562:
1600:
665:
1505:
1520:
1207:
1465:
1486:
1447:
998:
1585:
509:
1194:
791:
1535:
1144:
607:(1861). This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame and reputation. Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese. He collaborated with Hendrik Leys on the series of wall paintings in the Leys Hall on the second floor of Antwerp City Hall, which depict significant moments in the history of The Netherlands.
704:
822:
893:
2828:
71:
1567:
1435:
501:. During Alma-Tadema's four years as a registered student at the academy, he won several awards. Before leaving the academy, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye, whose courses in history and historical costume he had greatly enjoyed at the academy. Although de Taeye was not an outstanding painter, Alma-Tadema respected him and became his studio assistant, working with him for three years. De Taeye introduced him to books that influenced his desire to portray
1102:
419:
1547:
872:
636:
1048:
2801:
469:, where Pieter's position as a notary would be more lucrative. His father died when Lourens was four, leaving his mother with five children: Lourens, his sister, and three boys from his father's first marriage. His mother had artistic leanings and decided that drawing lessons should be incorporated into the children's education. He received his first art training with a local drawing master hired to teach his older half-brothers.
943:
continent that lasted five and a half months and took them through
Brussels, Germany, and Italy. In Italy Alma-Tadema was able to take in the ancient ruins again; this time he purchased several photographs, mostly of the ruins, which began his immense collection of archival material used in the completion of future paintings. In January 1876, he rented a studio in Rome. The family returned to London in April, visiting the
2847:
411:
611:
1239:. For over sixty years, he gave his audience exactly what they wanted: distinctive, elaborate paintings of beautiful people in classical settings. His detailed reconstructions of ancient Rome, with languid men and women posed against white marble in dazzling sunlight, provided his audience with a glimpse of an exotic world of titillating luxury and intimate drama.
1376:(1904). The initial purchaser had paid £5,250 in 1904, and subsequent sales were for £861 in 1935, £265 in 1942, and it was "bought in" at £252 in 1960 (having failed to meet its reserve). But when the same picture was auctioned at Christies New York in May 1995, it sold for £1.75 million. On 4 November 2010 it sold for $ 35,922,500 to an undisclosed bidder at
1247:£3,000 in the 1880s, but at least three works sold for between £5,250 and £6,060 in the 1900s. Prices held well until the general collapse of the market for Victorian art in the early 1920s, when they fell to the hundreds, where they remained until the 1960s; by 1969 £4,600 had been reached again (equivalent to about £700 in 1900, adjusted for inflation).
1202:, 1904, oil on canvas, 137.7 × 213.4 cm, private collection. It includes a number of archaeologically precise objects and inscriptions, the results of Tadema's diligent research. After Tadema spent two years working on the painting, his wife pointed out wryly that the infant Moses was now a toddler, and need no longer be carried.
839:
now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (
1599:
973:
In 1883 he returned to Rome and
Pompeii, where further excavations had taken place since his last visit. He spent a significant amount of time studying the site, going there daily. These excursions gave him an ample source of subject matter as he began to further his knowledge of daily Roman life. At
838:
With his small daughters and sister Artje, Alma-Tadema arrived in London at the beginning of
September 1870. The painter wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was
769:
During the summer Tadema himself began to suffer from a medical problem which doctors in
Brussels were unable to diagnose. Gambart eventually advised him to go to England for another medical opinion. Soon after his arrival in London in December 1869, Alma-Tadema was invited to the home of the painter
765:
at
Schaerbeek in Belgium, aged 32. Her death left Tadema disconsolate and depressed. He ceased painting for nearly four months. His sister Artje, who lived with the family, helped with the two daughters then aged five and two. Artje took over the role of housekeeper and remained with the family until
1169:
Alma-Tadema was a perfectionist, repeatedly reworking parts of paintings until he found them satisfactory. One story relates that after one of his paintings was rejected, he gave the canvas to a maid for a table cover. He was sensitive to every detail and architectural line in his settings. He would
1110:
influenced his paintings, as he often incorporated some of his furniture designs and female costumes into the composition. Through his last period of creativity Alma-Tadema continued to produce paintings which repeated the successful formula of women on marble terraces overlooking the sea such as in
1109:
During this time, Alma-Tadema was very active with theatre design and production, designing many costumes. He also began to design furniture, often modelled after
Pompeian or Egyptian motifs, as well as illustrations, textiles, and picture frames. In late 1902 he visited Egypt. These other interests
817:
in July 1870 encouraged Alma-Tadema to leave the continent and move to London. His infatuation with Laura Epps played a great part in his relocation to
England and in addition Gambart felt that the move would be advantageous to the artist's career. In stating his reasons for the move, Tadema simply
1297:
Only since the 1960s has Alma-Tadema's work been rediscovered for its historical importance in the evolution of
English art. He is now regarded by art historians as one of the principal classical-subject painters of the nineteenth century, whose works demonstrate the care and exactitude of an era
1367:, was a collector of Alma-Tadema paintings during the 20th century nadir of the artist's reputation; in a few years he bought 35 works, about ten per cent of Alma-Tadema's output. After Funt was robbed by his accountant, he was forced to sell his collection at Sotheby's London in November 1973.
1068:
He has been said to have had most of the characteristics of a child, coupled with the traits of a consummate professional. A perfectionist, he remained in all respects a diligent, if somewhat obsessive and pedantic worker. He was an excellent businessman, and one of the wealthiest artists of the
1246:
for prints were often worth more than the canvas. For example, a painting together with its rights may have been sold to
Gambart for £10,000 in 1874; then in 1903, when Alma-Tadema's prices were actually higher, it was sold again without rights for £2,625. Typical prices were between £2,000 and
942:
created (the legal process has theoretically not yet been abolished in the United
Kingdom), with some limited special rights otherwise only accorded to and enjoyed by British subjects (that is, those would now be called British citizens). The previous year he and his wife made a journey on the
1064:
For all the quiet charm and erudition of his paintings, Alma-Tadema himself preserved a youthful sense of mischief. He was childlike in his practical jokes and in his sudden bursts of bad temper, which could as suddenly subside into an engaging smile. In his personal life, Alma-Tadema was an
818:
said "I lost my first wife, a French lady with whom I married in 1863, in 1869. Having always had a great predilection for London, the only place where, up till then my work had met with buyers, I decided to leave the continent and go to settle in England, where I have found a true home."
1077:
Alma-Tadema's output decreased with time, partly on account of health, but also because of his obsession with decorating his new home, to which he moved in 1883. Nevertheless, he continued to exhibit throughout the 1880s and 1890s, receiving accolades including the medal of Honour at the
1662:, although the details depicted in the painting do not correspond to any single Roman festival. It is one of Tadema's most famous and popular works, it took him four years to complete. The models for many of the participants and spectators were Tadema's friends and members of his family.
1158:
Alma-Tadema's works are remarkable for their depiction of flowers, textures and hard reflecting substances like metals, pottery, and especially marble (leading to the nickname 'marbellous painter'). His work shows much of the fine execution and brilliant colour of the old Dutch masters.
730:. This, his first visit to Italy, developed his interest in depicting the life of ancient Greece and Rome, especially the latter since he found new inspiration in the ruins of Pompeii, which fascinated him and would inspire much of his work in the coming decades. There he met
908:
After his arrival in England, where he was to spend the rest of his life, Alma-Tadema's career was one of continued success. He became one of the most famous and highly paid artists of his time, acknowledged and rewarded. By 1871 he had met and befriended most of the major
581:, of which a number of preparatory drawings that were once in Gosse's possession survive to this day. These paintings were either never executed, or else destroyed, as during his student years Alma-Tadema frequently destroyed or painted over works that he was unhappy with.
754:(1865). The dealer, recognising at once the unusual gifts of the young painter, gave him an order for twenty-four pictures and arranged for three of Tadema's paintings to be shown in London. In 1865, Tadema relocated to Brussels where he was named a knight of the
590:“Where else should I have begun as soon as I had become acquainted with the life of the ancients? The first thing a child learns of ancient history is about the court of Pharaoh; and if we go back to the source of art and science, must we not return to Egypt?”
1154:. An example of Alma-Tadema's contrasting gleaming white marble against a backdrop of dazzling blue Mediterranean sea. The artist obliterated the middle-ground, and the foreground is abruptly juxtaposed with the distant horizon, creating a dramatic effect.
561:
684:. Nothing is known of their meeting and little of Pauline herself, as Alma-Tadema never spoke about her after her death in 1869. Her image appears in a number of oils, though he painted her portrait only three times, the most notable appearing in
543:(Opus X), painted in 1858. Originally a large processional painting in an architectural setting, it was later cut down to a smaller scale to show only three figures; this reduced painting is now in the Johannesburg Art Gallery. Another section of
3348:
903:
City Museum and Art Gallery. Alma-Tadema's female figures have a slightly bored pleasure-seeking attitude, as if they were pampered courtesans. There is little action in Alma-Tadema's paintings. The composition is balanced by the flowers in
1485:
462:, and the third child of Hinke Dirks Brouwer (1800–1863). His father had three sons from a previous marriage. His parents' first child died young, and the second was Artje (1834–1876), Lourens' sister, for whom he had great affection.
1065:
extrovert and had a warm personality. As a man, Lawrence Alma-Tadema was a robust, fun loving and rather portly gentleman. There was not a hint of the delicate artist about him; he was a cheerful lover of wine, women, and parties.
1185:, who incorporated classical motifs, as well as Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. Like Alma-Tadema, they also employ coded imagery to suggest hidden meanings.
862:
into his surname so that he appeared at the beginning of exhibition catalogues, under "A" rather than under "T". He did not actually hyphenate his last name, but it was done by others and this has since become the convention.
742:
before they faded from exposure. He would consult Discanno a number of times before Discanno's death in 1907 to ensure his paintings of antiquity would reflect the lifestyle of residents of the Greco-Roman world accurately.
1301:
Alma-Tadema's highly detailed depictions of Roman life and architecture, based on meticulous archaeological research, led Hollywood directors to his paintings as models for their cinematic ancient world, in films such as
476:
and given only a short time to live, he was allowed to spend his remaining days at his leisure, drawing and painting. Left to his own devices, he regained his health and decided to pursue a career as an artist.
1504:
1404:
618:
Alma-Tadema took this criticism very seriously, and it led him to improve his technique and to become the world's foremost painter of marble and variegated granite. Despite any reproaches from his master,
1519:
594:
Several of his early Egyptian paintings contain precise depictions of objects and settings, which reflect the artist's close study of an important reference book of his era: Sir John Gardner Wilkinson's
843:(1887) being a notable example). This second marriage was enduring and happy, though childless, and Laura became stepmother to Anna and Laurence. Anna became a painter and Laurence became a novelist.
623:
was well received by critics and artists alike and was eventually purchased and subsequently given to King Leopold of Belgium. In 1860 he befriended the Anglo-Dutch Dommersen family of artists in
1357:
mounted the first show of Alma-Tadema's work in fifty years, and by the late 1960s, the revival of interest in Victorian painting gained impetus with a number of well-attended exhibitions.
557:“As the first of a series of Egyptian pictures, some of which are to be counted among the highest expressions of Alma-Tadema’s genius, The Unfavourable Oracle is a work of great interest.”
1166:
in London. He also took many images from books and amassed an enormous number of photographs from ancient sites in Italy, which he used to achieve the most precise detail in his painting.
1123:
On 15 August 1909 Alma-Tadema's wife, Laura, died at the age of fifty-seven. The grief-stricken widower outlived his second wife by less than three years. His last major composition was
958:(1876). When an admirer of the painting offered to pay a substantial sum for a painting with a similar subject, Alma-Tadema simply turned the emperor around to show him leaving, in
2414:
1464:
1434:
1002:
1346:
653:
subjects were the painter's favourites up to the mid-1860s. However Merovingian subjects did not have a wide international appeal, so he switched to themes of life in ancient
916:
In 1872 Alma-Tadema organised his paintings into an identification system by including an opus number under his signature and assigning his earlier pictures numbers as well.
599:, published in 1837. Alma-Tadema left Taeye's studio in November 1858 returning to Leeuwarden before settling in Antwerp, where he began working with the painter Baron
3897:
2786:
1174:, rushing to paint the flowers before they withered. His commitment to veracity earned him recognition, but also led some critics to accuse him of pedantry.
3937:
3020:
1446:
880:(1888), oil on canvas, 132.1 × 213.7 cm, private collection. As it was painted during the winter, Tadema arranged to have roses sent weekly from the
3661:
389:
sea and sky. One of the most popular Victorian painters, Alma-Tadema was admired during his lifetime for his draftsmanship and accurate depictions of
1338:
described how the director would spread out prints of Alma-Tadema paintings to guide his set designers. The design of the Oscar-winning Roman epic
1035:(1899). Although Alma-Tadema's fame rests on his paintings set in antiquity, he also painted portraits, landscapes and watercolours, and made some
750:, the most influential print publisher and art dealer of the period. Gambart was highly impressed with the work of Tadema, who was then painting
584:
As the artist's contemporary biographer Percy Cross Standing noted of Lawrence Alma-Tadema's early paintings of Egyptian subjects in particular,
472:
It was intended that the boy would become a lawyer; but in 1851 at the age of fifteen he suffered a physical and mental breakdown. Diagnosed as
3832:
2884:
1534:
1162:
From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often painting objects from museums, such as the
994:. The blossoms depicted were sent weekly to the artist's London studio from the French Riviera for four months during the winter of 1887–1888.
664:
3540:
531:
De Taeye’s greatest influence on his young pupil was his interest in ancient civilisations, particularly the Egyptians, first displayed in
505:
subjects early in his career. He was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known.
2309:
3932:
1372:
1198:
1116:
913:
painters and it was in part due to their influence that the artist brightened his palette, varied his hues, and lightened his brushwork.
3947:
1235:
Alma-Tadema was one of the most popular painters of the Victorian era, and among the most financially successful, though never matching
3957:
3952:
3862:
3200:
1650:
The painting relates the Victorian custom of children collecting flowers on May Day back to an Ancient Roman spring festival, perhaps
3652:
1090:
in England, only the eighth artist from the Continent to receive this honour. He assisted with organizing the British section at the
661:. In 1862 Alma-Tadema left Leys's studio and started his own career, establishing himself as a significant classical-subject artist.
586:“So careful at all times about detail, he took extraordinary care in the preparation of his preliminary sketches for these pictures.”
1566:
1399:, describes it as an "exquisitely painted picture... carries a strong erotic charge, rare for a Victorian painting of the nude". A
1131:, Germany, to be treated for stomach ulcers. He died there on 28 June 1912 at the age of seventy-six. He was buried in the crypt of
3962:
3479:
3013:
2075:
658:
17:
3575:
3533:
1584:
1206:
2515:
2492:
3892:
3847:
3837:
393:, but his work fell out of fashion after his death, and only since the 1960s has it been appreciated for its importance within
2679:
2619:
2602:
1850:
1546:
1267:
1290:
declared him "the worst painter of the 19th century", and one critic considered his paintings "about worthy enough to adorn
680:, to Marie-Pauline Gressin-Dumoulin de Boisgirard, the daughter of Eugène Gressin-Dumoulin, a French journalist living near
603:, whose studio was one of the most highly regarded in Belgium. Under his guidance Alma-Tadema painted his first major work:
3917:
3842:
2383:
928:
486:
371:
2779:
3006:
2737:
931:
1082:, election to an honorary membership of the Oxford University Dramatic Society in 1890, and the Great Gold Medal at the
3927:
3341:
2948:
2877:
2221:
1282:.' His artistic legacy almost vanished. As the taste of the public and the artistic elite turned to twentieth-century
3369:
2701:
2687:
2644:
2627:
2454:
1177:
Alma-Tadema's work has been linked with that of European Symbolist painters. He influenced European painters such as
106:
3032:
1330:
569:, showing Alma-Tadema's early interest in Ancient Egypt as well as his attention to detail and historical accuracy.
974:
times, however, he integrated so many objects into his paintings that some said they resembled museum catalogues.
3632:
2718:
547:
was modified by the artist ten years later, in 1869, and exhibited at the Royal Academy in 1871 under the title
3922:
3907:
3902:
3857:
3774:
3588:
3520:
3397:
1344:(2000) took its main inspiration from his paintings, as well as that of the interior of Cair Paravel castle in
1298:
mesmerised by trying to visualise the past, some of which was being recovered through archaeological research.
2537:
3912:
3561:
3390:
2870:
1095:
1091:
1083:
1079:
1114:(1903). Between 1903 and his death, Alma-Tadema painted less but still produced ambitious paintings such as
3877:
3867:
3270:
3195:
2762:
2562:
1294:
boxes". After this brief period of condemnation, he was consigned to obscurity for the next half century.
990:(Heliogabalus), the painting depicts the emperor suffocating his guests at an orgy under a cascade of rose
826:
700:(1867–1943), both had artistic leanings: the former in literature, the latter in art. Neither would marry.
274:
52:
2748:
527:, is shown training her three young children the art of hurling the axe to avenge the death of her father.
3967:
3942:
3872:
3285:
3210:
3029:
2981:
2749:
Lourens Alma Tadema artworks (paintings, watercolours, drawings), biography, information and signatures
1440:
The etcher and printmaker Léopold Lowenstam (1842–1898), a friend and colleague of Lawrence Alma-Tadema
1423:
holds several archive collections relating to Alma-Tadema, including letters, artwork and photography.
1396:
755:
508:
3887:
3882:
3597:
3220:
2966:
2932:
2811:
2753:
2293:
An Exhibition to Commemorate the 50th Anniversary of the Death of Sir Lawrence Alma-Tadema, 1836–1912
1370:
In 1960, the Newman Gallery was unable to sell, or even give away, one of his most celebrated works,
1069:
nineteenth century. Alma-Tadema was as firm in money matters as he was with the quality of his work.
979:
876:
775:
288:
262:
206:
60:
1094:, as well as exhibiting two works that earned him the Grand Prix Diploma. He also assisted with the
3582:
3547:
3486:
3439:
3411:
3383:
3068:
3063:
1420:
385:, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue
1193:
1127:(1912). In the summer of 1912, Alma-Tadema was accompanied by his daughter Anna to Kaiserhof Spa,
688:(1867). The couple had three children. Their eldest and only son lived only a few months dying of
3767:
3708:
3472:
3295:
3280:
3275:
3145:
3135:
1612:
997:
600:
458:
came from his godfather. He was the sixth child of Pieter Jiltes Tadema (1797–1840), the village
3639:
3526:
3465:
3349:
A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
3305:
3180:
3140:
3053:
2431:
2400:
1496:
1151:
1132:
924:, opus CCCCVIII. Such a system made it more difficult for fakes to be passed off as originals.
798:
2076:"Sir Lawrence Alma-Tadema: Preparation in the Coliseum (1912) | Vivat! Crescat! Floreat!"
790:
377:
A painter of mostly classical subjects, he became famous for his depictions of the luxury and
3852:
3750:
3514:
3507:
3425:
3418:
3130:
2924:
2213:
1908:
1607:
1553:
1340:
1320:
1143:
963:
831:
738:
to reproduce the brightly painted frescoes being uncovered in the excavations of Pompeii and
2205:
1969:
Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists
3827:
3822:
3185:
3150:
3048:
2971:
2916:
1626:
1456:
1236:
693:
614:
Early uncredited work by Alma Tadema, collaborating with Hendrik Leys at Antwerp City Hall
239:
31:
8:
3790:
3568:
3500:
3452:
3355:
3300:
3105:
3043:
2998:
2856:
2201:
1558:
1314:
1220:
948:
814:
779:
703:
573:
The artist planned two other Egyptian-themed paintings in the years 1857 and 1858, named
502:
390:
2773:
2728:
1615:. In his portraits he employed psychological realism to reveal the sitter's personality.
374:, Belgium, he settled in London, England in 1870 and spent the rest of his life there.
3625:
3376:
3334:
3225:
3165:
3125:
3100:
2908:
2768:
2732:
2652:
Catull in Bild und Ton – Untersuchungen zur Catull-Rezeption in Malerei und Komposition
2187:
1576:
1308:
1251:
1228:
1211:
821:
516:
394:
1981:
920:, painted in 1851, is numbered opus I, while two months before his death he completed
892:
3798:
3604:
3554:
3362:
3215:
3190:
2940:
2697:
2683:
2675:
2658:
2640:
2623:
2615:
2598:
2450:
2422:
2391:
2217:
2206:
1964:
1846:
1408:
1052:
1023:
967:
966:. Three years later, a major retrospective of his entire oeuvre was organised at the
938:
made Alma-Tadema and his wife what are still up to the present time the last British
735:
677:
386:
281:
257:
56:
3678:
3432:
3250:
3240:
3155:
3120:
3115:
3110:
2976:
2832:
1762:. London, Paris, New York, Melbourne, Cassell and Company, limited. pp. 33–34.
1325:
1101:
1006:
771:
731:
697:
641:
295:
243:
676:
On 3 January 1863 his invalid mother died, and on 24 September he was married, in
418:
3782:
3761:
3683:
3646:
3404:
3260:
3160:
3058:
2986:
2810:
2806:
2790:
2670:
2651:
2632:
1354:
1335:
1291:
1182:
1087:
70:
3611:
3265:
3205:
3073:
2275:
1477:
1303:
1263:
1163:
935:
910:
881:
747:
498:
359:
350:
253:
3816:
3718:
3713:
3493:
3446:
3255:
3245:
3175:
2757:
1380:
New York, a new record for any Victorian artist. On 5 May 2011, the painting
1363:
984:
672:": A portrait of the artist's daughters, Anna and Laurense Alma-Tadema (1873)
128:
2663:
The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960
871:
3756:
3733:
3723:
3698:
3618:
3290:
3170:
2794:
2305:
1377:
1178:
1057:
552:
473:
382:
355:
162:
1270:
wrote, 'it is impossible to reconcile the art of Alma-Tadema with that of
3728:
3703:
3693:
3458:
3235:
3230:
2824:(eleventh ed.). London: George Routledge & Sons. pp. 28–30.
2607:
2590:
2183:
1492:
1400:
1287:
944:
739:
650:
635:
588:
When asked why he had chosen to paint Egyptian themes, Alma-Tadema said:
439:
410:
3688:
2862:
1659:
1358:
1170:
often paint from life, using fresh flowers from across Europe and even
987:
939:
802:
466:
447:
363:
143:
2671:
Alma-Tadema: The Painter of the Victorian Vision of the Ancient World
2470:
1471:
1283:
1243:
1128:
1047:
435:
378:
124:
102:
830:
by J. P. Mayall from Artists at Home, photogravure, published 1884,
2841:
2837:
1655:
1651:
762:
715:
689:
681:
524:
520:
2800:
2852:
1279:
1275:
1271:
1255:
1224:
1036:
947:
on their way back. In London he regularly met with fellow-artist
900:
806:
727:
624:
494:
490:
431:
430:
Lourens Alma Tadema was born on 8 January 1836 in the village of
423:
367:
98:
954:
Among the most important of his pictures during this period was
734:, an Italian painter who had been commissioned by archaeologist
2722:
1491:
Flower market in Roman times, with a cactus and two agaves (an
1259:
1216:
1171:
1003:
The Bible and Its Story, Taught By One Thousand Picture Lessons
723:
459:
2280:
The Chronicles of Narnia:The Lion, the Witch and the Wardrobe
1971:, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.227–8
2817:
2742:
991:
885:
654:
646:(1865), oil on wood, 39.8 × 55.8 cm. Private collection.
610:
983:(1888) – based on an episode from the life of the debauched
2793:
A video discussion about the painting from Smarthistory at
1039:
himself. (Many more were made of his paintings by others).
761:
On 28 May 1869, after years of ill health, Pauline died of
719:
333:
327:
310:
3028:
321:
301:
43:
2038:. No. 36929. London. 19 November 1902. p. 10.
1747:. Paris: Librairie d’Art | Ludovic Baschet. p. 78.
1361:, the creator and host of the American television show
535:, begun in 1859 but later destroyed by the artist, and
2316:. New London. New York Times News Service. pp. B8
465:
The Tadema family moved in 1838 to the nearby city of
1250:
The last years of Alma-Tadema's life saw the rise of
2310:"Robert Isaacson, 71: Dealer in French, English Art"
1056:(1894), oil on canvas,179.2 × 80.3 cm, J. Paul
497:
where he studied early Dutch and Flemish art, under
324:
318:
304:
3662:
I Am Half-Sick of Shadows, Said the Lady of Shalott
1105:
Alma-Tadema standing next to a portrait bust of him
330:
315:
307:
298:
2236:Reitlinger, 243–244, also Vol III, 31–32 for 1960s
805:, a curvaceous beauty takes her rest. She holds a
714:Alma-Tadema and his wife spent their honeymoon in
2516:"James Tissot's house at St. John's Wood, London"
2445:Treuherz, Julian (2006). Stephen Farthing (ed.).
1958:
1495:, as they are originally American plants), 1868,
834:, National Gallery of Art Library, Washington, DC
3814:
422:Lourens Alma Tadema's birth house and statue in
2449:. London: Quintet Publishing Ltd. p. 492.
1407:commemorates Alma-Tadema at 44 Grove End Road,
1384:was sold at the same house for $ 29.2 million.
884:for four months to ensure the accuracy of each
3898:Recipients of the Pour le Mérite (civil class)
1540:Music cabinet designed by Alma-Tadema, 1884–85
1528:(1879), Aberdeen Archives, Gallery and Museums
1513:(1872), Aberdeen Archives, Gallery and Museums
1411:, his home from 1886 until his death in 1912.
1395:. Julian Treuherz, Keeper of Art Galleries at
1286:, it became fashionable to denouce his style.
1013:Among Alma-Tadema's works of this period are:
597:“The Manners and Customs of Ancient Egyptians”
3014:
2878:
2708:in this book is printed the wrong way round!)
2493:"ALMA-TADEMA, SIR LAWRENCE, O.M. (1836–1912)"
2244:
2242:
2152:
2150:
2148:
2095:
2093:
1188:
2719:62 artworks by or after Lawrence Alma-Tadema
2304:
1877:
1875:
1784:
1782:
1611:, 1891, Oil on canvas, 45.7 × 58.4 cm,
1266:, all of which he disapproved. As his pupil
1084:International Exposition in Brussels of 1897
549:The Grand Chamberlain to Sesostris the Great
515:(1861), oil on canvas, 127 × 176.8 cm,
177:Marie-Pauline Gressin-Dumoulin de Boisgirard
3938:Royal Academy of Fine Arts (Antwerp) alumni
2765:in the collection of the Walters Art Museum
2682:; Charles Scribner's Sons, New York, 1977,
2208:Oxford Illustrated Encyclopedia of the Arts
2106:
1988:
1712:
1710:
1708:
1694:
1692:
1684:BBC Pronouncing Dictionary of British Names
778:, who was seventeen years old, and fell in
3201:Louisa Beresford, Marchioness of Waterford
3021:
3007:
2885:
2871:
2447:1001 Paintings You Must See Before You Die
2354:
2341:
2328:
2295:. New York: Robert Isaacson Gallery, 1962.
2255:
2239:
2163:
2145:
2119:
2090:
2055:
2042:
2014:
2001:
1974:
1932:
1859:
1808:
1723:
1393:1001 Paintings You Must See Before You Die
1382:The Meeting of Antony and Cleopatra: 41 BC
1150:, 1903, oil on wood, 69.1 × 42.2 cm,
970:in London, including 185 of his pictures.
962:. On 19 June 1879, Alma-Tadema was made a
362:, becoming the last officially recognised
69:
2816:
1945:
1888:
1872:
1821:
1779:
1745:Illustrated biographies of modern artists
1632:
1219:and her companions listening as the poet
854:and later used the more English spelling
846:In England he initially adopted the name
450:, meaning 'son of Tade', while the names
191:
3480:The Finding of the Saviour in the Temple
2892:
2513:
2444:
2286:
2212:. US: Oxford University Press. pp.
1795:
1766:
1757:
1705:
1689:
1205:
1192:
1142:
1100:
1046:
996:
891:
870:
820:
789:
702:
663:
634:
609:
560:
507:
417:
409:
2967:Laura Theresa Alma-Tadema (second wife)
2859:, with 11 library catalogue records
2622:; Harry N. Abrams Inc. New York, 1990,
2597:, Shire Publications, Aylesbury, 1973,
2200:
1841:Vinella, Pasquale Roberto (July 2021).
1840:
899:(1893), oil on panel, 45 × 63 cm,
858:for his forename. He also incorporated
797:(1881), oil on panel, 24 × 33 cm.
621:The Education of the Children of Clovis
605:The Education of the children of Clovis
513:The Education of the Children of Clovis
354:; 8 January 1836 – 25 June 1912) was a
222:
14:
3815:
2829:Works by or about Lawrence Alma-Tadema
2805:
2485:
1474:by the Deathbed of Bishop Praetextatus
1457:Aberdeen Archives, Gallery and Museums
1001:One of Alma-Tadema's contributions to
801:, Port Sunlight. Lounging next to the
746:During the summer of 1864, Tadema met
370:, the Netherlands, and trained at the
27:Dutch-born British painter (1836–1912)
3833:Dutch emigrants to the United Kingdom
3002:
2866:
2743:218 works by Sir Lawrence Alma-Tadema
1843:Geremia Discanno il pittore di Pompei
1742:
349:
3377:Our English Coasts ('Strayed Sheep')
2665:, Barrie and Rockliffe, London, 1961
1419:The Cadbury Research Library at the
1391:(1881) is included in the 2006 book
1092:1900 Exposition Universelle in Paris
1080:Paris Exposition Universelle of 1889
977:One of his most famous paintings is
866:
2696:, Thunder Bay Press, Canada, 2001,
2514:Paquette, Lucy (9 September 2013).
2078:. Vcrfl.wordpress.com. 4 March 2012
1919:
1845:. Barletta, Italy: Editrice Rotas.
1834:
1760:Sir Lawrence Alma-Tadema, O.M., R.A
195:
24:
3933:Recipients of the Royal Gold Medal
3342:Christ in the House of His Parents
2471:"Lawrence Alma-Tadema blue plaque"
1743:Dumas, François Guillaume (1882).
785:
551:. Of the large original painting,
480:
351:[ˈlʌurənsˈɑlmaːˈtaːdəˌmaː]
25:
3979:
3958:20th-century British male artists
3953:19th-century British male artists
3863:British people of Frisian descent
3541:King Cophetua and the Beggar Maid
2763:Works by Sir Lawrence Alma-Tadema
2712:
2674:, Ash & Grant, London, 1977,
1915:. Vol. 59. 1907. p. 35.
358:painter who later settled in the
2845:
2799:
2614:, Pavilion Books, London, 1989,
2518:. /thehammocknovel.wordpress.com
1598:
1583:
1565:
1545:
1533:
1518:
1503:
1484:
1463:
1445:
1433:
414:Signature of Lourens Alma-Tadema
294:
3963:19th-century Dutch male artists
2972:Laurence Alma-Tadema (daughter)
2563:"UoB Calmview5: Search results"
2555:
2538:"UoB Calmview5: Search results"
2530:
2507:
2463:
2438:
2407:
2376:
2367:
2298:
2268:
2230:
2194:
2176:
2132:
2068:
2027:
1901:
1644:
832:Department of Image Collections
218:
187:
3948:Burials at St Paul's Cathedral
3521:Pygmalion and the Image series
2769:Alma-Tadema at MuseumSyndicate
2738:Global Gallery Bio & Works
1758:Standing, Percy Cross (1905).
1751:
1736:
1676:
1098:, where he was well received.
1096:St. Louis World's Fair of 1904
1072:
1042:
630:
221: 1871; died
13:
1:
3893:Members of the Order of Merit
3848:20th-century British painters
3838:19th-century British painters
3391:Paolo and Francesca da Rimini
2838:Works by Lawrence Alma-Tadema
2812:"Alma-Tadema, Lawrence"
2729:Works by Lawrence Alma-Tadema
1669:
1353:In 1962, New York art dealer
1324:(1934). The most notable was
1215:, completed in 1881, depicts
405:
3271:John Roddam Spencer Stanhope
3196:Robert Braithwaite Martineau
2415:"Sotheby's – Page Not Found"
2384:"Sotheby's – Page Not Found"
1242:As with other painters, the
1227:, on the island of Lesbos. (
922:Preparations in the Coliseum
918:Portrait of my sister, Artje
780:love with her at first sight
400:
30:For the English writer, see
7:
3918:People of the Victorian era
3843:19th-century Dutch painters
2977:Anna Alma-Tadema (daughter)
2844:(public domain audiobooks)
2704:(NOTE: the illustration of
2639:, Phaidon Press Inc, 2001,
1620:
1414:
1125:Preparation in the Coliseum
10:
3984:
3286:Algernon Charles Swinburne
3030:Pre-Raphaelite Brotherhood
2982:Pre-Raphaelite Brotherhood
2584:
1426:
1397:National Museums Liverpool
1189:Reputation and sale prices
29:
3928:People from Menaldumadeel
3742:
3671:
3598:The Roses of Heliogabalus
3314:
3221:Valentine Cameron Prinsep
3082:
3039:
2959:
2933:The Roses of Heliogabalus
2900:
2706:The Roses of Heliogabalus
2430:Cite uses generic title (
2399:Cite uses generic title (
980:The Roses of Heliogabalus
877:The Roses of Heliogabalus
263:Royal Watercolour Society
249:
235:
168:
158:
150:
135:
113:
80:
68:
41:
3583:The Legend of Briar Rose
3412:The Awakening Conscience
3069:Frederic George Stephens
3064:William Michael Rossetti
2612:Sir Lawrence Alma-Tadema
1927:Sir Lawrence Alma-Tadema
1686:(Oxford UP, 1971), p. 4.
1637:
1421:University of Birmingham
1347:The Chronicles of Narnia
1138:
956:An Audience at Agrippa's
565:Preparatory studies for
553:Sir Edmund William Gosse
372:Royal Academy of Antwerp
271:Sir Lawrence Alma-Tadema
18:Sir Lawrence Alma-Tadema
3768:Rossetti and His Circle
3709:Marie Spartali Stillman
3296:John William Waterhouse
3281:John Melhuish Strudwick
3276:Marie Spartali Stillman
3146:Charles Allston Collins
2668:Swanson, Vern G :
1965:Quoted on Tate website:
1613:National Museum, Warsaw
1573:A Dedication to Bacchus
766:1873 when she married.
692:. Their two daughters,
601:Jan August Hendrik Leys
541:The Unfavourable Oracle
485:In 1852 he entered the
3370:The Light of the World
3306:William Lindsay Windus
3054:Dante Gabriel Rossetti
2789:22 August 2013 at the
2692:Swinglehurst, Edmund:
2140:Catull in Bild und Ton
1982:"Emil Fuchs 1866–1929"
1633:References and sources
1497:Manchester Art Gallery
1334:(1956): its co-writer
1232:
1203:
1155:
1152:Manchester Art Gallery
1106:
1061:
1033:The Baths of Caracalla
1010:
905:
889:
835:
810:
799:Lady Lever Art Gallery
752:Egyptian Chess Players
711:
673:
647:
615:
570:
528:
427:
415:
3923:People from Waadhoeke
3908:Neo-Pompeian painters
3903:Mythological painters
3858:British male painters
3515:A Vision of Fiammetta
3419:The Hireling Shepherd
3131:Georgiana Burne-Jones
2925:The Women of Amphissa
2655:, WBG, Darmstadt 2021
1608:Ignacy Jan Paderewski
1554:The Women of Amphissa
1209:
1196:
1146:
1104:
1050:
1000:
895:
874:
841:The Women of Amphissa
824:
793:
706:
667:
638:
613:
564:
511:
421:
413:
3913:Orientalist painters
3633:Hylas and the Nymphs
3186:Edward Robert Hughes
3151:Frank Cadogan Cowper
3096:Lawrence Alma-Tadema
3049:John Everett Millais
2949:The Finding of Moses
2917:A Reading from Homer
2894:Lawrence Alma-Tadema
2853:Lawrence Alma-Tadema
2694:Lawrence Alma-Tadema
2637:Lawrence Alma-Tadema
2308:(19 November 1998).
2263:Lawrence Alma-Tadema
2202:Norwich, John Julius
2184:"Sappho and Alcaeus"
2158:Lawrence Alma-Tadema
2101:Lawrence Alma-Tadema
2063:Lawrence Alma-Tadema
2050:Lawrence Alma-Tadema
1953:Lawrence Alma-Tadema
1896:Lawrence Alma-Tadema
1883:Lawrence Alma-Tadema
1829:Lawrence Alma-Tadema
1803:Lawrence Alma-Tadema
1774:Lawrence Alma-Tadema
1718:Lawrence Alma-Tadema
1627:John William Godward
1373:The Finding of Moses
1331:The Ten Commandments
1237:Edwin Henry Landseer
1199:The Finding of Moses
1117:The Finding of Moses
1009:return to his people
848:Laurence Alma Tadema
827:Lawrence Alma-Tadema
813:The outbreak of the
438:in the north of the
240:Laurence Alma-Tadema
194:; died
48:Lawrence Alma-Tadema
32:Laurence Alma-Tadema
3878:Dutch male painters
3868:British printmakers
3792:Desperate Romantics
3654:The Lady of Shalott
3590:The Lady of Shalott
3534:Cymon and Iphigenia
3501:The Shadow of Death
3453:Oxford Union murals
3398:The Last of England
3356:Ecce Ancilla Domini
3301:William James Webbe
3044:William Holman Hunt
2857:Library of Congress
2776:in "History of Art"
2567:calmview.bham.ac.uk
2542:calmview.bham.ac.uk
2373:Reitlinger, 243–244
1591:An Eloquent Silence
1559:Clark Art Institute
1244:reproduction rights
1221:Alcaeus of Mytilene
1133:St Paul's Cathedral
1015:An Earthly Paradise
852:Lourens Alma Tadema
815:Franco-Prussian War
579:The Contrary Oracle
575:Going to the Oracle
567:The Contrary Oracle
533:The Dying Cleopatra
434:in the province of
391:Classical antiquity
343:Lourens Alma Tadema
85:Lourens Alma Tadema
75:Alma-Tadema in 1870
3968:Alma-Tadema family
3943:Royal Academicians
3562:Dante and Beatrice
3226:Christina Rossetti
3166:Henry Treffry Dunn
3126:Edward Burne-Jones
3101:George Price Boyce
2909:Sappho and Alcaeus
2782:Listening to Homer
2754:Painting Locations
2745:at alma-tadema.org
2733:Art Renewal Center
2659:Reitlinger, Gerald
2649:Calinski, Tobias:
2495:. English Heritage
2188:Walters Art Museum
2034:"Court Circular".
1577:Kunsthalle Hamburg
1403:unveiled in 1975.
1252:Post-Impressionism
1233:
1229:Walters Art Museum
1212:Sappho and Alcaeus
1204:
1156:
1107:
1062:
1019:Unconscious Rivals
1011:
1005:(1910), depicting
960:After the Audience
906:
897:Unconscious Rivals
890:
836:
811:
809:in her right hand.
776:Laura Theresa Epps
712:
674:
670:This is our corner
648:
616:
571:
529:
517:private collection
446:is an old Frisian
428:
416:
395:Victorian painting
207:Laura Theresa Epps
3873:Dutch printmakers
3810:
3809:
3555:The Golden Stairs
3216:Joseph Noel Paton
3191:Frederic Leighton
2996:
2995:
2680:978-0-904069-08-2
2620:978-1-85145-422-8
2603:978-0-85263-237-6
2473:. openplaques.org
1852:978-88-94983-81-4
1511:The Cymbal Player
1148:Silver Favourites
1112:Silver Favourites
1086:. In 1899 he was
968:Grosvenor Gallery
964:Royal Academician
867:Victorian painter
736:Giuseppe Fiorelli
678:Antwerp City Hall
366:in 1873. Born in
268:
267:
258:Royal Academician
16:(Redirected from
3975:
3888:Knights Bachelor
3883:Frisian painters
3762:Morris & Co.
3679:Elizabeth Siddal
3576:The Magic Circle
3569:Love's Messenger
3326:
3251:Elizabeth Siddal
3241:Frederick Sandys
3156:Evelyn De Morgan
3121:Richard Burchett
3116:Lucy Madox Brown
3111:Ford Madox Brown
3023:
3016:
3009:
3000:
2999:
2887:
2880:
2873:
2864:
2863:
2849:
2848:
2833:Internet Archive
2825:
2823:
2814:
2807:Cooper, Thompson
2803:
2633:Barrow, Rosemary
2578:
2577:
2575:
2573:
2559:
2553:
2552:
2550:
2548:
2534:
2528:
2527:
2525:
2523:
2511:
2505:
2504:
2502:
2500:
2489:
2483:
2482:
2480:
2478:
2467:
2461:
2460:
2442:
2436:
2435:
2428:
2426:
2418:
2411:
2405:
2404:
2397:
2395:
2387:
2380:
2374:
2371:
2365:
2358:
2352:
2345:
2339:
2332:
2326:
2325:
2323:
2321:
2302:
2296:
2290:
2284:
2283:
2272:
2266:
2259:
2253:
2246:
2237:
2234:
2228:
2227:
2211:
2198:
2192:
2191:
2180:
2174:
2167:
2161:
2154:
2143:
2136:
2130:
2123:
2117:
2110:
2104:
2097:
2088:
2087:
2085:
2083:
2072:
2066:
2059:
2053:
2046:
2040:
2039:
2031:
2025:
2018:
2012:
2005:
1999:
1992:
1986:
1985:
1978:
1972:
1962:
1956:
1949:
1943:
1936:
1930:
1923:
1917:
1916:
1905:
1899:
1892:
1886:
1879:
1870:
1863:
1857:
1856:
1838:
1832:
1825:
1819:
1812:
1806:
1799:
1793:
1786:
1777:
1770:
1764:
1763:
1755:
1749:
1748:
1740:
1734:
1727:
1721:
1714:
1703:
1696:
1687:
1680:
1663:
1648:
1602:
1587:
1569:
1549:
1537:
1522:
1507:
1488:
1467:
1449:
1437:
1326:Cecil B. DeMille
772:Ford Madox Brown
756:Order of Leopold
732:Geremia Discanno
696:(1865–1940) and
555:will later say:
353:
348:
340:
339:
336:
335:
332:
329:
326:
323:
320:
317:
313:
312:
309:
306:
303:
300:
291:
286:
279:
244:Anna Alma-Tadema
226:
224:
220:
199:
197:
193:
189:
120:
94:
92:
73:
63:
39:
38:
21:
3983:
3982:
3978:
3977:
3976:
3974:
3973:
3972:
3813:
3812:
3811:
3806:
3784:The Love School
3776:Dante's Inferno
3738:
3684:Fanny Cornforth
3667:
3647:The Love Potion
3327:
3324:
3322:
3321:
3319:
3317:
3310:
3261:Rebecca Solomon
3211:Alexander Munro
3161:Walter Deverell
3089:
3087:
3085:
3078:
3059:James Collinson
3035:
3027:
2997:
2992:
2987:Rosemary Barrow
2955:
2896:
2891:
2846:
2819:Men of the Time
2791:Wayback Machine
2715:
2587:
2582:
2581:
2571:
2569:
2561:
2560:
2556:
2546:
2544:
2536:
2535:
2531:
2521:
2519:
2512:
2508:
2498:
2496:
2491:
2490:
2486:
2476:
2474:
2469:
2468:
2464:
2457:
2443:
2439:
2429:
2420:
2419:
2413:
2412:
2408:
2398:
2389:
2388:
2382:
2381:
2377:
2372:
2368:
2359:
2355:
2346:
2342:
2333:
2329:
2319:
2317:
2303:
2299:
2291:
2287:
2274:
2273:
2269:
2260:
2256:
2247:
2240:
2235:
2231:
2224:
2199:
2195:
2182:
2181:
2177:
2168:
2164:
2155:
2146:
2137:
2133:
2124:
2120:
2111:
2107:
2098:
2091:
2081:
2079:
2074:
2073:
2069:
2060:
2056:
2047:
2043:
2033:
2032:
2028:
2019:
2015:
2006:
2002:
1993:
1989:
1980:
1979:
1975:
1963:
1959:
1950:
1946:
1937:
1933:
1924:
1920:
1907:
1906:
1902:
1893:
1889:
1880:
1873:
1864:
1860:
1853:
1839:
1835:
1826:
1822:
1813:
1809:
1800:
1796:
1787:
1780:
1771:
1767:
1756:
1752:
1741:
1737:
1728:
1724:
1715:
1706:
1697:
1690:
1681:
1677:
1672:
1667:
1666:
1649:
1645:
1640:
1635:
1623:
1616:
1603:
1594:
1588:
1579:
1570:
1561:
1550:
1541:
1538:
1529:
1523:
1514:
1508:
1499:
1489:
1480:
1468:
1459:
1450:
1441:
1438:
1429:
1417:
1355:Robert Isaacson
1336:Jesse Lasky Jr.
1191:
1183:Fernand Khnopff
1141:
1075:
1045:
869:
788:
786:Move to England
774:. There he met
633:
523:, wife of King
483:
481:Move to Belgium
408:
403:
346:
314:
297:
293:
284:
277:
273:
260:
256:
242:
231:
228:
216:
212:
209:
201:
185:
181:
178:
140:
131:
122:
118:
109:
96:
90:
88:
87:
86:
76:
64:
51:
49:
46:
35:
28:
23:
22:
15:
12:
11:
5:
3981:
3971:
3970:
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3865:
3860:
3855:
3850:
3845:
3840:
3835:
3830:
3825:
3808:
3807:
3805:
3804:
3796:
3788:
3780:
3772:
3764:
3759:
3754:
3746:
3744:
3740:
3739:
3737:
3736:
3731:
3726:
3721:
3716:
3711:
3706:
3701:
3696:
3691:
3686:
3681:
3675:
3673:
3669:
3668:
3666:
3665:
3658:
3650:
3643:
3636:
3629:
3622:
3615:
3608:
3601:
3594:
3586:
3579:
3572:
3565:
3558:
3551:
3544:
3537:
3530:
3523:
3518:
3511:
3504:
3497:
3490:
3483:
3476:
3473:Mary Magdalene
3469:
3462:
3455:
3450:
3443:
3436:
3429:
3422:
3415:
3408:
3401:
3394:
3387:
3380:
3373:
3366:
3359:
3352:
3345:
3338:
3330:
3328:
3315:
3312:
3311:
3309:
3308:
3303:
3298:
3293:
3288:
3283:
3278:
3273:
3268:
3266:Simeon Solomon
3263:
3258:
3253:
3248:
3243:
3238:
3233:
3228:
3223:
3218:
3213:
3208:
3206:William Morris
3203:
3198:
3193:
3188:
3183:
3178:
3173:
3168:
3163:
3158:
3153:
3148:
3143:
3138:
3136:James Campbell
3133:
3128:
3123:
3118:
3113:
3108:
3103:
3098:
3092:
3090:
3083:
3080:
3079:
3077:
3076:
3074:Thomas Woolner
3071:
3066:
3061:
3056:
3051:
3046:
3040:
3037:
3036:
3026:
3025:
3018:
3011:
3003:
2994:
2993:
2991:
2990:
2984:
2979:
2974:
2969:
2963:
2961:
2957:
2956:
2954:
2953:
2945:
2937:
2929:
2921:
2913:
2904:
2902:
2898:
2897:
2890:
2889:
2882:
2875:
2867:
2861:
2860:
2850:
2835:
2826:
2797:
2777:
2771:
2766:
2760:
2751:
2746:
2740:
2735:
2726:
2714:
2713:External links
2711:
2710:
2709:
2690:
2666:
2656:
2647:
2630:
2605:
2586:
2583:
2580:
2579:
2554:
2529:
2506:
2484:
2462:
2455:
2437:
2406:
2375:
2366:
2353:
2340:
2327:
2297:
2285:
2276:Andrew Adamson
2267:
2254:
2238:
2229:
2223:978-0198691372
2222:
2193:
2175:
2162:
2144:
2131:
2118:
2105:
2089:
2067:
2054:
2041:
2026:
2013:
2000:
1987:
1973:
1967:Ronald Alley,
1957:
1944:
1931:
1918:
1900:
1887:
1871:
1858:
1851:
1833:
1820:
1807:
1794:
1778:
1765:
1750:
1735:
1722:
1704:
1688:
1682:G. M. Miller,
1674:
1673:
1671:
1668:
1665:
1664:
1642:
1641:
1639:
1636:
1634:
1631:
1630:
1629:
1622:
1619:
1618:
1617:
1604:
1597:
1595:
1589:
1582:
1580:
1571:
1564:
1562:
1551:
1544:
1542:
1539:
1532:
1530:
1526:A Garden Altar
1524:
1517:
1515:
1509:
1502:
1500:
1490:
1483:
1481:
1478:Pushkin Museum
1469:
1462:
1460:
1451:
1444:
1442:
1439:
1432:
1428:
1425:
1416:
1413:
1409:St John's Wood
1389:The Tepidarium
1387:Alma-Tadema's
1304:D. W. Griffith
1190:
1187:
1164:British Museum
1140:
1137:
1074:
1071:
1044:
1041:
936:letters patent
929:Queen Victoria
911:Pre-Raphaelite
882:French Riviera
868:
865:
795:The Tepidarium
787:
784:
748:Ernest Gambart
632:
629:
545:The Sad Father
537:The Sad Father
499:Gustaf Wappers
482:
479:
442:. The surname
407:
404:
402:
399:
360:United Kingdom
266:
265:
261:Member of the
254:Order of Merit
251:
247:
246:
237:
233:
232:
230:
229:
214:
210:
205:
204:
202:
183:
179:
176:
175:
172:
170:
166:
165:
160:
156:
155:
152:
151:Known for
148:
147:
137:
133:
132:
123:
121:(aged 76)
115:
111:
110:
97:
95:8 January 1836
84:
82:
78:
77:
74:
66:
65:
50:
47:
42:
26:
9:
6:
4:
3:
2:
3980:
3969:
3966:
3964:
3961:
3959:
3956:
3954:
3951:
3949:
3946:
3944:
3941:
3939:
3936:
3934:
3931:
3929:
3926:
3924:
3921:
3919:
3916:
3914:
3911:
3909:
3906:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3839:
3836:
3834:
3831:
3829:
3826:
3824:
3821:
3820:
3818:
3803:
3801:
3797:
3795:
3794:(2009 series)
3793:
3789:
3787:
3786:(1975 series)
3785:
3781:
3779:
3777:
3773:
3770:
3769:
3765:
3763:
3760:
3758:
3755:
3753:
3752:
3748:
3747:
3745:
3741:
3735:
3732:
3730:
3727:
3725:
3722:
3720:
3719:Maria Zambaco
3717:
3715:
3714:Alexa Wilding
3712:
3710:
3707:
3705:
3702:
3700:
3697:
3695:
3692:
3690:
3687:
3685:
3682:
3680:
3677:
3676:
3674:
3670:
3664:
3663:
3659:
3657:
3655:
3651:
3649:
3648:
3644:
3642:
3641:
3637:
3635:
3634:
3630:
3628:
3627:
3623:
3621:
3620:
3616:
3614:
3613:
3609:
3607:
3606:
3602:
3600:
3599:
3595:
3593:
3591:
3587:
3585:
3584:
3580:
3578:
3577:
3573:
3571:
3570:
3566:
3564:
3563:
3559:
3557:
3556:
3552:
3550:
3549:
3548:The Day Dream
3545:
3543:
3542:
3538:
3536:
3535:
3531:
3529:
3528:
3524:
3522:
3519:
3517:
3516:
3512:
3510:
3509:
3505:
3503:
3502:
3498:
3496:
3495:
3494:Beata Beatrix
3491:
3489:
3488:
3487:Morgan le Fay
3484:
3482:
3481:
3477:
3475:
3474:
3470:
3468:
3467:
3463:
3461:
3460:
3456:
3454:
3451:
3449:
3448:
3447:Bocca Baciata
3444:
3442:
3441:
3440:Autumn Leaves
3437:
3435:
3434:
3430:
3428:
3427:
3423:
3421:
3420:
3416:
3414:
3413:
3409:
3407:
3406:
3402:
3400:
3399:
3395:
3393:
3392:
3388:
3386:
3385:
3384:The Scapegoat
3381:
3379:
3378:
3374:
3372:
3371:
3367:
3365:
3364:
3360:
3358:
3357:
3353:
3351:
3350:
3346:
3344:
3343:
3339:
3337:
3336:
3332:
3331:
3329:
3313:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3256:James Smetham
3254:
3252:
3249:
3247:
3246:Thomas Seddon
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3227:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3182:
3181:Arthur Hughes
3179:
3177:
3176:Henry Holiday
3174:
3172:
3169:
3167:
3164:
3162:
3159:
3157:
3154:
3152:
3149:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3093:
3091:
3081:
3075:
3072:
3070:
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3041:
3038:
3034:
3031:
3024:
3019:
3017:
3012:
3010:
3005:
3004:
3001:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2964:
2962:
2958:
2951:
2950:
2946:
2943:
2942:
2938:
2935:
2934:
2930:
2927:
2926:
2922:
2919:
2918:
2914:
2911:
2910:
2906:
2905:
2903:
2899:
2895:
2888:
2883:
2881:
2876:
2874:
2869:
2868:
2865:
2858:
2854:
2851:
2843:
2839:
2836:
2834:
2830:
2827:
2822:
2820:
2813:
2808:
2802:
2798:
2796:
2792:
2788:
2785:
2783:
2778:
2775:
2772:
2770:
2767:
2764:
2761:
2759:
2758:ArtCyclopedia
2755:
2752:
2750:
2747:
2744:
2741:
2739:
2736:
2734:
2730:
2727:
2724:
2720:
2717:
2716:
2707:
2703:
2702:1-57145-269-9
2699:
2695:
2691:
2689:
2688:0-684-15304-1
2685:
2681:
2677:
2673:
2672:
2667:
2664:
2660:
2657:
2654:
2653:
2648:
2646:
2645:0-7148-3918-3
2642:
2638:
2634:
2631:
2629:
2628:0-8109-1898-6
2625:
2621:
2617:
2613:
2609:
2606:
2604:
2600:
2596:
2592:
2589:
2588:
2568:
2564:
2558:
2543:
2539:
2533:
2517:
2510:
2494:
2488:
2472:
2466:
2458:
2456:1-84403-563-8
2452:
2448:
2441:
2433:
2424:
2416:
2410:
2402:
2393:
2385:
2379:
2370:
2363:
2357:
2350:
2344:
2337:
2331:
2315:
2311:
2307:
2301:
2294:
2289:
2281:
2277:
2271:
2264:
2258:
2251:
2245:
2243:
2233:
2225:
2219:
2215:
2210:
2209:
2203:
2197:
2189:
2185:
2179:
2172:
2166:
2159:
2153:
2151:
2149:
2141:
2135:
2128:
2122:
2115:
2109:
2102:
2096:
2094:
2077:
2071:
2064:
2058:
2051:
2045:
2037:
2030:
2023:
2017:
2010:
2004:
1997:
1991:
1983:
1977:
1970:
1966:
1961:
1954:
1948:
1941:
1935:
1928:
1922:
1914:
1910:
1909:"Alma-Tadema"
1904:
1897:
1891:
1884:
1878:
1876:
1868:
1862:
1854:
1848:
1844:
1837:
1830:
1824:
1817:
1811:
1804:
1798:
1791:
1785:
1783:
1775:
1769:
1761:
1754:
1746:
1739:
1732:
1726:
1719:
1713:
1711:
1709:
1701:
1695:
1693:
1685:
1679:
1675:
1661:
1657:
1653:
1647:
1643:
1628:
1625:
1624:
1614:
1610:
1609:
1601:
1596:
1592:
1586:
1581:
1578:
1574:
1568:
1563:
1560:
1556:
1555:
1548:
1543:
1536:
1531:
1527:
1521:
1516:
1512:
1506:
1501:
1498:
1494:
1487:
1482:
1479:
1475:
1473:
1466:
1461:
1458:
1454:
1448:
1443:
1436:
1431:
1430:
1424:
1422:
1412:
1410:
1406:
1402:
1398:
1394:
1390:
1385:
1383:
1379:
1375:
1374:
1368:
1366:
1365:
1364:Candid Camera
1360:
1356:
1351:
1349:
1348:
1343:
1342:
1337:
1333:
1332:
1327:
1323:
1322:
1317:
1316:
1311:
1310:
1305:
1299:
1295:
1293:
1289:
1285:
1281:
1277:
1273:
1269:
1265:
1261:
1257:
1253:
1248:
1245:
1240:
1238:
1230:
1226:
1222:
1218:
1214:
1213:
1208:
1201:
1200:
1195:
1186:
1184:
1180:
1175:
1173:
1167:
1165:
1160:
1153:
1149:
1145:
1136:
1134:
1130:
1126:
1121:
1119:
1118:
1113:
1103:
1099:
1097:
1093:
1089:
1085:
1081:
1070:
1066:
1060:, Los Angeles
1059:
1055:
1054:
1049:
1040:
1038:
1034:
1030:
1026:
1025:
1020:
1016:
1008:
1004:
999:
995:
993:
989:
986:
985:Roman emperor
982:
981:
975:
971:
969:
965:
961:
957:
952:
950:
946:
941:
937:
933:
930:
925:
923:
919:
914:
912:
902:
898:
894:
887:
883:
879:
878:
873:
864:
861:
857:
853:
849:
844:
842:
833:
829:
828:
823:
819:
816:
808:
804:
800:
796:
792:
783:
781:
777:
773:
767:
764:
759:
757:
753:
749:
744:
741:
737:
733:
729:
725:
721:
717:
709:
705:
701:
699:
695:
691:
687:
683:
679:
671:
666:
662:
660:
657:, which were
656:
652:
645:
643:
637:
628:
626:
622:
612:
608:
606:
602:
598:
592:
591:
587:
582:
580:
576:
568:
563:
559:
558:
554:
550:
546:
542:
538:
534:
526:
522:
518:
514:
510:
506:
504:
500:
496:
492:
488:
487:Royal Academy
478:
475:
470:
468:
463:
461:
457:
453:
449:
445:
441:
437:
433:
426:, Netherlands
425:
420:
412:
398:
396:
392:
388:
387:Mediterranean
384:
380:
375:
373:
369:
365:
361:
357:
352:
344:
338:
290:
283:
276:
272:
264:
259:
255:
252:
248:
245:
241:
238:
234:
208:
203:
174:
173:
171:
167:
164:
161:
157:
153:
149:
146:
145:
138:
134:
130:
129:German Empire
126:
116:
112:
108:
104:
100:
83:
79:
72:
67:
62:
58:
54:
45:
40:
37:
33:
19:
3853:Academic art
3799:
3791:
3783:
3775:
3766:
3757:Hogarth Club
3749:
3734:Ruth Herbert
3724:Dorothy Dene
3699:Annie Miller
3660:
3653:
3645:
3638:
3631:
3624:
3619:Flaming June
3617:
3610:
3603:
3596:
3592:(Waterhouse)
3589:
3581:
3574:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3513:
3506:
3499:
3492:
3485:
3478:
3471:
3464:
3457:
3445:
3438:
3431:
3424:
3417:
3410:
3403:
3396:
3389:
3382:
3375:
3368:
3361:
3354:
3347:
3340:
3333:
3325:post-period)
3323:(period and
3291:Henry Wallis
3171:William Dyce
3141:John Collier
3095:
3086:artists and
2947:
2939:
2931:
2923:
2915:
2907:
2893:
2818:
2795:Khan Academy
2781:
2780:Alma-Tadema
2721: at the
2705:
2693:
2669:
2662:
2650:
2636:
2611:
2608:Ash, Russell
2594:
2591:Ash, Russell
2570:. Retrieved
2566:
2557:
2545:. Retrieved
2541:
2532:
2520:. Retrieved
2509:
2497:. Retrieved
2487:
2475:. Retrieved
2465:
2446:
2440:
2409:
2378:
2369:
2361:
2356:
2348:
2343:
2335:
2330:
2318:. Retrieved
2313:
2306:Grace Glueck
2300:
2292:
2288:
2279:
2270:
2262:
2257:
2249:
2232:
2207:
2196:
2178:
2170:
2165:
2157:
2139:
2134:
2126:
2121:
2113:
2108:
2100:
2082:10 September
2080:. Retrieved
2070:
2062:
2057:
2049:
2044:
2035:
2029:
2021:
2016:
2008:
2003:
1995:
1990:
1976:
1968:
1960:
1952:
1947:
1939:
1934:
1926:
1921:
1912:
1903:
1895:
1890:
1882:
1866:
1861:
1842:
1836:
1828:
1823:
1815:
1810:
1802:
1797:
1789:
1773:
1768:
1759:
1753:
1744:
1738:
1730:
1725:
1717:
1699:
1683:
1678:
1646:
1606:Portrait of
1605:
1590:
1572:
1552:
1525:
1510:
1470:
1452:
1418:
1392:
1388:
1386:
1381:
1371:
1369:
1362:
1352:
1345:
1339:
1329:
1319:
1318:(1926), and
1313:
1307:
1300:
1296:
1268:John Collier
1249:
1241:
1234:
1210:
1197:
1179:Gustav Klimt
1176:
1168:
1161:
1157:
1147:
1124:
1122:
1115:
1111:
1108:
1076:
1067:
1063:
1058:Getty Museum
1051:
1032:
1029:The Coliseum
1028:
1022:
1018:
1014:
1012:
978:
976:
972:
959:
955:
953:
926:
921:
917:
915:
907:
896:
875:
859:
855:
851:
847:
845:
840:
837:
825:
812:
794:
768:
760:
751:
745:
713:
707:
685:
675:
669:
659:more popular
649:
639:
620:
617:
604:
596:
593:
589:
585:
583:
578:
574:
572:
566:
556:
548:
544:
540:
536:
532:
530:
512:
484:
471:
464:
455:
451:
443:
429:
383:Roman Empire
376:
342:
270:
269:
142:
119:(1912-06-25)
117:25 June 1912
36:
3828:1912 deaths
3823:1836 births
3802:(2014 film)
3778:(1967 film)
3771:(1922 book)
3729:Fanny Eaton
3704:Jane Morris
3694:Sophie Gray
3640:Lady Godiva
3527:The Beloved
3466:Roman Widow
3459:Lady Lilith
3318:well-known
3236:Emma Sandys
3231:John Ruskin
3084:Associated
3033:(paintings)
2774:Alma-Tadema
2595:Alma-Tadema
2572:17 December
2522:27 November
2477:27 November
2362:Alma-Tadema
2349:Alma-Tadema
2336:Alma-Tadema
2250:Alma-Tadema
2171:Alma-Tadema
2127:Alma-Tadema
2114:Alma-Tadema
2022:Alma-Tadema
2009:Alma-Tadema
1996:Alma-Tadema
1940:Alma-Tadema
1867:Alma-Tadema
1816:Alma-Tadema
1790:Alma-Tadema
1731:Alma-Tadema
1700:Alma-Tadema
1493:anachronism
1405:This plaque
1401:blue plaque
1309:Intolerance
1288:John Ruskin
1135:in London.
1073:Later years
1043:Personality
1031:(1896) and
945:Paris Salon
850:instead of
740:Herculaneum
651:Merovingian
631:Early works
503:Merovingian
474:consumptive
440:Netherlands
163:Academicism
136:Nationality
107:Netherlands
3817:Categories
3800:Effie Gray
3689:Effie Gray
3508:Proserpine
3426:April Love
3106:John Brett
2138:Calinski,
1670:References
1660:Ambarvalia
1359:Allen Funt
988:Elagabalus
949:Emil Fuchs
932:in Council
803:tepidarium
708:The Mirror
467:Leeuwarden
448:patronymic
406:Early life
91:1836-01-08
2989:(scholar)
2901:Paintings
2499:17 August
2360:Swanson,
2347:Swanson,
2334:Swanson,
2248:Swanson,
2169:Swanson,
2125:Swanson,
2112:Swanson,
2036:The Times
2020:Swanson,
2007:Swanson,
1994:Swanson,
1938:Swanson,
1913:Who's Who
1865:Swanson,
1814:Swanson,
1788:Swanson,
1733:, p. 129.
1729:Swanson,
1698:Swanson,
1472:Fredegund
1378:Sotheby's
1341:Gladiator
1321:Cleopatra
1284:modernism
1129:Wiesbaden
1007:Josephs's
686:My studio
640:Egyptian
436:Friesland
401:Biography
379:decadence
125:Wiesbaden
103:Waadhoeke
3751:The Germ
2842:LibriVox
2809:(1884).
2787:Archived
2547:29 March
2423:cite web
2392:cite web
2364:, p. 59.
2351:, p. 58.
2338:, p. 62.
2278:(2006).
2265:, p. 197
2261:Barrow,
2252:, p. 43.
2204:(1990).
2160:, p. 192
2156:Barrow,
2142:, 98-141
2116:, p. 131
2103:, p. 194
2099:Barrow,
2065:, p. 186
2061:Barrow,
2052:, p. 179
2048:Barrow,
2024:, p. 34.
2011:, p. 35.
1998:, p. 130
1951:Barrow,
1894:Barrow,
1881:Barrow,
1869:, p. 15.
1827:Barrow,
1818:, p. 13.
1801:Barrow,
1792:, p. 12.
1772:Barrow,
1716:Barrow,
1656:Floralia
1652:Cerealia
1621:See also
1575:, 1889,
1557:, 1887,
1476:, 1864,
1415:Archives
1350:(2005).
1328:'s epic
1312:(1916),
1264:Futurism
1223:plays a
1120:(1904).
1088:knighted
1037:etchings
1027:(1894),
1017:(1891),
940:denizens
927:In 1873
856:Lawrence
763:smallpox
716:Florence
694:Laurence
690:smallpox
682:Brussels
521:Clotilde
519:. Queen
236:Children
159:Movement
154:Painting
141:British
3743:Related
3363:Mariana
3335:Ophelia
3088:figures
2960:Related
2831:at the
2784:(1885).
2731:at the
2585:Sources
2314:The Day
2173:, p. 29
2129:, p. 54
1955:, p. 62
1942:, p. 52
1898:, p. 60
1885:, p. 41
1831:, p. 20
1805:, p. 16
1776:, p. 15
1720:, p. 10
1702:, p. 8.
1453:A Study
1427:Gallery
1315:Ben Hur
1292:bourbon
1280:Picasso
1276:Gauguin
1272:Matisse
1256:Fauvism
1225:kithara
1021:(1893)
901:Bristol
807:strigil
728:Pompeii
644:Players
625:Utrecht
495:Belgium
491:Antwerp
452:Lourens
432:Dronryp
424:Dronryp
381:of the
368:Dronryp
364:denizen
341:; born
227:
215:
211:
200:
184:
180:
169:Spouses
144:denizen
99:Dronryp
3672:Models
3656:(Hunt)
3605:Lilith
2952:(1904)
2944:(1894)
2941:Spring
2936:(1888)
2928:(1887)
2920:(1885)
2912:(1881)
2821:
2804:
2723:Art UK
2700:
2686:
2678:
2643:
2626:
2618:
2601:
2453:
2320:30 May
2282:(DVD).
2220:
1929:, p.3.
1849:
1593:, 1890
1260:Cubism
1217:Sappho
1172:Africa
1053:Spring
1024:Spring
992:petals
904:bloom.
724:Naples
710:, 1868
525:Clovis
460:notary
444:Tadema
347:Dutch:
250:Awards
190:
3433:Found
3320:works
3316:Some
1925:Ash,
1638:Notes
1139:Style
886:petal
655:Egypt
642:Chess
356:Dutch
287:
285:,
280:
278:,
225:)
217:(
213:
198:)
186:(
182:
139:Dutch
59:
55:
3626:Hope
3405:Work
2725:site
2698:ISBN
2684:ISBN
2676:ISBN
2641:ISBN
2624:ISBN
2616:ISBN
2599:ISBN
2574:2020
2549:2021
2524:2016
2501:2012
2479:2016
2451:ISBN
2432:help
2401:help
2322:2013
2218:ISBN
2084:2013
1847:ISBN
1278:and
1262:and
1181:and
860:Alma
726:and
720:Rome
698:Anna
577:and
456:Alma
454:and
223:1909
196:1869
192:1863
114:Died
81:Born
3612:Eos
2855:at
2840:at
2756:at
1658:or
1306:'s
934:by
539:or
493:in
489:of
289:RWS
61:RWS
44:Sir
3819::
2815:.
2661:;
2635::
2610::
2593::
2565:.
2540:.
2427::
2425:}}
2421:{{
2396::
2394:}}
2390:{{
2312:.
2241:^
2216:.
2214:13
2186:.
2147:^
2092:^
1911:.
1874:^
1781:^
1707:^
1691:^
1654:,
1455:,
1274:,
1258:,
1254:,
951:.
782:.
758:.
722:,
718:,
627:.
397:.
345:,
328:eɪ
282:RA
275:OM
219:m.
188:m.
127:,
105:,
101:,
57:RA
53:OM
3022:e
3015:t
3008:v
2886:e
2879:t
2872:v
2576:.
2551:.
2526:.
2503:.
2481:.
2459:.
2434:)
2417:.
2403:)
2386:.
2324:.
2226:.
2190:.
2086:.
1984:.
1855:.
1231:)
888:.
668:"
337:/
334:ə
331:m
325:d
322:æ
319:t
316:ˈ
311:ə
308:m
305:l
302:æ
299:ˈ
296:/
292:(
93:)
89:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)