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Shambhu Das

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484: 498: 404:'s William Doo Auditorium to raise awareness and funds for those affected in India and Bangladesh. Das overcame poor health to complete the day-long performance; as stipulated beforehand, he left the stage only for toilet breaks, during which his place was taken by one of his students. The performance was recognised by 374:. It introduced a musical–spiritual concept termed DH3M (deep hypnosis music-meditation method), which Das espoused as a cure for psychological and physical pain. In the book, he describes DH3M as a "combination of Western science and Eastern wisdom, of ancient philosophy and collaboration of celestial music". 476:
According to Cupchik, who interviewed Das at his Toronto home in 2003, Das was intending to write an autobiography at that time. With reference to Das's stated wish that he be more widely recognised for his contribution to Harrison's introduction to Indian culture, Cupchick said that, rather than
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why he had never attempted to become a commercial recording artist, Das replied: "I love to perform, but I am not sure that what I have to offer is as good as or better than my guru ... If my guru's work is a work of gold, perhaps I can compare my style to silver, with a few glints of gold that I
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Jeffrey Cupchik said that Das's contribution to Harrison's musical and spiritual development, and its considerable influence on Western culture, had arguably been overlooked, as historians tend to focus only on the enduring association between Harrison and Shankar. He described Das and Harrison's
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York University went on to adopt a full study program in "world music". The university's professor emeritus R. Sterling Beckwith, who initiated the program from his arrival there in 1969, recalled discussing with Shankar the idea of introducing applied Indian music studies: "He was intrigued and
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in Kashmir, where Harrison's training continued. He and Das struck up a friendship as the majority of Harrison's musical education involved learning Indian scales, a task that Shankar delegated to Das. During this visit by Harrison, Das escorted him to Benares and other sites of cultural
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in the east of Toronto. In 1992, his only son died in an automobile accident. As a result of this loss, Das returned to India and lived in monasteries there, a period of reflection and re-energising that led to his meditation-based recordings and book later in the 1990s.
131:, which was partly recorded in Bombay. He occasionally accompanied Shankar at his concerts and has performed himself throughout North America, Europe and India. From the 1990s, Das's work has increasingly drawn on the connection between music and 323:
In 1970, Shankar organised for Das to move to Canada to help promote Indian classical music in North America, through a program of lectures, public performances and private tuition. Between 1970 and 1974, Das taught at
114:, whom Das helped teach sitar in 1966. His assistance in Harrison's immersion in Indian culture helped inspire the Beatles' career direction and, due to the band's popularity and influence, the direction of the 339:
in New York City, a concert celebrating the twentieth anniversary of his first public appearance in the US. Das himself performed concerts in India, North America and Europe, and made appearances on
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Continuing his association with his guru, Das helped organise Shankar's concerts in Canada. He also acted as Shankar's business manager, negotiating fees for private recitals for celebrities such as
400:, to contribute humanitarian aid to citizens of India, Bangladesh and Nepal after the region had been subject to devastating floods. On 8–9 October, Das performed a 24-hour sitar marathon at the 385:
word for peace, since the band's music was intended to "raise one's sense of inner divine peace". In 2003, the ten-piece ensemble comprised three sitars, tambura, two tablas, electric keyboard,
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When Shankar moved to Los Angeles in 1967 and set up a branch of the Kinnara school there, Das took over the running of the Bombay school. In January 1968, he played sitar on Harrison's
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ensemble Shanti. A 24-hour sitar recital he gave in Toronto in October 2004, undertaken as a benefit for those affected by floods in India and Bangladesh, is recognised by
208:, graduating with a master's degree in music in 1959. That year, Das joined Shankar in Bombay, where he became part of Shankar's household, occasionally accompanied his 366:
of the United Nations Meditation Centre in New York, and became popular among practitioners throughout Canada and the United States. In 1996, Das published the book
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significance. There, Harrison saw first-hand the aspects of Hindu culture and religiosity that would inform his work with the Beatles, including their 1967 album
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Cupchik added that, had Das been searching for greater recognition in "Beatles historiography" in 2003, his standing had since risen through the 2004
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album, which was recorded at HMV Studios in Bombay. Das recruited the other local musicians for the sessions, which also produced the Beatles' 1968
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in 1968 also inspired Das's subsequent forays into "bridging the spiritual–musical aspects of Indian and Western music in a more explicitly
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in Toronto, where he co-founded the Indian Music Department. He then taught sitar and vocal technique at Sangeet, a private music school.
1823: 1473: 1258: 2049: 262: 293:, a documentary on Shankar that includes scenes filmed over 1967–68 at the two Kinnara centres. In an interview in 2005, Das told 232:, Kartick Kumar and Amiyo Das Gupta. He was among the musicians selected to teach instrumental classes when Shankar founded his 2094: 2089: 1346: 2079: 1444: 971: 932: 614: 414:(FOBANA) presented him with an award for "his outstanding contribution in promoting Bengali culture to the new generation". 2104: 2099: 2069: 106:, on whose behalf Das has acted as an ambassador for Indian music in Canada since the early 1970s, and his friendship with 1395: 727:
Jeffrey W. Cupchik, "Polyvocality and Forgotten Proverbs (and Persons): Ravi Shankar, George Harrison and Shambhu Das",
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in Bombay, which opened in July 1962. The school staged recitals and productions of Shankar's orchestral works, such as
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has described Das as "one of India's most distinguished musicians". When asked in a 2010 interview for Canada's
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in concert, and also served as his personal assistant. He studied sitar under Shankar in the strict
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recommended his sitar disciple Shambhu Das, who as it turned out, was already living in Toronto."
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opportunism on Das's part, such an account would be more "a way of affirming his own identity".
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had also died in 1992, and who himself has begun to suffer serious heart problems at this time.
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friendship as "a relationship that has yet to be addressed fully by popular music historians".
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By the early 1960s, Das was one of Shankar's most advanced students, or protégés, along with
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According to the history supplied with the India-related memorabilia on display at the 2009
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that he recalled visiting Chennai (formerly Madras) in 1968 to film the scenes there for
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Dakshinaa concert programme for 28 February 2008, Malayalee Club, Chennai; available at
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tradition. His father was a restaurateur who supplied food to the Allied forces during
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Das recruited the Indian musicians and played sitar on Harrison's 1968 solo album
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as a means of physical and spiritual healing. In the early 2000s, he formed the
1938: 1928: 1923: 1874: 217: 335:. In August 1976, Das played tambura at Shankar's dusk-to-dawn recital at the 2043: 1706: 1647: 1633: 647: 444: 332: 166: 162: 1975: 1953: 1605: 1355: 1231: 1207: 698: 503: 489: 466: 438: 201: 170: 103: 1057: 703: 1982: 1948: 1933: 1898: 1886: 1857: 1687: 1374: 1212: 1010: 396:
In 2004, Das responded to an initiative launched by the Ontario premier,
389:, electric guitar, bass guitar and vocals. Das credited Harrison and the 363: 289: 252: 248: 111: 1943: 1451: 359: 132: 1277: 1236: 1190: 791: 684: 102:
musician and educator. He is best known for his long association with
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K. Praveen Kumar, "Shambu Das: 'Westerners enjoy Carnatic music'",
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and vocal technique. During a concert held at the college, Das met
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Several years after his return to Toronto, Das suffered a major
1324: 430: 411: 371: 280: 204:, whom Das asked to accept him as a sitar student. He attended 1566:
Live: Ravi Shankar at the Monterey International Pop Festival
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outside his hotel, Das accompanied Shankar and Harrison to
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After debuting the work in Chicago in 2007, Das presented
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Ajit Jain, "Shambhu Das Regales Audiences in Monterrey",
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by a music tutor who visited his home. He then attended
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Times of India staff, "Shambhu Das Sets World Record",
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Since the late 1970s, Das has lived with him family in
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Federation of Bangladeshi Associations in North America
1235:(Toronto Edition), 5 August 2005, p. 1; available at 1041:, 24 November 1971, p. 23 (retrieved 26 August 2015). 925:
Hinduism and the 1960s: The Rise of a Counter-Culture
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as the longest sitar recital. In September 2005, the
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In September 1966, Das assisted in teaching sitar to
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Ajit Jain, "Shambhu Das Makes It to Guinness Book",
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Nine Decades Vol. IV: A Night at St. John the Divine
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The two collections were endorsed by 192:college, where his studies continued under the 1552:India's Most Distinguished Musician in Concert 1124: 787: 785: 783: 723: 721: 673: 671: 669: 667: 665: 663: 661: 659: 657: 637: 635: 633: 631: 629: 627: 625: 623: 2006:George Harrison: Living in the Material World 1340: 1196: 1084: 914:, 22 August 2009 (retrieved 5 February 2019). 794:, shambhudas.com (retrieved 5 February 2019). 1267:, 7 March 2008 (retrieved 16 February 2019). 1205:Ajit Jain, "Floods in India Move McGuinty", 1164: 1072: 842: 767:Raga Mala: The Autobiography of Ravi Shankar 587:feat and his international concert schedule. 566:In Cupchik's view, working with Harrison on 1003:Raga: A Film Journey into the Soul of India 780: 718: 654: 620: 145:as the longest non-stop sitar performance. 1347: 1333: 354:, of musical pieces designed to accompany 223: 419:In Search of Peace – Music and Meditation 1824:Ravi Shankar's Music Festival from India 1474:Ravi Shankar's Music Festival from India 2042: 381:ensemble. The name was taken from the 149:Early years and musical apprenticeship 1328: 1211:, 27 August 2004, p. 6; available at 927:, Bloomsbury Academic (London, 2014; 266:, and influence the direction of the 263:Sgt. Pepper's Lonely Hearts Club Band 769:, Welcome Rain (New York, NY, 1999; 746:The Dawn of Indian Music in the West 607:Beatles '66: The Revolutionary Year 553:, by the Ravi Shankar Foundation's 216:in which Shankar had trained under 13: 1460:Concerto for Sitar & Orchestra 1445:Ravi Shankar's Festival from India 122:, where he taught for four years. 14: 2116: 748:, Continuum (New York, NY, 2006; 1354: 1056:, 21 January 2005; available at 964:The George Harrison Encyclopedia 851:Neil Spencer, "Eastern Rising", 496: 482: 452: 449:have received from my teacher." 337:Cathedral of St. John the Divine 2050:Indian male classical musicians 1588:Full Circle: Carnegie Hall 2000 1495:The Living Room Sessions Part 1 1310: 1301: 1292: 1283: 1270: 1251: 1242: 1155: 1139: 1115: 1104:"York Music's World Class Role" 1096: 1063: 1044: 1025: 1016: 995: 986: 977: 956: 947: 938: 917: 900: 891: 882: 861: 833: 824: 815: 806: 797: 577: 560: 543: 533: 516: 306:Writing in 2013 in the journal 161:, in the north Indian state of 1431:A Morning Raga/An Evening Raga 966:, Virgin Books (London, 2003; 759: 738: 709: 690: 599: 1: 2095:21st-century Indian musicians 2090:20th-century Indian musicians 858:, Emap (London, 2002), p. 78. 683:, 29 July 2005; available at 593: 2080:Indian expatriates in Canada 1732:Ravi Shankar: In Celebration 1467:Shankar Family & Friends 1280:(retrieved 5 February 2019). 1193:(retrieved 5 February 2019). 1152:(retrieved 4 February 2019). 854:Mojo Special Limited Edition 735:(retrieved 6 February 2019). 609:, Ecco (New York, NY, 2016; 7: 2105:21st-century male musicians 2100:20th-century male musicians 2070:Hindustani instrumentalists 1289:Shankar, pp. 257, 263, 324. 871:, Sanctuary (London, 2003; 287:". He appeared in the film 165:. He was brought up in the 10: 2121: 1990:The Concert for Bangladesh 1851:The Concert for Bangladesh 1797:The Concert for Bangladesh 1189:, fall 2003; available at 318: 2015: 1967: 1867: 1842: 1779: 1772: 1749: 1723: 1597: 1573:At the Woodstock Festival 1543: 1521:West Meets East, Volume 2 1504: 1369: 1362: 76: 72: 62: 54: 40: 27: 20: 1834:1974 North American tour 510: 206:Benares Hindu University 2060:Musicians from Varanasi 1819:Kinnara School of Music 1641:The Flute and the Arrow 1389:India's Master Musician 792:"Shambhu Das Biography" 234:Kinnara School of Music 224:Kinnara School of Music 177:was a performance by a 2065:Pupils of Ravi Shankar 1829:Sitar in popular music 1742:(with George Harrison) 1694:Transmigration Macabre 1150:eastmeetswestmusic.com 1053:The New Indian Express 992:Lavezzoli, pp. 182–84. 953:Shankar, pp. 162, 196. 407:Guinness World Records 343:television and radio. 296:The New Indian Express 214:guru–shishya tradition 142:Guinness World Records 2085:The Beatles and India 1807:East Meets West Music 1583:(with Ali Akbar Khan) 1524:(with Yehudi Menuhin) 1516:(with Yehudi Menuhin) 803:Shankar, pp. 168, 70. 729:Popular Music Journal 555:East Meets West Music 427:Komal Rishabh Asavari 402:University of Toronto 308:Popular Music History 184:Das was first taught 1307:Cupchik, pp. 71, 76. 1257:Lalithaa Krishnan, " 1161:Cupchik, pp. 69, 86. 1069:Cupchick, pp. 68–70. 897:Cupchik, pp. 76, 79. 888:Clayson, pp. 206–07. 821:Shankar, pp. 192–93. 812:Shankar, pp. 171–72. 641:Geoffrey Clarfield, 368:Music and Meditation 268:1960s counterculture 153:Das was born in the 116:1960s counterculture 45:Hindustani classical 1669:Alice in Wonderland 1532:(with Philip Glass) 1382:The Sounds of India 944:Cupchik, pp. 87–88. 830:Turner, pp. 325–26. 585:Guinness World Book 1998:Concert for George 1909:Kamala Chakravarty 1881:Shubhendra Shankar 1802:Concert for George 1792:Asian Music Circle 1424:Sound of the Sitar 1417:Portrait of Genius 1298:Lavezzoli, p. 197. 1038:The New York Times 1022:Lavezzoli, p. 184. 839:Lavezzoli, p. 177. 680:The Times of India 196:. He also studied 181:outside a temple. 98:(born 1934) is an 2037: 2036: 2033: 2032: 1843:Guest appearances 1757:My Music, My Life 1539: 1538: 1410:Ragas & Talas 1248:Cupchik, p. 82fn. 1031:Howard Thompson, 972:978-0-7535-0822-0 933:978-1-47253-155-1 744:Peter Lavezzoli, 615:978-0-06-247558-9 387:soprano saxophone 312:ethnomusicologist 230:Shamim Ahmed Khan 90: 89: 58:Musician, teacher 2112: 1893:Anoushka Shankar 1813:I Am Missing You 1777: 1776: 1655:The World of Apu 1559:In San Francisco 1367: 1366: 1349: 1342: 1335: 1326: 1325: 1317: 1314: 1308: 1305: 1299: 1296: 1290: 1287: 1281: 1274: 1268: 1259:Subdued, Emotive 1255: 1249: 1246: 1240: 1227: 1216: 1203: 1194: 1183: 1174: 1171: 1162: 1159: 1153: 1143: 1137: 1131: 1122: 1121:Clayson, p. 340. 1119: 1113: 1100: 1094: 1091: 1082: 1079: 1070: 1067: 1061: 1048: 1042: 1029: 1023: 1020: 1014: 999: 993: 990: 984: 983:Clayson, p. 235. 981: 975: 960: 954: 951: 945: 942: 936: 921: 915: 904: 898: 895: 889: 886: 880: 865: 859: 849: 840: 837: 831: 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1497: 1496: 1492: 1490: 1489: 1485: 1483: 1482: 1478: 1476: 1475: 1471: 1469: 1468: 1464: 1462: 1461: 1457: 1454: 1453: 1449: 1447: 1446: 1442: 1440: 1439: 1435: 1433: 1432: 1428: 1426: 1425: 1421: 1419: 1418: 1414: 1412: 1411: 1407: 1405: 1404: 1400: 1398: 1397: 1393: 1391: 1390: 1386: 1384: 1383: 1379: 1377: 1376: 1372: 1371: 1368: 1365: 1363:Studio albums 1361: 1357: 1350: 1345: 1343: 1338: 1336: 1331: 1330: 1327: 1323: 1313: 1304: 1295: 1286: 1279: 1273: 1266: 1265: 1260: 1254: 1245: 1238: 1234: 1233: 1226: 1224: 1222: 1214: 1210: 1209: 1202: 1200: 1192: 1188: 1182: 1180: 1170: 1168: 1158: 1151: 1147: 1142: 1135: 1130: 1128: 1118: 1111: 1110: 1105: 1099: 1090: 1088: 1078: 1076: 1066: 1059: 1055: 1054: 1047: 1040: 1039: 1034: 1028: 1019: 1012: 1008: 1004: 998: 989: 980: 973: 969: 965: 959: 950: 941: 935:), pp. 65–66. 934: 930: 926: 923:Paul Oliver, 920: 913: 909: 903: 894: 885: 878: 877:1-86074-489-3 874: 870: 864: 857: 855: 848: 846: 836: 827: 818: 809: 800: 793: 788: 786: 784: 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68: 65: 61: 57: 55:Occupation(s) 53: 50: 46: 43: 39: 35: 30: 26: 19: 16: 2022: 2004: 1997: 1989: 1981: 1976:Monterey Pop 1974: 1954:Satyajit Ray 1913: 1904:Richard Bock 1877:(first wife) 1849: 1761: 1756: 1737: 1730: 1712: 1705: 1698: 1693: 1686: 1681: 1674: 1667: 1660: 1653: 1646: 1639: 1632: 1625: 1618: 1611: 1606:Neecha Nagar 1604: 1586: 1578: 1571: 1564: 1557: 1550: 1527: 1519: 1511: 1493: 1486: 1479: 1472: 1465: 1458: 1450: 1443: 1436: 1429: 1422: 1415: 1408: 1401: 1394: 1387: 1380: 1373: 1356:Ravi Shankar 1321: 1312: 1303: 1294: 1285: 1272: 1262: 1253: 1244: 1232:India Abroad 1230: 1208:India Abroad 1206: 1186: 1157: 1141: 1117: 1107: 1098: 1065: 1051: 1046: 1036: 1027: 1018: 1002: 997: 988: 979: 963: 962:Bill Harry, 958: 949: 940: 924: 919: 911: 902: 893: 884: 868: 863: 852: 835: 826: 817: 808: 799: 766: 761: 745: 740: 733:academia.edu 728: 711: 699:India Abroad 697: 692: 678: 646: 606: 601: 584: 579: 567: 562: 550: 545: 535: 523: 518: 504:Music portal 490:India portal 475: 467:heart attack 464: 456: 443: 439:Toronto Star 437: 435: 418: 416: 405: 395: 390: 376: 367: 351: 347: 345: 330: 322: 307: 305: 300: 294: 288: 274: 272: 261: 242: 237: 227: 202:Ravi Shankar 190:Theosophical 183: 171:World War II 152: 140: 126: 124: 104:Ravi Shankar 95: 94: 15: 1949:Harihar Rao 1934:Zubin Mehta 1914:Shambhu Das 1899:John Barham 1887:Norah Jones 1858:Ride Rajbun 1787:Discography 1598:Film scores 1544:Live albums 1438:In New York 1375:Three Ragas 1011:Apple Films 912:Beatle News 459:Scarborough 364:Sri Chinmoy 352:Shanti Vani 253:Beatlemania 249:the Beatles 112:the Beatles 96:Shambhu Das 22:Shambhu Das 2044:Categories 1944:Alla Rakha 1895:(daughter) 1889:(daughter) 1627:Kabuliwala 1452:Joi Bangla 1187:M(a)gizone 879:), p. 206. 777:), p. 170. 617:), p. 326. 594:References 524:For George 360:meditation 133:meditation 82:shambhudas 63:Instrument 1763:Raga Mala 1676:Chappaqua 1620:Aparajito 1481:Tana Mana 1403:In London 1264:The Hindu 1001:Credits, 974:), p. 61. 756:), p. 51. 528:Liverpool 379:Indo jazz 179:shehnaist 137:Indo jazz 49:Indo jazz 1780:Articles 1724:Box sets 1662:Anuradha 1529:Passages 383:Sanskrit 257:Dal Lake 2024:Sukanya 1773:Related 1714:Genesis 372:mantras 348:Dhyanam 319:Toronto 159:Benares 77:Website 36:, India 34:Benares 2000:(film) 1992:(film) 1868:People 1707:Gandhi 1682:Charly 970:  931:  875:  773:  752:  613:  574:vein". 471:Shubho 431:Ganges 281:B-side 41:Genres 2016:Opera 1968:Films 1883:(son) 1750:Books 1700:Meera 1005:DVD, 511:Notes 198:tabla 186:sitar 155:Hindu 67:Sitar 1983:Raga 1688:Raga 1455:(EP) 968:ISBN 929:ISBN 873:ISBN 771:ISBN 750:ISBN 611:ISBN 436:The 423:alap 358:and 356:yoga 350:and 301:Raga 290:Raga 210:guru 175:raga 84:.com 31:1934 28:Born 1261:", 341:CBC 247:of 110:of 2046:: 1220:^ 1198:^ 1178:^ 1166:^ 1148:, 1126:^ 1106:, 1086:^ 1074:^ 1035:, 910:, 844:^ 782:^ 720:^ 656:^ 645:, 622:^ 433:. 310:, 303:. 220:. 47:, 1860:" 1856:" 1815:" 1811:" 1348:e 1341:t 1334:v 1239:. 1215:. 1060:. 1009:/ 706:. 687:. 283:"

Index

Benares
Hindustani classical
Indo jazz
Sitar
shambhudas.com
Indian classical
Ravi Shankar
George Harrison
the Beatles
1960s counterculture
York University
Wonderwall Music
meditation
Indo jazz
Guinness World Records
Hindu
Benares
Uttar Pradesh
Bengali Hindu
World War II
raga
shehnaist
sitar
Theosophical
Dagar brothers
tabla
Ravi Shankar
Benares Hindu University
guru
guru–shishya tradition

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