Fluxus - Knowledge

1897:, Owen Smith concedes that, with the emergence of new material published about Fluxus and its expansion into the present, its history must remain open. The resistance to being pigeonholed, and with the absence of a stable identity, Fluxus opened up to wide participation but also, from what would appear in history, closed off that possibility. Maciunas made frequent acts of excommunication between 1962 and 1978 which destabilized the collective. Kristine Stiles argues in one of her essays that the essence of Fluxus is "performative", while recently she feels that essence has been "eroded or threatened". Fluxus instead moved towards favoring the objects of publication, Stiles asserts: "Care must be taken that Fluxus is not transformed historically from a radical process and presentational art into a tradition static and representational art." With no leadership, no identifiable guidelines, no real collective strategy, no homogeneity in terms of practices, Fluxus cannot be handled through traditional critical tools. Fluxus is an indicator of this confusion. Fluxus therefore is nearly always a discourse on the failure of discourse. 1653:

prominent trend in post war art. This was exemplified by the work and writings of Josheph Beuys who stated, "every man is an artist." Fluxus's approach was an everyday, "economic" one as seen in the production of small objects made of paper and plastic. Again, this strongly corresponds with some of the fundamental characteristics of Japanese culture, i.e., the high artistic value of everyday acts and objects and the aesthetic appreciation of frugality. This also links with Japanese art, and the concept of shibumi, which may involve incompleteness, and supports the appreciation of bare objects, emphasizing subtlety rather than overtness. The renowned Japanese aesthetics scholar Onishi Yoshinori called the essence of Japanese art pantonomic because of the consciousness of no distinction between nature, art and life. Art is the way to approach life and nature/reality corresponding to actual existence.

232:. Not only were they a diverse community of collaborators who influenced each other, they were also, largely, friends. They collectively had what were, at the time, radical ideas about art and the role of art in society. Fluxus founder George Maciunas proposed a well known manifesto, but few considered Fluxus to be a true movement, and therefore the manifesto was not largely adopted. Instead, a series of festivals in Wiesbaden, Copenhagen, Stockholm, Amsterdam, London, and New York, gave rise to a loose but robust community with many similar beliefs. In keeping with the reputation Fluxus earned as a forum of experimentation, some Fluxus artists came to describe Fluxus as a laboratory. 1390:'s "Vagina Painting". Women working within Fluxus were often simultaneously critiquing their position within a male dominated society while also exposing the inequalities within an art collective that claimed to be open and diverse. George Maciunas, in his rejection of Schneeman as a member of Fluxus, called her "guilty of Baroque tendencies, overt sexuality, and theatrical excess". "Interior Scroll" was a response to Schneemann's experience as a filmmaker in the 1950s and 1960s, when male filmmakers claimed that women should restrict themselves to dance. 1613:, assert that although Maciunas was a key participant, there were many more, including Fluxus co-founder Higgins, who continued to work within Fluxus after the death of Maciunas. The rise of the Internet in the 1990s enabled a vibrant post-Fluxus community to emerge online. After some of the original Fluxus artists from the 1960s and 1970s including Higgins, created online communities such as the Fluxlist, following their departure, younger artists, writers, musicians, and performers have attempted to continue their work in 1842:

himself described the shock factor in his Fluxus work: "People who come to my concerts or see my objects need to be transferred into another state of consciousness. They have to be high. And in order to put them into this state of highness, a little shock is required... Anyone who came to my exhibition saw the head and was high." Paik's "head" was that of a real cow displayed at the entrance to his exhibition, Exposition of Music—Electronic Television, located in the Galerie Parnass, Wuppertal, Germany in 1963.

2605: 1308:, associated with the group since 1969, has also been active as an interpreter of the "classic" scores and responsible for bringing the group's works to a wider public, blurring the lines between artist, producer and researcher. Besides Miller's own artistic work, he has also organized, reconstructed and performed at numerous Fluxus events and assembled an extensive collection of material on the history of Fluxus. Through Miller, Fluxus attracted media coverage such as the worldwide CNN coverage of 43: 9774: 1759:

practice. Maciunas personally hand-assembled many of the Fluxus multiples and editions. While Maciunas assembled many objects by hand, he designed and intended them for mass production. Where multiple publishers produced signed, numbered objects in limited editions intended for sale at high prices, Maciunas produced open editions at low prices. Several other Fluxus publishers produced different kinds of Fluxus editions. The best known of these was the

1543:, and expanded into areas adjacent to Fluxus, including artists' books, concrete poetry, happenings, mail art and performance art. Maciunas helped turn her home, originally a Shaker seed house, into an important center for both Fluxus artists and scholars, with Mrs. Brown alternately cooking meals and showing guests her collection. Activities centered on a large archive room on the second floor built by Maciunas, who settled in nearby 816: 1559:

view. Different theorists and historians adopted each of these views. Fluxus is therefore referred to variously in the past or the present tense. While the definition of Fluxus was always a subject of controversy, the question is now significantly more complex due to the fact that many of the original artists who were still living when Maciunas died are now dead themselves.

1802:'s philosophy of music. Cowell, a teacher to John Cage and later to Dick Higgins, coined the term that Higgins and others later applied to short, terse descriptions of performable work. The term "score" is used in exactly the sense that one uses the term to describe a music score: a series of notes that allow anyone to perform the work, an idea linked both to what 955: 941:, would cement animosities between Maciunas and her, with Maciunas frequently demanding that artists associated with Fluxus have nothing to do with the annual festival, and would often expel artists who ignored his demands. This hostility continued throughout Maciunas' life—much to Moorman's bemusement—despite her continued championing of Fluxus art and artists. 1649:

and approach to food and body care. It was also felt, however, that there was a general need for a more radical artistic sensibility. The themes of decay and of the inadequacy of the idea of modernity in artistic fields were adopted, partly from Duchamp and Dada and partly from consciousness of the uneasiness of living in contemporary society.

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is what Friedman meant by musicality, extending the idea more radically to conclude that anyone can create work of any kind from a score, acknowledging the composer as the originator of the work while realizing the work freely and even interpreting it in far different ways from those the original composer might have done.

1791:". Whereas happenings were sometimes complicated, lengthy performances meant to blur the lines between performer and audience, performance and reality, event performances were usually brief and simple. The event performances sought to elevate the banal, to be mindful of the mundane, and to frustrate the 1905:

Fluxus artists shared several characteristics including wit and "childlikeness", though they lacked a consistent identity as an artistic community. This vague self-identification allowed the group to include a variety of artists, including a large number of women. The possibility that Fluxus had more

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In the 1950s New York music scene there could be discerned many issues related to the post-war disenchantment experienced by many throughout the developed world. Such disillusionment in itself presented a case for commitment to Buddhism and Zen in everyday matters such as mental attitude, meditation,

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After the death of George Maciunas a rift opened in Fluxus between a few collectors and curators who placed Fluxus as an art movement in a specific time frame (1962 to 1978), and the artists themselves, many of whom continued to see Fluxus as a living entity held together by its core values and world

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It is arguably said that Fluxus came to an end when its founder and leader George Maciunas died in 1978 from complications due to pancreatic cancer. Maciunas' funeral was held in typical Fluxus style where they dubbed the funeral "Fluxfeast and Wake", ate foods that were only black, white, or purple.

1501:, Maciunas didn't hesitate to adopt the title 'Chairman of Bldg. Co-Op' without first registering an office or becoming a member of the New York State Association of Realtors. FluxHousing Co-Operatives continued to redevelop the area over the next decade, and were widened to include plans to set up a 991:

Such perceived insurrections in the coherence of Maciunas' leadership of Fluxus provided an opening for Fluxus to become increasingly influenced by Japanese members of the group. Since returning to Japan in 1961, Yoko Ono had been recommending colleagues look Maciunas up if they moved to New York; by

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not according to his instructions since we systematically destroyed a piano which I bought for $ 5 and had to have it all cut up to throw it away, otherwise we would have had to pay movers, a very practical composition, but German sentiments about this "instrument of Chopin" were hurt and they made a

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termed "musicality." While much is made of the do it yourself approach to art, it is vital to recognize that this idea emerges in music, and such important Fluxus artists as Paik, Higgins, or Corner began as composers, bringing to art the idea that each person can create the work by "doing it." This

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Other tactics from this time included Maciunas buying large amounts of plastic boxes wholesale, and handing them out to artists with the simple request to turn them into Fluxkits, and the use of the rapidly growing international network of artists to contribute items needed to complete works. Robert

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Maciunas' belief in the collective extended to authorship; a number of pieces from this period were anonymous, mis-attributed, or have had their authorship since questioned. As a further complication, Maciunas was in the habit of dramatically changing ideas submitted by various artists before he put

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In terms of an artistic approach, Fluxus artists preferred to work with whatever materials were at hand, and either created their own work or collaborated in the creation process with their colleagues. Outsourcing part of the creative process to commercial fabricators was not usually part of Fluxus

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who explored media ranging from performance art to poetry to experimental music to film. Taking the stance of opposition to the ideas of tradition and professionalism in the arts of their time, the Fluxus group shifted the emphasis from what an artist makes to the artist's personality, actions, and

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and the Department of Performance Studies, a passage from Mieko Shiomi reads "...the best thing about Fluxus, I think, is that there was no discrimination on the basis of nationality and gender. Fluxus was open to anyone who shared similar thoughts about art and life. That's why women artists could

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Maciunas seemed to have a fantastic ability to get things done.... if you had things to be printed he could get them printed. It's pretty hard in East Brunswick to get good offset printing. It's not impossible, but it's not so easy, and since I'm very lazy it was a relief to find somebody who could

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heavily influenced Fluxus, especially his notions that one should embark on an artwork without a conception of its end, and his understanding of the work as a site of interaction between artist and audience. The process of creating was privileged over the finished product. Another notable influence

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defined as "the smallest unit of a situation." The events consisted of a minimal instruction, opening the events to accidents and other unintended effects. Also contributing to the randomness of events was the integration of audience members into the performances, realizing Duchamp's notion of the

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An immediate predecessor of Fluxus, according to Maciunas, was the Gutai group which promoted art as an anti-academic, psychophysical experience, an "art of matter as it is" as explained by Shiraga Kazuo in 1956. Gutai became connected with a sort of artistic mass-production, anticipating Fluxus's

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1967, for instance, had originally been realised by Kirkeby as a metal box, inscribed 'This Box Contains Wood'. When opened, the box would be found to contain sawdust. By the time the multiple had been manufactured by Maciunas, it was a block of solid plastic contained in a plastic box of the same

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Maciunas and his friend Henry Flynt tried to get the Fluxus people to march around outside the circus with white cards that said Originale was bad. And they tried to say that the Fluxus people who were in the circus weren't Fluxus any more. That was silly, because it made a split. I thought it was

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The score—which asks for any number of performers to, among other things, "play", "pluck or tap", "scratch or rub", "drop objects" on, "act on strings with", "strike soundboard, pins, lid or drag various kinds of objects across them" and "act in any way on underside of piano"—resulted in the total

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and John Cage among many others. It was at one of these events in 1960, during his Etude pour Piano, that Paik leapt into the audience and cut John Cage's tie off, ran out of the concert hall, and then phoned the hall's organisers to announce the piece had ended. As one of the movement's founders,

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and his peers in the Fluxus art movement thoroughly understood the impact and importance of shock on the viewer. Fluxus artists believed that shock not only makes the viewer question their own reasoning, but is a means to awaken the viewer, "...from a perceptive lethargy furthered by habit." Paik

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Maciunas moved to the Berkshire Mountains in Western Massachusetts in the late 1970s. Two decades earlier, after collecting paintings, the Boston art collector Jean Brown, and her late husband Leonard Brown, began to shift their focus to Dadaist and Surrealist art, manifestoes and periodicals. In

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and George Brecht, 1965–1968. Intended as an 'International Centre of Permanent Creation', the shop sold Fluxkits and other small wares as well as housing a 'non-school', boasting the motto "A carefree exchange of information and experience. No students, no teachers. Perfect licence, at times to

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Maciunas' original plan had been to design, edit and pay for each edition himself, in exchange for the copyright to be held by the collective. Profits were to be split 80/20 at first, in favor of the artist. Since most of the composers already had publishing deals, Fluxus quickly moved away from

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The people in Fluxus had understood, as Brecht explained, that "concert halls, theaters, and art galleries" were "mummifying". Instead, these artists found themselves "preferring streets, homes, and railway stations...." Maciunas recognized a radical political potential in all this forthrightly

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It is said that Fluxus challenged notions of representation, offering instead simple presentation. This, in fact, corresponds to a major difference between Western and Japanese art. Another important Fluxus characteristic was the elimination of perceived boundaries between art and life, a very

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holds over a major historical Fluxus collection (the Gilbert and Lila Silverman collection) has enabled him to influence, through the numerous books and catalogues subsidized by the collection, the view that Fluxus died with Maciunas. Hendricks argues that Fluxus was a historical movement that

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who were pointing the way to the changes of the 1960s and 70s with strong personnas and art. Some made experimental and performative work having to do with the body that created a powerful female presence, which existed within Fluxus from the group's beginning as illustrated by works including

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take the burden off my hands. So there was this guy Maciunas, a Lithuanian or Bulgarian, or somehow a refugee or whatever—beautifully dressed—"astonishing looking" would be a better adjective. He was somehow able to carry the whole thing off, without my having to go 57 miles to find a printer.

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Along with the New York shop, Maciunas built up a distribution network for the new art across Europe and later outlets in California and Japan. Gallery and mail order outlets were established in Amsterdam, Villefranche-Sur-Mer, Milan and London, amongst others. By 1965, the first anthology

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As part of the festival, Maciunas wrote a lecture entitled 'Neo-Dada in the United States'. After an attempt to define 'Concretist Neo-Dada' art, he explained that Fluxus was opposed to the exclusion of the everyday from art. Using 'anti-art and artistic banalities', Fluxus would fight the

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The art forms most closely associated with Fluxus are event scores and Fluxus boxes. Fluxus boxes (sometimes called Fluxkits or Fluxboxes) originated with George Maciunas who would gather collections of printed cards, games, and ideas, organizing them in small plastic or wooden boxes.

919:, 8 September 1964. Stockhausen was deemed a 'Cultural Imperialist' by Maciunas and Flynt, while other members vehemently disagreed. The result was members of Fluxus, such as Nam June Paik and Jackson Mac Low, crossing a picket line made up of other members, including Ben Vautier and 629: 5856: 4500: 614:

I note with much pleasure what you said about German neodadaists—but I think even the Americans should not use the term "neodadaism" because neo means nothing and -ism is old-fashioned. Why not simply "Fluxus"? It seems to me much better, because it's new, and dada is historic.

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Three months before his death, he married his friend and companion, the poet Billie Hutching. After a legal wedding in Lee, Massachusetts, the couple performed a "Fluxwedding" in a friend's loft in SoHo, 25 February 1978. A videotape of the Maciunas' wedding was produced by

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Maciunas sent out letters to 20 international artists between late 62 and early 63, demanding each artist relinquish any publishing rights and have Fluxus as sole and exclusive publisher. Maciunas likened his agreement to Cage's arrangement with Peters Editions. Only two

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occurred at a particular time, asserting that such central Fluxus artists as Dick Higgins and Nam June Paik could no longer label themselves as active Fluxus artists after 1978, and that contemporary artists influenced by Fluxus cannot lay claim to be Fluxus artists. The

1287:, he had recalled thinking up the idea himself and was surprised that George Maciunas advertised them as Per Kirkeby's. Watts shrugged and said that was the way George worked. There would be ideas in the air and Maciunas would assign the piece to one artist or another. 848:

anti-institutional production, which was an important source for his own deep commitment to it. Deploying his expertise as a professional graphic designer, Maciunas played an important role in projecting upon Fluxus whatever coherence it would later seem to have had.

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opinions. Throughout the 1960s and 1970s (their most active period) they staged "action" events, engaged in politics and public speaking, and produced sculptural works featuring unconventional materials. Their radically untraditional works included, for example, the

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funny, and so first I walked around with Maciunas and with Henry with a card, then I went inside and joined the circus; so both groups got angry with me. Oh well. Some people say that Fluxus died that day—I once thought so myself—but it turned out I was wrong.

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trademark, i.e., ambiguity between the cultivated and the trivial, between high and low. Indeed, avant-garde art in Japan tended toward informal rather than conceptual elements, radically opposing the extreme formality and symbolism found in Japanese art.

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After his contract with the US Air Force was terminated due to ill health, Maciunas was forced to return to the US on 3 September 1963. Once back in New York, he set about organizing a series of street concerts and opened a new shop, the 'Fluxhall', on

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movement. However, despite the designed open-endedness of Fluxus, Maciunas insisted on maintaining unity in the collective. Because of this, Maciunas was accused of expelling certain members for deviating from what he perceived as the goals of Fluxus.

1513:, Massachusetts. The plans were continually dogged by financial problems, constant run-ins with the New York authorities, and eventually resulted, on 8 November 1975, in Maciunas being severely beaten by thugs sent by an unpaid electrical contractor. 3758:

Amongst the earliest pieces that would later be published by Fluxus were Brecht's event scores, the earliest of which dated from around 1958/9, and works such as Valoche, which had originally been exhibited in Brecht's solo show 'Toward's Events' at

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After returning to New York, Maciunas became reacquainted with Henry Flynt, who encouraged members of Fluxus to take a more overtly political stance. One of the results of these discussions was to set up a picket line at the American premiere of

1763:, established by Dick Higgins, probably the largest and most extensive Fluxus publisher, producing books in editions that ran from 1,500 copies to as many as 5,000 copies, all available at standard bookstore prices. Higgins created the term " 4496: 980:. Brecht threatened to quit on the same issue, and then left New York in the spring of 1965. Despite his continued allegiance to Fluxus ideals, Dick Higgins fell out with Maciunas around the same time, ostensibly over his setting up the 5852: 734:

destruction of a piano when performed by Maciunas, Higgins and others at Wiesbaden. The performance was considered scandalous enough to be shown on German television four times, with the introduction "The lunatics have escaped!"

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at AI – Art Interactive – in Cambridge, Massachusetts, Miller worked as the curatorial consultant for an exhibit of works that allowed viewers hands-on experience including the reconstruction of several sections of the historic

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A number of other contemporary events are credited as either anticipating Fluxus or as constituting proto-Fluxus events. The most commonly cited include the series of Chambers Street loft concerts, in New York, curated by

1373:, contributed works in varying media and with differing content such as Knowles' "Make a Salad" and "Make a Soup.". Each was shaped by their times and their associations with artists of the previous generation such as 4746:

Yoshimoto, Midori; Knowles, Alison; Schneemann, Carolee; Seagull, Sara; Moore, Barbara; Shiovitz, Brynn Wein; Yoshimoto, Midori; Pittman, Alex (November 2009). "An evening with Fluxus women: a roundtable discussion".

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Fluxus is intermedia. Fluxus creators like to see what happens when different media intersect. They use found and everyday objects, sounds, images, and texts to create new combinations of objects, sounds, images, and

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and the performance art of Joseph Beuys and Wolf Vostell. During the early years of Fluxus, the often playful style of the Fluxus artists resulted in them being considered by some to be little more than a group of

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which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include

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At the same time, Maciunas used his connections at work to start printing cheap mass-produced books and multiples by some of the artists that were involved in the performances. The first three to be printed were

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and taking jabs at the seriousness of modern art. Fluxus artists used their minimal performances to highlight their perceived connections between everyday objects and art, similarly to Duchamp in pieces such as

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A number of artists in the group were interested in setting up Flux communes, intending to 'bridge the gap between the artist community and the surrounding society' The first of these, La Cédille qui Sourit or

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in New York City with a poster and program designed by George Maciunas. Copies of the program were folded into paper airplanes and launched during the evening, which included performances of "Falling Event" by

1617:. Many of the original Fluxus artists still working enjoy homages by younger Fluxus-influenced artists who stage events to commemorate Fluxus, but discourage the use of the "Fluxus" label by younger artists. 923:

who handed out leaflets denouncing Stockhausen as "a characteristic European-North American ruling-class Artist". Dick Higgins participated in the picket, and then coolly joined the other performers inside;

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wrote, however, Fluxus differed from Dada in its richer set of aspirations, and the positive social and communitarian aspirations of Fluxus far outweighed the anti-art tendency that also marked the group.

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An Anthology of chance operations concept art anti-art indeterminacy improvisation meaningless work natural disasters plans of action stories diagrams Music poetry essays dance constructions mathematics

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listen at times to talk." In 1966, Maciunas, Watts and others took advantage of new legislation drafted to regenerate the area of Manhattan known as 'Hell's Hundred Acres', soon to become rebranded as

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The first warehouse, intended to house Maciunas, Watts, Christo & Jeanne-Claude, Jonas Mekas, La Monte Young and others, was located on Greene Street. Likening these communities to the soviet

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Fluxus started with the work, and then came together, applying the name Fluxus to work which already existed. It was as if it started in the middle of the situation, rather than at the beginning.

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approach, an approach that estranged many of Fluxus' early proponents; Jackson Mac Low had resigned immediately after hearing 'antisocial' plans laid in April 1963, such as breaking down trucks

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In 1962, Maciunas, Higgins and Knowles traveled to Europe to promote the planned Fluxus publication with concerts of antique musical instruments. With the help of a group of artists including

1489:. Led by Maciunas, plans were laid to start a series of real-estate developments in the area, designed to create an artists' community within a few streets of the FluxShop on Canal Street. 528:

in late 1961 after the gallery had gone bust. From Wiesbaden, Maciunas continued his contact with Young and other New York City-based artists and with expatriate American artists like

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to Duchamp. By 1916 these artists, especially Duchamp, Man Ray, and Picabia, became the center for radical anti-art activities in New York City. Their artworks would inform Fluxus and

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in art, using music scores as a basis for compositions that could be performed in potentially infinite ways. Some of the artists and musicians who became involved in Fluxus, including

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and altered readymades challenged the notion of art as an inherently optical experience, dependent on academic art skills. The most famous example is Duchamp's altered readymade

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art being produced by a range of artists with a shared sensibility as an attempt to "fuse... cultural, social, & political revolutionaries into united front and action".

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script that is usually only a few lines long and consists of descriptions of actions to be performed rather than dialogue. Fluxus artists differentiate event scores from "

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do not try to characterize themselves as Fluxus but create spinoffs such as Fluxpan or Jung Fluxus as a way of continuing some of the Fluxus ideas in a 21st-century, post-

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Baas, Jacquelynn, et al. Fluxus and the Essential Questions of Life, pp 80,86. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011.

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Fluxus und Freunde: Sammlung Maria und Walter Schnepel, Katalog zur Ausstellung Neues Museum Weserburg Bremen; Fondazione Morra, Napoli; Kunst Museum Bonn 2002.

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female members than any Western art group up to that point in history is particularly significant because Fluxus came on the heels of the white male-dominated

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music toward performance and visual art. John Cage, for instance, never published work under the Fluxus moniker due to his contract with the music publishers

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was available, consisting of manila envelopes bolted together containing work by numerous artists who would later become famous including La Monte Young,

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was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental

7203: 1064:, "Trance for Orchestra" by Watts, "Sky Piece to Jesus Christ*" by Ono, "Octet for Winds 'In the Water' from 'Cloud Scissors" by Brecht, "Piece" by 5148: 5354: 6712: 5220: 3273: 753: 4425: 3578: 620:'traditional artificialities of art'. The lecture ended with the declaration "Anti-art is life, is nature, is true reality—it is one and all." 9118: 4650: 4087: 984:

which printed many texts by key Fluxus-related personalities and other members of the avant garde. Charlotte Moorman continued to present her

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Hendricks, Geoffrey, editor. Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers. Mead Art Museum, Amherst, Massachusetts

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presented a performance at the SOMArts building in San Francisco to celebrate the 50th anniversary of Fluxus. The performance was curated by

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Maciunas was an avid art historian, and initially referred to fluxus as 'neo-dadaism' or 'renewed dadaism'. He wrote a number of letters to

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machines displayed there. Jones also presented small musical installation performances there, alone or with other Fluxus artists, such as

8604: 4254: 5744: 5376: 5000: 1072:, "Sword Piece" by Cox, "Music for Late Afternoon Together With" by Shiomi, "2" by Watts, "c/t Trace" by Watts, "Intermission Event" by 9111: 3439: 1234:(late 1964), collected together early 3D work made by the collective in a businessman's case, an idea borrowed directly from Duchamp's 786:

was published in an edition of 1000 and originally cost $ 4. By April 1964, almost a year later, Maciunas still had 996 copies unsold.

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sensibility, disparaging the conventional market-driven art world in favor of an artist-centered creative practice. As Fluxus artist

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The Israel Museum, Jerusalem, Gift from the Gilbert and Lila Silverman Collection, Detroit, to American Friends of the Israel Museum

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As Fluxus gradually became more famous, Maciunas' ambitions for the sale of cheap multiples grew. The second flux-anthology, the

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and La Monte Young, as Maciunas had by then moved to Germany to escape his creditors. After opening a short-lived art gallery on

90:. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties". 6299: 4225: 473:

material. Maciunas supplied the paper, design, and some money for publishing the anthology which contained the work of New York

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exhibit at Newark Museum, 1999. Other Miller activities as organizer, performer and presenter within the Fluxus milieu include

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The Fluxus artistic philosophy has been defined as a synthesis of four key factors that define the majority of Fluxus work:

333:(1917), a work which he signed "R. Mutt." While taking refuge from WWI in New York, in 1915 Duchamp formed a Dada group with 6266: 4912: 4440:

Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono (7) (9-20)

3314: 1114:

music machines. He created there an installation in the window so that anyone could press numerous door buttons to play the

149:, largely considered to be the founder of this fluid movement, coined the name Fluxus in 1961 to title a proposed magazine. 6973: 5565:

Robinson, Julia (Winter 2009). "Abstraction to model: George Brecht's events and the conceptual turn in art of the 1960s".

5242: 591:(meaning 'to flow') in a 'brochure prospectus' that he distributed to the audience at a festival he had organized, called 7711: 7694: 7095: 6705: 5194: 4961: 4563: 4292: 3717: 3655: 8680: 7040: 3203:

Nam June Paik: eine Data Base. La Biennale di Venezia. XLV Esposizione lnternazionale D'Arte, June 13 – October 10, 1993

1485:, allowing artists to buy live/work spaces in an area that had been blighted due to a proposed 18-lane expressway along 311:, edited by Robert Motherwell, a book of translations of Dada texts that was widely read by members of Fluxus. The term 8748: 7599: 4841: 4182:. "Robert Delford Brown: Meat, Maps and Militant Metaphysics", Cameron Museum of Art, Wilmington, North Carolina, 2008. 3014: 7068: 4600:

Yoko Ono, for instance, has claimed authorship of Mieko Shiomi's Disappearing Music For Face (aka Smile) for instance.

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and Yoko Ono (with hand held projectors provided), disrupted matchboxes and postcards by Ben Vautier, plastic food by

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makes the same claim dating the movement to the 1960s and 1970s. However, the influence of Fluxus continues today in

479: 568:, his family settled in New York, where he first met the group of avant-garde artists and musicians centered around 7085: 6351: 4522: 2472: 1341:, Berlin in 1976 and which included sections by several of the Fluxus artists. Miller created a new version of the 20: 7833: 6178: 3371:

Nicholas Zurbrugg, Francesco Conz, and Nicholas Tsoutas, eds. Brisbane, Australia: Institute of Modern Art, p. 29.

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Dezeuze, Anna (January 2002). "Origins of the Fluxus score: from indeterminacy to the 'do-it-yourself' artwork".

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In Tokyo Japan 1964 Yoko Ono, a nonconformist to the Fluxus community, independently published her artist’s book

4315:"Stewart Home, The Assault on Culture, The origins of Fluxus and the movement in its 'heroic' period, Chapter 9" 867:

and Yoko Ono. Other pieces available included packs of altered playing cards by George Brecht, sensory boxes by

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signed up. Cage was not asked, due at least on Maciunas' side, to the aforesaid contract with editions peters.

2930:, with a foreword by Jon Hendricks. Second, revised and enlarged edition, Vienna and New York: Springer, 2011. 2795: 2748: 2569: 276: 3782: 361:

in general. In the late 1950s and very early 1960s, Fluxus and contemporaneous groups or movements, including

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exhibit at the Walker Art Center in 1994, where Griel Marcus said, "Miller was... fine tuning the monster."

1328:, Miller reprised and updated the track and field events of the Flux Olympics, first presented in 1970. For 9869: 9477: 8849: 8690: 8518: 7323: 7235: 7208: 6648: 6595: 6290: 5908: 5614: 5414: 4827:

Harren, Natilee. "La cédille qui ne finit pas: Robert Filliou, George Brecht, and Fluxus in Villefranche".

4378:

The mind music of Yoko Ono: Screams and silences at the intersection of the real and the imagined (195-196)

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George Maciunas Memorial Collection, The Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

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were performed in the street for free, although in practice there was 'no audience to speak of' anyway.

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In addition to his numerous original compositions which have joined the collective's catalog of works,

7786: 3082: 9803: 8634: 8513: 8469: 7877: 7520: 7488: 7386: 6872: 6429: 5309: 5216: 2147: 2093: 1195: 1092: 4077: 3574: 10619: 9968: 9936: 9398: 9381: 9036: 8879: 8864: 8675: 8545: 8419: 8211: 8166: 8127: 8068: 8039: 7439: 6780: 6690: 5165: 4996: 2551: 2385: 1621: 1540: 962: 828: 8575: 8535: 259:, a Flux box edited and produced by George Maciunas, containing works by many early Fluxus artists 121:

sensibilities. Fluxus is sometimes described as "intermedia". The ideas and practices of composer

117:, architecture, design, literature, and publishing. Many Fluxus artists share anti-commercial and 10614: 10066: 9559: 8896: 8736: 8491: 8100: 8046: 7650: 7493: 7408: 7335: 7274: 6484: 6124: 5973: 3637: 2504:

David Mayor/Fluxshoe/Beau Geste Press papers, Tate Gallery Archive, Tate Britain, London, England

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Many artists, writers, and composers have been associated with Fluxus over the years, including:

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Maciunas left behind his thoughts on Fluxus in a series of important video conversations called

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Fluxus works are simple. The art is small, the texts are short, and the performances are brief.

1563: 1452: 1296:, 1973, for instance, contains small rocks sent by members of the group from around the world. 1061: 280: 4250: 730:, became notorious by challenging the important status of the piano in post-war German homes. 10439: 10362: 10241: 9308: 9283: 9248: 9218: 9184: 9106: 8884: 8859: 8474: 8353: 8258: 6817: 6739: 6499: 6454: 5741: 5370: 4934: 4442:(Order No. 1514168). Available from ProQuest Dissertations & Theses Global. (1026566248). 4396:. Vol. 78-03A. University of Washington. English, Brian Reed. Ann Arbor. pp. (94). 3604: 3479: 2333: 2195: 2003: 1527: 1305: 1272: 1048: 916: 406: 7736: 4380:(Order No. 3458632). Available from ProQuest Dissertations & Theses Global. (872186218). 1555:. The bride and groom traded clothing. Maciunas died on 9 May 1978 in a hospital in Boston. 1547:, where it was discovered that Maciunas developed cancer of the pancreas and liver in 1977. 377:

in Japan, Austria, and other international locations were, often placed under the rubric of

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Fluxus East. Fluxus-Netzwerke in Mittelosteuropa. Fluxus Networks in Central Eastern Europe

2838:

Critical Mass, Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958–1972

2520:

Fluxus Collection, Ken Friedman papers, Tate Gallery Archive, Tate Britain, London, England

2153: 1979: 1760: 1568: 1473: 1326:

Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958–1972

981: 449: 6588: 6434: 5032: 3533: 2111: 1337:, a massive and intricate maze that Miller originally constructed with George Maciunas at 8: 9926: 9653: 9238: 9154: 9123: 9001: 8964: 8765: 8651: 8498: 8171: 7857: 7843: 7449: 7372: 7250: 7170: 7148: 5610: 5453: 4701: 3228: 2373: 1991: 1748: 1021:. The book’s text itself encompassing event scores and other forms of participatory art. 346: 10302: 9973: 9732: 8976: 7510: 5957:

Selected Special Collections Finding Aids. Jean Brown papers, 1916–1995, bulk 1958–1985.

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Gilbert and Lila Silverman, Fluxus Foundation, Detroit, Michigan, and New York City, USA

366: 10539: 10444: 10327: 10268: 10051: 9911: 9695: 9303: 9243: 8986: 8908: 8844: 8658: 8619: 8462: 8363: 8290: 8117: 7904: 7679: 7553: 7483: 7345: 7340: 7117: 6882: 6847: 6562: 6419: 6149: 6141: 6110: 5878: 5592: 5584: 5547: 5510: 5334: 5326: 5280: 5005: 4764: 4497:"Joint Yoko Ono, John Lennon, & Fluxgroup Project / Press Release -- April 1, 1970" 4419: 4082: 3609: 3459: 3425:

Friedman, Ken. 2012. "Freedom? Nothingness? Time? Fluxus and the Laboratory of Ideas."

3222: 2648: 2476: 2273: 2105: 2045: 1861: 1379: 1358: 1147: 1108: 1104: 656: 529: 447:

had been enlisted to guest-edit an East Coast issue of the Wast Coast literary journal

354: 329: 275:, Cage taught a series of classes in experimental composition from 1957 to 1959 at the 268: 181: 9753: 8934: 8614: 6282: 5125: 5096: 3367:

Zurbrugg, Nicholas. 1990. "A Spirit of Large Goals." – Dada and Fluxus at Two Speeds.

10634: 10581: 10566: 10404: 10203: 10188: 10146: 10126: 10076: 9906: 9844: 9423: 9376: 9346: 9206: 9076: 8991: 8981: 8646: 8629: 8503: 8122: 8085: 8056: 8009: 7872: 7818: 7808: 7798: 7689: 7367: 7279: 7269: 7256: 7245: 6908: 6837: 6812: 6768: 6638: 6602: 6552: 6153: 6076: 6066: 6040: 6004: 5693: 5651: 5619: 5567: 5551: 5501: 5462: 5338: 5307:

Galliano, Luciana (Summer 2006). "Toshi Ichiyanagi, Japanese Composer and "Fluxus"".

5076: 4768: 4710: 4407: 4397: 4221: 3739: 3463: 3440:"Freedom? Nothingness? Time? Fluxus and the Laboratory of Ideas - Ken Friedman, 2012" 3348: 3344: 3046: 3025: 3010: 2995: 2980: 2966: 2952: 2931: 2895: 2785:

Action Art. A Bibliography of Artists' Performance from Futurism to Fluxus and Beyond

2761: 2744: 2729: 2707: 2692: 2691:. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011. 2213: 2207: 1937: 1723: 1552: 1362: 1271:, in which a clock face is measured out in 360°, to Kirkeby despite being an idea by 1017: 934: 678:

across Western Europe. Starting with 14 concerts between 1 and 23 September 1962, at

544:

who traveled to Europe to help him promote a second planned publication to be called

422: 205: 7660: 7080: 5596: 5458:"Intermedia, Fluxus And The Something Else Press: Selected Writings By Dick Higgins" 4314: 10576: 10485: 10429: 10280: 10275: 10258: 10251: 10246: 10166: 9881: 9759: 9705: 9663: 9366: 9159: 8797: 8704: 8582: 8295: 8278: 8236: 8231: 8226: 8144: 8090: 7813: 7758: 7655: 7623: 7594: 7473: 7466: 7461: 7434: 7296: 7291: 6968: 6729: 6547: 6374: 6133: 6102: 5576: 5543: 5539: 5395: 5318: 4756: 4464: 3451: 3430: 2628: 2623: 2586: 2261: 2171: 2075: 2063: 1997: 1690: 1127: 1073: 993: 819: 438: 157: 9487: 3278: 2726:

Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins

2123: 687: 271:

of the 1930s through the 1960s. After attending courses on Zen Buddhism taught by

10604: 10434: 10221: 9983: 9680: 9537: 9512: 9462: 9386: 9211: 9201: 9096: 9081: 9061: 8944: 8854: 8817: 8802: 8550: 8457: 8399: 8221: 8216: 7973: 7942: 7894: 7584: 7515: 7500: 7328: 7306: 7227: 7175: 7165: 7137: 7090: 7073: 6997: 6938: 6928: 6867: 6504: 6449: 6337: 6294: 6088: 6054: 6034: 5748: 5440: 5421: 5402: 5380: 5358: 5152: 5132: 5066: 4904: 4654: 4471: 4258: 4208: 4179: 3921: 3400:, Ken Friedman, ed. Chichester, West Sussex: Wiley Academy Editions, pp. 218–236. 3310: 3086: 2443: 2425: 2367: 2339: 2309: 2177: 2165: 2129: 1827: 1784: 1510: 1448: 1247: 1135: 1077: 840: 779: 719: 703: 660: 640: 533: 493: 462: 390: 374: 334: 284: 146: 106: 94: 58: 36: 7564: 6319: 2721:. Wiesbaden: Harlekin Art, Museum Wiesbaden, and Nassauischer Kunstverein, 1982. 875:

and John Cale, and tin cans filled with poems, songs and recipes about beans by

10561: 10546: 10519: 10514: 10419: 10414: 10342: 10307: 10096: 10091: 10046: 10041: 10036: 9849: 9742: 9710: 9658: 9606: 9589: 9579: 9507: 9169: 9046: 9016: 8913: 8901: 8775: 8709: 8641: 8508: 8404: 8107: 7803: 7743: 7684: 7548: 7478: 7185: 7107: 7024: 6877: 6679: 6643: 6509: 6444: 6439: 6404: 6252: 6030: 6018: 5580: 5062: 4073: 3946: 3600: 3153: 3045:. ZKM – Zentrum für Kunst und Medientechnologie, Hatje Cantz, Karlsruhe, 2014, 2874: 2857: 2757: 2604: 2560:

Institute for the Arts & Science, University of California, Santa Cruz, USA

2437: 2419: 2345: 2291: 2189: 2141: 2117: 2081: 2069: 2039: 2009: 1702: 1674: 1662: 1606: 1599: 1595: 1591: 1477: 1436: 1387: 1383: 1366: 1251: 1219: 1143: 1065: 997: 977: 876: 836: 791: 715: 603: 573: 541: 497: 466: 444: 358: 319:, was coined by Duchamp around 1913, when he created his first readymades from 304: 288: 217: 201: 197: 185: 169: 131: 114: 71: 9323: 7192: 6257: 5689:

Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970

4951: 4760: 4646: 4411: 4282: 3702: 3651: 3575:"Anti-art, Art that challenges the existing accepted definitions of art, Tate" 323:(ordinary objects found or purchased and declared art). Indifferently chosen, 10598: 10534: 10490: 10470: 10347: 10297: 10285: 10231: 10131: 10106: 10013: 9978: 9951: 9941: 9901: 9643: 9611: 9472: 9467: 9450: 9278: 9273: 9258: 9233: 9223: 9174: 8834: 8812: 8743: 8609: 8438: 8341: 8317: 8300: 8268: 8253: 8034: 8024: 8019: 7923: 7672: 7633: 7572: 7398: 7355: 7124: 7053: 6985: 6827: 6805: 6721: 6469: 6464: 6399: 6394: 6232: 6169: 6161: 6093: 4035: 3635:

Hapgood, Susan and Rittner, Jennifer. "Neo-Dada: Redefining Art, 1958–1962",

3455: 3434: 3198: 2449: 2431: 2397: 2237: 2231: 2051: 1985: 1967: 1925: 1893:

There is a complexity in adequately charting a unified history of Fluxus. In

1866: 1838: 1823: 1803: 1780: 1694: 1486: 1187: 1111: 1057: 1053: 727: 711: 707: 648: 636: 426: 342: 292: 213: 193: 161: 83: 10384: 9128: 8273: 7935: 6080: 5243:"Drinkall, Jacquelene. "Human Telepathic Collaborations from Fluxus to Now"" 3037:

Women in Fluxus & Other Experimental Tales: Eventi Partiture Performance

1814:

Other creative forms that have been adopted by Fluxus practitioners include

815: 10399: 10176: 10071: 10061: 9859: 9722: 9675: 9631: 9621: 9584: 9554: 9517: 9492: 9482: 9445: 9288: 9071: 8939: 8663: 8592: 8389: 8312: 8063: 8014: 7918: 7899: 7867: 7764: 7704: 7699: 7444: 7264: 7102: 6960: 6943: 6903: 6898: 6852: 6790: 6494: 6479: 6474: 6424: 6409: 6389: 6262:, January 1960, from the same era as his teaching classes at the New School 4391: 4246: 3712: 3409: 3380: 3158:

Mainframe Experimentalism: Early Digital Computing in the Experimental Arts

3111: 2912:

Paull, Silke, and Hervé Würz, eds. "How We Met or a Microdemystification".

2391: 2321: 2303: 2297: 2267: 2255: 2201: 2135: 2099: 2057: 2027: 2015: 1943: 1807: 1799: 1792: 1698: 1686: 1682: 1633: 1610: 1215: 1183: 1151: 1069: 1005: 920: 871:, a regular newsletter with contributions by artists and musicians such as 671: 667: 652: 644: 565: 537: 525: 501: 414: 320: 300: 272: 229: 221: 177: 153: 87: 67: 9717: 7578: 6223: 5322: 5190: 2840:. Mason Gross Art Galleries, Rutgers, and Mead Art Gallery, Amherst, 2003. 1012:

had all started to make work for Fluxus, often of a contemplative nature.

10551: 10317: 10290: 10121: 10008: 9993: 9921: 9916: 9891: 9839: 9819: 9638: 9601: 9542: 9418: 9413: 9408: 9356: 9351: 9293: 9196: 9133: 9086: 9026: 8996: 8918: 8760: 8598: 8587: 8560: 8530: 8394: 8368: 8285: 8206: 8194: 8149: 8139: 8134: 8112: 8073: 7909: 7884: 7769: 7731: 7638: 7606: 7558: 7286: 7214: 7007: 6948: 6862: 6800: 6760: 6616: 6557: 6542: 6537: 6489: 4204: 4031: 3169: 2643: 2610: 2547: 2353: 2315: 2249: 2243: 2183: 2159: 2087: 2021: 1955: 1949: 1706: 1669:

before it, Fluxus included a strong current of anti-commercialism and an

1575: 1572: 1374: 1263: 1201: 1163: 1123: 1115: 1085: 880: 872: 864: 832: 699: 695: 517: 513: 509: 474: 410: 398: 394: 225: 209: 102: 75: 42: 9886: 9788: 6240: 5588: 5330: 3498:

Maciunas himself joined the class in 1959–60, and was taught by Maxfield

3416:. Jacquelynne Baas, editor. Chicago: University of Chicago Press, p. 35. 3131:. Randall Packer and Ken Jordan, eds. New York: W. W. Norton, pp. 27–32. 1324:

at Centraal Museum, Utrecht, Netherlands. In 2004, for Geoff Hendricks'

10571: 10509: 10352: 10198: 10193: 10161: 9685: 9497: 9457: 9403: 9371: 9263: 9101: 9056: 8949: 8755: 8565: 8433: 8154: 7956: 7748: 7589: 7377: 7143: 7048: 7012: 7002: 6980: 6795: 6785: 6773: 6725: 6653: 6314: 6300:

Dick Higgins collection at the University of Maryland, Baltimore County

6145: 6114: 5683: 5068:

Fluxus : selections from the Gilbert and Lila Silverman Collection

4052: 3534:"Michael Corris, MoMA, Grove Art Online, Oxford University Press, 2009" 3244:. London and Washington, D.C.: D. Giles, Ltd., in association with the 3189:. La Monte Young, ed. New York: Jackson Mac Low and La Monte Young, np. 3176:. La Monte Young, ed. New York: Jackson Mac Low and La Monte Young, np. 2928:

Maciunas' Learning Machines: From Art History to a Chronology of Fluxus

2512: 2379: 2327: 2225: 1764: 1614: 1587: 822:'s Mail Order FluxShop, Amsterdam, with Dorothea Meijer, winter 1964–65 804: 691: 362: 263:

The origins of Fluxus lie in many of the concepts explored by composer

110: 63: 5514: 3259:

Vostell. Environments Pintura Happenings Dibuixos Video de 1958 a 1978

2909:. Baltimore, Maryland: University of Maryland, Baltimore County, 2003. 28: 10504: 10337: 10322: 10263: 10236: 10183: 10171: 10081: 10056: 10018: 9747: 9737: 9700: 9532: 9522: 9502: 9328: 9298: 9031: 8954: 8373: 8159: 7996: 7753: 7454: 7403: 7301: 7112: 6918: 6889: 6532: 6527: 6414: 3783:"Chamberlain, Colby. "Design in Flux" Art In America. 1 October 2014" 3285:

Fluxus, the Most Radical and Experimental Art Movement of the Sixties

2888:, vol. 26, nos. 1/2, Providence: Rhode Island School of Design, 1992. 2775: 2653: 2033: 1961: 1884:

Fluxus is fun. Humor has always been an important element in Fluxus.

1819: 1788: 1719: 1710: 1629: 1583: 1243: 911: 778:

were originally intended to form an ever-expanding library of modern

679: 596: 569: 557: 521: 296: 264: 173: 165: 122: 79: 6720: 6137: 6106: 5433: 3156:, "The Computational Word Works of Eric Andersen and Dick Higgins", 2992:'The lunatics are on the loose…' European Fluxus festivals 1962–1977 1130:) presented a series of Fluxus art events and concerts there called 1126:, among others. From April 18 to June 12, 1970, Ono and Lennon (aka 152:

Many artists of the 1960s took part in Fluxus activities, including

10524: 10499: 10480: 10394: 10389: 10357: 10226: 10101: 10003: 9956: 9931: 9727: 9648: 9596: 9527: 9440: 9361: 9313: 9179: 9164: 9021: 8959: 8891: 8785: 8770: 8444: 8358: 8348: 8336: 8080: 7543: 7240: 7180: 6658: 6633: 6609: 6459: 5496: 4781:

Terpenkas, Andrea (June 2017). "Fluxus, Feminism, and the 1960's".

2965:. Stefan Fricke, Alexander Klar, Sarah Maske, Kerber Verlag, 2012, 2633: 2589:

records released a collection of Fluxus sound works on CD entitled

2471:

Alternative Traditions in Contemporary Art, University Library and

2219: 1855: 1752: 1740: 1714: 1670: 1370: 1119: 973: 949: 855: 581: 536:, whom he met in Europe. By September 1962, Maciunas was joined by 505: 470: 418: 386: 378: 370: 312: 303:

attended Cage's classes. A major influence is found in the work of

279:

in New York City. These classes explored the notions of chance and

189: 118: 98: 2869:

Mail-Interviews Part 1 Interviews with Mail-Art and Fluxus Artists

1865:. Fluxus art was often presented in "events", which Fluxus member 1146:, Nye Ffarrabas (formerly Bici Forbes and Bici Forbes Hendricks), 628: 524:, West Germany, having taken a job as a graphic designer with the 10312: 10086: 9988: 9896: 9874: 9066: 8869: 8807: 8624: 8523: 8263: 7990: 7823: 7429: 7029: 6913: 6323: 4956: 4745: 4287: 3722: 3144:. Carbondale and Edwardsville: Southern Illinois University Press 3043:

Beuys Brock Vostell. Aktion Demonstration Partizipation 1949–1983

2573: 2532:

Franklin Furnace Archive, The Museum of Modern Art, New York City

2523:

Fluxus Collection, Walker Art Center, Minneapolis, Minnesota, USA

2517:, collection Ute and Michael Berger, Wiesbaden-Erbenheim, Germany 1815: 1744: 1736: 1498: 1467: 1140:

Come Impersonating John Lennon & Yoko Ono, Grapefruit Banquet

860: 610:, outlining his ideas. Hausmann discouraged the use of the term; 338: 7985: 6122:

Oren, Michel (1993). "Anti-Art as the End of Cultural History".

6063:

Mr. Fluxus – A Collective Portrait of George Maciunas, 1931–1978

5904: 4263: 3914: 2792:

BLAM! The Explosion of Pop, Minimalism and Performance 1958–1964

894: 560:

artists, but instead applied the term to artists working in the

439:

From the Neo-Dada Anthology of Chance Operations to Early Fluxus

10529: 10116: 10111: 9998: 9864: 9690: 9549: 8971: 8540: 8452: 8307: 7538: 6309: 6287: 6276: 6217: 5806:. Art-Press 391 (2012): 65–69. Art Source. Web. 6 October 2015. 5499:(Spring 2001). "Post-Cagean aesthetics and the 'event' score". 5477: 3821:

Fluxus Administration: George Maciunas and the Art of Paperwork

3770:

Fluxus Administration: George Maciunas and the Art of Paperwork

3185:

Flynt, Henry. 1963. "Essay: Concept Art: Provisional Version."

2741:

Fluxus Administration: George Maciunas and the Art of Paperwork

1636:. Fluxus artists continue to perform today on a smaller scale. 954: 245: 5615:"Book Review: A Something Else Reader, Edited by Dick Higgins" 2979:. Werner Esser, Steffen Engle, Staatsgalerie Stuttgart, 2012. 2780:. Chicester, West Sussex and New York: Academy Editions, 1998. 2754:

Der Traum von Fluxus. George Maciunas: Eine Künstlerbiographie

7774: 6271: 5930: 4803:"The History of Artists and Art Production in SoHo, Danielle" 4667:

Off Limits: Rutgers University and the Avant-garde, 1957–1963

4393:

The Making of Intermedia: John Cage to Yoko Ono, 1952 to 1972

4129: 3563:. Cambridge, Mass: Belknap Press Of Harvard University Press. 1728: 1605:

Others, including Hannah Higgins, daughter of fluxus artists

1210:(May 30-June 5), with Ono, Maciunas, Wada, Ay-O; and finally 580:

not for his perceived group of Lithuania artists but for the

552:

of artists' works. Maciunas had first come up with the title

6267:

MOMA online archive of Fluxus 1, Fluxkit and Flux Year Box 2

3726:. 15 March 2010. Archived from the original on 23 March 2017 3501: 2847:. Bloomfield Hills, Michigan: Cranbrook Museum of Art, 1982. 10465: 10136: 9626: 8428: 6384: 6058: 4102: 3890:

The lecture was actually given in German by Artus C Caspari

2704:

Illegal Living: 80 Wooster Street and the Evolution of SoHo

1931: 1851: 1850:

Fluxus is similar in spirit to the earlier art movement of

1732: 1666: 1482: 1191: 1056:, "Symphony No. 3 'On the Floor from 'Clouds Scissors'" by 1009: 868: 607: 316: 135: 5969: 1134:. It was promoted with a poster designed by Fluxus leader 9617:

Art in the Protestant Reformation and Counter-Reformation

6329: 4986:, p. 280. Maciunas was a transvestite and masochist. 3877:, p. 40. Letter dated 4 November 1962, according to 3678:"Tate, Nam June Paik, Fluxus, Performance, Participation" 2826:. Metuchen, New Jersey and London: Scarecrow Press, 1991. 2810:

Fluxus Forms: Scores, Multiples, and the Eternal Network.

2501:

Emily Harvey Foundation, New York City, and Venice, Italy

1665:" aesthetic, and valued simplicity over complexity. Like 16:

International network of artists, composers and designers

4647:"Fluxus East: Fluxus Networks in Central Eastern Europe" 4615: 4603: 4582: 4477: 2945:. San Diego, CA: San Diego State University Press, 1998. 5785: 4691:. Yale University Press, New Haven, Connecticut p. 114. 4689:

Real Life Rock: The Complete Top Ten Columns, 1986–2014

4541: 3986: 3838: 3801: 2845:

Fluxus, etc.: The Gilbert and Lila Silverman Collection

1428:, hosted at New York University on 19 February 2009 by 807:, Fluxus multiples were almost always black and white. 405:

festival held in upstate New York by George Brecht and

5391: 5389: 4884: 4872: 4860: 4358: 4346: 4173:

Bloch, Mark. "On Originale.", from Bloch, Mark, editor

4141: 3172:. 1961. "Concept Art: Innperseqs." Reprinted in 1963: 3160:, Hannah Higgins & Douglas Kahn, eds., pp. 271–281 2354:

Scholars, critics, and curators associated with Fluxus

1562:

Some have argued that the unique control that curator

722:, amongst many others. One performance in particular, 706:

pieces written by Higgins, Knowles, George Brecht and

623: 477:

artists from that time. The project took the title of

469:, asked Young if he could layout and help publish the 78:, an artist contentiously associated with Fluxus; and 5097:"Robert Pincus-Witten on Fluxus, and Jon Hendricks's 4749:

Women & Performance: A Journal of Feminist Theory

4283:"Charlotte Moorman and Nam June Paik "The Originale"" 4185: 3998: 3396:

Higgins, Dick. 1998. "Fluxus: Theory and Reception."

3080:

http://www.ne.se/uppslagsverk/encyclopedi/lång/fluxus

1747:

artists. Artists from succeeding generations such as

1430:

Women & Performance: a journal of feminist theory

1426:

An evening with Fluxus women: a roundtable discussion

1279:

Some years ago, when I spoke with Robert Watts about

389:

and La Monte Young in 1961, featuring pieces by Ono,

4558: 4556: 2949:

Nie wieder störungsfrei! Aachen Avantgarde seit 1964

2884:

Milman, Estera, ed. "Fluxus: A Conceptual Country",

2600: 564:

vein. Because after fleeing Lithuania at the end of

5386: 5276:"What Happens When Fluxus Enters the Concert Hall?" 5001:"Liberating Viewers, and the World, With Silliness" 4633:"All contributors will receive a box in return..." 3269: 3267: 2923:. Minneapolis: University of Minnesota Press, 2001. 2678:. Eine Dokumentation. Rowohlt Verlag, Reinbek 1965. 2557:

Sammlung Maria und Walter Schnepel, Bremen, Germany

1539:1971, after Mr. Brown's death, Mrs. Brown moved to 5824: 3142:Horizons: The Poetics and Theory of the Intermedia 1806:labeled the "do it yourself" approach and to what 235: 5061: 4553: 4051:George Brecht, "An Interview with Robin Page for 3652:"Performances at Yoko Ono's Chambers Street Loft" 2881:. London and New York: Thames & Hudson, 1995. 2864:. Berkeley: University of California Press, 2002. 2794:. New York: W. W. Norton in association with the 2464: 1214:(June 6–12) with Ono, Geoffrey Hendricks, Watts, 944: 10596: 6017: 5650:. University Press of New England. p. 131. 5483: 3744:: CS1 maint: bot: original URL status unknown ( 3484:: CS1 maint: bot: original URL status unknown ( 3339:, ed. (1993). "The Occasion of the Exhibition". 3264: 2706:(Jonas Mekas Foundation), www.illegalliving.com 950:Perceived insurgencies and the Asiatic influence 97:"events", which included enactments of scores, " 5774: 5772: 3979:Maciunas, letter to Emmett Williams, quoted in 2787:. Westport, Connecticut: Greenwood Press, 1993. 1433:be so active without feeling any frustration." 774:. Cheap, mass-produced and easily distributed, 686:presented work by musicians such as John Cage, 353:, credited by some with proposing the idea for 6310:Fluxus Digital Collection, University of Iowa 6204:. San Diego: San Diego State University Press. 6160: 5415:Fluxus and Happening, the Something Else Press 5217:"Bloch, Mark. "The Boat Book: Alison Knowles"" 4706:"A New Book and a Museum Show for Sari Dienes" 4135: 4059:, London October 1972, pp. 30–31 reprinted in 3507: 2566:TVF The Endless Story of FLUXUS, Gent, Belgium 1586:who was also one of the performers along with 1316:at Musee d'Art et d'Art Contemporain in Nice; 1242:, were in full swing to contain Flux films by 1225: 9804: 6706: 6345: 6315:Fluxus Comes Alive - interactive Fluxus guide 4730: 4728: 4159:At the time, a member of the leftist set WWP. 4078:"Art in Review: The man who organized Fluxus" 3466:. Archived from the original on 23 April 2021 2676:Happenings, Fluxus, Pop Art, Nouveau Réalisme 1795:of academic and market-driven music and art. 1628:presented a fluxus performance incorporating 810: 6053: 5769: 5639: 5637: 5126:MoMA exhibitions, October 2009 – August 2010 4983: 4938: 4340: 4160: 4108: 4060: 3980: 3950: 3874: 2871:. Breda: TAM-Publications, Netherlands 2008. 2831:Where the Secret is Hidden: Collected Essays 2496:Berkeley Art Museum and Pacific Film Archive 1451:'s action paintings, and the male-dominated 1365:, and founding members of the group such as 1299: 1047:, with La Monte Young conducting, played at 674:, Maciunas eventually organised a series of 639:, as performed in Wiesbaden, 1962, by (l–r) 10630:International artist groups and collectives 6305:Fondazione Bonotto, Fluxus works collection 6166:George Brecht: Events – Eine Heterospektive 5853:"Tate Archive and Public Records Catalogue" 5814: 5812: 5742:On George Brecht, Robert Filliou and others 4797: 4795: 4119: 4117: 3898: 3896: 3641:, vol. 17, no. 1 (January 1995), pp. 63–70. 3429:, vol. 29, no. 7/8, December, pp. 372–398. 2812:Chicago: University of Chicago Press, 2020. 2529:FONDAZIONE BONOTTO, Molvena, Vicenza, Italy 9811: 9797: 6713: 6699: 6352: 6338: 6283:Subjugated Knowledges exhibition catalogue 6258:John Cage on I've Got A Secret performing 6087: 6061:(1998). Emmett Williams; Ann Noël (eds.). 5818: 5791: 5759: 5757: 5725: 5723: 5721: 5692:. Bloomsbury Publishing USA. p. 294. 5647:Shock and the Senseless in Dada and Fluxus 4905:"Fluxus Movement, Artists and Major Works" 4734: 4725: 4424:: CS1 maint: location missing publisher ( 4016:This was to go down to 50/50 within a year 3558: 3414:Fluxus and the Essential Qualities of Life 3311:"Fluxus Movement, Artists and Major Works" 3129:Multimedia: From Wagner to Virtual Reality 3024:. Saarbrücken (Germany): AQ-Verlag, 2011. 2833:Breda: TAM-Publications Netherlands, 2011. 2728:. Catskill, New York: Siglio Press, 2018. 2689:Fluxus and the Essential Questions of Life 1895:Fluxus: A Brief History and Other Fictions 1238:Within a year, plans for a new anthology, 1035:Dig a hole in your garden to put them in. 992:the time she had returned, in early 1965, 886: 595:(After Cage; a Small Summer Festival), in 421:pieces); and a series of concerts held in 9818: 5998: 5634: 4634: 4621: 4609: 4588: 4547: 4465:Interview with Joe Jones by Nakagawa Shin 3992: 3967: 3861: 3844: 3823:, University of Chicago Press, 2024, p. 4 3807: 3772:, University of Chicago Press, 2024, p. 4 3561:The Dada Painters And Poets: An Anthology 3412:. 2011. "Fluxus: A Laboratory of Ideas." 3335: 1068:, "1965 $ 50" by Young, "Piano Piece" by 556:for a never done anthology of New York's 5809: 5564: 5306: 5166:"Something Else: A Fluxus Semicentenary" 4792: 4114: 3893: 3559:Motherwell, Robert and Jean Arp (1989). 3437: 3383:. 1992. "Fluxus: Theory and Reception." 2667: 2591:Fluxus & NeoFluxus / Stolen Symphony 1845: 1314:Performance in Fluxus Continue 1963–2003 1176:Weight & Water by Yoko + Fluxfiremen 1038: 953: 939:2nd Annual New York Avant Garde Festival 893: 814: 627: 587:Maciunas first publicly coined the term 244: 41: 27: 6029: 5754: 5718: 5527: 4995: 4952:"Marriage of George and Billy Maciunas" 4902: 4890: 4878: 4866: 4364: 4352: 4269: 4191: 4147: 4123: 4039: 4017: 4004: 3933: 3902: 3878: 3528: 3526: 3524: 3522: 3520: 3518: 3516: 3009:. Künstlerhaus Bethanien, Berlin 2007. 2541:Museo Vostell Malpartida Cáceres, Spain 915:, a recent work by the German composer 492:was completed and published in 1963 by 425:'s studio, Cologne, 1960–61, featuring 10597: 9394:Contemporary Indigenous Australian art 5782:. Art Journal 53.1 (1994): 90–93. Web. 5273: 4389: 4166: 4072: 3599: 2702:Bernstein, Roslyn, and Shael Shapiro. 1822:, music, video, and poetry—especially 1458: 1447:has been interpreted as a critique of 520:and La Monte Young, Maciunas moved to 461:connection was prematurly terminated, 417:(the culmination of a year's worth of 9792: 7414:Art of the late 16th century in Milan 6694: 6333: 6199: 5976:from the original on 24 February 2021 5937:from the original on 28 December 2017 5643: 5609: 5452: 5288:from the original on 17 November 2018 5043:from the original on 23 December 2011 4700: 4665:Marter, Joan M. and Anderson, Simon. 4570:from the original on 4 September 2012 4483: 4295:from the original on 31 December 2018 4228:from the original on 10 February 2012 3240:Hanhardt, John and Ken Hakuta. 2012. 2563:De Montfort University, Leicester, UK 1739:and is seen as the starting point of 1357:Women associated with Fluxus such as 1267:color. Conversely, Maciunas assigned 443:In 1961 the American musician/artist 19:For the programming environment, see 6241:FluxFilms (1962–1970) in MPEG format 6187: 6121: 6036:George Maciunas: The Dream of Fluxus 5885:from the original on 24 October 2016 5830: 5763: 5729: 5682: 5495: 5197:from the original on 5 February 2012 4915:from the original on 19 October 2015 4809:from the original on 9 February 2013 4503:from the original on 21 January 2021 3513: 3317:from the original on 19 October 2015 3098:Wainwright, Lisa S. 2016. "Fluxus." 2743:, University of Chicago Press, 2024 2724:Clay, Steve, and Ken Friedman, eds. 2617: 2358: 1533: 1204:as a Young Cloud by Yoko + Everybody 134:, a French artist who was active in 6253:European Fluxus Festivals 1962–1977 5274:Barone, Joshua (11 November 2018). 4848:from the original on 6 October 2014 4669:. Newark Museum. Newark, New Jersey 3617:from the original on 4 January 2017 3605:"Dada's Women, Ahead of Their Time" 3296:Ruhé, Harry. 1999. "Introduction." 3118:. vol. 1, no. 1, February, pp. 1–3. 2824:Mail Art: an Annotated Bibliography 2815:Hapgood, Susan, and Cornelia Lauf. 1731:. Fluxus has also been compared to 1180:Capsule by Yoko + Flux Space Center 1172:Blue Room by Yoko + Fluxmasterliars 1160:Tickets by John Lennon + Fluxagents 972:marked the high point of Maciunas' 624:European festivals and the Fluxkits 105:, and time-based works, as well as 13: 8749:Vienna School of Fantastic Realism 7600:Neoclassical architecture in Milan 6202:Fluxus: The History of an Attitude 5859:from the original on 23 April 2021 5706:from the original on 23 April 2021 5664:from the original on 23 April 2021 5107:from the original on 16 April 2012 5013:from the original on 17 April 2017 3718:"Dick Higgins on FLUXUS - YouTube" 3658:from the original on 10 April 2016 3127:Higgins, Dick. 2001. "Intermedia" 3078:). 2016. "Fluxus". Accessible at: 2943:Fluxus: The History of an Attitude 2894:. Museo Vostell Malpartida, 1998, 2854:. New York: Harry N. Abrams, 1988. 2819:. Ghent: Imschoot Uitgevers, 1991. 1783:'s "Drip Music", is essentially a 1168:Clinic by Yoko Ono + Hi Red Center 1142:(April 11–17) by George Maciunas, 14: 10646: 8823:American Figurative Expressionism 7159:International Gothic art in Italy 6234:An Anthology of Chance Operations 6209: 6091:(Spring 1997). "Fluxus Feminus". 6039:. New York: Thames & Hudson. 5931:"Museum Fluxus+ Potsdam, Germany" 5911:from the original on 20 July 2020 4982:According to Hutching, quoted in 4964:from the original on 7 March 2016 4842:"Fluxkit documenting the project" 4090:from the original on 27 June 2017 3684:from the original on 4 March 2016 3581:from the original on 5 April 2017 3102:(Encyclopædia Britannica Online). 1900: 1888: 1578:performances. In September, 2011 758:An Anthology of Chance Operations 490:An Anthology of Chance Operations 480:An Anthology of Chance Operations 66:, a term coined by Fluxus artist 9773: 9772: 8332:Neue Künstlervereinigung München 5962: 5949: 5923: 5897: 5871: 5845: 5836: 5797: 5735: 5676: 5603: 5558: 5521: 5489: 5446: 5427: 5408: 5364: 5352:Robert Filliou on Fluxus and art 5345: 5300: 5267: 5255:from the original on 9 July 2015 5235: 5223:from the original on 3 July 2017 5209: 5183: 5158: 5138: 5119: 5089: 5055: 5025: 4989: 4976: 4944: 4529:from the original on 17 May 2012 4321:from the original on 2 June 2009 3789:from the original on 8 July 2015 3261:. Barcelona: Fundacio Joan Miro. 2687:Baas, Jacquelynn, Friedman, Ken 2603: 2473:University of Iowa Museum of Art 1870:viewer completing the art work. 1681:Among its early associates were 1632:"Europeras 1 and 2" directed by 1212:Examination by Yoko + Fluxschool 760:edited by Young and Mac Low and 576:. Thus Maciunas coined the name 21:Fluxus (programming environment) 9254:Tunisian collaborative painting 8727:International Typographic Style 6581:Topographie Anécdotée du Hasard 6272:Museum Fluxus+ Potsdam, Germany 6065:. London: Thames & Hudson. 5191:"Interview with Hannah Higgins" 5145:"Always in Flux, Mostly in Fun" 4927: 4896: 4834: 4821: 4775: 4739: 4694: 4681: 4672: 4659: 4640: 4627: 4594: 4564:"MoMA, Interactive exhibitions" 4515: 4489: 4458: 4445: 4432: 4383: 4370: 4333: 4307: 4275: 4240: 4214: 4203:"Picket Stockhausen Concert!", 4197: 4153: 4066: 4045: 4023: 4010: 3973: 3956: 3939: 3932:"Die Irren sind los" quoted in 3926: 3908: 3884: 3867: 3850: 3826: 3813: 3775: 3762: 3752: 3696: 3670: 3644: 3629: 3593: 3567: 3552: 3540:from the original on 8 May 2015 3492: 3438:Friedman, Ken (December 2012). 3419: 3403: 3390: 3374: 3361: 3329: 3303: 3290: 3251: 3246:Smithsonian American Art Museum 3242:Nam June Paik: Global Visionary 3234: 2684:. Kölnischer Kunstverein, 1970. 2544:Museum Fluxus+ Potsdam, Germany 1833: 1798:The idea of the event began in 1382:"Interior Scroll", Yoko Ono's " 1208:The Store by Yoko + Fluxfactory 236:Early History, Late 50s to 1965 10610:Contemporary art organizations 9007:The Caribbean Artists Movement 6228:Tellus Audio Cassette Magazine 6195:. London: Thames & Hudson. 6025:. London: Thames & Hudson. 5804:Fluxus, More Flux Than History 5544:10.1080/13528165.2002.10871876 3287:Amsterdam: Editions Galerie A. 3192: 3179: 3163: 3147: 3134: 3121: 3105: 3092: 3065: 2994:. Down with art! Berlin 2012. 2796:Whitney Museum of American Art 2570:Jonas Mekas Visual Arts Center 2465:Major collections and archives 1774: 1524:Interview With George Maciunas 1024:An event score from the book: 945:Middle Fluxus History: 1965–78 593:Après Cage; Kleinen Sommerfest 562:Anthology of Chance Operations 277:New School for Social Research 1: 7363:Dutch and Flemish Renaissance 6288:The Copenhagen Fluxus Archive 6003:. New York: Harry N. Abrams. 5970:"The Endless Story of FLUXUS" 4251:"A Child's History of Fluxus" 4222:"A film of the event, UbuWeb" 3444:Theory, Culture & Society 3076:Swedish National Encyclopedia 2801:Hansen, Al, and Beck Hansen. 2674:Jürgen Becker, Wolf Vostell, 1854:, emphasizing the concept of 1656: 1639: 1032:Imagine the clouds dripping. 599:, West Germany, 9 June 1962. 341:. Other key members included 253: 139: 9478:Modern European ink painting 8850:Bay Area Figurative Movement 6649:Fluxus at Rutgers University 5484:Kellein & Hendricks 1995 4831:, no. 4 (2012), pp. 127–143. 3427:Theory, Culture, and Society 3300:Amsterdam: Tuja Books, p. 4. 3089:Accessed September 11, 2016. 2639:Fluxus at Rutgers University 2548:Jean Brown papers, 1916–1995 2489:Archivio Conz, Verona, Italy 1260:Solid Plastic in Plastic Box 1080:, "Mechanical Orchestra" by 351:Elsa von Freytag-Loringhoven 7: 9139:Artificial intelligence art 6248:Interview with Ken Friedman 5959:. Retrieved 28 August 2008. 5147:by David Bratman, sfcv.org 3945:George Maciunas, letter to 3387:, vol II, no. 2, pp. 25–46. 2926:Schmidt-Burkhardt, Astrit. 2596: 1413:The hand-touch sensibility 1352: 1258:the works into production. 1226:Objects blurring boundaries 1182:(May 16–22) with Maciunas, 1158:(April 11–17) by Yoko Ono; 1043:On September 25, 1965, the 986:Annual Avant Garde Festival 738:At the end we did Corner's 548:, the first of a series of 10: 10651: 10557:Situationist International 9052:Post-painterly abstraction 8875:Situationist International 8249:Pennsylvania Impressionism 6359: 6174:Buchhandlung Walther König 6164:; Robinson, Julia (2005). 5992: 5905:"Museo Vostell Malpartida" 5751:Retrieved 5 September 2010 5581:10.1162/octo.2009.127.1.77 5443:Retrieved 5 September 2010 5424:Retrieved 5 September 2010 5405:Retrieved 5 September 2010 5383:Retrieved 5 September 2010 5361:Retrieved 5 September 2010 5135:Retrieved 5 September 2010 4339:Jackson Mac Low quoted in 4136:Brecht & Robinson 2005 3873:Raoul Hausmann, quoted in 3835:, 1963, by George Maciunas 3508:Brecht & Robinson 2005 3257:Fundacio Joan Miro. 1979. 3227:, eds. Venice and Berlin: 3035:Zanichelli, Elena (2012). 2719:1962 Wiesbaden Fluxus 1982 2492:Artpool, Budapest, Hungary 2404:John Held Jr. (mailartist) 2364:Simon Anderson (born 1954) 1411:The persistence of feeling 1395:He said we are fond of you 811:New York and the FluxShops 240: 18: 10453: 10375: 10214: 10154: 10145: 10027: 9827: 9768: 9572: 9337: 9147: 8927: 8719: 8703: 8635:California Scene Painting 8514:California Scene Painting 8470:Figurative Constructivism 8382: 8187: 7966: 7955: 7785: 7722: 7615: 7531: 7521:Poussinists and Rubenists 7422: 7226: 6959: 6759: 6750: 6737: 6672: 6626: 6571: 6518: 6367: 6021:; Hendricks, Jon (1995). 5955:Getty Research Institute 5439:14 September 2010 at the 5357:19 September 2011 at the 5310:Perspectives of New Music 5131:14 September 2010 at the 5065:; Hendricks, Jon (1988). 4761:10.1080/07407700903399524 4178:24 September 2015 at the 3116:Something Else Newsletter 2836:Hendricks, Geoffrey, ed. 1300:Inventing Performance Art 1162:(April 18–24) with Wada, 1107:, where he presented his 899:Traitor, you left Fluxus! 307:. Also of importance was 9733:Prehistoric European art 9382:Contemporary African art 8865:Gendai Bijutsu Kondankai 8793:Generación de la Ruptura 8420:Universal Constructivism 8212:California Impressionism 8167:American Barbizon school 6277:Museo Vostell Malpartida 5747:14 November 2010 at the 5644:Brill, Dorothée (2010). 5401:10 February 2010 at the 5379:11 February 2010 at the 4984:Maciunas & Ay-O 1998 4939:Maciunas & Ay-O 1998 4390:Laynor, Gregory (2016). 4341:Maciunas & Ay-O 1998 4161:Maciunas & Ay-O 1998 4109:Maciunas & Ay-O 1998 4061:Maciunas & Ay-O 1998 3981:Maciunas & Ay-O 1998 3951:Maciunas & Ay-O 1998 3875:Maciunas & Ay-O 1998 3456:10.1177/0263276412465440 3435:10.1177/0263276412465440 3058: 2552:Getty Research Institute 1779:An event score, such as 1622:Los Angeles Philharmonic 1322:Centraal Fluxus Festival 1138:. Performances included 963:Albert and David Maysles 10067:Experimental literature 9560:Walking Artists Network 8897:Letterist International 8737:Washington Color School 7651:Arts in the Philippines 6224:Samples of Fluxus Audio 6125:Performing Arts Journal 5999:Hendricks, Jon (1988). 5780:In the Spirit of Fluxus 5420:3 February 2011 at the 5155:Retrieved 1 August 2014 4438:Sallabedra, M. (2012). 4211:flyer, 1964. Reproduced 3966:, July 1963, quoted in 3920:2 November 2010 at the 3638:Performing Arts Journal 3341:In the Spirit of Fluxus 2977:Fluxus! 50 Jahre Fluxus 2951:, Kerber Verlag, 2011, 2760:, Walther König, 2007. 2484:Staatsgalerie Stuttgart 2286:Gianni-Emilio Simonetti 1405:There are certain films 1347:In the Spirit of Fluxus 1091:In 1969, Fluxus artist 1084:, and "Secret Room" by 933:The event, arranged by 500:, which showed work by 309:Dada Poets and Painters 10333:Second Viennese School 9964:Neue Slowenische Kunst 9835:Abstract expressionism 9671:Illuminated manuscript 9319:The Designers Republic 9269:Neue Slowenische Kunst 9192:Pattern and Decoration 9092:Institutional critique 8732:Abstract expressionism 7712:Latin American Baroque 7668:Colonial Asian Baroque 6673:Critics and historians 6293:10 August 2009 at the 6168:(in German). Cologne: 5151:10 August 2014 at the 4937:, 1978, referenced in 4903:DiTolla, Racy (2015). 4829:Getty Research Journal 4470:3 January 2017 at the 3114:. 1966. "Intermedia." 2682:Happening & Fluxus 2498:, Berkeley, California 2479:, Iowa City, Iowa, USA 1908:abstract expressionism 1516: 1495: 1453:abstract expressionist 1422: 1289: 1132:GRAPEFRUIT FLUXBANQUET 978:under the Hudson River 965: 931: 905: 850: 823: 801: 745: 663: 617: 436: 430:Dick Higgins, stated: 260: 51: 48:Festum Fluxorum Fluxus 39: 10440:Theatre of the Absurd 10363:Twelve-tone technique 10242:Electroacoustic music 9309:Artist-run initiative 9284:Young British Artists 9249:New European Painting 9185:Moscow Conceptualists 9107:Feminist art movement 8885:Ukrainian underground 8860:Gutai Art Association 8259:Ten American Painters 7763:Western influence in 6740:List of art movements 6094:TDR: The Drama Review 5323:10.1353/pnm.2006.0012 5009:(exhibition review). 4999:(23 September 2011). 3964:Fluxus Preview Review 3140:Higgins, Dick. 1984. 3085:23 April 2021 at the 3005:Stegmann, Petra, ed. 2990:Stegmann, Petra, ed. 2668:Selected bibliography 1846:Artistic philosophies 1722:of Nam June Paik and 1661:Fluxus encouraged a " 1491: 1401:To look at your films 1392: 1330:Do-it Yourself Fluxus 1277: 1101:Tone Deaf Music Store 1049:Carnegie Recital Hall 1039:Proto-Performance Art 957: 926: 917:Karlheinz Stockhausen 897: 845: 818: 796: 736: 631: 612: 432: 248: 82:, first pioneered by 74:, first developed by 45: 31: 10425:Postdramatic theatre 10410:Experimental theatre 9947:Multidimensional art 9119:Saqqakhaneh movement 9012:Chicano art movement 8880:Soviet Nonconformist 8686:Boston Expressionism 8669:Abstraction-Création 8487:Arbeitsrat für Kunst 8480:Cologne Progressives 8200:Art Nouveau in Milan 8003:Anglo-Japanese style 7979:National romanticism 7409:Fontainebleau School 7319:Northern Renaissance 7154:International Gothic 6664:Something Else Press 6200:Smith, Owen (1998). 5879:"Fondation du Doute" 5531:Performance Research 5170:Other Minds Archives 5073:Museum of Modern Art 4653:4 March 2016 at the 4376:Weisman, S. (2011). 4257:22 June 2012 at the 3962:Price listed in the 3337:Armstrong, Elizabeth 3072:Nationalencyclopedin 2843:Hendricks, Jon, ed. 2803:Playing with Matches 2739:Chamberlain, Colby, 2486:, Stuttgart, Germany 2154:Vytautas Landsbergis 1980:Henning Christiansen 1761:Something Else Press 1569:Museum of Modern Art 1474:Villefranche-sur-Mer 1409:The personal clutter 1380:Carolee Schneemann's 1076:, "Moviee Music" by 982:Something Else Press 766:, by George Brecht. 483:from its full title 337:and American artist 9927:Lyrical Abstraction 9654:Hierarchy of genres 9219:Saint Soleil School 9155:Post-conceptual art 9124:The Stars Art Group 9002:Black Arts Movement 8965:Neo-Dada Organizers 8766:Lyrical abstraction 8499:Australian tonalism 8172:California Tonalism 7844:Hudson River School 7647:Colonial Asian art 7387:English Renaissance 7336:Ghent–Bruges school 7324:Early Netherlandish 7236:Italian Renaissance 7149:Gothic art in Milan 5778:O'neill, Rosemary. 4805:. 11 October 2011. 4783:Western Tribularies 4486:, pp. 206–209. 4455:. Wunternaum Press. 3819:Colby Chamberlain, 3768:Colby Chamberlain, 3229:Biennale di Venezia 3100:Britannica Academic 2774:Friedman, Ken, ed. 1767:" in a 1966 essay. 1526:with Fluxus artist 1459:Utopian communities 1339:Akademie der Künste 803:Since Maciunas was 752:by La Monte Young ( 347:Florine Stettheimer 10625:Experimental music 10540:Postmodernist film 10445:Theatre of Cruelty 10328:Rock in Opposition 10269:Free improvisation 9912:Post-Impressionism 9845:Art & Language 9696:Landscape painting 9304:New Leipzig School 9244:Neo-conceptual art 8992:Art & Language 8987:Capitalist realism 8909:Florida Highwaymen 8845:Hard-edge painting 8659:Streamline Moderne 8620:Harlem Renaissance 8463:Novecento Italiano 8291:Deutscher Werkbund 8118:Post-Impressionism 7680:Latin American art 7484:Guild of Romanists 7346:German Renaissance 7341:Northern Mannerism 6639:Art & Language 6563:Carolee Schneemann 6420:Geoffrey Hendricks 5396:Maciunas on Fluxus 5373:40 Years of Fluxus 5281:The New York Times 5006:The New York Times 4083:The New York Times 4063:, pp. 109–110 3949:, 1962, quoted in 3610:The New York Times 3231:and Edition Cantz. 2892:Fluxus y Di Maggio 2790:Haskell, Barbara. 2649:Ministry of Fluxus 2526:Fondation du Doute 2477:University of Iowa 2274:Carolee Schneemann 2106:Bengt af Klintberg 2046:Geoffrey Hendricks 1602:and Adam Overton. 1419:Carolee Schneemann 1359:Carolee Schneemann 1320:in Amsterdam; and 1285:Compass Face Clock 1250:, FluxMedicine by 1170:(April 25-May 1); 1148:Geoffrey Hendricks 1105:North Moore Street 966: 906: 824: 664: 657:Benjamin Patterson 530:Benjamin Patterson 269:experimental music 261: 182:Bengt af Klintberg 52: 40: 10592: 10591: 10582:Russian symbolism 10567:Socialist realism 10405:Experimental film 10371: 10370: 10077:Hungry generation 10052:Conceptual poetry 9907:Neo-Impressionism 9786: 9785: 9568: 9567: 9424:Corporate Memphis 9377:Classical Realism 9347:Amazonian pop art 9239:Appropriation art 9207:Neo-expressionism 9077:Environmental art 8982:Nouvelle tendance 8699: 8698: 8647:Socialist realism 8504:Dresden Secession 8123:Neo-Impressionism 8086:Decadent movement 8057:Heidelberg School 7951: 7950: 7849:American luminism 7834:Düsseldorf School 7829:Shoreham Ancients 7819:Nazarene movement 7809:Danish Golden Age 7690:Indochristian art 7368:Antwerp Mannerism 7257:Pittura infamante 7251:Florentine School 7246:Proto-Renaissance 6688: 6687: 6589:Poème symphonique 6553:Charlotte Moorman 6279:, Cáceres, Spain. 5620:Whitehot Magazine 5613:(February 2023). 5463:Whitehot Magazine 5456:(February 2019). 4711:Whitehot Magazine 4403:978-1-339-94191-2 3858:Fluxus Prospectus 3398:The Fluxus Reader 3345:Walker Art Center 3298:25 Fluxus Stories 3154:Hannah B. Higgins 3051:978-3-7757-3864-4 3030:978-3-922441-11-3 3000:978-3-9815579-0-9 2985:978-3-86442-032-0 2971:978-3-86678-700-1 2957:978-3-86678-602-8 2936:978-3-7091-0479-8 2862:Fluxus Experience 2808:Harren, Natilee. 2777:The Fluxus Reader 2766:978-3-8656-0228-2 2734:978-1-938221-20-0 2717:Block, René, ed. 2714:, September 2010. 2712:978-609-95172-0-9 2697:978-022-60335-9-4 2664: 2663: 2461: 2460: 2214:Maurizio Nannucci 2208:Charlotte Moorman 1938:Mary Bauermeister 1724:Charlotte Moorman 1553:Dimitri Devyatkin 1534:Fluxus since 1978 1407:We cannot look at 1363:Charlotte Moorman 1318:Fluxus a la Carte 1281:Degree Face Clock 1269:Degree Face Clock 968:The picketing of 935:Charlotte Moorman 423:Mary Bauermeister 409:in May 1963 with 401:; the month-long 315:, a precursor to 206:Mary Bauermeister 10642: 10486:Russian Futurism 10430:Remodernist film 10348:Stochastic music 10303:Musique concrète 10281:Microtonal music 10259:Experimental pop 10252:Industrial music 10247:Electronic music 10152: 10151: 9974:Nouveau réalisme 9882:Grosvenor School 9813: 9806: 9799: 9790: 9789: 9776: 9775: 9760:Western painting 9706:Modern sculpture 9664:History painting 9367:Art intervention 9160:Installation art 8977:Nouveau réalisme 8717: 8716: 8691:Leningrad School 8583:Mexican muralism 8556:Grosvenor School 8296:American Realism 8279:Der Blaue Reiter 8237:Berlin Secession 8232:Vienna Secession 8227:Munich Secession 8145:Pont-Aven School 7964: 7963: 7814:Troubadour style 7792:(c. 1770 – 1862) 7759:Qing handicrafts 7725:Western elements 7656:Letras y figuras 7629:African-American 7624:African diaspora 7595:Directoire style 7506:Heptanese school 7489:Dutch Golden Age 7474:Stroganov School 7467:Lutheran Baroque 7462:Louis XIII style 7435:Baroque in Milan 7297:Bolognese School 7292:High Renaissance 7275:Forlivese School 7270:Ferrarese School 6993:Migration Period 6757: 6756: 6715: 6708: 6701: 6692: 6691: 6627:Related articles 6548:Richard Maxfield 6519:Related artists 6375:Genpei Akasegawa 6354: 6347: 6340: 6331: 6330: 6205: 6196: 6193:New Media in Art 6184: 6182: 6157: 6118: 6084: 6055:Maciunas, George 6050: 6026: 6014: 5986: 5985: 5983: 5981: 5966: 5960: 5953: 5947: 5946: 5944: 5942: 5927: 5921: 5920: 5918: 5916: 5901: 5895: 5894: 5892: 5890: 5875: 5869: 5868: 5866: 5864: 5849: 5843: 5840: 5834: 5828: 5822: 5816: 5807: 5801: 5795: 5789: 5783: 5776: 5767: 5761: 5752: 5739: 5733: 5727: 5716: 5715: 5713: 5711: 5680: 5674: 5673: 5671: 5669: 5641: 5632: 5631: 5629: 5627: 5607: 5601: 5600: 5562: 5556: 5555: 5525: 5519: 5518: 5493: 5487: 5481: 5475: 5474: 5472: 5470: 5450: 5444: 5431: 5425: 5412: 5406: 5393: 5384: 5368: 5362: 5349: 5343: 5342: 5304: 5298: 5297: 5295: 5293: 5271: 5265: 5264: 5262: 5260: 5254: 5247: 5239: 5233: 5232: 5230: 5228: 5213: 5207: 5206: 5204: 5202: 5187: 5181: 5180: 5178: 5176: 5162: 5156: 5142: 5136: 5123: 5117: 5116: 5114: 5112: 5093: 5087: 5086: 5059: 5053: 5052: 5050: 5048: 5029: 5023: 5022: 5020: 5018: 4993: 4987: 4980: 4974: 4973: 4971: 4969: 4960:. 18 June 2011. 4948: 4942: 4931: 4925: 4924: 4922: 4920: 4900: 4894: 4888: 4882: 4876: 4870: 4864: 4858: 4857: 4855: 4853: 4838: 4832: 4825: 4819: 4818: 4816: 4814: 4799: 4790: 4779: 4773: 4772: 4743: 4737: 4732: 4723: 4722: 4720: 4718: 4698: 4692: 4685: 4679: 4676: 4670: 4663: 4657: 4644: 4638: 4631: 4625: 4619: 4613: 4607: 4601: 4598: 4592: 4586: 4580: 4579: 4577: 4575: 4560: 4551: 4545: 4539: 4538: 4536: 4534: 4519: 4513: 4512: 4510: 4508: 4493: 4487: 4481: 4475: 4462: 4456: 4451:Ono, Y. (1964). 4449: 4443: 4436: 4430: 4429: 4423: 4415: 4387: 4381: 4374: 4368: 4362: 4356: 4350: 4344: 4343:, pp. 94–95 4337: 4331: 4330: 4328: 4326: 4311: 4305: 4304: 4302: 4300: 4279: 4273: 4272:, n. 104, p. 98. 4267: 4261: 4244: 4238: 4237: 4235: 4233: 4218: 4212: 4201: 4195: 4189: 4183: 4170: 4164: 4157: 4151: 4145: 4139: 4133: 4127: 4121: 4112: 4106: 4100: 4099: 4097: 4095: 4070: 4064: 4049: 4043: 4042:, pp. 69–71 4027: 4021: 4014: 4008: 4002: 3996: 3990: 3984: 3977: 3971: 3960: 3954: 3943: 3937: 3930: 3924: 3912: 3906: 3900: 3891: 3888: 3882: 3871: 3865: 3854: 3848: 3842: 3836: 3833:Fluxus Manifesto 3830: 3824: 3817: 3811: 3805: 3799: 3798: 3796: 3794: 3779: 3773: 3766: 3760: 3756: 3750: 3749: 3743: 3735: 3733: 3731: 3705: 3700: 3694: 3693: 3691: 3689: 3674: 3668: 3667: 3665: 3663: 3648: 3642: 3633: 3627: 3626: 3624: 3622: 3597: 3591: 3590: 3588: 3586: 3571: 3565: 3564: 3556: 3550: 3549: 3547: 3545: 3530: 3511: 3505: 3499: 3496: 3490: 3489: 3483: 3475: 3473: 3471: 3450:(7–8): 372–398. 3423: 3417: 3407: 3401: 3394: 3388: 3378: 3372: 3365: 3359: 3358: 3333: 3327: 3326: 3324: 3322: 3307: 3301: 3294: 3288: 3282: 3271: 3262: 3255: 3249: 3238: 3232: 3226: 3215: 3196: 3190: 3183: 3177: 3167: 3161: 3151: 3145: 3138: 3132: 3125: 3119: 3109: 3103: 3096: 3090: 3069: 2919:Saper, Craig J. 2886:Visible Language 2850:Hendricks, Jon. 2805:. RAM USA, 1998. 2624:Art intervention 2618: 2613: 2608: 2607: 2516: 2359: 2262:Wim T. Schippers 2172:Richard Maxfield 2076:Toshi Ichiyanagi 2064:Davi Det Hompson 2004:Öyvind Fahlström 1998:Felipe Ehrenberg 1691:Davi Det Hompson 1545:Great Barrington 1472:, was set up in 1420: 1399:But don't ask us 1397:You are charming 1128:Plastic Ono Band 1074:Willem de Ridder 1000:, Takako Saito, 820:Willem de Ridder 750:Composition 1961 743:row about it... 740:Piano Activities 724:Piano Activities 633:Piano Activities 467:graphic designer 367:Nouveau réalisme 258: 255: 158:Willem de Ridder 144: 141: 59:art performances 33:Fluxus Manifesto 10650: 10649: 10645: 10644: 10643: 10641: 10640: 10639: 10620:Avant-garde art 10595: 10594: 10593: 10588: 10449: 10435:Structural film 10377: 10367: 10222:Aleatoric music 10210: 10141: 10029: 10023: 9984:Performance art 9823: 9817: 9787: 9782: 9764: 9681:Interactive art 9564: 9538:SoFlo Superflat 9463:Kitsch movement 9387:Africanfuturism 9339: 9333: 9212:Transavantgarde 9143: 9097:Light and Space 9082:Performance art 9062:Psychedelic art 8945:Nueva Presencia 8935:Otra Figuración 8923: 8855:Les Plasticiens 8840:New York School 8818:Action painting 8803:Metcalf Chateau 8712: 8707: 8695: 8615:Cercle et Carré 8551:New Objectivity 8458:Return to order 8400:School of Paris 8378: 8222:School of Paris 8183: 8069:Arts and Crafts 7974:Neo-romanticism 7959: 7947: 7943:Etching revival 7895:Barbizon school 7839:Pre-Raphaelites 7791: 7788: 7781: 7724: 7718: 7611: 7585:Louis XVI style 7527: 7516:Louis XIV style 7479:Animal painting 7440:Flemish Baroque 7418: 7329:World landscape 7280:Venetian School 7222: 7209:Majorcan school 7176:Novgorod School 7166:Lucchese School 7138:Opus Anglicanum 7130:Norman-Sicilian 7074:Italo-Byzantine 6974:Early Christian 6955: 6939:Pompeian Styles 6752: 6746: 6733: 6719: 6689: 6684: 6668: 6622: 6567: 6520: 6514: 6505:Emmett Williams 6450:George Maciunas 6363: 6358: 6328: 6322:discography at 6295:Wayback Machine 6212: 6176: 6138:10.2307/3245708 6107:10.2307/1146571 6073: 6047: 6031:Kellein, Thomas 6019:Kellein, Thomas 6011: 5995: 5990: 5989: 5979: 5977: 5968: 5967: 5963: 5954: 5950: 5940: 5938: 5929: 5928: 5924: 5914: 5912: 5903: 5902: 5898: 5888: 5886: 5877: 5876: 5872: 5862: 5860: 5851: 5850: 5846: 5841: 5837: 5829: 5825: 5817: 5810: 5802: 5798: 5790: 5786: 5777: 5770: 5762: 5755: 5749:Wayback Machine 5740: 5736: 5728: 5719: 5709: 5707: 5700: 5681: 5677: 5667: 5665: 5658: 5642: 5635: 5625: 5623: 5608: 5604: 5563: 5559: 5526: 5522: 5494: 5490: 5482: 5478: 5468: 5466: 5451: 5447: 5441:Wayback Machine 5432: 5428: 5422:Wayback Machine 5413: 5409: 5403:Wayback Machine 5394: 5387: 5381:Wayback Machine 5369: 5365: 5359:Wayback Machine 5350: 5346: 5305: 5301: 5291: 5289: 5272: 5268: 5258: 5256: 5252: 5245: 5241: 5240: 5236: 5226: 5224: 5215: 5214: 5210: 5200: 5198: 5189: 5188: 5184: 5174: 5172: 5164: 5163: 5159: 5153:Wayback Machine 5143: 5139: 5133:Wayback Machine 5124: 5120: 5110: 5108: 5095: 5094: 5090: 5083: 5063:Phillpot, Clive 5060: 5056: 5046: 5044: 5031: 5030: 5026: 5016: 5014: 4994: 4990: 4981: 4977: 4967: 4965: 4950: 4949: 4945: 4933:Interview with 4932: 4928: 4918: 4916: 4901: 4897: 4889: 4885: 4877: 4873: 4865: 4861: 4851: 4849: 4840: 4839: 4835: 4826: 4822: 4812: 4810: 4801: 4800: 4793: 4780: 4776: 4744: 4740: 4733: 4726: 4716: 4714: 4699: 4695: 4687:Marcus, Griel. 4686: 4682: 4677: 4673: 4664: 4660: 4655:Wayback Machine 4645: 4641: 4632: 4628: 4620: 4616: 4608: 4604: 4599: 4595: 4587: 4583: 4573: 4571: 4562: 4561: 4554: 4546: 4542: 4532: 4530: 4523:"Fluxkit, MoMA" 4521: 4520: 4516: 4506: 4504: 4495: 4494: 4490: 4482: 4478: 4472:Wayback Machine 4463: 4459: 4450: 4446: 4437: 4433: 4417: 4416: 4404: 4388: 4384: 4375: 4371: 4363: 4359: 4351: 4347: 4338: 4334: 4324: 4322: 4313: 4312: 4308: 4298: 4296: 4281: 4280: 4276: 4268: 4264: 4259:Wayback Machine 4245: 4241: 4231: 4229: 4220: 4219: 4215: 4202: 4198: 4190: 4186: 4180:Wayback Machine 4171: 4167: 4158: 4154: 4146: 4142: 4134: 4130: 4122: 4115: 4107: 4103: 4093: 4091: 4076:(24 May 1996). 4074:Cotter, Holland 4071: 4067: 4057:Art And Artists 4050: 4046: 4028: 4024: 4015: 4011: 4003: 3999: 3991: 3987: 3978: 3974: 3961: 3957: 3944: 3940: 3931: 3927: 3922:Wayback Machine 3913: 3909: 3901: 3894: 3889: 3885: 3872: 3868: 3855: 3851: 3843: 3839: 3831: 3827: 3818: 3814: 3806: 3802: 3792: 3790: 3781: 3780: 3776: 3767: 3763: 3757: 3753: 3737: 3736: 3729: 3727: 3716: 3703: 3701: 3697: 3687: 3685: 3676: 3675: 3671: 3661: 3659: 3650: 3649: 3645: 3634: 3630: 3620: 3618: 3603:(6 July 2006). 3601:Cotter, Holland 3598: 3594: 3584: 3582: 3573: 3572: 3568: 3557: 3553: 3543: 3541: 3532: 3531: 3514: 3506: 3502: 3497: 3493: 3477: 3476: 3469: 3467: 3424: 3420: 3408: 3404: 3395: 3391: 3379: 3375: 3366: 3362: 3355: 3343:. 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10420:Poetic realism 10417: 10415:Modernist film 10412: 10407: 10402: 10397: 10392: 10387: 10381: 10379: 10373: 10372: 10369: 10368: 10366: 10365: 10360: 10355: 10353:Textural music 10350: 10345: 10343:Spectral music 10340: 10335: 10330: 10325: 10320: 10315: 10310: 10308:New Complexity 10305: 10300: 10295: 10294: 10293: 10283: 10278: 10273: 10272: 10271: 10261: 10256: 10255: 10254: 10244: 10239: 10234: 10229: 10224: 10218: 10216: 10212: 10211: 10209: 10208: 10207: 10206: 10201: 10196: 10186: 10181: 10180: 10179: 10174: 10164: 10158: 10156: 10149: 10143: 10142: 10140: 10139: 10134: 10129: 10124: 10119: 10114: 10109: 10104: 10099: 10097:Neoavanguardia 10094: 10092:Language poets 10089: 10084: 10079: 10074: 10069: 10064: 10059: 10054: 10049: 10047:Asemic writing 10044: 10042:Angry Penguins 10039: 10033: 10031: 10025: 10024: 10022: 10021: 10016: 10011: 10006: 10001: 9996: 9991: 9986: 9981: 9976: 9971: 9966: 9961: 9960: 9959: 9949: 9944: 9939: 9934: 9929: 9924: 9919: 9914: 9909: 9904: 9899: 9894: 9889: 9884: 9879: 9878: 9877: 9867: 9862: 9857: 9855:Constructivism 9852: 9850:Conceptual art 9847: 9842: 9837: 9831: 9829: 9825: 9824: 9816: 9815: 9808: 9801: 9793: 9784: 9783: 9781: 9780: 9769: 9766: 9765: 9763: 9762: 9757: 9750: 9745: 9740: 9735: 9730: 9725: 9720: 9715: 9714: 9713: 9711:Late modernism 9708: 9698: 9693: 9688: 9683: 9678: 9673: 9668: 9667: 9666: 9661: 9659:Genre painting 9651: 9646: 9641: 9636: 9635: 9634: 9629: 9624: 9619: 9609: 9607:Ballets Russes 9604: 9599: 9594: 9593: 9592: 9590:Asemic writing 9582: 9580:History of art 9576: 9574: 9573:Related topics 9570: 9569: 9566: 9565: 9563: 9562: 9557: 9552: 9547: 9546: 9545: 9540: 9530: 9525: 9520: 9515: 9510: 9508:Relational art 9505: 9500: 9495: 9490: 9485: 9480: 9475: 9470: 9465: 9460: 9455: 9454: 9453: 9443: 9438: 9433: 9431:Hypermodernism 9428: 9427: 9426: 9416: 9411: 9406: 9401: 9396: 9391: 9390: 9389: 9379: 9374: 9369: 9364: 9359: 9354: 9349: 9343: 9341: 9335: 9334: 9332: 9331: 9326: 9321: 9316: 9311: 9306: 9301: 9296: 9291: 9286: 9281: 9276: 9271: 9266: 9261: 9256: 9251: 9246: 9241: 9236: 9231: 9226: 9221: 9216: 9215: 9214: 9204: 9199: 9194: 9189: 9188: 9187: 9177: 9172: 9170:Postminimalism 9167: 9162: 9157: 9151: 9149: 9145: 9144: 9142: 9141: 9136: 9131: 9126: 9121: 9116: 9115: 9114: 9104: 9099: 9094: 9089: 9084: 9079: 9074: 9069: 9064: 9059: 9054: 9049: 9047:Generative art 9044: 9039: 9034: 9029: 9024: 9019: 9017:Conceptual art 9014: 9009: 9004: 8999: 8994: 8989: 8984: 8979: 8974: 8969: 8968: 8967: 8957: 8952: 8947: 8942: 8937: 8931: 8929: 8925: 8924: 8922: 8921: 8916: 8914:Cybernetic art 8911: 8906: 8905: 8904: 8902:Ultra-Lettrist 8899: 8889: 8888: 8887: 8877: 8872: 8867: 8862: 8857: 8852: 8847: 8842: 8837: 8832: 8831: 8830: 8820: 8815: 8810: 8805: 8800: 8795: 8790: 8789: 8788: 8783: 8778: 8776:Arte Informale 8773: 8763: 8758: 8753: 8752: 8751: 8741: 8740: 8739: 8729: 8723: 8721: 8714: 8713:(1945–present) 8701: 8700: 8697: 8696: 8694: 8693: 8688: 8683: 8678: 8673: 8672: 8671: 8661: 8656: 8655: 8654: 8649: 8642:Heroic realism 8639: 8638: 8637: 8627: 8622: 8617: 8612: 8607: 8602: 8595: 8590: 8585: 8580: 8579: 8578: 8576:Latin American 8573: 8563: 8558: 8553: 8548: 8546:Group of Seven 8543: 8538: 8533: 8528: 8527: 8526: 8516: 8511: 8509:Social realism 8506: 8501: 8496: 8495: 8494: 8492:November Group 8484: 8483: 8482: 8477: 8467: 8466: 8465: 8455: 8450: 8449: 8448: 8436: 8431: 8426: 8425: 8424: 8423: 8422: 8415:Latin American 8410:Constructivism 8407: 8405:Crystal Cubism 8402: 8397: 8392: 8386: 8384: 8380: 8379: 8377: 8376: 8371: 8366: 8361: 8356: 8351: 8346: 8345: 8344: 8334: 8329: 8322: 8321: 8320: 8315: 8305: 8304: 8303: 8293: 8288: 8283: 8282: 8281: 8276: 8266: 8261: 8256: 8251: 8246: 8245: 8244: 8239: 8234: 8229: 8219: 8214: 8209: 8204: 8203: 8202: 8191: 8189: 8185: 8184: 8182: 8181: 8176: 8175: 8174: 8164: 8163: 8162: 8157: 8152: 8147: 8142: 8137: 8132: 8131: 8130: 8115: 8110: 8108:Volcano School 8105: 8104: 8103: 8098: 8088: 8083: 8078: 8077: 8076: 8066: 8061: 8060: 8059: 8054: 8049: 8044: 8043: 8042: 8037: 8022: 8017: 8012: 8007: 8006: 8005: 7993: 7988: 7983: 7982: 7981: 7970: 7968: 7961: 7953: 7952: 7949: 7948: 7946: 7945: 7940: 7939: 7938: 7933: 7932: 7931: 7916: 7915: 7914: 7913: 7912: 7902: 7897: 7887: 7882: 7881: 7880: 7870: 7865: 7863:Norwich School 7860: 7855: 7854: 7853: 7852: 7851: 7841: 7836: 7831: 7826: 7821: 7816: 7811: 7806: 7804:Fairy painting 7795: 7793: 7783: 7782: 7780: 7779: 7778: 7777: 7772: 7761: 7756: 7751: 7746: 7741: 7740: 7739: 7728: 7726: 7720: 7719: 7717: 7716: 7715: 7714: 7709: 7708: 7707: 7702: 7697: 7695:Chilote School 7687: 7685:Casta painting 7677: 7676: 7675: 7670: 7665: 7664: 7663: 7661:Tipos del País 7658: 7645: 7644: 7643: 7642: 7641: 7631: 7619: 7617: 7613: 7612: 7610: 7609: 7604: 7603: 7602: 7597: 7592: 7587: 7582: 7570: 7569: 7568: 7561: 7556: 7551: 7549:Louis XV style 7546: 7535: 7533: 7529: 7528: 7526: 7525: 7524: 7523: 7518: 7508: 7503: 7498: 7497: 7496: 7486: 7481: 7476: 7471: 7470: 7469: 7464: 7459: 7458: 7457: 7452: 7442: 7437: 7426: 7424: 7420: 7419: 7417: 7416: 7411: 7406: 7401: 7396: 7395: 7394: 7384: 7383: 7382: 7381: 7380: 7375: 7370: 7360: 7359: 7358: 7353: 7351:Cologne School 7343: 7338: 7333: 7332: 7331: 7316: 7315: 7314: 7313: 7312: 7304: 7299: 7294: 7284: 7283: 7282: 7277: 7272: 7262: 7261: 7260: 7253: 7248: 7232: 7230: 7224: 7223: 7221: 7220: 7219: 7218: 7211: 7206: 7204:Italian school 7195: 7190: 7189: 7188: 7186:Sienese School 7178: 7173: 7168: 7163: 7162: 7161: 7156: 7151: 7141: 7134: 7133: 7132: 7122: 7121: 7120: 7115: 7105: 7100: 7099: 7098: 7096:Pre-Romanesque 7093: 7088: 7078: 7077: 7076: 7071: 7066: 7061: 7051: 7046: 7045: 7044: 7032: 7027: 7025:Donor portrait 7022: 7021: 7020: 7015: 7010: 7005: 7000: 6990: 6989: 6988: 6978: 6977: 6976: 6965: 6963: 6957: 6956: 6954: 6953: 6952: 6951: 6946: 6941: 6936: 6934:Julio-Claudian 6931: 6926: 6916: 6911: 6906: 6901: 6896: 6895: 6894: 6893: 6892: 6887: 6886: 6885: 6883:Greco-Buddhist 6875: 6865: 6860: 6855: 6850: 6845: 6840: 6835: 6830: 6825: 6823:Protogeometric 6820: 6810: 6809: 6808: 6803: 6798: 6793: 6783: 6778: 6777: 6776: 6765: 6763: 6754: 6748: 6747: 6738: 6735: 6734: 6718: 6717: 6710: 6703: 6695: 6686: 6685: 6683: 6682: 6680:Hannah Higgins 6676: 6674: 6670: 6669: 6667: 6666: 6661: 6656: 6651: 6646: 6644:Conceptual art 6641: 6636: 6630: 6628: 6624: 6623: 6621: 6620: 6613: 6606: 6599: 6592: 6585: 6575: 6573: 6569: 6568: 6566: 6565: 6560: 6555: 6550: 6545: 6540: 6535: 6530: 6524: 6522: 6516: 6515: 6513: 6512: 6510:La Monte Young 6507: 6502: 6497: 6492: 6487: 6482: 6477: 6472: 6467: 6462: 6457: 6452: 6447: 6445:Shigeko Kubota 6442: 6440:Alison Knowles 6437: 6432: 6427: 6422: 6417: 6412: 6407: 6405:Robert Filliou 6402: 6397: 6392: 6387: 6382: 6377: 6371: 6369: 6368:Fluxus artists 6365: 6364: 6357: 6356: 6349: 6342: 6334: 6327: 6326: 6317: 6312: 6307: 6302: 6297: 6285: 6280: 6274: 6269: 6264: 6255: 6250: 6245: 6244: 6243: 6238: 6230: 6213: 6211: 6210:External links 6208: 6207: 6206: 6197: 6185: 6162:Brecht, George 6158: 6119: 6085: 6071: 6051: 6045: 6027: 6015: 6009: 5994: 5991: 5988: 5987: 5961: 5948: 5922: 5896: 5870: 5844: 5835: 5823: 5808: 5796: 5784: 5768: 5753: 5734: 5717: 5698: 5686:(5 May 2016). 5675: 5656: 5633: 5602: 5557: 5520: 5488: 5476: 5445: 5426: 5407: 5385: 5371:Ken Friedman, 5363: 5344: 5317:(2): 250–261. 5299: 5266: 5234: 5208: 5182: 5157: 5137: 5118: 5088: 5081: 5075:. p. 15. 5054: 5024: 4988: 4975: 4943: 4926: 4895: 4893:, p. 147. 4883: 4881:, p. 132. 4871: 4869:, p. 131. 4859: 4833: 4820: 4791: 4774: 4755:(3): 369–389. 4738: 4724: 4693: 4680: 4671: 4658: 4639: 4635:Hendricks 1988 4626: 4624:, p. 291. 4622:Hendricks 1988 4614: 4612:, p. 290. 4610:Hendricks 1988 4602: 4593: 4591:, p. 124. 4589:Hendricks 1988 4581: 4552: 4548:Hendricks 1988 4540: 4514: 4488: 4476: 4457: 4444: 4431: 4402: 4382: 4369: 4367:, p. 102. 4357: 4355:, p. 101. 4345: 4332: 4306: 4274: 4262: 4239: 4213: 4196: 4184: 4165: 4152: 4150:, p. 109. 4140: 4138:, p. 118. 4128: 4113: 4111:, p. 340. 4101: 4065: 4044: 4022: 4009: 3997: 3993:Hendricks 1988 3985: 3972: 3968:Hendricks 1988 3955: 3947:La Monte Young 3938: 3925: 3907: 3892: 3883: 3881:, n. 47, p. 65 3866: 3862:Hendricks 1988 3849: 3845:Hendricks 1988 3837: 3825: 3812: 3808:Hendricks 1988 3800: 3774: 3761: 3751: 3704:1986 interview 3695: 3669: 3643: 3628: 3592: 3566: 3551: 3512: 3500: 3491: 3418: 3402: 3389: 3385:Lund Art Press 3373: 3360: 3353: 3347:. p. 24. 3328: 3302: 3289: 3263: 3250: 3233: 3199:Paik, Nam June 3191: 3178: 3162: 3146: 3133: 3120: 3104: 3091: 3063: 3062: 3060: 3057: 3055: 3054: 3040: 3033: 3018: 3015:978-3932754876 3003: 2988: 2974: 2960: 2946: 2939: 2924: 2917: 2910: 2903: 2889: 2882: 2872: 2865: 2855: 2848: 2841: 2834: 2827: 2820: 2813: 2806: 2799: 2788: 2781: 2772: 2769: 2758:Thomas Kellein 2751: 2737: 2722: 2715: 2700: 2685: 2679: 2671: 2669: 2666: 2662: 2661: 2657: 2656: 2651: 2646: 2641: 2636: 2631: 2626: 2616: 2615: 2614: 2598: 2595: 2594: 2593: 2581: 2580: 2577: 2567: 2564: 2561: 2558: 2555: 2545: 2542: 2539: 2536: 2533: 2530: 2527: 2524: 2521: 2518: 2505: 2502: 2499: 2493: 2490: 2487: 2480: 2468: 2466: 2463: 2459: 2458: 2454: 2453: 2447: 2441: 2438:Clive Phillpot 2435: 2429: 2423: 2420:Hannah Higgins 2415: 2414: 2413: 2407: 2401: 2395: 2389: 2383: 2377: 2371: 2365: 2357: 2355: 2352: 2350: 2349: 2346:La Monte Young 2343: 2337: 2331: 2325: 2319: 2313: 2307: 2301: 2295: 2292:Daniel Spoerri 2289: 2283: 2277: 2271: 2265: 2259: 2253: 2247: 2241: 2235: 2229: 2223: 2217: 2211: 2205: 2199: 2193: 2190:Gustav Metzger 2187: 2181: 2175: 2169: 2163: 2157: 2151: 2145: 2142:Shigeko Kubota 2139: 2133: 2127: 2121: 2118:Alison Knowles 2115: 2109: 2103: 2097: 2091: 2085: 2082:Terry Jennings 2079: 2073: 2070:Alice Hutchins 2067: 2061: 2055: 2052:Bici Hendricks 2049: 2043: 2040:Martha Hellion 2037: 2031: 2025: 2019: 2013: 2010:Robert Filliou 2007: 2001: 1995: 1989: 1983: 1977: 1971: 1965: 1959: 1953: 1947: 1941: 1935: 1929: 1923: 1916: 1902: 1901:Fluxus artists 1899: 1890: 1889:Late criticism 1887: 1886: 1885: 1882: 1879: 1847: 1844: 1835: 1832: 1776: 1773: 1703:La Monte Young 1675:Robert Filliou 1663:do-it-yourself 1658: 1655: 1641: 1638: 1607:Alison Knowles 1600:Luciano Chessa 1596:Hannah Higgins 1592:Alison Knowles 1535: 1532: 1518: 1515: 1478:Robert Filliou 1460: 1457: 1416: 1393: 1388:Shigeko Kubota 1367:Alison Knowles 1354: 1351: 1343:Flux Labyrinth 1335:Flux Labyrinth 1301: 1298: 1262:, credited to 1252:Shigeko Kubota 1227: 1224: 1220:Robert Filliou 1196:John Cavanaugh 1194:, Ono, Watts, 1166:and Maciunas; 1156:Do It Yourself 1144:Yoshimasa Wada 1097:JJ Music Store 1066:Shigeko Kubota 1040: 1037: 998:Shigeko Kubota 951: 948: 946: 943: 891: 887:Stockhausen's 885: 877:Alison Knowles 837:Alison Knowles 812: 809: 792:Edition Peters 716:Robert Filliou 625: 622: 606:, an original 604:Raoul Hausmann 574:La Monte Young 542:Alison Knowles 498:Madison Avenue 455:Beatitude East 445:La Monte Young 440: 437: 359:conceptual art 305:Marcel Duchamp 289:La Monte Young 242: 239: 237: 234: 218:Daniel Spoerri 202:La Monte Young 198:Shigeko Kubota 186:Alison Knowles 170:Robert Filliou 132:Marcel Duchamp 115:urban planning 93:They produced 72:conceptual art 15: 9: 6: 4: 3: 2: 10647: 10636: 10633: 10631: 10628: 10626: 10623: 10621: 10618: 10616: 10613: 10611: 10608: 10606: 10603: 10602: 10600: 10583: 10580: 10579: 10578: 10575: 10573: 10570: 10568: 10565: 10563: 10560: 10558: 10555: 10553: 10550: 10548: 10545: 10541: 10538: 10537: 10536: 10535:Postmodernism 10533: 10531: 10528: 10526: 10523: 10521: 10518: 10516: 10513: 10511: 10508: 10506: 10503: 10501: 10498: 10492: 10491:Cubo-Futurism 10489: 10488: 10487: 10484: 10483: 10482: 10479: 10477: 10474: 10472: 10471:Expressionism 10469: 10467: 10464: 10462: 10459: 10458: 10456: 10452: 10446: 10443: 10441: 10438: 10436: 10433: 10431: 10428: 10426: 10423: 10421: 10418: 10416: 10413: 10411: 10408: 10406: 10403: 10401: 10398: 10396: 10393: 10391: 10388: 10386: 10383: 10382: 10380: 10374: 10364: 10361: 10359: 10356: 10354: 10351: 10349: 10346: 10344: 10341: 10339: 10336: 10334: 10331: 10329: 10326: 10324: 10321: 10319: 10316: 10314: 10311: 10309: 10306: 10304: 10301: 10299: 10298:Music theatre 10296: 10292: 10289: 10288: 10287: 10286:Minimal music 10284: 10282: 10279: 10277: 10274: 10270: 10267: 10266: 10265: 10262: 10260: 10257: 10253: 10250: 10249: 10248: 10245: 10243: 10240: 10238: 10235: 10233: 10232:Ars subtilior 10230: 10228: 10225: 10223: 10220: 10219: 10217: 10213: 10205: 10202: 10200: 10197: 10195: 10192: 10191: 10190: 10187: 10185: 10182: 10178: 10175: 10173: 10170: 10169: 10168: 10165: 10163: 10160: 10159: 10157: 10153: 10150: 10148: 10144: 10138: 10135: 10133: 10132:Visual poetry 10130: 10128: 10125: 10123: 10120: 10118: 10115: 10113: 10110: 10108: 10107:Nouveau roman 10105: 10103: 10100: 10098: 10095: 10093: 10090: 10088: 10085: 10083: 10080: 10078: 10075: 10073: 10070: 10068: 10065: 10063: 10060: 10058: 10055: 10053: 10050: 10048: 10045: 10043: 10040: 10038: 10035: 10034: 10032: 10026: 10020: 10017: 10015: 10014:Temporary art 10012: 10010: 10007: 10005: 10002: 10000: 9997: 9995: 9992: 9990: 9987: 9985: 9982: 9980: 9977: 9975: 9972: 9970: 9969:Nonconformism 9967: 9965: 9962: 9958: 9955: 9954: 9953: 9952:Neoplasticism 9950: 9948: 9945: 9943: 9942:Mir iskusstva 9940: 9938: 9935: 9933: 9930: 9928: 9925: 9923: 9920: 9918: 9915: 9913: 9910: 9908: 9905: 9903: 9902:Impressionism 9900: 9898: 9895: 9893: 9890: 9888: 9885: 9883: 9880: 9876: 9873: 9872: 9871: 9870:Functionalism 9868: 9866: 9863: 9861: 9858: 9856: 9853: 9851: 9848: 9846: 9843: 9841: 9838: 9836: 9833: 9832: 9830: 9826: 9821: 9814: 9809: 9807: 9802: 9800: 9795: 9794: 9791: 9779: 9771: 9770: 9767: 9761: 9758: 9756: 9755: 9751: 9749: 9746: 9744: 9741: 9739: 9736: 9734: 9731: 9729: 9726: 9724: 9721: 9719: 9716: 9712: 9709: 9707: 9704: 9703: 9702: 9699: 9697: 9694: 9692: 9689: 9687: 9684: 9682: 9679: 9677: 9674: 9672: 9669: 9665: 9662: 9660: 9657: 9656: 9655: 9652: 9650: 9647: 9645: 9644:Fantastic art 9642: 9640: 9637: 9633: 9630: 9628: 9625: 9623: 9620: 9618: 9615: 9614: 9613: 9612:Christian art 9610: 9608: 9605: 9603: 9600: 9598: 9595: 9591: 9588: 9587: 9586: 9583: 9581: 9578: 9577: 9575: 9571: 9561: 9558: 9556: 9553: 9551: 9548: 9544: 9541: 9539: 9536: 9535: 9534: 9531: 9529: 9526: 9524: 9521: 9519: 9516: 9514: 9513:Skeuomorphism 9511: 9509: 9506: 9504: 9501: 9499: 9496: 9494: 9491: 9489: 9486: 9484: 9481: 9479: 9476: 9474: 9473:Massurrealism 9471: 9469: 9468:Lightpainting 9466: 9464: 9461: 9459: 9456: 9452: 9451:Post-Internet 9449: 9448: 9447: 9444: 9442: 9439: 9437: 9434: 9432: 9429: 9425: 9422: 9421: 9420: 9417: 9415: 9412: 9410: 9407: 9405: 9402: 9400: 9397: 9395: 9392: 9388: 9385: 9384: 9383: 9380: 9378: 9375: 9373: 9370: 9368: 9365: 9363: 9360: 9358: 9355: 9353: 9350: 9348: 9345: 9344: 9342: 9336: 9330: 9327: 9325: 9324:Grunge design 9322: 9320: 9317: 9315: 9312: 9310: 9307: 9305: 9302: 9300: 9297: 9295: 9292: 9290: 9287: 9285: 9282: 9280: 9279:Retrofuturism 9277: 9275: 9274:Scratch video 9272: 9270: 9267: 9265: 9262: 9260: 9259:Memphis Group 9257: 9255: 9252: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9234:Telematic art 9232: 9230: 9227: 9225: 9224:Guerrilla art 9222: 9220: 9217: 9213: 9210: 9209: 9208: 9205: 9203: 9200: 9198: 9195: 9193: 9190: 9186: 9183: 9182: 9181: 9178: 9176: 9175:Endurance art 9173: 9171: 9168: 9166: 9163: 9161: 9158: 9156: 9153: 9152: 9150: 9146: 9140: 9137: 9135: 9132: 9130: 9127: 9125: 9122: 9120: 9117: 9113: 9110: 9109: 9108: 9105: 9103: 9100: 9098: 9095: 9093: 9090: 9088: 9085: 9083: 9080: 9078: 9075: 9073: 9070: 9068: 9065: 9063: 9060: 9058: 9055: 9053: 9050: 9048: 9045: 9043: 9040: 9038: 9035: 9033: 9030: 9028: 9025: 9023: 9020: 9018: 9015: 9013: 9010: 9008: 9005: 9003: 9000: 8998: 8995: 8993: 8990: 8988: 8985: 8983: 8980: 8978: 8975: 8973: 8970: 8966: 8963: 8962: 8961: 8958: 8956: 8953: 8951: 8948: 8946: 8943: 8941: 8938: 8936: 8933: 8932: 8930: 8926: 8920: 8917: 8915: 8912: 8910: 8907: 8903: 8900: 8898: 8895: 8894: 8893: 8890: 8886: 8883: 8882: 8881: 8878: 8876: 8873: 8871: 8868: 8866: 8863: 8861: 8858: 8856: 8853: 8851: 8848: 8846: 8843: 8841: 8838: 8836: 8835:New media art 8833: 8829: 8826: 8825: 8824: 8821: 8819: 8816: 8814: 8813:Nanyang Style 8811: 8809: 8806: 8804: 8801: 8799: 8796: 8794: 8791: 8787: 8784: 8782: 8779: 8777: 8774: 8772: 8769: 8768: 8767: 8764: 8762: 8759: 8757: 8754: 8750: 8747: 8746: 8745: 8744:Visionary art 8742: 8738: 8735: 8734: 8733: 8730: 8728: 8725: 8724: 8722: 8718: 8715: 8711: 8706: 8702: 8692: 8689: 8687: 8684: 8682: 8679: 8677: 8674: 8670: 8667: 8666: 8665: 8662: 8660: 8657: 8653: 8650: 8648: 8645: 8644: 8643: 8640: 8636: 8633: 8632: 8631: 8628: 8626: 8623: 8621: 8618: 8616: 8613: 8611: 8610:Scuola Romana 8608: 8606: 8603: 8601: 8600: 8596: 8594: 8591: 8589: 8586: 8584: 8581: 8577: 8574: 8572: 8569: 8568: 8567: 8564: 8562: 8559: 8557: 8554: 8552: 8549: 8547: 8544: 8542: 8539: 8537: 8536:Anthropophagy 8534: 8532: 8529: 8525: 8522: 8521: 8520: 8519:Functionalism 8517: 8515: 8512: 8510: 8507: 8505: 8502: 8500: 8497: 8493: 8490: 8489: 8488: 8485: 8481: 8478: 8476: 8473: 8472: 8471: 8468: 8464: 8461: 8460: 8459: 8456: 8454: 8451: 8447: 8446: 8442: 8441: 8440: 8439:Neoplasticism 8437: 8435: 8432: 8430: 8427: 8421: 8418: 8417: 8416: 8413: 8412: 8411: 8408: 8406: 8403: 8401: 8398: 8396: 8393: 8391: 8388: 8387: 8385: 8381: 8375: 8372: 8370: 8367: 8365: 8362: 8360: 8357: 8355: 8352: 8350: 8347: 8343: 8342:Cubo-Futurism 8340: 8339: 8338: 8335: 8333: 8330: 8328: 8327: 8323: 8319: 8316: 8314: 8311: 8310: 8309: 8306: 8302: 8301:Ashcan School 8299: 8298: 8297: 8294: 8292: 8289: 8287: 8284: 8280: 8277: 8275: 8272: 8271: 8270: 8269:Expressionism 8267: 8265: 8262: 8260: 8257: 8255: 8254:Mir iskusstva 8252: 8250: 8247: 8243: 8240: 8238: 8235: 8233: 8230: 8228: 8225: 8224: 8223: 8220: 8218: 8215: 8213: 8210: 8208: 8205: 8201: 8198: 8197: 8196: 8193: 8192: 8190: 8186: 8180: 8177: 8173: 8170: 8169: 8168: 8165: 8161: 8158: 8156: 8153: 8151: 8148: 8146: 8143: 8141: 8138: 8136: 8133: 8129: 8126: 8125: 8124: 8121: 8120: 8119: 8116: 8114: 8111: 8109: 8106: 8102: 8099: 8097: 8094: 8093: 8092: 8089: 8087: 8084: 8082: 8079: 8075: 8072: 8071: 8070: 8067: 8065: 8062: 8058: 8055: 8053: 8050: 8048: 8045: 8041: 8040:Boston School 8038: 8036: 8035:Hoosier Group 8033: 8032: 8031: 8028: 8027: 8026: 8025:Impressionism 8023: 8021: 8020:Peredvizhniki 8018: 8016: 8013: 8011: 8010:Beuron School 8008: 8004: 8001: 8000: 7999: 7998: 7994: 7992: 7989: 7987: 7984: 7980: 7977: 7976: 7975: 7972: 7971: 7969: 7965: 7962: 7958: 7954: 7944: 7941: 7937: 7934: 7930: 7927: 7926: 7925: 7924:Munich School 7922: 7921: 7920: 7917: 7911: 7908: 7907: 7906: 7903: 7901: 7898: 7896: 7893: 7892: 7891: 7888: 7886: 7883: 7879: 7876: 7875: 7874: 7871: 7869: 7866: 7864: 7861: 7859: 7856: 7850: 7847: 7846: 7845: 7842: 7840: 7837: 7835: 7832: 7830: 7827: 7825: 7822: 7820: 7817: 7815: 7812: 7810: 7807: 7805: 7802: 7801: 7800: 7797: 7796: 7794: 7790: 7784: 7776: 7773: 7771: 7768: 7767: 7766: 7762: 7760: 7757: 7755: 7752: 7750: 7747: 7745: 7742: 7738: 7735: 7734: 7733: 7730: 7729: 7727: 7723:Art borrowing 7721: 7713: 7710: 7706: 7703: 7701: 7698: 7696: 7693: 7692: 7691: 7688: 7686: 7683: 7682: 7681: 7678: 7674: 7673:Company style 7671: 7669: 7666: 7662: 7659: 7657: 7654: 7653: 7652: 7649: 7648: 7646: 7640: 7637: 7636: 7635: 7632: 7630: 7627: 7626: 7625: 7621: 7620: 7618: 7614: 7608: 7605: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7580: 7576: 7575: 7574: 7573:Neoclassicism 7571: 7567: 7566: 7562: 7560: 7557: 7555: 7552: 7550: 7547: 7545: 7542: 7541: 7540: 7537: 7536: 7534: 7530: 7522: 7519: 7517: 7514: 7513: 7512: 7509: 7507: 7504: 7502: 7499: 7495: 7492: 7491: 7490: 7487: 7485: 7482: 7480: 7477: 7475: 7472: 7468: 7465: 7463: 7460: 7456: 7453: 7451: 7448: 7447: 7446: 7443: 7441: 7438: 7436: 7433: 7432: 7431: 7428: 7427: 7425: 7421: 7415: 7412: 7410: 7407: 7405: 7402: 7400: 7399:Cretan School 7397: 7393: 7390: 7389: 7388: 7385: 7379: 7376: 7374: 7371: 7369: 7366: 7365: 7364: 7361: 7357: 7356:Danube school 7354: 7352: 7349: 7348: 7347: 7344: 7342: 7339: 7337: 7334: 7330: 7327: 7326: 7325: 7322: 7321: 7320: 7317: 7311: 7310: 7305: 7303: 7300: 7298: 7295: 7293: 7290: 7289: 7288: 7285: 7281: 7278: 7276: 7273: 7271: 7268: 7267: 7266: 7263: 7259: 7258: 7254: 7252: 7249: 7247: 7244: 7243: 7242: 7239: 7238: 7237: 7234: 7233: 7231: 7229: 7225: 7217: 7216: 7212: 7210: 7207: 7205: 7202: 7201: 7200: 7196: 7194: 7191: 7187: 7184: 7183: 7182: 7179: 7177: 7174: 7172: 7169: 7167: 7164: 7160: 7157: 7155: 7152: 7150: 7147: 7146: 7145: 7142: 7140: 7139: 7135: 7131: 7128: 7127: 7126: 7123: 7119: 7116: 7114: 7111: 7110: 7109: 7106: 7104: 7101: 7097: 7094: 7092: 7089: 7087: 7084: 7083: 7082: 7079: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7056: 7055: 7052: 7050: 7047: 7043: 7042: 7038: 7037: 7036: 7033: 7031: 7028: 7026: 7023: 7019: 7016: 7014: 7011: 7009: 7006: 7004: 7001: 6999: 6996: 6995: 6994: 6991: 6987: 6984: 6983: 6982: 6979: 6975: 6972: 6971: 6970: 6967: 6966: 6964: 6962: 6958: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6921: 6920: 6917: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6891: 6888: 6884: 6881: 6880: 6879: 6876: 6874: 6871: 6870: 6869: 6866: 6864: 6861: 6859: 6856: 6854: 6851: 6849: 6846: 6844: 6841: 6839: 6836: 6834: 6833:Orientalizing 6831: 6829: 6826: 6824: 6821: 6819: 6818:Sub-Mycenaean 6816: 6815: 6814: 6811: 6807: 6804: 6802: 6799: 6797: 6794: 6792: 6789: 6788: 6787: 6784: 6782: 6779: 6775: 6772: 6771: 6770: 6767: 6766: 6764: 6762: 6758: 6755: 6749: 6745: 6741: 6736: 6732:art movements 6731: 6727: 6723: 6716: 6711: 6709: 6704: 6702: 6697: 6696: 6693: 6681: 6678: 6677: 6675: 6671: 6665: 6662: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6631: 6629: 6625: 6619: 6618: 6614: 6612: 6611: 6607: 6605: 6604: 6600: 6598: 6597: 6593: 6591: 6590: 6586: 6584: 6583: 6582: 6577: 6576: 6574: 6570: 6564: 6561: 6559: 6556: 6554: 6551: 6549: 6546: 6544: 6541: 6539: 6536: 6534: 6531: 6529: 6526: 6525: 6523: 6521:and musicians 6517: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6470:Ben Patterson 6468: 6466: 6465:Nam June Paik 6463: 6461: 6458: 6456: 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6436: 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6400:Philip Corner 6398: 6396: 6395:George Brecht 6393: 6391: 6388: 6386: 6383: 6381: 6380:Eric Andersen 6378: 6376: 6373: 6372: 6370: 6366: 6362: 6355: 6350: 6348: 6343: 6341: 6336: 6335: 6332: 6325: 6321: 6318: 6316: 6313: 6311: 6308: 6306: 6303: 6301: 6298: 6296: 6292: 6289: 6286: 6284: 6281: 6278: 6275: 6273: 6270: 6268: 6265: 6263: 6261: 6256: 6254: 6251: 6249: 6246: 6242: 6239: 6237: 6235: 6231: 6229: 6225: 6222: 6221: 6219: 6215: 6214: 6203: 6198: 6194: 6190: 6189:Rush, Michael 6186: 6180: 6175: 6171: 6170:Museum Ludwig 6167: 6163: 6159: 6155: 6151: 6147: 6143: 6139: 6135: 6131: 6127: 6126: 6120: 6116: 6112: 6108: 6104: 6100: 6096: 6095: 6090: 6089:O'Dell, Kathy 6086: 6082: 6078: 6074: 6072:9780500974612 6068: 6064: 6060: 6056: 6052: 6048: 6046:9780500976654 6042: 6038: 6037: 6032: 6028: 6024: 6020: 6016: 6012: 6010:9780810909205 6006: 6002: 5997: 5996: 5975: 5971: 5965: 5958: 5952: 5936: 5932: 5926: 5910: 5906: 5900: 5884: 5880: 5874: 5858: 5854: 5848: 5839: 5832: 5827: 5820: 5815: 5813: 5805: 5800: 5793: 5788: 5781: 5775: 5773: 5765: 5760: 5758: 5750: 5746: 5743: 5738: 5731: 5726: 5724: 5722: 5705: 5701: 5699:9781441102775 5695: 5691: 5690: 5685: 5679: 5663: 5659: 5657:9781584659174 5653: 5649: 5648: 5640: 5638: 5622: 5621: 5616: 5612: 5606: 5598: 5594: 5590: 5586: 5582: 5578: 5574: 5570: 5569: 5561: 5553: 5549: 5545: 5541: 5537: 5533: 5532: 5524: 5516: 5512: 5509:(95): 55–89. 5508: 5504: 5503: 5498: 5492: 5486:, p. 11. 5485: 5480: 5465: 5464: 5459: 5455: 5449: 5442: 5438: 5435: 5430: 5423: 5419: 5416: 5411: 5404: 5400: 5397: 5392: 5390: 5382: 5378: 5375: 5374: 5367: 5360: 5356: 5353: 5348: 5340: 5336: 5332: 5328: 5324: 5320: 5316: 5312: 5311: 5303: 5287: 5283: 5282: 5277: 5270: 5251: 5244: 5238: 5222: 5218: 5212: 5196: 5192: 5186: 5171: 5167: 5161: 5154: 5150: 5146: 5141: 5134: 5130: 5127: 5122: 5106: 5102: 5100: 5092: 5084: 5078: 5074: 5070: 5069: 5064: 5058: 5042: 5038: 5036: 5035:Fluxus at NYU 5028: 5012: 5008: 5007: 5002: 4998: 4992: 4985: 4979: 4963: 4959: 4958: 4953: 4947: 4941:, p. 114 4940: 4936: 4930: 4914: 4910: 4909:The Art Story 4906: 4899: 4892: 4887: 4880: 4875: 4868: 4863: 4847: 4843: 4837: 4830: 4824: 4808: 4804: 4798: 4796: 4788: 4784: 4778: 4770: 4766: 4762: 4758: 4754: 4750: 4742: 4736: 4731: 4729: 4713: 4712: 4707: 4704:(July 2023). 4703: 4697: 4690: 4684: 4675: 4668: 4662: 4656: 4652: 4648: 4643: 4637:, p. 542 4636: 4630: 4623: 4618: 4611: 4606: 4597: 4590: 4585: 4569: 4565: 4559: 4557: 4550:, p. 76. 4549: 4544: 4528: 4524: 4518: 4502: 4498: 4492: 4485: 4480: 4473: 4469: 4466: 4461: 4454: 4448: 4441: 4435: 4427: 4421: 4413: 4409: 4405: 4399: 4395: 4394: 4386: 4379: 4373: 4366: 4361: 4354: 4349: 4342: 4336: 4320: 4316: 4310: 4294: 4290: 4289: 4284: 4278: 4271: 4266: 4260: 4256: 4252: 4248: 4243: 4227: 4223: 4217: 4210: 4206: 4200: 4194:, p. 98. 4193: 4188: 4181: 4177: 4174: 4169: 4163:, p. 108 4162: 4156: 4149: 4144: 4137: 4132: 4125: 4120: 4118: 4110: 4105: 4089: 4085: 4084: 4079: 4075: 4069: 4062: 4058: 4054: 4048: 4041: 4037: 4036:Thomas Schmit 4033: 4026: 4019: 4013: 4007:, p. 69. 4006: 4001: 3995:, p. 24. 3994: 3989: 3983:, p. 106 3982: 3976: 3970:, p. 217 3969: 3965: 3959: 3952: 3948: 3942: 3935: 3929: 3923: 3919: 3916: 3911: 3904: 3899: 3897: 3887: 3880: 3876: 3870: 3863: 3859: 3853: 3847:, p. 91. 3846: 3841: 3834: 3829: 3822: 3816: 3810:, p. 22. 3809: 3804: 3788: 3784: 3778: 3771: 3765: 3755: 3747: 3741: 3725: 3724: 3719: 3714: 3710: 3706: 3699: 3683: 3679: 3673: 3657: 3653: 3647: 3640: 3639: 3632: 3616: 3612: 3611: 3606: 3602: 3596: 3580: 3576: 3570: 3562: 3555: 3539: 3535: 3529: 3527: 3525: 3523: 3521: 3519: 3517: 3510:, p. 28. 3509: 3504: 3495: 3487: 3481: 3465: 3461: 3457: 3453: 3449: 3445: 3441: 3436: 3432: 3428: 3422: 3415: 3411: 3410:Friedman, Ken 3406: 3399: 3393: 3386: 3382: 3381:Higgins, Dick 3377: 3370: 3364: 3356: 3354:9780935640403 3350: 3346: 3342: 3338: 3332: 3316: 3312: 3306: 3299: 3293: 3286: 3280: 3275: 3270: 3268: 3260: 3254: 3247: 3243: 3237: 3230: 3224: 3219: 3213: 3208: 3207:Klaus Bußmann 3204: 3200: 3195: 3188: 3182: 3175: 3171: 3166: 3159: 3155: 3150: 3143: 3137: 3130: 3124: 3117: 3113: 3112:Higgins, Dick 3108: 3101: 3095: 3088: 3084: 3081: 3077: 3073: 3068: 3064: 3052: 3048: 3044: 3041: 3038: 3034: 3031: 3027: 3023: 3019: 3016: 3012: 3008: 3004: 3001: 2997: 2993: 2989: 2986: 2982: 2978: 2975: 2972: 2968: 2964: 2961: 2958: 2954: 2950: 2947: 2944: 2940: 2937: 2933: 2929: 2925: 2922: 2921:Networked Art 2918: 2915: 2911: 2908: 2905:Moren, Lisa. 2904: 2901: 2900:84-7671-446-7 2897: 2893: 2890: 2887: 2883: 2880: 2876: 2873: 2870: 2866: 2863: 2859: 2856: 2853: 2849: 2846: 2842: 2839: 2835: 2832: 2828: 2825: 2821: 2818: 2817:FluxAttitudes 2814: 2811: 2807: 2804: 2800: 2797: 2793: 2789: 2786: 2782: 2779: 2778: 2773: 2770: 2767: 2763: 2759: 2755: 2752: 2750: 2746: 2742: 2738: 2735: 2731: 2727: 2723: 2720: 2716: 2713: 2709: 2705: 2701: 2698: 2694: 2690: 2686: 2683: 2680: 2677: 2673: 2672: 2660: 2655: 2652: 2650: 2647: 2645: 2642: 2640: 2637: 2635: 2632: 2630: 2629:Artist's book 2627: 2625: 2622: 2621: 2620: 2619: 2612: 2606: 2601: 2592: 2588: 2584: 2583: 2578: 2575: 2571: 2568: 2565: 2562: 2559: 2556: 2554:, Los Angeles 2553: 2550:finding aid, 2549: 2546: 2543: 2540: 2537: 2534: 2531: 2528: 2525: 2522: 2519: 2514: 2509: 2506: 2503: 2500: 2497: 2494: 2491: 2488: 2485: 2482:Archiv Sohm, 2481: 2478: 2474: 2470: 2469: 2457: 2451: 2450:Knud Pedersen 2448: 2445: 2442: 2439: 2436: 2433: 2432:Jill Johnston 2430: 2427: 2424: 2421: 2418: 2417: 2416: 2411: 2410:Jon Hendricks 2408: 2405: 2402: 2399: 2398:John Hanhardt 2396: 2393: 2390: 2387: 2384: 2381: 2378: 2375: 2372: 2369: 2366: 2363: 2362: 2361: 2360: 2347: 2344: 2341: 2338: 2335: 2332: 2329: 2326: 2323: 2320: 2317: 2314: 2311: 2308: 2305: 2302: 2299: 2296: 2293: 2290: 2287: 2284: 2281: 2278: 2275: 2272: 2269: 2266: 2263: 2260: 2257: 2254: 2251: 2248: 2245: 2242: 2239: 2238:Ben Patterson 2236: 2233: 2232:Nam June Paik 2230: 2227: 2224: 2221: 2218: 2215: 2212: 2209: 2206: 2203: 2200: 2197: 2194: 2191: 2188: 2185: 2182: 2179: 2176: 2173: 2170: 2167: 2164: 2161: 2158: 2155: 2152: 2149: 2148:George Landow 2146: 2143: 2140: 2137: 2134: 2131: 2128: 2125: 2124:Arthur Köpcke 2122: 2119: 2116: 2113: 2110: 2107: 2104: 2101: 2098: 2095: 2092: 2089: 2086: 2083: 2080: 2077: 2074: 2071: 2068: 2065: 2062: 2059: 2056: 2053: 2050: 2047: 2044: 2041: 2038: 2035: 2032: 2029: 2026: 2023: 2020: 2017: 2014: 2011: 2008: 2005: 2002: 1999: 1996: 1993: 1990: 1987: 1986:Philip Corner 1984: 1981: 1978: 1975: 1972: 1969: 1968:George Brecht 1966: 1963: 1960: 1957: 1954: 1951: 1948: 1945: 1942: 1939: 1936: 1933: 1930: 1927: 1926:John Armleder 1924: 1921: 1920:Eric Andersen 1918: 1917: 1915: 1912: 1909: 1898: 1896: 1883: 1880: 1876: 1875: 1874: 1871: 1868: 1867:George Brecht 1864: 1863: 1857: 1853: 1843: 1840: 1839:Nam June Paik 1831: 1829: 1825: 1824:visual poetry 1821: 1817: 1812: 1809: 1805: 1804:Nam June Paik 1801: 1796: 1794: 1790: 1786: 1782: 1781:George Brecht 1772: 1768: 1766: 1762: 1756: 1754: 1750: 1746: 1742: 1738: 1734: 1730: 1725: 1721: 1716: 1712: 1708: 1704: 1700: 1696: 1695:Nam June Paik 1692: 1688: 1684: 1679: 1676: 1672: 1668: 1664: 1654: 1650: 1646: 1637: 1635: 1631: 1627: 1623: 1618: 1616: 1612: 1608: 1603: 1601: 1597: 1593: 1589: 1585: 1581: 1577: 1574: 1570: 1565: 1564:Jon Hendricks 1560: 1556: 1554: 1548: 1546: 1542: 1531: 1529: 1525: 1514: 1512: 1508: 1504: 1500: 1494: 1490: 1488: 1487:Broome Street 1484: 1479: 1476:, France, by 1475: 1471: 1469: 1456: 1454: 1450: 1446: 1442: 1438: 1437:Shigeo Kubota 1434: 1431: 1427: 1414: 1391: 1389: 1385: 1381: 1376: 1372: 1368: 1364: 1360: 1350: 1348: 1344: 1340: 1336: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1297: 1295: 1288: 1286: 1282: 1276: 1274: 1270: 1265: 1261: 1255: 1253: 1249: 1245: 1241: 1237: 1233: 1223: 1221: 1217: 1213: 1209: 1206:(May 23–29); 1205: 1203: 1197: 1193: 1189: 1188:George Brecht 1185: 1181: 1177: 1173: 1169: 1165: 1161: 1157: 1153: 1149: 1145: 1141: 1137: 1133: 1129: 1125: 1121: 1117: 1113: 1110: 1106: 1102: 1098: 1094: 1089: 1087: 1083: 1079: 1075: 1071: 1067: 1063: 1059: 1058:George Brecht 1055: 1054:Chieko Shiomi 1050: 1046: 1045:FluxOrchestra 1036: 1033: 1030: 1029: 1025: 1022: 1020: 1019: 1013: 1011: 1007: 1003: 999: 995: 994:Hi Red Center 989: 988:in New York. 987: 983: 979: 975: 971: 964: 960: 956: 942: 940: 936: 930: 925: 922: 918: 914: 913: 904: 900: 896: 890: 884: 882: 878: 874: 870: 866: 862: 858: 857: 849: 844: 842: 838: 834: 830: 821: 817: 808: 806: 800: 795: 793: 787: 785: 781: 777: 773: 769: 765: 764: 759: 755: 751: 744: 741: 735: 731: 729: 728:Philip Corner 725: 721: 717: 713: 712:Ben Patterson 709: 708:Nam June Paik 705: 701: 697: 693: 689: 685: 681: 677: 673: 669: 662: 658: 654: 650: 649:Nam June Paik 646: 642: 638: 637:Philip Corner 634: 630: 621: 616: 611: 609: 605: 600: 598: 594: 590: 585: 583: 579: 575: 571: 567: 563: 559: 555: 551: 547: 543: 539: 535: 531: 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 487: 482: 481: 476: 472: 468: 464: 460: 457:. 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7873:Historicism 7858:Orientalism 7799:Romanticism 7770:Akita ranga 7622:Art of the 7607:Picturesque 7559:Chinoiserie 7554:Frederician 7392:Tudor court 7287:Cinquecento 7228:Renaissance 7215:Mappa mundi 7199:cartography 7091:Carolingian 7086:Merovingian 7069:Palaeologan 7041:Repoblación 6998:Anglo-Saxon 6929:Gallo-Roman 6868:Hellenistic 6863:Kerch style 6801:Minyan ware 6617:Spice Chess 6558:Dieter Roth 6543:Ray Johnson 6538:Henry Flynt 6490:Ben Vautier 6177: [ 6132:(2): 1–30. 5941:3 September 5819:O'Dell 1997 5792:O'Dell 1997 5684:Toop, David 5626:8 September 5611:Bloch, Mark 5469:8 September 5454:Bloch, Mark 5292:17 November 5201:16 December 5175:15 February 5111:15 December 5047:15 December 4968:9 September 4735:O'Dell 1997 4717:8 September 4702:Bloch, Mark 4299:27 November 4032:Henry Flynt 3915:Marcus Boon 3730:27 November 3277: [ 3274:Ruhé, Harry 3221: [ 3210: [ 3022:Fluxus Nice 2644:Gutai group 2611:Arts portal 2576:, Lithuania 2511: [ 2452:(1925–2014) 2446:(born 1947) 2440:(born 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