Self-portrait - Knowledge

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self-portrait, where the artist inserts his or her own portrait into, for example, a group of characters related to some subject; (2) the "prestigious, or symbolic" self-portrait, where an artist depicts him- or herself in the guise of a historical person or religious hero; (3) the "group portrait" where artist is depicted with members of family or other real persons; (4) the "separate or natural" self-portrait, where the artist is depicted alone. However it might be thought these classes are rather rigid; many portraits manage to combine several of them.

1240: 3516: 3080: 1221: 678: 2079: 3949: 2117: 3438: 1991: 3580: 3263: 953: 3930: 4291: 3691: 3811: 2786: 859: 1633: 1579: 1145: 300: 4329: 4131: 4178: 2064: 4254: 1973: 248:(c1637), one of the earliest self-portraits with family, the painting probably includes Saskia, Rembrandt's wife, one of the earliest depictions of a family member by a famous artist. Family and professional group paintings, including the artist's depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays an increasing part in self-portraiture, and adds the dimension of audio as well, allowing the person to speak to an audience in their own voice. 38: 3710: 908: 893: 3968: 3400: 3620: 3744: 2049: 3217: 4235: 1164: 3309: 3278: 1594: 2336: 1282: 4028: 4066: 3471: 3729: 813: 1928:, who produced hundreds of self-portraits depicting him a wide range of contexts most notably in relation to sickness, moodiness and death. The 2004 exhibition "Schiele, Janssen. Selbstinszenierung, Eros, Tod" (Schiele, Janssen: Self-dramatisation, Eros, Death) at the Leopold Museum in Vienna paralleled the works of Egon Schiele and Horst Janssen, both heavily drawing on sujets of erotica and death in combination with relentless self-portraiture. 923: 391:

leading many artists to specialize in portrait work. Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer wonders if the clothes worn were those they normally painted in, as the elaborate nature of many ensembles was an artistic choice to show her skill at fine detail.

3105: 3676: 2264: 3501: 1096: 567: 1932:, who following a terrible accident spent many years bedridden, with only herself for a model, was another painter whose self-portraits depict great pain, in her case physical as well as mental. Her 55-odd self-portraits include many of herself from the waist up, and also some nightmarish representations which symbolize her physical sufferings. 1189: 169:) were depicted using a number of actual persons as models, often including the artist, giving the work a multiple function as portraiture, self-portraiture and history/myth painting. In these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. 259: 345: 692: 2770: 552: 1951:" and the "lecherous old artist and model" periods. Often Picasso's self-portraits depicted and revealed complicated psychological insights, both personal and profound about the inner state and well-being of the artist. Another artist who painted personal and revealing self-portraits throughout his career was 2961: 416: 2990:

painted intricate miniatures which served as advertisements for her skill as well as novelty items, considered such because the rarity of successful women painters provided them with an oddity quality. Rembrandt made his living principally from portrait-painting during his most successful period, and

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With new media came a chance to create different kinds of self-portraits besides simply static painting or photographs. Many people, especially teens, use social networking sites to form their own personal identity on the internet. Still others use blogs or create personal web pages to create a space

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presents herself embodying the classical allegorical representation of Painting, seen in the dramatic mask worn around Gentileschi's neck which Painting often carries. The artist's focus on her work, away from the viewer, highlights the drama of the Baroque period, and the changing role of the artist

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governed by consciousness. Self-portrait leads to the persuasion, that we consciously desire to make something. Studies show that self-portraiture is a caricature on the function of the brain, but at the same time it is the basis of the sensation of authorship and responsibility of one's own actions.

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This survey of literature is focused on the method of drawing people as the method of diagnostics. Children's figures can recognize mental disorders. The authors describe the use of self-portraits for diagnostics of emotional disorders in children from 6 to 12 years. Although this procedure does not

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This drawing in red chalk is widely (though not universally) accepted as an original self-portrait. The main reason for hesitation in accepting it as a portrait of Leonardo is that the subject is apparently of a greater age than Leonardo ever achieved. But it is possible that he drew this picture of

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in the second part of the 17th century and has been maintained and expanded until the present time. It is mostly not on view for general visitors, although some paintings are shown in the main galleries. Many famous artists have not been able to resist an invitation to donate a self-portrait to the

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between 1886 and 1889. In all of these self-portraits one is struck that the gaze of the painter is seldom directed at the viewer; even when it is a fixed gaze, he seems to look elsewhere. These paintings vary in intensity and color and some portray the artist with bandages; representing the episode

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period, most artists with an established reputation at least left drawings of themselves. Printed portraits of artists had a market, and many were self-portraits. They were also sometimes given as gifts to family and friends. If nothing else, they avoided the need to arrange for a model, and for the

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Finally, setting up the camera, entering the scene and having an assistant release the shutter (i.e., if the presence of a cable release is unwanted in the photo) can arguably be regarded as a photographic self-portrait, as well. The speed of creating photographic self-portraits allowed for a range

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of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition. Such paintings were not intended publicly to depict

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and some others instead showed their real working costume very realistically. This was a decision all 18th-century self-portraitists needed to make, although many painted themselves in both formal and informal costume in different paintings. Thereafter, one can say that most significant painters

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Eadwine the Scribe whose self portrait is accompanied by the inscription "I am the chief of scribes, and neither my praise nor fame shall die; shout out, oh my letter, who I may be. By its fame your script proclaims you, Eadwine, whom the painted figure represents, alive through the ages, whose

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who painted themselves in the nude. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, painted for sale. Until the 20th century women were usually unable to train in drawing the nude, which made it difficult for them to paint large figure compositions,

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Self-portraits of the artist at work were, as mentioned above, the commonest form of medieval self-portrait, and these have continued to be popular, with a specially large number from the 18th century on. One particular type in the medieval and Renaissance periods was the artist shown as Saint

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drew and painted dozens of self-portraits, as well as portraits of his wife, son, and mistress. At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship has

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produced numerous images of themselves, the latter also often painting his family. This practice was especially common for female artists, whose inclusion of their families was often a deliberate attempt to mitigate criticism of their profession causing distraction from their "natural role" as

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Psychology and neuroscience approach understanding of reason and consciousness. Meanwhile, each human reason contains the self-portrait, which contains the self-appraisal of cognitive processes. This self-portrait assumes that the actions of man are governed by thoughts and, thus, the body is

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who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. Obsessively using the self-portrait as a personal and introspective artistic expression was

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The great Italian painters of the Renaissance made comparatively few formal painted self-portraits, but often included themselves in larger works. Most individual self-portraits they have left were straightforward depictions; Dürer's showmanship was rarely followed, although a controversially

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of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the

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The self-portrait can be a very effective form of advertising for an artist, especially of course for a portrait painter. Dürer was not really interested in portraits commercially, but made good use of his extraordinary self-portraits to advertise himself as an artist, something he was very

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Art critic Galina Vasilyeva-Shlyapina separates two basic forms of the self-portrait: "professional" portraits, in which the artist is depicted at work, and "personal" portraits, which reveal moral and psychological features. She also proposes a more detailed taxonomy: (1) the "insertable"

210:(1656), as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter (previously unseen in official royal portraiture) and standing close to the King's family group who were the supposed main subjects of the painting. 147: 1659:

and Dutch artists painted themselves far more often than before; by this date most successful artists had a position in society where a member of any other trade would consider having their portrait painted. Many also included their families, again following the normal practice for the

483: 2587:. They also remained very fragile, and large ones were much more expensive pro-rata than small ones – the breakages were recut into small pieces. About 80 cm, or two and a half feet, seems to have been the maximum size until then – roughly the size of the palace mirror in 4926: 1684:. Many show him posing in quasi-historical fancy dress, or pulling faces at himself. His oil paintings trace the progress from an uncertain young man to the dapper and very successful portrait-painter of the 1630s to the troubled but massively powerful portraits of his old age. 508: 1397: 2022: 2924: 2999:, many of his portraits were certainly intended to advertise his skills. With the advent of regular Academy shows, many artists tried to produce memorable self-portraits to make an impression on the artistic stage. A recent exhibition at the National Gallery, London, 2732: 594: 655: 3116:

Some artists who suffered neurological or physical diseases have left self-portraits of themselves that have allowed later physicians to attempt to analyze disruptions of mental processes; and many of these analyses have entered into the textbooks of

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records a number of such traditions — a common practice of artists. However, for earlier artists, with no other portrait to compare to, these descriptions are necessarily rather speculative. Among the earliest self-portraits are also two frescos by

2522: 4084: 2392: 397: 2939: 2016:, increasingly, men as well as women who painted themselves at work had to choose whether to present themselves in their best clothes, and best room, or to depict studio practice realistically. See also the Gallery of Women painters above. 318: 4934: 3007:, an otherwise little-known contemporary artist who has generated good amounts of publicity by undertaking to paint his self-portrait every day. On the other hand, some artists depicted themselves very much as they did other clients. 3534: 2097: 3136:

notes that a habit of masturbating may be depicted in works of art, particularly paintings. So Austrian artist Egon Schiele depicted himself so occupied in one of his self-portraits. Kon observes that this painting does not portray

2676: 1106:, then artist-Abbot of Glastonbury, prostrates himself before a giant Christ. Inscribed "Remember, I beg you, merciful Christ, to protect Dunstan, and do not permit the storms of the underworld to swallow me up". Later he became 732: 3323: 4658:, 1940, oil on canvas on Masonite, 24½ × 19 inches, Nikolas Muray Collection, Harry Ransom Center, The University of Texas at Austin, 2007. Banco de México Diego Rivera & Frida Kahlo Museums Trust, Av. Cinco de Mayo No. 2, 1311:, all containing his famous monogram, which were sold throughout Europe. He probably depicted himself more often than any artist before him, producing at least twelve images, including three oil portraits, and figures in four 1780: 2712: 1017: 1239: 3782: 2636: 2565: 3418: 621: 2503: 2693: 3342: 2751: 533: 3124:

The self-portraits of artists who suffered mental illnesses give a unique possibility to physicians for investigating self-perception in people with psychological, psychiatric or neurologic disturbances.

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poses as a drowned man. He lies with his eyes closed, both for the technical reason of the long exposure required by his method and as a protest for the rejection of his claim as inventor of photography.

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danah boyd. "Why Youth (Heart) Social Networking Sites: The Role of Networked Publics in Teenage Social Life." MacArthur Foundation Series on Digital Learning, Identity Volume. ed. David Buckingham.

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Two methods of obtaining photographic self-portraits are widespread. One is photographing a reflection in the mirror, and the other photographing one's self with the camera in an outstretched hand.

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is considered by historians impractically large, one of Van Eyck's many cunning distortions of scale). Largely for this reason, most early self-portraits show painters at no more than half-length.

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often used self-portraits to depict himself in the many different guises, disguises and incarnations of his autobiographical artistic persona. From the young unknown "Yo Picasso" period to the "

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Patients with hemiplegia have diverse problems of self-perception, which are caused by neurological defeats of the idea of body, or by psychological problems with the perception their own self.

1799: 1422: 1725: 1709: 640: 280: 1690: 2244: 3365: 3913: 3656: 1537:(c. 1565–70) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio. Titian also painted a late self-portrait in 1567; apparently his first. Baroque artist 1220: 494: 91:

in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper

858: 3764: 2473:; glass mirrors became available in Europe in the 15th century. The first mirrors used were convex, introducing deformations that the artist sometimes preserved. A painting by 2184: 561:, 1785, with two pupils. A "subjects-eye" view of the painter at work. It seems likely that women society portraitists did actually paint wearing fashionable clothes like this. 3641: 3560: 122:

many professional portrait-painters, a self-portrait kept in the studio acted as a demonstration of the artist's skill for potential new clients. The unprecedented number of

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Another method involves setting the camera or capture device upon a tripod, or surface. One might then set the camera's timer, or use a remote controlled shutter release.

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has the parts normally hanging loose tied up on his head, giving the misleading impression he is wearing a turban, presumably for convenience whilst he paints. In the

1756: 48:, end September 1889, (F 525), Oil on canvas, 40 × 31 cm., Private collection. This may have been Van Gogh's last self-portrait. Given as a birthday gift to his mother. 4009: 3013: 1737: 1163: 5715:

Morin C, Pradat-Diehl P, Robain G, Bensalah Y, Perrigot M (2003) Stroke hemiplegia and specular image: lessons from self-portraits. Int J Aging Hum Dev 56(1): 1-41.

3825: 4156: 2414: 1616: 527:–1680, She became one of the most important portrait painters of 17th-century England, and has been described as the first professional female English painter. 4635:"Deutsch: Freskenzyklus der Brancacci-Kapelle in Santa Maria del Carmine in Florenz, Szene: Martyrium des Hl. Petrus und Disput mit dem Magier Simon vor Nero" 3032: 4271: 2933:

with sunflower, representing his patronage by Charles I, whose medal he holds up to the flower. Or is Van Dyck the sun the flower turns to? 1633 or later.

4328: 2546: 4988: 2354: 2222: 4967: 4107: 2827:, often but not strictly limited to vignettes from the artists life-story. Sometimes the narrative resembles fantasy, roleplaying and fiction. Besides 2278: 5329: 1281: 3889: 3004: 2785: 1385: 1365: 353: 2316: 2150: 999:. Most of these either show the artist at work, or presenting the finished book to either a donor or a sacred figure, or venerating such a figure. 2584: 2165: 1959:, Egon Schiele and Horst Janssen in particular made intense (at times disturbingly so) and self-revealing self-portraits throughout their careers. 3277: 1843:

at the feet of Christ on the cross (around 1635). In the 19th century, Goya painted himself numerous times. French self-portraits, at least after

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depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of

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has an "inserted self-portrait". The position in the (right) corner, and the gaze out to the viewer, are very typical of such self-portraits.

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at the age of 60, in around 1512. The picture is often straightforwardly reproduced as Da Vinci's appearance, although this is not certain.

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are perhaps the largest self-portraits ever painted. Both contain many figures, but are firmly centred on the heroic figure of the artist.

3485: 2297: 5031: 4365: 4215: 1416:, Paris. This is among the earliest known formal self-portraits. He is dressed in Italian fashion, reflecting his international success. 2203: 2078: 5754: 4046: 3198: 2804: 2107: 1062: 952: 270: 4586: 4459: 4309: 3380: 3202: 2116: 1578: 5768: 877: 2373: 1517:(1562). Northern artists continued to make more individual portraits, often looking very much like their other bourgeois sitters. 703: 3967: 3237: 2918:, 1613. According to his biographer, the heads were those of the painter, his ex-lover, and her mother. Compare Caravaggio above. 1632: 4177: 5005: 3600: 707:("Self-portrait on her 6th wedding anniversary") 1906. She depicts herself as pregnant, which at that point she never had been. 4685: 3948: 2687:, Titian, his son and the cousin he had virtually adopted, as Past, Present and Future. National Gallery, London, late 1560s. 1339:, and displayed publicly, which very few portraits then were, the artist depicted himself with an unmistakable resemblance to 5748: 5649: 5262: 4766: 1177: 812: 407: 198:

is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired

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accessed online July 28, 2007 an online history of self-portraits, various excerpts from Edward Lucie-Smith and Sean Kelly,

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specialised in group portraits, often "conversation pieces" with gentle narrative content, and spent some years in India.

806:, produced lively semi-caricatured self-portraits, whilst others remain closer to the conventions of the formal portrait. 3579: 1200: 5773: 977: 5615:

The book presents 155 artist (fine art) of the 20th century by showing their self-portraits added by informative texts.

5582: 5413: 4391: 3793: 3630: 1892: 667:, 1880 was a Russian born artist who died at twenty-five. A large number of Bashkirtseff's works were destroyed by the 5302: 410:, perhaps the oldest self-portrait of a female oil-painter, though much earlier examples of manuscript painters exist. 5692: 5670: 5628: 5611: 5542: 5529: 5504: 5460: 5393: 5213: 5116: 4914: 4794: 4740: 4537: 4483: 4434: 4167: 4130: 937: 232: 1852:

left us at least one self-portrait, even after the decline of the painted portrait with the arrival of photography.

4253: 3399: 2450: 892: 126:, both as paintings and prints, made clear the potential of the form, and must have further encouraged the trend. 83:

of an artist made by themselves. Although self-portraits have been made since the earliest times, the practice of

3743: 2335: 1214:, generally regarded as a self-portrait, which would make it the earliest Western panel portrait after antiquity. 56: 3810: 2156: 1848: 5546: 5490: 4659: 3079: 2534:

The Artist's Studio (L'Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life

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Self-portraits may have a longer continuous history in Asian (mainly Chinese) art than in Europe. Many in the

244: 28: 2063: 5813: 4983: 3754: 2048: 1955:. Bonnard also painted dozens of portraits of his wife Marthe throughout her life as well. Vincent van Gogh, 1037: 907: 101: 17: 4027: 5326: 2745:. By the date of this second version of 1669, most of the models had died of the plague some years before. 1518: 577: 573: 558: 4065: 5818: 5345: 4386: 3262: 3216: 3190: 2002: 1066:(1475), who turns from the scene to look at us. Fourteenth-century sculpted portrait busts of and by the 474: 123: 4830:

Scholten, Frits (2008). "Johan Gregor van der Schardt and the Moment of Self-Portraiture in Sculpture".

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Dated 1669, the year he died, though he looks much older in other portraits. National Gallery, London

922: 371: 52: 5788: 5591: 3900: 3662: 3003:, did not shrink from the comic bathos that sometimes resulted. An example from the 21st century is 2702:, Self-portrait, 1610, aged 78, the last of her many self-portraits, though she was painted later by 2420: 2236: 2028: 745:, 1985. The number of self-portraits on paper is about 370 and there are eight self-portraits in oil. 4710: 4354: 3798: 3590: 2583:

The size of single-sheet mirrors was restricted until technical advances made in France in 1688 by

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was an artist highly conscious of his public image and reputation, whose main income came from his

1107: 60: 4754: 3470: 2971:. The artist has travelled to the South of France (in the vanishing coach), to meet the collector 2137: 1836: 1429: 1332: 114:, with increased wealth and interest in the individual as a subject, did it become truly popular. 5793: 2642: 1731:

Rembrandt in 1632, when he was enjoying great success as a fashionable portraitist in this style.

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Listen to them draw: screening children in primary care through the use of human figure drawings

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the actual persons as themselves, but the facts would have been known at the time to artist and

5564: 5204:, op cit, pp 11-13; for the Arnolfini reference see: National Gallery Catalogues (new series): 4277: 3540: 3177: 3174: 2617: 2533: 981: 698: 383: 5603: 3728: 1907:, representing him naked in many positions, sometimes masturbating or with an erection, as in 1872: 1680:

reduced the autograph count to something over forty paintings, a few drawings, and thirty-one

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has not survived. A woodcut of a bathhouse and a drawing show virtually nude self-portraits.

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tradition are quite small, depicting the artist in a large landscape, illustrating a poem in

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The Painter's Studio: A Real Allegory of a Seven Year Phase in my Artistic (and Moral) Life

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would have something of the same spirit, if it is a self-portrait. There is a portrait by

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was an American portrait painter who specialized in portraits of women and children, 1878.

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of images with more of a "play" atmosphere than traditional methods. One such example is

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make it possible to place final diagnosis, it is useful for the recognition of problems.

5095: 3719: 3696: 3476: 2538: 2122: 2084: 1984: 542:, self-portrait, 1780–1785, a successful painter in her time, she was a great friend of 99:

portrait, many painters, sculptors and printmakers tried some form of self-portraiture.

5803: 5762: 5606:(Paris) / Skira Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, 5438: 5428: 4839: 4202: 4015: 3500: 2896: 2840: 2595: 2209: 2110:, 1748. The artist as visionary. Much cut down, this originally had a vertical format. 2069: 1642: 1249: 661: 634:, 1819. A German religious artist and the first woman to enter the Academy of Munich. 190: 4663: 4476:

Renaissance Portraits, European Portrait-Painting in the 14th, 15th and 16th Centuries

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c. 1524, is itself painted on a convex surface, like that of the mirrors of the period

2462: 1832: 1719:, c. 1630. Probably an exercise in capturing facial expressions for larger paintings. 199: 5808: 5688: 5666: 5645: 5624: 5607: 5578: 5525: 5500: 5486: 5456: 5409: 5389: 5258: 5233: 5225: 5209: 5136: 5128: 5112: 4910: 4790: 4762: 4736: 4557: 4549: 4533: 4479: 4430: 4371: 4240: 4221: 4162: 3867: 3329: 3314: 3182: 2911: 2723: 2658: 2625:(1855), an immense "Allegory" of objects and characters amid which the painter sits. 2008:

Many of the medieval portraits show the artist at work, and Jan van Eyck (above) his

1990: 1716: 1669: 1638: 1623: 1569: 1464: 1376: 1056: 1029: 627: 539: 357:, 1940, Nickolas Muray Collection, Harry Ransom Center, University of Texas at Austin 265: 228: 170: 88: 80: 5009: 2615:, to be placed in their chapel. A famous large view of the artist in his studio is 1856:(see below) was perhaps the most creative self-portraitist of the 19th century, and 1403: 1304: 1074:

include self-portraits, and are among the earliest such busts of non-royal figures.

1032:(1267–1337) included himself in the cycle of "eminent men" in the Castle of Naples, 214: 5633: 5587: 5474: 5470: 5401: 5266: 4885: 4807: 4396: 4113: 4052: 3920: 3715: 3552: 3431:, of which he was first President. Rather like Rembrandt, but more successful. 1773 3161:

One of the most distinguished, and oldest, collections of self-portraits is in the

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monk, who painted many self-portraits of himself as sages of the past, 1764, Tokyo.

838: 499: 470: 336: 290: 182: 84: 41: 3625: 2490: 928: 585: 584:, and was influential in pioneering an "informal" fashion style at the end of the 177:(1611–12) is a good example. This culminated in the 17th century with the work of 5682: 5570: 5448: 5333: 5306: 5217: 5120: 4992: 4541: 4463: 3606: 3491: 3424: 3405: 3222: 3186: 3162: 3057: 2996: 2667: 2622: 2528: 2360: 2190: 2103: 1976: 1912: 1853: 1844: 1762:

1640, wearing a costume in the style of over a century earlier. National Gallery

1584: 1472: 1452: 1344: 1328: 1299: 1264: 1131: 1045: 458: 324: 3647: 2481:, demonstrates the phenomenon. Mirrors permit surprising compositions like the 2303: 1055:(1459), with his name written on his hat. This is imitated a few years later by 5534: 5482: 4856: 4782: 4634: 4296: 4259: 4136: 3973: 3770: 3681: 3458: 3443: 3333: 3254: 3166: 2945: 2856: 2757: 2653: 2486: 2269: 2228: 2171: 2054: 1952: 1504: 1482: 1477: 1267:, c. 1474, includes himself, as court artist, in his appropriate place in this 1087: 1049: 760: 150: 96: 64: 1972: 1324: 1134:

demonstrates. Receive, O God, the book and its donor as an acceptable gift."

344: 37: 5782: 5674: 5283: 4806:

himself deliberately aged, specifically for Raphael's portrait of him in the

4675:

This is a later and larger repetition in the National Gallery of the original

3996: 3871: 3788: 3749: 3585: 3506: 3428: 3371: 3085: 2972: 2888: 2884: 2880: 2876: 2868: 2809: 2791: 2571: 2398: 1936: 1925: 1904: 1787: 1319:

drawing created when he was thirteen years old. At twenty-two Dürer painted

1008: 996: 943: 756: 387: 5728:

Wegner DM (2003) The mind's self-portrait. Ann N Y Acad Sci 1001: 212–225.

5663:

Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis zur Gegenwart

4509:"Web Gallery of Art: Rubens, Pieter Pauwel – The Four Philosophers, 1611–12" 4071: 1347:). He later re-used the face in a religious engraving of, revealingly, the 5749:"The Exploration of Self: What Artists Find When They Search in the Mirror" 5299: 5270: 5077: 4315: 4098: 4090: 3935: 3883: 3853: 3734: 3268: 3194: 3133: 3109: 2864: 2860: 2852: 2663: 2552: 2509: 2474: 1956: 1920: 1916: 1900: 1495:

1510, or with a friend who holds his shoulder (1518). Also notable are two

1468: 1460: 1340: 1245: 1195: 1150: 1067: 864: 803: 779: 646: 213:

In what may be one of the earliest childhood self-portraits now surviving,

195: 143:, creating a talking point as well as a public test of the artist's skill. 106: 5774:

Catalogue of self portraits by the Royal Society of Portrait Painters 2007

5221: 5124: 5053: 4909:, p.10 and passim, 1999, National Gallery, London/Mauritshuis, The Hague, 4545: 4334: 3181:

collection. It comprises more than 200 portraits, in particular those of

2494: 1082:. Notably, the earliest self-portrait painted in England, other than in a 738: 5563:, Psychologie Médicale, 19, 9, 1543–1547, 1987 {available on line : 5517: 5397:

Self-Portraits in chronological order from ancient Egypt to the present.

5381: 5229: 5132: 4587:"Albrecht Dürer and his Legacy: The graphic work of a Renaissance artist" 4553: 4033: 3521: 2892: 2844: 2834: 2738: 2608: 2456: 2322: 1929: 1701: 1697: 1372: 1316: 914: 799: 581: 375: 348: 205: 181:. Many artistic media have been used; apart from paintings, drawings and 178: 158: 111: 4843: 4612: 5466: 4860: 4376: 4117: 3374:, 1640. "Of Silence and Speech, Silence is better" says the inscription 3150: 2872: 2379: 1793:. His largest self-portrait, for which a new mirror may have been used. 1661: 1603: 1547: 1522: 1312: 1135: 1083: 819: 514: 379: 3892:

photographed his reflection on the surface of a nickel-plated teapot.

1021: 5521: 4816: 4349: 4337:, Self-Portrait in the Budapest Ghetto, 1944, Hungarian Jewish Museum 3286:

seems to have painted no self-portraits until he was in old age, 1567

3145:. Creations of Schiele are analyzed by other researchers in terms of 3118: 2855:

other artists whose self-portraits reveal complex narratives include

2824: 2820: 2042:, pen and ink on brown paper, presumed to be a self-portrait. Antwerp 1994: 1944: 1676: 1599: 1514: 1448: 1336: 1291: 1025: 958: 783: 778:

had included a likeness of himself in a number of characters in the "

767: 683: 366:

Almost all significant women painters have left self-portraits, from

239: 5237: 5140: 4561: 1650: 991:

contain a number of apparent self-portraits, notably those of Saint

802:

on his experience of the scene. Another tradition, associated with

611:, and her most famous and finest painting. Originally attributed to 440:, and painted several self-portraits and many images of her family. 140: 4359: 3299: 3170: 3142: 3138: 3129: 3104: 2992: 2930: 2703: 1948: 1940: 1820: 1656: 1557: 1033: 771: 726:(1909), was among the first female Russian painters of distinction. 286: 218: 135: 5083:

I am not sick. I am broken. But I am happy as long as I can paint.

3201:

in London (with various satellite outstations elsewhere), and the

1887:

One of the most famous and most prolific of self-portraitists was

1696:

A young Rembrandt, c. 1628, when he was 22. Partly an exercise in

1233:, makes a drawing for his painting of the Virgin. Boston, c. 1440. 580:

painted several self-portraits that were hugely successful in the

5255:

The Art of Italy in the Royal Collection; Renaissance and Baroque

3837: 3243: 1823:

with head bandaged, after he (debatedly) cut off part of his ear.

1681: 1561: 1486: 1456: 1356: 1352: 1103: 1086:, is the miniature painted in oils on panel by the German artist 1000: 992: 898: 842: 775: 466: 433: 339:, Florence. He is at the extreme right of a crowded composition. 146: 118: 3461:, 1815 Oil on panel, Museo de la Real Academia de San Fernando, 1463:

showing the view in a convex mirror. There is also a drawing by

4495: 4381: 3879: 3462: 3283: 3042: 2470: 1528: 1500: 1413: 1410: 1268: 1012: 1004: 823: 332: 222: 92: 5054:"basis wien - Schiele, Janssen. Selbstinszenierung, Eros, Tod" 1300:

Albrecht Dürer, 1471–1528, the first prolific self-portraitist

5265:. The biographer was Baldinucci. This is the version in the 4429:. National Gallery Catalogues (new series). pp. 212–17. 3979: 3954: 1565: 162: 5561:

L'image préalable, l'expression impressive et l'autoportrait

2794:, 1896. Flesh and bone, life and death are contrasted here. 5107:

Campbell, Lorne; National Gallery Catalogues (new series):

4589:. Studio International Magazine. March 2003. Archived from 4528:

Campbell, Lorne; National Gallery Catalogues (new series):

1746: 1351:, Christ's own "self-portrait" (B.25). A self-portrait in 763: 668: 5032:"Horst Janssen: Selbstportraits – am Abgrund des Spiegels" 2628: 766:. One of the first self-portraits was made by the Pharaoh 161:

self-portraiture, historical or mythical scenes (from the

5769:

52 self-portraits from the National Galleries of Scotland

5742: 4956:

Encyclopedia of Irish and World Art, art of self-portrait

868: 502:. Note the pulled-up sleeve on the arm holding the brush. 5433:

The Moment of Self-Portraiture in German Renaissance Art

4881: 4879: 4877: 4686:"Marie-Denise Villers at the Metropolitan Museum of Art" 4759:

The Grove Encyclopedia of Medieval Art and Architecture

2578:(detail), the artist is visible in the reflection, 1625 1847:

tend to show the social status of the artist, although

202:

to depict himself in full view as the painter creating

4832:

Simiolus: Netherlands Quarterly for the History of Art

1560:

of some of his larger paintings. Finally, the head of

1543:

La Pittura (Self-portrait as the allegory of painting)

1391:

Dürer at about twenty, 1491–92, drawing, Metropolitan

4874: 4789:, p. 77–84 & passim, British Museum Press, 2002, 1323:(1493, Louvre), probably to send to his new fiancée, 1003:

is believed to have painted himself as a figure in a

4810:. A case has also been made, originally by novelist 1867: 1556:

at the beginning of his career, then appears in the

5290:, Weidenfeld & Nicolson, London, 1971, pp 124-5 5253:Aislinn Loconte in, Lucy Whitaker, Martin Clayton, 4448: 4446: 4019:

Self-portrait as man throwing, climbing and walking

3919:The oldest surviving photographic self-portrait by 251: 157:In the earliest surviving examples of medieval and 153:, 1646, shows how most self-portraits were painted. 5661:Pfisterer, Ulrich / Rosen, Valeska von ~ (Hrsg.): 5388:. Phaidon Press, London/New York, 2000 (pb 2004), 4148: 2469:The self-portrait supposes in theory the use of a 4656:Self-Portrait with Thorn Necklace and Hummingbird 4498:. This one was sold at auction in Germany in 2007 2808:Self-portrait as David with the head of Goliath, 1919:was a prolific painter of self-portraits as was 1651:Rembrandt and the 17th century in Northern Europe 354:Self-Portrait with Thorn Necklace and Hummingbird 293:frescoes (as is the Filippino Lippi), 1424–1426. 5780: 5722: 4654:Image—full description and credit: Frida Kahlo, 4501: 4443: 3197:. Other important collections are housed at the 1774:Vienna c. 1655, oil on walnut, cut down in size. 5479:Mirror Mirror - Self-portraits by women artists 4927:"Musée d'Orsay: Vincent van Gogh Self-Portrait" 4733:Medieval Illuminators and their Methods of Work 3099: 2799: 1507:appears as a violinist clothed in white in his 1048:includes himself, with other portraits, in the 686:(1902) also mostly painted women and children. 5257:, p.270, Royal Collection Publications, 2007, 3357:Saint Luke as a Painter Before the Crucifixion 3108:Self-portrait of Egon Schiele 1911, depicting 1745:Self-portrait as an oriental Potentate with a 1467:(1512), and self-portraits in larger works by 463:Self-portrait at the Clavichord with a Servant 5698: 5206:The Fifteenth Century Netherlandish Paintings 5109:The Fifteenth Century Netherlandish Paintings 4865:Titian's "Allegory of Prudence", A Postscript 4530:The Fifteenth Century Netherlandish Paintings 4427:The Fifteenth Century Netherlandish Paintings 2832: 2823:often are characterized by a strong sense of 2611:. Many of these were presented to the local 2588: 2454: 1157:, where he was master architect and sculptor. 1007:of 1359, which became, at least according to 755:Images of artists at work are encountered in 203: 4209:pen and brush and ink on paper, c. 1628-1629 1967: 1962: 5242:The Fifteenth Century Netherlandish Schools 5145:The Fifteenth Century Netherlandish Schools 4572:hung in the same palace in Madrid in which 4566:The Fifteenth Century Netherlandish Schools 4366:Portrait of a Young Man with a Golden Chain 1903:set new standards of openness, or perhaps 1036:(1401–1428) depicted himself as one of the 5687:, Mathildenhöhe Darmstadt (Germany), 2006 5539:Self Portrait. Renaissance to Contemporary 4890:Seeing Ourselves: Women's Self-Portraiture 3199:National Portrait Gallery (United Kingdom) 3173:. It was originally the collection by the 2442:for self-expression and self-portraiture. 1437: 5406:Seeing ourselves - Women's self-portraits 4814:, that Leonardo based his famous picture 4752: 4610: 4095:self-portrait at the beach in Warnemünde, 1891:, who drew and painted himself more than 1546:from craftsperson to singular innovator. 774:mentions that the Ancient Greek sculptor 495:Self-Portrait as the Allegory of Painting 34:Portrait of an artist made by that artist 4829: 4761:. Oxford University Press. p. 527. 4611:Francesca, Piero della (11 March 1463). 4424: 3141:from the masturbation, but a feeling of 3103: 2803: 2666:as a limp skin hanging from the hand of 2449: 1989: 1971: 1871: 1814: 1321:Portrait of the Artist Holding a Thistle 1078:included a small head of himself in his 1028:(1392), northeastern Slovenia. In Italy 976: 343: 145: 51: 36: 4403: 4001:Self-portrait with John Laurie Wallace, 3775:Self-portrait of the Artist with a Lamp 2629:Gallery: mortality in the self-portrait 2607:(patron saint of artists) painting the 2493:shown from the back painting his wife, 1827:In Spain, there were self-portraits of 14: 5781: 5162:"представительский, или символический" 4970:Lives of the Artists, Vincent van Gogh 2142:Self-Portrait with Palette and Brushes 1915:was to follow somewhat in this vein. 1587:, black chalk, 1496 or earlier, Berlin 1455:of about 1500 (Collegio del Cambio of 1294:c. 1490, the earliest portrait print. 242:painted a range of self-portraits. In 1896:in which he severed one of his ears. 5327:Rebels and Martyrs, National Gallery 4579: 3650:, 1880–1881 National Gallery, London 2743:The Banquet of Anthony and Cleopatra 2445: 1024:(1378), western Hungary, and one in 759:painting, and sculpture and also on 5516:, 1999, National Gallery, London / 4409: 1881:Self Portrait, dedicated to Gauguin 1471:, who gave his face to the skin of 1327:. The Madrid self-portrait (1498, 961:, a member of the Shanghai school, 24: 5638:Passion Rimbaud: L'Album d'une vie 5375: 4901:For this section and the gallery, 4613:"The Resurrection of Jesus Christ" 4392:Self-portraits by Vincent van Gogh 3861: 3794:Self-Portrait in a Striped T-shirt 2916:Judith with the Head of Holofernes 2576:Vanitas with Violin and Glass Ball 1810: 770:'s chief sculptor Bak in 1365 BC. 25: 5830: 5759:The Self Portrait: A Modern View. 5736: 5420:Self-Portraits of Francisco Goya. 5346:"Arnaud Prinstet - Google Search" 4632: 4494:A better-known version is in the 4097:1907. 83 × 87 mm. 3063:Self Portrait (The Desperate Man) 2980: 2762:Self-portrait with Doctor Arrieta 2559:, 1928. Selfportrait and portrait 2489:(1646), or more recently that of 2465:working at the easel to the left. 2432: 2197:, c. 1847–1848, charcoal on paper 1868:Prolific modern self-portraitists 1489:who is seen in the characters of 361: 5443:The Self Portrait: A Modern View 5096:National Museum of Women Artists 5051: 4985:Max Beckmann, The Self Portraits 4755:"Johannes Aquila de Rakerspurga" 4455:The Self Portrait: A Modern View 4327: 4308: 4289: 4270: 4252: 4233: 4214: 4195: 4176: 4155: 4129: 4106: 4083: 4064: 4045: 4026: 4008: 3989: 3966: 3947: 3928: 3912: 3846: 3824: 3809: 3781: 3763: 3742: 3727: 3708: 3689: 3674: 3655: 3640: 3618: 3599: 3578: 3559: 3533: 3514: 3499: 3484: 3469: 3451: 3436: 3417: 3398: 3379: 3364: 3341: 3322: 3307: 3291: 3276: 3261: 3236: 3215: 3078: 3050: 3031: 3012: 2960: 2938: 2923: 2904: 2784: 2769: 2750: 2731: 2718:Goliath in this late Caravaggio 2711: 2692: 2675: 2635: 2564: 2545: 2521: 2502: 2413: 2391: 2372: 2353: 2334: 2315: 2296: 2277: 2262: 2243: 2221: 2202: 2183: 2164: 2159:(1771), in his painting clothes. 2149: 2130: 2115: 2096: 2077: 2062: 2047: 2021: 1798: 1786:Again in antique costume, 1658, 1779: 1767: 1755: 1736: 1724: 1708: 1689: 1631: 1615: 1592: 1577: 1421: 1396: 1384: 1364: 1280: 1257: 1238: 1219: 1188: 1162: 1143: 1122: 1095: 951: 936: 921: 906: 891: 876: 857: 831: 811: 731: 712: 691: 676: 654: 639: 620: 593: 566: 551: 532: 507: 482: 451: 415: 396: 317: 298: 289:inserted self-portrait from the 279: 258: 252:Gallery: Inserted self-portraits 185:have been especially important. 5765:with Sean Kelly and other books 5708:. Pediatr Nurs 31(4): 320–327. 5363: 5338: 5320: 5311: 5293: 5276: 5247: 5195: 5183: 5174: 5150: 5101: 5089: 5071: 5045: 5024: 4998: 4977: 4961: 4949: 4919: 4895: 4850: 4823: 4799: 4775: 4746: 4725: 4699: 4678: 4669: 4648: 4626: 4149:Drawings, prints and engravings 3547:, 1858, a self-portrait at the 3022:, a specialist animal painter, 2257:, December 1887 - February 1888 2125:and his daughter, 1750, Munich. 1513:, accompanied by Titian on the 1432:, 1500—unmistakably Christ-like 1335:, sold or given to the city of 972: 704:Selbstbildnis am 6 Hochzeitstag 57:Self-portrait by Judith Leyster 5575:Les peintres et l'autoportrait 5553: 5547:Art Gallery of New South Wales 4709:. 19 June 2009. Archived from 4644:– via Wikimedia Commons. 4622:– via Wikimedia Commons. 4604: 4522: 4488: 4468: 4418: 3156: 2741:(left) and his family pose as 2720:David with the head of Goliath 245:The Prodigal Son in the Tavern 29:Self-portrait (disambiguation) 13: 1: 5723:Psychology of self-perception 5499:, Thames & Hudson, 2021, 5408:, Thames & Hudson, 2018, 4787:Albrecht Dürer and his Legacy 4121: 3545:Portrait of Whistler with Hat 3247: 3226: 3089: 3067: 2949: 2722:is a self-portrait. 1605–10, 2646: 2036: 1201:Portrait of a Man in a Turban 1111: 962: 846: 521: 441: 426: 308:as a sleeping soldier in his 102:Portrait of a Man in a Turban 87:only gaining momentum in the 5704:Tielsch AH, Allen PJ (2005) 5658:, éd. Adam Biro, Paris, 1999 5656:L'autoportrait au XXe siècle 5170:"отдельный или естественный" 5098:Retrieved September 28, 2010 5086:Retrieved September 28, 2010 4457:(London: Sarema Press, 1987) 3100:Diagnosing the self-portrait 2975:, for whom this was painted. 2800:Other meanings, storytelling 2365:Self-portrait with a Palette 2308:Self-portrait with a Palette 2289:Self-portrait with a Palette 2157:Jean-Baptiste-Siméon Chardin 1935:Throughout his long career, 1849:Jean-Baptiste-Siméon Chardin 1519:Johan Gregor van der Schardt 1503:as an old man in the 1560s. 750: 574:Self-portrait in a Straw Hat 312:, 1463, fresco, Sansepolcro. 7: 5386:Five Hundred Self-Portraits 4387:Self-portraits by Rembrandt 4342: 3191:Jean-Baptiste-Camille Corot 2815:The self-portraits of many 2176:Self-portrait in the Studio 2089:self-portrait in the studio 2003:Museum of Fine Arts, Boston 1899:The many self-portraits of 1525:bust of himself (c. 1573). 901:, early 19th century, Japan 473:, who was a painter of the 436:served as court painter to 124:self-portraits by Rembrandt 46:Self-portrait without beard 10: 5835: 5699:Self-portrait in neurology 5665:. Reclam, Stuttgart 2005, 5455:, 1998, National Gallery, 5423:Cambridge University Press 5269:, there are others in the 4995:Retrieved October 16, 2011 4869:Meaning in the Visual Arts 4462:September 3, 2006, at the 3865: 3631:Self-Portrait with Palette 3298:Probable self-portrait by 3208: 3039:Maurice Quentin de La Tour 2593:(the convex mirror in the 2425:Self-portrait with brushes 2407:Matisse Museum (Le Cateau) 2327:Self-portrait with a Model 2255:Self-Portrait as a Painter 1622:Probable self-portrait by 1153:, late 14th century, from 984:Self-portrait (1765-1768) 886:, late 18th century, Japan 607:, 1801, thought to be her 26: 5743:National Portrait Gallery 5623:. Abbeville Press, 2006, 5543:National Portrait Gallery 5006:"Fant ikke siden – Munch" 4871:, Doubleday/Penguin, 1955 4820:on his own self-portrait. 4753:Hourihane, Colum (2012). 4743:collects several examples 4735:; p.8-34, Yale UP, 1992, 3901:Frances Benjamin Johnston 3663:Henri de Toulouse-Lautrec 3203:National Portrait Gallery 2969:Bonjour, Monsieur Courbet 2514:Self-portrait in a mirror 2479:Self-portrait in a mirror 2461:, painted in 1656, shows 2237:Detroit Institute of Arts 2108:National Portrait Gallery 2033:The Painter and The Buyer 2029:Pieter Brueghel the Elder 1968:Gallery: painters at work 1963:Self-portraits in general 1862:Bonjour, Monsieur Courbet 1829:Bartolomé Estéban Murillo 1409:1493. oil, originally on 134:A self-portrait may be a 5596:Moi! Autoportraits du XX 5208:, Lorne Campbell, 1998, 4425:Campbell, Lorne (1998). 3799:Statens Museum for Kunst 2986:sophisticated in doing. 1999:The Artist in his Studio 1459:), and one by the young 1248:, c. 1450, a very early 1108:Archbishop of Canterbury 465:, 1577. She was born in 329:Martyrdom of Saint Peter 268:'s 1475 painting of the 129: 95:, and the advent of the 61:Dutch Golden Age painter 5621:Artists' Self-portraits 5577:, Skira, Geneva, 1984, 4974:Retrieved June 13, 2010 4958:Retrieved June 13, 2010 4478:, pp. 3-4, 1990, Yale, 3959:Revolving Self Portrait 3024:Self-portrait as Hunter 2967:Gustave Courbet, 1854, 2643:Michelangelo Buonarroti 1839:represented himself in 1572:) is Caravaggio's own. 1438:Renaissance and Baroque 1040:in the painting of the 989:Illuminated manuscripts 789: 578:Élisabeth Vigée Le Brun 559:Adélaïde Labille-Guiard 372:Elisabeth Vigée Le Brun 5757:, research related to 5435:, Chicago/London, 1993 5369:Jeancolas (1998), 164. 4781:For all this section, 4284:, age thirty-six, 1810 4278:Caspar David Friedrich 3905:Self-Portrait, c. 1896 3541:James McNeill Whistler 3332:with his (first) wife 3113: 2833: 2812: 2589: 2466: 2455: 2005: 1987: 1947:" period, to the "old 1884: 1824: 1655:In the 17th century, 1445:Self-portrait as David 1333:his last self-portrait 1053:Procession of the Magi 985: 982:Joseph Wright of Derby 699:Paula Modersohn-Becker 384:Paula Modersohn-Becker 358: 204: 154: 72: 49: 5510:Ernst van de Wetering 4903:Ernst van de Wetering 4707:"Pharaohs Of The Sun" 4415:Pickvance (1986), 131 3817:Pierre-Auguste Renoir 3446:, Self-portrait, 1778 3205:in Washington, D.C.. 3132:in his article about 3107: 2807: 2453: 2427:, oil on canvas, 1961 2384:Self-portrait at Work 2138:Jean-Honoré Fragonard 1993: 1975: 1875: 1837:Francisco de Zurbarán 1818: 1606:, self-portrait from 1539:Artemisia Gentileschi 1315:. The earliest is a 1227:Rogier van der Weyden 1178:Baptisterio, Florence 1130:genius the beauty of 1063:Adoration of the Magi 980: 845:, writer and artist, 822:, 1710, South Korea ( 780:Battle of the Amazons 724:At the Dressing-Table 490:Artemisia Gentileschi 404:Caterina van Hemessen 368:Caterina van Hemessen 347: 306:Piero della Francesca 271:Adoration of the Magi 238:In the 17th century, 175:The Four Philosophers 149: 55: 40: 5814:Photography by genre 5514:Rembrandt by himself 5202:Rembrandt by himself 5190:Rembrandt by himself 5012:on 27 September 2007 4907:Rembrandt by himself 4731:Jonathon Alexander; 4404:Notes and references 4355:Hockney–Falco thesis 3832:Zinaida Serebriakova 3549:Freer Gallery of Art 2988:Sofonisba Anguissola 2817:Contemporary artists 2764:, 1820, Minneapolis. 2700:Sofonisba Anguissola 2684:Allegory of Prudence 2483:Triple self-portrait 1750:, etching, 1634. 1534:Allegory of Prudence 1288:Israhel van Meckenem 1183:, early 15th century 1117:(cropped at bottom). 1059:, as a spectator of 743:Double Self-Portrait 720:Zinaida Serebriakova 671:during World War II. 601:Marie-Denise Villers 423:Sofonisba Anguissola 167:classical literature 27:For other uses, see 5745:– Official web site 5604:Musée du Luxembourg 5166:"групповой портрет" 4812:Dmitry Merezhkovsky 4666:06059, México, D.F. 4184:Giuseppe Arcimboldo 3876:George Chakravarthi 3803:Copenhagen, Denmark 3567:Henri Fantin-Latour 3427:, presented to the 3178:Leopoldo de' Medici 3149:, and particularly 3128:Russian sexologist 2847:, Gustave Courbet, 2831:, (in his painting 2618:The Artist's Studio 2613:Guild of Saint Luke 2195:Artist at His Easel 2014:early modern period 1858:The Artist's studio 1841:Luke the Evangelist 1550:painted himself in 1521:produced a painted 1371:Dürer at thirteen, 613:Jacques-Louis David 605:Young Woman Drawing 544:Sir Joshua Reynolds 327:as a figure in his 5819:Visual arts genres 5763:Edward Lucie-Smith 5439:Edward Lucie-Smith 5429:Joseph Leo Koerner 5332:2007-08-19 at the 5305:2007-08-12 at the 5156:Respectively, the 4991:2011-10-29 at the 4937:on 13 October 2016 4931:www.musee-orsay.fr 4633:Lippi, Filippino. 4570:Arnolfini Portrait 4203:Rembrandt van Rijn 4171:, c. 1512 to 1515. 4016:Eadweard Muybridge 3350:Francisco Zurbarán 3114: 3020:François Desportes 3001:Rebels and Martyrs 2897:Gilbert and George 2841:Rembrandt Van Rijn 2813: 2760:at the age of 74, 2596:Arnolfini Portrait 2557:The painter and Jo 2467: 2210:Carl Ludwig Jessen 2070:Francesco Solimena 2006: 1988: 1885: 1825: 1643:portrait miniature 1430:last self-portrait 1250:portrait miniature 986: 662:Marie Bashkirtseff 469:, the daughter of 438:the Queen of Spain 359: 233:picture of himself 191:Arnolfini Portrait 155: 73: 50: 5680:Kathrin Schmidt: 5650:978-2-909317-66-3 5634:Jeancolas, Claude 5619:Calabrese, Omar: 5616: 5599: 5497:The Self-portrait 5441:with Sean Kelly, 5418:John J. Ciofalo, 5398: 5288:Painting at Court 5263:978-1-902163-29-1 5058:www.basis-wien.at 4768:978-0-19-539536-5 4474:Campbell, Lorne, 4372:Portrait painting 4241:Francisco de Goya 4222:Peter Paul Rubens 4163:Leonardo da Vinci 3978:Self-portrait in 3868:Francesca Woodman 3836:Self-portrait as 3348:Self-portrait of 3315:Peter Paul Rubens 3183:Pietro da Cortona 2912:Cristofano Allori 2724:Galleria Borghese 2659:The Last Judgment 2446:Mirrors and poses 1819:Self-Portrait of 1670:Peter Paul Rubens 1639:Nicholas Hilliard 1624:Leonardo da Vinci 1570:Galleria Borghese 1485:(1536–1541), and 1465:Leonardo da Vinci 1309:old master prints 1174:Gates of Paradise 1057:Sandro Botticelli 1030:Giotto di Bondone 913:Another Hokusai, 818:Self-portrait by 796:scholar gentleman 628:Marie Ellenrieder 540:Angelica Kauffman 475:School of Bologna 266:Sandro Botticelli 231:may have drawn a 229:Leonardo da Vinci 89:Early Renaissance 16:(Redirected from 5826: 5789:Self-portraiture 5732: 5718: 5712: 5644:Paris: Textuel. 5643: 5614: 5597: 5592:Rosenberg, David 5588:Bonafoux, Pascal 5559:Bernard Auriol, 5475:Frances Borzello 5471:Whitney Chadwick 5402:Frances Borzello 5396: 5370: 5367: 5361: 5360: 5358: 5356: 5342: 5336: 5324: 5318: 5317:Griselda Pollack 5315: 5309: 5297: 5291: 5280: 5274: 5267:Royal Collection 5251: 5245: 5199: 5193: 5187: 5181: 5178: 5172: 5154: 5148: 5111:, pp 214, 1998, 5105: 5099: 5093: 5087: 5075: 5069: 5068: 5066: 5064: 5049: 5043: 5042: 5040: 5038: 5028: 5022: 5021: 5019: 5017: 5008:. Archived from 5002: 4996: 4981: 4975: 4965: 4959: 4953: 4947: 4946: 4944: 4942: 4933:. Archived from 4923: 4917: 4899: 4893: 4886:Frances Borzello 4883: 4872: 4859:(and originally 4854: 4848: 4847: 4827: 4821: 4808:School of Athens 4803: 4797: 4779: 4773: 4772: 4750: 4744: 4729: 4723: 4722: 4720: 4718: 4703: 4697: 4696: 4694: 4692: 4682: 4676: 4673: 4667: 4652: 4646: 4645: 4643: 4641: 4630: 4624: 4623: 4621: 4619: 4608: 4602: 4601: 4599: 4598: 4583: 4577: 4532:, pp 180, 1998, 4526: 4520: 4519: 4517: 4516: 4505: 4499: 4492: 4486: 4472: 4466: 4450: 4441: 4440: 4422: 4416: 4413: 4397:The Portrait Now 4331: 4312: 4293: 4274: 4256: 4237: 4218: 4199: 4180: 4159: 4133: 4123: 4116:, self-portrait 4114:Alfred Stieglitz 4110: 4087: 4068: 4053:Edward S. Curtis 4049: 4030: 4012: 3993: 3970: 3951: 3932: 3921:Robert Cornelius 3916: 3850: 3828: 3813: 3785: 3767: 3746: 3731: 3716:Vincent van Gogh 3712: 3697:Édouard Vuillard 3693: 3678: 3659: 3644: 3622: 3603: 3582: 3563: 3553:Washington, D.C. 3537: 3518: 3503: 3488: 3477:Eugène Delacroix 3473: 3455: 3440: 3421: 3402: 3383: 3368: 3352:, as Saint Luke. 3345: 3336:, Munich, c.1609 3326: 3311: 3295: 3280: 3265: 3252: 3249: 3240: 3231: 3228: 3219: 3094: 3091: 3082: 3072: 3069: 3054: 3035: 3016: 2964: 2954: 2951: 2942: 2927: 2908: 2849:Vincent van Gogh 2838: 2788: 2777:Hippolyte Bayard 2773: 2754: 2735: 2715: 2696: 2679: 2651: 2648: 2639: 2592: 2568: 2549: 2525: 2506: 2460: 2421:Sergio de Castro 2417: 2395: 2376: 2357: 2342:Umberto Boccioni 2338: 2319: 2300: 2285:Jacek Malczewski 2281: 2266: 2251:Vincent van Gogh 2247: 2225: 2206: 2187: 2168: 2153: 2134: 2123:George Desmarées 2119: 2100: 2085:François Boucher 2081: 2066: 2051: 2041: 2038: 2025: 1889:Vincent van Gogh 1877:Vincent van Gogh 1802: 1791:Frick Collection 1783: 1771: 1759: 1743:Role-playing in 1740: 1728: 1712: 1693: 1666:Anthony van Dyck 1660:middle-classes. 1635: 1619: 1608:St Lorenz Church 1596: 1581: 1510:Marriage at Cana 1492:School of Athens 1425: 1400: 1388: 1368: 1349:Veil of Veronica 1284: 1261: 1242: 1223: 1212:National Gallery 1192: 1170:Lorenzo Ghiberti 1166: 1155:Prague Cathedral 1147: 1126: 1116: 1113: 1099: 1080:most famous work 1072:Prague Cathedral 1042:Brancacci Chapel 967: 964: 955: 940: 931:, 1856–7, Japan. 925: 910: 895: 884:Motoori Norinaga 880: 861: 851: 848: 839:Miyamoto Musashi 835: 815: 757:Ancient Egyptian 735: 716: 695: 680: 658: 643: 624: 597: 570: 555: 536: 526: 523: 511: 500:Royal Collection 486: 471:Prospero Fontana 455: 446: 443: 431: 428: 419: 400: 370:to the prolific 337:Brancacci Chapel 321: 302: 291:Brancacci Chapel 283: 262: 209: 85:self-portraiture 42:Vincent van Gogh 21: 5834: 5833: 5829: 5828: 5827: 5825: 5824: 5823: 5779: 5778: 5739: 5729: 5725: 5716: 5709: 5701: 5683:Annegret Soltau 5654:Joëlle Moulin, 5641: 5571:Pascal Bonafoux 5556: 5549:, Sydney, 2005. 5449:Jonathan Miller 5378: 5376:Further reading 5373: 5368: 5364: 5354: 5352: 5344: 5343: 5339: 5334:Wayback Machine 5325: 5321: 5316: 5312: 5307:Wayback Machine 5298: 5294: 5281: 5277: 5252: 5248: 5240:, (also titled 5200: 5196: 5192:, op cit, p.211 5188: 5184: 5179: 5175: 5155: 5151: 5143:, (also titled 5106: 5102: 5094: 5090: 5076: 5072: 5062: 5060: 5050: 5046: 5036: 5034: 5030: 5029: 5025: 5015: 5013: 5004: 5003: 4999: 4993:Wayback Machine 4982: 4978: 4968:Andrea Bassil, 4966: 4962: 4954: 4950: 4940: 4938: 4925: 4924: 4920: 4900: 4896: 4884: 4875: 4855: 4851: 4828: 4824: 4804: 4800: 4783:Bartrum, Giulia 4780: 4776: 4769: 4751: 4747: 4730: 4726: 4716: 4714: 4713:on 19 June 2009 4705: 4704: 4700: 4690: 4688: 4684: 4683: 4679: 4674: 4670: 4664:Del. Cuauhtémoc 4653: 4649: 4639: 4637: 4631: 4627: 4617: 4615: 4609: 4605: 4596: 4594: 4585: 4584: 4580: 4564:, (also titled 4527: 4523: 4514: 4512: 4507: 4506: 4502: 4493: 4489: 4473: 4469: 4464:Wayback Machine 4451: 4444: 4437: 4423: 4419: 4414: 4410: 4406: 4401: 4345: 4338: 4332: 4323: 4313: 4304: 4294: 4285: 4275: 4266: 4257: 4248: 4238: 4229: 4219: 4210: 4200: 4191: 4190:, 1635 and 1638 4181: 4172: 4160: 4151: 4144: 4134: 4125: 4111: 4102: 4088: 4079: 4069: 4060: 4050: 4041: 4031: 4022: 4013: 4004: 3994: 3985: 3971: 3962: 3952: 3943: 3933: 3924: 3917: 3890:Eleazar Langman 3886: 3864: 3862:Photo-portraits 3857: 3851: 3842: 3829: 3820: 3814: 3805: 3786: 3777: 3768: 3759: 3747: 3738: 3732: 3723: 3713: 3704: 3694: 3685: 3679: 3670: 3660: 3651: 3645: 3636: 3623: 3614: 3607:Ivan Aivazovsky 3604: 3595: 3583: 3574: 3564: 3555: 3538: 3529: 3519: 3510: 3504: 3495: 3492:Gustave Courbet 3489: 3480: 3474: 3465: 3456: 3447: 3441: 3432: 3425:Joshua Reynolds 3422: 3413: 3406:Nicolas Poussin 3403: 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2067: 2058: 2057:, 1690, Louvre. 2052: 2043: 2039: 2026: 1977:Gustave Courbet 1970: 1965: 1913:Stanley Spencer 1870: 1854:Gustave Courbet 1845:Nicolas Poussin 1833:Diego Velázquez 1813: 1811:After Rembrandt 1806: 1803: 1794: 1784: 1775: 1772: 1763: 1760: 1751: 1741: 1732: 1729: 1720: 1713: 1704: 1694: 1653: 1646: 1636: 1627: 1620: 1611: 1597: 1588: 1585:Gentile Bellini 1582: 1473:St. Bartholomew 1453:Pietro Perugino 1440: 1433: 1426: 1417: 1401: 1392: 1389: 1380: 1369: 1345:Alte Pinakothek 1302: 1295: 1285: 1276: 1265:Andrea Mantegna 1262: 1253: 1243: 1234: 1224: 1215: 1193: 1184: 1167: 1158: 1148: 1139: 1127: 1118: 1114: 1100: 1046:Benozzo Gozzoli 1018:Johannes Aquila 975: 968: 965: 956: 947: 941: 932: 926: 917: 911: 902: 896: 887: 881: 872: 862: 853: 849: 836: 827: 816: 792: 753: 746: 736: 727: 717: 708: 696: 687: 681: 672: 659: 650: 644: 635: 625: 616: 598: 589: 576: 571: 562: 556: 547: 537: 528: 524: 512: 503: 487: 478: 459:Lavinia Fontana 456: 447: 444: 429: 420: 411: 401: 364: 340: 325:Filippino Lippi 322: 313: 303: 294: 284: 275: 263: 254: 200:Diego Velázquez 132: 35: 32: 23: 22: 15: 12: 11: 5: 5832: 5822: 5821: 5816: 5811: 5806: 5801: 5796: 5794:Self-portraits 5791: 5777: 5776: 5771: 5766: 5752: 5751:by Jeanne Ivy. 5746: 5738: 5737:External links 5735: 5734: 5733: 5724: 5721: 5720: 5719: 5713: 5700: 5697: 5696: 5695: 5678: 5659: 5652: 5631: 5617: 5585: 5583:978-2605000395 5568: 5555: 5552: 5551: 5550: 5535:Joanna Woodall 5532: 5507: 5495:Natalie Rudd, 5493: 5483:Watson-Guptill 5464: 5446: 5436: 5426: 5416: 5414:978-0500294024 5399: 5377: 5374: 5372: 5371: 5362: 5350:www.google.com 5337: 5319: 5310: 5292: 5275: 5246: 5194: 5182: 5173: 5149: 5100: 5088: 5070: 5044: 5023: 4997: 4976: 4960: 4948: 4918: 4894: 4873: 4857:Erwin Panofsky 4849: 4838:(4): 195–220. 4822: 4798: 4774: 4767: 4745: 4724: 4698: 4677: 4668: 4647: 4625: 4603: 4578: 4521: 4500: 4487: 4467: 4442: 4435: 4417: 4407: 4405: 4402: 4400: 4399: 4394: 4389: 4384: 4379: 4374: 4369: 4362: 4357: 4352: 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At 22, 1782. 572: 565: 563: 557: 550: 548: 538: 531: 529: 519:Self-portrait, 513: 506: 504: 488: 481: 479: 457: 450: 448: 421: 414: 412: 402: 395: 363: 362:Women painters 360: 342: 341: 323: 316: 314: 304: 297: 295: 285: 278: 276: 264: 257: 253: 250: 221:scenes and as 215:Albrecht Dürer 188:In the famous 151:Johannes Gumpp 131: 128: 65:genre subjects 33: 9: 6: 4: 3: 2: 5831: 5820: 5817: 5815: 5812: 5810: 5807: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5787: 5786: 5784: 5775: 5772: 5770: 5767: 5764: 5760: 5756: 5753: 5750: 5747: 5744: 5741: 5740: 5727: 5726: 5714: 5707: 5703: 5702: 5694: 5693:3-935062-06-0 5690: 5686: 5684: 5679: 5676: 5672: 5671:3-15-010571-4 5668: 5664: 5660: 5657: 5653: 5651: 5647: 5639: 5635: 5632: 5630: 5629:9780789208941 5626: 5622: 5618: 5613: 5612:88-8491-854-5 5609: 5605: 5601: 5593: 5589: 5586: 5584: 5580: 5576: 5572: 5569: 5566: 5565:self-portrait 5562: 5558: 5557: 5548: 5545:, London and 5544: 5540: 5536: 5533: 5531: 5530:1-85709-270-8 5527: 5523: 5519: 5515: 5511: 5508: 5506: 5505:9780500295816 5502: 5498: 5494: 5492: 5488: 5484: 5480: 5476: 5472: 5468: 5465: 5462: 5461:1-85709-237-6 5458: 5454: 5453:On Reflection 5450: 5447: 5444: 5440: 5437: 5434: 5430: 5427: 5424: 5421: 5417: 5415: 5411: 5407: 5403: 5400: 5395: 5394:0-7148-4384-9 5391: 5387: 5383: 5380: 5379: 5366: 5351: 5347: 5341: 5335: 5331: 5328: 5323: 5314: 5308: 5304: 5301: 5296: 5289: 5285: 5284:Michael Levey 5279: 5272: 5268: 5264: 5260: 5256: 5250: 5243: 5239: 5235: 5231: 5227: 5223: 5219: 5215: 5214:1-85709-171-X 5211: 5207: 5203: 5198: 5191: 5186: 5177: 5171: 5167: 5163: 5159: 5153: 5146: 5142: 5138: 5134: 5130: 5126: 5122: 5118: 5117:1-85709-171-X 5114: 5110: 5104: 5097: 5092: 5085: 5084: 5081:Frida Kahlo, 5080: 5079:Amazing women 5074: 5059: 5055: 5052:wien, basis. 5048: 5033: 5027: 5011: 5007: 5001: 4994: 4990: 4987: 4986: 4980: 4973: 4971: 4964: 4957: 4952: 4936: 4932: 4928: 4922: 4916: 4915:1-85709-270-8 4912: 4908: 4904: 4898: 4891: 4887: 4882: 4880: 4878: 4870: 4866: 4862: 4858: 4853: 4845: 4841: 4837: 4833: 4826: 4819: 4818: 4813: 4809: 4802: 4796: 4795:0-7141-2633-0 4792: 4788: 4784: 4778: 4770: 4764: 4760: 4756: 4749: 4742: 4741:0-300-05689-3 4738: 4734: 4728: 4712: 4708: 4702: 4687: 4681: 4672: 4665: 4661: 4657: 4651: 4636: 4629: 4614: 4607: 4593:on 2011-05-25 4592: 4588: 4582: 4575: 4571: 4567: 4563: 4559: 4555: 4551: 4547: 4543: 4539: 4538:1-85709-171-X 4535: 4531: 4525: 4510: 4504: 4497: 4491: 4485: 4484:0-300-04675-8 4481: 4477: 4471: 4465: 4461: 4458: 4456: 4449: 4447: 4438: 4436:1-85709-171-X 4432: 4428: 4421: 4412: 4408: 4398: 4395: 4393: 4390: 4388: 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4368: 4367: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4347: 4336: 4330: 4325: 4321: 4320:self portrait 4317: 4311: 4306: 4302: 4301:self portrait 4298: 4292: 4287: 4283: 4282:self portrait 4279: 4273: 4268: 4264: 4263:self portrait 4261: 4255: 4250: 4247:, print, 1795 4246: 4245:self portrait 4242: 4236: 4231: 4227: 4226:Self-portrait 4223: 4217: 4212: 4208: 4204: 4198: 4193: 4189: 4188:self portrait 4185: 4179: 4174: 4170: 4169: 4168:Self-portrait 4164: 4158: 4153: 4152: 4142: 4141:self-portrait 4138: 4132: 4127: 4119: 4115: 4109: 4104: 4100: 4096: 4092: 4086: 4081: 4077: 4076:self-portrait 4073: 4067: 4062: 4058: 4057:self-portrait 4054: 4048: 4043: 4039: 4038:Self-portrait 4035: 4029: 4024: 4020: 4017: 4011: 4006: 4002: 3998: 3997:Thomas Eakins 3992: 3987: 3983: 3981: 3975: 3969: 3964: 3960: 3956: 3950: 3945: 3941: 3940:self-portrait 3937: 3931: 3926: 3922: 3915: 3910: 3909: 3908: 3906: 3902: 3896: 3893: 3891: 3885: 3881: 3877: 3873: 3872:Cindy Sherman 3869: 3855: 3849: 3844: 3840: 3839: 3833: 3827: 3822: 3818: 3812: 3807: 3804: 3800: 3796: 3795: 3790: 3789:Henri Matisse 3784: 3779: 3776: 3772: 3766: 3761: 3757: 3756: 3755:Self-portrait 3751: 3750:Thomas Eakins 3745: 3740: 3736: 3730: 3725: 3721: 3720:Musée d'Orsay 3717: 3711: 3706: 3702: 3701:Self-portrait 3698: 3692: 3687: 3683: 3677: 3672: 3668: 3667:Self portrait 3664: 3658: 3653: 3649: 3643: 3638: 3634: 3632: 3627: 3626:Édouard Manet 3621: 3616: 3612: 3611:Self-portrait 3608: 3602: 3597: 3593: 3592: 3591:Self-portrait 3587: 3586:Ivan Kramskoi 3581: 3576: 3572: 3571:Self-portrait 3568: 3562: 3557: 3554: 3550: 3546: 3542: 3536: 3531: 3527: 3526:Self-portrait 3523: 3517: 3512: 3508: 3507:Karl Bryullov 3502: 3497: 3493: 3487: 3482: 3478: 3472: 3467: 3464: 3460: 3454: 3449: 3445: 3439: 3434: 3430: 3429:Royal Academy 3426: 3420: 3415: 3411: 3410:Self-Portrait 3407: 3401: 3396: 3392: 3391:Self-Portrait 3388: 3382: 3377: 3373: 3372:Salvator Rosa 3367: 3362: 3359: 3358: 3351: 3344: 3339: 3335: 3331: 3325: 3320: 3316: 3310: 3305: 3301: 3294: 3289: 3285: 3279: 3274: 3270: 3264: 3259: 3256: 3245: 3239: 3234: 3224: 3218: 3213: 3212: 3206: 3204: 3200: 3196: 3192: 3188: 3184: 3179: 3176: 3172: 3168: 3164: 3154: 3152: 3148: 3144: 3140: 3135: 3131: 3126: 3122: 3120: 3111: 3106: 3087: 3086:William Orpen 3081: 3076: 3065: 3064: 3059: 3053: 3048: 3044: 3040: 3034: 3029: 3025: 3021: 3015: 3010: 3009: 3008: 3006: 3002: 2998: 2994: 2989: 2974: 2973:Alfred Bruyas 2970: 2963: 2958: 2947: 2941: 2936: 2932: 2926: 2921: 2917: 2913: 2907: 2902: 2901: 2900: 2898: 2894: 2890: 2889:Cindy Sherman 2886: 2885:Jenny Saville 2882: 2881:Lucas Samaras 2878: 2877:Pablo Picasso 2874: 2870: 2869:Arshile Gorky 2866: 2862: 2858: 2854: 2850: 2846: 2842: 2837: 2836: 2830: 2826: 2822: 2818: 2811: 2810:Johan Zoffany 2806: 2793: 2792:Lovis Corinth 2787: 2782: 2778: 2772: 2767: 2763: 2759: 2753: 2748: 2744: 2740: 2734: 2729: 2725: 2721: 2714: 2709: 2705: 2701: 2695: 2690: 2686: 2685: 2678: 2673: 2669: 2665: 2661: 2660: 2655: 2644: 2638: 2633: 2632: 2626: 2624: 2620: 2619: 2614: 2610: 2606: 2600: 2598: 2597: 2591: 2586: 2577: 2573: 2572:Pieter Claesz 2567: 2562: 2558: 2554: 2548: 2543: 2540: 2539:Musée d'Orsay 2536: 2535: 2530: 2524: 2519: 2515: 2511: 2505: 2500: 2499: 2498: 2496: 2492: 2491:Salvador Dalí 2488: 2484: 2480: 2476: 2472: 2464: 2459: 2458: 2452: 2443: 2439: 2426: 2422: 2416: 2411: 2408: 2404: 2403:Self-portrait 2400: 2399:Henri Matisse 2394: 2389: 2385: 2381: 2375: 2370: 2366: 2362: 2356: 2351: 2347: 2346:Self-portrait 2343: 2337: 2332: 2328: 2324: 2318: 2313: 2309: 2305: 2299: 2294: 2290: 2286: 2280: 2275: 2271: 2265: 2260: 2256: 2252: 2246: 2241: 2238: 2234: 2233:Self Portrait 2230: 2224: 2219: 2215: 2214:Self-portrait 2211: 2205: 2200: 2196: 2192: 2186: 2181: 2177: 2173: 2167: 2162: 2158: 2152: 2147: 2143: 2139: 2133: 2128: 2124: 2118: 2113: 2109: 2105: 2099: 2094: 2090: 2086: 2080: 2075: 2071: 2065: 2060: 2056: 2050: 2045: 2034: 2030: 2024: 2019: 2018: 2017: 2015: 2011: 2004: 2000: 1996: 1992: 1986: 1985:Musée d'Orsay 1982: 1978: 1974: 1960: 1958: 1954: 1950: 1946: 1942: 1938: 1937:Pablo Picasso 1933: 1931: 1927: 1926:Horst Janssen 1922: 1918: 1914: 1910: 1906: 1905:exhibitionism 1902: 1897: 1894: 1890: 1882: 1878: 1874: 1865: 1863: 1859: 1855: 1850: 1846: 1842: 1838: 1834: 1830: 1822: 1817: 1801: 1796: 1792: 1789: 1788:Oil on canvas 1782: 1777: 1770: 1765: 1758: 1753: 1749: 1748: 1739: 1734: 1727: 1722: 1718: 1711: 1706: 1703: 1699: 1692: 1687: 1686: 1685: 1683: 1678: 1674: 1671: 1667: 1663: 1658: 1644: 1640: 1634: 1629: 1625: 1618: 1613: 1609: 1605: 1601: 1595: 1590: 1586: 1580: 1575: 1574: 1573: 1571: 1567: 1563: 1559: 1555: 1554: 1549: 1544: 1540: 1536: 1535: 1530: 1526: 1524: 1520: 1516: 1512: 1511: 1506: 1502: 1498: 1494: 1493: 1488: 1484: 1480: 1479: 1474: 1470: 1466: 1462: 1458: 1454: 1450: 1446: 1431: 1424: 1419: 1415: 1412: 1408: 1407:Self-portrait 1405: 1399: 1394: 1387: 1382: 1378: 1374: 1367: 1362: 1361: 1360: 1358: 1354: 1350: 1346: 1342: 1338: 1334: 1330: 1326: 1322: 1318: 1314: 1310: 1306: 1293: 1289: 1283: 1278: 1274: 1270: 1266: 1260: 1255: 1251: 1247: 1241: 1236: 1232: 1228: 1222: 1217: 1213: 1209: 1208: 1203: 1202: 1197: 1191: 1186: 1182: 1181:self portrait 1179: 1175: 1171: 1165: 1160: 1156: 1152: 1146: 1141: 1137: 1133: 1125: 1120: 1109: 1105: 1098: 1093: 1092: 1091: 1089: 1085: 1081: 1077: 1073: 1069: 1068:Parler family 1065: 1064: 1058: 1054: 1051: 1047: 1043: 1039: 1035: 1031: 1027: 1023: 1019: 1014: 1010: 1006: 1002: 998: 997:Matthew Paris 994: 990: 983: 979: 960: 954: 949: 946:, China, 1635 945: 944:Chen Hongshou 939: 934: 930: 929:Kikuchi Yōsai 924: 919: 916: 909: 904: 900: 894: 889: 885: 879: 874: 870: 866: 860: 855: 844: 840: 834: 829: 825: 821: 814: 809: 808: 807: 805: 801: 797: 787: 785: 781: 777: 773: 769: 765: 762: 761:Ancient Greek 758: 744: 740: 734: 729: 725: 721: 715: 710: 706: 705: 700: 694: 689: 685: 679: 674: 670: 666: 665:self-portrait 663: 657: 652: 648: 642: 637: 633: 632:self portrait 629: 623: 618: 614: 610: 609:self-portrait 606: 602: 596: 591: 587: 586:Ancien Régime 583: 579: 575: 569: 564: 560: 554: 549: 545: 541: 535: 530: 520: 516: 510: 505: 501: 497: 496: 491: 485: 480: 476: 472: 468: 464: 460: 454: 449: 439: 435: 424: 418: 413: 409: 408:self-portrait 405: 399: 394: 393: 392: 389: 388:Jenny Saville 385: 381: 378:, as well as 377: 373: 369: 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Retrieved 5349: 5340: 5322: 5313: 5300:Virginia MFA 5295: 5287: 5278: 5271:Pitti Palace 5254: 5249: 5241: 5205: 5201: 5197: 5189: 5185: 5176: 5169: 5165: 5161: 5157: 5152: 5144: 5108: 5103: 5091: 5082: 5078: 5073: 5061:. Retrieved 5057: 5047: 5035:. Retrieved 5026: 5014:. Retrieved 5010:the original 5000: 4984: 4979: 4969: 4963: 4951: 4939:. Retrieved 4935:the original 4930: 4921: 4906: 4897: 4889: 4868: 4864: 4852: 4835: 4831: 4825: 4815: 4801: 4786: 4777: 4758: 4748: 4732: 4727: 4715:. Retrieved 4711:the original 4701: 4689:. Retrieved 4680: 4671: 4655: 4650: 4638:. Retrieved 4628: 4616:. Retrieved 4606: 4595:. Retrieved 4591:the original 4581: 4573: 4569: 4565: 4529: 4524: 4513:. Retrieved 4503: 4490: 4475: 4470: 4454: 4426: 4420: 4411: 4364: 4319: 4316:Castro Alves 4300: 4281: 4262: 4244: 4225: 4206: 4187: 4166: 4140: 4099:Munch Museum 4094: 4091:Edvard Munch 4075: 4056: 4037: 4021:, circa 1893 4018: 4000: 3977: 3958: 3942:, circa 1875 3939: 3936:Mathew Brady 3904: 3897: 3894: 3887: 3884:space selfie 3854:Egon Schiele 3835: 3792: 3774: 3753: 3735:Paul Gauguin 3700: 3666: 3648:Paul Cézanne 3629: 3610: 3589: 3570: 3544: 3525: 3409: 3390: 3355: 3269:Hans Baldung 3195:Marc Chagall 3160: 3134:masturbation 3127: 3123: 3115: 3110:masturbation 3061: 3023: 3000: 2984: 2968: 2915: 2865:Lucian Freud 2861:Marc Chagall 2853:Paul Gauguin 2814: 2761: 2742: 2719: 2682: 2664:Michelangelo 2657: 2616: 2601: 2594: 2582: 2575: 2556: 2553:Ernst Oppler 2532: 2513: 2510:Parmigianino 2482: 2478: 2475:Parmigianino 2468: 2440: 2436: 2424: 2402: 2383: 2364: 2345: 2326: 2307: 2304:Julian Fałat 2288: 2254: 2232: 2213: 2194: 2175: 2141: 2088: 2032: 2010:chaperon hat 2007: 1998: 1980: 1957:Paul Gauguin 1934: 1921:Edvard Munch 1917:Max Beckmann 1908: 1901:Egon Schiele 1898: 1886: 1880: 1861: 1857: 1826: 1744: 1715:Etching and 1675: 1654: 1607: 1551: 1542: 1532: 1527: 1508: 1490: 1476: 1469:Michelangelo 1461:Parmigianino 1444: 1441: 1406: 1341:Jesus Christ 1320: 1303: 1246:Jean Fouquet 1205: 1204:(actually a 1199: 1196:Jan van Eyck 1180: 1173: 1151:Peter Parler 1060: 1052: 987: 973:European art 865:Hakuin Ekaku 804:Zen Buddhism 793: 754: 742: 723: 702: 664: 647:Mary Cassatt 631: 608: 604: 582:Paris Salons 518: 493: 462: 365: 352: 328: 310:Resurrection 309: 269: 243: 237: 227: 212: 196:Jan van Eyck 189: 187: 174: 156: 133: 116: 107:Jan van Eyck 100: 76: 74: 63:, mostly of 45: 5642:(in French) 5554:Non-English 5518:Mauritshuis 5382:Julian Bell 4660:Col. Centro 4576:was painted 4574:Las Meninas 4228:, 1635-1638 4034:Edgar Degas 3669:, 1882–1883 3522:Edgar Degas 3251: 1517 3230: 1500 3157:Collections 3093: 1910 3071: 1843 2953: 1786 2893:Andy Warhol 2845:Jan de Bray 2835:Las Meninas 2739:Jan de Bray 2650: 1535 2609:Virgin Mary 2590:Las Meninas 2457:Las Meninas 2323:Anders Zorn 2235:, c. 1872, 2040: 1565 1930:Frida Kahlo 1702:Rijksmuseum 1698:chiaroscuro 1443:attributed 1373:silverpoint 1355:he sent to 1317:silverpoint 1313:altarpieces 1229:, as Saint 1138:, c. 1150s. 966: 1850 915:Smithsonian 850: 1640 800:calligraphy 525: 1675 445: 1556 430: 1532 376:Frida Kahlo 349:Frida Kahlo 335:, 1481–82, 206:Las Meninas 179:Jan de Bray 159:Renaissance 112:Renaissance 5783:Categories 5636:. (1998). 5491:0823030717 5467:Liz Rideal 5158:"вставной" 4861:Fritz Saxl 4597:2010-08-08 4515:2010-08-08 4377:Self timer 4118:autochrome 4072:Émile Zola 4003:circa 1883 3982:, Ethiopia 3866:See also: 3354:Detail of 3151:pedophilia 3045:, 1750–60. 2873:Alice Neel 2821:Modernists 2380:Ilya Repin 2072:, c. 1715. 1662:Mary Beale 1604:Adam Kraft 1568:(1605–10, 1548:Caravaggio 1523:terracotta 1325:Agnes Frey 1136:Canterbury 1115: 950 1084:manuscript 820:Yun Du-seo 515:Mary Beale 432:–1625) of 380:Alice Neel 5804:Portraits 5675:Rezension 5522:The Hague 4817:Mona Lisa 4350:3D selfie 4335:Ilka Gedő 4303:, c. 1885 3961:, c. 1865 3147:sexuality 3119:neurology 2825:narrative 1995:Rembrandt 1945:Labyrinth 1911:(1911). 1677:Rembrandt 1673:mothers. 1602:sculptor 1600:Nuremberg 1515:bass viol 1497:portraits 1449:Giorgione 1377:Albertina 1343:(Munich, 1337:Nuremberg 1292:engraving 1210:), 1433, 1132:this book 1026:Martjanci 1020:, one in 959:Ren Xiong 784:Parthenon 782:" on the 768:Akhenaten 751:Antiquity 739:Ilka Gedő 684:Gwen John 498:, 1630s, 240:Rembrandt 5809:Painting 5761:(1987), 5485:, 2002, 5445:. (1987) 5355:11 March 5330:Archived 5303:Archived 5238:98-66510 5230:40732051 5141:98-66510 5133:40732051 5063:11 March 5037:11 March 5016:11 March 4989:Archived 4972:pp.36-37 4941:11 March 4844:25608493 4717:11 March 4691:11 March 4640:11 March 4618:11 March 4562:98-66510 4554:40732051 4460:Archived 4360:Portrait 4343:See also 3797:, 1906, 3773:, 1903, 3718:, 1889 3300:El Greco 3175:Cardinal 3171:Florence 3143:solitude 3139:pleasure 3130:Igor Kon 2993:Van Dyck 2931:Van Dyck 2704:Van Dyck 2537:, 1855, 2477:in 1524 2405:, 1918, 2001:, 1628, 1983:, 1855, 1949:Cavalier 1941:Minotaur 1893:43 times 1821:Van Gogh 1682:etchings 1610:, 1490s. 1564:held by 1558:staffage 1428:Dürer's 1207:chaperon 1090:, 1554. 1076:Ghiberti 1038:apostles 1034:Masaccio 772:Plutarch 406:'s 1548 287:Masaccio 219:Biblical 194:(1434), 136:portrait 81:portrait 5384:(ed.), 5222:392219M 5125:392219M 4892:, 1998. 4568:). 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