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flexible tubes of elemental fluids, as "a metaphor for transfiguration". While focused on leaving contact with the earth and "rising up into the air," he felt that he had "achieved a state of levitation that lasted more than two hours." The artist believed this to be his strongest work of sculpture, stating that the "whole room was energized".
400:"These instruments are to be played only in this way. No sound in the absence of vibration. Potential sound. The sounds created by the instruments will correspond to the sounds heard during an earthquake; objects falling, rolling across the floor, rumbling, glasses and plates breaking, glasses shattering, an alarm going off, etc."
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etched with faint words and scratches, and were shown with the "shiny side out". Occasionally blue paint would be applied to the scratched areas on the back side of the glass such that viewers would see themselves reflected in the black mirrors, and in certain lighting conditions would see the faint blue scratches and words.
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Gascia
Ouzounian, writes that the installation embodies an acoustic ecology where the environment itself is "seen as possessing agency and voice." Consisting of a scattering of objects designed to be "acoustically activated" by the subtle movements arising from Earth itself. Rather than recording
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that addressed the artist's emotions and physical symptoms of
Hodgkin's lymphoma, while also addressing notions of wellness and health. To prepare, Fox fasted for days before the performance. During the performance, he lay on a mound of dirt for six hours attempting to levitate while holding long,
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Fox performed the work alone in a darkened room at the
Richmond Art Center. After the performance, spectators could see the four tubes of fluids, water, blood, urine and milk, as well as the concave imprint of his body left in the dirt. The critic Peter Plagens described the work in Artforum as a
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presented the first one-person museum show of Fox's work. The exhibition curator, Brenda
Richardson, wrote: "The impact of Fox's work is total: either you see it not at all, or you see it through and through, to its center, to its heart beat. It has no ambiguity; it is black and white not only in
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until 1967. He was working at the post office at this time in preparation for traveling abroad. In 1966 he produced a series of "black mirror paintings"; these were made by spraying opaque black paint on clear glass, effectively producing a mirror surface. The black paint facing the wall was hand
225:, he performed a series "of continuous trancelike actions that took place over three days in an elaborate built environment. While viewers watched from a balcony, Fox ritualistically performed such activities as creating skeletal outlines on the floor in flour, blowing smoke, and baking bread."
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on the West Coast. Before permanently moving to Europe, he was based in San
Francisco in the late 1960s and 1970s and was associated with the underground art scene. Fox moved often and lived in the following cities: Rome (1962), San Francisco (1963–1966, late 1968–1978), Paris (1967–early 1968,
996:
In site: five conceptual artists from the Bay Area: Terry Fox, Howard Fried, David
Ireland, Paul Kos, Tom Marioni: University Gallery, Fine Arts Center, University of Massachusetts Amherst, February 2 March 17,
53:. He was of the first generation conceptual artists and was a central participant in West Coast performance art, video and conceptual art movements of the late 1960s and early 1970s. Fox was active in
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piece, he described both works as a poetic narrative of "Fox's struggle with his imperfect body, which is the artist's struggle with the world, which is our struggle with our treacherous selves."
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In 1985, the
Kunstraum Munich presented a solo show; and in 1988, he created a permanent outdoor installation at Via Toscanella in Florence, Italy. This was followed, in 1989, with a show of
184:. This was presented at the Kunstakademie DĂĽsseldorf (where Beuys was teaching at that time); a sound work was produced in conjunction with the performance and published in the form of an
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color but also in concept; Fox installations are stark and pure, and leave no room for equivocation." He would later have another solo show at the same museum in 1987.
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He produced several works (environments, performances, sculptures, drawings) over an eight-year period from 1971 to 1978 based on the theme of the configuration of the
428:, his first solo museum show curated by Brenda Richardson in 1973, and one in 1985 organized around the body of works owned by the Berkeley Art Museum organized by
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In 1967 Fox moved to
Amsterdam where he continued painting; then moved on to create his first "actions". These performative works were inspired by the
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In 1996, Fox was awarded with a grant from the
Pollock-Krasner Foundation. This was followed, in 1998, with a book and CD on his sound works,
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Fox, Terry; Sharp, Willoughby; BĂ©ar, Liza (Elizabeth) (Winter 1971). "Terry Fox, "I wanted to have my mood affect their looks"".
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He was in remission of
Hodgkin's Disease by 1972 having had major surgery earlier that year. He began making works for
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1972), Naples (1983–1984), New York City (1978–1979). In 1980, he moved to Europe permanently and eventually settled in
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environmental sounds, Fox created an "unfixed" situation with "instruments" that created sound in response to
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902:(Terry Fox: Pipes; Joseph Beuys: Seeds). (Extended play record, produced by the artists), 1970. Edition 500.
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Thus the work was held in tension between silence, the expectation for possible sound and actual sound.
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1409:. Berkeley, California: Berkeley University Art Museum (Library of Congress catalog number 73-620112).
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He then traveled back to San Francisco in 1969 where he produced a series of public art events titled
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347:"skeptical, passionate, honest" attempt to "charge the space" with energy and possibility. Comparing
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81:. Several of his artworks referenced the cycles of illness and wellness. He studied art at
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Van Proyen, Mark (24 October 1987). "Looking for Geomantic Imperatives". Artweek Magazine.
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analogue videotape recorder and sound equipment. He was largely self taught in video art.
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Fox has been included in numerous international solo and group exhibitions including the
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One cut on record of artists' sound works. New York: Ronald Feldman Fine Arts, 1982.
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Lewallen, Constance; Moss, Karen; Bryan-Wilson, Julia; Rorimer, Anne (2011-10-31).
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1711:"Electronic Arts Intermix: Lunar Rambles: Brooklyn Bridge, Terry Fox; The Kitchen"
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In 1963, Fox relocated to San Francisco where he created paintings inspired by
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movement. The following year he relocated to Paris where he began to produce
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LP record with text by Martin Kunz. Lucerne, Switzerland: Kunstmuseum, 1982.
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presented the first solo exhibition of his work, which included Fox's first
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Space Time Sound, Conceptual Art in the San Francisco Bay Area: The 1970s
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are distributed by Montevideo/Netherlands Media Art Institute, Amsterdam
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UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM & PACIFIC FILM ARCHIVE
77:, United States. At the age of seventeen in 1960, he was diagnosed with
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432:. His retrospective solo exhibition was organized by the Kunsthalle
221:. For the resulting drawings, performances and sculptures including
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Audiocassette edition. Vienna, Austria: Galerie Grita Insam, 1979.
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Audiocassette. Eindhoven, The Netherlands: Het Appollohuis, 1989.
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In 2019, eleven years after his death, a series of events titled
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works. Also in 1970, Fox collaborated on a performance, entitled
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Performance Anthology: Source book of California Performance Art
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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1667:. The Regents of the University of California. 22 December 2014
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LP record. Eindhoven, The Netherlands: Het Appollohuis, 1989.
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from various surfaces. Fox collaborated with the painter
1604:"Rethinking Acoustic Ecology: Sound Art and Environment"
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The Labyrinth Scored for the Purrs of 11 Different Cats.
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Prints by Terry Fox at Crown Point Press, San Francisco
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Artist Statement, Instruments to be Played by the Earth
1574:"Instruments to be Played by the Movement of the Earth"
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Facing Eden: 100 Years of Landscape Art in the Bay Area
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Rethinking Acoustic Ecology: Sound Art and Environment,
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which he considered to be his first work of sculpture.
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Instruments to be Played by the Movement of the Earth
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Instruments to be Played by the Movement of the Earth
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Terry Fox: 30 Years of Speaking and Writing about Art
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Terry Fox 30 Years of Speaking and Writing about art
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Museum of Conceptual Art, San Francisco, California
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282:. In 2000, another book on his work was published,
236:The following year Fox received a grant to produce
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37:(May 10, 1943 – 14 October 2008) was an American
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1010:, Galerie Löhrl, Mönchengladbach, Germany. 1991.
1277:. University of California Press. p. 500.
1250:. University of California Press. p. 193.
392:and earthly vibrations which are common in the
1766:Terry Fox's 1970s performances and video works
967:Art of the San Francisco Bay Area, 1945 – 1980
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1244:Nash, Steven A.; Berkson, Bill (1995-01-01).
1008:Terry Fox: Objects (Texts) / Drawings (Texts)
244:. The series of videos were presented at the
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1330:State of Mind: New California Art Circa 1970
543:University Art Museum, Berkeley, California
105:sculpture, conceptual art, performance, and
1274:Performance Artists Talking in the Eighties
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1006:Von Wiese, Stephan and Fricke, Christiane.
912:Mag Magazine #3: Joan La Barbara/Terry Fox.
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191:In 1971, Fox was awarded a grant from the
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1381:"Terry Fox: The Simplist Kind of Nothing"
1333:. Univ of California Press. p. 259.
1978:Mattress Performance (Carry That Weight)
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1422:All These Different Things are Sculpture
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480:events and posters in outdoor locations
379:sonic installation was presented at the
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250:All These Different Things are Sculpture
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1506:CS1 maint: location missing publisher (
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1037:California Video: Artists and Histories
16:American performance artist (1943–2008)
2982:Accademia di Belle Arti di Roma alumni
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1954:How to Explain Pictures to a Dead Hare
1793:by Terry Fox in the collection of the
1784:by Terry Fox in the collection of the
1740:a project of the Terry Fox Association
1521:Maier-Katkin, Hannah (November 2019).
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1804:Terry Fox biography on Media Art Net
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1001:University of Massachusetts Amherst
992:University of Massachusetts Amherst
940:. Berkeley: University Art Museum,
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2977:Cornish College of the Arts alumni
1786:San Francisco Museum of Modern Art
1661:"Tom Marioni / MATRIX 39 | BAMPFA"
953:San Francisco Museum of Modern Art
424:. He had two major exhibitions in
383:in San Francisco. In the article,
85:(1961) at night, while working at
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558:action/performance, installation
396:. Fox wrote of the installation:
3002:American experimental filmmakers
1580:. California College of the Arts
1547:Plagens, Peter (February 1972).
1206:Rosenmeyer, Aoife (2017-05-26).
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1424:. New York City: Artists Space.
1131:Smithsonian American Art Museum
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288:Gesellschaft fĂĽr Aktuelle Kunst
242:National Endowment for the Arts
193:National Endowment for the Arts
101:Fox was an important figure in
91:Accademia di Belle Arti di Roma
2678:Survival Research Laboratories
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230:Berkeley University Art Museum
89:. He continued his studies at
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999:Amherst: University Gallery,
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2997:American performance artists
2575:LaBeouf, Rönkkö & Turner
836:videotape, black and white
219:Chartres Cathedral labyrinth
195:which he used to purchase a
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2992:American conceptual artists
1420:Ammerati, Dominick (2024).
1405:Richardson, Brenda (1973).
1153:Neff, Eileen (April 1993).
1019:Terry Fox: Works with Sound
366:, 1987, installation detail
147:process-oriented sculptures
83:Cornish College of the Arts
10:
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1882:Breathing in/breathing out
1602:Ouzounian, Gascia (2017).
1549:"San Francisco, Terry Fox"
1438:Terry Fox Works With Sound
1155:"Eileen Neff on Terry Fox"
303:The Terry Fox Extravaganza
276:Terry Fox Works with Sound
180:, with the German artist,
21:Terry Fox (disambiguation)
18:
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2580:Los Angeles Urban Rangers
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1013:Fox, Terry, Eva Schmidt,
854:videotape of performance
334:– In 1970 Fox produced a
2906:Steina and Woody Vasulka
2673:Performance art in China
1938:Empathy and Prostitution
1758:Electronic Arts Intermix
1748:Electronic Arts Intermix
1578:Vault Library Collection
1303:Electronic Arts Intermix
1041:Getty Research Institute
942:University of California
505:Kunstakademie DĂĽsseldorf
498:action/performance with
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338:sculptural performance,
69:Fox was born in 1943 in
2836:Virginia Lee Montgomery
2066:The Death of The Artist
1962:I'm too sad to tell you
1271:Montano, Linda (2000).
918:Revolutions per Minute.
564:, Richmond, California
483:San Francisco Bay Area
280:Stadtgalerie SaarbrĂĽken
128:
2987:American sound artists
2514:Mierle Laderman Ukeles
1906:Ceci N'est Pas Un Viol
1523:"Terry Fox: Resonance"
1435:Schulz, Bernd (1999).
1184:"Terry Fox: Resonance"
994:, University Gallery.
507:, DĂĽsseldorf, Germany
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394:San Francisco Bay Area
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301:, also referred to as
157:on the process piece,
41:known for his work in
31:
2106:Untitled (Rape Scene)
2058:The Artist Is Present
1868:Amen or The Pederasty
1460:Schmidt, Eva (2000).
1379:Jackson, Danielle A.
1299:"Terry Fox Biography"
1035:Phillips, Glenn, ed.
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168:. The following year
29:
2972:Artists from Seattle
2249:Guillermo Gómez-Peña
1799:Pacific Film Archive
1466:. Cologne, Germany.
1441:. Heidelberg: Kehrer
1045:J. Paul Getty Museum
936:Richardson, Brenda.
894:Berlino\Rallentando.
775:Azione per un Bacile
170:Reese Palley Gallery
125:on 14 October 2008.
19:For other uses, see
2304:Natalie Jeremijenko
1946:Food for the Spirit
1795:Berkeley Art Museum
1746:are distributed by
1738:Recalling Terry Fox
1686:"Terry Fox: Timbre"
1100:. Terry Fox Archive
1098:Recalling Terry Fox
579:
562:Richmond Art Center
540:action/performance
522:action/performance
451:
381:Capp Street Project
2926:Krzysztof Wodiczko
2771:Doris Totten Chase
2683:Viennese Actionism
2560:COUM Transmissions
2479:Carolee Schneemann
2324:Ragnar Kjartansson
2098:Three Weeks in May
1611:Evental Aesthetics
1015:Matthias Osterwold
965:Albright, Thomas.
632:, black and white
611:, black and white
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436:, Kassel in 2003.
430:Constance Lewallen
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256:in New York City.
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2668:Participatory art
2509:Melati Suryodarmo
2394:Charlotte Moorman
2042:Seven Easy Pieces
1340:978-0-520-27061-9
1284:978-0-520-21022-6
1257:978-0-520-20363-1
1159:ArtForum magazine
1053:978-0-89236-922-5
987:978-0-520-05193-5
951:. San Francisco:
885:
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876:videotape, color
800:videotape, color
721:Needles Punctured
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450:Performance work
351:to Fox's earlier
336:extended-duration
313:Significant works
79:Hodgkin's disease
39:conceptual artist
30:Terry Fox in 1967
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2615:Kusama: Infinity
2494:Barbara T. Smith
2469:Rachel Rosenthal
2414:Pauline Oliveros
2134:Marina Abramović
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832:Children's Tapes
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445:Performance work
418:Whitney Biennial
416:5, Kassel, 1975
390:seismic activity
238:Children's Tapes
155:William T. Wiley
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2214:James Lee Byars
2174:Rebecca Belmore
2149:Laurie Anderson
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2114:Untitled , 2008
1986:One & Other
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1776:Selected videos
1744:Selected videos
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1692:. 13 March 2013
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1383:. Artists Space
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2761:Chris Burden
2746:Vito Acconci
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2570:General Idea
2565:Fallen Fruit
2534:Hannah Wilke
2524:Wolf Vostell
2444:Mark Pauline
2399:Bruce Nauman
2379:Kent Monkman
2349:Suzanne Lacy
2344:Yayoi Kusama
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2314:Allan Kaprow
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2279:Sharon Hayes
2259:Ann Hamilton
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2229:Valie Export
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2139:Vito Acconci
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1311:. Retrieved
1307:the original
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1102:. Retrieved
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931:Bibliography
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2957:2008 deaths
2952:1943 births
2921:Andy Warhol
2811:Mike Kelley
2801:Arthur Jafa
2781:Tony Conrad
2688:Process art
2618:(2018 film)
2610:(1988 film)
2590:The Yes Men
2484:Tino Sehgal
2459:Jim Pomeroy
2409:Pat Oleszko
2389:Frank Moore
2334:Terence Koh
2199:GĂĽnter Brus
2159:Abel Azcona
2074:The Fathers
1994:Rest Energy
1981:(2014–2015)
1715:www.eai.org
1646:Terry Fox,
1497:|work=
1212:ARTnews.com
1208:"Terry Fox"
1127:"Terry Fox"
1094:"Terry Fox"
888:Discography
879:33 minutes
857:30 minutes
839:30 minutes
821:15 minutes
803:30 minutes
796:The fire...
785:30 minutes
764:15 minutes
746:50 minutes
728:30 minutes
710:40 minutes
692:30 minutes
674:30 minutes
573:Filmography
536:Defoliation
408:Exhibitions
362:Terry Fox,
340:Levitation,
323:Levitation,
261:sound works
211:Documenta 5
206:labyrinth.
114:, Belgium.
2946:Categories
2911:Bill Viola
2876:Walid Raad
2806:Joan Jonas
2776:Tony Cokes
2555:Concept 21
2464:Duke Riley
2429:Eiko Otaki
2419:Mihai Olos
2364:Miki Malör
2359:James Luna
2329:Yves Klein
2309:Joan Jonas
2299:Zhang Huan
2244:Coco Fusco
2189:Mark Bloch
2082:The Shadow
1970:Luminosity
1750:, New York
1720:2020-10-28
1696:2020-10-28
1690:Open Space
1671:2020-10-28
1617:(1): 10–11
1473:3897700921
1313:2020-10-28
1217:2020-10-29
1164:2020-10-28
1136:2020-10-28
1059:References
818:videotape
743:videotape
707:videotape
689:videotape
671:videotape
656:3 minutes
635:3 minutes
614:3 minutes
554:Levitation
472:1968–1969
377:time-based
349:Levitation
331:Levitation
75:Washington
65:Early life
2796:Gary Hill
2791:Terry Fox
2730:Video art
2663:monochrom
2653:Happening
2439:Gina Pane
2269:Jo Hanson
2239:Terry Fox
2224:Papo Colo
2154:Ron Athey
2090:The Shame
2002:Rhythm 10
1965:(1970–71)
1922:Cut Piece
1917:(1992–93)
1860:7000 Oaks
1499:ignored (
1489:cite book
1407:Terry Fox
1361:Avalanche
938:Terry Fox
667:Tonguings
518:Wall Push
464:Location
420:and 1984
414:documenta
299:Resonance
269:Eindhoven
240:from the
186:EP record
174:sound art
151:frottages
107:video art
97:Biography
2901:Wu Tsang
2856:Yoko Ono
2633:Body art
2550:Ant Farm
2424:Yoko Ono
2339:Paul Kos
2164:Franko B
2026:Rhythm 0
2018:Rhythm 2
2010:Rhythm 5
1621:15 March
1584:15 March
1558:15 March
1553:Artforum
1532:14 March
1479:14 March
1445:14 March
1387:14 March
1104:14 March
1047:, 2008,
1025:; 2003,
973:, 1985.
955:, 1981.
906:Linkage.
814:Incision
782:, color
653:, color
592:Runtime
426:Berkeley
353:Hospital
204:Chartres
197:Portapak
93:(1962).
2738:Artists
2504:Stelarc
2126:Artists
2034:Seedbed
1188:The Lab
1003:, 1990.
944:, 1973.
862:Al Wong
757:Washing
263:at the
123:Germany
119:Cologne
71:Seattle
57:and in
2648:Fluxus
2543:Groups
2117:(2008)
2109:(1973)
2101:(1977)
2093:(2018)
2085:(2014)
2077:(2016)
2069:(2018)
2061:(2010)
2053:(1964)
2045:(2005)
2037:(1972)
2029:(1974)
2021:(1974)
2013:(1974)
2005:(1973)
1997:(1980)
1989:(2009)
1973:(1997)
1957:(1965)
1949:(1971)
1941:(2013)
1933:(2012)
1930:Eating
1925:(1964)
1909:(2015)
1901:(2015)
1898:Buried
1893:(1974)
1885:(1977)
1877:(1969)
1875:Bed-in
1871:(2015)
1863:(1982)
1772:, 1981
1470:
1337:
1281:
1254:
1051:
1029:
1023:Kehrer
985:
977:
959:
850:Timbre
739:Clutch
646:Breath
595:Notes
586:Title
467:Notes
458:Title
292:Bremen
215:Kassel
143:Fluxus
59:Europe
49:, and
2626:Other
2599:Media
1791:Works
1782:Works
1768:from
1607:(PDF)
997:1990.
868:1976
846:1976
828:1974
810:1973
792:1972
771:1972
761:film
753:1972
735:1971
725:film
717:1971
699:1971
681:1970
663:1970
642:1970
625:Sweat
621:1970
600:1970
589:Type
583:Year
550:1971
532:1970
514:1970
490:1970
461:Type
455:Year
440:Works
290:, in
252:, at
223:Yield
213:, in
112:Liège
51:sound
47:video
2585:Mavo
2519:Ulay
1852:Work
1797:and
1623:2024
1586:2024
1560:2024
1534:2024
1508:link
1501:help
1481:2024
1468:ISBN
1447:2024
1389:2024
1335:ISBN
1279:ISBN
1252:ISBN
1106:2024
1049:ISBN
1043:and
1027:ISBN
983:ISBN
975:ISBN
957:ISBN
604:Rain
325:1970
129:Work
267:in
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