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De Bray survived most of his family during an outbreak of the plague in
Haarlem in 1664. He lost his father, his brother Joseph and three other siblings within two months of each other. His wives – Maria van Hees whom he married 21 October 1668, Margaretha de Meyer whom he married in 1672, and
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Victoria
Stalpert van der Wielen whom he married 30 January 1678 – each died before him; Victoria shortly after giving birth to their son, Johan Lucas. In 1689 he was declared bankrupt as a Haarlem citizen and moved to Amsterdam, where he died, though he was buried in Haarlem.
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at the moment when
Cleopatra puts her earring in the wine, Jan is depicted standing on the left. In the earlier version, the sons look up to the father, and in this version, the brothers (all since deceased except for Dirck) look at
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behind him. Houbraken also mentioned some black and red chalk drawings by him that he saw at the
Amsterdam home of Isaak del Court.
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Jan de Bray was born in
Haarlem. According to Houbraken he was the most famous pupil of his father, the painter, architect and poet
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in
Amsterdam, dated 1697, that he admired for its realistic flesh tones in the forms of David playing the harp and the
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Jan De Bray and the
Classical Tradition at the National Gallery of Art, Washington - 16pp pdf exhibition brochure
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104:, 1669). The second version has great pathos, as most of those depicted had died in the plague of 1663–4.
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was also a painter. His mother was Anna
Westerbaen, the sister of the painter Jan Westerbaen and the poet
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The
Painter's Guild in 1675. Jan de Bray's self-portrait is the second from the left, and his brother
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was a flower painter who later became a monk in the monastery at
Gaesdonck near
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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302:: Middle name "Salomonsz" ("son of Salomon"), various spellings.
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80:. De Bray's works are mainly portraits, often of groups, and
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In his family portrait depicting the banquet of Antony and
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until the age of 60, when he went bankrupt and moved to
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Enchanting the Eye, Dutch Paintings of the Golden Age
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24:De Bray and his wife as Ulysses and Penelope
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147:He spent most of his career working in
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446:(p. 65). London: Penguin Books.
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346:Salomon de Bray Biography
238:The Adoration of the Magi
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260:The Walters Art Museum
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120:and the Return of the
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467:Entry for Jan de Bray
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124:in the collection of
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454:. (For details see:
437:Works and literature
411:russianpaintings.net
90:Banquet of Cleopatra
502:Dutch male painters
122:Ark of the Covenant
356:, courtesy of the
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312:Christopher Lloyd
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173:Jan Lievens
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481:Categories
439:on PubHist
352:(1718) by
343:(in Dutch)
287:References
242:schuilkerk
78:Frans Hals
108:Biography
61:Cleopatra
50:Amsterdam
277:, 1659.
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64:Jan.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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