2329:
22:
273:
2362:
2296:
326:, the credit for the first piece "The Legend of Knocksheogowna" and three others were claimed by Maginn, including the prominent "Daniel O'Rourke". But according to Croker, the manuscript of "Daniel O'Rourke" was in the handwriting of Humphreys, touched up by Maginn, and further altered by Croker before going into print. Though such production that entails modification at multiple stages may be poorly countenanced by the modern folklorist, it is pointed out that such methodology is not so distant from the one practised by the Grimms at the time.
110:
412:
2271:
1103:
2348:
355:, for the sake of actor Daniel Terry. The actor had obtained ownership of the theatre, with considerable financial backing from Walter Scott, who was a friend of the actor's. Scott lavished praises on the pantomime at a meeting with Croker. Though it has been told anecdotally that it was Scott's idea to turn this into a play, Croker had this notion earlier, as evidenced in his notes to
39:
1444:, pp. 547–554, e.g. "since the stories were well-known folk-tales, Croker had a loop-hole of escape", p. 551; "very digressive and confusing description", p. 551; "No one knew better the slippery tactics of the Leprechaun", p. 552; " So far from allaying existing doubts this preface renders confusion more confused", p. 553; "busy shrouding authorship in mystery", p. 554.
536:(1993), which also depicted Croker in a sympathetic light, stating that he showed genuine affection for the peasantry, and commiseration for the oppression felt by Ireland. Hultin and Ober have suggested that Croker was trapped between two polar-opposite stereotypes of the Irish: both "intelligent, sensitive" and "headstrong, violent".
263:
It was instrumental in attracting a wider audience to traditional Irish tales, not just within the
English-speaking world, but farther abroad. However, Croker modified the tales according to his own inclinations, and has been criticised for adding too literary a style, and contrived humour to the
708:, appointed successor at Killanully, then rector of Clonfert, Cloyne in 1892, later of Sheffield), who selected this piece for an anthology of Maginn's tale published in 1933. Both works (i.e., "Fairies or No Fairies" and "Knockgrafton") may well be Maginn's product, bringing the tally to five.
505:
Croker did not present his folklore as he found them, but reinvented them in his own literary style, as pointed out by numerous commentators, even cursory ones. The sort of mixing of folklore and literature was also carried out by contemporaries such as Walter Scott in
Scotland. But Croker the
121:, the only son of Major Thomas Croker and his wife, the former Miss Dillon, daughter of Croker Dillon and widow of a Mr Fitton. At age 15, he apprenticed in business. During the years 1812 to 1815, he travelled the south of Ireland and began collecting legends and songs. Croker took one Irish
334:
in 1828. In the wake of it, Croker published the 1834 third edition that eliminated portions of competing claims, reducing the number of tales from 50 down to 40, and purged of "most of the copious notes", of which the comparative notes
Keightley claimed to have supplied. Literary scholar
391:(1829) was both a critical and commercial disappointment. It was written in the form of a guided tour through the landscapes of at Killarney, interspersed with legends told in the dialect of the peasantry. He also featured discussions of the music of his friend the Irish piper
80:, though after his death his kinsmen insisted Maginn had written four or more of the tales. Croker retracted ten tales in his third edition of (1834), and after his death, a fourth edition (1859) appeared which was prefaced with a memoir written by his son.
525:. Yeats repeatedly refers to the class that "imagined as a humorist's Arcadia", and continues "Their work had the dash as well as the shallowness of an ascendant and idle class, and in Croker is touched everywhere with beauty – a gentle Arcadian beauty".
556:
which contained narratives and poetry, calling them "the monkish chronicles" or "relics", and stating in a cavalier manner that Irish history would not suffer at all at "the total loss of the legendary records of an age of ignorance and superstition".
466:
notes that he did not actually translate the keen himself but pass off the labour of native Irish informants such as Mrs. Harrington as his own, and when left to his own devices, Croker "merely revealed ignorance" of the Irish language.
211:. According to Croker in his preface, the book was illustrated with pencil drawings by Miss Nicholson and Alfred Nicholson (1788–1833) (his future wife and brother-in-law) who accompanied him on the field trip gathering material.
461:
in 1817. It was an earlier version which was shown to Crabbe in correspondence, but on Crabbe's advice, Croker had revised the translation to a more simplified version, more in keeping with the original Irish.
1109:
329:
Croker eventually took sole credit, and kept all of the proceeds from the book's financial success, but of these collaborators, only
Keightley publicly voiced protest, and Keightley went on to publish his own
260:, though undergoing stylistic modifications by the engraver, Brooke. The third edition, three volumes in one was published in 1834. The work went through a total of six editions during the 19th century.
521:). Yeats was not the only one to charge Croker with viewing the lore of the Irish peasantry in a tinted "humorised" light; this gratuitous mockery was also noted, for example, by folklorist
765:
Quote: "Irish critics, sensitive to the use of dialect and to comic portrayals of Irish peasantry, have accused Croker of an indifference typical of the 'Ascendancy' who ruled the country".
693:
The third by Maginn was "The Legend of Bottle Hill", and a fourth was "Fairies or No
Fairies" according to the author's brother (Rev. Charles Arthur Maginn, b. 1815, rector of Castletown,
1297:
Notices on "John Maginn (brother of the celebrated
William Maginn)" and "C. A. Maginn (brother of his predecessor), entered T. C. D. on 4th June, 1832, being then seventeen years old".
1362:
Church and Parish
Records of the United Diocese of Cork, Cloyne, and Ross, Comprising the Eventful Period in the Church's History of the Forty Years from A.D. 1863, to the Present Time
522:
1535:. Vol. 2. Maurice Francis Egan, Charles Welsh, Douglas Hyde, Lady Gregory, James Jeffrey Roche (assoc. & manag. edd.). John D. Morris & Company. pp. 680–681.
228:(1825–1828), which enjoyed immense popular success. This would be Croker's most important work. Walter Scott praised the book in a letter, and commended it in his own works.
149:
Croker also showed talent as an artist, and his works were exhibited at Cork in 1817 ("pen-sketches of pilot-boats"), but he abandoned art in favour of literary pursuit.
1721:, p. 546 who points out that Croker in 1847 was busy "copying out of the anti-Irish Collection of Constitutional Songs edited by A. Edwards (Cork, 1799)" for his
305:
did not even bear Croker's name, owing to this being a collaborative effort. Humphreys, a Quaker, was a companion during Croker's excursions into the south 1812–1815.
698:
528:
Literary scholar Neil C. Hultin also defended the author. Hultin was well aware that Irish critics bristled at Croker's comic caricatures of the Irish and their
697:, Co. Cork since 1840, and rector of Killanully, Cork from 1874 until his death on 2 February 1887 at age 72). But a conflicting claim makes the fourth to be "
1114:
379:, formed a club named "Noviomagian Society", for which Croker was voted president. Collecting, antiquarianism, and jocularity were hallmarks of the society.
449:(1844) for the Percy Society. The first item in this collection (in the preface) was a keen composed in Irish by the mother of Flory Sullivan, collected in
136:
289:
Because Croker had lost the manuscript after collecting it from the field, he had to reconstruct the anthology through help from other writers, such as
76:, who voiced his complaint publicly, and soon published his own rival work. The other collaborators generally allowed Croker to take credit, notably
392:
532:, but refrained from himself criticising Croker for insensitivity. Hultin co-wrote with Warren U. Ober the introduction to Croker's reissued
97:
wrote a biographical paper that scrutinises Croker's habit of publishing writings by others under his own name. Defenders of Croker include
1930:
Researches in the South of
Ireland: Illustrative of the Scenery, Architectural Remains, and the Manners and Superstitions of the Peasantry
560:
He claimed to be capable of reading Irish manuscripts, but it is doubtful whether he had any real proficiency in the Irish language.
72:
and the work had to be reconstructed with the help of friends. He did not acknowledge his debt satisfactorily in the estimation of
21:
1524:
753:
98:
2289:
171:, and who procured him a position as a clerk there, a position he would retain for thirty years until his retirement in 1850.
2417:
2025:
The Keen of the South of
Ireland: As Illustrative of Irish Political and Domestic History, Manners, Music, and Superstitions
1963:
Fairy legends and traditions of the south of
Ireland [by T.C. Croker]. With a short memoir of the author by his son
671:
156:
a set of about forty ancient Irish air or songs, and some collected poetry, and Moore used the material in editions of his
2039:. Early English poetry, ballads, and popular literature of the Middle ages XXI. Vol. Part 1. London: Percy Society.
241:, 1826). Parts two and three followed in 1828. Part three consisted of the long Grimm essay on fairies (prefaced to the
2422:
2407:
2044:
2412:
855:
376:
1563:
245:) Croker translated, coupled with a section on Welsh fairy tales written by an unidentified female correspondent.
2314:
93:, and criticised him for comic distortions of the Irish tradition, an assessment echoed by other Irish critics.
2202:
1659:
1573:
1467:
1205:
1083:
934:
163:
After his father's death on 22 March 1818, the estate was managed by his distant relative (or of no relation),
506:
antiquarian betrayed a "patronizing" attitude toward his subject, the Irish common folk steeped in tradition.
125:(keening) that he collected in Cork in 1813, and translated it into English prose, which was published in the
86:, who appropriated a number of tales for his anthology, characterised Croker as belonging to the class of the
339:
gave a modern-day view criticism of Croker's dodging his way out of attributing the effort of collaborators.
428:
315:
2397:
2212:
Vejvoda, Kathleen (2004), ""Too Much Knowledge of the Other World": Women and Nineteenth-Century Irish",
1915:
1901:
424:
2402:
2028:. Early English poetry, ballads, and popular literature of the Middle ages XIII. London: Percy Society.
1545:
Clarke, Stephen. (2014). “Rosamond’s Bower, The Pryor’s Bank, and the long shadow of Strawberry Hill.”
546:
237:
2310:
2109:
474:
the deceased are among the earliest and most significant contributions to the understanding of the
1880:
892:
623:
Additional titles, and notices of the journals he had contributed to, are listed by Croker's son.
2126:
994:
Hultin, N. C. (1987), "Belief and Interpretation in T. Crofton Croker's Legends of the Lakes",
372:
2142:
1910:
1896:
1647:
1559:
1528:
1300:
1071:
922:
846:
38:
2285:
2249:
2186:
1455:
1357:
1321:
The Fraserian Papers of the Late William Maginn, LL. D.: Annotated, with a Life of the Author
1319:
141:
90:
1961:
1195:
178:
as "Little as a dwarf, keen-eyed as a hawk and of very prepossessing manners—something like
2392:
2387:
2138:
463:
336:
94:
83:
2320:
8:
2371:
348:
294:
2295:
2133:. Daniel Maclise (illustr.) (New ed.). London: Chatto & Windus. pp. 49–53.
2361:
2301:
2237:
2229:
2174:
2154:
2085:
1460:
Staging Fairyland: Folklore, Children's Entertainment, and Nineteenth-Century Pantomime
1011:
306:
164:
87:
174:
He was a man of short stature, measuring 4 feet 10½ inches tall, and described by Sir
109:
2324:
2305:
2241:
2198:
2040:
1655:
1569:
1463:
1307:. Vol. 2. London: Longman, Green, Longman, Roberts, and Green. pp. 106–107.
1201:
1079:
930:
701:", according to the reckoning by the author's nephew (Rev. Charles Arthur Maginn, b.
552:
489:
168:
514:
470:
He and his wife's testimonies about funereal customs, particularly the tradition of
272:
2333:
2221:
2077:
1003:
298:
127:
73:
1007:
2058:
2052:
2034:
2023:
2012:
2001:
1991:
1983:
1972:
1950:
1939:
1928:
684:
Humphreys later headed "the Deaf and Dumb Institution at Claremont, near Dublin".
666:
529:
453:, Co. Cork in 1813. Croker's translation of it into English got published in the
420:
352:
57:(1825–1828), and who also showed considerable interest in Irish song and music.
2276:
850:
653:
640:
475:
435:
290:
257:
232:
190:
77:
65:
29:
2225:
1200:. Richard Dorson (foreword). London: University of Chicago Press. p. vi.
2381:
2036:
Popular Songs, Illustrative of the French Invasions of Ireland, in Four Parts
1238:
458:
450:
439:
411:
400:
132:
2353:
1565:
The Man & His Music: An Anthology of the Writings of Breandán Breathnach
1385:
1383:
1130:
1128:
231:
The first part was published in 1825; and was translated into German by the
2357:
1067:
870:
868:
866:
518:
485:
253:
186:
179:
175:
153:
2195:
National Dreams: The Remaking of Fairy Tales in Nineteenth-Century England
1456:"2 Fairy-Tale Sociability: Print and Performance in Folklore's Prehistory"
970:
968:
966:
964:
962:
960:
806:
804:
791:
789:
787:
2065:
1380:
1324:. Richard Dorson (foreword). New York: Redfield. pp. xxxvii–xxxviii.
1125:
730:
Though "Other contributors also protested", according to Sean O'Sullivan.
310:
256:; while the second edition was supplied with original drawings by Cork's
208:
118:
2233:
2178:
2165:Ó Casaide, Séamus (June–December 1940), "Crofton Croker's Irish Fairy",
2158:
2103:(New ed.), Delmar: Scholars' Facsimiles & Reprints, pp. i–
1582:
863:
351:
under the title "Harlequin and the Eagle", and performed in 1826 at the
2089:
1119:
1015:
957:
842:
801:
784:
185:
Croker eventually devoted himself largely to the collection of ancient
69:
1881:"Our Portrait Gallery―No. LV: Thomas Crofton Croker, F.S.A., M.R.I.A."
492:. His wife survived him but briefly, passing away on 6 October 1854.
2081:
2342:
2338:
122:
1102:
64:
purported to be an anthology of tales Croker had collected on his
2367:
2131:
The Maclise Portrait-gallery of "illustrious Literary Characters"
1974:
Daniel O'Rourke; or, Rhymes of a pantomime. Founded on that story
471:
396:
50:
2110:"An O'Connellite in Whitehall: Thomas Crofton Croker, 1798-1854"
859:. Vol. 13. London: Smith, Elder & Co. pp. 132–134.
371:
In 1828, Croker participated in an excavation of the Roman site
301:, and R. Adolphus Lynch of Killarney. The first 1825 edition of
1611:
1609:
694:
478:
457:
in 1815, as already noted above, and caught the notice of poet
1654:, Macmillan International Higher Education, pp. 246–247,
748:
Yeats here is more selectively quoted by the short bio in the
617:
Popular Songs, Illustrative of the French Invasions of Ireland
1723:
Popular Songs illustrative of the French Invasions of Ireland
929:, vol. 1, Greenwood Publishing Group, pp. 240–241,
510:
1606:
1411:
1368:
1701:
1699:
1697:
1594:
1335:
1333:
1331:
1250:
1228:
1226:
2096:
Hultin, Neil C.; Ober, Warren U. (1983) , "Introduction",
1879:
1389:
1244:
1134:
874:
1985:
Legends of the Lakes: Or, Sayings and Doings at Killarney
1909:
1895:
1626:
1624:
1588:
974:
897:
Journal of the Cork Historical and Archaeological Society
810:
795:
576:(1833) were actually written by Croker's wife, Marianne.
389:
Legends of the Lakes; or, Sayings and Doings at Killarney
1694:
1500:
1488:
1423:
1328:
1305:
Clerical and parochial records of Cork, Cloyne, and Ross
1223:
1164:
1140:
1048:
599:
Legends of the Lakes, or Sayings and Doings at Killarney
2068:(January 1946), "The Brothers Grimm and T. C. Croker",
1152:
927:
The Greenwood Encyclopedia of Folktales and Fairy Tales
488:, London, England on 8 August 1854, and lies buried in
1856:
1672:
1670:
1621:
1026:
1024:
947:
945:
2286:"Archival material relating to Thomas Crofton Croker"
2098:
Fairy Legends and Traditions of the South of Ireland
1966:. Thomas Francis Dillon Croker. London: William Tegg.
1476:
1350:
1348:
1115:
A Short Biographical Dictionary of English Literature
509:
Croker was an Anglo-Irishman (like Keightley), or as
196:
2266:
2189:
Fairy Legends and Traditions of the South of Ireland
2187:"3 Everything Is in the Telling:T. Crofton Croker's
1952:
Fairy Legends and Traditions of the South of Ireland
1941:
Fairy Legends and Traditions of the South of Ireland
1682:
1291:
587:
Fairy Legends and Traditions of the South of Ireland
544:
Croker was contemptuous of Irish annals such as the
226:
Fairy Legends and Traditions of the South of Ireland
55:
Fairy Legends and Traditions of the South of Ireland
1796:
1756:
1667:
1279:
1036:
1021:
942:
717:Croker was a directly supplying information to the
309:named himself as the contributor of two tales, and
135:in 1817, through the intermediary of the antiquary
2197:. University of Pennsylvania Press. pp. 58–.
1844:
1832:
1820:
1808:
1768:
1744:
1345:
656:'s breakfast party on this date (20 October 1926).
347:Croker adapted the tale "Daniel O'Rourke" into a
2379:
1568:. Dublin: Na PĂobairĂ Uilleann. pp. 34–36.
1404:, p. xxv, "Introduction", p. xxv, cited by
539:
652:From Scott's journal entry. The two men met at
49:(15 January 1798 – 8 August 1854) was an
1193:
1354:Notices on the two "Charles Arthur Maginn"s.
1060:
131:in 1815 and caught the attention of the poet
1519:
1517:
1515:
1447:
1189:
1187:
1185:
1183:
1181:
1179:
739:A letter mediated by Richard Sainthill, esq.
267:
2254:Fairy and Folk Tales of the Irish Peasantry
887:
885:
883:
363:, with a second edition appearing in 1828.
342:
2360:
2294:
2107:
2095:
1705:
1558:
1552:
1401:
1220:"reprints are dated 1859, 1862, and 1882".
2164:
2137:
2108:Hultin, Neil C.; Ober, Warren U. (1993).
1911:"Sir Walter Scott and Mr. Crofton Croker"
1734:
1718:
1615:
1512:
1494:
1441:
1429:
1417:
1374:
1339:
1317:
1311:
1273:
1232:
1176:
1170:
1054:
752:anthology, chiefly edited by Cork native
431:FSA, FRGS, was their son and only child.
361:Daniel O'Rourke, or Rhymes of a Pantomime
2184:
1652:Macmillan Dictionary of Irish Literature
1641:
1639:
1630:
1523:
1453:
1318:Mackenzie, Robert Shelton, ed. (1999) .
1097:
1095:
989:
987:
985:
983:
880:
410:
375:, and together with some members of the
271:
108:
37:
20:
2374:, with 41 library catalogue records
2330:Works by or about Thomas Crofton Croker
2211:
1970:
1802:
1405:
916:
914:
912:
910:
619:, Parts I–IV. (1845–1847), repr. (1847)
500:
382:
2380:
2064:
2032:
2021:
2010:
1999:
1981:
1959:
1948:
1937:
1923:
1862:
1850:
1838:
1826:
1814:
1790:
1786:
1774:
1762:
1750:
1688:
1600:
1506:
1482:
1256:
1158:
1146:
993:
951:
2247:
2124:
1977:(Second ed.). London: Ainsworth.
1955:. Vol. 1–3. London: John Murray.
1676:
1645:
1636:
1547:Journal of the History of Collections
1298:
1285:
1092:
1066:
1042:
1030:
980:
920:
837:
835:
833:
831:
829:
827:
825:
823:
821:
819:
2006:. London: Fisher, Son & Jackson.
1364:. Cork: Guy and Company. p. 68.
1355:
923:"Croker, Thomas Crofton (1798–1854)"
907:
626:
415:Headstone, Brompton Cemetery, London
207:(1824), was well-received by fellow-
841:
13:
2147:Studies: An Irish Quarterly Review
1988:. Vol. 1. London: John Ebers.
1919:. November 1854. pp. 452–455.
1897:"Thomas Crofton Croker (obituary)"
1739:Researches in the South of Ireland
893:"Folk Lore: Antiquarian Gleanings"
816:
581:Researches in the South of Ireland
205:Researches in the South of Ireland
198:Researches in the South of Ireland
14:
2434:
2262:
2143:"Thomas Crofton Croker 1798-1854"
1905:. October 1854. pp. 397–401.
1390:Dublin University Magazine (1849)
1245:Dublin University Magazine (1849)
1135:Dublin University Magazine (1849)
875:Dublin University Magazine (1849)
665:Notes to the 1830 edition of his
481:and the accompanying traditions.
252:was illustrated with woodcuts by
152:Around 1818, he sent to the poet
104:
2346:
2269:
2214:Victorian Literature and Culture
2114:Éire: A Journal of Irish Studies
2003:The Adventures of Barney Mahoney
1462:. Wayne State University Press.
1118:, 1910, p. 102 – via
1101:
856:Dictionary of National Biography
611:The Keen of the South of Ireland
563:
447:The Keen of the South of Ireland
434:Croker assisted in founding the
214:
1780:
1728:
1711:
1539:
1435:
1395:
1262:
1214:
1076:The Journal of Sir Walter Scott
759:
742:
733:
724:
711:
687:
678:
659:
646:
633:
297:, his friend Joseph Humphreys,
117:Croker was born in the city of
2354:Works by Thomas Crofton Croker
2339:Works by Thomas Crofton Croker
2321:Works by Thomas Crofton Croker
2248:Yeats, William Butler (1888),
550:, and manuscripts such as the
167:who was then Secretary of the
113:Croker. Family-owned portrait.
53:antiquary, best known for his
1:
1074:. In Anderson, W.E.K. (ed.).
1008:10.1080/0015587x.1987.9716397
772:
702:
574:My Village versus our Village
540:On ancient manuscript records
406:
366:
42:T. Crofton Croker's autograph
2418:Burials at Brompton Cemetery
2250:"The Legend of Knockgrafton"
2014:The Popular Songs of Ireland
1589:Gentleman's Magazine (1854a)
975:Gentleman's Magazine (1854a)
811:Gentleman's Magazine (1854a)
796:Gentleman's Magazine (1854b)
359:. The play was published as
303:Fairy Legends and Traditions
7:
2345:(public domain audiobooks)
2302:Works by T. Crofton Crocker
2185:Schacker, Jennifer (2015).
1454:Schacker, Jennifer (2018).
1356:Cole, John Harding (1903).
921:Gavin, Adrienne E. (2007),
568:According to Croker's son,
495:
25:Crofton Croker at his home.
10:
2439:
2311:Works by T. Crofton Croker
2070:The Modern Language Review
1891:(55): 202–216, August 1849
1885:Dublin University Magazine
1299:Brady, W. Maziere (1864).
1194:O'Sullivan, Sean (1999) .
925:, in Haase, Donald (ed.),
721:, as MacCarthy points out.
719:Dublin University Magazine
547:Annals of the Four Masters
281:Dublin University Magazine
2423:19th-century Irish people
2408:19th-century antiquarians
2226:10.1017/S106015030400035X
1793:, 2nd ed., Parts 1, 2, 3.
672:Demonology and Witchcraft
423:(1792–1854), daughter of
319:as another collaborator.
268:Collaboration controversy
2125:Bates, William (1891) .
2033:—— (1847) .
2017:. London: Henry Colburn.
1971:—— (1828b).
1916:The Gentleman's Magazine
1902:The Gentleman's Magazine
1706:Hultin & Ober (1993)
1402:Hultin & Ober (1983)
1270:A Memory of Thomas Moore
847:"Croker, Thomas Crofton"
605:Popular Songs of Ireland
343:Daniel O'Rourke on stage
2413:People from Cork (city)
2127:"Thomas Crofton Croker"
2022:—— (1844).
2011:—— (1839).
2000:—— (1832).
1982:—— (1829).
1960:—— (1859).
1949:—— (1828).
1938:—— (1825).
1529:"Thomas Crofton Croker"
699:The Legend Knockgrafton
517:Irish gentility" (like
419:Croker married in 1830
316:Parliamentary Companion
1944:. London: John Murray.
1933:. London: John Murray.
1925:Croker, Thomas Crofton
1737:, p. 546, citing
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1741:: chap. xviii, P. 334
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387:Croker's third book,
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248:The first edition of
203:Croker's first book,
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47:Thomas Crofton Croker
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1560:Breathnach, Breandán
1197:Folktales of Ireland
572:(2nd ed., 1832) and
501:Attitude to folklore
383:Legends of the Lakes
337:Bridget G. MacCarthy
238:Irische Elfenmärchen
101:and Neil C. Hultin.
95:Bridget G. MacCarthy
84:William Butler Yeats
2372:Library of Congress
1789:, 1st ed., Part 1.
1618:, pp. 544–545.
1420:, pp. 548–549.
1377:, pp. 551–552.
1268:Hall, S. C. (1879)
1247:, pp. 202–203.
1078:. Canongate Books.
589:, 3 vols. (1825–28)
523:Seán Ó Súilleabháin
429:T. F. Dillon Croker
349:Christmas Pantomime
295:David Richard Pigot
2398:Irish antiquarians
1509:, pp. xi–xii.
1149:, pp. vi–vii.
421:Marianne Nicholson
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373:Noviomagus in Kent
307:Samuel Carter Hall
287:
165:John Wilson Croker
115:
68:, he had lost his
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2325:Project Gutenberg
2306:Project Gutenberg
2141:(December 1943),
1648:"Folklore, Irish"
1161:, pp. 45–46.
1072:"20 October 1826"
627:Explanatory notes
553:Book of Ballymote
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311:Charles Dod
209:antiquaries
140: [
88:Anglo-Irish
66:field trips
28:—Sketch by
2382:Categories
2315:Faded Page
2256:, W. Scott
2204:0812204166
2167:BĂ©aloideas
1661:134907795X
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1469:0814345921
1207:0226639983
1120:Wikisource
1085:184767495X
936:0313049475
773:References
445:He edited
407:Later life
367:Noviomagus
222:Researches
91:ascendancy
2242:162138066
2100:by Croker
2057:(1847) ;
778:Citations
180:Tom Moore
169:Admiralty
60:Although
2343:LibriVox
2317:(Canada)
2234:25058651
2179:20642543
2159:30099490
1927:(1824).
1717:Compare
1562:(1996).
1070:(2010).
996:Folklore
845:(1888).
496:Analysis
442:(1840).
123:coronach
2332:at the
2090:3717492
1016:1259402
853:(ed.).
472:keening
397:bagpipe
264:tales.
2240:
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2061:(1847)
2054:Part 2
2043:
1658:
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695:Cloyne
669:, and
613:(1844)
607:(1839)
601:(1829)
583:(1824)
530:brogue
479:lament
283:(1849)
2238:S2CID
2230:JSTOR
2175:JSTOR
2155:JSTOR
2086:JSTOR
1992:vol.
1012:JSTOR
849:. In
519:Lover
511:Yeats
144:]
51:Irish
2199:ISBN
2041:ISBN
1656:ISBN
1570:ISBN
1464:ISBN
1202:ISBN
1080:ISBN
931:ISBN
189:and
119:Cork
2370:at
2356:at
2341:at
2323:at
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2304:at
2222:doi
2078:doi
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322:In
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