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935:] (in English) — Natalie Griffin Mitchell, Susan Fleming, Scot Cameron, David Robinson, Briarwood Chancel Choir and the Alabama Philharmonic conducted by Clay Campbell — May 16–18, 2005 — Resmiranda
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was a popular and frequently performed work. Today it is regularly performed in
Germany and well disseminated in both of its original languages through an array of complete recordings.
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775:, Mariko Sasaki, Shogo Miyahara, Heinrich-Schütz-Chor Tokyo, Ensemble Claudio and the Symphonia Musica Poetica conducted by Yumiko Tanno — live in
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196:. The composer oversaw versions and performances in both German and English within months of completing the music in early 1836.
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and hymns, in a polyglot manner after Bach's model. Composition of the music started in 1834 and was complete in early 1836.
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Und als er auf dem Weg war; Saul! was verfolgst du mich? (And as he was on the way; Saul, why do you persecute me?)
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English translation of the German from score by
Novello, Ewer & Co Ltd, ca. 1890; with some modern corrections
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Susan
Roberts, Ruby Philogene, Glenn Siebert, Mark Beesley, the Royal Scottish National Chorus and the
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was in Boston on March 14, 1837. Mendelssohn himself conducted the first performance in
Leipzig in the
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The
Musical Quarterly, Vol. 83, No. 2 (Summer, 1999), pp. 280–291 Oxford University Press
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The work was premiered on 22 May 1836 (having been completed in April of that year) at the
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on 3 October 1836 in a translation by
Mendelssohn's friend, Karl Klingermann. Contralto
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Mendelssohn, "Paulus", and the Jews: A Response to Leon
Botstein and Michael Steinberg
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Sie aber stĂĽrmten auf ihn ein; Steiniget ihn! (Then they ran upon him; Stone him!)
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Jerusalem! Die du tötest die
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Und wie sie ausgesandt von dem heiligen Geist (I will sing of thy great mercies)
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was one of the soloists at the
English premiere. The first performance in the
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Und sie steinigten ihn; Dir, Herr, dir (And they stoned him; To thee, O Lord)
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Da aber die Juden das Volk sahen (But when the Jews; Thus saith the Lord)
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Saulus aber zerstörte die
Gemeinde (And Saul made havock of the Church)
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the manuscript's two parts are dated April 8, 1836 and April 18, 1836.
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Paulus aber und Barnabas sprachen (But Paul and Barnabas spoke freely)
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Die Menge der Gläubigen (And the many that believed were of one heart)
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Da das die Apostel hörten (Now when the Apostles; For know ye not?)
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Die Götter sind den Menschen gleich geworden (The gods themselves)
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SCENE FOUR — PERSECUTION OF PAUL BY HIS FORMER FELLOW BELIEVERS
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Und nannten Barnabas Jupiter (And they called Barnabas Jupiter)
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Der Erdkreis ist nun des Herrn (The nations are now the Lord's)
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Die Männer aber, die seine Gefährten waren (And his companions)
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Und sie alle verfolgten Paulus (And they all persecuted Paul)
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Und es war ein Mann zu Lystra (And there was a man at Lystra)
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Und zog mit einer Schar (But the Lord is mindful of his own)
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Und wenn er gleich geopfert wird (And though he be offered)
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Wie lieblich sind die Boten (How lovely are the messengers)
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Choeur Symphonique et Orchestre de la Fondation Gulbenkian
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Sei getreu bis in den Tod (Be though faithful unto death)
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Denn also hat uns der Herr geboten (For so hath the Lord)
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Mache dich auf! Werde Licht! (Arise! Let there be light!)
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Und die Zeugen legten ab ihre Kleider (And the witnesses)
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Paulus sandte hin (And Paul sent and called the elders)
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O welch eine Tiefe des Reichtums (O great is the depth)
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Und sie sahen auf ihn (And all that sat in the council)
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Dieser Mensch hört nicht auf (Now this man ceaseth not)
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Hier ist des Herren Tempel (This is the Lord's temple)
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Ich danke dir, Herr, mein Gott (I praise thee, O Lord)
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So sind wir nun Botschafter (Now we are ambassadors)
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on 16 March 1837. Numerous performances followed in
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on October 30 and November 1, 1995 — Harmonia Mundi
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Schone doch deiner selbst (Far be it from thy path)
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Siehe! wir preisen selig (Happy and blest are they)
527:Und Paulus kam (And Paul came to the congregation)
433:SCENE TWO — CONVERSION AND BAPTISM OF SAUL (PAUL)
280:solo voice: soprano, alto, tenor, 2 basses (SATBB)
484:Es war aber ein JĂĽnger (And there was a Disciple)
363:Herr! Der du bist Gott (Lord, thou alone art God)
212:, a childhood friend, compiled passages from the
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496:Und Ananias ging hin (And Ananias went his way)
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283:mixed (SATB) and either children's or women's
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614:Da ward das Volk erreget (Then the multitude)
606:36. Recitative (TB), Aria (B) & Chorus —
602:Seid uns gnädig (O be gracious, ye immortals)
71:
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1067:International Music Score Library Project
813:— November 17–19, 1994 — Hänssler Classic
675:Nicht aber ihm allein (Not only unto him)
478:Gott, sei mir gnädig (O God, have Mercy)
157:Soprano, alto, tenor and 2 bass soloists
701:, DĂĽsseldorf Musikverein Choir and the
658:Sehet, welch eine Liebe (See what love)
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650:42. Chorus & Recitative (SATB) —
372:(To God on high be thanks and praise)
1825:Fanny & Felix Mendelssohn Museum
437:12. Recitative (T) & Aria (B) —
967:Sabine Goetz, Dorothée Zimmermann,
637:SCENE FIVE — FAREWELL OF PAUL FROM
13:
1233:Denn er hat seinen Engeln befohlen
955:Deutsche Kammerphilharmonie Bremen
779:in 1993 — ALM Records ALCD 1098-99
554:28. Recitative (T) & Chorus —
543:27. Recitative & Arioso (S) —
512:SCENE THREE — MISSION OF PAUL AND
443:13. Recitative & Arioso (S) —
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757:, Gewandhaus Children's Choir,
464:Wachet auf! ruft uns die Stimme
267:During Mendelssohn's lifetime,
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1888:Oratorios by Felix Mendelssohn
1575:Four pieces for string quartet
1492:Calm Sea and Prosperous Voyage
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870:Chorus of the Collegium Vocale
709:— October 1976 — EMI Electrola
663:SCENE SIX — MARTYRDOM OF PAUL
466:(Awake, calls the voice to us)
449:14. Recitative & Chorus —
414:9. Recitative & Chorale —
244:. The English premiere was in
1:
1307:Jauchzet dem Herrn, alle Welt
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739:— July 1986 — Erato ECD 75350
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408:8. Recitative & Chorus —
396:6. Recitative & Chorus —
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1898:Oratorios based on the Bible
1820:MendelssohnKammerChor Berlin
915:BBC National Chorus of Wales
874:Orchestre des Champs-Élysées
866:Chorus of La Chapelle Royale
564:O Jesu Christe, wahres Licht
488:20. Aria (B) & Chorus —
344:
238:Lower Rhenish Music Festival
7:
1761:(mother’s side grandmother}
1717:Preludes and Fugues, Op. 35
1240:Wer bis an das Ende beharrt
1193:Die Heimkehr aus der Fremde
1127:Mendelssohn-Werkverzeichnis
991:American Symphony Orchestra
560:29. Chorus & Chorale —
507:
384:4. Recitative & Duet —
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1836:Mendelssohn is on the Roof
1830:Mendelssohn House, Leipzig
1767:(mother’s side great aunt)
1354:Festgesang an die KĂĽnstler
997:— August 9, 2009 — ASO 227
961:— September 16–19, 2005 —
941:(soprano and alto solos),
264:and in the United States.
224:, as well as the texts of
1903:German-language oratorios
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1777:Lea Mendelssohn Bartholdy
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1156:A Midsummer Night's Dream
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769:— December 1986 — Philips
707:Rafael FrĂĽhbeck de Burgos
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1333:Die erste Walpurgisnacht
1315:Mitten wir im Leben sind
1300:Lord, have mercy upon us
1200:Die Hochzeit des Camacho
1037:. Accessed 16 June 2011
929:on May 5, 2000 — Chandos
703:DĂĽsseldorfer Symphoniker
699:Dietrich Fischer-Dieskau
333:(alto, tenor and bass),
1815:Mendelssohn Scholarship
377:SCENE ONE — STONING OF
16:Oratorio by Mendelssohn
1810:Mendelssohn Foundation
644:41. Recitative (SB) —
570:30. Recitative (TB) —
72:
1765:Sara Levy (née Itzig)
1703:(Songs Without Words)
1028:Paulus Oratorium 2011
667:44. Recitative (S) —
624:39. Recitative (S) —
612:37. Recitative (S) —
594:34. Recitative (A) —
582:32. Recitative (S) —
525:24. Recitative (S) —
124:22 May 1836
115:in biblical narration
1708:Variations sérieuses
1646:Piano Quartet:
1382:13 String Symphonies
1132:List of compositions
1077:Jeffrey S. Sposato:
985:, Scott Williamson,
951:Kammerchor Stuttgart
939:MarĂa Cristina Kiehr
911:Peter Coleman-Wright
803:Prague Chamber Choir
763:Gewandhaus Orchestra
759:Leipzig Radio Chorus
751:Hans Peter Blochwitz
531:25. Duettino (TB) —
354:APPEAL AND DOXOLOGY
313:(predecessor of the
218:Acts of the Apostles
1623:for cello and piano
1534:String Quartet in E
1506:Die schöne Melusine
1286:Verleih uns Frieden
1063:St. Paul (oratorio)
878:Philippe Herreweghe
837:Chorus Musicus Köln
630:40. Cavatina (T) —
1745:great-grandfather)
1439:Violin and Strings
1179:Oedipus at Colonus
1033:2011-08-24 at the
833:Das Neue Orchester
807:Czech Philharmonic
799:Gächinger Kantorei
317:now replaced by a
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1723:Six Organ Sonatas
1701:Lieder ohne Worte
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1219:St. Paul / Paulus
1186:Die beiden Neffen
1116:Felix Mendelssohn
841:Christoph Spering
494:21. Recitative —
482:19. Recitative —
470:17. Recitative —
420:10. Recitative —
194:Felix Mendelssohn
188:), Op. 36, is an
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34:Felix Mendelssohn
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1713:Fantasie, Op. 28
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1621:Assai tranquillo
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969:Markus Brutscher
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576:31. Duet (TB) —
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476:18. Aria (B) —
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1271:Drei Motetten
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1163:Wedding March
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1016:R. Larry Todd
1014:According to
1011:
1007:
996:
995:Leon Botstein
993:conducted by
992:
988:
984:
980:
978:
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973:Klaus Mertens
970:
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957:conducted by
956:
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947:Michael Volle
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921:conducted by
920:
916:
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904:
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899:Susan Gritton
897:
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891:conducted by
890:
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808:
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784:
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781:
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765:conducted by
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737:Michel Corboz
735:conducted by
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704:
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691:Hanna Schwarz
688:
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673:45. Chorus —
672:
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656:43. Chorus —
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618:38. Chorus —
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588:33. Chorus —
587:
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536:
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519:23. Chorus —
518:
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455:15. Chorus —
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426:11. Chorus —
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367:3. Chorale —
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307:contrabassoon
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254:United States
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214:New Testament
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27:
24:
20:
1875:
1834:
1755:grandfather)
1739:Daniel Itzig
1706:
1700:
1676:String Octet
1671:Piano Sextet
1632:Piano Trio:
1620:
1605:Viola Sonata
1504:
1499:The Hebrides
1497:
1490:
1463:Two Pianos:
1420:
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1072:text at cpdl
1045:
1023:
1010:
963:Carus-Verlag
932:
858:James Taylor
825:Rainer Trost
773:Agnes Giebel
717:Rachel Yakar
712:
687:Helen Donath
674:
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409:
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397:
391:
390:5. Chorus —
385:
376:
368:
362:
361:2. Chorus —
353:
268:
266:
235:
232:Performances
203:
184:
183:
178:
177:
176:
61:
22:
1421:Reformation
1310:(Psalm 100)
1074:(in German)
1039:(in German)
943:Werner GĂĽra
907:Barry Banks
358:1. Overture
182:(in German
68:Native name
1882:Categories
1570:No. 6
1565:No. 5
1560:No. 4
1555:No. 3
1550:No. 2
1545:No. 1
1368:Orchestral
1347:Festgesang
1216:Oratorio:
1002:References
933:Saint Paul
925:— live in
903:Jean Rigby
880:— live in
829:Peter Lika
767:Kurt Masur
681:Recordings
315:ophicleide
242:DĂĽsseldorf
220:, and the
200:Background
135:DĂĽsseldorf
128:1836-05-22
1789:(sisters)
1394:Lobgesang
1278:Lobgesang
843:- 1995 -
755:Theo Adam
345:Structure
331:trombones
299:clarinets
250:Mary Shaw
246:Liverpool
168:orchestra
143:Movements
120:Performed
1855:Category
1779:(mother)
1773:(father)
1537:♭
1472:♭
1432:Concerto
1403:Scottish
1375:Symphony
1256:Psalm 42
1254:Other: "
1249:Christus
1172:Antigone
1031:Archived
987:Paul Gay
953:and the
917:and the
882:Montreux
872:and the
845:Opus 111
805:and the
761:and the
514:BARNABAS
508:Part Two
350:Part One
327:trumpets
303:bassoons
285:choruses
269:St. Paul
226:chorales
206:libretto
190:oratorio
179:St. Paul
113:St. Paul
111:Life of
108:Based on
100:Language
62:St. Paul
30:Oratorio
23:St. Paul
1787:Rebecka
1771:Abraham
1721:Organ:
1520:Chamber
1453:Piano:
1419:No. 5 (
1412:Italian
1410:No. 4 (
1401:No. 3 (
927:Cardiff
639:EPHESUS
379:STEPHEN
335:timpani
311:serpent
151:Scoring
126: (
58:English
1732:People
1444:Violin
1210:Sacred
713:Paulus
291:flutes
262:Europe
185:Paulus
103:German
73:Paulus
51:, 1834
1865:Audio
1803:Other
1795:(son)
1783:Fanny
1749:Moses
1696:Piano
1666:No. 2
1662:No. 1
1656:No. 3
1652:No. 2
1648:No. 1
1642:No. 2
1638:No. 1
1615:No. 2
1611:No. 1
1600:No. 3
1596:No. 2
1592:No. 1
1584:Other
1540:major
1484:Other
1475:major
1459:No. 2
1455:No. 1
1387:No. 1
1325:Other
1148:Stage
1141:Vocal
777:Tokyo
339:organ
323:horns
321:), 4
295:oboes
165:choir
1793:Paul
1785:and
1689:Solo
1469:in A
329:, 3
325:, 2
319:tuba
309:and
301:, 2
297:, 2
293:, 2
204:The
162:SATB
90:Text
81:Opus
240:in
222:Old
192:by
32:by
1884::
1715:–
1711:–
1705:–
1698::
1664:–
1654:–
1650:–
1640:–
1636:–
1613:–
1598:–
1594:–
1467:–
1457:–
971:,
949:,
945:,
913:,
909:,
905:,
901:,
868:,
864:,
860:,
856:,
852:,
835:,
831:,
827:,
823:,
819:,
801:,
797:,
793:,
789:,
785:,
753:,
749:,
745:,
731:,
727:,
723:,
719:,
715:—
697:,
693:,
689:,
305:,
289:2
146:45
132::
85:36
1751:(
1741:(
1423:)
1414:)
1405:)
1396:)
1342:"
1338:"
1295:"
1291:"
1258:"
1165:"
1161:"
1108:e
1101:t
1094:v
130:)
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