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believes that "Sechter unknowingly brought about
Bruckner's originality by insisting that it be suppressed until it could no longer be contained." Sechter taught Bruckner by mail from 1855 to 1861 and considered Bruckner his most dedicated pupil. Upon Bruckner's graduation, Sechter wrote a
230:'s theories of the fundamental bass, always diatonic even when the surface is highly chromatic; music theory historians strongly associate Sechter with the Viennese conception of fundamental bass theory. Sechter was an advocate of
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Sechter was also a composer, and in that capacity he is mostly remembered for writing about 5,000 fugues (he tried to write at least one fugue every day), but he also wrote masses and oratorios. In addition he wrote five
57:. He was one of the most prolific composers who ever lived, although his music is largely forgotten and he is now mainly remembered as a strict music teacher, most notably of
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Sechter had strict teaching methods. For instance, he forbade
Bruckner to write any original compositions while studying counterpoint with him. The scholar
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The
Correct Order of Fundamental Harmonies: A Treatise on Fundamental Basses, and their Inversions and Substitutes
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226:, Sechter wrote a seminal work that influenced many later theorists. Sechter's ideas are derived from
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had one counterpoint lesson with him. In 1851 Sechter was appointed professor of composition at the
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271:(?). In 1823–24, he was one of the 51 composers who composed a variation on a waltz by
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The
Schenker project: culture, race, and music theory in fin-de-siècle Vienna
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By Robert
Simpson, Robert Wilfred Levick Simpson Gollancz, 1967
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In the three-volume treatise on the principles of composition,
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as court organist there in 1824. In 1810 he began teaching
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Ezzeline, die unglĂĽckliche
Gegangene aus Deli-Katesse
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at an academy for blind students. In 1828 the ailing
322:Österreichisches Biographisches Lexikon 1815–1950
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334:The Wind and Wind-chorus Music of Anton Bruckner
308:"Schubert's Lesson with Sechter", Alfred Mann:
16:Austrian music teacher and composer (1788–1867)
34:(11 October 1788 – 10 September 1867) was an
298:http://www.lieder.net/lieder/m/kcmuller.html
224:Die Grundsätze der musikalischen Komposition
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79:(1831–1914) compiled and adapted Sechter's
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219:dedicated to his student.
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163:piano and counterpoint),
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361:Oxford University Press
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242:As composer
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89:G. Schirmer
399:Categories
285:References
181:BĂ©la KĂ©ler
173:Anton Door
95:Biography
91:, 1898).
63:Beethoven
51:conductor
265:Melusine
263:(1844),
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255:(1842),
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67:Schubert
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