890:
24:
1130:
used for tuning and also for increasing the sound frequency. For the pegs box, three holes are drilled for the pegs (two on the left, one on the right), and one hole is drilled through the bottom to connect it to the upper neck. For the bottom neck, the upper part is shaped like a marble and the lower part is shaped like an elephant's mouth. The foot of the fiddle is shaped like a Thai pagoda.
1142:, a spinning machine collects the silk onto a thread spool. 20 cm of nylon is used to make a lasso. The lasso hook is brought to the stranding machine, along with 8 spools of silk used for the upper string, 14 spools for the middle string, or 20 spools for the lower string. The silk is tacked to the stranding machine and stranded to make the string.
1227:
Hold the bow with the right hand. Put the right hand around the area where the gap between the horsetail and the bow is about 4 centimeters. Put the ring finger between the horsetail and the bow. Use index finger and middle finger to support the bow while the wrist is parallel with the right arm. The
1116:
is used; it must be symmetric with a thickness of about 0.5 cm. The coconut shell is peeled and a hole drilled to drain the coconut water. It is scrubbed and dried at room temperature for 1â2 weeks, after which it is cut and scrubbed inside using an electric polishing machine and sandpaper. The front
1245:
To determine the sound of the upper string and the middle string, the performer uses the index finger, middle finger, ring finger, and pinky finger. To determine the sound of the lower string, use the index finger, middle finger, and ring finger. To press the upper string, stick the fingertip to the
1236:
Use the right arm and right hand to control the movement of the bow. Have the bow parallel to the ground and have the horsetail touch the string above the body around 3 centimeters. To increase the volume, use the ring finger to push the horsetail towards you. The most important thing is to balance
237:
neck that is cleaned and polished with wood varnish. Its bow is constructed of horsetail and hardwood. Other elements include the pegs, nut, bridge, lasso, and strings. Typically, the player glues a jewel onto the skin before playing to reduce the skin's resonance. The instrument is regarded as one
1263:
When conducting as a band, the performer is guided by the other band members and the flow of the music. Therefore, the performer needs to understand the melody, musical type, and performance style. The most important thing the performer needs to commit to memory is that harmony is at the heart of
1129:
The size of the pegs box, bottom neck, and foot of fiddle depend on the size of the bout of the fiddleâif the bout is large, then these components will also be large. The pegs, pegs box, bottom neck, and foot are normally made of hardwood or tusk, and are all shaped using a lathe. The pegs box is
1271:
When conducting with a lead singer, it is crucial that the performer can recognize or sing the lyrics. The main role of the player is to support the lead singer, primarily with the instrument and possibly with singing accompaniment. However, the player needs to be cautious not to distract or
1150:
The first thing that one does before tuning is stand the bridge. The bridge is set into the middle of the fiddle and away from the top of the bout around 1â2 inches. For tuning, each peg is turned to the front of the fiddle to tighten its string, while the bridge is kept stationary. A
1155:
is used for the initial sound of the fiddle. The notes "so", "re", and "la" are used for the upper string, middle string, and lower string respectively. The tuning is checked by bowing the fiddle. Finally, a jewel can be attached to the bout for upgraded sound quality.
1267:
The performer needs to play in the "Chou Chou" rhythm (āļāļģāļāļāļāļāļēāļ§āđ) which imitates "Saratta" rhythm (āļāđāļēāļāļāļāļŠāļēāļĢāļąāļāļāļ°) as closely as possible. The performer needs to be mindful not to overuse the uniqueness of the sound of the "sol" and "re" notes.
971:) is the top of the fiddle and has a length of about 1 foot. The pegs box is shaped by a lathe and is cylindrical in shape. It has a hole at the bottom to connect to the upper neck, and three holes on the sides for the pegs.
96:
97:
1073:
is silk used for tying and holding the strings, located at foot of the fiddle. Normally the middle string is used because it has the right size to tie the upper string and lower string.
1175:. The first is to sit with legs to the side, where one leg on top of the other, stretching the player toe to the side while folding the knees (recommended for beginners). The other is
772:
from Persia and used it in numerous rituals and royal events in the same way as the
Persians. At the time, both nations were tightly linked by language, culture, and art.
1138:
All three strings are made of silk, with four procedures used to make each string: spinning, silk tacking, gluing, and silk stranding. After gathering the silk from the
98:
1001:) connects the pegs box to a lower neck. It has a cylindrical shape and is made from metal, with a diameter of about 1.125 inches and a length of about 9 inches.
1112:
The bout is the main component of a fiddle, responsible for the sound, so care must be taken to find the best material for construction. Normally a three-lobed
1121:
or cow leather that is about 0.15 mm thick. After soaking in water for 3â4 hours, it is glued to the edge of the shell. The bout is then decorated to finish.
1623:
1588:
1228:
performer needs to be careful not to bend the right hand askew with the right arm. While performing, the bow needs to always parallel to the ground.
229:
is made up of three parts: the bout, the neck, and the bow. It has a three-lobed coconut bowl for a body, covered on one end with animal skin, and a
1008:
is used for firmly tying the three strings to the upper neck to produce stable sound quality. Normally silk or the upper string is used for the nut.
398:. These two instruments both have three strings, use the same method of playing, and require a foot for support. The only difference is that the
1061:
in a curved shape, used to support the strings. With a height of about 2 cm, it is located on the front of the fiddle 3 cm from the top edge.
142:
1484:"āļāļāļŠāļēāļĄāļŠāļēāļĒ | āļŠāļēāļĢāļ° āļāļ§āļēāļĄāļĢāļđāđ āļāđāļēāļ§āļŠāļēāļĢ āļāļ§āļēāļĄāļāļąāļāđāļāļīāļ āļāļāļāļāļēāļ§āļĄāļąāļāļĒāļĄāļĻāļķāļāļĐāļē āđāļĨāļ°āļāļĢāļ°āļāļĄāļĻāļķāļāļĐāļē : Knowledge for Thai Student | ThaiGoodView.com"
775:
Suksant
Puangklad (āļŠāļļāļāļŠāļąāļāļāđ āļāđāļ§āļāļāļĨāļąāļ) explained that the Islamic cultural group has a musical instrument that resembles the Thai
1027:) connects to the bout. It has a length of about 1 foot. It is turned in spherical shapes arranged in a row from small to large.
1616:
1254:
One of the uniqueness of Thai instruments is "melody conducting", in which every performer conducts together harmoniously. For
1632:
1281:
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side of the upper string; this technique is called "chun sai". Any finger (except the thumb) can be used in "chun sai".
2051:
2046:
1609:
54:
1593:
357:
ensembles and string bands. Its similarity to other stringed instruments suggests it may have originated from
1080:
are made of spiral silk. The upper string is the biggest string and the lower string is the smallest string.
889:
1442:
482:
countries are more advanced in their musical instrument culture. Other instruments that resemble the
1260:, conducting can be divided into two types: conducting as a band and conducting with a lead singer.
23:
2041:
1400:
346:
220:, but unlike the other two, it has three strings and a bow that is separate from the instrument.
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59:
430:
238:
of high stature and is often ornately decorated. It is believed to have been used since the
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2010:
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pattern. The head is spherical in shape and the stick has a length of about 6 inches.
872:
452:
420:
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and contemporary yoga posture, also known as 'Thunderbolt Pose' or 'Diamond Pose'.
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1113:
1099:) is the base of the fiddle, and has the physical appearance of a headdress (
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1203:
with the left arm, keeping it at the same level as the left thigh. Face the
826:
80:
1940:
1869:
840:
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were the most common bowed string instruments discovered in that region.
479:
469:, he reimagined the instrument as exquisite, elevating is social status.
700:, which is the root of numerous bowed string instruments, including the
1950:
1935:
1904:
1899:
1884:
1180:
781:, which has since diversified into numerous instruments, including the
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1920:
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against the space between the thumb and index finger. If holding the
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491:
370:
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75:
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correctly, the pinky finger will not reach the string comfortably.
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Jenjira
Benjapong (āđāļāļāļāļīāļĢāļē āđāļāļāļāļāļāļĻāđ) stated her opinion that the
586:
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Slightly turn the left palm to the front. Lean the neck of the
1058:
979:
878:
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358:
352:
242:, and is related to a very similar Cambodian instrument called
423:, when it was utilized in royal rituals and incorporated into
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541:
509:
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234:
210:
1401:"āļŦāļĨāļąāļāļāļēāļĢāļāļĢāļĢāđāļĨāļāļāļāļŠāļēāļĄāļŠāļēāļĒāļāļēāļĄāđāļāļ§āļāļēāļāļāļāļāļāļēāļāļēāļĢāļĒāđāđāļāļĢāļīāļāđāļ āļŠāļļāļāļāļĢāļ§āļēāļāļīāļ"
1367:] (Master's thesis) (in Thai). Chulalongkorn University.
1046:) is made from three coconut shells, together with wood and
751:, a bowed string instrument with a sharp point on the body,
591:, both of which are also fretless stringed instruments. The
560:
Researchers have different theories about the origin of the
437:, the Thai people had a tiny orchestra instrument called a "
2020:
1720:
1668:
1152:
822:
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produce the notes "so" on the higher-pitched upper string (
766:
Udom
Arunrut (āļāļļāļāļĄ āļāļĢāļļāļāļĢāļąāļāļāđ) said Thailand obtained the
1631:
1067:
is used to decorate and improve the sound of the fiddle.
932:) is strung with 250â300 pieces of horsetail or string.
675:
in
Indonesia and Malaysia commonly accompanies the lead
1443:"āļāļēāļĢāļāļāļļāļĢāļąāļāļĐāđ "āļ§āļīāļāļĩāļāļēāļĢāļāļģāļŠāļēāļĒāļāļ" āļāļāļāļāđāļēāļāļĄāļāļąāļŠ āļŠāļļāļĢāļīāļĒāļ°āļĢāļąāļāļĐāļĩ"
592:
576:
832:
752:
688:
Pongsin
Aroonrat (āļāļāļĐāđāļĻāļīāļĨāļāđ āļāļĢāļļāļāļĢāļąāļāļāđ) presumed that
635:
623:
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584:
489:
1572:āļāļēāļĢāļŠāļ·āļāļāļāļāļāļ§āļēāļĄāļĢāļđāđāļāđāļēāļāļāļāļŠāļēāļĄāļŠāļēāļĒāļāļāļāļāļĢāļđāđāļāļĢāļīāļāđāļ āļŠāļļāļāļāļĢāļ§āļēāļāļīāļ
854:
844:
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735:
David Morton supposed that the original look of the
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was highly popular among Thai people throughout the
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1237:the volume of the upper string and lower string.
1191:Balance the iron needle on the bottom end of the
569:Thanit Yuupo (āļāļāļīāļ āļāļĒāļđāđāđāļāļāļīāđ) explained that the
2033:
1365:Making process of saw sam sai by Kru Sakchai Guy
463:'s reign. Because of King Rama II's passion for
429:ensembles. According to 17th-century reports by
208:family of Thai fiddles, which also includes the
1398:
1209:outside, and put the knob on the third string.
307:) and "la" on the lower-pitched bottom string (
741:originated in east India. Following then, the
1617:
1399:āļĻāļĢāļĩāļŠāļēāļāļĢ, āļāļĢāļ°āļāļēāļāļĢ; āļŦāļĄāļāļāļāđāļāļ, āļāļĄāļĢāļīāļāļāļĢāđ (2018).
1569:
349:with three strings and is usually played in
1440:
1356:
1169:There are two sitting postures for playing
669:. Being suitable to accompany singing, the
179:
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1610:
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1035:
1016:
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404:has an elevated social status, unlike the
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308:
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260:
1405:Journal of Humanities Naresuan University
888:
747:spread over various trading routes. The
94:
102:Recording demonstrating the sound of a
2034:
1441:āļāļīāļĒāļ°āļāļīāļāļąāļāļāđ, āļŠāļļāļ āļēāļŠāļīāļĢāļĩāļĢāđ (2019-06-27).
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978:connect to pegs box alternating in a
607:. However, neither is bowed like the
135:
1633:Traditional Thai musical instruments
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1282:Traditional Thai musical instruments
597:'s body is square and flat, and the
1360:āļāļēāļĢāļŠāļĢāđāļēāļāļāļāļŠāļēāļĄāļŠāļēāļĒāļāļāļāļāļĢāļđāļĻāļąāļāļāļīāđāļāļąāļĒ āļāļēāļĒ
419:has been played since at least the
13:
1186:
1164:
724:has a similar instrument called a
603:'s body is smaller and covered in
555:
14:
2063:
1582:
1574:(in Thai). āļāļļāļŽāļēāļĨāļāļāļĢāļāđāļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒ.
1500:
1465:
1423:
1371:
1299:
1240:
394:, a bowed string instrument from
33:at the Metropolitan Museum of Art
1197:on the ground. Hold the body of
640:gave rise to the Middle Eastern
22:
1570:āļŦāđāļ§āļāļāļĢāļ°āđāļŠāļĢāļīāļ, āļ§āļĩāļĢāļĻāļīāļĨāļāđ (2019).
1231:
1125:Pegs box, bottom neck, and foot
951:) consists of many components:
884:
386:is virtually identical to the
283:), "re" on the middle string (
253:The three silk strings on the
1:
1357:Karnnongyai, Anansit (2017).
1292:
1249:
1117:of the shell is covered with
903:
472:After studying the origin of
1272:overshadow the lead singer.
648:, which influenced the Thai
622:ultimately derives from the
7:
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575:is similar to the Japanese
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478:, the research found that
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170:, and occasionally simply
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1682:
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694:evolved from the Persian
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128:
93:
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72:
65:
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38:
21:
2052:Bowed string instruments
2047:Thai musical instruments
935:From top to bottom, the
899:, Thailand, 19th century
1107:
347:bowed-string instrument
196:bowed string instrument
60:Bowed string instrument
1674:Phin pia / Phin namtao
900:
445:". This suggests that
108:
892:
189:three-stringed fiddle
137:[sÉËsĮËmsĮËj]
101:
1264:playing as a band.
532:from Cambodia, the
522:from Indonesia and
431:Simon de la LoubÃĻre
194:) is a traditional
67:Related instruments
18:
1989:Khong mon wong lek
1984:Khong mon wong yai
901:
685:does in Thailand.
435:Du Royaume de Siam
109:
16:
2029:
2028:
1999:
1998:
1851:
1850:
1729:
1728:
1287:Music of Thailand
926:
869:of Cambodia, and
787:of east and west
496:from the west of
421:Sukhothai Kingdom
396:Northern Thailand
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40:String instrument
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1447:UMT-POLY Journal
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720:instrument, and
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634:instrument. The
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583:and the Chinese
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81:Indonesian rebab
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1836:Free-reed pipes
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1755:Khlui phiang aw
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1941:Ranat ek lek
1890:Thon rammana
1699:
1594:
1589:Sound sample
1571:
1491:. Retrieved
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1408:
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885:Construction
827:
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805:rebab soussi
804:
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748:
734:
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654:, Cambodian
615:
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534:saw rung-kee
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471:
461:King Rama II
457:Rattanakosin
455:, until the
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116:
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89:Sound sample
1870:Klong khaek
1700:Saw sam sai
1595:Saw sam sai
1449:(in Thai).
1407:(in Thai).
1257:saw sam sai
1221:saw sam sai
1215:saw sam sai
1206:saw sam sai
1200:saw sam sai
1194:saw sam sai
1172:saw sam sai
1057:is made of
1043:kalogue saw
1024:tuaun laung
896:saw sam sai
853:ensembles,
841:Afghanistan
778:saw sam sai
769:saw sam sai
744:saw sam sai
738:saw sam sai
703:saw sam sai
691:saw sam sai
682:saw sam sai
651:saw sam sai
619:saw sam sai
610:saw sam sai
572:saw sam sai
563:saw sam sai
485:saw sam sai
480:Middle East
475:saw sam sai
466:saw sam sai
448:saw sam sai
416:saw sam sai
401:saw sam sai
383:saw sam sai
342:saw sam sai
256:saw sam sai
226:saw sam sai
119:saw sam sai
105:saw sam sai
46:Other names
30:Saw sam sai
17:Saw sam sai
2036:Categories
1951:Ranat kaeo
1936:Ranat thum
1914:Xylophones
1905:Poeng mang
1900:Klong thap
1885:Klong that
1856:Percussion
1493:2021-11-21
1293:References
1250:Conducting
1181:hatha yoga
1013:lower neck
987:upper neck
968:tuaun bond
904:Components
893:Back of a
849:of Java's
831:of India,
544:, and the
363:Arab world
166:saw samsai
158:sÅ sÄm sÄi
150:so sam sai
133:pronounced
1979:Khong mon
1921:Pong lang
1880:Klong yao
1810:Pi chanai
1752:Khlui lib
1690:Saw duang
1659:Krachappi
1459:2673-0618
1417:2672-9547
1177:Vajrasana
1037:āļāļĢāļ°āđāļŦāļĨāļāļāļ
923:romanized
866:saw Khmer
754:kamancheh
657:saw Khmer
637:kamancheh
626:kamancheh
605:snakeskin
529:saw Khmer
492:kamancheh
459:phase of
371:Indonesia
304:sai klang
246:tro Khmer
217:saw duang
76:Tro Khmer
1931:Ranat ek
1800:Pi chawa
1795:Pi klang
1276:See also
1140:silkworm
1119:goatskin
1096:town saw
1048:goatskin
957:pegs box
948:kaun saw
861:Malaysia
835:ghaychak
828:kamaicha
749:nan-chou
722:Cambodia
677:vocalist
594:shamisen
579:shamisen
524:Malaysia
488:are the
375:Thailand
367:Cambodia
328:sai lang
316:sai thum
231:hardwood
200:Thailand
129:āļāļāļŠāļēāļĄāļŠāļēāļĒ
49:āļāļāļŠāļēāļĄāļŠāļēāļĒ
1820:Pi chum
1758:Khlui u
1647:Plucked
1160:Playing
1134:Strings
1078:strings
1065:Jewelry
1018:āļāļ§āļāļĨāđāļēāļ
992:āļāļ§āļāļāļĨāļēāļ
929:kanchak
925::
851:gamelan
809:Morocco
784:masenqo
632:Persian
600:sanxian
587:sanxian
550:Myanmar
546:saw mon
540:) from
538:sarangi
335:History
322:āļŠāļēāļĒāļĨāđāļēāļ
310:āļŠāļēāļĒāļāļļāđāļĄ
298:āļŠāļēāļĒāļāļĨāļēāļ
292:sai nai
280:sai bon
183:
174:sam sai
145::
2004:Others
1895:Taphon
1805:Pi mon
1790:Pi nok
1785:Pi nai
1741:Flutes
1714:Struck
1654:Chakhe
1640:String
1457:
1415:
1146:Tuning
1090:āđāļāđāļēāļāļ
1059:bamboo
1055:bridge
980:zigzag
918:āļāļąāļāļāļąāļ
879:Lan Na
789:Africa
757:, and
714:has a
708:violin
660:, and
526:, the
516:, the
514:Turkey
500:, the
498:Persia
426:mahori
361:, the
359:Persia
353:mahori
268:sai ek
262:āļŠāļēāļĒāđāļāļ
2011:Ching
1962:Gongs
1926:Ranat
1863:Drums
1843:Khaen
1825:Pi so
1773:Oboes
1748:Khlui
1695:Saw u
1683:Bowed
1664:Sueng
1363:[
1101:chada
1071:Lasso
962:āļāļ§āļāļāļ
942:āļāļąāļāļāļ
856:rebab
846:rebab
801:Niger
760:rebab
717:rebab
697:rebab
672:rebab
666:rebab
644:rebab
548:from
542:India
519:rebab
510:Egypt
508:from
504:rebab
373:, or
345:is a
319:, or
295:, or
286:āļŠāļēāļĒāđāļ
274:āļŠāļēāļĒāļāļ
271:, or
235:ivory
211:saw u
2021:Krap
2016:Chap
1815:Pi o
1734:Wind
1721:Khim
1705:Salo
1669:Phin
1597:page
1455:ISSN
1413:ISSN
1153:khim
1108:Bout
1085:foot
1083:The
1076:The
1053:The
1032:bout
1030:The
1011:The
985:The
976:pegs
974:The
955:The
937:body
914:Thai
908:The
873:salo
823:Iran
821:and
819:Iraq
814:joze
795:goje
712:Java
706:and
630:, a
512:and
413:The
407:salo
390:salo
380:The
339:The
223:The
214:and
180:lit.
143:RTGS
125:Thai
115:The
1764:Wot
1006:nut
910:bow
877:of
859:of
839:of
817:of
807:of
799:of
728:tro
441:saw
433:in
331:).
233:or
205:saw
198:of
2038::
1780:Pi
1502:^
1486:.
1467:^
1451:16
1445:.
1425:^
1409:15
1403:.
1373:^
1301:^
1103:).
1093:,
1040:,
1021:,
1004:A
995:,
965:,
945:,
920:,
916::
863:,
843:,
825:,
811:,
803:,
791:,
732:.
710:.
613:.
566:.
552:.
410:.
377:.
369:,
365:,
325:,
313:,
301:,
289:,
277:,
265:,
250:.
178:;
162:,
140:;
131:,
127::
1625:e
1618:t
1611:v
1496:.
1461:.
1419:.
1087:(
1050:.
1034:(
1015:(
989:(
959:(
939:(
912:(
536:(
192:'
186:'
123:(
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