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contemporaries. This is one reason why the hands are usually omitted or "just cursorily described" in the paintings; they would be on the "wrong" side if painted from the mirror. References to large mirrors occur at various points from the 1650s, and the later portraits include several showing him at a longer length than before; about 80 cm was the maximum height for a sheet of mirror glass technically possible in
Rembrandt's lifetime. One may have been bought about 1652 and then sold in 1656 when he went bankrupt. In 1658 he asked his son
1159:
747:
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906:
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636:
19:
648:
1179:
92:; in several the clothes are the fashions of a century or more earlier. In others he is pulling faces at himself. His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face.
708:
684:
1029:
870:
894:
1040:
407:
992:
248:
1093:
613:
divides the 31 etchings into categories; there "are perhaps only four that were considered by
Rembrandt himself as 'official' self-portraits of himself intended for wider dissemination". These are B7, B19, B21 and B22, stretching between 1631 and 1648. There are a number (7 or 8) of what seem to be
621:
While the earliest etchings are very rare, many others that are not "official" portraits survive in large numbers, and certainly reached the market of collectors. He notes that such aspects of the painted portraits as historical dress, poses recalling famous
Renaissance portraits, a double portrait
107:
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show
Rembrandt in the same orientation as he appeared to
103:
While the popular interpretation is that these images represent a personal and introspective journey, it is also the case that they were painted to satisfy a market for self-portraits by prominent artists. Both paintings and etchings seem to have often been bought by collectors, and while some of
75:
only produced seven self-portrait paintings. The self-portraits create a visual diary of the artist over a span of forty years. They were produced throughout his career at a fairly steady pace, but there is a gradual shift between etchings, more numerous until the 1630s, to paintings, which are
340:
622:
with Saskia, and portraits in his studio working clothes, are all seen in the etchings before they appear in painted self-portraits. As noted above, there are only two sketchy etchings after 1648, and there are no etched equivalents of the great painted self-portraits of the 1650s and 1660s.
1060:
The number of drawings now accepted is far smaller, in single figures, and none of them seem to have functioned as preliminary studies for particular paintings or prints. The standing portrait, if indeed by it is
Rembrandt, may have been done for someone else's "friendship album"
552:
828:
1135:
976:
180:
1119:
614:
abandoned attempts at such portraits around the same times, some then used as etching "study sheets". Then there are 10 "early studies in etching technique", most very rare, five "studies in expression", which he distinguishes from the three
227:
1050:, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. The last etching but for two sketches, and one of the "official" etched self-portraits.
589:
76:
more common thereafter. However, there is a gap in paintings between 1645 and 1652. The last three etchings date to 1648, c. 1651, and 1658, whereas he was still painting portraits in 1669, the year he died at the age of 63.
104:
the etchings are very rare, others were printed in considerable numbers for the time. No self-portraits were listed in the famous 1656 inventory, and only a handful of the paintings remained in the family after his death.
321:
84:, has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one etchings, which include many of the most remarkable images of the group. The etchings are mostly informal, often playful
196:
475:
273:
79:
At one time about ninety paintings were counted as
Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship, especially the
127:
671:
391:
535:
957:
1065:); keeping these was common in artistic and literary circles. The Washington red chalk drawing, perhaps the most finished example, is close to the etching B2 in many ways; in both Rembrandt has a
857:
422:, Vienna. The first for several years. As in the drawing of the same year, Rembrandt wears his working clothes, except perhaps for his hat, which draws on historical styles and earlier portraits.
726:
1158:
372:
2791:
834:
B7, 1631, 11 states, perhaps over some years. Only the head is done in i–iv, and some impressions have drawn additions trying body poses. The first of the "official" etched self-portraits.
2775:
917:
746:
2767:
786:
100:, the only artist who has made the self-portrait a major means of artistic self-expression, and he is absolutely the one who has turned self-portraiture into an autobiography."
945:
64:
and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the definition of a portrait.
152:
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212:
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293:
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300:
1262:
1714:
1687:
496:
2377:
2073:
428:
2950:
2807:
798:
234:
881:
2990:
2974:
2605:
482:
2273:
2233:
1069:
or long curling lock on one side. Since these were "exclusive to aristocratic circles", it was probably invented like a piece of costume.
456:
440:
2938:
517:
2733:
2637:
1216:
567:, London. The meaning of the circles remains enigmatic. The palette was originally on the left, as he would have seen it in his mirror.
933:
3229:
1625:(B23 is not mentioned). Other definitions would include the "studies in facial expression" and less-finished etchings with costume.
1508:
2097:
677:
B8, c. 1631, 6 states, the earliest with a much larger plate. Apparently an abandoned attempt at a half-length portrait such as B7.
1465:
813:
3069:
2922:
2871:
2799:
2669:
2469:
2305:
2145:
2041:
1463:
E. van de
Wetering, 'Rembrandt laughing, c. 1628 – a painting resurfaces' in Kroniek van het Rembrandthuis, June 2008
635:
3392:
2645:
2629:
2337:
659:
573:
3419:
3335:
3173:
2329:
2321:
1294:
White, 10, 83; Summary, XXV, XXVI: from XXV "Current surveys of
Rembrandt's self-portraits usually include some 90 works".
1178:
3101:
3030:
2906:
2477:
2185:
1978:
647:
2879:
2661:
2509:
2129:
1018:
1202:
showed a chronological sequence of the paintings, with the eyes always in the same position, and the different images
3275:
3006:
2998:
2966:
2597:
2565:
2401:
2281:
2193:
2089:
1927:
1922:
1129:, pen and brush in brown ink. The "highly informal mode of dress", with open shirt, is unique in his self-portraits.
503:
414:
327:
1650:
Details from
Schwartz, unless otherwise referenced. All works also have entries in White, and most in "Printmaker".
352:, wearing a costume in the style of over a century earlier. The pose relates to his etching of 1639 (below) and the
3014:
2982:
2677:
2501:
2313:
2225:
542:
3189:
2863:
2297:
2209:
2161:
2016:
1113:. It "emphasises what was to become the shameless, dominant feature of all Rembrandt's self-portraits, the nose."
398:
254:
840:
3424:
3204:
3197:
3050:
3038:
3022:
2958:
2783:
2549:
2449:
2137:
2113:
2004:
1951:
1939:
1887:
1870:
1234:
596:
559:
346:
260:
3214:
3133:
3059:
2621:
2369:
2217:
2000:
1996:
1875:
1244:
1239:
1185:
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707:
3429:
3315:
3054:
2525:
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2249:
2201:
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2033:
1250:
447:
2831:
2815:
2557:
2485:
2417:
2393:
2081:
1255:
1012:
600:- Dated 1669, the year he died, though he looks much older in other portraits. National Gallery, London.
358:
171:
3307:
3259:
3109:
2725:
2701:
2685:
2517:
2425:
1901:
1546:
1126:
508:
81:
1482:"Rembrandt recovered! Self-portrait stolen from Nationalmuseum in Stockholm recovered in Copenhagen -"
186:
Small self-portrait on copper with beret and gathered shirt (‘stilus mediocris’) by
Rembrandt (1630) (
3414:
3224:
2930:
2823:
2759:
2717:
2589:
2541:
2456:
2177:
2169:
2065:
382:
363:
159:
951:
B23, 1634, 3 states. As a rather sinister Oriental figure, with added bulk and a wart near the nose.
3093:
2887:
2409:
2121:
2105:
1731:
Printmaker, 116-118 and White, 141-142 give different accounts of the progress of this mixed plate.
1152:, Washington. The drawing seems to be done largely from the top down, without sharpening the chalk.
419:
202:
Rembrandt in 1632, when he was enjoying great success as a fashionable portraitist in this style.
3149:
3117:
2741:
2613:
1971:
1149:
487:
3157:
2847:
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2025:
683:
3283:
3251:
3243:
3235:
3141:
2257:
1910:
1893:
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1203:
1169:
966:
911:
B363, c. 1632. Perhaps abandoned before the hat is added, and the plate recycled for studies.
774:
610:
264:
33:
1567:
Compare B21 below. White, 170-175; Clark, 19, who thinks the Titian is also a self-portrait.
3372:
3323:
3267:
2493:
2441:
140:
67:
This was an enormously high number for any artist up to that point, and around 10% of his
8:
2855:
2153:
1516:
280:
986:, in the dress of an aristocrat from a century earlier, with an invented beard to match.
3358:
3291:
2914:
2289:
2057:
1964:
1905:
1462:
312:
203:
135:
1028:
242:, Devon. A traditional attribution, that was rejected in 1968, then returned in 2013.
3365:
3181:
2839:
1935:
1918:
1883:
1866:
546:, c. 1662. One of 2 painted self-portraits in which Rembrandt is turned to the left.
267:
was used as the model is very likely; the identification of the man is less certain.
3165:
3085:
2693:
2573:
2385:
1229:
869:
466:
37:
893:
3343:
3077:
2709:
2653:
2433:
1469:
284:
3348:
2581:
1549:
suggested Fabritius in 1989, but this "has not been endorsed by other experts".
1512:
1110:
820:
733:
239:
187:
109:
3408:
3353:
3299:
3125:
1851:
1211:
1199:
1165:
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527:
93:
57:
1621:
Summary, XXVI-XXVII for all this; B17, B18 and B20 are the tightly-defined
626:
18:
1085:
805:
737:
580:
144:
89:
49:
618:, finished images using Rembrandt's own features in historical costume.
88:, studies of extreme facial expressions or portraits in what amounts to
792:
B316, 1630, 6 states, one of van de Wetering's "studies in expression".
768:
B13, 1630, state 3/3, one of van de Wetering's "studies in expression".
1861:"Printmaker": Hinterding, Eric, Luijten, Ger, Royalton-Kisch, Martin,
756:. Probably using Rembrandt's features, but not really a self-portrait.
701:
B10, 1630, 3 states, one of van de Wetering's "studies in expression".
1987:
53:
1022:(Louvre) respectively. One of the "official" etched self-portraits.
1271:
97:
71:
in both painting and etching. By comparison, the highly prolific
1007:
61:
283:, Pasadena. The authenticity of this work has been questioned;
1267:
1003:
353:
331:
85:
72:
970:, etching, 1636, one of the "official" etched self-portraits.
863:
B320, 1630, one of van de Wetering's "studies in expression".
732:
B338, 1629, one of two impressions, here with pen additions,
1956:
939:
B2, c. 1634. Compare the Washington red chalk drawing below.
1172:
doubts it is authentic, instead copying B22 and a painting.
330:, only the head and collar are by Rembrandt. Perhaps 1639,
25:
1396:
Van de Wetering, p. 290; Summary, XXV and following pages.
1002:, etching, 1639, 2 states. The pose draws on portraits by
1934:, 1999, National Gallery, London/Mauritshuis, The Hague,
1830:
Summary, XXVIII; White, 187-188, accepts it as authentic.
221:, 1632, property of M.C.A. since 2005 (Louis Reijtenbagh)
96:
stated that Rembrandt is "with the possible exception of
2266:
Pendant portraits of Maerten Soolmans and Oopjen Coppit
2242:
Diana Bathing with her Nymphs with Actaeon and Callisto
1258:, regarded as featuring Rembrandt's first self-portrait
1865:, 2000, British Museum Press/Rijksmuseum, Amsterdam,
641:
B5, c. 1628, ii of two states. On an abandoned plate.
434:
Vienna c. 1655, oil on walnut, cut down in size
1704:
Printmaker, 108-112; White, 143-144; Summary, XXVII
1776:Printmaker, 243-247; White, 186-187; Clark, 21-23
3406:
256:"Self-Portrait" as the Prodigal Son, with Saskia
112:to arrange delivery of another one, which broke
2074:Bust of a Man Wearing a Gorget and Plumed Beret
1858:, 1978, London, John Murray/Readers Union, 1978
665:B4, c. 1628. Already wearing historical dress.
653:B27, about 1628. Only three impressions survive
2951:Self-Portrait Wearing a White Feathered Bonnet
1084:pen and brush and ink on paper, c. 1628–1629,
923:B17, 1633, 2 states, one of van de Wetering's
235:Self-portrait wearing a white feathered bonnet
24:Self-portrait as an Oriental Potentate with a
2991:Self-Portrait with Beret and Turned-Up Collar
2975:Self-Portrait in a Black Beret and Gold Chain
1972:
1263:'Tronie' of a Young Man with Gorget and Beret
483:Self-Portrait with Beret and Turned-Up Collar
2378:The Archangel Raphael Leaving Tobias' Family
1952:Complete Rembrandt Catalogue: Self Portraits
1100:Self-portrait as a young man with mouth open
401:, the last painted self-portrait until 1652.
2939:Portrait of a Young Man with a Golden Chain
60:including over forty paintings, thirty-one
2638:Ahasuerus and Haman at the Feast of Esther
1979:
1965:
379:Self-portrait wearing a hat and two Chains
1509:"Expert confirms painting is a Rembrandt"
1637:
1635:
1633:
1631:
1431:
1429:
133:A more cheerful pose painted on copper.
32:
17:
2800:Portrait of a Man Rising from His Chair
2146:The Anatomy Lesson of Dr. Nicolaes Tulp
139:, c. 1628, re-discovered in 2008,
3407:
2042:Suffer little children to come unto me
1311:
1309:
1208:Le miroir des paradoxes. Autoportraits
2630:Moses Breaking the Tablets of the Law
1960:
1628:
1426:
3174:Descent from the Cross by Torchlight
2330:Samson Threatening His Father-In-Law
1917:, Amsterdam University Press, 2000.
982:B20, 1638, one of van de Wetering's
2907:Self-Portrait with Dishevelled Hair
1898:A Corpus of Rembrandt Paintings, IV
1306:
13:
2880:Portrait of a Man with Arms Akimbo
2662:The Conspiracy of Claudius Civilis
1880:The Complete Etchings of Rembrandt
1501:
1360:Possibly 4 in 1669, White, # 83–86
1019:Portrait of Baldassare Castiglione
14:
3441:
3007:Self-Portrait as the Apostle Paul
2606:Jacob Blessing the Sons of Joseph
2598:The Anatomy Lesson of Dr. Deijman
2402:Landscape with the Good Samaritan
1945:
1048:Self Portrait Drawing at a Window
3230:Cultural depictions of Rembrandt
3015:Self-Portrait as Zeuxis Laughing
2502:Abraham Serving the Three Angels
1206:into each other. There is also
1177:
1157:
1134:
1118:
1092:
1074:
1039:
1027:
991:
975:
956:
944:
932:
916:
904:
892:
880:
868:
856:
839:
827:
812:
797:
785:
773:
761:
745:
725:
706:
694:
682:
670:
658:
646:
634:
588:
572:
551:
534:
516:
495:
474:
455:
439:
427:
406:
390:
371:
339:
320:
292:
272:
247:
226:
211:
195:
179:
151:
126:
56:created approaching one hundred
3190:The Virgin and Child with a Cat
2864:Portrait of Catharina Hooghsaet
2298:The Prodigal Son in the Brothel
2210:The Storm on the Sea of Galilee
1833:
1824:
1815:
1806:
1797:
1788:
1779:
1770:
1767:White, 170; Printmaker, 166-170
1761:
1752:
1743:
1734:
1725:
1707:
1698:
1680:
1671:
1662:
1653:
1644:
1615:
1606:
1597:
1588:
1579:
1570:
1561:
1552:
1539:
1530:
1492:
1474:
1456:
1447:
1438:
1417:
1408:
1399:
1390:
1381:
1372:
1000:Self-portrait leaning on a Sill
399:Staatliche Kunsthalle Karlsruhe
3198:Christ Presented to the People
3039:Self-Portrait at the Age of 63
3023:Self-Portrait with Two Circles
2959:Self-Portrait at the Age of 34
2784:Portrait of Jacob de Gheyn III
2734:The Return of the Prodigal Son
2550:Aristotle with a Bust of Homer
2138:Andromeda Chained to the Rocks
1915:Rembrandt: The Painter at Work
1363:
1354:
1351:Not in Bartsch; White, 199–200
1345:
1336:
1327:
1318:
1297:
1288:
1235:List of paintings by Rembrandt
597:Self-Portrait at the Age of 63
560:Self-Portrait with Two Circles
48:were an important part of his
1:
3263: (1954 documentary film)
2678:Syndics of the Drapers' Guild
2370:The Preacher Eleazar Swalmius
2218:A Lady and Gentleman in Black
1986:
1845:
1245:List of etchings by Rembrandt
1240:List of drawings by Rembrandt
1186:Museum Boijmans Van Beuningen
1142:
1103:
846:
714:
328:Painted over a biblical scene
305:
164:
2362:Landscape with Arched Bridge
2306:Raising of the Cross (study)
2202:The Shipbuilder and his Wife
2098:The Parable of the Rich Fool
2034:The Stoning of Saint Stephen
1856:An Introduction to Rembrandt
1515:. 2013-03-18. Archived from
1251:The Stoning of Saint Stephen
1193:
448:National Gallery of Scotland
301:Self-Portrait in a Black Cap
119:
7:
3420:Self-portraits by Rembrandt
2832:Portrait of Petronella Buys
2816:Portrait of Marten Soolmans
2792:Aeltje Pietersdr Uylenburgh
2670:Saint Matthew and the Angel
2558:A Woman Bathing in a Stream
2486:The Holy Family with Angels
2470:The Woman Taken in Adultery
2418:The Girl in a Picture Frame
2394:The Wedding Feast of Samson
2082:Tobit and Anna with the Kid
1369:White, 100; Summary, XXVIII
1256:Museum of Fine Arts of Lyon
1223:
1055:
1013:A Man with a Quilted Sleeve
605:
359:A Man with a Quilted Sleeve
261:Gemäldegalerie Alte Meister
172:Germanisches Nationalmuseum
46:self-portraits by Rembrandt
10:
3446:
3260:Rembrandt: A Self-Portrait
3070:Joseph and Potiphar's Wife
2686:Homer Dictating his Verses
2426:The Scholar at the Lectern
1930:, Buvelot, Quentin (eds),
1902:Rembrandt Research Project
1794:White, 160–161, 160 quoted
1547:Rembrandt Research Project
1198:A short film from 1956 by
1127:Kupferstichkabinett Berlin
524:Self Portrait at the Easel
509:Metropolitan Museum of Art
82:Rembrandt Research Project
3382:
3334:
3316:I Am Rembrandt's Daughter
3225:Bibliography of Rembrandt
3213:
3049:
2931:Self-Portrait in a Gorget
2898:
2824:Portrait of Oopjen Coppit
2760:Portrait of Nicolaes Ruts
2751:
2718:Young Woman with a Lapdog
2646:The Denial of Saint Peter
2178:Philosopher in Meditation
2170:Old Man with a Gold Chain
2066:The Baptism of the Eunuch
2015:
1994:
383:Thyssen-Bornemisza Museum
263:, Dresden. That his wife
160:Self-Portrait in a Gorget
3094:The Artist and his Model
2888:Portrait of Dirck van Os
2808:Oval Portrait of a Woman
2410:Still Life with Peacocks
2322:The Entombment of Christ
2122:Anna and the Blind Tobit
2106:The Artist in his Studio
1863:Rembrandt the Printmaker
1282:
420:Kunsthistorisches Museum
3102:The Death of the Virgin
2742:Landscape with a Castle
2614:Courtesan at her Mirror
2186:The Abduction of Europa
1150:National Gallery of Art
754:Beggar seated on a bank
720:, 4 impressions survive
543:Self Portrait as Zeuxis
490:, Washington, D.C.
488:National Gallery of Art
418:, oil on canvas, 1652.
2848:Portrait of Maria Trip
2534:Descent from the Cross
2510:Susanna and the Elders
2354:The Blinding of Samson
2274:Descent from the Cross
2234:Descent from the Cross
2130:The Raising of Lazarus
1911:Van de Wetering, Ernst
1894:Van de Wetering, Ernst
446:1659?, on loan to the
219:Self-portrait with hat
41:
30:
3425:Drawings by Rembrandt
3142:Hundred Guilder Print
2566:Bathsheba at Her Bath
2194:Adoration of the Magi
2090:The Flight into Egypt
1785:Summary, XXVii-XXVIII
1170:Ernst van de Wetering
689:B9, c. 1628, 6 states
611:Ernst van de Wetering
36:
21:
3373:Vereniging Rembrandt
3324:The Rembrandt Affair
3308:Rembrandt's J'Accuse
3268:Rembrandt fecit 1669
2442:Concord of the State
2314:The Rape of Ganymede
2226:Raising of the Cross
1932:Rembrandt by himself
1488:. 16 September 2005.
1342:B370, White, 189–190
141:J. Paul Getty Museum
29:, etching, 1634. B18
3430:Prints by Rembrandt
3158:Goldweigher's Field
3134:Portrait of Jan Six
2856:Portrait of Jan Six
2776:Portrait of a Woman
2338:The Standard Bearer
2162:Christ on the Cross
2154:Christ with a Staff
1378:White, 60–61, 67–72
1333:B22, White, 186–187
965:Self-portrait with
629:catalogue numbers.
281:Norton Simon Museum
3311:(2008 documentary)
3292:Stealing Rembrandt
3279: (1995 novel)
3276:The Anatomy Lesson
2915:Rembrandt Laughing
2450:David and Jonathan
2282:Belshazzar's Feast
2114:Samson and Delilah
2058:Balaam and the Ass
1928:White, Christopher
1468:2013-04-05 at the
1277:Rembrandt's prints
313:Wallace Collection
287:has been proposed.
204:Burrell Collection
136:Rembrandt Laughing
42:
31:
3402:
3401:
3287: (1999 film)
3255: (1942 film)
3247: (1940 film)
3239: (1936 film)
3182:The Three Crosses
2872:Portrait of a Man
2840:A Polish Nobleman
2768:Portrait of a Man
2622:Saint Bartholomew
1997:Lists of drawings
1545:White, 176. The
1016:(NG, London) and
3437:
3415:Self-portraiture
3395:
3388:
3166:Doctor Fautrieus
3086:River with Trees
2694:The Jewish Bride
2574:The Polish Rider
2526:The Kitchen Maid
2386:The Stone Bridge
2050:History Painting
1981:
1974:
1967:
1958:
1957:
1840:
1837:
1831:
1828:
1822:
1819:
1813:
1810:
1804:
1801:
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1325:
1322:
1316:
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1304:
1301:
1295:
1292:
1230:Self-portraiture
1181:
1161:
1147:
1144:
1138:
1122:
1108:
1105:
1096:
1078:
1043:
1031:
995:
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960:
948:
936:
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843:
831:
819:B316, state ii,
816:
801:
789:
777:
765:
749:
729:
719:
716:
710:
698:
686:
674:
662:
650:
638:
592:
576:
555:
538:
520:
499:
478:
467:Frick Collection
459:
443:
431:
410:
394:
381:, c. 1642—1643,
375:
364:National Gallery
343:
324:
310:
307:
296:
276:
251:
230:
215:
199:
183:
170:, oil on panel (
169:
166:
155:
130:
38:Royal Collection
22:Role-playing in
3445:
3444:
3440:
3439:
3438:
3436:
3435:
3434:
3405:
3404:
3403:
3398:
3391:
3386:
3378:
3344:Rembrandt, Iowa
3330:
3216:
3209:
3205:Mughal drawings
3150:Conus Marmoreus
3118:The Three Trees
3078:Bearded Old Man
3057:
3045:
2894:
2747:
2710:David and Uriah
2654:Titus as a Monk
2434:The Night Watch
2011:
1990:
1985:
1948:
1906:PDF to download
1882:, 1994, Dover,
1848:
1843:
1838:
1834:
1829:
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1667:
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1658:
1654:
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1629:
1620:
1616:
1612:White, 223, 229
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1607:
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1470:Wayback Machine
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1298:
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1226:
1220:series (1991).
1196:
1189:
1182:
1173:
1168:. Famous, but
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1123:
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1058:
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804:B316, state i,
802:
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511:, New York City
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3396:
3393:Stolen in 1990
3389:
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3377:
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3370:
3362:
3356:
3351:
3349:Rembrandtplein
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3027:
3019:
3011:
3003:
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2987:
2979:
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2963:
2955:
2947:
2935:
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2919:
2911:
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2899:Self-portraits
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2610:
2602:
2594:
2586:
2582:Slaughtered Ox
2578:
2570:
2562:
2554:
2546:
2542:Saul and David
2538:
2530:
2522:
2518:Head of Christ
2514:
2506:
2498:
2490:
2482:
2478:Joseph's Dream
2474:
2466:
2454:
2446:
2438:
2430:
2422:
2414:
2406:
2398:
2390:
2382:
2374:
2366:
2365:(c. 1636-1637)
2358:
2350:
2342:
2334:
2326:
2318:
2310:
2302:
2294:
2286:
2278:
2270:
2262:
2254:
2246:
2238:
2230:
2222:
2214:
2206:
2198:
2190:
2182:
2174:
2166:
2158:
2150:
2142:
2134:
2133:(c. 1630–1632)
2126:
2118:
2110:
2102:
2094:
2086:
2078:
2070:
2062:
2054:
2046:
2038:
2030:
2021:
2019:
2013:
2012:
2009:self-portraits
1995:
1992:
1991:
1984:
1983:
1976:
1969:
1961:
1955:
1954:
1947:
1946:External links
1944:
1943:
1942:
1925:
1908:
1890:
1876:Schwartz, Gary
1873:
1859:
1852:Clark, Kenneth
1847:
1844:
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1832:
1823:
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1805:
1796:
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1740:White, 160-161
1733:
1724:
1719:British Museum
1706:
1697:
1692:British Museum
1679:
1670:
1661:
1659:Printmaker, 86
1652:
1643:
1641:Summary, XXVII
1627:
1614:
1605:
1596:
1587:
1578:
1576:White, 183-184
1569:
1560:
1551:
1538:
1529:
1513:National Trust
1500:
1491:
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1444:White, 83, 162
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1111:British Museum
1098:
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1089:
1082:Self-portrait,
1080:
1073:
1063:album amicorum
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898:
891:
889:
887:B319, 6 states
886:
879:
877:
874:
867:
865:
862:
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853:
845:
838:
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833:
826:
824:
821:British Museum
818:
811:
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734:British Museum
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463:Self-Portrait,
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426:
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412:
405:
403:
396:
389:
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377:
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240:Buckland Abbey
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188:Nationalmuseum
185:
178:
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157:
150:
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132:
125:
121:
118:
116:to his house.
58:self-portraits
44:The dozens of
9:
6:
4:
3:
2:
3442:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
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3410:
3394:
3390:
3385:
3384:
3381:
3374:
3371:
3368:
3367:
3363:
3360:
3357:
3355:
3354:Rembrandtpark
3352:
3350:
3347:
3345:
3342:
3341:
3339:
3337:
3333:
3326:
3325:
3321:
3318:
3317:
3313:
3310:
3309:
3305:
3302:
3301:
3300:Nightwatching
3297:
3294:
3293:
3289:
3286:
3285:
3281:
3278:
3277:
3273:
3270:
3269:
3265:
3262:
3261:
3257:
3254:
3253:
3249:
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3245:
3241:
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3228:
3226:
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3222:
3220:
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3212:
3206:
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3200:
3199:
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3187:
3184:
3183:
3179:
3176:
3175:
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3167:
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3160:
3159:
3155:
3152:
3151:
3147:
3144:
3143:
3139:
3136:
3135:
3131:
3128:
3127:
3126:The State Bed
3123:
3120:
3119:
3115:
3112:
3111:
3107:
3104:
3103:
3099:
3096:
3095:
3091:
3088:
3087:
3083:
3080:
3079:
3075:
3072:
3071:
3067:
3066:
3064:
3061:
3056:
3052:
3048:
3041:
3040:
3036:
3033:
3032:
3031:Self-Portrait
3028:
3025:
3024:
3020:
3017:
3016:
3012:
3009:
3008:
3004:
3001:
3000:
2999:Self-Portrait
2996:
2993:
2992:
2988:
2985:
2984:
2983:Self-Portrait
2980:
2977:
2976:
2972:
2969:
2968:
2967:Self-Portrait
2964:
2961:
2960:
2956:
2953:
2952:
2948:
2945:
2941:
2940:
2936:
2933:
2932:
2928:
2925:
2924:
2923:Self-Portrait
2920:
2917:
2916:
2912:
2909:
2908:
2904:
2903:
2901:
2897:
2890:
2889:
2885:
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2715:
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2707:
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2608:
2607:
2603:
2600:
2599:
2595:
2592:
2591:
2590:Pallas Athene
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2583:
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2575:
2571:
2568:
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2531:
2528:
2527:
2523:
2520:
2519:
2515:
2512:
2511:
2507:
2504:
2503:
2499:
2496:
2495:
2491:
2488:
2487:
2483:
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2319:
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2311:
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2231:
2228:
2227:
2223:
2220:
2219:
2215:
2212:
2211:
2207:
2204:
2203:
2199:
2196:
2195:
2191:
2188:
2187:
2183:
2180:
2179:
2175:
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2171:
2167:
2164:
2163:
2159:
2156:
2155:
2151:
2148:
2147:
2143:
2140:
2139:
2135:
2132:
2131:
2127:
2124:
2123:
2119:
2116:
2115:
2111:
2108:
2107:
2103:
2100:
2099:
2095:
2092:
2091:
2087:
2084:
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2079:
2076:
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2028:
2027:
2023:
2022:
2020:
2018:
2014:
2010:
2006:
2002:
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1993:
1989:
1982:
1977:
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1941:
1937:
1933:
1929:
1926:
1924:
1923:0-520-22668-2
1920:
1916:
1912:
1909:
1907:
1904:, Dordrecht,
1903:
1899:
1896:, "Summary",
1895:
1891:
1889:
1885:
1881:
1877:
1874:
1872:
1868:
1864:
1860:
1857:
1853:
1850:
1849:
1836:
1827:
1818:
1809:
1800:
1791:
1782:
1773:
1764:
1755:
1746:
1737:
1728:
1720:
1716:
1710:
1701:
1693:
1689:
1683:
1674:
1665:
1656:
1647:
1638:
1636:
1634:
1632:
1624:
1618:
1609:
1600:
1591:
1582:
1573:
1564:
1555:
1548:
1542:
1533:
1519:on 2013-03-21
1518:
1514:
1510:
1504:
1495:
1487:
1483:
1477:
1471:
1467:
1464:
1459:
1450:
1441:
1432:
1430:
1420:
1411:
1402:
1393:
1384:
1375:
1366:
1357:
1348:
1339:
1330:
1321:
1312:
1310:
1300:
1291:
1287:
1278:
1275:
1273:
1269:
1265:
1264:
1260:
1257:
1253:
1252:
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1231:
1228:
1227:
1221:
1219:
1218:
1213:
1212:Alain Jaubert
1209:
1205:
1201:
1200:Bert Haanstra
1187:
1180:
1175:
1171:
1167:
1166:Rembrandthuis
1160:
1155:
1151:
1137:
1132:
1128:
1121:
1116:
1112:
1101:
1095:
1090:
1087:
1083:
1077:
1072:
1071:
1070:
1068:
1064:
1049:
1042:
1037:
1030:
1025:
1021:
1020:
1015:
1014:
1009:
1005:
1001:
994:
989:
985:
978:
973:
969:
968:
959:
954:
947:
942:
935:
930:
926:
919:
914:
907:
902:
895:
890:
883:
878:
871:
866:
859:
854:
842:
837:
830:
825:
822:
815:
810:
807:
800:
795:
788:
783:
776:
771:
764:
759:
755:
748:
743:
739:
735:
728:
723:
709:
704:
697:
692:
685:
680:
673:
668:
661:
656:
649:
644:
637:
632:
631:
630:
628:
623:
619:
617:
612:
599:
598:
591:
586:
582:
575:
570:
566:
565:Kenwood House
562:
561:
554:
549:
545:
544:
537:
532:
529:
528:Louvre Museum
525:
519:
514:
510:
506:
505:
504:Self Portrait
498:
493:
489:
485:
484:
477:
472:
468:
464:
458:
453:
449:
442:
437:
430:
425:
421:
417:
416:
415:Self Portrait
409:
404:
400:
393:
388:
384:
380:
374:
369:
365:
361:
360:
355:
351:
349:
348:Self-portrait
342:
337:
333:
329:
323:
318:
314:
303:
302:
295:
290:
286:
282:
275:
270:
266:
262:
258:
257:
250:
245:
241:
237:
236:
229:
224:
220:
214:
209:
205:
198:
193:
189:
182:
177:
173:
162:
161:
154:
149:
146:
142:
138:
137:
129:
124:
123:
117:
115:
111:
105:
101:
99:
95:
94:Kenneth Clark
91:
87:
83:
77:
74:
70:
65:
63:
59:
55:
51:
47:
39:
35:
28:
27:
20:
16:
3375:(foundation)
3364:
3327:(2010 novel)
3322:
3319:(2008 novel)
3314:
3306:
3298:
3290:
3282:
3274:
3266:
3258:
3250:
3242:
3234:
3196:
3188:
3180:
3172:
3164:
3156:
3148:
3140:
3132:
3124:
3116:
3108:
3100:
3092:
3084:
3076:
3068:
3037:
3029:
3021:
3013:
3005:
2997:
2989:
2981:
2973:
2965:
2957:
2949:
2943:
2937:
2929:
2921:
2913:
2905:
2886:
2878:
2870:
2862:
2854:
2846:
2838:
2830:
2822:
2814:
2806:
2798:
2790:
2782:
2774:
2766:
2758:
2740:
2732:
2724:
2716:
2708:
2700:
2692:
2684:
2676:
2668:
2660:
2652:
2644:
2636:
2628:
2620:
2612:
2604:
2596:
2588:
2580:
2572:
2564:
2556:
2548:
2540:
2532:
2524:
2516:
2508:
2500:
2492:
2484:
2476:
2468:
2461:
2457:
2448:
2440:
2432:
2424:
2416:
2408:
2400:
2392:
2384:
2376:
2368:
2360:
2352:
2344:
2336:
2328:
2320:
2312:
2304:
2296:
2288:
2280:
2272:
2264:
2256:
2248:
2240:
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2176:
2168:
2160:
2152:
2144:
2136:
2128:
2120:
2112:
2104:
2096:
2088:
2080:
2072:
2064:
2056:
2048:
2040:
2032:
2024:
2008:
1931:
1914:
1897:
1879:
1862:
1855:
1835:
1826:
1817:
1808:
1799:
1790:
1781:
1772:
1763:
1754:
1745:
1736:
1727:
1718:
1709:
1700:
1691:
1682:
1673:
1664:
1655:
1646:
1622:
1617:
1608:
1599:
1590:
1581:
1572:
1563:
1554:
1541:
1532:
1521:. Retrieved
1517:the original
1503:
1494:
1485:
1476:
1458:
1449:
1440:
1435:White, 11–13
1419:
1410:
1401:
1392:
1383:
1374:
1365:
1356:
1347:
1338:
1329:
1320:
1303:Summary, XXV
1299:
1290:
1261:
1249:
1215:
1207:
1197:
1099:
1081:
1066:
1062:
1059:
1047:
1034:B26, c. 1642
1017:
1011:
999:
983:
964:
924:
753:
752:B174, 1630,
624:
620:
615:
609:
595:
558:
541:
523:
502:
481:
462:
450:, Edinburgh.
413:
378:
357:
347:
299:
279:c. 1636—38,
255:
233:
218:
158:
134:
113:
106:
102:
78:
68:
66:
45:
43:
23:
15:
3303:(2007 film)
3295:(2003 film)
3271:(1977 film)
3215:Works about
3145:(1647–1649)
3058:(including
3026:(1665–1669)
2737:(1662–1669)
2537:(1650–1652)
2497:(1645–1648)
2197:(1632–1633)
1892:"Summary":
1511:. Swindon:
1188:, Rotterdam
1146: 1637
1141:Red chalk,
1107: 1629
1086:Rijksmuseum
850: 1629
806:Rijksmuseum
780:B1, c. 1630
738:Rijksmuseum
718: 1629
583:, The Hague
581:Mauritshuis
563:, 1665–69.
309: 1637
259:, c. 1635,
168: 1629
145:Los Angeles
90:fancy dress
3409:Categories
2545:(c. 1652)
2026:The Senses
1940:1857092708
1888:0486281817
1871:071412625X
1846:References
1821:White, 161
1812:White, 164
1758:White, 166
1749:White, 157
1677:White, 140
1603:White, 220
1594:White, 204
1585:White, 190
1558:White, 168
1536:White, 159
1523:2013-03-18
1324:White, 184
1210:, film by
1204:dissolving
469:, New York
206:, Glasgow.
190:Stockholm)
174:Nuremberg)
3387:Contested
3366:Rembrandt
3359:Rembrandt
3336:Namesakes
3284:Rembrandt
3252:Rembrandt
3244:Rembrandt
3236:Rembrandt
3217:Rembrandt
3034:(c. 1669)
2891:(c. 1662)
2752:Portraits
2713:(c. 1665)
2593:(c. 1655)
2413:(c. 1639)
2309:(c. 1635)
2301:(c. 1635)
2258:Artemisia
2173:(c. 1631)
2125:(c. 1630)
2117:(1629–30)
2085:(c. 1626)
2029:(1624–25)
2017:Paintings
2005:paintings
1988:Rembrandt
1839:White, 11
1803:Clark, 12
1668:White, 92
1498:Clark, 16
1453:White, 12
1423:White, 51
1414:White, 28
1405:white, 51
1387:Clark, 11
1315:White, 10
1214:from the
1194:On screen
1184:1657-58,
1164:c. 1655,
1067:cadanette
899:B15, 1631
875:B24, 1630
385:, Madrid.
356:portrait
120:Paintings
54:Rembrandt
3361:(crater)
3110:The Mill
3060:etchings
3051:Drawings
2944:disputed
2942:(1635) (
2934:(c.1629)
2726:Lucretia
2702:Lucretia
2494:The Mill
2001:etchings
1900:, 2005,
1466:Archived
1272:Florence
1254:, 1625,
1224:See also
1217:Palettes
1056:Drawings
606:Etchings
526:, 1660,
507:, 1660.
486:, 1659.
366:, London
315:, London
238:, 1635,
114:en route
98:Van Gogh
62:etchings
3369:(train)
2705:(1664)
2577:(1655)
2290:Minerva
2213:(1633)
2045:(1620s)
1715:"print"
1688:"print"
1623:tronies
1008:Raphael
984:tronies
925:tronies
736:, also
627:Bartsch
616:tronies
86:tronies
3201:(1655)
3193:(1654)
3185:(1653)
3177:(1652)
3169:(1652)
3161:(1651)
3153:(1650)
3137:(1647)
3129:(1646)
3121:(1643)
3113:(1641)
3105:(1639)
3097:(1639)
3089:(1634)
3081:(1634)
3073:(1634)
3055:prints
3042:(1669)
3018:(1662)
3010:(1662)
3002:(1660)
2994:(1659)
2986:(1658)
2978:(1654)
2970:(1652)
2962:(1640)
2954:(1635)
2926:(1629)
2918:(1628)
2910:(1628)
2883:(1658)
2875:(1657)
2867:(1657)
2859:(1654)
2851:(1639)
2843:(1637)
2835:(1635)
2827:(1634)
2819:(1634)
2811:(1633)
2803:(1633)
2795:(1632)
2787:(1632)
2779:(1632)
2771:(1632)
2763:(1631)
2729:(1666)
2721:(1665)
2697:(1664)
2689:(1663)
2681:(1662)
2673:(1661)
2665:(1661)
2657:(1660)
2649:(1660)
2641:(1660)
2633:(1659)
2625:(1657)
2617:(1657)
2609:(1656)
2601:(1656)
2585:(1655)
2569:(1654)
2561:(1654)
2553:(1653)
2529:(1651)
2521:(1648)
2513:(1647)
2505:(1646)
2489:(1645)
2481:(1645)
2473:(1644)
2465:(1643)
2453:(1642)
2445:(1642)
2437:(1642)
2429:(1641)
2421:(1641)
2405:(1638)
2397:(1638)
2389:(1637)
2381:(1637)
2373:(1637)
2357:(1636)
2349:(1636)
2341:(1636)
2333:(1635)
2325:(1635)
2317:(1635)
2293:(1635)
2285:(1635)
2277:(1634)
2269:(1634)
2261:(1634)
2253:(1634)
2245:(1634)
2237:(1633)
2229:(1633)
2221:(1633)
2205:(1633)
2189:(1632)
2181:(1632)
2165:(1631)
2157:(1631)
2149:(1631)
2141:(1631)
2109:(1628)
2101:(1627)
2093:(1627)
2077:(1626)
2069:(1626)
2061:(1626)
2053:(1626)
2037:(1625)
1938:
1921:
1886:
1869:
1486:CODART
1268:Uffizi
1125:1636,
1004:Titian
967:Saskia
579:1669,
465:1658,
397:1645,
354:Titian
350:, 1640
332:Louvre
265:Saskia
73:Rubens
69:oeuvre
50:oeuvre
40:, 1642
2346:Danaë
2250:Flora
1283:Notes
1046:B22,
998:B21,
963:B19,
713:B12,
625:With
110:Titus
3053:and
2462:Ruth
2460:and
2458:Boaz
1936:ISBN
1919:ISBN
1884:ISBN
1867:ISBN
1006:and
26:Kris
3411::
2007:,
2003:,
1999:,
1913:,
1878:,
1854:,
1717:.
1690:.
1630:^
1484:.
1428:^
1308:^
1270:,
1266:,
1148:,
1143:c.
1109:,
1104:c.
1102:,
1010:,
847:c.
715:c.
362:.
311:.
306:c.
304:,
165:c.
163:,
143:,
52:.
3062:)
2946:)
1980:e
1973:t
1966:v
1721:.
1694:.
1526:.
1061:(
927:.
740:.
334:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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