Wonderwall Music - Knowledge

31: 1458: 1480:– a stock image from the Camera Press picture agency – which Kelly and Aldridge then manipulated and mirrored to represent a corner. Taylor describes the result as innovative for its time, with the wall made to look "proud and sharp as the prow of a liner". The sleeve was designed so that the rear face appeared upside down relative to the front. In America, some copies of the LP had the Berlin Wall image mistakenly printed on the front, which made for "a less than exciting cover to be sure", in Madinger and Easter's opinion. 1280:'". The performance is led by Ashton, on piano, and also includes instrumentation such as organ, acoustic guitar, drums and percussion. Leng views the piece as the soundtrack's "best collective work", adding: "This moving music was a close fit with the scene it covered – a mute passage in which the implied lust of the aging academic turns to compassion for Jane Birkin, whose suicide attempt he witnesses ... Harrison's melody was strongly empathetic to the first appearance of human feeling in the film." 647: 7354: 1206: 2169:

ability to create forlorn, mournful, yearning soundscapes" and "Greasy Legs" as "a delicate and charming composition". Inglis concludes of Harrison's debut solo album: "it provides a fascinating summary of the myriad patterns of musical activity whose fusions stimulated the growth of psychedelic, underground, and progressive scenes in the late 1960s, and it is a key moment in the development of his preparations for life after the Beatles."

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Bed", although Madinger and Easter say that the correct title, as it appeared on early US copies of the album, should be "Glass Box", which is the name given instead to the Indian piece that follows it. "On the Bed" opens with a piano riff from Harrison, which, in Leng's description, is complemented by "spacey steel guitar, and a fugue of flugelhorn countermelodies, added by Barham". The song includes backing from the Remo Four, and

1977: 1972: 1939: 1934: 1867: 1862: 1817: 1812: 1967: 1962: 1957: 1929: 1924: 1919: 1857: 1852: 1847: 1807: 1802: 1797: 1245: 1030: 610:", he composed mainly on keyboard instruments such as piano or organ, rather than guitar. In addition to the Indian pieces, Harrison wrote and arranged selections in Western musical styles. In some cases, these pieces were outlined to the musicians at the recording session by Harrison, on guitar, and they then improvised on his ideas. With other selections, he first made a 1454:, whom Harrison had invited to help run the Beatles' label in early 1968, later wrote of Gill's submission: "It was a nice painting but missed the essence of hope." To Gill's chagrin, Harrison requested that a brick be removed from the wall, because he deemed it important to "give the fellow on the other side a chance, just as the Jack MacGowran character had a chance ". 2157:, due to the doubling of the lead instrument in some of the Indian pieces; he comments on the significance of Harrison recording in India in January 1968: "There were now three Beatles who held firm artistic visions. The group was unraveling in earnest." Leng praises "Dream Scene" in particular, describing it as a "musical acid trip" that "rivals anything on 1594:, which led to the unearthing of the Remo Four's "In the First Place". A Manley–Ashton composition, "In the First Place" was released as a single in January 1999 with Harrison credited as producer, after Massot had incorporated the song into his new audio for the film. Harrison had played on the recording, but according to an article by 30: 2168:

as "an assured and varied collection of music that ... perfectly complemented the juxtaposition of the exotic and the ordinary that Massot's film depicted". Among the selections he highlights as transcending their soundtrack role, Inglis describes "Microbes" as "a beautiful example of Harrison's

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Author Robert Rodriguez writes that, although the brevity of each selection allowed little opportunity for progression beyond a basic motif, "sonically, the range explored even within the Western cues was astonishing". He adds: "The Indian cuts too were quite varied stylistically, showing open-minded

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in the magazine's "Hidden Gems" series, lamenting that "the album has become an obscure piece of Beatles trivia instead of what it is: a fascinating experiment from one of popular music's most interesting figures." Bierman wrote that, while the Beatles held a familiar role as pioneers in rock music's

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and Jack Ellory, taping the pieces "Swordfencing", "India", "Backwards Tabla" and "Backwards Tones". On 23 November, he carried out further work on some of these selections, with two oboe players, a trumpeter and two flautists. Authors Chip Madinger and Mark Easter state that some of these recordings

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as "a beguiling, charming snapshot of a moment in time". He says that, in response to the soundtrack restrictions, Harrison skilfully abbreviates the Indian raga form, "somehow capturing an essence, and condensing it to the fleeting, the elemental", while similarly presenting Western experimentalism

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pursuit." The track segues into "Guru Vandana", another Bombay-recorded piece featuring multiple shehnais. The title references Guru Vandana, a Hindu prayer in honour of God and one's teacher. "Greasy Legs" consists of harmonium and Mellotron, including parts played on the latter instrument's flute,

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score was Harrison's first opportunity to compose extensively for a single project. He later described how he went about preparing the music: "I had a regular wind-up stopwatch and I watched the film to 'spot-in' the music with the watch. I wrote the timings down in my book, then I'd go to , make up

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of Beatle solo albums", yet its true historical significance lies in its standing as "one of the first records to really bring Indian classical music into pop and rock, across the entire narrative of an album". Shambhu Das, who subsequently became a teacher and ambassador of Indian music in Canada,

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effect, over a rock rhythm and heavy tanpura drone. While Spizer and Everett credit all four electric guitar parts (two of which were taped backwards) to Clapton alone, he recalls that "we put down this thing and George then put backwards guitar on it." The seagull-like sounds of the guitars segue

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in which, as in Massot's film, two contrasting worlds are separated by a wall, with only a small gap allowing visual access between them. Harrison omitted his name from the list of performing musicians, leading to an assumption that he had merely produced and arranged the music. The 2014 reissue of

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The two Indian pieces "Love Scene" and "Crying" form another medley, with the first track featuring Khan's call-and-response sarod parts. Overdubbing was unprecedented in Indian music until this time, and Khan later said he was "thrilled" with the effect on "Love Scene", where the sarods " to each

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Among the highlights, D.J. Pangburn cited "Red Lady Too" as indicative that Harrison was "every bit the psychedelic equal of Lennon", and "Drilling a Home" as revealing him to be "an astute musicologist and modern-day interpreter, surpassing even McCartney". Pangburn said that "Greasy Legs" could

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considers "Dream Scene" to be "by far the most psychedelic and out-there piece by any Beatle to that time", adding that "towards the end you can almost anticipate Lennon's Revolution 9 coming in." Reid describes the album as, variously, "peculiar and terrific" and "one of the most interesting and

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and recent individual projects by Lennon and McCartney for Apple as evidence that the three bandmates had "musical ideas which cannot be related to the Beatles". He added: "Playing these albums again and again, the threat of the Beatles' dissolution has become increasingly apparent to me." In his

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from the 1940s. The performance includes steel guitar and contributions from the Remo Four, along with Reilly on harmonica. Returning to the Indian style, "Fantasy Sequins" combines tar shehnai with harmonium, played by Desad, and bell-like percussion known as khas. This track segues into "On the

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feel of the track is accentuated by an arrangement that includes tack piano, horns and banjo, with the last two sounds created through Ashton's use of different settings on the Mellotron. Author Ian Inglis writes of the effectiveness of "Drilling a Home": "its jangle piano instantly recreates the

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magazine, and an Apple-prepared poster that superimposed details from Gill's painting onto a photo of Harrison. The album's commercial impact was lessened by its unusual position of being the soundtrack to a film that had yet to receive a general release. The album failed to chart in the United

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It was fantastic really. The studio is on top of the offices ... if you listen closely to some of the Indian tracks on the LP you can hear taxis going by ... I mixed everything as we did it there, and that was nice enough because you get spoiled working on eight and sixteen tracks.

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According to author John Winn, "Fantasy Sequins" was the song being worked on when the BBC and Reuters crews filmed the 10 January session. Winn cites the line-up of musicians seen in the existing silent footage, and the fact that the visual images match the progression heard in the released

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Apple Records originally scheduled the release for late August 1968 to coincide with the label's launch, which was marked by the highly publicised release of its "First Four" singles. As a result, parts of "Ski-ing", "Cowboy Music" and "Wonderwall to Be Here" were included in

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A genius description and interpretation of how someone else is feeling. Their moods, loves, wants. A delicate light cobweb of music, Indian, Chinese, French Impressionist, Jingle-jangle piano, hot horn. The music of the '20s occurs throughout in evocative snatches … Like

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as a "groundbreaking blend of Bombay and London", while Kevin Howlett comments in his 2014 liner-note essay that Harrison's decision to "travel to the source" and professionally record non-Western music was "unprecedented for a pop musician". Graeme Thomson, writing in

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s reviewer rated it a "Vital Reissue" (signifying a re-release or compilation that merits "special artistic, archival, and commercial interest") and described the album as an "often enchanting sequence of 19 harmonious themes and tone poems" and an "intriguing treat".

1146:"Dream Scene" is a combination of segments that Harrison edited together. Along with "Ski-ing", it is the only track on the album that combines Indian and Western music. The song consists of three distinct pieces, the first of which is a meditative section containing 1623:

and based on a traditional Indian raga; an alternate instrumental take of "The Inner Light", which opens with Harrison's instructions to the musicians at HMV Studios; and "In the First Place" by the Remo Four". The reissue series was overseen by Harrison's son

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At various stages while working on the project, Harrison returned to Twickenham to ensure that each musical piece married up with its scene in the film; he later recalled: "it always worked. It was always right." Final mixing began on 31 January, and a late

1443:. Gill recalls that he first attended a meeting at the company's headquarters, where the four Beatles emphasised the importance of the album for their new record label and outlined the concept behind the film. Gill painted a picture in the style of Belgian 2954:

included the album in its 2015 list titled "20 Terrible Debut Albums by Great Artists". Keith Harris said that the Indian selections "reduced a complex tradition to a collection of hip background sounds" and he concluded: "The best thing you can say about

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magazine said of the 1992 CD release: "Of all the Beatles-related esoterica, this 1968 soundtrack album is one of the choicest treasures ... a freewheeling tapestry of music and sound ... a pastiche-like head trip with a mind all its own."

2298:" was a cover of a Harrison-produced song by the Radha Krishna Temple, and its B-side, "Gokula", used an identical guitar riff to the one on "Ski-ing", resulting in a co-writing credit for Harrison. The track "Ski-ing" was used as a walk-on song for 1009:, the number of distinct album tracks was reduced to twelve. On many of the Indian selections, instruments such as sitar, surbahar and harmonium provide a drone-like backing, over which Harrison's chosen instrument plays the main musical theme. 708:. Aashish Khan and Misra's contributions were recorded at Abbey Road, rather than later in India, since the pair were performing in London in December 1967. Barham attended this session and also contributed to some of the Western recordings for 480:, the contrast between their existences symbolised the division between traditional norms and the younger generation's progressive thinking. In his soundtrack for the film, Harrison conveyed this contrast further in terms of the duality between 1064:

piano, Mellotron, and drums". Ashton performed the tack piano part, with Barham supplying the lower-register piano accompaniment. On "Tabla and Pakavaj", Mahapurush Misra played the two types of hand drums named in the title, the barrel-shaped

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filmed Harrison working with three of the Indian musicians at HMV. A brief portion of this footage was broadcast in Britain on 11 January. In Menon's recollection, following each day's recording session, Harrison returned to his rooms at the

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In the original album credits, Harrison was listed as producer, writer and arranger but was not included among the performers, leading to an assumption that he did not play on the recordings. After consulting Barham in 2002 for his book

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film, it becomes "very apparent what the title of each track should be", given the context in which the two songs appear. Although the order was correct on US copies, the latter mis-titled "Cowboy Music" as "Cowboy Museum" in the track

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A protégé of Shankar's, Das had handled much of Harrison's sitar tuition during the latter's visit to India in late 1966. Harrison sent Das a telegram on 29 December 1967, requesting "2 or 3 shanhai 3 sitar and one dha shanhai" for the

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The Fool were the Beatles' preferred designers over 1967–68. In addition to carrying out individual assignments for Harrison and Lennon, they painted a three-storey-high mural on the outside wall of the band's new retail venture,

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joined Harrison to record "Ski-ing" on 2–3 January. Credited only on the US release, under the pseudonym "Eddie Clayton", Clapton's appearance marked the first of several collaborations between him and Harrison over 1968–71.

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a whole, it's a fascinating if musically slender mishmash of sounds from East and West, everything casually juxtaposed or superimposed without a care in the world ... As this and Harrison's second experimental release,

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Having been allocated a budget of £600, Harrison eventually spent £15,000 on recording the film soundtrack, paying the difference himself. One of the non-soundtrack pieces taped at the end of the Bombay sessions was

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pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote

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sessions were officially Harrison's first as a producer, although he had directed the recording of "Love You To" and "Within You Without You" over 1966–67 with minimal input from Martin and the other Beatles.

3955: 1196:-effected lead guitars, one of which resembles the sound of a human voice; phase-shifted treatment on the acoustic rhythm guitar; and additional drums and percussion, possibly played by Starr. Writing for 846:

in India. The shehnai players were Sharad Kumar and Hanuman Jadev, while the tar shehnaist was Vinayak Vora. Shambhu Das and Indranil Bhattacharya were the sitarists, and Chandrashekhar Naringrekar played

629:. Leng describes Barham as Harrison's "fellow traveler", due to the two musicians' shared appreciation of Indian classical music. He adds that their musical compatibility made Barham a natural choice over 1162:, and more backwards tape loops. The song fades out with a slowed-down spoken voice over the sound of church bells. Leng notes that "Dream Scene" was recorded several months before Lennon's experimental 5391: 1338:

Inglis writes that Massot was impressed with "the accuracy with which illustrated and enhanced the images on screen". Massot asked Harrison to provide the soundtrack for a new film he had written,

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gave it a "glowing review". The magazine's writer, Gordon Gow, said that "the Harrison music replaces dialogue, waxing almost vocal like a cinema organist from the silent days." In his review for

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and studiously documented his observations on the sounds and nuances of the various Indian instruments. Menon described the process as "a kind of immersion for him into the folk music of India".

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from one side to the other across the stereo image. The other two pieces include a section comprising Barham's piano and flutes, followed by a trumpet solo, harmonica interspersed with a

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film contained nineteen of Harrison's "musical cues and tracks ... ranging anywhere from ten seconds to a couple of minutes in length" that were omitted from the soundtrack album.

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was an example of the Beatles beginning to "stretch out on their own separate tethers" and described the mix of Indian and Western music as "moody and pretty". According to Clayson,

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also contributed on bansuri, but only after the soundtrack pieces had been completed, and the efficient progress of the sessions allowed Harrison to record some other compositions.

1491:, in 1960. Clayson cites Kirchherr's involvement as an example of Harrison's efforts to ensure that friends from the Beatles' pre-fame years were included in the Apple enterprise. 518:

Given full artistic control by Massot, Harrison approached the project as an opportunity to further educate rock and pop audiences in aspects of Indian music. Having incorporated

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with having established Harrison as "a pioneer in fusing global music", and Madinger and Easter similarly view it as "an early example of what would eventually become known as '

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songs ('Red Lady Too' and 'Party Seacombe')". Williams describes the album as "a treat from start to finish" offering "an innocent optimism that will always be worth a listen".

488:-aligned spiritual convictions. According to author Simon Leng: "The lack of dialogue left acres of room for music to speak, and a soupçon of cosmic apotheosis also helped ... 6826: 1017:, Leng credited Harrison as a performing musician, and Spizer also recognised him in his track-by-track list, published in 2005. The performer credits in the 2014 reissue of 2915:

Following the Cannes festival, the producers were unable to secure wide distribution for the film, which had a brief cinema run in London after opening at the CineCenta in

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s review read: "Heavily Indian-influenced music written, arranged and produced by George for the film. Much of the music fails to have much point away from the pictures."

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Author Peter Lavezzoli recognises "Harrison's dry humor" in "the honky-tonk, piano-driven" "Drilling a Home". The song is subject to dramatic changing of pitch, from the

7298: 947:, completing stereo and mono versions of the album. Harrison then went back to India on 15 February, with Lennon and their wives, to study meditation with the Maharishi 6864: 1404: 1387:

in Los Angeles, in June 1968, he decided to abandon his sitar studies and return to his first instrument, the guitar. In an interview to promote his Apple signing

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For his part, Harrison was dismissive of the Western music on the album; in the 1980s he referred to it as "loads of horrible mellotron stuff and a police siren".

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George told me he'd like me to play on something, or we'd write something as we went along ... You know, it was very experimental, and it was good fun.

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represented a style of music he had moved on from in recent months, "I still like . I still think it's very good." He later cited the Bombay sessions for

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may have been used as musical cues in the film but excluded from the soundtrack album, while "Swordfencing" was a piece that Harrison incorporated into "

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Well I remember that wall, that brick ... Bob Gill and I never quite recovered our compatibility but the brick did have to go. Were we right? Yes.

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Madinger and Easter similarly comment that Harrison's contribution to "Revolution 9" "may have been understated in retrospect after listening to this".

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other like two lovers in a romantic mood". The piece resulted from Barham's suggestion that Khan play Mauj-Khamaj, a raga created by his grandfather,

5320: 2811:, shorter fadeouts were used on some of the tracks. "Red Lady Too" was given a slightly longer fadeout, relative to the stereo mix, along with heavy 2889:

after joining Harrison in Rishikesh and witnessing him engaged in "some sort of meditation duel with Lennon to see who was the stronger character".

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as "a soundtrack to a rarely seen film, though Harrison's music was inventive and the album remains among his best works". In the 2004 edition of

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project marked the end of Harrison's direct involvement with Indian music as a musician and songwriter, it inspired his later collaborations with

7418: 625:. A classically trained pianist and musical arranger, Barham annotated some of the melodies that Harrison sang to him and transcribed them onto 7428: 5863: 905:

writes that Harrison played piano, guitar and Mellotron on some of the Western tracks. In addition, according to Manley, Harrison provided the

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I was getting so into Indian music by then that I decided to use the assignment as an excuse for a musical anthology to help spread the word.

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touched on themes that would come to preoccupy George Harrison – critically, the objectification of celebrities and the shallowness of fame."

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recognises his contributions on keyboards and guitar. The album was first remastered for CD release in 1992, for which former Apple executive

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into "Gat Kirwani", a fast-paced Indian piece with Aashish Khan on sarod, backed by sitar and Misra's tabla. The performance is based on the

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new developments, the album showed Harrison breaking away and "creating fresh and unique sounds" of his own. In February 2011, the website

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had become unavailable. It was Harrison's first formal music project outside the Beatles and coincided with his continued immersion in

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was remastered and issued on CD in June 1992, as part of Apple's campaign to reissue its entire catalogue. The CD booklet contained

830:, the Indian players were "fascinated" to be following Western rules of harmony for the first time. The musicians were recruited by 7185: 439: 1619:. The reissue added three bonus tracks: the previously unreleased "Almost Shankara", titled after an epithet for the Hindu deity 5717: 1512:. The release date was 1 November 1968 in Britain (with Apple catalogue number SAPCOR 1), only three weeks before the Beatles' " 429:. Since 1966, this association with India had given Harrison a distinct musical identity beside the band's primary songwriters, 7236: 2776:, the tabla tarang consists of between ten and sixteen individually tuned hand drums, specifically the tabla's treble-variety 2099:

represents "an exploded diagram of a Beatles album", which includes "reamy miniature ragas", "a pub knees-up gatecrashed by a

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part on "Cowboy Music", even though Manley is credited on the album sleeve. Also present at the sessions were Dutch designers

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is that it's probably more historically significant than the LP of experimental twaddle John Lennon released a month later ."

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instrumentation such as tabla tarang, harp (swarmandal) and sitar, and singing. The music is delivered via backwards-played

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range from just over a minute in length to five-and-a-half minutes. On some pressings of the 1968 LP, various pieces lacked

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Harrison recorded the rest of the Indian selections between 9 and 13 January at HMV Studios in Bombay. In contrast to the

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project marked the end of Harrison's overtly Indian musical phase. After filming his scenes for the Shankar documentary

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was similarly inadequate, resulting in traffic noise from the street below appearing on pieces such as "In the Park".

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in his work with the Beatles, Harrison sought to include less well-known Indian musical instruments. Among these, the

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with Massot and was intrigued by the storyline. The film's premise concerns a lonely professor (played by Irish actor

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listeners that there was more to the country's music than twanging sitars and thumping tablas." Simon Leng considers

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were credited for designing the album's artwork. For the back cover of the LP, Harrison chose a photo of part of the

5916: 1615:. The CD booklet includes a liner-note essay by author Kevin Howlett and an introduction by British Indian composer 1044:

The album opens with "Microbes", which consists of call-and-response shehnai parts and was partly based on the raga

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in 2005, Adrian Thrills described the track as "Whimsical '60s psychedelia from George's experimental dabblings".

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s pop LPs listings, it had a sixteen-week chart run, peaking at number 49 for two weeks in March 1969. On the US

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carried out at Abbey Road, the music was captured on a two-track tape machine, which replaced the studio's usual

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a piece, record it." As with his songs for the Beatles over this period, including "Within You Without You" and "

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is recognised for its inventiveness in fusing Western and Eastern sounds, and as being a precursor to the 1980s

7433: 7100: 5240:"Collector's Edition of 'Wonderwall,' 1968 Film Scored by George Harrison, to Be Released on DVD & Blu-ray" 3172: 1292: 2279:" from that of Harrison's album. Like Clayson, music journalist Chris Ingham sees the most obvious example of 546:, traditionally used in religious ceremonies, was an instrument that Harrison had enthused about after seeing 289:

Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and

7122: 6557: 6147: 2773: 2092: 2015: 1910: 1225:. Described by Madinger and Easter as "aptly titled", "Crying" contains the mournful tones of a tar shehnai. 1053: 2307: 1093:, through the tape being sped up. In the film, only the portion up to the sound of a rainstorm is used. The 380:". Harrison's full soundtrack for the film was made available on DVD in early 2014, as part of the two-disc 7199: 6609: 1277: 910: 1335:

therefore became Apple's first album release, as well as the first solo album by a member of the Beatles.

7157: 6854: 6762: 6708: 5131: 2713: 1611: 1598:, he eschewed any credit as a performer. In March 2014, Harrison's full soundtrack was made available on 445: 386: 5594: 7378: 7311: 6902: 6801: 2295: 1651: 1070: 820: 766:, although his contribution, recorded in December 1967, was to a track that only appeared in the film. 250:

by introducing rock audiences to instruments that were relatively little-known in the West – including

472:) and his increasing obsession with his female neighbour, a fashion model named Penny Lane (played by 7423: 7250: 7192: 7178: 4627: 2070: 967:" in March 1968, a release that served to cover the band's absence in Rishikesh. The Remo Four song " 450: 6486:

World Music: The Rough Guide (Volume 2: Latin and North America, Caribbean, India, Asia and Pacific)

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over a musical backing of harmonium and bansuri. The piece is an early example of Harrison blending

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once described it as "the greatest soundtrack he had heard", according to Massot's recollection to

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After returning to England on 18 January, Harrison recorded the majority of the Western music for

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consisted of print advertising, including a full-page advertisement in the 14 December issue of

476:), whom he spies on via a hole in the wall separating their apartments. In the context of 1960s 2431: 2019:, however, Mac Randall gave the release two-and-a-half stars (out of five) and grouped it with 1609:

The album was remastered again and reissued in September 2014, as part of the Harrison box set

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things my Dad with Ravi, and the Beatles' best freakouts". Coinciding with this reissue, the

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sessions, although the track remained unreleased until the late 1990s. In 1993, Harrison told

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played on the soundtrack after Harrison had asked Martin to suggest a good harmonica player.

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was screened publicly for the first time at a 1960s film festival in Hollywood in June 1999.

7320: 7229: 7025: 6644: 6602: 6107:, 2010; produced by Olivia Harrison; package design by Drew Lorimer & Olivia Harrison). 5933: 5889: 5809: 5531: 5040: 2848: 2030: 1826: 1525: 1320: 1296: 948: 886: 788: 651: 5739:, britishbeatlesfanclub.co.uk, 29 December 2011 (archived version retrieved 15 July 2014). 2074:

similarly identified the album as one of Harrison's two "Forgotten Solo Gems", along with

384:. In September that year, the album was reissued in remastered form as part of Harrison's 8: 6897: 5948: 5828: 5694: 5599: 5580: 5452: 4423: 3405: 3190: 2658: 1898: 1886: 1689: 1513: 1348:

and released in 1970. Although Harrison declined, he later supplied incidental music for

1304: 1229: 1172: 923: 782:– Harrison in 1992, recalling the primitive recording facilities at HMV Studios in Bombay 681: 509: 83: 3956:"Macca's banjo, Mellotron and a Monkee: The story of George Harrison's Wonderwall Music" 2745:

According to Madinger and Easter, in addition to most of what appears on the album, the

1283:

The album closes with "Singing Om", in which a male Indian voice chants the sacred term

293:. One of his collaborators on the project was classical pianist and orchestral arranger 7086: 7045: 6923: 6912: 6907: 6884: 6392: 6104: 2413: 2360: 2272: 2109: 1539: 1135: 968: 800: 677: 668: 583: 275: 117: 79: 5624:

Nigel Williamson, "All Things Must Pass: George Harrison's post-Beatles solo albums",

5323:, georgeharrison.com, 2 September 2014 (archived version retrieved 29 September 2014). 437:. While he had minimal interest in the Beatles' main projects during 1967 – the album 7305: 7115: 7093: 6489: 6475: 6460: 6442: 6415: 6400: 6382: 6358: 6340: 6325: 6307: 6292: 6277: 6262: 6236: 6218: 6200: 6185: 6155: 6137: 6118: 6084: 6066: 6051: 6036: 6021: 6003: 5988: 3300: 2276: 2059: 1683: 1637: 1583: 1436: 1427: 1370: 579: 417: 377: 349: 225: 5690:"George Harrison Revisited, Part One (2014): The dark horse bolting out of the gate" 5089:, Abbeyrd's Beatle Page (archived version from 16 July 2012; retrieved 30 May 2017). 2294:, who also adopted lyrical influences from Harrison's work. The band's 1996 single " 2213:': the mixing of Western music with other types from around the globe". In his book 680:" on the album. Over this period, Harrison also worked at a second London location, 7164: 6890: 6808: 6595: 6372:: 1000 Days of Revolution (The Beatles' Final Years – Jan 1, 1968 to Sept 27, 1970) 6171: 5903: 5675: 5626: 3028: 2974: 2916: 2583: 2525: 2087: 2023:

as being "interesting, though only for established fans". In a 2011 assessment for

1948: 1744: 1739: 1484: 1340: 1238: 1209: 1184:"Party Seacombe" includes a rock accompaniment that Clayson likens to the style of 1099: 878: 852: 302: 271: 195: 38: 6520: 1483:

The LP's sleeve insert included a black-and-white photograph of Harrison taken by

1447: 7206: 7143: 6988: 6940: 6869: 6573: 6427: 6210: 5549: 4815: 3702: 3139: 2933: 2492: 2483: 2445: 2237:

as the rock musicians most responsible for popularising world music. Writing for

2025: 1838: 1723: 1642: 1233: 1155: 1147: 1002: 870: 704:

Mahapurush Misra, the last of whom was the regular accompanist to Khan's father,

686: 477: 398: 216: 171: 164: 159: 43: 2406:

Track numbers 1 to 19 of the original release, with the following bonus tracks:

646: 7266: 7223: 7050: 6994: 5243: 2791: 2629: 2299: 2218: 1625: 1555: 1359: 1350: 1345: 1222: 1045: 1006: 705: 672: 551: 547: 469: 434: 7372: 7150: 7020: 7015: 6946: 6317: 6251: 6110: 5803:, 19 September 2014 (archived version retrieved 3 June 2017); Timothy White, 5722: 5657: 5509: 5411: 5395: 5358: 4124: 4103: 4071: 3586: 2942:, during which Clapton and Birkin discuss their participation in the project. 2903: 2643: 2571: 2421: 2230: 2222: 2033:

said it was "As subtly inventive as you'd expect, though hardly compulsory."

2006: 1749: 1616: 1473: 1328: 1300: 1232:

piece that Inglis likens to the incidental music typically heard in American

1198: 1193: 1163: 1103: 982: 940: 856: 804: 796: 724: 630: 626: 314: 306: 283: 279: 238: 152: 5392:"Inside George Harrison's Archives: Dhani on His Father's Incredible Vaults" 5372:"Give Me Love: George Harrison's 'Apple Years' Are Collected on New Box Set" 2999:

in the late 1990s was due to the interest generated through Oasis' hit song.

1636:

as his personal favourite of his father's Apple solo albums and "a cross of

1205: 7040: 7035: 6978: 6537: 6452: 6434: 6076: 5985:

The Love There That's Sleeping: The Art and Spirituality of George Harrison

5980: 5963: 5482: 5467: 5425: 3960: 3167: 2970: 2795: 2672: 2604: 2531: 2513: 2487: 2264: 2248: 2191: 1728: 1712: 1629: 1579:

and a photo of Harrison working with some of the Indian musicians in 1968.

1545: 1451: 1423: 1388: 1364: 1167: 1159: 1118: 1085: 977: 964: 906: 902: 862: 827: 750: 697: 671:) in London. That day, Harrison recorded with a tabla player and flautists 622: 611: 607: 422: 411: 373: 358: 338: 318: 298: 242: 147: 1710:

Miles concluded by describing it as a "gentle human record". By contrast,

1399:

as the inspiration for his 1974 collaborations with Shankar – namely, the

690:

magazine, the sessions continued at Abbey Road on 11, 20 and 31 December.

7334: 7280: 7129: 7055: 7000: 6972: 6967: 6962: 6787: 6651: 6350: 6013: 5227: 2842:

In 1981, Harrison used part of this recording of "Crying" at the end of "

2706: 2599: 2559: 2519: 2473: 2459: 2417: 2303: 2291: 2234: 2210: 1694: 1572: 1477: 1466: 1383: 1355: 1324: 1291:

chanting with Western harmony, a concept that he explored further in his

1077: 936: 914: 843: 831: 759: 746: 728: 618: 587: 555: 481: 473: 430: 406: 369: 322: 310: 294: 270:. The Indian pieces are contrasted by Western musical selections, in the 259: 234: 122: 100: 6197:

Here Comes the Sun: The Spiritual and Musical Journey of George Harrison

1654:

in Los Angeles, partly hosted by music journalist and television writer

869:

whose past work included film scores and ballets with vocalists such as

233:. Released in November 1968, it was the first solo album by a member of 7327: 7107: 7030: 7005: 6917: 6879: 6508: 6472:

That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970

6228: 6177: 5824:"JOE MASSOT INTERVIEWED (2001): And after all, you're my wonder wall …" 2685: 2477: 2467: 2463: 2268: 2226: 2182: 2148: 1875: 1655: 1444: 1257: 1185: 1061: 913:– Simon Posthuma, Marijke Koger and Josje Leeger – who had created the 755: 736: 717: 713: 527: 402: 230: 220: 5321:"Announcing The Apple Years 1968–75 Box set – Released 22nd September" 2177:

According to Dale, as the first solo release by a member of the band,

2043:, undoubtedly proved, pigeonholing this Beatle was a dangerous thing. 415:

in early 1965. He agreed to write the musical score for Massot's film

5334:"One Track Mind: George Harrison, 'The Inner Light (alt. take)' from 5302:"Review: The George Harrison Remasters – 'The Apple Years 1968–1975'" 2508: 2453: 2449: 2287: 2195: 2187: 2104: 2100: 1151: 944: 740: 112: 4161:, culturebase.net, 2007 (archived version retrieved 6 October 2014). 1628:, also a film-score composer. In an interview with music journalist 309:

and Mahapurush Misra. The Western music features contributions from

6874: 6525: 5867: 5261: 4801: 4487: 4386: 3611: 2899: 2824:

Harrison sourced the vocals from EMI's sound library at Abbey Road.

2812: 2578: 2545: 2498: 2275:. Of these bands, Oasis took the title of their international hit " 2049: 1789: 1602:

when the original cut of the film was included in the two-disc set

1273: 1244: 1066: 848: 815: 792: 732: 485: 6542: 6063:

All Together Now: The First Complete Beatles Discography 1961–1975

5355:"George Harrison's First Six Studio Albums to Get Lavish Reissues" 4284: 4282: 3481:, georgeharrison.com (archived version retrieved 1 February 2021). 1530:

Kingdom, but performed surprisingly well in the United States. On

6513: 5535:, 18 July 1992, p. 48 (archived version retrieved 24 March 2017). 5246:, 17 February 2014 (archived version retrieved 27 December 2017). 4444: 4442: 3829: 3827: 3825: 3823: 3821: 2995:

In a 2001 interview, Massot said that his decision to re-release

2593: 2587: 2551: 2260: 2259:

Clayson says that the album's influence was evident on mid-1990s

1213: 1140: 1094: 1081: 1034: 917:-themed sets for Massot's film. Well known for his theme tune to 882: 811: 795:

equipment. Harrison recalled that EMI India's managing director,

575: 543: 531: 523: 267: 263: 251: 6136:, Rolling Stone Press/Simon & Schuster (New York, NY, 2002; 5893:, 25 October 1996 (archived version retrieved 29 November 2014). 5698:, 24 October 2014 (archived version retrieved 17 February 2021). 5378:, 2 September 2014 (archived version retrieved 3 February 2021). 5361:, 2 September 2014 (archived version retrieved 23 October 2017). 4631:, 25 February 2011 (archive version retrieved 17 November 2017). 1559:

albums chart and in West Germany, where it peaked at number 22.

1021:

rectified the situation, and list Harrison on piano and guitar.

943:

were added to "Dream Scene". Harrison mixed the recordings with

4712: 4710: 4279: 3811: 2318:

All selections written by George Harrison, except where noted.

1241:

on bass. Harrison overdubbed the sitar-like steel guitar part.

1005:

rills between them; with these selections instead presented as

960: 595: 329:

but not on the soundtrack album, and the Beatles' 1968 B-side "

290: 90: 6457:

Working Class Mystic: A Spiritual Biography of George Harrison

6050:(4th edn), Fireside/Simon & Schuster (New York, NY, 2004; 5805:"Magical History Tour: Harrison Previews 'Anthology Volume 2'" 5344:, 19 September 2014 (archived version retrieved 26 June 2017). 5308:, 23 September 2014 (archived version retrieved 4 April 2016). 4439: 4002: 4000: 3998: 3996: 3994: 3992: 3990: 3988: 3818: 3809: 3807: 3805: 3803: 3801: 3799: 3797: 3795: 3793: 3791: 3276: 3274: 3272: 3270: 3268: 3266: 3264: 2902:" by the Beatles, these four singles included Lomax's debut, " 667:

soundtrack took place on 22 November 1967 at EMI Studios (now

621:, who had studied composition under Harrison's sitar teacher, 297:, while other contributors include Indian classical musicians 2777: 2563: 2541: 2535: 2256:"a world music crossover before such a notion even existed". 1620: 1549:

charts, the album peaked at numbers 39 and 33, respectively.

1288: 1127: 1049: 1037:, one of several Indian musical instruments Harrison used on 763: 701: 694: 567: 559: 535: 519: 255: 6322:

Revolution in the Head: The Beatles' Records and the Sixties

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film and soundtrack was the subject of an event held at the

739:(or jangle) piano and organ, and played the majority of the 7299:

Songs from the Material World: A Tribute to George Harrison

6115:

You Never Give Me Your Money: The Beatles After the Breakup

5795:"George Harrison, 'The Apple Years 1968–75' – Album Review" 4427:, 20 October 2016 (archived version retrieved 6 July 2017). 3985: 3788: 3261: 1253: 1131: 859:, although the original album credits listed him on sitar. 571: 539: 7321:

Harrison on Harrison: Jazz Explorations of George Harrison

6304:

While My Guitar Gently Weeps: The Music of George Harrison

5414:, September 2014 (archived version retrieved 30 May 2019). 5164:, Charts Surfer (archived version retrieved 4 March 2017). 3304:, 5 January 2012 (archived version retrieved 25 May 2017). 3194:, 9 October 2011 (archived version retrieved 12 May 2017). 1188:, and the song equally recalls the Beatles' instrumental " 1029: 348:

The album cover consists of a painting by American artist

6412:

The British Invasion: From the First Wave to the New Wave

4906: 4678: 3964:, 24 March 2017 (archived version retrieved 26 May 2017). 3590: 2118:

courageously different of solo albums". In a review for

1599: 918: 6152:

The Beatles as Musicians: Revolver Through the Anthology

6000:

The Beatles Diary Volume 2: After the Break-Up 1970–2001

5793:

Bennett & Stratton, pp. 118, 146; Michael Gallucci,

5726:, 15 November 2010, p. A12 (archived version retrieved). 5525:

Melinda Newman, Chris Morris & Edward Morris (eds),

5450:

Barry Miles, "Magic Music, Nova Music, & Pink ...",

5265:, 2 April 2014 (archived version retrieved 29 May 2017). 4375: 1757:"clearly shows" Harrison to be a "consummate musician". 554:

in August 1967. Also prominent on the soundtrack is the

364:

While viewed as a curiosity by some rock music critics,

333:" also originated from his time in Bombay. Although the 5480:

Geoffrey Cannon, "The Beatles: Too Big for the Band?",

3577: 3575: 3573: 3571: 3569: 3567: 3565: 3563: 1358:, before going on to contribute to soundtracks for his 1284: 641: 582:

with up to 100 strings. Having used personnel from the

558:, a bow-played string instrument that is similar to an 325:. Harrison recorded many other pieces that appeared in 6246:

Kevin Howlett, "Wonderwall Music" (liner note essay),

5570: 5568: 5149:, charts.de (archived version retrieved 14 July 2014). 3399: 3397: 3395: 3393: 3391: 1216:, an instrument he pioneered in Indian classical music 803:

recorder, by train from Calcutta. The Bombay studio's

5326: 5316: 5314: 5081: 5079: 5077: 4763:

Mojo Special Limited Edition: 1000 Days of Revolution

4330:

Mojo Special Limited Edition: 1000 Days of Revolution

4308:

Mojo Special Limited Edition: 1000 Days of Revolution

4067:"Good enough to teach the Beatles, but not to record" 3330:

Mojo Special Limited Edition: 1000 Days of Revolution

3324: 3322: 3320: 3318: 3316: 3314: 3312: 3310: 2932:

Portions of "Ski-ing" and "Party Seacombe" appear in

6379:

Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980

4617: 4615: 4613: 4516: 4514: 3560: 6337:

Eight Arms to Hold You: The Solo Beatles Compendium

6035:(rev. edn), Ashgate Publishing (Farnham, UK, 2013; 5813:, 9 March 1996, p. 89 (retrieved 2 September 2015). 5565: 5291:, Disc 1; event occurs between 1.20.46 and 1.22.37. 4607:, Disc 1; event occurs between 1.21.12 and 1.21.16. 4572:, Disc 1; event occurs between 1.21.06 and 1.21.19. 4159:"Kamalesh Maitra: The last master of tabla taranga" 3950: 3948: 3388: 3296:"Hidden Gems: George Harrison's 'Wonderwall Music'" 1121:, discussing his involvement on the track "Ski-ing" 5311: 5216: 5074: 4169: 4167: 4116: 4114: 4112: 4094: 4092: 4090: 3307: 3254: 3252: 3250: 3248: 3246: 3244: 3242: 2780:, which are set in a semicircle around the player. 2103:band ('Drilling A Home')" and "the bones of early 1098:mood of a crowded saloon in a frontier town, or a 617:Harrison collaborated on much of the project with 390:box set, with the addition of three bonus tracks. 69:22 November 1967 – 11 February 1968 6184:, Visible Ink Press (Farmington Hills, MI, 1999; 5840: 5838: 5408:"Reel to Reel: Wonderwall & Wonderwall Music" 4610: 4590: 4588: 4586: 4584: 4582: 4580: 4578: 4511: 4413: 4411: 4409: 4407: 3403:Timothy White, "George Harrison – Reconsidered", 3290: 3288: 3286: 3186:"George Harrison, 'Living in the Material World'" 1508:instead appeared in November, a few weeks before 1344:, a western that was eventually made by director 723:The main participants on the Western pieces were 633:, the Beatles' producer and orchestral arranger. 7370: 5294: 5161:Enter album name; select "Deutsche Album-charts" 5142: 5140: 4458: 4456: 4454: 4084:Telegram to Shambhu Das, in The Beatles, p. 280. 3978: 3976: 3974: 3972: 3970: 3945: 3756: 3754: 3752: 3750: 3748: 3746: 3744: 3742: 3682: 3680: 3553: 3551: 3549: 3547: 3545: 3543: 3541: 3539: 3537: 3535: 3022: 3020: 3018: 3016: 3014: 2871:Madinger and Easter note that after viewing the 2172: 1052:-time "Red Lady Too" includes what musicologist 901:with the Remo Four, again at Abbey Road. Author 892: 215:is the debut solo album by the English musician 6154:, Oxford University Press (New York, NY, 1999; 5663: 5543: 5541: 4663: 4661: 4490:(archived version retrieved 14 September 2014). 4227: 4225: 4223: 4221: 4219: 4217: 4215: 4213: 4211: 4209: 4176: 4164: 4109: 4087: 3902: 3900: 3898: 3732: 3730: 3239: 3232: 3230: 3228: 3218: 3216: 3214: 3212: 3210: 3208: 3206: 3204: 3202: 3200: 3165:Nick Jones, "Beatle George and Where He's At", 3143:, February 2002, p. 22 (retrieved 12 May 2017). 3055: 3053: 3051: 1143:, which Harrison had suggested that Khan play. 5835: 5347: 5134:(archived version retrieved 22 February 2017). 4575: 4404: 4397: 4395: 4389:(archived version retrieved 20 November 2016). 3861: 3859: 3857: 3781: 3779: 3777: 3775: 3670: 3668: 3666: 3664: 3662: 3614:(archived version retrieved 24 February 2021). 3283: 3178: 2186:recognises the album as having helped inspire 1916: 1794: 1737:review of Harrison's 1969 experimental album, 1430:over Harrison's alteration to his cover design 1354:(1974), a film he produced under the aegis of 1310: 1299:, and also in his post-Beatles songs such as " 939:session took place on 11 February, when extra 799:, personally delivered this machine, a STEEDS 7260:George Harrison: Living in the Material World 6558: 6355:The Beatles Diary Volume 1: The Beatles Years 6215:George Harrison: Living in the Material World 6167:George Harrison: Living in the Material World 6103:box set by Ravi Shankar and George Harrison ( 6046:Nathan Brackett & Christian Hoard (eds), 5847: 5521: 5519: 5386: 5384: 5289:George Harrison: Living in the Material World 5276:George Harrison: Living in the Material World 5137: 4651: 4649: 4647: 4645: 4643: 4641: 4639: 4637: 4605:George Harrison: Living in the Material World 4570:George Harrison: Living in the Material World 4474: 4472: 4470: 4468: 4451: 4199: 4197: 4016: 4014: 4012: 3967: 3739: 3677: 3532: 3011: 2939:George Harrison: Living in the Material World 1439:to produce a painting for the front cover of 1391:, in September, Harrison said that, although 6339:, 44.1 Productions (Chesterfield, MO, 2000; 6199:, John Wiley & Sons (Hoboken, NJ, 2006; 6020:, Chronicle Books (San Francisco, CA, 2000; 5870:(archived version retrieved 14 August 2014). 5611: 5609: 5538: 5499:Edmund O. Ward, "John Lennon & Yoko Ono 5446: 5444: 5287:Eric Clapton and Jane Birkin interviews, in 4658: 4252: 4206: 4127:ST 3350, 1968; produced by George Harrison). 3895: 3727: 3696: 3694: 3692: 3652: 3650: 3648: 3646: 3644: 3642: 3363: 3361: 3359: 3349: 3347: 3225: 3197: 3048: 1954: 1844: 18:1968 soundtrack album by George Harrison 5147:"Album – George Harrison, Wonderwall Music" 4392: 3854: 3772: 3763: 3659: 3473: 3471: 3469: 3467: 3465: 3111: 3109: 3107: 3105: 3029:Uncut Ultimate Music Guide: George Harrison 3026:Jon Dale, "George Solo: Wonderwall Music", 1760: 1582:In November 1997, Massot began preparing a 989:had been his most enjoyable album to make. 885:(bamboo flute) was played by S.R. Kenkare. 693:The contributing musicians included Indian 237:, and the first album issued on the band's 6827:1974 North American tour with Ravi Shankar 6565: 6551: 6474:, Three Rivers Press (New York, NY, 2009; 6441:, 498 Productions (New Orleans, LA, 2005; 6182:MusicHound Rock: The Essential Album Guide 6061:Harry Castleman & Walter J. Podrazik, 5516: 5381: 5230:(archived version retrieved 30 June 2014). 4634: 4465: 4194: 4009: 3700:Mat Snow, "George Harrison: Quiet Storm", 3463: 3461: 3459: 3457: 3455: 3453: 3451: 3449: 3447: 3445: 3171:, 16 December 1967, pp. 8–9; available at 1567:Having been out of print since the 1970s, 495: 372:trend. The album's title inspired that of 29: 5606: 5441: 4904:Alan Smith, "George Is a Rocker Again!", 4804:(archived version retrieved 13 May 2017). 3689: 3639: 3356: 3344: 2137: 1248:An encased, three-octave Indian harmonium 7172:Ravi Shankar's Music Festival from India 6935:Ravi Shankar's Music Festival from India 6065:, Ballantine Books (New York, NY, 1976; 5902:B-side label credits, "Govinda" single ( 4306:Mark Paytress, "A Passage to India", in 3367:George Harrison, in The Beatles, p. 280. 3102: 1456: 1323:on 17 May 1968, accompanied by his wife 1315:Harrison attended the world premiere of 1243: 1204: 1028: 838:in Bombay, and Vijay Dubey, the head of 645: 6381:, Backbeat Books (Milwaukee, WI, 2010; 6033:Britpop and the English Music Tradition 6031:Andy Bennett & Jon Stratton (eds), 5119: 5117: 4761:"Timeline: May 16 – June 19, 1968", in 3442: 2434:" (alternate take, instrumental) – 3:43 1765: 1666: 855:version of the sitar). The tablist was 769: 743:parts that are prominent on the album. 731:(keyboards), Phillip Rogers (bass) and 684:. According to a contemporary issue of 7419:Albums with cover art by Alan Aldridge 7371: 7237:Blue Suede Shoes: A Rockabilly Session 6770:George Harrison – The Vinyl Collection 6488:, Rough Guides/Penguin (London, 2000; 6274:The Words and Music of George Harrison 6261:, Rough Guides/Penguin (London, 2003; 5906:, 1996; produced by Shep & Dodge). 5618: 4623:"George Harrison: Forgotten Solo Gems" 4419:"The Wild World of WONDERWALL's Music" 2129:issue on Harrison, Jon Dale describes 1553:also placed in the top 30 on Canada's 586:in north London on his Beatles songs " 562:. Other instrumentation introduced on 7429:World music albums by English artists 7186:Nobody's Child: Romanian Angel Appeal 6723:Let It Roll: Songs by George Harrison 6546: 6425:Michael Simmons, "Cry for a Shadow", 6254:, 2014; produced by George Harrison). 5961:Andy Goberman (ed.), "100 Top LP's", 5595:"George Harrison: Il Mantra del Rock" 4106:, 2014; produced by George Harrison). 3593:, 1992; produced by George Harrison). 3032:, TI Media (London, 2018), pp. 38–39. 1775: 1661: 1426:, recalling difficulties with artist 1377:Together with "The Inner Light", the 440:Sgt. Pepper's Lonely Hearts Club Band 6930:Material World Charitable Foundation 6832:1991 Japanese tour with Eric Clapton 6306:, Hal Leonard (Milwaukee, WI, 2006; 6289:The Dawn of Indian Music in the West 6276:, Praeger (Santa Barbara, CA, 2010; 5204:Madinger & Easter, pp. 420, 422. 5186:Madinger & Easter, pp. 420, 633. 5114: 4683:, IPC Ignite! (London, 2005), p. 23. 4681:: Beatles – The Solo Years 1970–1980 4436:Madinger & Easter, pp. 420, 421. 4383:"The Remo Four 'In the First Place'" 4328:"Timeline: Jan 1 – Feb 3, 1968", in 2906:", written and produced by Harrison. 2815:treatment on one of the piano parts. 2480:, organ, Mellotron, piano, harmonium 2215:The Dawn of Indian Music in the West 1362:productions in the 1980s, including 1252:"Glass Box" is "a high-speed Indian 642:London, November 1967 – January 1968 7011:A.C. Bhaktivedanta Swami Prabhupada 6572: 6414:, McGraw-Hill (New York, NY, 1982; 6399:, McGraw-Hill (New York, NY, 1978; 5669:Richard Williams, "George Harrison 5547:John Harris, "Beware of Darkness", 5257:"Savant Blu-ray Review: Wonderwall" 5087:"The Story of 'In the First Place'" 2321: 2241:in 2011, Michael Simmons described 1918: 1796: 1489:first residency in Hamburg, Germany 1435:Apple commissioned American artist 13: 7394:Albums produced by George Harrison 6459:, Quest Books (Wheaton, IL, 2011; 4297:Madinger & Easter, pp. 420–22. 3385:Lavezzoli, pp. 175, 178, 182, 183. 3376:MacDonald, pp. 164, 172, 194, 215. 2807:Among the differences in the mono 2057:In January 2012, Bryan Bierman of 1575:by Taylor, as well as stills from 992: 317:, as well as guest appearances by 14: 7445: 6624:Extra Texture (Read All About It) 6501: 6439:The Beatles Solo on Apple Records 6335:Chip Madinger & Mark Easter, 6291:, Continuum (New York, NY, 2006; 6048:The New Rolling Stone Album Guide 5987:, Continuum (New York, NY, 2006; 5486:, 25 February 1969; available at 5111:Castleman & Podrazik, p. 360. 4288:Madinger & Eater, pp. 419–20. 3833:Castleman & Podrazik, p. 198. 3328:Alan Clayson, "Off the Wall", in 2846:", the closing song on his album 2486:– electric and acoustic guitars, 2452:, electric and acoustic guitars, 2147:to be "a companion in spirit" to 1956: 1846: 1704:Spike Jones and his City Slickers 7353: 7352: 6431:, November 2011, pp. 74–87. 6233:The George Harrison Encyclopedia 6117:, It Books (New York, NY, 2011; 5955: 5940: 5925: 5909: 5896: 5873: 5856: 5816: 5787: 5778: 5769: 5760: 5751: 5742: 5729: 5710: 5701: 5682: 5646: 5633: 5587: 5556: 5493: 5474: 5459: 5432: 5417: 5401: 5364: 5281: 5268: 5249: 5233: 5207: 5198: 5189: 5180: 5167: 5159:"Musik-Charts durchsuchen" > 5152: 5128:Top 50 Albums, 24 February 1969" 5105: 5092: 5065: 5056: 5047: 5029: 5026:Castleman & Podrazik, p. 68. 5020: 5011: 4998: 4989: 4976: 4967: 4958: 4949: 4940: 4931: 4922: 4913: 4898: 4889: 4880: 4871: 4862: 4849: 4840: 4831: 4822: 4807: 4786: 4777: 4768: 4755: 4746: 4737: 4728: 4719: 4698: 4686: 4670: 4597: 4562: 4553: 4544: 4535: 4523: 4502: 4493: 4448:Castleman & Podrazik, p. 69. 4430: 4362: 4353: 4344: 2989: 2980: 2962: 2945: 2926: 2909: 2892: 2879: 2865: 2855: 2836: 2827: 2818: 2313: 1975: 1970: 1965: 1960: 1955: 1937: 1932: 1927: 1922: 1917: 1865: 1860: 1855: 1850: 1845: 1815: 1810: 1805: 1800: 1795: 1472:Along with Gill, John Kelly and 1410: 1170:", released on the double album 881:contributed on santoor, and the 614:, which the musicians followed. 241:record label. The songs are all 6357:, Omnibus Press (London, 2001; 6002:, Omnibus Press (London, 2001; 5766:Lavezzoli, pp. 81, 172–73, 182. 4813:Joe Massot, "Identity Crisis", 4335: 4322: 4313: 4300: 4291: 4270: 4261: 4243: 4234: 4185: 4151: 4142: 4130: 4078: 4059: 4050: 4041: 4032: 4023: 3936: 3927: 3918: 3909: 3886: 3877: 3868: 3845: 3836: 3718: 3709: 3630: 3617: 3596: 3520: 3511: 3502: 3493: 3484: 3433: 3421: 3412: 3379: 3370: 3335: 3159: 3146: 3127: 2801: 2783: 2766: 2752: 2739: 2726: 2401: 2190:. American film-score composer 735:(drums). Ashton contributed on 6748:The Dark Horse Years 1976–1992 6259:The Rough Guide to the Beatles 6235:, Virgin Books (London, 2003; 6217:, Abrams (New York, NY, 2011; 6180:& Daniel Durchholz (eds), 5603:(retrieved 24 September 2021). 5562:Graff & Durchholz, p. 529. 5465:"Melody Maker LP Supplement", 4716:Madinger & Easter, p. 422. 4006:Madinger & Easter, p. 421. 3815:Madinger & Easter, p. 420. 3280:Madinger & Easter, p. 419. 3118: 3093: 3080: 3071: 3062: 3035: 2885:According to Massot, he wrote 2394:"Wonderwall to Be Here" – 1:25 1604:Wonderwall Collector's Edition 1487:, a friend since the Beatles' 1272:VI-V progression, styled like 1126:On "Ski-ing", Clapton plays a 382:Wonderwall Collector's Edition 1: 7080:That's the Way God Planned It 5615:Brackett & Hoard, p. 367. 3124:MacDonald, pp. 209, 236, 240. 3005: 2919:in January 1969. In America, 2774:melodic percussion instrument 2577:Chandrashekhar Naringrekar – 2568:Indranil Bhattacharya – sitar 2173:Cultural influence and legacy 2161:for sheer freak-out effect". 2134:"cloaked in a velvet glove". 2016:The Rolling Stone Album Guide 1911:The Rolling Stone Album Guide 971:" was another product of the 893:London, January–February 1968 393: 361:supplied a liner-note essay. 7274:Monty Python's Life of Brian 7200:Ravi Shankar: In Celebration 7158:Shankar Family & Friends 6716:Best of Dark Horse 1976–1989 6610:Living in the Material World 6370:Mojo Special Limited Edition 5456:, 15–28 November 1968, p. 5. 4693:World Music: The Rough Guide 4530:World Music: The Rough Guide 3715:Lavezzoli, pp. 62, 180, 182. 3581:Derek Taylor's liner notes, 3527:World Music: The Rough Guide 2714:Shankar Family & Friends 2438: 1278:While My Guitar Gently Weeps 1060:-like suspensions on piano, 1015:While My Guitar Gently Weeps 636: 7: 6709:The Best of George Harrison 6083:, Sanctuary (London, 2003; 5946:"Cash Box Top 100 Albums", 5132:Library and Archives Canada 4743:Allison, pp. 122, 143, 144. 4603:Eric Clapton interview, in 4568:Eric Clapton interview, in 4240:Everett, pp. 145, 151, 307. 3135:"George Harrison 1943–2001" 2699: 1562: 1465:, showing a portion of the 1311:Film premiere and aftermath 1179: 1024: 10: 7450: 7244:The Concert for Bangladesh 6903:The Concert for Bangladesh 6802:Songs by George Harrison 2 6684:The Concert for Bangladesh 5973: 5471:, 14 December 1968, p. 18. 5429:, 21 December 1968, p. 10. 5044:, 14 December 1968, p. 17. 4910:, 21 September 1968, p. 3. 4541:Lavezzoli, pp. 36–37, 182. 2338:"Tabla and Pakavaj" – 1:05 1722:Writing in February 1969, 1494: 1107:organ and cello settings. 1071:Hindustani classical music 1069:being another mainstay of 663:The first session for the 443:and their television film 7404:Apple Records soundtracks 7348: 7290: 7216: 7193:Traveling Wilburys Vol. 3 7179:Traveling Wilburys Vol. 1 7064: 6955: 6847: 6840: 6819: 6779: 6739: 6700: 6675: 6580: 6324:, Pimlico (London, 1998; 5862:Stephen Thomas Erlewine, 5737:"Talking George Harrison" 5574:"Review: George Harrison 3933:Everett, pp. 152, 305–06. 2683: 2669: 2655: 2641: 2627: 2622: 2619: 2612: 2607:– harmonium, tabla tarang 2181:is widely viewed as "the 2154:Conversations with Myself 1783: 1780: 1401:Music Festival from India 451:Transcendental Meditation 343:Music Festival from India 178: 170: 158: 146: 130: 99: 73: 65: 54:1 November 1968 50: 37: 28: 23: 7399:Albums recorded in India 6795:Songs by George Harrison 5490:(subscription required). 4964:Clayson, pp. 76–77, 238. 3517:Lavezzoli, pp. 176, 178. 3508:MacDonald, pp. 172, 215. 3175:(subscription required). 2720: 2470:, orchestral arrangement 2427:"Almost Shankara" – 5:00 2411: 2385:"Fantasy Sequins" – 1:50 2344:"Drilling a Home" – 3:08 1761:Retrospective assessment 7409:EMI Records soundtracks 6763:The Apple Years 1968–75 5679:, November 2014, p. 93. 5671:The Apple Years 1968–75 5630:, February 2002, p. 60. 5584:, December 1992, p. 98. 5553:, November 2011, p. 82. 5513:, 9 August 1969, p. 37. 4819:, October 1996, p. 146. 4499:Lavezzoli, pp. 26, 182. 4157:Gabriele Stiller-Kern, 3842:Lavezzoli, pp. 66, 182. 3706:, November 2014, p. 69. 3409:, November 1987, p. 56. 2973:film or on an album by 2556:Hanuman Jadev – shehnai 2373:"Party Seacombe" – 4:34 1612:The Apple Years 1968–75 997:The nineteen tracks on 836:Kinnara School of Music 513:magazine, November 1987 496:Concept and composition 466:Twickenham Film Studios 421:in October 1967, after 7414:Drama film soundtracks 7389:George Harrison albums 7384:1968 soundtrack albums 7101:The Radha Krsna Temple 7073:Is This What You Want? 6865:Awards and nominations 6374:, Emap (London, 2003). 5967:, 1 March 1969, p. 27. 5952:, 1 March 1969, p. 41. 5937:, 8 March 1969, p. 68. 5931:"Billboard Top LP's", 5920:The Edinburgh Reporter 5593:Gabriele Gambardella, 5438:Clayson, pp. 235, 477. 4928:Lavezzoli, pp. 195–96. 4886:Lavezzoli, pp. 184–85. 4508:Leng, pp. 48fn, 49–50. 4249:Clayson, pp. 211, 238. 4029:Clayson, pp. 206, 235. 2456:, musical arrangements 2252:in March 2017, called 2225:, and groups him with 2138:Biographers' appraisal 2045: 1708: 1469: 1419: 1249: 1217: 1114: 1041: 779: 660: 592:Within You Without You 504: 453:under the guidance of 427:Indian classical music 248:Indian classical music 7434:The Beatles and India 6984:Derek and the Dominos 6730:Early Takes: Volume 1 6018:The Beatles Anthology 5800:Ultimate Classic Rock 5718:"A Maharaja of Music" 5053:Spizer, pp. 204, 205. 4946:Spizer, pp. 205, 207. 4783:Spizer, pp. 205, 206. 4148:Lavezzoli, pp. 3, 24. 3942:Rodriguez, pp. 9, 71. 3924:Rodriguez, pp. 71–72. 3883:Clayson, pp. 82, 235. 3874:Spizer, pp. 206, 207. 3499:Lavezzoli, pp. 32–33. 2382:"Cowboy Music" – 1:29 2347:"Guru Vandana" – 1:05 2335:"Red Lady Too" – 1:56 2052:critic Richard Ginell 2036: 1699: 1677:s reviewer said that 1460: 1415: 1403:and their subsequent 1247: 1208: 1110: 1032: 867:multi-instrumentalist 774: 649: 507:– George Harrison to 500: 455:Maharishi Mahesh Yogi 341:, including the 1974 7230:All You Need Is Cash 7026:Radha Krishna Temple 6645:Somewhere in England 6631:Thirty Three & ⅓ 6603:All Things Must Pass 6410:Nicholas Schaffner, 6097:, book accompanying 5890:Entertainment Weekly 5885:(1996), Kula Shaker" 5784:Clayson, pp. 438–39. 5748:Clayson, pp. 234–35. 5716:Geoffrey Clarfield, 4973:Clayson, pp. 237–38. 4837:Badman, pp. 90, 150. 4559:Everett, pp. 151–52. 4381:Richie Unterberger, 4267:MacDonald, p. 238fn. 4065:Geoffrey Clarfield, 3602:Richie Unterberger, 3043:The British Invasion 2969:equally belong in a 2936:'s 2011 documentary 2849:Somewhere in England 2356:"Gat Kirwani" – 1:15 2350:"Greasy Legs" – 1:28 2341:"In the Park" – 4:08 2127:Ultimate Music Guide 1771:Professional ratings 1766:Professional reviews 1667:Contemporary reviews 1321:Cannes Film Festival 1297:Radha Krishna Temple 1228:"Cowboy Music" is a 1141:similarly named raga 887:Hariprasad Chaurasia 834:, who ran Shankar's 826:According to author 789:multitrack recording 770:Bombay, January 1968 446:Magical Mystery Tour 6898:Bhaktivedanta Manor 6758:(with Ravi Shankar) 6397:The Beatles Forever 5501:Life with the Lions 5453:International Times 5175:The Beatles Forever 5100:The Beatles Forever 5006:The Beatles Forever 4984:The Beatles Forever 4859:, pp. 95, 111, 115. 4857:The Beatles Forever 4846:Inglis, pp. 83, 86. 4520:Spizer, pp. 206–07. 4478:Richard S. Ginell, 4424:The Huffington Post 4370:The Beatles Forever 4350:Harry, pp. 82, 353. 4047:Howlett, pp. 8, 10. 3341:Howlett, pp. 5, 12. 3191:The Huffington Post 3088:The Beatles Forever 3077:Inglis, pp. 16, 17. 2540:Mahapurush Misra – 2397:"Singing Om" – 1:54 2388:"On the Bed" – 2:22 2376:"Love Scene" – 4:17 2081:Reviewing the 2014 1772: 1690:International Times 1405:North American tour 1305:Awaiting on You All 1293:1969–70 productions 1230:country-and-western 924:Dixon of Dock Green 682:De Lane Lea Studios 387:Apple Years 1968–75 7313:Concert for George 7252:Concert for George 7046:Traveling Wilburys 6924:Horse to the Water 6913:Dark Horse Records 6908:Concert for George 6885:Asian Music Circle 6516:(list of releases) 6393:Nicholas Schaffner 6377:Robert Rodriguez, 6195:Joshua M. Greene, 6105:Dark Horse Records 5981:Dale C. Allison Jr 5503:/ George Harrison 4868:Inglis, pp. 11–12. 4676:Chris Hunt (ed.), 4182:Lavezzoli, p. 183. 4173:MacDonald, p. 240. 3479:"Wonderwall Music" 3258:Lavezzoli, p. 182. 2414:In the First Place 2391:"Glass Box" – 1:05 2273:Ocean Colour Scene 2110:New Zealand Herald 1770: 1662:Critical reception 1470: 1250: 1218: 1058:'Moonlight' Sonata 1042: 969:In the First Place 877:and tabla tarang. 669:Abbey Road Studios 661: 584:Asian Music Circle 7379:1968 debut albums 7366: 7365: 7344: 7343: 7306:Never Without You 7094:Encouraging Words 6480:978-0-307-45239-9 6465:978-0-8356-0900-5 6387:978-1-4165-9093-4 6287:Peter Lavezzoli, 6282:978-0-313-37532-3 6267:978-1-84353-140-1 6241:978-0-7535-0822-0 6223:978-1-4197-0220-4 6205:978-0-470-12780-3 6123:978-0-06-177418-8 6041:978-1-4094-9407-2 5993:978-0-8264-1917-0 5707:Leng, pp. 33, 49. 5423:"Album Reviews", 5017:Winn, pp. 177–78. 4919:Harrison, p. 302. 4792:Clarke Fountain, 4695:, pp. 69, 73, 78. 4480:"George Harrison 3915:Rodriguez, p. 71. 3724:Leng, pp. 26, 27. 3636:Leng, pp. 32, 50. 3490:Leng, pp. 26, 49. 3418:Lavezzoli, p. 32. 2697: 2696: 2516:– electric guitar 2416:" (Colin Manley, 2332:"Microbes" – 3:42 2164:Ian Inglis views 1984: 1983: 1684:Films and Filming 1638:spaghetti-western 1371:Shanghai Surprise 712:, playing piano, 580:hammered dulcimer 376:' 1995 hit song " 223:to the 1968 film 208: 207: 204: 203: 7441: 7424:Raga rock albums 7356: 7355: 7165:The Place I Love 6891:Beware of ABKCO! 6845: 6844: 6596:Electronic Sound 6589:Wonderwall Music 6567: 6560: 6553: 6544: 6543: 6509:Wonderwall Music 6248:Wonderwall Music 6172:Village Roadshow 5968: 5959: 5953: 5944: 5938: 5929: 5923: 5915:Richard Purden, 5913: 5907: 5904:Columbia Records 5900: 5894: 5877: 5871: 5860: 5854: 5851: 5845: 5844:Clayson, p. 439. 5842: 5833: 5820: 5814: 5791: 5785: 5782: 5776: 5773: 5767: 5764: 5758: 5755: 5749: 5746: 5740: 5733: 5727: 5714: 5708: 5705: 5699: 5686: 5680: 5667: 5661: 5658:rollingstone.com 5650: 5644: 5637: 5631: 5622: 5616: 5613: 5604: 5591: 5585: 5576:Wonderwall Music 5572: 5563: 5560: 5554: 5545: 5536: 5523: 5514: 5505:Electronic Sound 5497: 5491: 5488:Rock's Backpages 5478: 5472: 5463: 5457: 5448: 5439: 5436: 5430: 5421: 5415: 5412:grammymuseum.org 5405: 5399: 5396:rollingstone.com 5388: 5379: 5368: 5362: 5359:rollingstone.com 5351: 5345: 5330: 5324: 5318: 5309: 5298: 5292: 5285: 5279: 5272: 5266: 5255:Glenn Erickson, 5253: 5247: 5237: 5231: 5226:, triumphpc.com/ 5220: 5214: 5211: 5205: 5202: 5196: 5193: 5187: 5184: 5178: 5171: 5165: 5156: 5150: 5144: 5135: 5121: 5112: 5109: 5103: 5096: 5090: 5083: 5072: 5071:Tillery, p. 167. 5069: 5063: 5060: 5054: 5051: 5045: 5033: 5027: 5024: 5018: 5015: 5009: 5002: 4996: 4993: 4987: 4980: 4974: 4971: 4965: 4962: 4956: 4953: 4947: 4944: 4938: 4935: 4929: 4926: 4920: 4917: 4911: 4902: 4896: 4893: 4887: 4884: 4878: 4875: 4869: 4866: 4860: 4853: 4847: 4844: 4838: 4835: 4829: 4826: 4820: 4811: 4805: 4790: 4784: 4781: 4775: 4772: 4766: 4759: 4753: 4750: 4744: 4741: 4735: 4732: 4726: 4725:Allison, p. 122. 4723: 4717: 4714: 4705: 4702: 4696: 4690: 4684: 4674: 4668: 4665: 4656: 4653: 4632: 4619: 4608: 4601: 4595: 4594:Everett, p. 152. 4592: 4573: 4566: 4560: 4557: 4551: 4550:Allison, p. 143. 4548: 4542: 4539: 4533: 4527: 4521: 4518: 4509: 4506: 4500: 4497: 4491: 4482:Wonderwall Music 4476: 4463: 4460: 4449: 4446: 4437: 4434: 4428: 4415: 4402: 4399: 4390: 4379: 4373: 4366: 4360: 4357: 4351: 4348: 4342: 4339: 4333: 4326: 4320: 4317: 4311: 4304: 4298: 4295: 4289: 4286: 4277: 4274: 4268: 4265: 4259: 4256: 4250: 4247: 4241: 4238: 4232: 4229: 4204: 4201: 4192: 4189: 4183: 4180: 4174: 4171: 4162: 4155: 4149: 4146: 4140: 4134: 4128: 4121:Wonderwall Music 4118: 4107: 4100:Wonderwall Music 4096: 4085: 4082: 4076: 4063: 4057: 4056:Clayson, p. 206. 4054: 4048: 4045: 4039: 4036: 4030: 4027: 4021: 4018: 4007: 4004: 3983: 3982:Clayson, p. 235. 3980: 3965: 3954:Graeme Thomson, 3952: 3943: 3940: 3934: 3931: 3925: 3922: 3916: 3913: 3907: 3904: 3893: 3890: 3884: 3881: 3875: 3872: 3866: 3863: 3852: 3849: 3843: 3840: 3834: 3831: 3816: 3813: 3786: 3783: 3770: 3767: 3761: 3760:Everett, p. 151. 3758: 3737: 3734: 3725: 3722: 3716: 3713: 3707: 3698: 3687: 3686:Leng, pp. 49–50. 3684: 3675: 3672: 3657: 3654: 3637: 3634: 3628: 3621: 3615: 3606:Yellow Submarine 3600: 3594: 3583:Wonderwall Music 3579: 3558: 3557:Rodriguez, p. 9. 3555: 3530: 3524: 3518: 3515: 3509: 3506: 3500: 3497: 3491: 3488: 3482: 3475: 3440: 3437: 3431: 3425: 3419: 3416: 3410: 3401: 3386: 3383: 3377: 3374: 3368: 3365: 3354: 3351: 3342: 3339: 3333: 3326: 3305: 3292: 3281: 3278: 3259: 3256: 3237: 3234: 3223: 3220: 3195: 3182: 3176: 3173:Rock's Backpages 3163: 3157: 3150: 3144: 3131: 3125: 3122: 3116: 3113: 3100: 3097: 3091: 3084: 3078: 3075: 3069: 3066: 3060: 3059:Clayson, p. 234. 3057: 3046: 3039: 3033: 3024: 3000: 2993: 2987: 2984: 2978: 2975:Boards of Canada 2966: 2960: 2957:Wonderwall Music 2949: 2943: 2930: 2924: 2917:Leicester Square 2913: 2907: 2898:In addition to " 2896: 2890: 2883: 2877: 2869: 2863: 2859: 2853: 2840: 2834: 2831: 2825: 2822: 2816: 2809:Wonderwall Music 2805: 2799: 2787: 2781: 2770: 2764: 2756: 2750: 2743: 2737: 2730: 2620:Chart (1968–69) 2617: 2616: 2584:Shivkumar Sharma 2526:Big Jim Sullivan 2353:"Ski-ing" – 1:50 2322:Original release 2286:s legacy in the 2285: 2281:Wonderwall Music 2254:Wonderwall Music 2243:Wonderwall Music 2207:Wonderwall Music 2188:Indo–jazz fusion 2179:Wonderwall Music 2166:Wonderwall Music 2145:Wonderwall Music 2131:Wonderwall Music 2124: 2097:Wonderwall Music 2093:Richard Williams 2076:Electronic Sound 2065:Wonderwall Music 2053: 2041:Electronic Sound 2021:Electronic Sound 2011:Wonderwall Music 1996: 1980: 1979: 1978: 1974: 1973: 1969: 1968: 1964: 1963: 1959: 1958: 1942: 1941: 1940: 1936: 1935: 1931: 1930: 1926: 1925: 1921: 1920: 1870: 1869: 1868: 1864: 1863: 1859: 1858: 1854: 1853: 1849: 1848: 1820: 1819: 1818: 1814: 1813: 1809: 1808: 1804: 1803: 1799: 1798: 1773: 1769: 1755:Wonderwall Music 1740:Electronic Sound 1734:Wonderwall Music 1718: 1679:Wonderwall Music 1676: 1634:Wonderwall Music 1569:Wonderwall Music 1551:Wonderwall Music 1536: 1521:Wonderwall Music 1506:Wonderwall Music 1485:Astrid Kirchherr 1463:Wonderwall Music 1441:Wonderwall Music 1431: 1393:Wonderwall Music 1333:Wonderwall Music 1271: 1270: 1265: 1264: 1239:Big Jim Sullivan 1210:Shivkumar Sharma 1122: 1100:Laurel and Hardy 1091: 1090: 1039:Wonderwall Music 1033:The double-reed 1019:Wonderwall Music 999:Wonderwall Music 987:Wonderwall Music 879:Shivkumar Sharma 875:Indian harmonium 783: 657:Wonderwall Music 564:Wonderwall Music 514: 460:Harrison viewed 366:Wonderwall Music 355:Wonderwall Music 303:Shivkumar Sharma 272:psychedelic rock 212:Wonderwall Music 196:Electronic Sound 187:Wonderwall Music 180: 179: 142: 141: 137: 108:Indian classical 61: 59: 39:Soundtrack album 33: 24:Wonderwall Music 21: 20: 7449: 7448: 7444: 7443: 7442: 7440: 7439: 7438: 7369: 7368: 7367: 7362: 7340: 7286: 7212: 7207:Chants of India 7144:In Concert 1972 7060: 6989:Olivia Harrison 6951: 6941:Wonderful Today 6870:12 Arnold Grove 6836: 6815: 6775: 6735: 6696: 6671: 6638:George Harrison 6576: 6574:George Harrison 6571: 6538:Cinemaretro.com 6504: 6499: 6211:Olivia Harrison 6128:The Editors of 6081:George Harrison 5976: 5971: 5960: 5956: 5945: 5941: 5930: 5926: 5922:, 14 March 2024 5914: 5910: 5901: 5897: 5879:Tracey Pepper, 5878: 5874: 5861: 5857: 5853:Ingham, p. 162. 5852: 5848: 5843: 5836: 5821: 5817: 5792: 5788: 5783: 5779: 5775:Simmons, p. 80. 5774: 5770: 5765: 5761: 5756: 5752: 5747: 5743: 5735:Spencer Leigh, 5734: 5730: 5715: 5711: 5706: 5702: 5687: 5683: 5668: 5664: 5651: 5647: 5639:The Editors of 5638: 5634: 5623: 5619: 5614: 5607: 5592: 5588: 5573: 5566: 5561: 5557: 5546: 5539: 5527:"Album Reviews" 5524: 5517: 5498: 5494: 5479: 5475: 5464: 5460: 5449: 5442: 5437: 5433: 5422: 5418: 5406: 5402: 5389: 5382: 5376:The Second Disc 5369: 5365: 5352: 5348: 5342:Something Else! 5336:The Apple Years 5331: 5327: 5319: 5312: 5306:The Second Disc 5299: 5295: 5286: 5282: 5273: 5269: 5254: 5250: 5238: 5234: 5221: 5217: 5212: 5208: 5203: 5199: 5195:Badman, p. 481. 5194: 5190: 5185: 5181: 5177:, pp. 111, 212. 5172: 5168: 5157: 5153: 5145: 5138: 5122: 5115: 5110: 5106: 5097: 5093: 5084: 5075: 5070: 5066: 5061: 5057: 5052: 5048: 5034: 5030: 5025: 5021: 5016: 5012: 5003: 4999: 4994: 4990: 4981: 4977: 4972: 4968: 4963: 4959: 4955:Doggett, p. 31. 4954: 4950: 4945: 4941: 4936: 4932: 4927: 4923: 4918: 4914: 4903: 4899: 4894: 4890: 4885: 4881: 4876: 4872: 4867: 4863: 4854: 4850: 4845: 4841: 4836: 4832: 4828:Simmons, p. 85. 4827: 4823: 4812: 4808: 4791: 4787: 4782: 4778: 4773: 4769: 4760: 4756: 4751: 4747: 4742: 4738: 4733: 4729: 4724: 4720: 4715: 4708: 4703: 4699: 4691: 4687: 4675: 4671: 4666: 4659: 4654: 4635: 4628:Death and Taxes 4621:D.J. Pangburn, 4620: 4611: 4602: 4598: 4593: 4576: 4567: 4563: 4558: 4554: 4549: 4545: 4540: 4536: 4528: 4524: 4519: 4512: 4507: 4503: 4498: 4494: 4477: 4466: 4462:Spizer, p. 205. 4461: 4452: 4447: 4440: 4435: 4431: 4416: 4405: 4400: 4393: 4380: 4376: 4367: 4363: 4359:Tillery, p. 63. 4358: 4354: 4349: 4345: 4340: 4336: 4327: 4323: 4318: 4314: 4305: 4301: 4296: 4292: 4287: 4280: 4276:Doggett, p. 30. 4275: 4271: 4266: 4262: 4258:Howlett, p. 13. 4257: 4253: 4248: 4244: 4239: 4235: 4231:Spizer, p. 207. 4230: 4207: 4202: 4195: 4190: 4186: 4181: 4177: 4172: 4165: 4156: 4152: 4147: 4143: 4135: 4131: 4119: 4110: 4098:Album credits, 4097: 4088: 4083: 4079: 4064: 4060: 4055: 4051: 4046: 4042: 4037: 4033: 4028: 4024: 4019: 4010: 4005: 3986: 3981: 3968: 3953: 3946: 3941: 3937: 3932: 3928: 3923: 3919: 3914: 3910: 3906:Howlett, p. 10. 3905: 3896: 3891: 3887: 3882: 3878: 3873: 3869: 3864: 3855: 3850: 3846: 3841: 3837: 3832: 3819: 3814: 3789: 3784: 3773: 3768: 3764: 3759: 3740: 3736:Ingham, p. 154. 3735: 3728: 3723: 3719: 3714: 3710: 3699: 3690: 3685: 3678: 3673: 3660: 3655: 3640: 3635: 3631: 3623:The Editors of 3622: 3618: 3601: 3597: 3580: 3561: 3556: 3533: 3525: 3521: 3516: 3512: 3507: 3503: 3498: 3494: 3489: 3485: 3476: 3443: 3438: 3434: 3426: 3422: 3417: 3413: 3402: 3389: 3384: 3380: 3375: 3371: 3366: 3357: 3352: 3345: 3340: 3336: 3327: 3308: 3294:Bryan Bierman, 3293: 3284: 3279: 3262: 3257: 3240: 3236:Howlett, p. 12. 3235: 3226: 3222:Spizer, p. 206. 3221: 3198: 3183: 3179: 3164: 3160: 3152:The Editors of 3151: 3147: 3132: 3128: 3123: 3119: 3114: 3103: 3098: 3094: 3085: 3081: 3076: 3072: 3067: 3063: 3058: 3049: 3040: 3036: 3025: 3012: 3008: 3003: 2994: 2990: 2985: 2981: 2967: 2963: 2950: 2946: 2934:Martin Scorsese 2931: 2927: 2914: 2910: 2897: 2893: 2884: 2880: 2870: 2866: 2860: 2856: 2841: 2837: 2832: 2828: 2823: 2819: 2806: 2802: 2788: 2784: 2771: 2767: 2757: 2753: 2744: 2740: 2731: 2727: 2723: 2702: 2662:Top 100 Albums 2615: 2610: 2598:Vinayak Vora – 2592:S.R. Kenkare – 2550:Sharad Kumar – 2446:George Harrison 2441: 2432:The Inner Light 2420:; performed by 2404: 2379:"Crying" – 1:15 2324: 2316: 2283: 2175: 2140: 2122: 2071:Death and Taxes 2055: 2047: 1994: 1976: 1971: 1966: 1961: 1938: 1933: 1928: 1923: 1866: 1861: 1856: 1851: 1832:"Vital Reissue" 1816: 1811: 1806: 1801: 1768: 1763: 1724:Geoffrey Cannon 1716: 1674: 1669: 1664: 1643:Chants of India 1632:, he described 1565: 1534: 1514:The White Album 1497: 1433: 1421: 1413: 1313: 1276:variations on ' 1268: 1267: 1262: 1261: 1182: 1134:treated with a 1124: 1116: 1088: 1087: 1027: 995: 993:Musical content 957:The Inner Light 895: 871:Lata Mangeshkar 821:Taj Mahal Hotel 810:On 10 January, 785: 781: 772: 687:Beatles Monthly 659:, December 1968 644: 639: 570:, similar to a 550:perform at the 516: 506: 498: 478:Swinging London 399:George Harrison 396: 331:The Inner Light 217:George Harrison 199: 190: 172:George Harrison 165:George Harrison 139: 135: 134: 57: 55: 46: 44:George Harrison 19: 12: 11: 5: 7447: 7437: 7436: 7431: 7426: 7421: 7416: 7411: 7406: 7401: 7396: 7391: 7386: 7381: 7364: 7363: 7361: 7360: 7349: 7346: 7345: 7342: 7341: 7339: 7338: 7331: 7324: 7317: 7309: 7302: 7294: 7292: 7288: 7287: 7285: 7284: 7277: 7270: 7267:Little Malcolm 7263: 7256: 7248: 7240: 7233: 7226: 7224:HandMade Films 7220: 7218: 7214: 7213: 7211: 7210: 7203: 7196: 7189: 7182: 7175: 7168: 7161: 7154: 7147: 7140: 7133: 7126: 7119: 7112: 7104: 7097: 7090: 7083: 7076: 7068: 7066: 7062: 7061: 7059: 7058: 7053: 7051:Klaus Voormann 7048: 7043: 7038: 7033: 7028: 7023: 7018: 7013: 7008: 7003: 6998: 6995:Dhani Harrison 6992: 6986: 6981: 6976: 6970: 6965: 6959: 6957: 6953: 6952: 6950: 6949: 6944: 6937: 6932: 6927: 6920: 6915: 6910: 6905: 6900: 6895: 6887: 6882: 6877: 6872: 6867: 6862: 6857: 6851: 6849: 6842: 6838: 6837: 6835: 6834: 6829: 6823: 6821: 6817: 6816: 6814: 6813: 6805: 6798: 6791: 6783: 6781: 6777: 6776: 6774: 6773: 6766: 6759: 6755:Collaborations 6751: 6743: 6741: 6737: 6736: 6734: 6733: 6726: 6719: 6712: 6704: 6702: 6698: 6697: 6695: 6694: 6687: 6679: 6677: 6673: 6672: 6670: 6669: 6662: 6655: 6648: 6641: 6634: 6627: 6620: 6613: 6606: 6599: 6592: 6584: 6582: 6578: 6577: 6570: 6569: 6562: 6555: 6547: 6541: 6540: 6528: 6517: 6503: 6502:External links 6500: 6498: 6497: 6483: 6470:John C. Winn, 6468: 6450: 6432: 6423: 6408: 6390: 6375: 6366: 6348: 6333: 6315: 6300: 6285: 6270: 6257:Chris Ingham, 6255: 6244: 6226: 6208: 6193: 6175: 6163: 6148:Walter Everett 6145: 6126: 6108: 6100:Collaborations 6095:Collaborations 6092: 6074: 6059: 6044: 6029: 6011: 5998:Keith Badman, 5996: 5977: 5975: 5972: 5970: 5969: 5954: 5939: 5924: 5908: 5895: 5872: 5855: 5846: 5834: 5815: 5786: 5777: 5768: 5759: 5750: 5741: 5728: 5709: 5700: 5681: 5662: 5652:Keith Harris, 5645: 5632: 5617: 5605: 5586: 5564: 5555: 5537: 5515: 5492: 5473: 5458: 5440: 5431: 5416: 5400: 5390:David Fricke, 5380: 5370:Joe Marchese, 5363: 5346: 5325: 5310: 5300:Joe Marchese, 5293: 5280: 5267: 5248: 5244:ABC News Radio 5232: 5224:"Colin Manley" 5215: 5213:Harry, p. 237. 5206: 5197: 5188: 5179: 5166: 5151: 5136: 5113: 5104: 5091: 5085:Martin Lewis, 5073: 5064: 5062:Miles, p. 329. 5055: 5046: 5036:Apple trade ad 5028: 5019: 5010: 4997: 4995:Miles, p. 307. 4988: 4975: 4966: 4957: 4948: 4939: 4937:Leng, p. 48fn. 4930: 4921: 4912: 4897: 4888: 4879: 4877:Miles, p. 300. 4870: 4861: 4848: 4839: 4830: 4821: 4806: 4785: 4776: 4767: 4754: 4752:Miles, p. 298. 4745: 4736: 4727: 4718: 4706: 4697: 4685: 4669: 4667:Inglis, p. 18. 4657: 4633: 4609: 4596: 4574: 4561: 4552: 4543: 4534: 4522: 4510: 4501: 4492: 4464: 4450: 4438: 4429: 4417:Tom Fritsche, 4403: 4391: 4374: 4361: 4352: 4343: 4334: 4321: 4319:Miles, p. 293. 4312: 4299: 4290: 4278: 4269: 4260: 4251: 4242: 4233: 4205: 4193: 4191:Miles, p. 291. 4184: 4175: 4163: 4150: 4141: 4137:Collaborations 4129: 4108: 4086: 4077: 4058: 4049: 4040: 4031: 4022: 4008: 3984: 3966: 3944: 3935: 3926: 3917: 3908: 3894: 3892:Miles, p. 173. 3885: 3876: 3867: 3865:Howlett, p. 8. 3853: 3851:Leng, p. 34fn. 3844: 3835: 3817: 3787: 3785:Harry, p. 393. 3771: 3769:Miles, p. 283. 3762: 3738: 3726: 3717: 3708: 3688: 3676: 3674:Inglis, p. 17. 3658: 3638: 3629: 3616: 3595: 3559: 3531: 3519: 3510: 3501: 3492: 3483: 3477:Matt Hurwitz, 3441: 3432: 3428:Collaborations 3420: 3411: 3387: 3378: 3369: 3355: 3343: 3334: 3306: 3282: 3260: 3238: 3224: 3196: 3177: 3158: 3145: 3126: 3117: 3101: 3099:Ingham, p. 55. 3092: 3079: 3070: 3068:Greene, p. 91. 3061: 3047: 3034: 3009: 3007: 3004: 3002: 3001: 2988: 2979: 2961: 2944: 2925: 2908: 2891: 2878: 2864: 2854: 2844:Save the World 2835: 2826: 2817: 2800: 2792:Apple Boutique 2782: 2765: 2751: 2738: 2724: 2722: 2719: 2718: 2717: 2710: 2701: 2698: 2695: 2694: 2691: 2681: 2680: 2677: 2667: 2666: 2663: 2653: 2652: 2649: 2639: 2638: 2635: 2625: 2624: 2621: 2614: 2611: 2609: 2608: 2602: 2596: 2590: 2581: 2575: 2569: 2566: 2557: 2554: 2548: 2538: 2529: 2523: 2517: 2511: 2502: 2496: 2490: 2481: 2471: 2457: 2442: 2440: 2437: 2436: 2435: 2428: 2425: 2410: 2403: 2400: 2399: 2398: 2395: 2392: 2389: 2386: 2383: 2380: 2377: 2374: 2365: 2364: 2357: 2354: 2351: 2348: 2345: 2342: 2339: 2336: 2333: 2323: 2320: 2315: 2312: 2300:Liam Gallagher 2219:Yehudi Menuhin 2174: 2171: 2139: 2136: 2035: 1982: 1981: 1952: 1944: 1943: 1914: 1906: 1905: 1902: 1894: 1893: 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6990: 6987: 6985: 6982: 6980: 6977: 6974: 6971: 6969: 6966: 6964: 6961: 6960: 6958: 6954: 6948: 6947:4149 Harrison 6945: 6943: 6942: 6938: 6936: 6933: 6931: 6928: 6925: 6921: 6919: 6916: 6914: 6911: 6909: 6906: 6904: 6901: 6899: 6896: 6893: 6892: 6888: 6886: 6883: 6881: 6878: 6876: 6873: 6871: 6868: 6866: 6863: 6861: 6858: 6856: 6853: 6852: 6850: 6846: 6843: 6839: 6833: 6830: 6828: 6825: 6824: 6822: 6818: 6811: 6810: 6806: 6804: 6803: 6799: 6797: 6796: 6792: 6790: 6789: 6785: 6784: 6782: 6778: 6772: 6771: 6767: 6765: 6764: 6760: 6757: 6756: 6752: 6750: 6749: 6745: 6744: 6742: 6738: 6732: 6731: 6727: 6725: 6724: 6720: 6718: 6717: 6713: 6711: 6710: 6706: 6705: 6703: 6699: 6693: 6692: 6691:Live in Japan 6688: 6686: 6685: 6681: 6680: 6678: 6674: 6668: 6667: 6663: 6661: 6660: 6656: 6654: 6653: 6649: 6647: 6646: 6642: 6640: 6639: 6635: 6633: 6632: 6628: 6626: 6625: 6621: 6619: 6618: 6614: 6612: 6611: 6607: 6605: 6604: 6600: 6598: 6597: 6593: 6591: 6590: 6586: 6585: 6583: 6581:Studio albums 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6139: 6135: 6131: 6130:Rolling Stone 6127: 6124: 6120: 6116: 6112: 6111:Peter Doggett 6109: 6106: 6102: 6101: 6096: 6093: 6090: 6089:1-86074-489-3 6086: 6082: 6078: 6075: 6072: 6071:0-345-25680-8 6068: 6064: 6060: 6057: 6056:0-7432-0169-8 6053: 6049: 6045: 6042: 6038: 6034: 6030: 6027: 6026:0-8118-2684-8 6023: 6019: 6015: 6012: 6009: 6008:0-7119-8307-0 6005: 6001: 5997: 5994: 5990: 5986: 5982: 5979: 5978: 5966: 5965: 5958: 5951: 5950: 5943: 5936: 5935: 5928: 5921: 5917: 5912: 5905: 5899: 5892: 5891: 5886: 5884: 5876: 5869: 5865: 5864:"Kula Shaker" 5859: 5850: 5841: 5839: 5831: 5830: 5825: 5822:Graham Reid, 5819: 5812: 5811: 5806: 5802: 5801: 5796: 5790: 5781: 5772: 5763: 5754: 5745: 5738: 5732: 5725: 5724: 5723:National Post 5719: 5713: 5704: 5697: 5696: 5691: 5688:Graham Reid, 5685: 5678: 5677: 5672: 5666: 5659: 5655: 5649: 5642: 5641:Rolling Stone 5636: 5629: 5628: 5621: 5612: 5610: 5602: 5601: 5596: 5590: 5583: 5582: 5577: 5571: 5569: 5559: 5552: 5551: 5544: 5542: 5534: 5533: 5528: 5522: 5520: 5512: 5511: 5510:Rolling Stone 5506: 5502: 5496: 5489: 5485: 5484: 5477: 5470: 5469: 5462: 5455: 5454: 5447: 5445: 5435: 5428: 5427: 5420: 5413: 5409: 5404: 5397: 5393: 5387: 5385: 5377: 5373: 5367: 5360: 5356: 5350: 5343: 5339: 5337: 5332:Nick DeRiso, 5329: 5322: 5317: 5315: 5307: 5303: 5297: 5290: 5284: 5277: 5274:End credits, 5271: 5264: 5263: 5258: 5252: 5245: 5241: 5236: 5229: 5225: 5219: 5210: 5201: 5192: 5183: 5176: 5170: 5163: 5162: 5155: 5148: 5143: 5141: 5133: 5129: 5127: 5120: 5118: 5108: 5101: 5095: 5088: 5082: 5080: 5078: 5068: 5059: 5050: 5043: 5042: 5037: 5032: 5023: 5014: 5007: 5001: 4992: 4986:, pp. 110–11. 4985: 4979: 4970: 4961: 4952: 4943: 4934: 4925: 4916: 4909: 4908: 4901: 4892: 4883: 4874: 4865: 4858: 4852: 4843: 4834: 4825: 4818: 4817: 4810: 4803: 4799: 4797: 4789: 4780: 4774:Winn, p. 146. 4771: 4764: 4758: 4749: 4740: 4734:Leng, p. 305. 4731: 4722: 4713: 4711: 4704:Leng, p. 226. 4701: 4694: 4689: 4682: 4680: 4679:NME Originals 4673: 4664: 4662: 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2572:Shankar Ghosh 2570: 2567: 2565: 2561: 2558: 2555: 2553: 2549: 2547: 2543: 2539: 2537: 2533: 2530: 2527: 2524: 2521: 2518: 2515: 2512: 2510: 2506: 2503: 2500: 2497: 2495:– bass guitar 2494: 2493:Philip Rogers 2491: 2489: 2485: 2482: 2479: 2475: 2472: 2469: 2465: 2461: 2458: 2455: 2451: 2447: 2444: 2443: 2433: 2429: 2426: 2423: 2422:the Remo Four 2419: 2415: 2409: 2408: 2407: 2396: 2393: 2390: 2387: 2384: 2381: 2378: 2375: 2372: 2371: 2370: 2369: 2362: 2358: 2355: 2352: 2349: 2346: 2343: 2340: 2337: 2334: 2331: 2330: 2329: 2328: 2319: 2314:Track listing 2311: 2309: 2305: 2301: 2297: 2293: 2289: 2282: 2278: 2274: 2270: 2266: 2263:acts such as 2262: 2257: 2255: 2251: 2250: 2244: 2240: 2236: 2232: 2231:Peter Gabriel 2228: 2224: 2223:John Coltrane 2220: 2216: 2212: 2208: 2205:Leng credits 2203: 2201: 2200:Spencer Leigh 2197: 2193: 2189: 2184: 2180: 2170: 2167: 2162: 2160: 2156: 2155: 2150: 2146: 2135: 2132: 2128: 2121: 2116: 2112: 2111: 2106: 2102: 2098: 2094: 2090: 2089: 2085:remaster for 2084: 2079: 2077: 2073: 2072: 2066: 2062: 2061: 2054: 2051: 2044: 2042: 2034: 2032: 2028: 2027: 2022: 2018: 2017: 2012: 2008: 2007:Mikal Gilmore 2004: 2003:Rolling Stone 1999: 1993: 1988: 1953: 1951: 1950: 1946: 1945: 1915: 1913: 1912: 1908: 1907: 1903: 1901: 1900: 1896: 1895: 1891: 1889: 1888: 1884: 1883: 1879: 1877: 1874: 1873: 1843: 1841: 1840: 1836: 1835: 1831: 1829: 1828: 1824: 1823: 1793: 1791: 1788: 1787: 1779: 1776:Review scores 1774: 1758: 1756: 1752: 1751: 1750:Rolling Stone 1746: 1742: 1741: 1735: 1731: 1730: 1725: 1720: 1715: 1714: 1707: 1705: 1698: 1696: 1692: 1691: 1686: 1685: 1680: 1673: 1659: 1657: 1653: 1652:Grammy Museum 1649: 1645: 1644: 1639: 1635: 1631: 1627: 1622: 1618: 1617:Nitin Sawhney 1614: 1613: 1607: 1605: 1601: 1597: 1593: 1589: 1585: 1580: 1578: 1574: 1570: 1560: 1558: 1557: 1552: 1548: 1547: 1542: 1541: 1533: 1528: 1527: 1522: 1517: 1515: 1511: 1507: 1503: 1492: 1490: 1486: 1481: 1479: 1475: 1474:Alan Aldridge 1468: 1464: 1459: 1455: 1453: 1449: 1448:René Magritte 1446: 1442: 1438: 1432: 1429: 1425: 1418: 1411:Album artwork 1408: 1406: 1402: 1398: 1394: 1390: 1386: 1385: 1380: 1375: 1373: 1372: 1367: 1366: 1361: 1357: 1353: 1352: 1347: 1343: 1342: 1336: 1334: 1330: 1329:Apple Records 1326: 1322: 1318: 1308: 1306: 1302: 1301:My Sweet Lord 1298: 1294: 1290: 1286: 1281: 1279: 1275: 1259: 1255: 1246: 1242: 1240: 1235: 1231: 1226: 1224: 1215: 1211: 1207: 1203: 1201: 1200: 1199:NME Originals 1195: 1191: 1187: 1177: 1175: 1174: 1169: 1165: 1164:sound collage 1161: 1157: 1153: 1149: 1148:phase-shifted 1144: 1142: 1137: 1133: 1129: 1123: 1120: 1113: 1108: 1105: 1104:Keystone Cops 1101: 1096: 1092: 1083: 1079: 1074: 1072: 1068: 1063: 1059: 1055: 1051: 1047: 1040: 1036: 1031: 1022: 1020: 1016: 1010: 1008: 1004: 1000: 990: 988: 984: 983:Matt Groening 980: 979: 974: 970: 966: 962: 958: 952: 950: 946: 942: 941:sound effects 938: 932: 930: 926: 925: 921:television's 920: 916: 912: 908: 904: 900: 890: 888: 884: 880: 876: 872: 868: 864: 860: 858: 857:Shankar Ghosh 854: 850: 845: 841: 837: 833: 829: 824: 822: 817: 813: 808: 806: 805:soundproofing 802: 798: 797:Bhaskar Menon 794: 790: 784: 778: 767: 765: 761: 757: 752: 748: 744: 742: 738: 734: 730: 726: 725:the Remo Four 721: 719: 715: 711: 707: 703: 699: 696: 691: 689: 688: 683: 679: 674: 670: 666: 658: 654: 653: 648: 634: 632: 631:George Martin 628: 624: 620: 615: 613: 609: 604: 599: 597: 593: 589: 585: 581: 577: 573: 569: 566:includes the 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 525: 521: 515: 512: 511: 503: 493: 491: 487: 483: 479: 475: 471: 467: 463: 458: 456: 452: 448: 447: 442: 441: 436: 432: 428: 424: 420: 419: 414: 413: 409:were filming 408: 404: 400: 391: 389: 388: 383: 379: 375: 371: 367: 362: 360: 356: 351: 346: 344: 340: 336: 332: 328: 324: 320: 316: 315:the Remo Four 313:and his band 312: 308: 307:Shankar Ghosh 304: 300: 296: 292: 287: 285: 281: 277: 273: 269: 265: 261: 257: 253: 249: 244: 240: 236: 232: 228: 227: 222: 218: 214: 213: 198: 197: 193: 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5984: 5964:Record World 5962: 5957: 5947: 5942: 5932: 5927: 5919: 5911: 5898: 5888: 5882: 5875: 5858: 5849: 5827: 5818: 5808: 5798: 5789: 5780: 5771: 5762: 5757:Leng, p. 51. 5753: 5744: 5731: 5721: 5712: 5703: 5693: 5684: 5674: 5670: 5665: 5648: 5640: 5635: 5625: 5620: 5598: 5589: 5579: 5575: 5558: 5548: 5530: 5508: 5504: 5500: 5495: 5483:The Guardian 5481: 5476: 5468:Melody Maker 5466: 5461: 5451: 5434: 5426:Record World 5424: 5419: 5403: 5375: 5366: 5349: 5341: 5335: 5328: 5305: 5296: 5288: 5283: 5275: 5270: 5260: 5251: 5235: 5222:Bill Harry, 5218: 5209: 5200: 5191: 5182: 5174: 5169: 5160: 5154: 5125: 5107: 5099: 5094: 5067: 5058: 5049: 5039: 5031: 5022: 5013: 5005: 5000: 4991: 4983: 4978: 4969: 4960: 4951: 4942: 4933: 4924: 4915: 4905: 4900: 4895:Leng, p. 36. 4891: 4882: 4873: 4864: 4856: 4851: 4842: 4833: 4824: 4814: 4809: 4795: 4788: 4779: 4770: 4762: 4757: 4748: 4739: 4730: 4721: 4700: 4692: 4688: 4677: 4672: 4655:Leng, p. 50. 4626: 4604: 4599: 4569: 4564: 4555: 4546: 4537: 4529: 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Reilly 2488:steel guitar 2484:Colin Manley 2405: 2402:2014 reissue 2367: 2366: 2326: 2325: 2317: 2280: 2258: 2253: 2249:The Guardian 2247: 2242: 2238: 2214: 2206: 2204: 2192:Quincy Jones 2178: 2176: 2165: 2163: 2158: 2152: 2144: 2141: 2130: 2126: 2119: 2108: 2096: 2095:writes that 2086: 2082: 2080: 2075: 2069: 2064: 2058: 2056: 2046: 2040: 2037: 2024: 2020: 2014: 2010: 2002: 2001:Writing for 2000: 1991: 1986: 1985: 1947: 1909: 1897: 1892:(favourable) 1885: 1837: 1825: 1754: 1748: 1738: 1733: 1729:The Guardian 1727: 1721: 1713:Melody Maker 1711: 1709: 1700: 1688: 1682: 1678: 1672:Record World 1671: 1670: 1647: 1641: 1633: 1630:David Fricke 1610: 1608: 1603: 1596:Martin Lewis 1591: 1587: 1581: 1576: 1568: 1566: 1554: 1550: 1546:Record World 1544: 1538: 1531: 1524: 1520: 1518: 1509: 1505: 1501: 1498: 1482: 1471: 1462: 1452:Derek Taylor 1440: 1434: 1424:Derek Taylor 1420: 1416: 1396: 1392: 1389:Jackie Lomax 1382: 1378: 1376: 1369: 1365:Time Bandits 1363: 1349: 1339: 1337: 1332: 1316: 1314: 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Troppo 6534:film review 6351:Barry Miles 6014:The Beatles 5353:Kory Grow, 5228:Mersey Beat 5173:Schaffner, 5098:Schaffner, 5004:Schaffner, 4982:Schaffner, 4855:Schaffner, 4368:Schaffner, 3086:Schaffner, 3041:Schaffner, 2600:tar shehnai 2560:Shambhu Das 2520:Ringo Starr 2474:Tony Ashton 2460:John Barham 2418:Tony Ashton 2361:Dream Scene 2304:John Squire 2292:Kula Shaker 2235:Mickey Hart 2211:World Music 2159:Sgt. Pepper 2115:Graham Reid 2083:Apple Years 2031:John Harris 1695:Barry Miles 1640:music, the 1573:liner notes 1510:The Beatles 1478:Berlin Wall 1467:Berlin Wall 1356:Apple Films 1325:Pattie Boyd 1173:The Beatles 937:overdubbing 915:psychedelic 844:HMV Records 832:Shambhu Das 760:the Monkees 747:Ringo Starr 729:Tony Ashton 678:Dream Scene 619:John Barham 588:Love You To 556:tar shehnai 482:psychedelia 474:Jane Birkin 431:John Lennon 407:the Beatles 370:world music 323:Ringo Starr 311:Tony Ashton 295:John Barham 260:tar shehnai 235:the Beatles 84:De Lane Lea 7373:Categories 7328:Tribute To 7108:Joi Bangla 7087:Doris Troy 7031:The Rutles 7006:Jeff Lynne 6918:Harrisongs 6880:Friar Park 6659:Cloud Nine 6617:Dark Horse 6532:Wonderwall 6521:Wonderwall 6229:Bill Harry 6178:Gary Graff 3006:References 2997:Wonderwall 2921:Wonderwall 2873:Wonderwall 2761:Wonderwall 2747:Wonderwall 2734:Wonderwall 2687:Musikmarkt 2478:tack piano 2464:flugelhorn 2454:tape loops 2277:Wonderwall 2269:Supergrass 2227:Paul Simon 2198:presenter 2183:Marco Polo 2149:Bill Evans 2063:presented 2009:described 1876:MusicHound 1753:said that 1656:David Wild 1648:Wonderwall 1592:Wonderwall 1588:Wonderwall 1577:Wonderwall 1445:surrealist 1397:Wonderwall 1379:Wonderwall 1317:Wonderwall 1274:Liberacian 1258:minor-mode 1186:Pink Floyd 1152:tape loops 1062:honky-tonk 973:Wonderwall 899:Wonderwall 756:Peter Tork 718:flugelhorn 710:Wonderwall 665:Wonderwall 603:Wonderwall 574:, and the 528:swarmandal 490:Wonderwall 462:Wonderwall 418:Wonderwall 403:Joe Massot 401:first met 394:Background 378:Wonderwall 335:Wonderwall 327:Wonderwall 231:Joe Massot 226:Wonderwall 221:soundtrack 174:chronology 58:1968-11-01 7116:Footprint 6894:(bootleg) 6809:Raga Mala 5934:Billboard 5829:Elsewhere 5810:Billboard 5695:Elsewhere 5532:Billboard 5278:, Disc 2. 5102:, p. 133. 5041:Billboard 5008:, p. 110. 4796:Zachariah 3627:, p. 174. 3529:, p. 102. 3045:, p. 301. 2887:Zachariah 2798:, London. 2763:sessions. 2645:Billboard 2628:Canadian 2623:Position 2509:harmonica 2468:harmonium 2462:– piano, 2450:Mellotron 2448:– piano, 2439:Personnel 2308:2024 tour 2290:sound of 2288:raga rock 2196:BBC Radio 2105:acid-rock 2101:Dixieland 2005:in 2002, 1992:Billboard 1827:Billboard 1532:Billboard 1526:Billboard 1341:Zachariah 1136:fuzz-tone 1003:mastering 945:Ken Scott 873:, played 741:Mellotron 714:harmonium 652:Billboard 637:Recording 113:raga rock 7358:Category 7291:Tributes 6875:Kinfauns 6848:Articles 6740:Box sets 6526:AllMovie 6134:Harrison 5949:Cash Box 5868:AllMusic 5643:, p. 39. 5600:OndaRock 5581:Musician 5262:DVD Talk 4802:AllMovie 4765:, p. 32. 4532:, p. 73. 4488:AllMusic 4387:AllMusic 4372:, p. 95. 4332:, p. 19. 4310:, p. 12. 4139:, p. 44. 3612:AllMusic 3430:, p. 47. 3406:Musician 3332:, p. 50. 3156:, p. 36. 2900:Hey Jude 2876:listing. 2813:flanging 2700:See also 2676:Top LPs 2659:Cash Box 2579:surbahar 2546:pakhavaj 2499:Roy Dyke 2424:) – 3:17 2368:Side two 2363:" – 5:26 2327:Side one 2050:AllMusic 1987:Musician 1899:OndaRock 1887:Musician 1790:AllMusic 1563:Reissues 1540:Cash Box 1437:Bob Gill 1428:Bob Gill 1295:for the 1269:♭ 1263:♭ 1234:westerns 1180:Side two 1089:♭ 1067:pakhavaj 1025:Side one 981:creator 978:Simpsons 911:the Fool 853:register 849:surbahar 816:BBC News 733:Roy Dyke 510:Musician 484:and his 350:Bob Gill 286:styles. 219:and the 160:Producer 86:(London) 66:Recorded 51:Released 41: by 7315:(album) 7137:Brother 6841:Related 6514:Discogs 5974:Sources 5338:(2014)" 4798:(1970)" 2647:Top LPs 2594:bansuri 2588:santoor 2574:– tabla 2552:shehnai 2522:– drums 2501:– drums 2296:Govinda 2261:Britpop 2113:critic 1745:Ed Ward 1697:wrote: 1495:Release 1303:" and " 1214:santoor 1095:ragtime 1035:shehnai 1007:medleys 883:bansuri 851:(a low- 840:A&R 812:Reuters 762:played 702:tablist 695:sarodya 655:ad for 590:" and " 576:santoor 544:shehnai 532:dilruba 524:tanpura 284:ragtime 280:country 268:santoor 264:tanpura 252:shehnai 200:(1969) 191:(1968) 56: ( 7254:(film) 7246:(film) 7065:Albums 6991:(wife) 6975:(wife) 6956:People 6492: 6478: 6463: 6445: 6418: 6403: 6385: 6361: 6343: 6328: 6310: 6295: 6280: 6265: 6239: 6221: 6203: 6188: 6158: 6140: 6121: 6087: 6069: 6054: 6039: 6024: 6006: 5991: 3301:Magnet 2613:Charts 2528:– bass 2060:Magnet 1784:Rating 1781:Source 1732:cited 1190:Flying 1084:up to 1048:. 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Index