literature, though there was a consistent rejection of the experimental and avant-garde, which appears to have reflected Ojetti’s own preferences, though it was also conveniently closely aligned to
714:. Ojetti’s reputation was much damaged by the matter. For younger admirers drawn to his writing, Ojetti’s adherence to the derided “Repubblica di Salò”, was barely fathomable. Someone who tried to explain was the respected journalist-historian
527:. In 1933 he retired from many of his journalistic commitments, but he would continue to contribute the ”Tantalo” column till 1939. Sketches, impressions and portraits from “Tantalo” were later gathered together and published in seven volumes by
430:. Commentators differed then and subsequently as to the military relevance of the exercise, but it clearly pointed the way ahead in pioneering a new device whereby wars might be conducted using the latest technology during the century ahead.
359:
was born. She would later follow her father into journalism and other literary pursuits. It is not entirely clear whether it was in 1911 or 1914 Ojetti felt able to settle in a more permanent residence, setting up home at the
710:, which initially comprised much northern Italy and most of central Italy, shrank progressively until it ceased to exist in the early summer of 1945. Ugo Ojetti was one of a number of establishment intellectuals to back the
476:
in respect of
Italian arts criticism rather than excessive preoccupation with specialist sub-topics. He was able to follow through on his ambitions for the magazine, not leastly, because he wrote much of it himself.
442:
there remained work to be done in respect of artworks to be returned to Venice once it was deemed safe for this to be done. In the event, the proximity of
Austrian armies was greatly reduced by frontier changes both to
1157:
603:
with which they had come to be identified, Ojetti was representative of a period from which newly mainstream intellectuals were keen to move on. In 1925 Ojetti was one of those who added his signature to
292:, a nationally distributed daily newspaper for which Ojetti would continue to write for the rest of his life, serving for 20 months as managing director of the influential publication during 1926/27.
643:
Towards the end of his career Ojetti, who celebrated his seventieth birthday in 1941, became peripherally involved in the world of cinema. In 1939 he signed off on the adapted script for the first
203:, intending initially to become a diplomat. He already faced competing career options, however, and instead launched himself as a political journalist-commentator. In 1894 he linked up with
1389:
392:. Nevertheless, for many of those impatient for Italy to win its share of the glory there was much to be celebrated in finding Italians fighting once more against the old northern enemy,
274:
and covering literature and the arts, but also developments in sociology and politics. His contributions were also appearing in “Il
Giornale di Roma”, the literary-political Sunday paper
455:. Nevertheless, by 1920 Ojetti was able to focus again in his work as a commentator-journalist concentrating primarily on the arts. In addition to continuing with his work for
28:
150:
Some of Ojetti’s output was published pseudonymously. His most frequently employed pseudonym, notably during the first decade of the twentieth century, was “Conte
Ottavio” (
244:). He himself took the opportunity to present a youthfully idealistic vision of an internationalist literary spirit, unencumbered by the cultural patriotism of
594:
Several commentators have suggested that there remains a gap in the market for a more detailed study of the relationship between Ugo Ojetti and fascism. After
1683:
480:, found a ready supply of enthusiastic contributors from among Italy’s leading young artists and intellectuals of the time: these included commentators like
426:, in the space of five minutes during the morning of 9 August 1918 from the skies over Vienna, by a squadron of nine planes commanded from his own cockpit by
288:, another of the country’s former capitals. Almost certainly his most important newspaper collaboration, which began in 1898, was that with the Milan based
1337:
264:
During the final five years of the nineteenth century Ojetti’s articles became widely available and widely read. Between 1896 and 1899 he was writing for
1603:
1206:
1740:
467:
who entrusted editorial management and day-to-day directorial responsibilities for the journal to Ojetti. The magazine was produced till 1931 at
331:
On 25 October 1905 Ugo Ojetti became engaged to
Fernanda Gobba. Fernanda was a niece to the wealthy Umbrian “self-made” industrialist-politician
1158:"The italian writer Ugo Ojetti (1871 - 1946), portrayed in Milano 25 october 1905, the day of his engagement with Fernanda Gobba, her future wife"
1822:
600:
612:, indicating a wish to remain a member of Italy’s literary establishment under the new regime. Nomination in 1930 to the recently created
295:
During the early years of the twentieth century Ojetti was based abroad for much of the time. In 1901 and again in 1902 he reported from
1359:
1256:
1812:
355:. A few years following their marriage (though sources differ significantly as to precisely when) the couple’s only recorded child,
1792:
451:, but the frontier changes involved were not incorporated into an internationally agreed (some would have said imposed) treaty till
516:
1233:
609:
452:
1497:
1807:
1338:"La salvaguardia dei Monumenti durante la Grande Guerra. La raccolta fotografica di Ugo Ojetti alla Fondazione Giorgio Cini"
1544:
1065:
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where the deposed leader was being held. Later that same month the puppet state known in
English language sources as the
396:, which still featured prominently in popular consciousness as the former colonial power. Ojetti had used the columns of
679:
595:
1659:"Da Marcello Mastroianni a Raimondo Vianello: tutti i Vip insospettabili che aderirono alla fascista Repubblica di Salò"
1817:
1797:
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arrested. It was not quite the end for Mussolini, however. On 12 September 1943 German special forces undertook a
1474:. Laboratorio sulle riviste del Novecento, Dipartimento di Lettere e Filosofia, Università di Trento. pp. 37–81
463:, an ambitiously conceived monthly magazine of arts reviews and criticism published by the wealthy artist-publisher
227:
excavations. Another newspaper for which he wrote during this early part of his career was the "Nuova Rassegna".
1390:"Flugblatt des italienischen Autors Ugo Ojetti (in deutscher Übersetzung), abgeworfen am 9. August 1918 über Wien"
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971:
663:
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1317:
Translocations. Anthologie: Eine Sammlung kommentierter Quellentexte zu Kulturgutverlagerungen seit der Antike
902:
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670:. His first draft was nevertheless reworked, because it was deemed “too literary” by the film director.
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188:
78:
307:(daily newspaper). Between 1900 and 1905 he was based for approximately six months in every twelve in
1631:
1574:
275:
737:, for at least a year. During his final couple of years, Ojetti withdrew to his home on the edge of
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730:
652:
439:
1445:. Laboratorio sulle riviste del Novecento, Dipartimento di Lettere e Filosofia, Università di Trento
766:
Today the former Ojetti family home has been repurposed as a “boutique hotel” by a subsequent owner.
574:
from the north. Ojetti was formally in charge, but he was less central to editorial governance of
1070:
Quaderno elettronico di critica letteraria a cura di Francesco Sasso e Giuseppe Panella (2008-2019)
703:
400:
during 1914 to campaign for Italian military intervention in a column headed “Esami di coscienza” (
361:
726:
364:, one of the finest country villas in the area, positioned on a hillside directly to the south of
733:, though it appears that by this time he had not been able to work as a journalist, even for the
711:
707:
699:
686:, under pressure from advisors and the country’s ever more dire military situation, finally had
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Between 1925 and 1933 Ojetti served as a member of the Executive Board for the newly inaugurated
567:
544:
393:
385:
323:). He also wrote a couple of stage plays, but these failed to resonate with theatre audiences.
304:
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1090:
Lorenzo Benadusi, Il «Corriere della Sera» di Luigi Albertini, Roma, Aracne, 2012. P. 180.
8:
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In 1929 Ojetti launched another review magazine, this time produced closer to home, in
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249:
1684:"A Reggio si ricordano i Caduti della Repubblica Sociale Italiana aiutando gli ultimi"
1464:
1128:
1745:
Tornano i «Taccuini» degli anni 1914-43, ma questa volta con qualche giudizio in più
1705:
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45:
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108:
1340:. Istituto di Storia dell’Arte VE & Fondazione Giorgio Cini VE. 31 July 2015
219:
that Ojetti provided his first regular journalistic contributions, notably from
667:
551:. Publication ended in 1933, though the title would be revived in the 1970s.
179:, and probably died while he was still a teenager. He attended the venerable
1231:
682:
is generally set by historians at the final week of July 1943, which was when
315:. Between 1904 and 1909 he worked with the weekly illustrated news magazine
1766:
1575:"Biografia di Ugo Ojetti: Scrittore, critico d'arte e giornalista italiano"
1210:
571:
504:
388:. The country fought alongside France and England, which meant defiance of
216:
204:
195:. In addition to his Italian language skills, he had by this time mastered
192:
180:
1106:
Annali Della Scuola Normale Superiore Di Pisa. Classe Di Lettere e Filosofia
1416:
1414:
1236:. Sistema Informativo Unificato per le Soprintendenze Archivistiche (SIUSA)
496:
1438:
417:
from Austrian bombing. The Austrians had an air base along the coast at
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at the end of July 1914 and less than a year later the government in Rome
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266:
1101:
651:(known to English audiences through its English language adaptation as
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280:
240:
under the arresting title, “L'avvenire della letteratura in Italia” (
1287:"Il Salviatino: Authentic getaway in the lush foothills of Fiesole"
1741:"Il "diarista" Ugo Ojetti, tante cose viste (e qualcuna non detta)"
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849:
1914-1918-online. International Encyclopedia of the First World War
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558:, a new literary review magazine which in many respects replaced
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143:, he is also commended by admirers as an exceptionally effective
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312:
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1610:
1129:"Ugo Ojetti: Roma 1871 - Firenze 1946; critico e letterato"
1066:"Ugo Oggietti, "Alla scoperta dei letterati". (Introduzione)"
563:
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348:
308:
296:
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270:, a new weekly magazine produced in Italy’s former capital,
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27:
818:"Ugo Ojetti: Roma 1871 - Firenze 1946; critico e letterato"
662:. Ojetti’s screenplay provided a basis for the successful
1310:
1234:"Ojetti Paola: Firenze 1911 nov. 7 - Firenze 1978 ago. 31"
1232:
Manghetti Gloria; Capannelli Emilio; Morotti Laura (2008).
523:
which echoed many of the characteristics and priorities of
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352:
344:
300:
208:
184:
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1304:
1108:. Scuola Normale Superiore & JSTOR. pp. 1073–1109
223:
where he undertook a lengthy reporting assignment to the
1415:
Libero Andreotti; Antonio Maraini; Romano Dazzi (2009).
1150:
1039:"Ugo Ojetti …. Nato nel: 1871 - Deceduto nel: 1946"
545:
what could already be gleaned of the literary instincts
252:
and the Risorgimento which, nearly half a century after
1063:
1093:
897:
895:
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891:
507:. Others among the better known contributors were
440:
fighting on the Austrian front ended in November 1918
433:
1537:
1099:
932:
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928:
347:, and to not move to the northern media capital of
1738:
1676:
1381:
1311:Ugo Ojetti; Matilde Cartolari (17 December 2018).
1279:
1248:
1031:
888:
780:
741:: it was here that at the start of 1946 he died.
845:"Ojetti, Ugo: Journalist, writer, art historian"
211:, and generally seen as a publication reflecting
191:from where, in 1892, he emerged with a degree in
1764:
1704:
1609:. Istituto di Istruzione Superiore "A. Badoni",
1492:
1486:
1204:
1184:"Ferdinando Cesaroni: l'uomo della Nuova Italia"
969:
925:
335:. They married shortly afterwards and moved to
1650:
1567:
1254:
1472:Catalogo Informatico Riviste Culturale Europee
1443:Catalogo Informatico Riviste Culturale Europee
1225:
1126:
810:
660:three volume historical novel of the same name
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1330:
1207:"Ugo Ojetti o l' invenzione della propaganda"
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499:, along with art historian-scholars such as
213:traditionalist liberalism of the centre-left
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1498:"Il Manifesto degli intellettuali fascisti"
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1624:
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1465:"Ojetti e una delle sue creationi: "Pan""
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729:in June 1944 Ojetti was excluded from the
26:
1102:"Ugo Ojietti e "Il Marzocco" (1896-1899)"
863:
459:he now also founded his own publication,
259:
1638:. Fondazione Ente dello Spettacolo, Roma
1408:
1057:
944:. Letteratura dimenticata. December 2011
404:). He had denounced German bombing of
842:
386:was persuaded that Italy should join in
1765:
1739:Francesco Perfetti (23 October 2019).
1710:"Il vero Ojetti da prendere a modello"
1632:"I promessi sposi …. Italia – 1941"
1604:"I promessi sposi …. Italia – 1941"
1387:
1186:. Perugia Free Press. 21 February 2019
1164:. Archivio gbb Stock Photos and Images
610:Manifesto of the Fascist Intellectuals
469:Bestetti’s specialist publishing house
326:
1823:Members of the Royal Academy of Italy
1419:. Galleria d'Arte Francesca Antonacci
1313:"Ojetti: I quadri a casa loro (1919)"
1255:Marco Nicoletti (11 September 2002).
673:
589:
586:ceased publication in December 1935.
402:loosely, “Examining one’s conscience”
390:treaty obligation dating back to 1882
368:and enjoying a fine view across over
1013:Dizionario Biografico degli Italiani
976:Dizionario Biografico degli Italiani
1747:. Il giornale online S.R.L., Milano
242:"The Future of Literature in Italy"
13:
1136:Notizie su possessore o possessori
618:the post-1922 ruling establishment
14:
1834:
1813:20th-century Italian male writers
434:“Dedalo” and other arts magazines
339:. Fernanda came originally from
230:
1793:20th-century Italian journalists
1657:Luca Scialò (19 February 2017).
1205:Beatrice Manetti (13 May 2004).
704:Anglo-American military pressure
284:, a daily newspaper produced in
187:and then moved on to the city’s
1360:"Flieger"&ref=anno-search "
1084:
1064:Francesco Sasso; Ugo Oggietti.
760:
321:"The Caprices of Count Ottavio"
1549:Chi Siamo … Profilo … Persone
972:"Ojetti, Raffaello (Raffaele)"
751:
635:series of “Italian classics”.
1:
773:
616:indicated full acceptance by
207:, a daily newspaper based in
1808:20th-century Italian writers
1100:Giovanna De Lorenzi (1992).
173:Raffaello Ojetti (1845–1924)
157:
122:Raffaello Ojetti (1845–1924)
7:
1291:Boutique Hotels in Florence
10:
1839:
1138:. Fondo Ugo e Paola Ojetti
851:. Freie Universität Berlin
824:. Bertolami Fine Art, Roma
562:. “Pan” was produced in
408:and indeed teamed up with
317:"L'Illustrazione Italiana"
163:Provenance and early years
1818:Italian magazine founders
1798:Journalists from Florence
1686:. ReggioTV. 28 April 2020
970:Francesco Franco (2013).
638:
276:“Fanfulla della Domenica”
114:
104:
96:
92:Magazine founder / editor
84:
74:
52:
34:
25:
18:
1523:"Ojetti Ugo 1871 – 1946"
1362:Neues Wiener Abendblatt"
1162:Photo-portrait with date
744:
731:“Ordine dei giornalisti”
680:fall of fascism in Italy
127:Veronica Carosi (mother)
109:Paola Ojetti (1908–1978)
1714:La stanza di Montanelli
1257:"La casa di Ugo Ojetti"
708:Italian Social Republic
700:Italian Social Republic
181:"Collegio Sant'Ignazio"
167:Ugo Ojetti was born in
655:and based on the 1827
375:
260:Journalist-commentator
88:Journalist-Commentator
1783:Journalists from Rome
1394:Politische Propaganda
1007:Laura Cerasi (2013).
907:Enciclopedia Italiana
871:"Frasi di Ugo Ojetti"
696:remote mountain hotel
625:Enciclopedia Italiana
189:"Sapienza University"
1708:(13 November 2000).
1417:"Gli anni di Dedalo"
1127:Cristina Cavallaro.
792:Enciclopedia on line
578:than he had been at
568:Giuseppe De Robertis
554:In 1933 he launched
1803:Italian art critics
1788:People from Fiesole
1718:Corriere della Sera
1043:Personaggio storico
735:Corriere della Sera
570:from the south and
521:Corriere della Sera
457:Corriere della Sera
428:Gabriele D'Annunzio
410:Gabriele D'Annunzio
398:Corriere della Sera
333:Ferdinando Cesaroni
327:Family and Florence
305:"Giornale d'Italia"
299:for the pioneering
290:Corriere della Sera
1525:. ArtsLife History
1502:Il Popolo d’Italia
727:liberation of Rome
718::- • “He was an
674:Repubblica di Salò
649:”I promessi sposi”
645:sound film version
590:Ojetti and fascism
493:Bianchi Bandinelli
380:North of the Alps
1663:Le voci di dentro
1496:(25 April 1925).
712:“Social Republic”
134:
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1636:” Cinematografo”
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1582:NonSoloBiografie
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1494:Giovanni Gentile
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1272:
1263:. Archived from
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716:Indro Montanelli
633:Classici Rizzoli
606:Giovanni Gentile
513:Lionello Venturi
501:Bernard Berenson
482:Matteo Marangoni
362:Villa Salviatino
152:"Count Octavian"
30:
16:
15:
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1366:. 9 August 1918
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692:remarkable raid
676:
653:“The Betrothed”
641:
592:
509:Antonio Maraini
465:Emilio Bestetti
436:
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329:
262:
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215:. It was for
165:
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75:Alma mater
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1584:. January 1970
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1261:Case e memorie
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1072:. Retroguardia
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1045:. ”Histouring”
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875:”frasicelebri”
862:
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668:Mario Camerini
640:
637:
601:concurrent war
591:
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549:Italy’s rulers
517:Roberto Longhi
453:September 1919
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100:Fernanda Gobba
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56:1 January 1946
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1396:. Wien Museum
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1267:on 2007-09-28
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1211:la Repubblica
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1009:"Ojetti, Ugo"
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903:"Ojetti, Ugo"
898:
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866:
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843:Selena Daly.
839:
823:
819:
813:
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788:"Ojetti, Ugo"
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17:
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1688:. Retrieved
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1662:
1652:
1640:. Retrieved
1635:
1626:
1614:. Retrieved
1598:
1586:. Retrieved
1581:
1569:
1557:. Retrieved
1548:
1545:"Ugo Ojetti"
1539:
1527:. Retrieved
1517:
1505:. Retrieved
1501:
1488:
1476:. Retrieved
1471:
1459:
1447:. Retrieved
1442:
1433:
1421:. Retrieved
1410:
1398:. Retrieved
1393:
1388:Ugo Ojetti.
1383:
1377:
1368:. Retrieved
1365:
1361:
1354:
1342:. Retrieved
1332:
1320:. Retrieved
1316:
1306:
1294:. Retrieved
1290:
1281:
1269:. Retrieved
1265:the original
1260:
1250:
1238:. Retrieved
1227:
1215:. Retrieved
1200:
1188:. Retrieved
1178:
1166:. Retrieved
1161:
1152:
1140:. Retrieved
1135:
1122:
1110:. Retrieved
1105:
1095:
1086:
1074:. Retrieved
1069:
1059:
1047:. Retrieved
1042:
1033:
1021:. Retrieved
1012:
979:. Retrieved
975:
946:. Retrieved
941:
938:"Ugo Ojetti"
915:. Retrieved
913:, Roma. 1935
906:
878:. Retrieved
874:
865:
853:. Retrieved
848:
838:
826:. Retrieved
821:
812:
800:. Retrieved
791:
782:
762:
753:
724:
677:
666:directed by
642:
622:
593:
553:
533:
497:Piero Jahier
437:
401:
379:
357:Paola Ojetti
330:
320:
294:
279:
265:
263:
241:
234:
217:"La Tribuna"
205:"La Tribuna"
166:
151:
149:
136:
135:
38:15 June 1871
1778:1946 deaths
1773:1871 births
720:academician
267:Il Marzocco
254:unification
1767:Categories
822:Personaggi
774:References
725:After the
631:, and the
438:After the
137:Ugo Ojetti
20:Ugo Ojetti
1751:10 August
1724:10 August
1690:10 August
1668:10 August
1642:10 August
1616:10 August
942:Biografie
688:Mussolini
664:1941 film
596:July 1943
445:the north
281:La Stampa
250:Garibaldi
158:Biography
1720:, Milano
1588:9 August
1559:9 August
1553:Treccani
1529:9 August
1507:9 August
1478:9 August
1449:9 August
1439:"Pègaso"
1423:9 August
1400:8 August
1370:8 August
1344:8 August
1322:8 August
1296:8 August
1271:8 August
1240:8 August
1217:8 August
1190:8 August
1168:8 August
1142:8 August
1112:7 August
1076:7 August
1049:7 August
1023:7 August
1017:Treccani
981:7 August
948:7 August
917:7 August
911:Treccani
880:7 August
855:7 August
828:7 August
802:7 August
796:Treccani
684:the king
580:“Pègaso”
540:“Pègaso”
536:Florence
525:“Dedalo”
486:Florence
478:“Dedalo”
461:“Dedalo”
449:the east
370:Florence
341:Piedmont
337:Florence
272:Florence
145:aphorist
124:(father)
105:Children
739:Fiesole
694:on the
657:Manzoni
447:and to
394:Austria
366:Fiesole
303:-based
246:Mazzini
197:English
177:Spoleto
141:Italian
115:Parents
64:Tuscany
60:Fiesole
1555:, Roma
1213:, Roma
1019:, Roma
798:, Roma
639:Cinema
629:Treves
560:Pègaso
529:Treves
490:Senese
488:, the
415:Venice
313:London
238:Venice
201:French
97:Spouse
90:Author
1611:Lecco
1607:(PDF)
1578:(PDF)
1468:(PDF)
1132:(PDF)
745:Notes
584:”Pan”
576:”Pan”
564:Milan
556:”Pan”
484:from
473:Milan
406:Reims
349:Milan
309:Paris
297:Paris
286:Turin
225:Luxor
221:Egypt
68:Italy
46:Italy
1753:2022
1726:2022
1692:2022
1670:2022
1644:2022
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1170:2022
1144:2022
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1078:2022
1051:2022
1025:2022
983:2022
950:2022
919:2022
882:2022
857:2022
830:2022
804:2022
706:the
678:The
538:.
515:and
503:and
495:and
419:Pula
353:Rome
345:Rome
301:Rome
278:and
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199:and
185:Rome
169:Rome
79:Rome
53:Died
42:Rome
35:Born
647:of
547:of
471:in
376:War
311:or
248:or
183:in
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991:^
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790:.
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832:.
806:.
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