29:
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Neither the rhyming form of the Ashob nor the use of the stanzas is explained in the inline citations added to this article. They've only mentioned a few Ashobs that make it clear how it is written.
147:. It reads naturally or conversationally and begins as a kind of photographic depiction of a moment (such as war, invasion etc.) in anguish. It consists of five to six
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verse for the first four lines. The first line rhymes with the second, third and fourth, and the fifth line rhymes with none, but combines the thoughts collectively.
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Bahadur Shah Zafar and His
Contemporaries: Zauq, Ghalib, Momin, Shefta : Selected Poetry : Text, Translation, and Transliteration
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used by the writers, predominantly by the Mughal poets to express their anguish and sorrows over political and social shifts.
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171:, who started writing Ashobs during his literary career. Some ashobs were also written by Shakir Naji who served in the
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336:(A Brief study of the Shahr Ashob). The book, currently serving only in Urdu language, was later published by the
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classical Urdu poetry. It was existed and widely used by the poets between the 16th and 19th centuries during the
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437:
28:
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Glimpses of Mughal
Society and Culture: A Study Based on Urdu Literature, in the 2nd Half of the 18th Century
500:"Eight poets, one city they loved and lived in: 'Beloved Delhi' is a fresh look at a city much written about"
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to the neighboring states or countries. It is believed the ashob was popularized during the
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The poem contains
English translation of the original poem that may contain minor errors
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Cosmopolitan Dreams: The Making of Modern Urdu
Literary Culture in Colonial South Asia
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382:
Petievich, Carla R. (1990). "Poetry of the
Declining Mughals: The "Shahr Āshob"".
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In 1979, a writer named Naeem Ahmad wrote a book on Shahr Ashob's birth titled
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are also credited with "ashob writings". Mirza wrote a list of ashobs on
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The Ashobs are generally describing emotional thoughts of a writer in a
167:. It was first introduced in south Asia by the Mughal poets, including
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Later (around 1708–1710), ashob was merely used after the death of
525:"The lost art of Urdu poetry: Shahr Ashob was a lament for a city"
179:'s reign. When the king was defeated, he covered major impacts of
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in 1707, and since then it began disappearing until the
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was also engaged in writing ashobs. His writing covered
246:, but later it was not used in the modern literature.
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If one had a carpet, there were none to roll it out.
317:
Whoever I met had lost all possessions, once so dear
263:
What kind of King is he who is intent on injustice?
104:(lit. 'The city's misfortune' ), sometimes spelled
275:He is the shadow of Satan, not the shadow of God.
293:Why has it been destroyed as if a lie by destiny?
944:
482:"Shahjahanabad: How a planned city came undone"
272:The honour of the people is defiled by his rule
323:If one had a thread, no rope was in sight here
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33:Khawaja Hafiz reciting poetry at Mughal court
320:Poverty seems to be a cross all have to bear
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296:T'was a wondrous beach in the sea of plenty
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249:
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266:An entire world is protesting against him
207:in 1772. Some prominent poets, including
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163:Ashob originally came into existence in
124:. Ashob remained an historical genre in
356:. University of California. p. 319
299:Precious stones on your shores galore.
290:You were once the heart of lovers, many
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183:on the Mughal kingdom. An Indian poet
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569:Dubrow, Jennifer (October 31, 2018).
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314:My friends all seemed to death, near
238:made several people flee across the
195:between the sixteenth Mughal ruler
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13:
464:"Politics: the art of distraction"
409:Heitzman, James (March 31, 2008).
269:A lout himself, has a brigand army
14:
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384:Journal of South Asian Literature
442:. Sterling Publishers Pvt. Ltd.
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353:Shahr ashob ka tahqiqi mutalaah
334:Shahr Ashob Ka Tahqiqi Mutalaah
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575:. University of Hawaii Press.
548:. Concept Publishing Company.
542:Haque, Ishrat (June 3, 1992).
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217:Nader Shah's invasion of India
1:
436:Kanda, K. C. (June 3, 2007).
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585:– via Google Books.
558:– via Google Books.
452:– via Google Books.
425:– via Google Books.
284:Mirza Muhammad Rafi Sauda
213:Mirza Muhammad Rafi Sauda
173:Army of the Mughal Empire
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61:Mirza Muhammad Rafi Sauda
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338:University of California
189:civil–military relations
250:Poems written in ashobs
412:The City in South Asia
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244:1857 uprising in India
143:poem based on several
100:; literary written as
350:Ahmad, Naeem (1979).
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219:, while Mir wrote on
963:Urdu-language poetry
151:normally written in
488:. January 27, 2018.
468:Times of India Blog
240:Indian subcontinent
203:in order to defeat
973:Persian literature
134:Turkish literature
116:with its roots in
983:Pakistani poetics
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633:per previous note
624:per previous note
181:military conflict
169:Masud Sa'd Salman
86:
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53:Masud Sa'd Salman
39:Stylistic origins
16:Urdu poetic genre
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415:. Routledge.
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390:(1): 99–110.
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358:. Retrieved
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308:Mir Taqi Mir
289:
262:
236:British rule
229:
209:Mir Taqi Mir
197:Shah Alam II
193:military aid
165:16th century
162:
145:competencies
138:
105:
101:
89:
87:
57:Mir Taqi Mir
671:Urdu poetry
205:Zabita Khan
110:Urdu poetic
90:Shahr Ashob
22:Shahr Ashob
947:Categories
369:References
360:2020-06-03
114:South Asia
862:Mukhammas
777:Takhallus
306:Ashob by
282:Ashob by
255:Ashob by
232:Aurangzeb
191:, mainly
141:narrative
112:genre in
857:Musaddas
837:Manqabat
782:Tarannum
742:Mushaira
702:Kulliyat
396:40873115
118:lamented
98:شهر آشوب
968:Laments
927:Tazkira
922:Wasokht
892:Qawwali
852:Munajat
847:Masnavi
842:Marsiya
787:Triveni
767:Shayari
175:during
159:History
149:stanzas
126:Persian
94:Persian
81:Marsiya
49:Authors
882:Qasida
807:Ghazal
762:Shayar
747:Qafiya
737:Misra'
727:Matla'
722:Maqta'
717:Kulyat
579:
552:
446:
419:
394:
153:rhymed
77:Qasida
932:Poets
907:Sehra
902:Salam
897:Rubai
887:Qat'ã
832:Madah
817:Hazal
752:Radif
732:Mavra
712:Kalam
697:Diwan
594:Notes
392:JSTOR
344:Books
225:Delhi
877:Noha
872:Nazm
867:Naat
827:Kafi
822:Hijv
812:Hamd
802:Geet
797:Fard
792:Doha
757:Sher
692:Bahr
682:Bait
577:ISBN
550:ISBN
444:ISBN
417:ISBN
211:and
199:and
132:and
130:Urdu
88:The
917:Soz
223:of
949::
527:.
512:^
502:.
484:.
466:.
388:25
386:.
340:.
227:.
128:,
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79:,
663:e
656:t
649:v
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506:.
398:.
363:.
92:(
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