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44:
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608:–D–E–F, etc., but incomplete sets such as this illustrate the controversial nature of the extent of its use. Stravinsky himself regarded this ostinato as "the root idea of the whole symphony", a four-note set consisting of a sequence of "two minor thirds joined by a major third", and stated that it initiated in the trumpet–harp motive at the beginning of the allegro section of the third movement, which was composed first.
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According to
Stravinsky, the commission for the work came about from "a routine suggestion" from Koussevitzky, who was also Stravinsky's publisher, that he write something "popular" for orchestra without chorus. Stravinsky, however, insisted on the psalm-symphony idea, which he had had in mind for
661:/D octatonic scale and set the pleading text. The minor second motif in the chorus is continued throughout the movement. The use of the octatonic scale and the church modes pervade the sound of the movement, contributing to both the ritual feel of the piece and the plaintive setting of the text.
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The second part of the slow opening introduction, setting the word "Laudate
Dominum", was originally composed to the Old Slavonic words "Gospodi Pomiluy", and Stravinsky regarded this as his personal prayer to the Russian Ecumenical image of the Infant Christ with the scepter and the Globe.
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The final hymn of praise must be thought of as issuing from the skies; agitation is followed by the calm of praise. In setting the words of this final hymn I cared only for the sounds of the syllables and I have indulged to the limit my besetting pleasure of regulating prosody in my own
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I was not aware of "Phrygian modes," "Gregorian chants," "Byzantinisms," or anything else of the sort, while composing this music, though, of course, the "influences" said to be denoted by such script-writers' baggage-stickers may very well have been
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224:. Unlike many pieces composed for chorus and orchestra, Stravinsky said that it is not "a symphony in which I have included psalms to be sung." On the contrary, "it is the singing of psalms that I am symphonizing."
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The third and fourth entrances are in the tenor in measure 39 and bass in measure 43. Meanwhile, the first fugue theme can be heard in the bass instruments at the entrance of the soprano at measure 29. A
711:
in such a way so that the third of E minor, G, is emphasized. Moreover, the movement concludes with a loud G-major chord, which becomes the dominant to C minor at the start of the second movement.
683:
There are various ways of analyzing the tonal structure of the first movement. The most popular analysis is to view the movement in E minor, pronounced at the opening chord. The following
255:
on
February 17 and 18, 1931. One reviewer wrote, "The choir, throaty, full-blooded, darkly, inwardly passionate, sing with liturgical conviction and intensity in a memorable performance."
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291:), the longest stretch being eleven bars between rehearsal numbers 4 and 6 in the first movement. Stravinsky stated that the root of the entire symphony is "the sequences of two
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1106:, based on the film score, for the movements "The Crusaders in Pskov" and "The Battle on the Ice". Kerr suggests that these words had been lifted by Prokofiev from the
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Exaudi orationem meam, Domine, et deprecationem meam; auribus percipe lacrimas meas. Ne sileas, quoniam advena ego sum apud te, et peregrinus sicut omnes patres mei.
2830:
1110:– "peregrinus" from Stravinsky's first movement, "expectavi", and "pedes meos" from the second, and "in cymbalis" from the third – as a barb at Stravinsky.
2154:
216:, which was Stravinsky's summer home in those years. The three movements are performed without break, and the texts sung by the chorus are drawn from the
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Hear my prayer, O Lord, and my supplication: give ear to my tears. Be not silent: for I am a stranger with thee, and a sojourner as all my fathers were.
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is heard in the voices in measure 84 on the text "and shall put their trust in the Lord." This completes the gradual clarification of texture from
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The presence of the chorus is used to create a church-like atmosphere in this piece as well as to appropriately set the Psalm. It enters with a
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And he heard my prayers, and brought me out of the pit of misery and the mire of dregs. And he set my feet upon a rock, and directed my steps.
808:
The first entrance of the second theme starts in measure 29 in the soprano, followed by an entrance in the alto in measure 33 a fourth down:
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in Psalm 150 was inspired by a vision of Elijah's chariot climbing the
Heavens; never before had I written anything quite so literal as the
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310:
Stravinsky portrays the religious nature of the text through his compositional techniques. He wrote substantial portions of the piece in
235:. The American premiere of the piece was given soon afterwards by Koussevitzky and the Boston Symphony Orchestra, with the chorus of the
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The first ostinato section in measure 2, which is played in the oboe and bassoon, could be six notes from the octatonic scale starting C
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Et exaudivit preces meas, et eduxit me de lacu miseriae et de luto faecis. Et statuit super petram pedes meos, et direxit gressus meos.
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and C respectively. However, the strong presence of G in the movement also points to another tonal center. The opening chord is
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And he put a new canticle into my mouth, a song to our God. Many shall see, and shall fear: and they shall hope in the Lord.
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Et immisit in os meum canticum novum, carmen Deo nostro. Videbunt multi, et timebunt, et sperabunt in Domino.
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In the score preface, Stravinsky stated a preference for a children's choir for the upper two choral parts.
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Although the piece was written for the Boston
Symphony Orchestra, the world premiere was actually given in
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Analyses of 'Symphony of Psalms' (1930, rev. 1948) and 'Requiem
Canticles' (1966) by Igor Stravinsky
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periods. He also uses the large chorus to create a ritual atmosphere like that of the Church.
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Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness.
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Alleluia. Praise ye the Lord in his holy places: praise ye him in the firmament of his power.
553:, verses 13 and 14. This movement was finished on August 15, 1930, which is the feast of the
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needed a Latin text to characterise the invading
Teutonic knights. The nonsensical text,
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by the Société Philharmonique de
Bruxelles on December 13, 1930, under the direction of
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1940:
1933:
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Reprinted London: Faber, 1968; reissued by Faber in 1982 without the Diary section, as
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Laudate eum in virtutibus ejus; laudate eum secundum multitudinem magnitudinis ejus.
243:) on December 19, 1930. The first recording was made by Stravinsky himself with the
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2001:
1694:
Heinemann, Stephen. 1998. "Pitch-Class Set
Multiplication in Theory and Practice."
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Alleluia. Laudate
Dominum in sanctis ejus; laudate eum in firmamento virtutis ejus.
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scales even before the chorus's entrance (in measures 12–13, the piano plays an F
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C-minor chord which creates a suitable transition into the third movement in C.
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Music commissioned by Serge Koussevitzky or the Koussevitzky Music Foundation
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2008:
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Laudate eum in cymbalis benesonantibus; laudate eum in cymbalis jubilationis.
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1140:"Music: Tuning Up/'Symphony of Psalms'; Stravinsky's Psalm On Psalm Singing"
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Stravinsky: Symphony in 3 Movements, Symphony in C, and Symphony of Psalms
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O forgive me, that I may be refreshed, before I go hence, and be no more.
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With expectation I have waited for the Lord, and he was attentive to me.
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1357:(Autumn–Winter 1963). "Problems of Pitch Organization in Stravinsky".
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Praise him with timbrel and choir: praise him with strings and organs.
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1952:
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839:
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288:
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65:
3064:
Divertimento for chamber orchestra after keyboard pieces by Couperin
1763:"Colloquy: Stravinsky and the Octatonic – The Sounds of Stravinsky."
1613:. Berkeley, Los Angeles and London: University of California Press.
1470:
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used in the first movement, and begins in the oboe in measure one:
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Praise him on high-sounding cymbals: praise him on cymbals of joy:
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Laudate eum in tympano et choro; laudate eum in chordis et organo.
1641:
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Remitte mihi, ut refrigerer prius quam abeam et amplius non ero.
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1405:(Ph.D., Music Theory). University of California at Los Angeles.
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1586:(2002). "Stravinsky and the Octatonic: A Reconsideration".
1455:
Kerr, Morag G (October 1994). "Prokofiev and His Cymbals".
490:
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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on the text "He hath put a new song in my mouth". In the
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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of the first fugue theme is played in stretto. Finally,
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is heard in measure 52 based on the second fugal theme.
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for horns and piano to suggest the horses and chariot.
333:
The work is scored for the following instrumentation:
3249:
1779:, New Series, 81 (Stravinsky's 85th Birthday): 41–51.
630:
If a liturgical character is produced by the use of
3322:
Music commissioned by the Boston Symphony Orchestra
1773:Walsh, Steven. 1967. '"Stravinsky's Choral Music".
1200:
3193:Tanzsuite aus Klavierstücken von François Couperin
1795:– Analysis, background, and texts, by Victor Huang
1292:
1270:
1268:
867:as the tonal center. Some analyses interpret the E
1253:
263:Like many of Stravinsky's other works, including
3273:
1331:
1241:
638:and in measures 15–16, the piano plays in the E
195:. The symphony derives its name from the use of
1568:
1533:
1417:. New Haven and London: Yale University Press.
1325:
1310:
1265:
1223:
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1125:
900:Expectans expectavi Dominum, et intendit mihi.
2857:
1814:
1633:. Composers in Person. EMI Classics. D202405.
317:, which was used widely in the church in the
1068:let every spirit praise the Lord. Alleluia.
948:= 80", and uses nearly the complete text of
655:motif, which is used both to emphasize the C
1442:(DMA diss). Columbus: Ohio State University
1409:
1182:
1100:peregrinus expectavi pedes meos in cymbalis
557:in the Catholic Church and is written as a
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1821:
1807:
1689:South West German Radio Symphony Orchestra
42:
1706:. 1974. "Stravinsky's Self-Concealment".
1538:(Autumn 1962). "A Quintet of Dialogues".
1511:
1387:Perspectives on Schoenberg and Stravinsky
1286:
1170:
1137:
1051:Omnis spiritus laudet Dominum! Alleluia.
191:to celebrate the 50th anniversary of the
1582:
1569:Stravinsky, Igor; Craft, Robert (1963).
1397:, 123–154. New York: W. W. Norton, 1972.
1235:
2155:Concerto for Piano and Wind Instruments
1691:and West German Radio Chorus, Hanssler.
1176:
3287:Choral compositions by Igor Stravinsky
3274:
2871:
1637:Igor Stravinsky – Plays & Conducts
1631:Igor Stravinsky – Plays & Conducts
1611:Stravinsky: The Composer and His Works
1517:Choral Masterworks: A Listener's Guide
1353:
1274:
1206:
1077:Sergei Prokofiev's use of the text in
778:, verses 2, 3, and 4. The first fugue
2845:
2505:Double Canon (in Memoriam Raoul Dufy)
2134:Variations: Aldous Huxley in memoriam
1802:
1608:
1519:. New York: Oxford University Press.
187:period. The work was commissioned by
1747:. New Haven: Yale University Press.
1625:
1454:
1431:
1400:
1337:
1298:
1259:
1247:
1194:
642:), it was not a conscious decision:
568:The movement is composed of flowing
336:
247:and the Alexis Vlassov Choir at the
3058:Concerto in E-flat (Dumbarton Oaks)
2309:A Sermon, a Narrative, and a Prayer
1828:
1062:Praise him with sound of trumpet...
885:verses 1, 2 and 3 in Hebrew Bible)
580:", which stop the constant motion.
258:
159:Société Philharmonique de Bruxelles
13:
3292:Religious music by Igor Stravinsky
1648:
881:Text: Psalm 39 verses 2, 3 and 4 (
838:At measure 71, the voices sing in
761:
719:verses 12 and 13 in Hebrew Bible)
328:
299:... derived from the trumpet-harp
14:
3338:
2735:Coco Chanel & Igor Stravinsky
2160:Capriccio for Piano and Orchestra
2128:Movements for Piano and Orchestra
1784:
1138:Tommasini, Anthony (2003-05-11).
923:
715:Text: Psalm 38 verses 13 and 14 (
572:sections punctuated with E-minor
532:
3259:
2825:
2815:
2814:
1439:Focusing on Tonality and Harmony
990:Stravinsky continues by saying:
942:
934:
543:
16:1930 symphony by Igor Stravinsky
2459:Three Pieces for String Quartet
2139:Canon on a Russian Popular Tune
782:is based on the same four-note
2522:Symphonies of Wind Instruments
2464:Three Pieces for Solo Clarinet
2406:Three Movements from Petrushka
1131:
245:Orchestre des Concerts Straram
1:
3282:Symphonies by Igor Stravinsky
1743:Van den Toorn, Pieter. 1983.
576:, in a voicing known as the "
549:= 92" and uses the text from
1745:The Music of Igor Stravinsky
1496:. 6 May 2003. Archived from
1435:An Analysis of Stravinsky's
1401:Cole, Vincent Lewis (1980).
1045:Laudate eum in sono tubae...
1007:
975:
815:
793:
701:in the next two movements, E
668:
615:
587:
527:
7:
3180:Symphony in Three Movements
3125:Piano Sonata No. 3 (Enescu)
3120:Piano Sonata No. 3 (Chávez)
3115:Piano Sonata No. 1 (Enescu)
2093:The Song of the Nightingale
2048:Symphony in Three Movements
1757:Van den Toorn, Pieter, and
1609:White, Eric Walter (1966).
1326:Stravinsky & Craft 1962
1311:Stravinsky & Craft 1963
1224:Stravinsky & Craft 1962
1126:Stravinsky & Craft 1962
199:texts in the choral parts.
10:
3343:
3130:Piano Suite No. 2 (Enescu)
1700:20, no. 1 (Spring): 72–96.
1346:
928:The third movement of the
861:The piece concludes with E
561:to the second movement, a
537:The first movement of the
249:Théâtre des Champs-Élysées
202:
123:13 December 1930
3216:
3157:El retablo de maese Pedro
3010:
2879:
2810:
2701:
2662:
2642:
2621:
2598:
2581:
2574:
2538:
2529:Fanfare for a New Theatre
2513:
2449:
2440:Two Sketches for a Sonata
2325:
2255:
2246:The Owl and the Pussy Cat
2200:
2147:
2056:
2018:
1918:
1849:
1836:
1541:Perspectives of New Music
1413:; Simeone, Nigel (2005).
1389:, 2nd edition, edited by
1360:Perspectives of New Music
1102:, appears in Prokofiev's
968:The triplets passage is:
766:The second movement is a
512:Notably, the score omits
279:occasionally employs the
208:some time. The choice of
193:Boston Symphony Orchestra
155:
145:
134:
119:
114:
97:
89:
81:
71:
50:
41:
30:
23:
3040:Le bourgeois gentilhomme
1602:10.1525/mts.2002.24.1.68
1432:Kang, Jin Myung (2007).
1113:
303:at the beginning of the
3302:20th-century symphonies
3164:Sonatine bureaucratique
2792:Charles Ferdinand Ramuz
2762:Monday Evening Concerts
2565:Monumentum pro Gesualdo
2422:Concerto for Two Pianos
1712:, New Series, 108:2–10.
1483:Text also available at
1183:Hill & Simeone 2005
1084:When writing music for
1034:English (Douay-Rheims)
1012:download the audio file
980:download the audio file
893:English (Douay-Rheims)
820:download the audio file
798:download the audio file
673:download the audio file
620:download the audio file
592:download the audio file
3229:Neoromanticism (music)
3200:Le Tombeau de Couperin
1573:. New York: Doubleday.
997:
966:
649:
3307:Neoclassicism (music)
2434:Sonata for Two Pianos
1767:Music Theory Spectrum
1697:Music Theory Spectrum
1668:on September 12, 2007
1589:Music Theory Spectrum
1571:Dialogues and a Diary
992:
954:
644:
3070:Harpsichord Concerto
3019:Antiche arie e danze
2997:Germaine Tailleferre
2767:New York City Ballet
2663:Named for Stravinsky
2547:Bluebird Pas de Deux
2165:Violin Concerto in D
1839:List of compositions
952:. Stravinsky wrote:
873:as being part of an
3224:Neoclassical ballet
3150:The Rake's Progress
3033:Le baiser de la fée
2688:Stravinsky Fountain
2683:Stravinsky (crater)
2679:(river cruise ship)
2634:Théodore Strawinsky
2557:The Sleeping Beauty
2065:Scherzo fantastique
1988:Danses concertantes
1902:The Rake's Progress
1731:on February 4, 2007
1027:
886:
774:, and uses as text
720:
183:in 1930 during his
3186:Symphony of Psalms
3002:Heitor Villa-Lobos
2873:Neoclassical music
2629:Soulima Stravinsky
2606:Yekaterina Nosenko
2114:Scherzo Ă la russe
2037:Symphony of Psalms
1941:The Rite of Spring
1874:The Soldier's Tale
1792:Symphony of Psalms
1770:25, no. 1:167–202.
1723:Symphony of Psalms
1660:Symphony of Psalms
1534:Stravinsky, Igor;
1513:Steinberg, Michael
1500:on January 9, 2009
1492:Symphony of Psalms
1437:Symphony of Psalms
1144:The New York Times
1108:Symphony of Psalms
1022:
932:alternates "Tempo
930:Symphony of Psalms
880:
714:
539:Symphony of Psalms
283:(which alternates
277:Symphony of Psalms
272:The Rite of Spring
189:Serge Koussevitzky
168:Symphony of Psalms
25:Symphony of Psalms
3317:1930 compositions
3297:Choral symphonies
3247:
3246:
3239:Modernism (music)
3047:Concert champĂŞtre
2932:Camargo Guarnieri
2839:
2838:
2719:George Balanchine
2709:Earnest Andersson
2658:
2657:
2589:Fyodor Stravinsky
2385:Étude for Pianola
2371:Three Easy Pieces
2347:Piano Sonata in F
2316:Requiem Canticles
2232:Abraham and Isaac
2225:Berceuses du chat
1465:(1820): 608–609.
1458:The Musical Times
1086:Sergei Eisenstein
1074:
1073:
1016:
984:
940:= 48" and "Tempo
921:
920:
824:
802:
759:
758:
677:
624:
596:
541:is marked "Tempo
506:
505:
163:
162:
3334:
3264:
3263:
3262:
3255:
3083:Mathis der Maler
2972:Sergei Prokofiev
2957:Bohuslav MartinĹŻ
2927:Radamés Gnattali
2866:
2859:
2852:
2843:
2842:
2829:
2818:
2817:
2747:Sergei Diaghilev
2693:Stravinsky Inlet
2579:
2578:
2378:Five Easy Pieces
2364:Valse des fleurs
2352:
2351:
2239:Elegy for J.F.K.
2178:"Dumbarton Oaks"
2175:
2174:
2121:Greeting Prelude
2057:Orchestral music
2031:
2030:
1995:Scènes de ballet
1974:The Fairy's Kiss
1823:
1816:
1809:
1800:
1799:
1740:
1738:
1736:
1727:. Archived from
1677:
1675:
1673:
1664:. Archived from
1634:
1622:
1605:
1584:Tymoczko, Dmitri
1574:
1565:
1530:
1508:
1506:
1505:
1488:Alexander Nevsky
1482:
1451:
1449:
1447:
1428:
1406:
1384:
1341:
1335:
1329:
1323:
1314:
1308:
1302:
1296:
1290:
1284:
1278:
1272:
1263:
1257:
1251:
1245:
1239:
1233:
1227:
1221:
1210:
1204:
1198:
1192:
1186:
1180:
1174:
1168:
1162:
1161:
1159:
1158:
1135:
1129:
1123:
1091:Alexander Nevsky
1079:Alexander Nevsky
1028:
1021:
947:
946:
939:
938:
887:
879:
872:
871:
866:
865:
721:
713:
706:
705:
692:
691:
660:
659:
607:
606:
548:
547:
337:
259:General analysis
130:
128:
46:
21:
20:
3342:
3341:
3337:
3336:
3335:
3333:
3332:
3331:
3272:
3271:
3270:
3266:Classical music
3260:
3258:
3250:
3248:
3243:
3212:
3096:Octet for winds
3006:
2992:Igor Stravinsky
2987:Richard Strauss
2967:Francis Poulenc
2947:Arthur Honegger
2922:Manuel de Falla
2897:Alfredo Casella
2875:
2870:
2840:
2835:
2806:
2797:Werner Reinhart
2782:Petrushka chord
2729:Nadia Boulanger
2714:Ernest Ansermet
2697:
2676:Igor Stravinsky
2670:4382 Stravinsky
2654:
2638:
2617:
2594:
2570:
2534:
2509:
2451:
2445:
2399:Les cinq doigts
2392:Piano-Rag-Music
2349:
2348:
2327:
2321:
2295:Canticum Sacrum
2251:
2202:
2196:
2172:
2171:
2143:
2052:
2028:
2027:
2014:
1914:
1860:The Nightingale
1851:
1845:
1841:
1832:
1830:Igor Stravinsky
1827:
1787:
1782:
1759:Dmitri Tymoczko
1734:
1732:
1715:
1704:Holloway, Robin
1681:Gielen, Michael
1671:
1669:
1655:
1651:
1649:Further reading
1646:
1527:
1503:
1501:
1484:
1471:10.2307/1003123
1445:
1443:
1425:
1391:Benjamin Boretz
1349:
1344:
1336:
1332:
1324:
1317:
1309:
1305:
1297:
1293:
1285:
1281:
1273:
1266:
1258:
1254:
1246:
1242:
1234:
1230:
1222:
1213:
1205:
1201:
1193:
1189:
1181:
1177:
1169:
1165:
1156:
1154:
1136:
1132:
1124:
1120:
1116:
1082:
1070:
1067:
1065:
1063:
1061:
1059:
1053:
1050:
1048:
1046:
1044:
1042:
1031:Latin (Vulgate)
1018:
1017:
1015:
986:
985:
983:
941:
933:
926:
917:
914:
912:
906:
903:
901:
890:Latin (Vulgate)
869:
868:
863:
862:
826:
825:
823:
804:
803:
801:
764:
762:Second movement
755:
752:
746:
743:
703:
702:
689:
688:
679:
678:
676:
657:
656:
626:
625:
623:
604:
603:
598:
597:
595:
542:
535:
530:
507:
472:(Lower) strings
427:
331:
329:Instrumentation
307:in Psalm 150".
281:octatonic scale
261:
237:Cecilia Society
233:Ernest Ansermet
205:
181:Igor Stravinsky
173:choral symphony
150:Ernest Ansermet
126:
124:
36:Igor Stravinsky
32:Choral symphony
17:
12:
11:
5:
3340:
3330:
3329:
3324:
3319:
3314:
3312:Psalm settings
3309:
3304:
3299:
3294:
3289:
3284:
3269:
3268:
3245:
3244:
3242:
3241:
3236:
3231:
3226:
3220:
3218:
3214:
3213:
3211:
3210:
3203:
3196:
3189:
3182:
3177:
3172:
3170:Symphony No. 1
3167:
3160:
3153:
3146:
3139:
3136:Premier Menuet
3132:
3127:
3122:
3117:
3112:
3105:
3098:
3093:
3086:
3079:
3072:
3067:
3060:
3055:
3050:
3043:
3036:
3029:
3022:
3014:
3012:
3008:
3007:
3005:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2962:Darius Milhaud
2959:
2954:
2949:
2944:
2939:
2937:Paul Hindemith
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2899:
2894:
2889:
2883:
2881:
2877:
2876:
2869:
2868:
2861:
2854:
2846:
2837:
2836:
2834:
2833:
2823:
2811:
2808:
2807:
2805:
2804:
2799:
2794:
2789:
2784:
2779:
2774:
2772:Pierre Monteux
2769:
2764:
2759:
2754:
2752:Samuel Dushkin
2749:
2744:
2739:
2731:
2726:
2724:Ballets Russes
2721:
2716:
2711:
2705:
2703:
2699:
2698:
2696:
2695:
2690:
2685:
2680:
2672:
2666:
2664:
2660:
2659:
2656:
2655:
2653:
2652:
2646:
2644:
2640:
2639:
2637:
2636:
2631:
2625:
2623:
2619:
2618:
2616:
2615:
2612:Vera Sudeikina
2609:
2602:
2600:
2596:
2595:
2593:
2592:
2585:
2583:
2576:
2572:
2571:
2569:
2568:
2561:
2542:
2540:
2536:
2535:
2533:
2532:
2525:
2517:
2515:
2511:
2510:
2508:
2507:
2502:
2495:
2490:
2483:
2481:Duo Concertant
2478:
2473:
2470:Lied ohne Name
2466:
2461:
2455:
2453:
2447:
2446:
2444:
2443:
2436:
2431:
2424:
2419:
2414:
2409:
2402:
2395:
2388:
2381:
2374:
2367:
2360:
2355:
2344:
2339:
2331:
2329:
2323:
2322:
2320:
2319:
2312:
2305:
2298:
2291:
2286:
2281:
2274:
2267:
2259:
2257:
2253:
2252:
2250:
2249:
2242:
2235:
2228:
2221:
2214:
2206:
2204:
2198:
2197:
2195:
2194:
2189:
2186:Ebony Concerto
2182:
2167:
2162:
2157:
2151:
2149:
2145:
2144:
2142:
2141:
2136:
2131:
2124:
2117:
2110:
2103:
2096:
2089:
2082:
2075:
2068:
2060:
2058:
2054:
2053:
2051:
2050:
2045:
2040:
2033:
2022:
2020:
2016:
2015:
2013:
2012:
2005:
1998:
1991:
1984:
1977:
1970:
1963:
1956:
1949:
1937:
1930:
1922:
1920:
1916:
1915:
1913:
1912:
1905:
1898:
1891:
1884:
1877:
1870:
1863:
1855:
1853:
1852:musical dramas
1847:
1846:
1837:
1834:
1833:
1826:
1825:
1818:
1811:
1803:
1797:
1796:
1786:
1785:External links
1783:
1781:
1780:
1771:
1755:
1741:
1717:Kuster, Andrew
1713:
1701:
1692:
1678:
1656:Anon. (n.d.).
1652:
1650:
1647:
1645:
1644:
1623:
1606:
1580:
1566:
1554:10.2307/832175
1531:
1525:
1509:
1452:
1429:
1423:
1407:
1398:
1395:Edward T. Cone
1373:10.2307/832252
1355:Berger, Arthur
1350:
1348:
1345:
1343:
1342:
1330:
1315:
1303:
1291:
1287:Steinberg 2005
1279:
1264:
1252:
1240:
1228:
1211:
1199:
1187:
1175:
1171:Steinberg 2005
1163:
1130:
1117:
1115:
1112:
1081:
1075:
1072:
1071:
1056:
1054:
1039:
1036:
1035:
1032:
1020:
1019:
1009:
1006:
988:
987:
977:
974:
925:
924:Third movement
922:
919:
918:
909:
907:
898:
895:
894:
891:
828:
827:
817:
814:
806:
805:
795:
792:
763:
760:
757:
756:
749:
747:
740:
737:
736:
729:
681:
680:
670:
667:
628:
627:
617:
614:
600:
599:
589:
586:
534:
533:First movement
531:
529:
526:
504:
503:
498:
497:
496:
487:
486:
481:
476:
474:
468:
467:
461:
456:
451:
446:
444:
429:
425:
424:
418:
412:
405:
398:
391:
389:
383:
382:
376:
370:
364:
358:
353:(5th doubling
347:
345:
335:
330:
327:
260:
257:
241:Arthur Fiedler
204:
201:
161:
160:
157:
153:
152:
147:
143:
142:
136:
132:
131:
121:
117:
116:
112:
111:
99:
95:
94:
91:
87:
86:
83:
79:
78:
73:
69:
68:
52:
48:
47:
39:
38:
28:
27:
15:
9:
6:
4:
3:
2:
3339:
3328:
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3279:
3277:
3267:
3257:
3256:
3253:
3240:
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3221:
3219:
3215:
3209:
3208:
3204:
3202:
3201:
3197:
3195:
3194:
3190:
3188:
3187:
3183:
3181:
3178:
3176:
3175:Symphony in C
3173:
3171:
3168:
3166:
3165:
3161:
3159:
3158:
3154:
3152:
3151:
3147:
3145:
3144:
3140:
3138:
3137:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3111:
3110:
3106:
3104:
3103:
3099:
3097:
3094:
3092:
3091:
3087:
3085:
3084:
3080:
3078:
3077:
3076:Jeu de cartes
3073:
3071:
3068:
3066:
3065:
3061:
3059:
3056:
3054:
3053:Concerto in D
3051:
3049:
3048:
3044:
3042:
3041:
3037:
3035:
3034:
3030:
3028:
3027:
3023:
3021:
3020:
3016:
3015:
3013:
3009:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2977:Maurice Ravel
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2952:Zoltán Kodály
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2917:George Enescu
2915:
2913:
2910:
2908:
2907:Aaron Copland
2905:
2903:
2902:Carlos Chávez
2900:
2898:
2895:
2893:
2890:
2888:
2887:Georges Auric
2885:
2884:
2882:
2878:
2874:
2867:
2862:
2860:
2855:
2853:
2848:
2847:
2844:
2832:
2828:
2824:
2822:
2813:
2812:
2809:
2803:
2800:
2798:
2795:
2793:
2790:
2788:
2785:
2783:
2780:
2778:
2777:Neoclassicism
2775:
2773:
2770:
2768:
2765:
2763:
2760:
2758:
2757:Arthur Lourié
2755:
2753:
2750:
2748:
2745:
2743:
2740:
2737:
2736:
2732:
2730:
2727:
2725:
2722:
2720:
2717:
2715:
2712:
2710:
2707:
2706:
2704:
2700:
2694:
2691:
2689:
2686:
2684:
2681:
2678:
2677:
2673:
2671:
2668:
2667:
2665:
2661:
2651:
2648:
2647:
2645:
2641:
2635:
2632:
2630:
2627:
2626:
2624:
2620:
2613:
2610:
2607:
2604:
2603:
2601:
2597:
2590:
2587:
2586:
2584:
2580:
2577:
2573:
2567:
2566:
2562:
2559:
2558:
2553:
2549:
2548:
2544:
2543:
2541:
2537:
2531:
2530:
2526:
2524:
2523:
2519:
2518:
2516:
2512:
2506:
2503:
2501:
2500:
2496:
2494:
2491:
2489:
2488:
2484:
2482:
2479:
2477:
2474:
2472:
2471:
2467:
2465:
2462:
2460:
2457:
2456:
2454:
2448:
2442:
2441:
2437:
2435:
2432:
2430:
2429:
2425:
2423:
2420:
2418:
2417:Serenade in A
2415:
2413:
2410:
2408:
2407:
2403:
2401:
2400:
2396:
2394:
2393:
2389:
2387:
2386:
2382:
2380:
2379:
2375:
2373:
2372:
2368:
2365:
2361:
2359:
2356:
2354:
2345:
2343:
2340:
2337:
2333:
2332:
2330:
2324:
2318:
2317:
2313:
2311:
2310:
2306:
2304:
2303:
2299:
2297:
2296:
2292:
2290:
2287:
2285:
2282:
2280:
2279:
2275:
2273:
2272:
2268:
2266:
2265:
2261:
2260:
2258:
2254:
2247:
2243:
2241:
2240:
2236:
2234:
2233:
2229:
2227:
2226:
2222:
2220:
2219:
2215:
2213:
2212:
2208:
2207:
2205:
2199:
2193:
2192:Concerto in D
2190:
2188:
2187:
2183:
2181:
2179:
2170:Concerto in E
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2152:
2150:
2146:
2140:
2137:
2135:
2132:
2130:
2129:
2125:
2123:
2122:
2118:
2116:
2115:
2111:
2109:
2108:
2104:
2102:
2101:
2097:
2095:
2094:
2090:
2088:
2087:
2083:
2081:
2080:
2076:
2074:
2073:
2069:
2067:
2066:
2062:
2061:
2059:
2055:
2049:
2046:
2044:
2043:Symphony in C
2041:
2039:
2038:
2034:
2032:
2026:Symphony in E
2024:
2023:
2021:
2017:
2011:
2010:
2006:
2004:
2003:
1999:
1997:
1996:
1992:
1990:
1989:
1985:
1983:
1982:
1981:Jeu de cartes
1978:
1976:
1975:
1971:
1969:
1968:
1964:
1962:
1961:
1957:
1955:
1954:
1950:
1947:
1943:
1942:
1938:
1936:
1935:
1931:
1929:
1928:
1924:
1923:
1921:
1917:
1911:
1910:
1906:
1904:
1903:
1899:
1897:
1896:
1892:
1890:
1889:
1885:
1883:
1882:
1878:
1876:
1875:
1871:
1869:
1868:
1864:
1862:
1861:
1857:
1856:
1854:
1848:
1844:
1840:
1835:
1831:
1824:
1819:
1817:
1812:
1810:
1805:
1804:
1801:
1794:
1793:
1789:
1788:
1778:
1777:
1772:
1769:
1768:
1764:
1760:
1756:
1754:
1753:0-300-02693-5
1750:
1746:
1742:
1735:September 26,
1730:
1726:
1724:
1718:
1714:
1711:
1710:
1705:
1702:
1699:
1698:
1693:
1690:
1686:
1682:
1679:
1672:September 26,
1667:
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1654:
1653:
1643:
1639:
1638:
1632:
1628:
1624:
1620:
1616:
1612:
1607:
1603:
1599:
1596:(1): 68–102.
1595:
1591:
1590:
1585:
1581:
1578:
1572:
1567:
1563:
1559:
1555:
1551:
1547:
1543:
1542:
1537:
1536:Craft, Robert
1532:
1528:
1526:0-19-512644-0
1522:
1518:
1514:
1510:
1499:
1495:
1493:
1489:
1480:
1476:
1472:
1468:
1464:
1460:
1459:
1453:
1441:
1440:
1436:
1430:
1426:
1424:0-300-10907-5
1420:
1416:
1412:
1408:
1404:
1399:
1396:
1392:
1388:
1385:Reprinted in
1382:
1378:
1374:
1370:
1366:
1362:
1361:
1356:
1352:
1351:
1339:
1334:
1327:
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1256:
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1244:
1237:
1236:Tymoczko 2002
1232:
1225:
1220:
1218:
1216:
1208:
1203:
1196:
1191:
1184:
1179:
1172:
1167:
1153:
1149:
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1134:
1127:
1122:
1118:
1111:
1109:
1105:
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1097:
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1087:
1080:
1069:
1055:
1052:
1038:
1037:
1033:
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996:
991:
981:
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965:
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916:
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905:
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859:
857:
853:
849:
845:
844:accompaniment
841:
836:
834:
821:
811:
810:
809:
799:
789:
788:
787:
785:
781:
777:
773:
769:
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748:
745:
739:
738:
734:
730:
727:
723:
722:
718:
712:
710:
700:
699:tonal centers
697:to the other
696:
693:and G act as
686:
674:
664:
663:
662:
654:
648:
643:
641:
640:Phrygian mode
637:
633:
621:
611:
610:
609:
593:
583:
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579:
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571:
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546:
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484:double basses
482:
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380:contrabassoon
377:
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67:
63:
59:
56:
53:
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45:
40:
37:
33:
29:
26:
22:
19:
3217:Other topics
3205:
3198:
3191:
3185:
3184:
3162:
3155:
3148:
3141:
3134:
3107:
3100:
3088:
3081:
3074:
3062:
3045:
3038:
3031:
3024:
3017:
3011:Compositions
2942:Vagn Holmboe
2787:Psalms chord
2742:Jean Cocteau
2733:
2674:
2650:Robert Craft
2563:
2555:
2545:
2539:Arrangements
2527:
2520:
2497:
2485:
2468:
2438:
2426:
2412:Piano Sonata
2404:
2397:
2390:
2383:
2376:
2369:
2314:
2307:
2300:
2293:
2276:
2269:
2262:
2237:
2230:
2223:
2216:
2209:
2184:
2177:
2126:
2119:
2112:
2105:
2100:Circus Polka
2098:
2091:
2084:
2079:Funeral Song
2077:
2070:
2063:
2036:
2035:
2007:
2000:
1993:
1986:
1979:
1972:
1965:
1958:
1951:
1939:
1932:
1927:The Firebird
1925:
1908:
1900:
1894:
1887:
1879:
1872:
1866:
1859:
1791:
1774:
1765:
1744:
1733:. Retrieved
1729:the original
1722:
1707:
1695:
1684:
1670:. Retrieved
1666:the original
1659:
1635:
1630:
1610:
1593:
1587:
1576:
1570:
1545:
1539:
1516:
1502:. Retrieved
1498:the original
1491:
1487:
1462:
1456:
1446:November 21,
1444:. Retrieved
1438:
1434:
1414:
1402:
1386:
1367:(1): 11–42.
1364:
1358:
1333:
1306:
1294:
1282:
1255:
1243:
1231:
1202:
1190:
1178:
1166:
1155:. Retrieved
1143:
1133:
1121:
1107:
1099:
1089:
1083:
1078:
1057:
1040:
998:
993:
989:
967:
957:
955:
929:
927:
910:
899:
860:
856:counterpoint
837:
829:
807:
768:double fugue
765:
750:
741:
733:Douay-Rheims
709:orchestrated
682:
653:minor-second
650:
645:
636:Dorian scale
629:
601:
578:Psalms chord
574:block chords
567:
563:double fugue
538:
536:
511:
508:
500:
426:
332:
315:counterpoint
309:
304:
295:joined by a
293:minor thirds
276:
270:
264:
262:
239:(trained by
226:
220:versions in
206:
185:neoclassical
179:composed by
167:
166:
164:
24:
18:
3234:Neotonality
3207:Gli uccelli
3102:Oedipus rex
2912:Louis Durey
2892:BĂ©la BartĂłk
2552:Tchaikovsky
2358:Four Études
2086:Four Études
1946:discography
1888:Oedipus rex
1843:Discography
1548:(1): 7–17.
1411:Hill, Peter
1275:Berger 1963
1207:Berger 1963
858:to unison.
368:cor anglais
319:Renaissance
297:major third
285:whole steps
3276:Categories
3143:Pulcinella
2982:Erik Satie
2643:Amanuensis
2499:Epitaphium
2336:Tarantella
2264:Zvezdoliki
2218:Pribaoutki
2019:Symphonies
1960:Pulcinella
1895:Perséphone
1850:Operas and
1627:Wood, Hugh
1504:2008-09-18
1157:2022-12-01
647:operative.
555:Assumption
434:Percussion
289:half steps
156:Performers
127:1930-12-13
2880:Composers
2802:Serialism
2326:Piano and
2271:Ave Maria
2211:Pastorale
2148:Concertos
2072:Fireworks
1953:Les noces
1934:Petrushka
1909:The Flood
1577:Dialogues
1338:Kerr 1994
1299:Kang 2007
1260:Kang 2007
1248:Cole 1980
1195:Wood 1993
1152:0362-4331
1096:Prokofiev
1025:Psalm 150
950:Psalm 150
848:variation
840:homophony
731:English (
695:dominants
685:arpeggios
528:Movements
514:clarinets
454:bass drum
442:keyboards
416:trombones
343:Woodwinds
266:Petrushka
214:Talloires
210:Psalm 150
177:movements
175:in three
146:Conductor
141:, Belgium
102:Orchestra
90:Movements
2821:Category
2622:Children
2614:(second)
2591:(father)
2350:♯
2173:♭
2029:♭
1761:. 2003.
1629:(1993).
1619:66-27667
1515:(2005).
1490:and the
1415:Messiaen
1238:, 90–91.
1088:'s film
962:triplets
883:Psalm 40
875:inverted
870:♭
864:♭
776:Psalm 39
717:Psalm 39
704:♭
690:♭
658:♯
605:♯
570:ostinato
551:Psalm 38
409:trumpets
374:bassoons
229:Brussels
139:Brussels
135:Location
115:Premiere
82:Composed
72:Language
3109:Orpheus
2702:Related
2608:(first)
2582:Parents
2450:Chamber
2342:Scherzo
2328:pianola
2289:Cantata
2002:Orpheus
1919:Ballets
1642:Discogs
1479:1003123
1347:Sources
1104:cantata
958:allegro
833:stretto
772:C minor
726:Vulgate
724:Latin (
559:prelude
518:violins
449:timpani
402:trumpet
355:piccolo
323:Baroque
305:allegro
218:Vulgate
203:History
125: (
98:Scoring
3252:Portal
3026:Apollo
2819:
2738:(film)
2575:Family
2550:(from
2493:Septet
2302:Threni
2256:Choral
1967:Apollo
1867:Renard
1751:
1617:
1562:832175
1560:
1523:
1477:
1421:
1381:832252
1379:
1289:, 268.
1173:, 265.
1150:
1023:Text:
852:unison
522:violas
520:, and
501:
494:chorus
465:pianos
351:flutes
301:motive
275:, the
109:chorus
64:, and
55:Psalms
3090:Mavra
2831:Audio
2599:Wives
2514:Other
2487:Elegy
2476:Octet
2452:music
2428:Tango
2353:minor
2278:Babel
2203:vocal
1881:Mavra
1776:Tempo
1709:Tempo
1558:JSTOR
1475:JSTOR
1377:JSTOR
1328:, 17.
1313:, 78.
1301:, 21.
1209:, 40.
1128:, 15.
1114:Notes
780:theme
632:modal
479:celli
395:horns
387:Brass
362:oboes
312:fugal
253:Paris
222:Latin
197:Psalm
171:is a
93:Three
76:Latin
2284:Mass
2201:Solo
2009:Agon
1749:ISBN
1737:2006
1674:2006
1615:LCCN
1521:ISBN
1448:2010
1419:ISBN
1393:and
1277:, 32
1262:, 9.
1250:, 4.
1226:, 16
1185:, 30
1148:ISSN
995:way.
956:The
846:, a
784:cell
687:on B
491:SATB
459:harp
440:and
438:harp
422:tuba
411:in C
404:in D
397:in F
321:and
287:and
269:and
165:The
120:Date
106:SATB
104:and
85:1930
51:Text
2554:'s
2107:Ode
1640:at
1598:doi
1550:doi
1467:doi
1463:135
1369:doi
770:in
251:in
66:150
34:by
3278::
1719:.
1687:.
1683:.
1594:24
1592:.
1556:.
1544:.
1473:.
1461:.
1375:.
1363:.
1318:^
1267:^
1214:^
1146:.
1142:.
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735:)
565:.
524:.
516:,
463:2
436:,
420:1
414:3
407:4
400:1
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366:1
360:4
349:5
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60:,
58:39
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2176:(
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1944:(
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1371::
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357:)
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