60:'s retelling: 'An old man that had travelled a great way under a huge Burden of Sticks found himself so weary that he cast it down, and called upon Death to deliver him from a more miserable Life. Death came presently at his call, and asked him his business. Pray, good Sir, says he, Do me but the Favour to help me up with my burden again.' Originally, however, the old man's request was for Death to carry the sticks for him.
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233:, made woodcuts and etchings of the fable, but his most celebrated etching was of the dramatic plaster sculpture he made in 1882. In this the woodman is sprawled across a rock and looks up fearfully at the cowled figure of death curving above him. A later sculpture by
110:(Death and the woodman, I.16) stays closer to the original and is prefaced by a note in which La Fontaine confesses that he was blamed for the freedom of his first version by a contemporary critic and wrote the second by way of comparison.
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167:'s, depicting the laden woodman leaning against a rock, in which the spectral figure of Death with his scythe is merely an outline down a forest aisle. In the 18th century, the English artist
160:(2006), in the style of a saraband; and the setting of the Greek text of Aesop's fable for octet and voice by Lefteris Kordis as part of his Aesop Project (2010).
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commissioned a
Chinese painting of this fable and others for a special edition illustrated by artists from around the world that was published about 1840.
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Book illustrations and prints of the fable have largely shown a skeleton, sometimes cloaked, bending over the prone woodman. A notable exception was
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106:(Death and man in misfortune, I.15) is a rewriting of the story in which the main emphasis is placed on the moral to be drawn from the situation.
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30:. Because this was one of the comparatively rare fables featuring humans, it was the subject of many paintings, especially in France, where
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also painted a realistic version in 1893, while the treatment by Joseph Paul Louis Bergès (1878–1956) in 1905 is more in the
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theirs in 1837. The latter two portray tiny figures dwarfed by the forest that surrounds them. At that time, too, Baron
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contributed to the fable's growing popularity in Europe. In fact, La
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The Taill of how this forsaid Tod maid his
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painted two Gothic versions. The earliest, dating from 1774, is now in the
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who used La
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The fable is a simple anecdote demonstrating the theme of love of life (
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Alphonse Legros' etching of his sculptural treatment of the fable, 1882
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83:. A French version also appeared at this time in Bernard Salomon's
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Reading
Undercover: Audience and Authority in Jean de La Fontaine
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There have been a number of musical adaptations of La
Fontaine's
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The
Orchestre de la Suisse Romande conducted by the composer
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87:(Lyons 1544). In England there was a Latin version in
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in 1815. It was later made a lighthearted section of
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The Taill of the
Uponlandis Mous and the Burges Mous
85:
Les Fables d'Esope
Phrygien, mises en Ryme Francoise
71:. Then it was told in the fable collections of the
122:, of which the earliest was the two-act musical (
67:, the fable did not have much currency until the
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152:(Op. 72, 1875). Later interpretations include
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213:, whose treatment of the subject, now in the
63:Because ancient sources were confined to the
1159:The Taill of Schir Chanticleir and the Foxe
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1138:The Morall Fabillis of Esope the Phrygian
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1323:Fiction about personifications of death
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144:(1941). There were also settings by
1062:Out of the frying pan into the fire
952:(also known as The Mice in Council)
764:The Goose that Laid the Golden Eggs
604:The Astrologer who Fell into a Well
200:FĂ©lix-SĂ©bastien Feuillet de Conches
34:'s adaptation had made it popular.
13:
1001:The miller, his son and the donkey
619:The Bird-catcher and the Blackbird
523:Illustrations from books from the
316:Discussed in Anne Lynn Birberick,
14:
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976:The drowned woman and her husband
879:The Travellers and the Plane Tree
699:The Fisherman and the Little Fish
517:
280:History of the Graeco-Latin Fable
190:exhibited his painting in 1833,
158:Eh bien ! Dansez maintenant
779:The Horse that Lost its Liberty
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789:The Lion, the Bear and the Fox
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924:The Young Man and the Swallow
644:The Cock, the Dog and the Fox
624:The Bird in Borrowed Feathers
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1111:The Grasshopper and the Ants
996:The Hawk and the Nightingale
919:The Woodcutter and the Trees
874:Town Mouse and Country Mouse
839:The Old Woman and the Doctor
754:The Frogs Who Desired a King
320:, Buckness University 1998,
7:
1052:The labyrinth of Versailles
991:The Gourd and the Palm-tree
899:Washing the Ethiopian White
864:The Snake in the Thorn Bush
849:The Satyr and the Traveller
794:The Man with Two Mistresses
579:The Ant and the Grasshopper
472:Dictionnaire de la Peinture
276:Francisco RodrĂguez Adrados
10:
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956:The Blind Man and the Lame
824:The North Wind and the Sun
664:The Dog and Its Reflection
609:The Bear and the Travelers
599:The Ass in the Lion's Skin
344:The music can be heard on
156:'s as the fourth piece in
98:The story's appearance in
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26:and is numbered 60 in the
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1072:The milkmaid and her pail
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1021:The Shepherd and the Lion
1016:The Scorpion and the Frog
945:The Bear and the Gardener
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884:The Trees and the Bramble
869:The Tortoise and the Hare
844:The Rose and the Amaranth
729:The Fox and the Sick Lion
614:The Belly and the Members
594:The Ass Carrying an Image
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559:
488:Musée Jean de la Fontaine
1077:Wolf in sheep's clothing
961:The Boy and the Filberts
904:The Weasel and Aphrodite
819:The Mouse and the Oyster
774:The Horse and the Donkey
704:The Fowler and the Snake
689:The Farmer and the Viper
684:The Farmer and the Stork
659:The Deer without a Heart
649:The Crow and the Pitcher
229:style. Another Realist,
196:Eugène-Ferdinand Buttura
114:Artistic interpretations
104:La Mort et le malheureux
1011:The Priest and the Wolf
966:Chanticleer and the Fox
809:The Moon and her Mother
744:The Fox and the Woodman
694:The Fir and the Bramble
584:The Ass and his Masters
449:La Fontaine Museum site
1006:The Monkey and the Cat
940:An ass eating thistles
909:The Wolf and the Crane
859:The Snake and the Crab
814:The Mountain in Labour
804:The Miser and his Gold
784:The Lion and the Mouse
739:The Fox and the Weasel
714:The Fox and the Grapes
654:The Crow and the Snake
639:The Cock and the Jewel
629:The Boy Who Cried Wolf
215:Ny Carlsberg Glyptotek
169:Joseph Wright of Derby
120:La Mort et le bûcheron
108:La Mort et le bûcheron
47:
1192:Demetrius of Phalerum
1145:The Cock and the Jasp
1067:Still waters run deep
971:The Dog in the Manger
914:The Wolf and the Lamb
834:The Old Man and Death
769:The Honest Woodcutter
759:The Goat and the Vine
734:The Fox and the Stork
679:The Eagle and the Fox
217:, was refused by the
45:
20:The Old Man and Death
1318:La Fontaine's Fables
1242:Laurentius Abstemius
1175:La Fontaine's Fables
981:The Elm and the Vine
829:The Oak and the Reed
724:The Fox and the Mask
719:The Fox and the Lion
709:The Fox and the Crow
674:The Dove and the Ant
669:The Dog and the Wolf
634:The Cat and the Mice
416:exhibition catalogue
235:André Augustin Sallé
211:Jean-François Millet
100:La Fontaine's Fables
1272:Jean de La Fontaine
1222:Adémar de Chabannes
1104:Aesop's Film Fables
986:The Fox and the Cat
799:The Mischievous Dog
749:The Frog and the Ox
589:The Ass and the Pig
332:The text is in the
282:I, Leiden NL 1999,
205:With the coming of
173:Wadsworth Athenaeum
141:Les Animaux modèles
32:Jean de la Fontaine
1212:Dositheus Magister
177:Walker Art Gallery
48:
1300:
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525:15th–19th century
368:A performance on
182:Among the French
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1282:Nicolas Trigault
1257:Hieronymus Osius
1247:Roger L'Estrange
1217:Alexander Neckam
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124:folie-vaudeville
81:Hieronymus Osius
58:Roger L'Estrange
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223:LĂ©on Lhermitte
192:Gabriel Bouret
154:Vladimir Cosma
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65:Greek language
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1057:Lion's share
1042:Panchatantra
1037:Jataka tales
889:The Two Pots
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38:Love of life
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1292:Zhou Zuoren
1287:Robert Thom
1277:Ivan Krylov
1185:Translators
1123:adaptations
1096:adaptations
1047:Perry Index
486:Now in the
404:Art UK site
128:Henri Dupin
79:(1545) and
69:Renaissance
28:Perry Index
1307:Categories
933:Apocryphal
470:Larousse,
356:You Tube,
241:References
138:'s ballet
93:Aphra Behn
22:is one of
393:Wikimedia
322:pp. 20–22
306:Fable 211
227:Symbolist
221:in 1859.
73:Neo-Latin
1197:Phaedrus
295:Fable 10
53:φιλοζωία
1207:Avianus
1202:Babrius
1086:(album)
1030:Related
569:Aesop's
460:Wikiart
370:YouTube
346:YouTube
207:Realism
1131:Ysopet
1094:Screen
571:Fables
476:p. 545
284:p. 623
75:poets
1121:Print
561:Aesop
219:Salon
126:) by
194:and
148:and
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278:,
95:.
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553:e
546:t
539:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
