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Meyerbeer 1853-1855 2002 Page 752 Giacomo
Meyerbeer, Folkart Wittekind, Sabine Henze-Daring - 2002 "M. Lacombe: Der Pianist und Komponist Pierre Louis Trouillon-Lacombe (*26. XL 1818 Bourges, 30. IX. 1884 St. Vaast la Hougue) begab sich nach seinem Studium am Pariser Conservatoire unter anderem bei
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In Paris, Lacombe initially established himself as a virtuoso pianist, increasingly dedicating himself to composition and music criticism (his essays were partly reprinted in a posthumous collection,
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was a modern composition with musical continuity through each act, elaborate orchestration, and only a small amount of spoken dialogue. However, the opening night response was described as lukewarm.
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seen in so many French operas of the period. Though it is conservative in form, the orchestration and harmonic style are rich (...) Stirring homorhythmic choruses make
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Louis
Lacombe, (incorrectly stated as age 10 instead of age 12) in 1831, upon winning first prize for piano at the École Royale de Musique.
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performance at age 12 in 1831. He began touring
Western Europe after leaving the Conservatoire, and in 1834 studied composition in
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and married his first wife; his second wife, Andrea
Lacombe (née Favel), whom he married in 1869, was a singer.
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253:(1892), a four-act grand opera that premiered posthumously. Steven Huebner, writing in
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144:(26 November 1818 – 30 September 1884) was a French pianist and composer.
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