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Song of Roland

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with these good people are the wicked Moors – North African Muslims and Arabs – and their Sultan, in Jerusalem. With the assistance of the wicked and treacherous magician, Gano of Maganz, Biancofiore is stolen from her fortress castle, and taken to become the reluctant wife of the Sultan. The catalyst for victory is the good magician, Urlubulu, who lives in a lake, and flies through the air on the back of his magic blue bird. The English translators, using the original illustrations, and the basic rhyme patterns, slightly simplify the plot, changing the Christians-versus-Muslim-Moors conflict into a battle between good and bad magicians and between golden knights and green knights. The French traitor in The Song of Roland, who is actually Roland's cowardly step-father, is Ganelon – very likely the inspiration for Luzzati's traitor and wicked magician, Gano. Orlando Furioso (literally, Furious or Enraged Orlando, or Roland), includes Orlando's cousin, the paladin Rinaldo, who, like Orlando, is also in love with Angelica, a pagan princess. Rinaldo is, of course, the Italian equivalent of Ronald. Flying through the air on the back of a magic bird is equivalent to flying on a magic
1026:. This work is more closely based on a screenplay written by Michael Eging in 2008, simply known as "Song of Roland" and first optioned to Alan Kaplan at Cine LA that same year. The book explores the untold story of how Roland finds himself at Ronceveaux, betrayed by Ganelon and facing the expansive Saragossan host. Primary characters in the novel include Charles (Charlemagne), Ganelon, Bishop Turpin, Oliver, Aude, Marsilion, Blancandarin and others recognizable from the poem. Introduced in this tale are additional characters that inject intrigue and danger to the story, including Charles oldest son, Pepin, Marsilion's treacherous son, Saleem, and the scheming Byzantine emissary, Honorius. The cover artwork was hand painted by Jordan Raskin. The authors determined when writing both the screenplay and the novel to remain in the world created by the poem; thus, Charles remains an older man near the end of his long reign rather than in 778 when the attack on the rearguard actually occurred. Further, this novel bookends the story with 938:
Saracens coming, urged Roland to blow his horn and fetch back Charlemagne – but Roland wouldn't blow. A big brave fool. In war one always chooses the wrong hero. Oliver should have been the hero of that song, instead of being given second place with the blood-thirsty Bishop Turpin. In the Oxford version Oliver is reconciled in the end, he gives Roland his death-blow by accident, his eyes blinded by wounds. the story had been tidied up. In truth, Oliver strikes his friend down in full knowledge – because of what he has done to his men, all the wasted lives. Oliver dies hating the man he loves – the big boasting courageous fool who was more concerned with his own glory than with the victory of his faith. This makes the story tragedy, not just heroics".
144: 267:, informed in part by patriotic desires to elevate a distinctly French epic, could thus overstate the textual cohesiveness of the Roland tradition as they presented it to the public. Andrew Taylor notes, "he Roland song was, if not invented, at the very least constructed. By supplying it with an appropriate epic title, isolating it from its original codicological context, and providing a general history of minstrel performance in which its pure origin could be located, the early editors presented a 4,002 line poem as sung French epic". 40: 304: 276: 741: 1465: 328: 482: 999:
Luzzati's original verse story in Italian is about the plight of a beautiful maiden called Biancofiore – White Flower, or Blanchefleur – and her brave hero, Captain Rinaldo, and Ricardo and his paladins – the term used for Christian knights engaged in Crusades against the Saracens and Moors. Battling
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forced him to become a soldier and secret agent. Throughout the book, he repeatedly compares himself and other characters with the characters of "Roland". Particularly, the book includes a full two pages of specific commentary, which is relevant to its 20th-century plot line: "Oliver, when he saw the
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and the Christians are overwhelmed. Oliver pleads with Roland to blow his horn to call for help, but Roland tells him that blowing his horn in the middle of the battle would be an act of cowardice. If Roland continues to refuse, Oliver will not let Roland see his sister again whom Roland loves the
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The story moves at a fast pace, occasionally slowing down and recounting the same scene up to three times but focusing on different details or taking a different perspective each time. The effect is similar to a film sequence shot at different angles so that new and more important details come to
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The Franks discover Ganelon's betrayal and keep him in chains until his trial, where Ganelon argues that his action was legitimate revenge, not treason. While the council of barons assembled to decide the traitor's fate is initially swayed by this claim, partially out of fear of Ganelon's friend
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Roland's Franks fight well, but are outnumbered, until almost all his men are dead and he knows that Charlemagne's army can no longer save them. Despite this, he blows his olifant to summon revenge, blowing so hard that his temples start to bleed. After a few more fights, Roland succumbs to his
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of Babylon, has arrived in Spain to help Marsile. His army encounters that of Charlemagne at Roncesvalles, where the Christians are burying and mourning their dead. The Franks fight valiantly. When Charlemagne kills Baligant, the Muslim army scatters and flees, leaving the Franks to conquer
228:, which supports a date of composition after the Crusade. Those favoring an earlier dating argue that the term is used generically to refer to "a Muslim land." It is possible that the bulk of the poem dates from before the Crusades, with a few additions from the time of the First Crusade. 776:, and was supposedly the sharpest sword in all existence. In the story of the Song of Roland, the weapon is given to Roland, and he uses it to defend himself single-handedly against thousands of Muslim attackers. According to one 12th-century legend from the French town of 1468: 283:
Certain lines of the Oxford manuscript end with the letters "AOI". The meaning of this word or annotation is unclear. Many scholars have hypothesized that the marking may have played a role in public performances of the text, such as indicating a place where a
1341: 1170:, for instance, spoke of "ultramarinarum partium gestis" ("deeds done in the lands beyond the sea", Chronicon Ghisnense et Ardense, ed. Denis-Charles Godefroy Ménilglaise, Paris 1855, pp. 215–17) when referring to the Crusades. Likewise, 390:, who counsels him to conciliate the Emperor, offering to surrender and giving hostages. Accordingly, Marsile sends out messengers to Charlemagne, promising treasure and Marsile's conversion to Christianity if the Franks will go back to 542:
The narrator gives few explanations for characters' behaviour. The warriors are stereotypes defined by a few salient traits; for example, Roland is loyal and trusting while Ganelon, though brave, is traitorous and vindictive.
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Pinabel who threatens to fight anyone who judges Ganelon guilty, one man, Thierry, argues that because Roland was serving Charlemagne when Ganelon delivered his revenge on him, Ganelon's action constitutes a betrayal.
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would change the tempo. Contrarily, Nathan Love believes that "AOI" marks locations where the scribe or copyist is signaling that he has deviated from the primary manuscript: ergo, the mark indicates the source is a
996:(1969). The Picture Lion paperback edition (William Collins, London, 1973) is a paperback imprint of the Hutchinson Junior Books edition (1969), which credits the English translation to Hutchinson Junior Books. 624:
and nephew of Charlemagne. Wields the sword Durandal. Leads the rear guard of the French forces; bursts his temples by blowing his olifant-horn, wounds from which he eventually dies facing the enemy's land.
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from the late eighth century, the attackers were Basques seeking revenge against Charlemagne's army for the looting of Pamplona. The following is the depiction in the poem itself, not a historical account.
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and thirty of his relatives are hanged. Bramimonde converts to Christianity, her name changing to Juliana. While sleeping, Charlemagne is told by Gabriel to ride to help King Vivien and bemoans his life.
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and celebrated legendary deeds. An early version was composed around 1040 AD, with additions and alterations made up to about 1115 AD. The final poem contains about 4,000 lines.
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pairs. Roland proposes Ganelon for the dangerous mission to Sarrogossa; Ganelon designates Roland to man the rearguard. Charlemagne is contrasted with Baligant. Unlike later
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in the manuscript itself) — and that most of the alterations were completed by about 1098. Some favor the earlier dating, which allows that the narrative was inspired by the
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adoption of this ballad named "RuntsivalstrĂ­Ă°iĂ°" (Battle of Roncevaux), and a Norwegian version called "Rolandskvadet". The ballad is one of many sung during the
780:, Roland threw the sword into a cliffside. A replication of the legendary sword can be found there, embedded into the cliff-face next to the town's sanctuary. 654: 570:, wise pagan; suggests bribing Charlemagne out of Spain with hostages and gifts, and then suggests dishonouring a promise to allow Marsile's baptism. 436:
When Charlemagne and his men reach the battlefield, they find the slaughtered bodies of Roland and his men. They pursue the Muslims into the river
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most. However, Archbishop Turpin intervenes and tells them that the battle will be fatal for all of them and so instructs Roland to blow his horn
539:, the poem focuses on action rather than introspection. The characters are presented through what they do, not through what they think or feel. 2075: 1300: 2330: 678: 1577: 203:, (1096–1099). Others favor a later dating based on brief passages which are interpreted as alluding to events of the First Crusade. 409:
of a way to ambush the rear guard of Charlemagne's army, led by Roland, as the Franks re-enter Francia through the mountain passes.
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DiVanna, Isabel N. "Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century."
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as messenger. Ganelon, who fears being murdered by the enemy and accuses Roland of intending this, takes revenge by informing the
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Charlemagne and his men, tired of fighting, accept his peace offer and select a messenger to Marsile's court. The protagonist
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After two manuscripts were found in 1832 and 1835 and published in 1837, the Song of Roland became recognized as France's
1514: 596:, treacherous lord and Roland's stepfather who encourages Marsile to attack the French army. Wields the sword Murgleis. 17: 1479: 1262: 800:(often known as "The Pseudo-Turpin") even earlier. Around 1170, a version of the French poem was translated into the 214:) occurs three times in the text in reference to named Muslims who came to fight in Spain and France. The Old French 468:. By divine intervention, Thierry kills Pinabel. By this the Franks are convinced of Ganelon's treason. Thus, he is 2320: 2068: 1496: 1227: 815:). In his translation Konrad replaces French topics with generically Christian ones. The work was translated into 2119: 1457: 911: 907: 1992: 1493:, discussion of Oxford, Bodleian Library MS Digby 23, audio clip, and discussion of the manuscript's provenance. 1570: 1547: 2315: 2280: 2146: 790: 367: 185:
Scholars estimate that the poem was written between approximately 1040 and 1115 — possibly by a poet named
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series in which Roland Deschain wishes to save the Dark Tower from the Crimson King, itself inspired by
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BĂ©rengier, one of the twelve paladins killed by Marsile's troops; kills Estramarin; killed by Grandoyne.
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in many different versions with varying material and episodes, which were fixed and harmonized in the
182:. There are eight additional manuscripts and three fragments of other poems on the subject of Roland. 2335: 2295: 2127: 1563: 199:
campaigns of the 1030s and that the poem was established early enough to be a major influence in the
112:. It exists in various manuscript versions, which testify to its enormous and enduring popularity in 33: 429:
to Francia. Charlemagne and his noblemen gallop back even though Count Ganelon tries to trick them.
425:(an elephant tusk hunting horn) to call for help from the Frankish army. The emperor hears the call 412:
As Ganelon predicted, Roland leads the rear guard, with the wise and moderate Oliver and the fierce
2300: 2101: 320: 101: 2167: 1340:", Part 1, Ch. 2, quoted in "Graham Greene: an approach to the novels" by Robert Hoskins, p. 122 942: 663:
Besgun, chief cook of Charlemagne's army; guards Ganelon after Ganelon's treachery is discovered.
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King Capuel; kills Gerin, Gerier, Berenger, Guy St. Antoine, and Duke Astorge; killed by Roland.
2013: 1337: 929: 532: 117: 52: 1959: 1487: 1013:, by Bungie, in the 13th level. Durandal is also the name of the main antagonist of the game. 2310: 2153: 1508: 1445: 1171: 1027: 1009: 796: 675:, standard bearer of Charlemagne; brother of Thierry, Charlemagne's defender against Pinabel. 179: 1555: 2270: 1999: 1933: 1796: 1746: 1716: 1666: 765: 631: 422: 175: 1099: 8: 2006: 1771: 1676: 1630: 1369: 1174:, writing about a century later, also used the "outremer" reference as self-explanatory ( 627: 500:. The lines are decasyllabic (containing ten syllables), and each is divided by a strong 113: 2160: 2020: 840: 697:, Frankish commander of one of the first divisions against Baligant; killed by Baligant. 2085: 2027: 1985: 1811: 1058: 1031: 988:, which translates literally as "The Paladins of France or the treachery of Ganelon of 801: 587: 316: 257: 225: 1741: 1531: 1440: 1258: 1193: 1167: 966: 934: 808: 355: 109: 1152: 984:, in 1960, was turned into the children's picture-story book, with verse narrative, 894:(1782), the most popular of Haydn's operas during his lifetime, is based loosely on 744:
The replication of the sword found in the cliff-face next to Rocamadour's sanctuary.
709:, a Dane who leads the third column in Charlemagne's army against Baligant's forces. 143: 2234: 2219: 1974: 1751: 1681: 1625: 1591: 1063: 962: 903: 890: 870: 853: 823: 648: 611: 349:
s account of the Battle of Roncesvalles is not supported by history. According to
171: 147: 93: 87: 60: 1451: 1122: 580:, King Marsile's wife; captured and converted by Charlemagne after the city falls. 2034: 1832: 1726: 948: 899: 858: 719: 635: 465: 454: 155: 132: 77: 1540: 2239: 1964: 1781: 874: 845: 706: 307:
Roland blows his olifant (ivory hunting horn) to summon help holding his sword
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is also known; such translations contributed to the awareness of the story in
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Othon, guards the Frankish dead while Charlemagne pursues the Saracen forces.
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sound as every other end-syllable in that laisse. The laisse is therefore an
469: 232: 200: 48: 1525: 39: 2209: 1761: 1069: 885: 816: 599: 417: 375: 336: 303: 275: 1938: 1877: 602:, Saracen king of Spain; Roland wounds him and he dies of his wound later. 2199: 2189: 1711: 1696: 1605: 1587: 773: 761: 757: 753: 583: 567: 536: 485: 387: 363: 131:, a literary form that flourished between the 11th and 16th centuries in 105: 992:" (Ugo Mursia Editore, 1962). This was then republished, in English, as 740: 703:, guards the Frankish dead while Charlemagne pursues the Saracen forces. 162:
was written centuries later. There is a single extant manuscript of the
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http://www.iuniverse.com/Bookstore/BookDetail.aspx?BookId=SKU-000995830
1001: 965:(the Continental counterpart to the Arthurian legendarium known as the 777: 682: 669:, guards the Frankish dead; becomes leader of Charlemagne's 2nd column. 614:, Roland's friend; mortally wounded by Margarice. He represents wisdom. 573: 470:
torn apart by having four galloping horses tied one to each arm and leg
450: 312: 224:) was commonly used during and after the First Crusade to refer to the 167: 124: 830:, which incorporates the later, southern aesthetic into the story. An 370:. They have campaigned for seven years, and the last city standing is 2053: 1882: 1867: 1857: 1842: 1791: 1736: 1075: 1042: 1038: 831: 528: 513: 371: 481: 433:
wounds and dies a martyr's death. Angels lift his soul to Paradise.
2184: 2041: 1928: 1913: 1862: 1852: 1731: 1691: 1661: 1474: 1435: 1301:"Rocamadour: Roland's sword, Durandal, leaves for the Cluny museum" 749: 735: 590:; his forces fight the Saracens in Spain. Wields the sword Joyeuse. 577: 561: 508:. The last stressed syllable of each line in a laisse has the same 505: 441: 406: 379: 308: 286: 243: 220: 191: 1398:
Song of Roland: An Analytical Edition: Introduction and Commentary
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Song of Roland: An Analytical Edition: Introduction and Commentary
657:, Frankish baron, murdered while serving as Ambassador of Marsile. 2244: 2204: 1923: 1908: 1837: 1816: 1786: 1766: 1756: 1721: 1671: 1656: 1651: 1640: 1615: 1030:'s use of the poem as a motivator for Norman forces prior to the 1016:
On 22 July 2017 Michael Eging and Steve Arnold released a novel,
769: 715: 593: 517: 501: 402: 391: 378:, who is pictured not as a Muslim, but a follower of Mahumet and 350: 327: 564:, emir of Babylon; Marsile enlists his help against Charlemagne. 279:
Detail of manuscript showing "AOI" at the end of the second line
2229: 2224: 2214: 1954: 1903: 1806: 1776: 1620: 1610: 617: 605: 497: 493: 413: 398: 383: 97: 85: 1585: 989: 862:, which deals largely with characters first described in the 849: 844:, and a translation into the artificial literary language of 509: 127:
is the first and one of the most outstanding examples of the
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Catalogue record in Medieval Manuscripts of Oxford Libraries
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I Paladini de Francia ovvero il tradimento di Gano di Maganz
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According to the Song of Roland, the legendary sword called
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The death of Roland at the Battle of Roncevaux, illuminated
1178:, ed. Joseph Bédier & Pierre Aubry, Paris 1909, p. 171) 453:, Queen of Saragossa, Charlemagne and his men ride back to 445: 437: 1370:"Chanson de Roland – dArtagnan: Lyrics & Translation" 1045:
released "Chanson de Roland", a modern adaptation of the
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Thierry, fights for Charlemagne in the judicial combat.
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features extensive use of repetition, parallelism, and
1499:, Digital facsimile of the earliest manuscript of the 1228:"AOI in the Chanson de Roland: A divergent hypothesis" 206:
Relevant to the question of dating the poem, the term
1049:. It has garnered over 1.8 million views on YouTube. 178:. It dates between 1129 and 1165 and was written in 691:, joint Commander of Charlemagne's Eighth Division. 1190:The Song of Roland, and Other Poems of Charlemagne 1326:Part of RuntsivalstrĂ­Ă°iĂ° with DansifelagiĂ° Ă­ Havn 1192:. New York: Oxford University Press. p. xi. 811:(formerly thought to have been the author of the 401:, Charlemagne's nephew, nominates his stepfather 2257: 244:Oral performance compared to manuscript versions 248:Scholarly consensus has long accepted that the 1212:Taylor, Andrew, "Was There a Song of Roland?" 1127:Dictionnaire Étymologique de l'Ancien Français 2069: 1571: 973:. The names Roland and Orlando are cognates. 32:For the 1978 film starring Klaus Kinski, see 1500: 1176:Les chansons de croisade avec leurs mĂ©lodies 1021: 923:has an important place in the background of 918: 120:literature from the 12th to 16th centuries. 1142:. France: Le Livre de Poche. pp. 5–20. 941:It is also adapted by Stephen King, in the 826:verse in the 14th- or 15th-century poem of 651:, the fiancĂ©e of Roland and Oliver's sister 488:finds Roland dead (14th-century miniature). 382:. Threatened by the might of Charlemagne's 108:. It is the oldest surviving major work of 59:(15th century), currently preserved in the 2076: 2062: 1578: 1564: 1187: 386:, Marsile seeks advice from his wise man, 783: 138: 1353:The Silver Horn Echoes: A Song of Roland 1247: 1245: 1018:The Silver Horn Echoes: A Song of Roland 976:Emanuele Luzzati's animated short film, 756:by an angel. It contained one tooth of 739: 681:, fighter on Marsile's side; son of the 480: 326: 302: 274: 142: 38: 1453:The Song of Roland--(Dorothy L. Sayers) 1414:(Johns Hopkins University Press, 1963). 1098:. FordhamUniversity.edu. Archived from 642: 555: 504:which generally falls after the fourth 14: 2258: 2083: 877:folkdance tradition of chain dancing. 440:, where the Muslims drown. Meanwhile, 2057: 1559: 1242: 1137: 880: 1225: 1157:Archives de littĂ©rature du Moyen Ă‚ge 953:Childe Roland to the Dark Tower Came 238: 1188:Gaunt, Simon; Pratt, Karen (2016). 1138:Short, Ian (1990). "Introduction". 319:in the background in the midst the 104:in AD 778, during the reign of the 24: 2331:Cultural depictions of Charlemagne 1390: 1007:It appears in the 1994 video game 263:Early 19th century editors of the 25: 2347: 1425: 1488:The Romance of the Middle Ages: 1463: 608:, Charlemagne's trusted adviser. 47:in one picture; illustration by 2120:Orlando e i Paladini di Francia 1446:Charles Kenneth Scott Moncrieff 1412:The ethos of the song of Roland 1362: 1345: 1330: 1319: 1293: 1267: 449:Saragossa. With Marsile's wife 1548:New International Encyclopedia 1219: 1206: 1181: 1161: 1146: 1131: 1113: 1088: 898:via Ariosto's version, as are 634:, represents the force of the 464:Pinabel challenges Thierry to 13: 1: 2286:Songs about military officers 2147:Carmen de Prodicione Guenonis 1281:(in French). 16 December 2014 791:Carmen de Prodicione Guenonis 550: 496:of irregular length known as 416:. The Muslims ambush them at 332: 27:11th-century French epic poem 1993:Le Pèlerinage de Charlemagne 1517:Audio clips of a reading of 994:Ronald and the Wizard Calico 888:and Nunziato Porta's opera, 718:, fights for Ganelon in the 457:, their capital in Francia. 57:Grandes Chroniques de France 7: 2326:Works of unknown authorship 1542:"Roland, The Song of"  1473:public domain audiobook at 1052: 729: 311:while mounted on his horse 10: 2352: 1419:Reading the Song of Roland 822:It was also rendered into 733: 638:. Wields the sword Almace. 523:On a narrative level, the 92:based on the deeds of the 31: 2177: 2138: 2111: 2093: 1973: 1947: 1896: 1825: 1639: 1598: 1400:(Penn State Press, 2010). 1275:"The sword of Rocamadour" 368:the Arab Muslims in Spain 123:The epic poem written in 34:The Song of Roland (film) 2102:Battle of Roncevaux Pass 1897:Swords and other objects 1826:Horses and other animals 1444:(English translation of 1355:, iUniverse, July 2017 ( 1256:, Penn State Press, 2010 1238:(4). SociĂ©tĂ© Rencesvals. 1216:76 (January 2001): 28–65 1081: 910:opera and their earlier 218:(oversea, modern French 102:Battle of Roncevaux Pass 43:The eight phases of the 2321:Anglo-Norman literature 1410:Jones, George Fenwick. 1407:84.223 (2011): 109–134. 492:The song is written in 476: 298: 252:was at first performed 86: 2014:The Four Sons of Aymon 1501: 1338:The Confidential Agent 1153:"La Chanson de Roland" 1022: 930:The Confidential Agent 919: 784:Historical adaptations 745: 547:light with each shot. 489: 339: 324: 280: 270: 151: 139:Manuscripts and dating 81: 67: 53:illuminated manuscript 2154:Historia Caroli Magni 1226:Love, Nathan (1984). 1028:William the Conqueror 978:I paladini di Francia 819:in the 13th century. 797:Historia Caroli Magni 768:, and a piece of the 743: 484: 330: 306: 278: 150:, MS Digby 23, Part 2 146: 84:) is an 11th-century 42: 2316:Epic poems in French 2281:Songs about soldiers 2000:Chanson de Guillaume 1747:Girart de Roussillon 1481:La Chanson de Roland 1172:Thibaut of Champagne 1140:La Chanson de Roland 1123:La Chanson de Roland 1096:"The Song of Roland" 1023:La Chanson de Roland 643:Secondary characters 632:Archbishop of Rheims 556:Principal characters 366:'s army is fighting 154:Although set in the 82:La Chanson de Roland 2007:Gormond et Isembart 1960:La Brèche de Roland 1631:Renaud de Montauban 1405:Historical Research 1252:Brault, Gerard J., 856:published his epic 752:was first given to 537:Romantic literature 321:Battle of Roncevaux 106:Emperor Charlemagne 2276:11th-century poems 2266:The Song of Roland 2128:The Song of Roland 2086:The Song of Roland 2028:Orlando Innamorato 1986:The Song of Roland 1812:William of Gellone 1519:The Song of Roland 1490:The Song of Roland 1470:The Song of Roland 1436:The Song of Roland 1396:Brault, Gerard J. 1032:Battle of Hastings 1020:, inspired by the 969:), and related to 959:The Song of Roland 896:The Song of Roland 881:Modern adaptations 802:Middle High German 746: 620:, the hero of the 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In 1516 838:exists as 828:Ronsasvals 778:Rocamadour 764:, hair of 574:Bramimonde 551:Characters 451:Bramimonde 374:, held by 313:Veillantif 168:Old French 125:Old French 1939:PrĂ©cieuse 1883:Tencendur 1878:TachĂ«brun 1868:Sautperdu 1858:Passecerf 1843:Gramimond 1792:Rodomonte 1737:Fierabras 1076:Lamprecht 1043:dArtagnan 1039:folk rock 1034:in 1066. 914:version. 832:Old Norse 679:Grandoyne 372:Saragossa 216:oltre mer 197:Castilian 2185:Baligant 2042:Morgante 1929:Murgleys 1914:Durendal 1863:Rabicano 1853:Marmorie 1797:Ruggiero 1732:Ferragut 1717:Brunello 1692:Baligant 1677:Atlantes 1667:Angelica 1662:Albracca 1641:Paladins 1590:and the 1528:podcast. 1475:LibriVox 1460:(Canada) 1214:Speculum 1053:See also 1010:Marathon 750:Durandal 736:Durandal 730:Durandal 673:Godefroy 578:Zaragoza 562:Baligant 520:stanza. 516:, not a 506:syllable 442:Baligant 427:en route 423:oliphant 407:Saracens 309:Durendal 287:jongleur 221:outremer 192:Turoldus 114:Medieval 94:Frankish 51:from an 2245:Pinabel 2205:Ganelon 1934:Olifant 1924:Joyeuse 1909:Curtana 1838:Gaignun 1817:Zerbino 1787:Pinabel 1772:Melissa 1767:Maugris 1762:Marsile 1757:Marfisa 1722:Charlot 1672:Astolfo 1657:Agrican 1652:Agolant 1616:Ganelon 1551:. 1905. 1421:(1970). 1232:Olifant 875:Faroese 871:Faroese 824:Occitan 770:raiment 716:Pinabel 594:Ganelon 518:rhyming 514:assonal 502:caesura 498:laisses 494:stanzas 403:Ganelon 392:Francia 380:Apollin 351:Einhard 258:textual 100:at the 55:of the 2230:Turpin 2225:Roland 2220:Oliver 2215:Naimon 2131:(1978) 2123:(1959) 2094:Source 1955:Aachen 1948:Places 1904:Almace 1833:Bayard 1807:Turpin 1777:Oberon 1626:Oliver 1621:Naimon 1611:Roland 1261:  1196:  695:Lorant 667:Geboin 636:Church 628:Turpin 618:Roland 612:Oliver 606:Naimon 399:Roland 384:Franks 260:form. 254:orally 187:Turold 176:Oxford 158:, the 98:Roland 78:French 2240:Ogier 2112:Films 1873:Sorel 1687:Aymon 1586:King 1082:Notes 1041:band 990:Mainz 850:Italy 707:Ogier 701:Milon 689:Hamon 655:Basan 510:vowel 347:' 315:with 2235:Aude 1682:Aude 1313:2019 1287:2019 1259:ISBN 1194:ISBN 917:The 912:1714 908:1727 902:and 649:Aude 622:Song 535:and 477:Form 446:emir 438:Ebro 342:The 299:Plot 210:(or 116:and 70:The 1643:and 1456:at 1439:at 1125:on 955:". 927:'s 906:'s 807:by 455:Aix 353:'s 271:AOI 174:at 166:in 2262:: 1545:. 1372:. 1303:. 1277:. 1244:^ 1236:10 1234:. 1230:. 1155:, 1004:. 866:. 630:, 586:, 394:. 333:c. 235:. 80:: 63:, 2077:e 2070:t 2063:v 1579:e 1572:t 1565:v 1505:. 1448:) 1382:. 1359:) 1336:" 1315:. 1289:. 1202:. 1109:. 951:" 722:. 323:. 189:( 76:( 36:. 20:)

Index

The Song of Roland
The Song of Roland (film)

Simon Marmion
illuminated manuscript
Hermitage Museum
St. Petersburg
French
chanson de geste
Frankish
Roland
Battle of Roncevaux Pass
Emperor Charlemagne
French literature
Medieval
Renaissance
Old French
Medieval Europe

Bodleian Library
Carolingian era
Old French
Bodleian Library
Oxford
Anglo-Norman
Turoldus
Castilian
First Crusade
outremer
Latin Levant

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