503:, a 35mm film shot in the Peruvian Andes which deals with the increasing impact of climate change on remote areas. At its core, the film pivots on the ambivalent negotiation between the binary idea of nature and culture, oscillating within the contemporary discourse on the environment, and its complex layers based on scientific, philosophical, spiritual and cultural approaches. Barba worked with communities that are affected by glacier melting and its geological time becoming present today. In a cautious, yet scrutinised exploration, the film illustrates blurring and melding boundaries between human and non-human actors.
1574:
25:
499:, which drifts approximately one meter per year and. The depiction of the small society trying to hold up the disappearance of the island develops into a surrealistic atmosphere that slowly but surely replaces the experience of what one might consider a beautiful documentary with a more abstract and somewhat absurd picture of people's struggle and vulnerability. In 2019, she produced
300:
or exterior space. She “contests and recasts truth and fiction, myth and reality, metaphor and material, to a disorienting degree that ultimately extends into a conceptual practice that also recasts the viewer’s own staging as an act of radical and exhilarating reversal—from being the receiver of an image (a subject of control) to being in and among its engine room(s), looking out.”
228:
mutual constitution and representation. Suspended between dichotomies—permanent and impermanent, real and fictional, obsolescent and modern, conceptual and concrete, alien and familiar, Rosa Barba’s multiform practice encompasses films, sculptures, installations, live-performances, text, sound. Barba currently lives and works in
406:
technologies, a coming together prompted by how they are used, as happens with deserts, or by the need to what is out of sight, as is the case with astronomy. In The Color out of Space (2015) she draws parallel between artistic and scientific investigations which reveal themselves as essentially speculative endeavours.
394:(2015). She participated in the Liverpool Biennale in 2010, in the 2nd Thessaloniki Biennale of Contemporary Art, Performa13, New York (2013), the Beaufort Triennale (2021), as well as in various festivals and other biennials. She participated in the inaugural Malta Biennale in 2024. In 2010 she curated the group show
537:
beyond the duration of the film. The filmic projection is translated into printed material and confronted with its conditions, materiality and temporality. Through the comparison of both media, the emphasis on image, language and text and their relationships and overlapping themes are shifted into a new light.
511:
Barba's sculptures and installations are created from the physical and conceptual components of the cinema which become dissected, abstracted, compiled and arranged anew. The roles and relations of the various components are questioned and newly defined: the mechanical objects move, speak and become
299:
Barba interrogates the industry of cinema and regards it in her work in an architectural sense and as an instrument, where the environment, the screen and the projection can be pushed forward to create another spatiotemporal dimension that is concurrent with and points beyond the context of interior
536:
is published for specific exhibition spaces and accompanies her films as secondary literature for a limited time. The printed editions present an extended and free form of the exhibited film which reveal the filming process including research material and unused filmic fragments. The edition exists
527:
Since 2004 Barba has been publishing a series of printed editions parallel to her films as another form to express and dismantle the cinematic organism. She conjugates its repertoire while she disbands and defines the relationships and hierarchies between image and word and like between image and
478:
Barba's films develop from situations that form societies and landscapes. By using her film camera as a drawing instrument, she outlines and relates directly to the formal properties of an object. She investigates environments and weaves stories of place and people into fictitious narratives that
227:
and filmmaker. Barba is known for using the medium of film and its materiality to create cinematic film installations, sculptures and publications, relate to avant-garde film and speculative fiction, and which inquire into the ambiguous nature of reality, memory, landscape and their role in their
405:
The idea of preservation is further mined through her exploration of nature and the cosmos, which are both capable of preserving documents regarding the relationship between human beings and nature and the influence that they have exerted on it. They also share the encounter between old and new
490:
during the winter of 2006 as a
Production-in-Residence project for the Baltic Art Center in Sweden, Barba collaborated with the local inhabitants, who also performed in the film, to create narratives and form characters as the filming progressed.
519:(2012) features a 16 mm projector directed at film cans with silver globes balancing while the film runs through. The shadow of this spatial set-up is projected as moving images on the wall, changing in colour and appearance over time.
540:
Barba has published several monographic books, including her last one: “On the
Anarchic Organization of Cinematic Spaces – Evoking Spaces beyond Cinema” 2021 which develops a new thinking by destabilising traditional cinema structures.
436:
in San
Francisco (CA) and Denniston Hill, Glen Wild in 2017, Guest Artist programme of Arts at CERN, Geneva and Atelier Calder, Saché, France in 2021, Callie’s, Berlin in 2022 and Schaufler Residency @TU Dresden in 2023.
1194:
53:
287:
The various professional and educational experiences have brought Barba to teaching and she currently holds a
Professorship in Art in Space and Time at the Department of Architecture of
1713:
1202:
1293:. with contributions by Manuel Borja-Villel, Giuliana Bruno, Joan Jonas, Elisabeth Lebovici, Roberta Tenconi. Hatje Cantz/Pirelli HangarBicocca with Malmö Konsthall.
904:
918:
398:
at the Museo
Nacional Centro de Arte Reina Sofia, Madrid with works from the collection. Afterwards, the exhibition was the inspiration for the films
348:
57:
681:
429:
409:
Barba has been actively developing her practice through a number of international residencies, including the two-year residency program at
332:
1683:
1678:
327:, Berlin (2021-2022), Cukrarna, Ljubljana (2021, 2022) Tabakalera, International Centre for Contemporary Culture, San Sebastián, and at
1673:
1668:
451:, a performance installation which has been presented at Centre Pompidou in 2023 and Depot Boijmans Van Beuningen, Rotterdam in 2024.
1058:
720:
379:; Fondazione Galleria Civica, Trento, and MART, Rovereto (2011); Kunstverein Braunschweig (2011) and Tate Modern, London (2010).
33:
444:, which resulted in two site-specific installations spanning different media formats, The Color out of Space and White Museum.
1703:
1698:
1404:
1383:
1362:
1320:
550:
PIAC - Prix
International d’Art Contemporain (International Contemporary Art Prize), Fondation Prince Pierre de Monaco (2016)
1476:
1688:
533:
463:
410:
312:
107:
1515:
1180:
1030:
619:
79:
1044:
753:
1341:
1298:
376:
126:
280:(2000), in which three characters struggle to assign parts among themselves. In 2018, Barba acquired her PhD at the
731:
86:
1507:
Marchand, Antoine: 02 n° 63. Rosa Barba. Revue d'art contemporain trimestrielle et gratuite. (Autumn 2012): 18-24
1526:
Micucci, Marjorie: 'Rosa Barba. Les Tempos d'un paysage choral'. Revue trimestrielle
Mouvement (mars-avril 2013.
1708:
455:
1693:
797:
459:
433:
284:
at Lund
University, under the supervision of Sarat Maharaj, professor for Visual Arts and Knowledge Systems.
265:
1336:. Eds. Henriette Huldisch, Karen Kelly, Barbara Schroeder, MIT List Visual Arts Center/Dancing Foxes Press.
1258:
93:
1272:
932:
820:
1510:
988:
352:
1579:
Rosa Barba, "In a
Perpetual Now", in the art journal "Brooklyn Rail" (New York) (September 2021 issue):
876:
667:
75:
49:
808:
605:
764:
834:
570:
Italian
Council, 3rd Edition, Ministry of Cultural Heritage and Activities and Tourism, Rome (2018)
38:
1580:
786:
707:
42:
591:
1663:
1600:
1537:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz Verlag, 2011, p. 133-155
1466:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz Verlag, 2011, p. 165-213
1504:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz Verlag, 2011, p. 97-110
1216:
462:
Hamburger Bahnhof - Museum fĂĽr Gegenwart, Berlin], Museo Centro de Arte Reina SofĂa, Madrid,
1493:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz Verlag, 2011, p. 45-95
413:
in Amsterdam (2003-2004); Production-in-Residence program, Baltic Arts Center Visby (2006);
1658:
1599:
Watch Rosa Barba in conversation with Francesca Pietropaolo (Brooklyn Rail, May 17, 2022):
1555:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz Verlag, 2011, p. 7-39
1430:
890:
383:
324:
304:
1166:
440:
At EMPAC, Barba was commissioned a new work production in collaboration with Rensselaer's
281:
8:
641:
360:
1016:
862:
467:
368:
100:
1573:
441:
422:
336:
1244:
1059:"Rosa Barba: VOICE ENGINE / Hear, There Where the Echoes Are - Announcements - e-flux"
344:
1635:
1424:
1400:
1379:
1358:
1337:
1316:
1294:
1148:
1086:
328:
1590:
1627:
252:. She started practicing photography before experimenting with moving images using
188:
496:
495:
is constructed around a fictitious society living on the truly existing island of
1446:
316:
64:
1133:
1378:. Eds. Chiara Parisi and Andrea Viliani, Ostfildern: Hatje Cantz. p. 293.
960:
848:
1230:
1111:
1099:
1652:
1639:
1072:
946:
340:
224:
1615:
359:
in Dresden; Center of Contemporary Art, Vilnius (2014); MAXXI, Rome (2014);
303:
She exhibits in galleries and museums internationally. She has exhibited at
1002:
775:
414:
372:
253:
974:
432:
at Rensselaer Polytechnic Institute, Troy (NY) in 2014-15, a residency at
323:, London (2023), PICA, Perth Australia (2023), Villa Medici, Rome (2022),
1631:
1616:"On The Anarchic Organization of Cinematic Spaces by Rosa Barba (review)"
1585:
1420:
320:
742:
356:
288:
1455:
Casadio, Mariuccia: Light Shaped. VOGUE ITALIA no. 7 (September 2011)
245:
216:
184:
155:
1479:
La porte dérobée comme cheval de Troie: Rosa Barba au jeu de Paume.
1195:"International Prize of Contemporary Art | Fondation Prince Pierre"
1113:
Q&A's with Rosa Barba director of "Aggregate States of Matters"
257:
487:
273:
269:
264:. She continued her studies in film between 1995 and 2000 at the
261:
233:
421:
Stockholm (2007-2008) and the Artists-in-Residence-Programme of
256:
film. From 1993 to 1995 she studied Theater and Film Studies in
567:), 25th Curtas Vila do Conde International Film Festival (2017)
557:), 24th Curtas Vila do Conde International Film Festival (2016)
418:
249:
229:
159:
1516:
On The Anarchic Organization of Cinematic Spaces by Rosa Barba
276:. Barba made her first 16mm film while at the academy, titled
63:
from the article and its talk page, especially if potentially
835:"Biennale Arte 2015 2015 | Biennale Arte 2015 - Artisti"
402:, which were performatively filmed in various museum depots.
364:
308:
220:
199:
174:
163:
1531:
On Performing the Traces That People Leave Behind in History
1567:
1259:"ministry of cultural heritage and activities and tourism"
428:
Later residencies include a stay at the Curtis R. Priem
1473:. Kunst Bulletin (Presse de Suisse). (August 17, 2012)
560:
No Violence Award, 54th Ann Arbor Film Festival (2016)
16:
German-Italian visual artist and filmmaker (born 1972)
1460:
Suspended Stories: Rosa Barba's Strategic Narrativity
1045:"Moviment au Centre Pompidou, chap 3, 17-21 mai 2023"
989:"Rosa Barba begins her stay at CERN as Guest Artist"
573:
The Calder Prize, Calder Foundation, New York (2020)
1714:
Academic staff of the University of the Arts Bremen
754:
Rosa Barba, Hear, There, Where the Echoes Are, 2023
430:
Experimental Media and Performing Arts Center EMPAC
390:, curated by Okwui Enwezor (2015), Barba exhibited
1181:"On the Anarchic Organization of Cinematic Spaces"
919:"Rosa Barba: The interesting thing about machines"
877:"2021 Beaufort Triennial - Announcements - e-flux"
1496:Manacorda, Francesco and Malasauskas, Raimundas:
905:"Rosa Barba Reveals the Secret Lives of Artworks"
732:Rosa Barba. Evocando un espacio más allá del cine
1650:
1601:NSE #561 | Rosa Barba with Francesca Pietropaolo
821:"Level 2 Gallery: Rosa Barba | Tate Modern"
698:, 2011, Ian White, And Idea in Three Dimensions.
891:"BOMB Magazine | Joan Jonas by Rosa Barba"
512:the main protagonists in the exhibition space.
355:(2016); MIT Visual Arts Center, Cambridge, MA;
479:open up new possibilities for interpretation.
417:, Pacific Palisades, Los Angeles, USA (2006);
506:
382:Barba has participated in the 52nd, 53rd and
961:"Rosa Barba - Headlands Center for the Arts"
532:which won the artist book award 2006 at the
454:Barba's works belong to collections such as
1471:Rosa Barba- Weisses Licht erhellt die Nacht
1100:https://www.moma.org/magazine/articles/1096
620:"Rosa Barba: Evoking a Space Beyond Cinema"
363:, Margate (2013); Bergen Kunsthall (2013);
244:Rosa Barba was born in 1972 in the town of
239:
1613:
1572:
809:ROSA BARBA : "VU DE LA PORTE DU FOND"
56:about living persons that is unsourced or
637:
635:
633:
631:
629:
349:CAPC musée d'art contemporain de Bordeaux
333:Museo Nacional Centro de Arte Reina SofĂa
311:, Rome, (2023, 2025), MALI, Lima (2024),
127:Learn how and when to remove this message
606:"Rosa Barba interview bordercrossingmag"
486:that was produced on the Swedish island
1586:Vertiginous Mapping (web-based project)
1544:. Camera Austria, no 101 (2008): 21–26.
1481:le-beau_vice.blogspot.fr (May 23, 2012)
1305:Rosa Barba interview by Cecilia Alemani
721:Rosa Barba, Aggregate States of Matters
655:Rosa Barba interview by Cecilia Alemani
1651:
1451:. www.afterall.org (November 12, 2010)
1447:Borthwick, Ben and Gronlund, Melissa:
1031:"Artist in Residence 2023: Rosa Barba"
626:
331:. Other recent solo shows include the
1595:interview of Rosa Barba by Joan Jonas
1394:
1373:
1352:
1331:
1310:
947:"Rosa Barba – the Chinati Foundation"
447:At Callie’s, Berlin, Barba developed
1146:
544:
534:Ontario Association of Art Galleries
18:
1523:, Vol. 56, no. 6, 2023, p. 641-643.
1435:. www.frieze.com (January 16, 2012)
933:"Stipendiaten Details - VATMH (De)"
411:Rijksakademie van Beeldende Kunsten
13:
1684:21st-century Italian women artists
1679:20th-century Italian women artists
1283:
657:. klat, no. 2 (Spring 2010): 18–35
14:
1725:
1674:21st-century German women artists
1669:20th-century German women artists
1559:
1357:. Mousse Publishing. p. 96.
1307:, klat no. 2 (Spring 2010): 18-35
1073:"Rosa Barba – Parra & Romero"
765:Rosa Barba, The Hidden Conference
460:Staatliche Museen zu Berlin: Home
377:Contemporary Art Museum St. Louis
1614:Mariátegui, José-Carlos (2023).
23:
1607:
1265:
1251:
1237:
1231:"ann arbor film festival award"
1223:
1209:
1187:
1173:
1159:
1140:
1126:
1104:
1093:
1079:
1065:
1051:
1037:
1023:
1009:
995:
981:
967:
953:
939:
925:
911:
897:
883:
869:
855:
841:
827:
813:
802:
791:
780:
769:
758:
747:
736:
725:
714:
522:
1399:. Walther König Buchhandlung.
798:Rosa Barba. In a Perpetual Now
701:
688:
674:
660:
647:
612:
598:
584:
456:Louisiana Museum of Modern Art
1:
1443:. Frieze, (May 2011): 118-121
1415:Barba, Rosa: Contribution to
592:"Rosa Barba: Changing Cinema"
577:
493:Outwardly from Earth's Center
484:Outwardly from Earth's Center
434:Headlands Center for the Arts
266:Academy of Media Arts Cologne
1704:Italian contemporary artists
1699:Italian installation artists
1199:www.fondationprincepierre.mc
1167:"Rosa Barba: Printed Cinema"
34:biography of a living person
7:
1689:German installation artists
1549:An Idea in Three Dimensions
1529:Petresin-Bachelez, Natasa:
1498:Rosa Barba's Unfilmed Films
1449:Rosa Barba: Changing Cinema
501:Aggregate States of Matters
400:The Hidden Conference I-III
367:in Castilla y Leon (2013);
353:Schirn Kunsthalle Frankfurt
248:, on the Italian island of
61:must be removed immediately
10:
1730:
507:Sculpture and installation
1147:Bell, Kirsty (May 2011).
787:Rosa Barba – Art Club #36
563:Experimental Film Award (
553:Experimental Film Award (
517:Boundaries of Consumption
482:For example, in the film
194:
180:
170:
148:
141:
743:Rosa Barba, Voice Engine
528:viewer anew. The series
240:Early life and education
1511:Mariátegui, José-Carlos
473:
425:, Marfa, Texas (2013).
388:All the World's Futures
386:. At the 56th Biennale
294:
1487:Looking for Rosa Barba
1334:The Color Out of Space
776:Rosa Barba, Emanations
682:"Prof. Dr. Rosa Barba"
668:"Rosa Barba doctorate"
642:"Rosa Barba Biography"
515:For example, the work
48:Please help by adding
1709:People from Agrigento
1485:Lebovici, Élisabeth:
1477:Lebovici, Élisabeth:
1217:"vila do conde award"
1149:"Suspended Animation"
709:How does she do that?
341:Pirelli HangarBicocca
319:, Paris (2023-2024),
313:Depot Museum Boijmans
1694:German video artists
1632:10.1162/leon_r_02457
1433:Les Marques Aveugles
1395:Barba, Rosa (2003).
1374:Barba, Rosa (2011).
1355:In Conversation With
1353:Barba, Rosa (2011).
1332:Barba, Rosa (2016).
1311:Barba, Rosa (2012).
1289:Barba, Rosa (2017).
396:A Curated Conference
384:56th Venice Biennale
325:Neue Nationalgalerie
315:, Rotterdam (2024),
307:, New York, (2024),
54:Contentious material
1469:Grzonka, Patricia:
1441:Suspended Animation
1427:, Tate Modern, 2011
1291:From Source to Poem
1275:. 11 February 2020.
565:From Source to Poem
361:Turner Contemporary
1581:In a Perpetual Now
1313:Back Door Exposure
1303:Alemani, Cecilia:
1116:, 19 November 2020
1087:"Rosa Barba, 2006"
963:. 3 February 2017.
863:"Performa Archive"
837:. 23 October 2017.
653:Alemani, Cecilia:
442:Hirsch Observatory
423:Chinati Foundation
337:Palacio de Cristal
1553:White is an Image
1535:White is an Image
1502:White is an Image
1491:White is an Image
1464:White is an Image
1425:Nicholas Cullinan
1406:978-3-88375-632-5
1385:978-3-7757-3019-8
1376:White Is an Image
1364:978-88-96501-72-6
1322:978-29-15704-32-7
1169:. 26 August 2021.
907:. 3 January 2020.
696:White is an Image
644:, Esther Schipper
545:Awards (selected)
375:, Paris, (2012);
339:, Madrid (2017);
329:Kunsthalle Bremen
282:Malmö Art Academy
210:
209:
137:
136:
129:
111:
37:needs additional
1721:
1644:
1643:
1611:
1576:
1571:
1570:
1568:Official website
1410:
1389:
1368:
1347:
1326:
1315:. Jeu De Paume.
1277:
1276:
1269:
1263:
1262:
1255:
1249:
1248:
1241:
1235:
1234:
1227:
1221:
1220:
1213:
1207:
1206:
1201:. Archived from
1191:
1185:
1184:
1177:
1171:
1170:
1163:
1157:
1156:
1144:
1138:
1137:
1130:
1124:
1123:
1122:
1121:
1108:
1102:
1097:
1091:
1090:
1083:
1077:
1076:
1069:
1063:
1062:
1055:
1049:
1048:
1041:
1035:
1034:
1027:
1021:
1020:
1013:
1007:
1006:
999:
993:
992:
985:
979:
978:
971:
965:
964:
957:
951:
950:
943:
937:
936:
929:
923:
922:
915:
909:
908:
901:
895:
894:
887:
881:
880:
873:
867:
866:
859:
853:
852:
845:
839:
838:
831:
825:
824:
817:
811:
806:
800:
795:
789:
784:
778:
773:
767:
762:
756:
751:
745:
740:
734:
729:
723:
718:
712:
705:
699:
692:
686:
685:
678:
672:
671:
664:
658:
651:
645:
639:
624:
623:
616:
610:
609:
602:
596:
595:
588:
555:Bending to Earth
468:Kunsthaus ZĂĽrich
466:, Barcelona and
392:Bending to Earth
369:Kunsthaus ZĂĽrich
343:, Milan (2017);
223:) is an Italian
206:
203:
201:
189:installation art
152:10 December 1972
139:
138:
132:
125:
121:
118:
112:
110:
69:
50:reliable sources
27:
26:
19:
1729:
1728:
1724:
1723:
1722:
1720:
1719:
1718:
1649:
1648:
1647:
1612:
1608:
1566:
1565:
1562:
1551:in Rosa Barba,
1533:in Rosa Barba,
1500:in Rosa Barba,
1489:in Rosa Barba,
1462:in Rosa Barba,
1431:Barry, Robert:
1407:
1386:
1365:
1344:
1323:
1286:
1284:Further reading
1281:
1280:
1271:
1270:
1266:
1257:
1256:
1252:
1245:"vila do conde"
1243:
1242:
1238:
1229:
1228:
1224:
1215:
1214:
1210:
1193:
1192:
1188:
1183:. 31 July 2023.
1179:
1178:
1174:
1165:
1164:
1160:
1145:
1141:
1132:
1131:
1127:
1119:
1117:
1110:
1109:
1105:
1098:
1094:
1085:
1084:
1080:
1071:
1070:
1066:
1057:
1056:
1052:
1043:
1042:
1038:
1029:
1028:
1024:
1015:
1014:
1010:
1001:
1000:
996:
987:
986:
982:
973:
972:
968:
959:
958:
954:
945:
944:
940:
931:
930:
926:
917:
916:
912:
903:
902:
898:
889:
888:
884:
875:
874:
870:
861:
860:
856:
847:
846:
842:
833:
832:
828:
819:
818:
814:
807:
803:
796:
792:
785:
781:
774:
770:
763:
759:
752:
748:
741:
737:
730:
726:
719:
715:
706:
702:
693:
689:
680:
679:
675:
666:
665:
661:
652:
648:
640:
627:
618:
617:
613:
604:
603:
599:
590:
589:
585:
580:
547:
525:
509:
476:
345:Malmö Konsthall
317:Centre Pompidou
297:
242:
198:
166:
153:
144:
133:
122:
116:
113:
70:
68:
47:
28:
24:
17:
12:
11:
5:
1727:
1717:
1716:
1711:
1706:
1701:
1696:
1691:
1686:
1681:
1676:
1671:
1666:
1661:
1646:
1645:
1626:(6): 641–643.
1605:
1604:
1603:
1597:
1588:
1583:
1577:
1561:
1560:External links
1558:
1557:
1556:
1545:
1538:
1527:
1524:
1508:
1505:
1494:
1483:
1474:
1467:
1458:Cooke, Lynne:
1456:
1453:
1444:
1439:Bell, Kirsty:
1437:
1428:
1412:
1411:
1405:
1397:Off Sites/Sets
1391:
1390:
1384:
1370:
1369:
1363:
1349:
1348:
1342:
1328:
1327:
1321:
1308:
1301:
1285:
1282:
1279:
1278:
1264:
1250:
1236:
1222:
1208:
1205:on 2015-09-21.
1186:
1172:
1158:
1139:
1125:
1103:
1092:
1078:
1064:
1050:
1036:
1022:
1008:
994:
980:
966:
952:
938:
924:
910:
896:
882:
868:
854:
840:
826:
812:
801:
790:
779:
768:
757:
746:
735:
724:
713:
700:
687:
673:
659:
646:
625:
611:
597:
582:
581:
579:
576:
575:
574:
571:
568:
561:
558:
551:
546:
543:
530:Printed Cinema
524:
521:
508:
505:
475:
472:
296:
293:
241:
238:
208:
207:
196:
192:
191:
182:
181:Known for
178:
177:
172:
168:
167:
154:
150:
146:
145:
142:
135:
134:
58:poorly sourced
31:
29:
22:
15:
9:
6:
4:
3:
2:
1726:
1715:
1712:
1710:
1707:
1705:
1702:
1700:
1697:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1664:Living people
1662:
1660:
1657:
1656:
1654:
1641:
1637:
1633:
1629:
1625:
1621:
1617:
1610:
1606:
1602:
1598:
1596:
1594:
1593:BOMB Magazine
1589:
1587:
1584:
1582:
1578:
1575:
1569:
1564:
1563:
1554:
1550:
1546:
1543:
1539:
1536:
1532:
1528:
1525:
1522:
1518:
1517:
1512:
1509:
1506:
1503:
1499:
1495:
1492:
1488:
1484:
1482:
1480:
1475:
1472:
1468:
1465:
1461:
1457:
1454:
1452:
1450:
1445:
1442:
1438:
1436:
1434:
1429:
1426:
1422:
1418:
1414:
1413:
1408:
1402:
1398:
1393:
1392:
1387:
1381:
1377:
1372:
1371:
1366:
1360:
1356:
1351:
1350:
1345:
1343:9780985337797
1339:
1335:
1330:
1329:
1324:
1318:
1314:
1309:
1306:
1302:
1300:
1299:9783775743266
1296:
1292:
1288:
1287:
1274:
1268:
1260:
1254:
1246:
1240:
1232:
1226:
1218:
1212:
1204:
1200:
1196:
1190:
1182:
1176:
1168:
1162:
1154:
1150:
1143:
1135:
1129:
1115:
1114:
1107:
1101:
1096:
1088:
1082:
1074:
1068:
1060:
1054:
1046:
1040:
1032:
1026:
1018:
1012:
1004:
998:
990:
984:
976:
970:
962:
956:
948:
942:
934:
928:
920:
914:
906:
900:
892:
886:
878:
872:
864:
858:
850:
844:
836:
830:
822:
816:
810:
805:
799:
794:
788:
783:
777:
772:
766:
761:
755:
750:
744:
739:
733:
728:
722:
717:
711:
710:
704:
697:
691:
683:
677:
669:
663:
656:
650:
643:
638:
636:
634:
632:
630:
621:
615:
607:
601:
593:
587:
583:
572:
569:
566:
562:
559:
556:
552:
549:
548:
542:
538:
535:
531:
520:
518:
513:
504:
502:
498:
497:Gotska Sandön
494:
489:
485:
480:
471:
469:
465:
461:
457:
452:
450:
445:
443:
438:
435:
431:
426:
424:
420:
416:
412:
407:
403:
401:
397:
393:
389:
385:
380:
378:
374:
370:
366:
362:
358:
354:
351:(2016-2017);
350:
346:
342:
338:
334:
330:
326:
322:
318:
314:
310:
306:
301:
292:
290:
285:
283:
279:
275:
271:
267:
263:
259:
255:
251:
247:
237:
235:
231:
226:
225:visual artist
222:
218:
214:
205:
197:
193:
190:
186:
183:
179:
176:
173:
169:
165:
161:
157:
151:
147:
140:
131:
128:
120:
117:November 2021
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
59:
55:
51:
45:
44:
40:
35:
30:
21:
20:
1623:
1619:
1609:
1592:
1552:
1548:
1547:White, Ian:
1541:
1540:White, Ian:
1534:
1530:
1520:
1514:
1501:
1497:
1490:
1486:
1478:
1470:
1463:
1459:
1448:
1440:
1432:
1416:
1396:
1375:
1354:
1333:
1312:
1304:
1290:
1267:
1253:
1239:
1225:
1211:
1203:the original
1198:
1189:
1175:
1161:
1152:
1142:
1134:"Rosa Barba"
1128:
1118:, retrieved
1112:
1106:
1095:
1081:
1067:
1053:
1039:
1025:
1017:"Rosa Barba"
1011:
1003:"Rosa Barba"
997:
983:
969:
955:
941:
927:
913:
899:
885:
871:
857:
849:"Rosa Barba"
843:
829:
815:
804:
793:
782:
771:
760:
749:
738:
727:
716:
708:
703:
695:
694:Rosa Barba,
690:
676:
662:
654:
649:
614:
600:
586:
564:
554:
539:
529:
526:
523:Publications
516:
514:
510:
500:
492:
483:
481:
477:
458:, Humlebæk,
453:
449:Voice Engine
448:
446:
439:
427:
415:Villa Aurora
408:
404:
399:
395:
391:
387:
381:
373:Jeu de Paume
302:
298:
286:
277:
243:
215:(born 1972,
212:
211:
123:
114:
104:
97:
90:
83:
76:"Rosa Barba"
71:
60:
43:verification
36:
1659:1972 births
1421:Tacita Dean
1273:"Art Forum"
975:"Residents"
321:Tate Modern
171:Nationality
1653:Categories
1542:Rosa Barba
1120:2024-02-10
578:References
357:Albertinum
289:ETH ZĂĽrich
213:Rosa Barba
202:.rosabarba
143:Rosa Barba
87:newspapers
1640:1530-9282
1513:: Review
246:Agrigento
217:Agrigento
185:video art
156:Agrigento
39:citations
1620:Leonardo
1521:Leonardo
371:(2012),
347:(2017);
258:Erlangen
65:libelous
1419:. Eds.
488:Gotland
278:Panzano
274:Germany
270:Cologne
262:Germany
254:super 8
234:Germany
195:Website
175:Italian
101:scholar
1638:
1403:
1382:
1361:
1340:
1319:
1297:
1155:(139).
1153:Frieze
419:IASPIS
250:Sicily
230:Berlin
160:Sicily
103:
96:
89:
82:
74:
1591:2015
464:MACBA
365:MUSAC
309:MAXXI
221:Italy
164:Italy
108:JSTOR
94:books
32:This
1636:ISSN
1423:and
1417:Film
1401:ISBN
1380:ISBN
1359:ISBN
1338:ISBN
1317:ISBN
1295:ISBN
474:Film
305:MoMA
295:Work
204:.com
149:Born
80:news
41:for
1628:doi
268:in
200:www
1655::
1634:.
1624:56
1622:.
1618:.
1519:.
1197:.
1151:.
628:^
470:.
335:,
291:.
272:,
260:,
236:.
232:,
219:,
187:,
162:,
158:,
52:.
1642:.
1630::
1409:.
1388:.
1367:.
1346:.
1325:.
1261:.
1247:.
1233:.
1219:.
1136:.
1089:.
1075:.
1061:.
1047:.
1033:.
1019:.
1005:.
991:.
977:.
949:.
935:.
921:.
893:.
879:.
865:.
851:.
823:.
684:.
670:.
622:.
608:.
594:.
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
67:.
46:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.