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only joy in the life of Peter is his son Ilya who becomes a student; Peter sees running the factory as his duty, but he feels nothing but disgust and maybe fear to it, and yet, it becomes the only purpose in his life. Peter insists that Ilya must inherit the family business because its the family duty, but Ilya refuses, and after quarreling with the father, Ilya leaves the family forever, and he is not to be ever encountered by Peter. Peter kills Ilya's friend whom he dislikes very much, "a scraggy little boy", by kicking him too hard; Aramonov's yardman Tikhon is the only person who knows about it, but he doesn't tell anyone, and even Peter doesn't know that he knows about it. The later plot is the history of disintegration of Peter's personality. At the end of his life, Peter retires from running the factory and completely isolates himself and falls into a sort of unconsciousness; his younger son Yakov becomes the head of the family business, but he gets murdered in 1917, after the
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Natalia losts all of her friends she had before because of the bad reputation of the
Artamonov family they have in the town, as the locals view them as outsiders. Nikita secretly falls in love with her, but he doesn't tell her, and she suspects him as a spy put by the new husband. After an unsuccessful attempt of suicide, Nikita leaves the family and enters a monastery. Ilya dies when helping his workers to build the factory, and Peter becomes in charge of 'the family business'.
200:
in 1860s, Ilya
Artamonov, a serf himself, moves to the provincial town of Dromov with his sons Peter and Nikita, and Aleksei, the adopted nephew. In Dromov, Ilya makes Peter to marry the mayor's daughter, Natalia Baimakova, and founds 'the Artamonov Business', the linen factory. After marrying Peter,
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is the most impressive and dramatic. Here in concentrated form is the tragic failure of Russia’s middle classes in the decades before the
Revolution, seen in the small-town microcosm of a family of textile-manufacturers. In this book Gorki displays at their best the power of creating character and
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After marrying Peter, Natalia lost all joys she had before, and Peter becomes the only close person to her. However, in their relationship they are not really close. Peter doesn't love her, and he himself is moody, clumsy and unsociable. By living with him, Natalia loses all her will to life. The
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the gift for managing scenes of energetic action which won world-wide admiration for his early stories. His distinctive blend of humour and tragedy, violence and pity, exuberance and introspection, is here put at the service of a grander and more moving theme than he had hitherto attempted.
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wrote that although "it is honest, impersonal realism, thoughtful though morose", "author Gorky's powers, however fully displayed here, have produced books that were far more readable than this one.
232:"is undoubtedly the best of Gorky's novels", and that "it belongs to one of the main traditions of Russian literature, to a great number of denunciations of Russian spiritual poverty, such as
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and others of the author's earlier works, his latest offering is weak in treatment, chaotic in texture, and loose in its grip upon its subject-matter", while
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482:"GORKY'S; " DECADENCE" DECADENCE. By Marun Gorky. Translated by Veronica Dewey. New York: Robert M. McBride & Co. $ 2.50"
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The plot concerns the three generations of a pre-revolutionary industrialist family, from the beginning of 1860s to the
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Gorky: His
Literary Development and Influence on Soviet Intellectual Life
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470:Мирский Д. О литературе и искусстве: Статьи и рецензии 1922–1937
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by Helen
Altschuler (in 1952), it was given a good estimate.
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in 1927, it was criticized in the
English-language press.
175:. Critics often call it Gorky's best novel, or best after
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Neil
Cornwell, Reference Guide to Russian Literature
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with illustrations and by
Liberty Book Club in 1955)
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After the novel was translated by
Veronica Dewey as
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The
Concise Encyclopedia of Modern World Literature
290:wrote in the preface to Alec Brown's translation:
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278:Later, after the new two translations came out,
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589:(translation by Alec Brown with a foreword by
456:(translation by Alec Brown with a foreword by
981:Novels set in the 19th-century Russian Empire
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893:The I.V. Stalin White Sea – Baltic Sea Canal
314:wrote that "it is like a less sophisticated
159:written during his 10-year emigration from
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31:Title page of the first edition (
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341:with a foreword by Irwin Weil)
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996:Novels set during World War I
870:The Song of the Stormy Petrel
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282:by Alec Brown (in 1948), and
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599:Text of the novel in Russian
324:List of English translations
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367:Helen Altschuler (1952, as
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360:and with illustrations by
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16:1925 novel by Maxim Gorky
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294:Of all Gorki’s novels,
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178:The Life of Klim Samgin
20:The Artamonov Business
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346:The Artamonov Business
337:, reissued in 1984 by
308:The Artamonov Business
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296:The Artamonov Business
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163:. It was published in
147:), also translated as
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514:"NON-FICTION: Books"
358:Grosset & Dunlap
241:The Golovlyov Family
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920:Gorky Park (Moscow)
915:Maxim Gorki Theatre
796:Children of the Sun
207:February Revolution
51:Original title
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971:Family saga novels
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384:Screen adaptations
263:The New York Times
186:Revolution of 1917
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568:. Hawthorn Books.
429:Routledge, 2013,
404:Delo Artamonovykh
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198:serfdom in Russia
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710:(1925–1936)
635:Maxim Gorky
395:, director
362:Heron Books
339:Bison Books
251:The Village
157:Maxim Gorky
45:Maxim Gorky
955:Categories
804:Barbarians
788:Summerfolk
591:Alan Hodge
531:2023-02-03
499:2023-02-03
458:Alan Hodge
437:, 810 p.
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304:Irwin Weil
288:Alan Hodge
828:Reception
526:0040-781X
494:0362-4331
331:Decadence
259:Decadence
213:Reception
153:Decadence
138:romanized
85:Publisher
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749:" (1897)
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740:Chelkash
735:" (1895)
728:" (1892)
364:in 1968)
61:Language
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585:at the
452:at the
402:1981 —
389:1941 —
306:called
235:Oblomov
140::
129:Russian
115:Germany
65:Russian
940:Znanie
872:(1901)
863:Poetry
855:(1915)
839:(1910)
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823:(1908)
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678:(1906)
675:Mother
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651:Novels
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268:Mother
222:émigré
220:, the
165:Berlin
41:Author
935:Sreda
764:Plays
246:Bunin
244:and
111:Italy
71:Genre
522:ISSN
518:Time
490:ISSN
431:ISBN
352:and
273:Time
192:Plot
169:1925
101:1925
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