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parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the
African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.
1013:... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when the two-celled timeline structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into the New Orleans sound.
1547:'s Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend a sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner,
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1044:"The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from a triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "...
906:, and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie", a boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm:
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595:'s big band, Louis Jordan's Tympany Five, James Brown and LaVern Baker. In fact, this source states that "Louis Jordan joined Turner in laying the foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another". Other artists who were "cornerstones of R&B and its transformation into rock & roll" include Etta James,
587:"A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights".
719:(formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ... heavy, insistent beat". Jordan's music, along with that of
1271:. However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define the sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with "
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British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of
American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly
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The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New
Orleans R&B during this time. Alexander Stewart states that the popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding:
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from June 1949 until August 1969, when its "Hot Rhythm & Blues
Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with the term "sepia series". "Rhythm and blues" is
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based music ... heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical
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Although originating in the metropolis at the mouth of the
Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the
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grew out of rhythm and blues and later soul performed by artists who were not available to the small London clubs where the scene originated. In the late 1960s, the Who performed
American R&B songs such as the Motown hit "Heat Wave", a song which reflected the young mod lifestyle. Many of these
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In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive
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started to capture the imagination of
America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but
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Harlem's got a new rhythm, man it's burning up the dance floors because it's so hot! They took a little rhumba rhythm and added boogie-woogie and now look what they got! Rhumboogie, it's Harlem's new creation with the Cuban syncopation, it's the killer! Just plant your both feet on each side. Let
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points out though: "By the 1960s, with Cuba the object of a United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North
American
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I heard the bass playing that part on a 'rumba' record. On 'Country Boy' I had my bass and drums playing a straight swing rhythm and wrote out that 'rumba' bass part for the saxes to play on top of the swing rhythm. Later, especially after rock 'n' roll came along, I made the 'rumba' bass part
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of Black
Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles, Washington, D.C. and elsewhere in the 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either
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Kevin Moore: "There are two common ways that the three-side is expressed in Cuban popular music. The first to come into regular use, which David Peñalosa calls 'clave motif,' is based on the decorated version of the three-side of the clave rhythm. By the 1940s a trend toward the use of what
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Morton, "Jelly Roll" (1938: Library of
Congress Recording): "Now in one of my earliest tunes, 'New Orleans Blues', you can notice the Spanish tinge. In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz."
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1878:, but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business was dominated by young Jewish men who promoted the sounds of black music.
1024:... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as
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has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas , 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session was titled only 'Rhumba' on the track sheets."
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of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During the early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at
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based on sales reports from Rainbow Music Shop, Harvard Radio Shop, Lehman Music Company, Harlem De Luxe Music Store, Ray's Music Shop and Frank's Melody Music Shop, New York." Andy Kirk and His Clouds of Joy topped the inaugural tally with "Take It and
1467:, who had moved to the much larger market of New York City in 1954, helped the record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time.
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and others, Bartholomew assigned this repeating three-note pattern not just to the string bass, but also to electric guitars and even baritone sax, making for a very heavy bottom. He recalls first hearing the figure – as a bass pattern on a Cuban
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and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from the R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as
572:, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians.
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was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as
1480:, titled, "Rock! It's Still Rhythm and Blues" reported that the "two terms were used interchangeably" until about 1957. The other sources quoted in the article said that rock and roll combined R&B with pop and country music.
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themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
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or as one of the first records in that genre. In a later interview, however, Ike Turner offered this comment: "I don't think that 'Rocket 88' is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the
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bands enjoyed national success in the UK, but found it difficult to break into the American music market. The British white R&B bands produced music which was very different in tone from that of African-American artists.
773:, the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by
974:", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas" is an attempt to blend African American and Afro-Cuban music. The word
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first employed this figure (as a saxophone-section riff) on his own 1949 disc "Country Boy" and subsequently helped make it the most over-used rhythmic pattern in 1950s rock 'n' roll. On numerous recordings by
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2939:... because they could be adapted more readily to European rhythmic conceptions. Some survived, others were discarded as the Europeanization progressed. It may also account for the fact that patterns such as
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1368:" the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition". That same year
1489:, "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B, the black popular music of the late Forties and early Fifties".
1252:(850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had a primarily African-American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll".
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452:. From 1960s to 70s, some British groups were referred to and promoted as being R&B bands. By the 1970s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and
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2041:, Hot Chocolate, Delegation, Junior, Central Line, Princess, Jacki Graham, David Grant, the Loose Ends, the Pasadenas and Soul II Soul gained hits on the pop or R&B charts. The music of the British
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pianist who toured Europe and settled there from 1960, living in Switzerland and Denmark, then in Halifax, England in the 1970s and 1980s, before finally settling in Germany. From the 1970s to 1980s,
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both your hips and shoulder glide. Then throw your body back and ride. There's nothing like rhumbaoogie, rhumboogie, boogie-woogie. In Harlem or Havana, you can kiss the old Savannah. It's a killer!
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Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to
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1944:, born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut,
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1653:" (1959) rose to the number one position on black music charts. He was once told that "a lot of those stations still think you're a black group because the sound feels funky and black."
1649:, who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his "
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1844:, who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it. In 2010, the
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working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 30s through the work of musicians such as the
1240:, a quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel. They had the number five hit of the year with "
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Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like the
879:) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in
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record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues.
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1139:'s "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song.
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2869:"-Latin rhythms have been absorbed into black American styles far more consistently than into white popular music, despite Latin music's popularity among whites" (Roberts
781:"), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck was a very nasty dance". Also in 1949, a new version of a 1920s blues song, "
1440:" climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become a mainstay in rock and roll.
1074:" (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction.
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referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialed down enough that it simply became an acceptable term for dancing".
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communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking,
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defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has also used the term "R&B" as a synonym for
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Vickie Cox Edmondson (July 18, 2008). "A preliminary review of competitive reactions in the hip-hop music industry: Black American entrepreneurs in a new industry".
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1832:. In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the
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Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's
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notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there was a "very specific absence of asymmetric time-line patterns (
1103:, and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by the backbeat (two-side).
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in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "
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In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm:
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564:, writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except
743:, Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording "
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Piano excerpt from the rumba boogie "Mardi Gras in New Orleans" (1949) by Professor Longhair. 2–3 claves are written above for rhythmic reference.
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1574:" at number five, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks.
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recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo.
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magazine is credited with coining the term "rhythm and blues" as a musical term in the United States in 1948, the term had been used in
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3189:
Stewart, Alexander (2000 p. 307). "Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music."
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Stewart, Alexander (2000: 298). "Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music."
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Not the least of R&B's legacy was its perpetuation of the group-harmony tradition as heard in the vocal blend of "doo-wop" groups
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based on the common self description by the African American press as “people of race.” The term "rhythm and blues" was then used by
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1417:" became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, "
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1995:", giving them their first UK number one in 1964. Under the influence of blues and R&B, bands such as the Rolling Stones, the
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Schuller, Gunther (1968: 19) "It is probably safe to say that by and large the simpler African rhythmic patterns survived in jazz
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978:, larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist
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2999:"Rhythm and blues-influenced by Afro-Cuban music first surfaced in New Orleans." Campbell, Michael, and James Brody (2007: 83).
769:, was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger
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from Belfast. None of these bands exclusively played rhythm and blues, but it remained at the core of their early albums.
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The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to
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4686:"How a Bunch of Upstart Jewish Independent Record Producers Helped Turn African American Music into a National Treasure"
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records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was
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Peñalosa calls the 'offbeat/onbeat motif.' Today, the offbeat/onbeat motif method is much more common." Moore (2011).
440:, the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated
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formed new jazz rock band CCS in 1970. Interest in the blues would influence major British rock musicians, including
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1463:" was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts.
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1185:, is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As
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released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone
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1224:, who had signed with the Newark, New Jersey-based Savoy Records, produced many R&B hits in 1951, including "
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plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style.
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in 1965 and enjoyed top 40 hit singles and two top 10 albums before the band split up in 1969. Another American
1028:. In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie "
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in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White
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states: "The electric blues cats were very well aware of Latin music, and there was definitely such a thing as
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some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990,
1523:" was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry,
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3426:"Buzzard Audio – The Buzzard: Inside the Glory Days of WMMS and Cleveland Rock Radio — A Memoir – Page 4"
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1690:". By the early 1960s, the music industry category previously known as rhythm and blues was being called
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reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as
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How Britain Got the Blues: the Transmission and Reception of American Blues Style in the United Kingdom
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In 1959, two black-owned record labels, one of which would become hugely successful, made their debut:
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as early as 1943. However, the company's first list of songs popular among African Americans was named
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1232:", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include "
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This article is about the original form of R&B. For the modern form, mixed with other genres, see
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gained pop hits. Many British black musicians helped form the British R&B scene. These included
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records. Starting in the mid-1950s, after this style of music had contributed to the development of
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Jessie Carney Smith,ed. "Encyclopedia of African American popular culture" Greenwood, 2011, p.1163.
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time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans.
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considers tresillo to be the New Orleans "clave" (although technically, the pattern is only half a
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The term "rock and roll" had a strong sexual connotation in jump blues and R&B, but when DJ
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heavier and heavier. I'd have the string bass, an electric guitar and a baritone all in unison.
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44:"RnB" redirects here. For the Japanese television station that uses the abbreviation RNB, see
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began incorporating Afro-Cuban rhythmic motifs in the 1800s with the popularity of the Cuban
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5128:. First ed. New York: Harper & Row, 1986. x, 438 p., ill., chiefly with b&w photos.
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1590:" at number one in 1951), had a record in the top five in the R&B charts in 1958, "
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1177:, R&B became the vehicle for the return of Cuban elements into mass popular music.
1174:
979:
798:
591:
The Rock & Roll Hall of Fame defines some of the originators of R&B, including
370:
255:
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2298:
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3143:
3109:
3004:
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2683:
2448:
2413:
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2304:
2258:
2030:
1870:, during the 1940s in the US, there was generally little opportunity for Jews in the
1833:
1734:. In 1969, black culture and rhythm and blues reached another great achievement when
1730:
sound for which Stax became known. In Jamaica, R&B influenced the development of
1679:
1631:
1229:
1100:
872:
841:
806:
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5060:
4524:"100 & Single: The R&B/Hip-Hop Factor In The Music Business's Endless Slump"
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7523:
6807:
6771:
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6710:
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6495:
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5663:
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1984:
1841:
1821:
1687:
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1528:
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1182:
1071:
936:
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The habanera rhythm shown as tresillo (lower notes) with the backbeat (upper note).
833:
814:
802:
793:". Many of these hit records were issued on new independent record labels, such as
696:
476:
421:
260:
5288:
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1738:
added the Rhythm and Blues category, giving academic recognition to the category.
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5505:
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1937:
1925:
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Tresillo answered by the backbeat, the essence of clave in African American music
891:
762:
676:
569:
565:
380:
144:
2711:
2003:, had blue-eyed soul albums. White R&B musicians popular in the UK included
1356:" made it to number two in 1952. In 1953, the R&B record-buying public made
7755:
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7458:
7398:
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7292:
6999:
6919:
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5201:
5043:
5031:
4228:
The Blue Moon Boys—The Story of Elvis Presley's Band. Ken Burke and Dan Griffin
3757:
3295:
2407:
1817:
1805:
1797:
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1741:
By the 1970s, the term "rhythm and blues" was being used as a blanket term for
1695:
1683:
1650:
1606:
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1202:
1127:
945:
895:
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In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category
751:
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652:
592:
441:
375:
311:
149:
67:
4597:
4468:
2432:
1892:
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started a late-night radio show called "The Moondog Rock Roll House Party" on
556:
separates it from jump blues because of R&B's stronger gospel influences.
7724:
7663:
7595:
7580:
7478:
7453:
7413:
7403:
7383:
7351:
7287:
7245:
6953:
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6429:
6362:
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6038:
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5920:
5799:
5777:
5689:
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5633:
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5584:
5084:
4605:
4162:"Billboard – Year End Charts – Year-end Singles – Hot R&B;/Hip-Hop Songs"
4025:
3926:
2943:... remained one of the most useful and common syncopated patterns in jazz."
2294:
2034:
2004:
1996:
1953:
1809:
1785:
1619:
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1395:
1311:
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1002:
876:
864:
810:
794:
672:
557:
472:
463:". This contemporary form combines rhythm and blues with various elements of
437:
417:
214:
204:
101:
4619:
3043:
Dave Bartholomew quoted by Palmer, Robert (1988: 27) "The Cuban Connection"
2841:"– Year End Charts – Year-end Singles – Hot R&B/Hip-Hop Songs"
2447:
Morrison, Craig (1952). "Go Cat Go!" University of Illinois Press. page 30.
1035:
871:
exerted a constant presence in African American popular music. Jazz pioneer
540:
In the early 1950s, the term "rhythm & blues" was frequently applied to
344:
7575:
7493:
7425:
7393:
7324:
7319:
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7302:
7139:
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6854:
6844:
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6690:
6408:
6325:
6103:
5957:
5851:
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5726:
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5515:
5490:
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5268:
5263:
5080:
3676:
Go, Cat, Go! by Carl Perkins and David McGee 1996 pages 111 Hyperion Press
2038:
2016:
1988:
1973:
1957:
1866:
According to the Jewish writer, music publishing executive, and songwriter
1855:
1825:
1727:
1719:
1711:
1707:
1699:
1623:
1610:
1571:
1552:
1548:
1540:
1516:
1353:
1345:
1303:
1288:
1210:
1186:
1077:
1067:
1049:
1006:
899:
789:, and Louis Jordan and the Tympany Five once again made the top five with "
716:
704:
703:
was marketing black music under the name "Blues and Rhythm". In that year,
664:
635:
521:
513:
488:
445:
306:
154:
96:
4375:
3716:
Go, Cat, Go! by Carl Perkins and David McGee 1996 page 111 Hyperion Press
2764:
1386:
made the top 30 of the pop charts in 1952 and 1953, then the top 10 with "
459:
In the late 1980s, a newer style of R&B developed, becoming known as "
7689:
7625:
7620:
7518:
7508:
7503:
7483:
7468:
7366:
7309:
7270:
7217:
7099:
7035:
6948:
6834:
6812:
6725:
6685:
6198:
6123:
5997:
5767:
5762:
5706:
5694:
5648:
5626:
5606:
5495:
5384:
5283:
5196:
4830:
4813:
3782:
2543:"Tad Richards, "Rhythm and Blues", St. James Encyclopedia of Pop Culture"
2020:
1980:
1969:
1961:
1900:
1896:
1829:
1789:
1735:
1703:
1627:
1602:
1532:
1501:
1448:
1391:
1383:
1369:
1280:
1260:
1237:
1221:
1209:
At first, only African Americans were buying R&B discs. According to
1136:
1114:
1093:
1055:
941:
927:
884:
829:
770:
748:
740:
715:
rhythms that had come to prominence during the 1940s. Jordan's band, the
668:
600:
596:
385:
301:
280:
229:
209:
134:
111:
6382:
4070:
3799:
rock and roll's roots: Gospel, Blues, Country/Folk/Bluegrass and R&B
3643:
2810:
2780:
1507:
In 1956, an R&B "Top Stars of '56" tour took place, with headliners
1198:
1099:
The use of clave in R&B coincided with the growing dominance of the
1084:; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites
7615:
7605:
7600:
7443:
7388:
7378:
7356:
7346:
7334:
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7297:
7275:
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6720:
6695:
6651:
6599:
6526:
6454:
6193:
6173:
6048:
6043:
5962:
5794:
5789:
5772:
5757:
5389:
5362:
5345:
5258:
3836:
3812:
3318:
3316:
3221:
The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
2247:
Cohn, Lawrence; Aldin, Mary Katherine; Bastin, Bruce (September 1993).
2000:
1949:
1921:
1909:
1875:
1742:
1691:
1654:
1646:
1508:
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6238:
5485:
5350:
5340:
5303:
5226:
2571:
The new blue music: changes in rhythm & blues, 1950–1999, p. 172.
2082:
List of artists who reached number one on the Billboard R&B chart
1813:
1675:
1669:
1598:
1322:
1295:
1106:
1085:
963:
684:
464:
164:
5126:
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
5007:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
4765:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
3828:
3738:
3726:
3698:
3658:
3569:
3448:
3313:
3176:
Boggs, Vernon (1993 pp. 30–31). "Johnny Otis R&B/Mambo Pioneer"
851:
7632:
7560:
7528:
7448:
7418:
7408:
7144:
7045:
6928:
6700:
6670:
6531:
6521:
6372:
6367:
6153:
5731:
5409:
5379:
5369:
5138:
4896:
4852:
4791:
2675:
Deep Blues: A Musical and Cultural History of the Mississippi Delta
2409:
Deep Blues: A Musical and Cultural History of the Mississippi Delta
1781:
1698:. Motown Records had its first million-selling single in 1960 with
1402:
said of Charles's music: "He's mixing the blues with the spirituals
1233:
923:
860:
845:
553:
390:
199:
139:
2381:
The new blue music: changes in rhythm & blues, 1950–1999, p. 8
711:
with three songs, and two of the top five songs were based on the
7673:
7637:
7280:
6849:
6018:
5987:
5982:
5736:
5278:
5216:
4139:
1979:
The Rolling Stones became the second most popular UK band (after
1976:
adopted an interest in a wider range of rhythm and blues styles.
1793:
1768:
1456:
1414:
1373:
1166:
1009:) in virtually all early-twentieth-century African American music
327:
270:
5251:
1582:
pianist who had two hits on the pop charts in the early 1950s ("
7642:
7513:
7104:
7023:
6817:
6444:
6377:
6128:
5967:
5404:
5298:
3547:"Ruth Brown, the Queen of R&B, was born 93 years ago today"
2209:"Weekly Chart Notes: Baauer Continues The 'Harlem' Hit Parade'"
1170:
1162:
1059:
1029:
506:
239:
219:
7186:
5108:
The Life and Times of Little Richard: The Authorised Biography
4759:
4757:
4755:
4753:
4751:
4749:
4747:
1665:
1562:
Two Elvis Presley records made the R&B top five in 1957: "
7609:
7570:
6880:
6620:
6439:
6253:
6178:
6168:
6093:
6088:
6013:
5972:
5721:
5471:
5357:
4872:
4732:
4486:
4284:
4272:
1750:
1142:
875:
considered the tresillo/habanera rhythm (which he called the
680:
541:
468:
433:
189:
159:
86:
3686:
3366:"Clovers Don't You Know I Love You & Other Favorites CD"
867:
and proto-jazz were forming and developing, the Cuban genre
7699:
7498:
6802:
6434:
6068:
5992:
5374:
4744:
3203:
3201:
3199:
1871:
1746:
1579:
1249:
453:
425:
275:
194:
81:
4648:
Honkers and Shouters: The Golden Years of Rhythm and Blues
3867:"Paul McCartney Remembers 'Truly Magnificent' Fats Domino"
583:
provided this summary of the origins of the genre in 2016.
505:; created in 1942, it listed the "most popular records in
6348:
1731:
991:
Audio playback is not supported in your browser. You can
482:
224:
27:
Music genre originating in the 1940s in the United States
5440:
5432:
4296:
3196:
2507:"The unexpected origins of music's most well-used terms"
2087:
List of number-one rhythm and blues hits (United States)
1856:
Jewish influence in the business end of rhythm and blues
1657:
did not feature pictures of the Combo on early records.
4087:
4085:
3465:
3463:
3093:
A Tale of Two Cities: Memphis Rock and New Orleans Roll
2958:"RHUMBOOGIE – Lyrics – International Lyrics Playground"
2465:
The Black Atlantic: Modernity and Double Consciousness.
2284:, AP Music Writer, Dallas Morning News, August 15, 2008
6317:
3522:"Listen to the first rock and roll song ever recorded"
3256:
3025:
4892:"The Valentinos – Biography, Albums, Streaming Links"
3931:
The Billboard Book of TOP 40 R&B and Hip Hop Hits
2358:
The Harvard Concise Dictionary of Music and Musicians
2189:
Night Club Reviews Billboard February 27, 1943, p. 12
1682:" is indicative of R&B in 1960, as is pop rocker
1244:" on Atlantic. Also in July 1951, Cleveland, Ohio DJ
4848:"Alexis Korner – Biography, Albums, Streaming Links"
4583:
4082:
3475:
3460:
3013:
2053:
5001:
4999:
4997:
3898:"The 50s: A Decade of Music That Changed the World"
3495:"Will the creator of modern music please stand up?"
2384:
2140:"Tell It Like It Is: A History of Rhythm and Blues"
1987:" of the US pop charts. The Rolling Stones covered
898:). Tresillo is the most basic duple-pulse rhythmic
2614:"Brinkley's Louis Jordan Is a Big Time Bandleader"
2354:
2250:Nothing but the Blues: The Music and the Musicians
5009:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
4767:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
4191:
4189:
2198:Vaudeville reviews Billboard March 4, 1944, p. 28
1694:, and similar music by white artists was labeled
1376:group, had the number four hit of the year with "
970:, a common practice of that time. Fats Domino's "
859:For the more than a quarter-century in which the
7722:
4994:
4916:
3519:
3290:
3288:
1726:" (also released in 1961), introduced the rawer
820:
5083:(2007). "The Kingsmen and the Cha-cha-chá". In
3104:Campbell, Michael, and James Brody (2007: 83).
2913:. Jackson, MS: University Press of Mississippi.
2278:Jerry Wexler, famed record producer, dies at 91
5089:Listen Again: A Momentary History of Pop Music
4186:
3142:p. 32. Santa Cruz, CA: Moore Music/Timba.com.
2287:
2113:
2111:
2109:
2107:
1645:The white bandleader of the Bill Black Combo,
747:" reached number two on the charts, following
7202:
6896:
6636:
6333:
5903:
5456:
5154:
5005:V. Bogdanov, C. Woodstra and S. T. Erlewine,
4957:The Blues: From Robert Johnson to Robert Cray
4763:V. Bogdanov, C. Woodstra and S. T. Erlewine,
3285:
2945:Early Jazz; Its Roots and Musical Development
1310:. This song is often cited as a precursor to
1302:and his Kings of Rhythm at a studio owned by
1126:" (1955) is perhaps the first true fusion of
1110:3–2 clave written in two measures in cut-time
1096:, as R&B artists who employed this feel.
516:“Rhythm and Blues” replaced the common term "
4230:. 2006. Chicago Review Press. pp. 138, 139.
3063:ICAN | International Children's Arts Network
1634:", regained predominance with a version of "
1279:", which would influence performers such as
1263:in the jump blues style of late 1940s stars
675:. There was also increasing emphasis on the
4677:
4644:
2537:
2535:
2104:
1881:
1455:fiddle tune with a long history, entitled "
765:", recorded by band leader and saxophonist
655:, with their 1936 hit "Oh Red", as well as
537:often abbreviated as "R&B" or "R'n'B".
7209:
7195:
6903:
6889:
6643:
6629:
6340:
6326:
5910:
5896:
5463:
5449:
5161:
5147:
4376:"The Origins of Ska, Reggae and Dub Music"
2396:
2348:
2133:
2131:
2129:
2127:
2125:
2123:
1394:came to national prominence in 1955 with "
883:, post-Civil War drum and fife music, and
61:
5030:
4943:
4878:
4738:
4638:
4290:
4278:
4076:
3744:
3732:
3704:
3692:
3664:
3575:
3454:
3322:
3193:, v. 19, n. 3. October 2000, pp. 293–318.
2662:
2527:its meaning covering both sex and dancing
2361:. Harvard University Press. p. 560.
1630:, who in 1952 had a number one hit with "
5079:
3581:
3274:
3262:
3207:
3128:, v. 19, n. 3. October 2000, p. 293-318.
3031:
2532:
2426:
2293:
1891:
1846:National Rhythm & Blues Hall of Fame
1664:
1496:
1321:
1197:
1141:
1113:
1105:
1034:
922:
850:
630:
3933:, Billboard Books, New York 2006 p. 451
2678:(paperback ed.). Penguin. p.
2137:
2120:
1470:R&B was also a strong influence on
1236:", "Mambo Boogie" and "All Nite Long".
707:dominated the top five listings of the
14:
7723:
5055:
4904:from the original on February 26, 2020
4683:
4434:
4326:from the original on December 30, 2011
4302:
4115:from the original on December 25, 2019
4091:
3908:from the original on February 22, 2021
3895:
3877:from the original on November 25, 2020
3864:
3520:Lee Thomas-Mason (November 13, 2021).
3436:from the original on February 12, 2018
3056:
3019:
2968:from the original on February 12, 2018
2668:
2402:
2390:
2300:Top R&B/Hip-Hop Singles: 1942–1995
2242:
2240:
2238:
2236:
2234:
1930:Geno Washington & the Ram Jam Band
840:can be thought of as a combination of
483:Etymology, definitions and description
7190:
6884:
6624:
6585:Man in Business Suit Levitating emoji
6560:Caribbean music in the United Kingdom
6321:
5891:
5444:
5431:
5142:
5105:
4860:from the original on February 7, 2020
4784:
4534:from the original on October 30, 2015
4449:from the original on February 1, 2017
4386:from the original on January 16, 2010
3950:from the original on October 23, 2020
3587:
3557:from the original on January 24, 2021
3481:
3469:
3140:Understanding Clave and Clave Changes
2898:The Complete Recordings By Alan Lomax
2517:from the original on January 26, 2019
2271:
2171:from the original on October 12, 2007
2156:
2007:, Frankie Miller, Scott Walker &
1193:
679:as a lead instrument, as well as the
5433:Articles related to Rhythm and blues
5168:
3810:
3376:from the original on August 31, 2011
2150:
2138:Puryear, Mark (September 20, 2016).
1862:Jewish influence in rhythm and blues
1828:. Later, Reid successfully marketed
1329:was known as the "Queen of R&B".
904:Sub-Saharan African music traditions
5049:University of North Texas Libraries
4699:from the original on March 29, 2021
4665:from the original on March 29, 2021
3811:Redd, Lawrence N. (March 1, 1985).
2231:
2146:from the original on March 9, 2021.
2011:, the Animals from Newcastle, the
1767:In the late 1980s and early 1990s,
1756:
1342:(Mama) He Treats Your Daughter Mean
699:communities in the 1940s. In 1948,
24:
5115:
5062:Rock & Roll: An Unruly History
4473:Timeline of African American Music
4437:"Rhythm and Blues Music: Overview"
4435:Cahoon, Brad (December 11, 2014).
3865:Leight, Elias (October 26, 2017).
3346:from the original on June 12, 2012
3281:. New Jersey: Pearson. p. 16.
3240:Roberts, John Storm (1999 p. 136).
2821:from the original on April 4, 2012
2704:"The Vocal Group Harmony Web Site"
2549:. January 29, 2002. Archived from
962:Bartholomew referred to the Cuban
777:(who later co-wrote the 1955 hit "
25:
7767:
7736:African-American cultural history
4133:
3896:Palmer, Robert (April 19, 1990).
3843:from the original on May 25, 2019
3223:. Redway, California: Bembe Inc.
2336:from the original on May 11, 2020
1559:all made it onto the big screen.
1421:" by the Charms made the top 20.
509:," and is the predecessor to the
39:Rhythm and blues (disambiguation)
6300:
6288:
5919:
5870:
5869:
5858:
5857:
5845:
4969:
4949:
4884:
4840:
4823:
4806:
4778:
4711:
4612:
4577:
4552:
4546:
4516:
4461:
4428:
4398:
4368:
4338:
4308:
4248:"Hot R&B/Hip-Hop Songs 1960"
4240:
4197:"Hot R&B/Hip-Hop Songs 1959"
4046:"Hot R&B/Hip-Hop Songs 1957"
3813:"The Black Perspective in Music"
3640:"The Orioles Record Label Shots"
3608:"Hot R&B/Hip-Hop Songs 1953"
2791:from the original on May 7, 2012
2734:"Hot R&B/Hip-Hop Songs 1948"
2640:"Louis Jordan at All About Jazz"
2582:"Hot R&B/Hip-Hop Songs 1947"
2467:Cambridge, MA: Harvard UP, 1993.
2303:. Record Research. p. xii.
2056:
1340:", "Five, Ten, Fifteen Hours", "
935:New Orleans producer-bandleader
7216:
4977:"UK Charts » Soul II Soul"
4221:
4170:. June 18, 2009. Archived from
4154:
4127:
4097:
4038:
3978:
3962:
3936:
3920:
3889:
3858:
3804:
3775:
3750:
3710:
3670:
3632:
3600:
3539:
3513:
3487:
3418:
3388:
3358:
3328:
3268:
3247:
3234:
3219:Peñalosa, David (2010 p. 174).
3213:
3183:
3170:
3161:
3152:
3131:
3118:
3098:
3085:
3076:
3059:"Dances with Style! - Habanera"
3050:
3037:
2993:
2980:
2950:
2929:
2916:
2903:
2889:
2882:Roberts, John Storm (1999: 16)
2876:
2863:
2833:
2803:
2773:
2758:
2726:
2696:
2632:
2606:
2574:
2565:
2499:
2470:
2457:
2441:
2375:
2323:
2317:
6910:
6650:
6575:List of Caribbean music genres
4684:Muchin, Andrew (August 1994).
4651:. Collier Books. p. 343.
4494:"The changing face of R&B"
3106:Rock and Roll: An Introduction
3057:Riggle, Emma (July 15, 2022).
3001:Rock and Roll: An Introduction
2201:
2192:
2183:
2157:Sacks, Leo (August 29, 1993).
1660:
832:(known outside of Cuba as the
754:'s "Long Gone" at number one.
13:
1:
4787:"The Equals | Biography"
4620:"About Us | R&B HOF"
2097:
1586:" at number two in 1950 and "
1492:
1259:Penniman began recording for
821:Afro-Cuban rhythmic influence
735:, is now also referred to as
690:
639:
626:
544:records. Writer and producer
4721:(Aldershot: Ashgate, 2007),
3787:Rock & Roll Hall of Fame
2986:Palmer, Robert (1981: 247).
2482:Rock & Roll Hall of Fame
1991:& the Valentinos' song "
1319:of rock and roll existing".
1228:", "Mistrustin' Blues" and "
988:
785:" was a number four hit for
408:, frequently abbreviated as
7:
6307:Rhythm and blues portal
3758:"– Biography – Chuck Berry"
3275:Szatmary, David P. (2014).
3091:Palmer, Robert (1979: 14).
2926:. CBS News (June 26, 2011).
2909:Kubik, Gerhard (1999: 52).
2886:. New York: Schirmer Books.
2355:Don Michael Randel (1999).
2253:. Abbeville Press. p.
2049:
1716:Gee Whiz (Look at His Eyes)
1130:and R&B/rock 'n' roll.
10:
7772:
5024:
4837:. Retrieved July 29, 2020.
4820:. Retrieved July 29, 2020.
4555:"The Sacrifice of R&B"
4469:"History of R&B Music"
3588:Floyd, Samuel Jr. (1995).
3296:"– Biography: Johnny Otis"
3244:. Oxford University Press.
2990:. New York: Penguin Books.
2922:"Wynton Marsalis part 2."
2159:"The Soul of Jerry Wexler"
2092:Music of the United States
1885:
1859:
1850:LaMont "ShowBoat" Robinson
1760:
1718:". Stax's next major hit,
1642:" at number five in 1959.
1406:... I know that's wrong."
621:
123:1940s–1950s, United States
43:
36:
29:
7682:
7656:
7553:
7546:
7436:
7233:
7224:
7168:
7126:
7091:
7063:
7056:
7008:
6969:
6918:
6790:
6749:
6658:
6552:
6509:
6471:Jamaican record producers
6463:
6422:
6396:
6355:
6276:
6229:
6213:
6206:
6186:
6161:
6136:
6111:
6081:
6056:
6031:
6006:
5945:
5933:
5839:
5808:
5745:
5672:
5575:
5539:
5478:
5470:
5438:
5328:
5235:
5189:
5178:
5091:. Duke University Press.
4959:(London: Carlton, 1997),
4598:10.1108/01409170810898536
3430:buzzardbook.wordpress.com
2947:. New York: Oxford Press.
2765:Biography for Andy Gibson
2077:List of R&B musicians
1360:'s original recording of
1242:Don't You Know I Love You
1153:" is a clave-based motif.
779:(The) Rock and Roll Waltz
367:
362:
341:
336:
298:
293:
252:
247:
173:
127:
119:
75:
60:
55:
7751:African-American society
7746:American styles of music
6295:United States portal
5821:Blues musicians by genre
5521:Traditional blues verses
5314:Urban adult contemporary
5207:British rhythm and blues
4586:Management Research News
4442:New Georgia Encyclopedia
4320:Music.barnesandnoble.com
4136:"Brook Benton Biography"
4010:Shake, Rattle & Rock
3590:The Power of Black Music
1888:British rhythm and blues
1882:British rhythm and blues
1062:in a blues progression.
396:urban contemporary music
6605:Sound system (Jamaican)
6347:
5106:White, Charles (2003).
4981:Official Charts Company
4926:(DK Publishing, 2002),
4924:Rolling With the Stones
4624:Rbhalloffamemarksms.com
3817:The Wall Street Journal
3594:Oxford University Press
3551:Frank Beacham's Journal
2064:Rhythm and blues portal
1710:had its first hit with
1535:, Sam "T-Bird" Jensen,
1515:and the Teenagers, and
1477:The Wall Street Journal
1428:in the spring of 1955,
1294:Also in 1951, the song
993:download the audio file
791:Saturday Night Fish Fry
783:Ain't Nobody's Business
581:Smithsonian Institution
579:One publication of the
420:that originated within
7741:African-American music
7117:Disco Demolition Night
6798:African American music
5059:(September 19, 1995).
4316:"Sample of "Gee Whiz""
4079:, show 22, tracks 3–4.
4016:The Girl Can't Help It
3167:Stewart (2000 p. 306).
3158:Stewart (2000 p. 293).
2072:African-American music
1972:, the groups Free and
1904:
1672:
1570:" at number one, and "
1504:
1338:Teardrops from My Eyes
1330:
1216:Dolphin's of Hollywood
1206:
1154:
1119:
1111:
1040:
960:
951:
931:
913:
856:
826:African American music
761:. Also in that year, "
695:R&B originated in
643:
589:
6580:List of ska musicians
6222:Urban (industry term)
5511:Musical improvisation
3992:Rock Around the Clock
2708:Vocalgroupharmony.com
1912:". During the 1960s,
1895:
1874:-controlled realm of
1668:
1638:" at number one and "
1500:
1325:
1226:Double Crossing Blues
1201:
1145:
1117:
1109:
1038:
955:
933:
926:
908:
854:
634:
585:
562:Nothing but the Blues
6217:Contemporary R&B
5926:Black American music
5238:Contemporary R&B
4645:Arnold Shaw (1978).
4504:on December 23, 2015
4260:on December 11, 2007
4058:on December 11, 2007
3986:Don't Knock the Rock
3620:on December 11, 2007
3253:Roberts (1999: 137).
3178:Latin Beat Magazine.
2962:Lyricsplayground.com
2911:Africa and the Blues
2746:on December 11, 2007
2594:on December 11, 2007
2513:. October 12, 2018.
2027:Champion Jack Dupree
1763:Contemporary R&B
1686:'s number five hit "
1678:'s number five hit "
1474:. A 1985 article in
1378:Crying in the Chapel
1048:is different from a
813:(founded 1947), and
745:Good Rockin' Tonight
520:", a term coined by
461:contemporary R&B
266:contemporary R&B
37:For other uses, see
32:Contemporary R&B
6149:Chopped and screwed
5937:American folk music
5567:American folk music
5247:Alternative R&B
5222:New Orleans R&B
4946:, show 29, track 3.
4565:on October 19, 2015
4142:on February 5, 2012
4004:Rumble on the Docks
3853:by Lawrence N. Redd
3406:on February 3, 2014
3340:History-of-rock.com
3082:Kubik (1999 p. 51).
2553:on December 7, 2009
2330:Oxford Music Online
2215:. February 22, 2013
2013:Spencer Davis Group
2009:the Walker Brothers
1876:mass communications
1358:Willie Mae Thornton
256:Alternative R&B
128:Typical instruments
46:Nankai Broadcasting
7474:Chicago hard house
7150:Old-school hip hop
7077:dance-rock artists
7072:Post-disco artists
6565:Culture of Jamaica
5948:Early 20th century
5336:Adult contemporary
5309:Urban contemporary
5294:Rhythm & grime
4695:. pp. 53–54.
4382:. August 3, 1999.
4021:Rock Baby, Rock It
3747:, show 5, track 5.
3735:, show 3, track 5.
3707:, show 4, track 5.
3667:, show 6, track 3.
3578:, show 7, track 4.
3526:Faroutmagazine.com
3457:, show 6, track 2.
3336:"The Vocal Groups"
3325:, show 3, track 2.
2478:"Funk and R&B"
2326:"Rhythm and Blues"
2282:Nekesa Mumbi Moody
2164:The New York Times
1905:
1673:
1594:"/"Do I Like It".
1505:
1459:". The resulting "
1447:at Chess Records,
1388:Ain't That a Shame
1362:Leiber and Stoller
1331:
1306:with the vocal by
1207:
1194:Early to mid-1950s
1175:John Storm Roberts
1155:
1120:
1112:
1041:
980:Professor Longhair
932:
857:
644:
638:in New York City,
534:its chart listings
371:Black gospel music
322:rhythm & grime
7718:
7717:
7712:
7711:
7708:
7707:
7542:
7541:
7374:Progressive house
7184:
7183:
7164:
7163:
7082:dance-pop artists
6980:Alternative dance
6878:
6877:
6618:
6617:
6501:Asian Man Records
6486:Blue Beat Records
6315:
6314:
6272:
6271:
5953:Call and response
5885:
5884:
5501:Call and response
5425:
5424:
5324:
5323:
5212:Christian R&B
5072:978-0-517-70050-1
4814:"Geno Washington"
4658:978-0-02-061760-0
4553:says, ChgoSista.
4530:. July 16, 2012.
2689:978-0-14-006223-6
2672:(July 29, 1982).
2419:978-0-670-49511-5
2368:978-0-674-00084-1
2264:978-1-55859-271-1
2031:New Orleans blues
1993:It's All Over Now
1946:The New Religion,
1812:enjoyed success.
1632:Lawdy Miss Clawdy
1529:Shirley & Lee
1443:At the urging of
1432:'s debut record "
997:
873:Jelly Roll Morton
787:Jimmy Witherspoon
759:Harlem Hit Parade
503:Harlem Hit Parade
403:
402:
261:Christian R&B
76:Stylistic origins
16:(Redirected from
7763:
7731:Rhythm and blues
7551:
7550:
7534:New Jersey sound
7524:Melbourne bounce
7231:
7230:
7211:
7204:
7197:
7188:
7187:
7061:
7060:
6905:
6898:
6891:
6882:
6881:
6808:Mod (subculture)
6716:Psychedelic soul
6711:Progressive soul
6645:
6638:
6631:
6622:
6621:
6590:Music of Jamaica
6496:Moon Ska Records
6342:
6335:
6328:
6319:
6318:
6305:
6304:
6303:
6293:
6292:
6291:
6232:
6211:
6210:
6074:Psychedelic soul
6024:Rhythm and blues
5924:
5923:
5912:
5905:
5898:
5889:
5888:
5873:
5872:
5861:
5860:
5852:Blues portal
5850:
5849:
5848:
5753:Rhythm and blues
5526:Twelve-bar blues
5465:
5458:
5451:
5442:
5441:
5429:
5428:
5239:
5187:
5186:
5182:
5172:
5171:Rhythm and blues
5163:
5156:
5149:
5140:
5139:
5122:Guralnick, Peter
5111:
5110:. Omnibus Press.
5102:
5076:
5052:
5040:
5018:
5017:, pp. 1321–1322.
5003:
4992:
4991:
4989:
4987:
4973:
4967:
4953:
4947:
4941:
4935:
4920:
4914:
4913:
4911:
4909:
4888:
4882:
4876:
4870:
4869:
4867:
4865:
4844:
4838:
4827:
4821:
4810:
4804:
4803:
4801:
4799:
4782:
4776:
4775:, pp. 1315–1316.
4761:
4742:
4736:
4730:
4717:R. F. Schwartz,
4715:
4709:
4708:
4706:
4704:
4690:
4681:
4675:
4674:
4672:
4670:
4642:
4636:
4635:
4633:
4631:
4616:
4610:
4609:
4581:
4575:
4574:
4572:
4570:
4561:. Archived from
4550:
4544:
4543:
4541:
4539:
4520:
4514:
4513:
4511:
4509:
4500:. Archived from
4498:Blues & Soul
4490:
4484:
4483:
4481:
4479:
4465:
4459:
4458:
4456:
4454:
4432:
4426:
4425:
4423:
4421:
4412:. Archived from
4402:
4396:
4395:
4393:
4391:
4372:
4366:
4365:
4363:
4361:
4352:. Archived from
4342:
4336:
4335:
4333:
4331:
4312:
4306:
4305:, p. 83–84.
4300:
4294:
4288:
4282:
4276:
4270:
4269:
4267:
4265:
4256:. Archived from
4244:
4238:
4225:
4219:
4218:
4216:
4214:
4209:on June 18, 2009
4205:. Archived from
4193:
4184:
4183:
4181:
4179:
4174:on June 18, 2009
4158:
4152:
4151:
4149:
4147:
4138:. Archived from
4131:
4125:
4124:
4122:
4120:
4101:
4095:
4089:
4080:
4074:
4068:
4067:
4065:
4063:
4054:. Archived from
4042:
4036:
3998:Rock, Rock, Rock
3982:
3976:
3966:
3960:
3959:
3957:
3955:
3940:
3934:
3924:
3918:
3917:
3915:
3913:
3902:Rollingstone.com
3893:
3887:
3886:
3884:
3882:
3871:Rollingstone.com
3862:
3856:
3855:
3850:
3848:
3808:
3802:
3801:
3796:
3794:
3779:
3773:
3772:
3770:
3768:
3754:
3748:
3742:
3736:
3730:
3724:
3714:
3708:
3702:
3696:
3690:
3684:
3674:
3668:
3662:
3656:
3655:
3653:
3651:
3642:. Archived from
3636:
3630:
3629:
3627:
3625:
3616:. Archived from
3604:
3598:
3597:
3585:
3579:
3573:
3567:
3566:
3564:
3562:
3543:
3537:
3536:
3534:
3532:
3517:
3511:
3510:
3508:
3506:
3501:. April 16, 2004
3491:
3485:
3479:
3473:
3467:
3458:
3452:
3446:
3445:
3443:
3441:
3422:
3416:
3415:
3413:
3411:
3402:. Archived from
3400:Library.case.ueu
3392:
3386:
3385:
3383:
3381:
3372:. May 11, 2004.
3362:
3356:
3355:
3353:
3351:
3332:
3326:
3320:
3311:
3310:
3308:
3306:
3292:
3283:
3282:
3272:
3266:
3260:
3254:
3251:
3245:
3238:
3232:
3217:
3211:
3205:
3194:
3187:
3181:
3174:
3168:
3165:
3159:
3156:
3150:
3135:
3129:
3122:
3116:
3102:
3096:
3089:
3083:
3080:
3074:
3073:
3071:
3069:
3054:
3048:
3041:
3035:
3029:
3023:
3017:
3011:
2997:
2991:
2984:
2978:
2977:
2975:
2973:
2954:
2948:
2942:
2938:
2933:
2927:
2920:
2914:
2907:
2901:
2893:
2887:
2880:
2874:
2867:
2861:
2860:
2858:
2856:
2847:. Archived from
2837:
2831:
2830:
2828:
2826:
2807:
2801:
2800:
2798:
2796:
2777:
2771:
2762:
2756:
2755:
2753:
2751:
2742:. Archived from
2730:
2724:
2723:
2721:
2719:
2714:on March 9, 2012
2710:. Archived from
2700:
2694:
2693:
2666:
2660:
2659:
2657:
2655:
2646:. Archived from
2644:Allaboutjazz.com
2636:
2630:
2629:
2627:
2625:
2616:. Archived from
2610:
2604:
2603:
2601:
2599:
2590:. Archived from
2578:
2572:
2569:
2563:
2562:
2560:
2558:
2547:Findarticles.com
2539:
2530:
2529:
2524:
2522:
2503:
2497:
2496:
2491:
2489:
2474:
2468:
2461:
2455:
2445:
2439:
2433:Rhythm and blues
2430:
2424:
2423:
2412:. Viking Adult.
2406:(May 21, 1981).
2400:
2394:
2388:
2382:
2379:
2373:
2372:
2352:
2346:
2345:
2343:
2341:
2321:
2315:
2314:
2291:
2285:
2275:
2269:
2268:
2244:
2229:
2228:
2222:
2220:
2205:
2199:
2196:
2190:
2187:
2181:
2180:
2178:
2176:
2154:
2148:
2147:
2135:
2118:
2115:
2066:
2061:
2060:
2059:
1985:British Invasion
1757:1980s to present
1722:' instrumental "
1706:", and in 1961,
1545:Illinois Jacquet
1521:Blue Suede Shoes
1405:
1400:Big Bill Broonzy
1298:was recorded by
1190:consciousness."
1183:Atlantic Records
1072:Mardi Gras Mambo
1047:
1023:
1012:
966:by the misnomer
937:Dave Bartholomew
817:(founded 1948).
809:(founded 1946),
805:(founded 1945),
801:(founded 1943),
797:(founded 1942),
697:African-American
641:
477:electronic music
422:African-American
416:, is a genre of
406:Rhythm and blues
174:Derivative forms
120:Cultural origins
65:
56:Rhythm and blues
53:
52:
21:
7771:
7770:
7766:
7765:
7764:
7762:
7761:
7760:
7721:
7720:
7719:
7714:
7713:
7704:
7678:
7652:
7538:
7432:
7220:
7215:
7185:
7180:
7160:
7159:
7122:
7121:
7111:Disco Not Disco
7087:
7086:
7052:
7004:
6965:
6914:
6909:
6879:
6874:
6786:
6750:Regional scenes
6745:
6676:Brown-eyed soul
6654:
6649:
6619:
6614:
6548:
6537:Trojan skinhead
6505:
6459:
6418:
6397:Regional scenes
6392:
6351:
6346:
6316:
6311:
6301:
6299:
6289:
6287:
6268:
6230:
6225:
6202:
6191:
6182:
6166:
6157:
6141:
6132:
6116:
6107:
6086:
6077:
6061:
6052:
6036:
6027:
6011:
6002:
5941:
5929:
5918:
5916:
5886:
5881:
5846:
5844:
5835:
5831:Blues festivals
5826:Blues standards
5816:Blues musicians
5804:
5741:
5668:
5577:
5571:
5535:
5506:Eight-bar blues
5474:
5469:
5434:
5426:
5421:
5320:
5237:
5231:
5180:
5174:
5170:
5167:
5118:
5116:Further reading
5099:
5073:
5038:
5032:Gilliland, John
5027:
5022:
5021:
5004:
4995:
4985:
4983:
4975:
4974:
4970:
4954:
4950:
4942:
4938:
4921:
4917:
4907:
4905:
4890:
4889:
4885:
4877:
4873:
4863:
4861:
4846:
4845:
4841:
4828:
4824:
4811:
4807:
4797:
4795:
4783:
4779:
4762:
4745:
4737:
4733:
4716:
4712:
4702:
4700:
4693:Moment Magazine
4688:
4682:
4678:
4668:
4666:
4659:
4643:
4639:
4629:
4627:
4626:. July 24, 2022
4618:
4617:
4613:
4582:
4578:
4568:
4566:
4551:
4547:
4537:
4535:
4522:
4521:
4517:
4507:
4505:
4492:
4491:
4487:
4477:
4475:
4467:
4466:
4462:
4452:
4450:
4433:
4429:
4419:
4417:
4416:on May 12, 2008
4406:"The Beginning"
4404:
4403:
4399:
4389:
4387:
4374:
4373:
4369:
4359:
4357:
4356:on July 8, 2017
4344:
4343:
4339:
4329:
4327:
4314:
4313:
4309:
4301:
4297:
4289:
4285:
4277:
4273:
4263:
4261:
4246:
4245:
4241:
4226:
4222:
4212:
4210:
4195:
4194:
4187:
4177:
4175:
4160:
4159:
4155:
4145:
4143:
4132:
4128:
4118:
4116:
4103:
4102:
4098:
4090:
4083:
4075:
4071:
4061:
4059:
4044:
4043:
4039:
4032:Go, Johnny, Go!
3983:
3979:
3967:
3963:
3953:
3951:
3942:
3941:
3937:
3925:
3921:
3911:
3909:
3894:
3890:
3880:
3878:
3863:
3859:
3846:
3844:
3829:10.2307/1214792
3809:
3805:
3792:
3790:
3789:. June 15, 2020
3783:"Roots of Rock"
3781:
3780:
3776:
3766:
3764:
3756:
3755:
3751:
3743:
3739:
3731:
3727:
3715:
3711:
3703:
3699:
3691:
3687:
3675:
3671:
3663:
3659:
3649:
3647:
3646:on July 8, 2008
3638:
3637:
3633:
3623:
3621:
3606:
3605:
3601:
3586:
3582:
3574:
3570:
3560:
3558:
3545:
3544:
3540:
3530:
3528:
3518:
3514:
3504:
3502:
3493:
3492:
3488:
3480:
3476:
3468:
3461:
3453:
3449:
3439:
3437:
3424:
3423:
3419:
3409:
3407:
3394:
3393:
3389:
3379:
3377:
3364:
3363:
3359:
3349:
3347:
3334:
3333:
3329:
3321:
3314:
3304:
3302:
3294:
3293:
3286:
3278:Rockin' in Time
3273:
3269:
3261:
3257:
3252:
3248:
3242:The Latin Tinge
3239:
3235:
3218:
3214:
3206:
3197:
3188:
3184:
3180:v. 3 n. 9. Nov.
3175:
3171:
3166:
3162:
3157:
3153:
3136:
3132:
3123:
3119:
3103:
3099:
3090:
3086:
3081:
3077:
3067:
3065:
3055:
3051:
3042:
3038:
3030:
3026:
3018:
3014:
2998:
2994:
2985:
2981:
2971:
2969:
2956:
2955:
2951:
2940:
2936:
2934:
2930:
2921:
2917:
2908:
2904:
2894:
2890:
2881:
2877:
2871:The Latin Tinge
2868:
2864:
2854:
2852:
2851:on June 5, 2011
2839:
2838:
2834:
2824:
2822:
2809:
2808:
2804:
2794:
2792:
2779:
2778:
2774:
2763:
2759:
2749:
2747:
2732:
2731:
2727:
2717:
2715:
2702:
2701:
2697:
2690:
2667:
2663:
2653:
2651:
2650:on May 13, 2009
2638:
2637:
2633:
2623:
2621:
2620:on May 28, 2009
2612:
2611:
2607:
2597:
2595:
2580:
2579:
2575:
2570:
2566:
2556:
2554:
2541:
2540:
2533:
2520:
2518:
2505:
2504:
2500:
2487:
2485:
2484:. June 15, 2020
2476:
2475:
2471:
2462:
2458:
2446:
2442:
2431:
2427:
2420:
2401:
2397:
2389:
2385:
2380:
2376:
2369:
2353:
2349:
2339:
2337:
2322:
2318:
2311:
2292:
2288:
2276:
2272:
2265:
2245:
2232:
2218:
2216:
2207:
2206:
2202:
2197:
2193:
2188:
2184:
2174:
2172:
2155:
2151:
2136:
2121:
2116:
2105:
2100:
2062:
2057:
2055:
2052:
1983:) and led the "
1926:Geno Washington
1918:the Foundations
1914:Geno Washington
1890:
1884:
1864:
1858:
1848:was founded by
1802:Destiny's Child
1765:
1759:
1663:
1495:
1419:Hearts of Stone
1403:
1308:Jackie Brenston
1277:Long Tall Sally
1196:
1181:, producer for
1173:. According to
1151:Bo Diddley beat
1124:Bo Diddley beat
1045:
1021:
1010:
1000:
999:
998:
996:
892:Wynton Marsalis
838:habanera rhythm
823:
763:The Huckle-Buck
693:
677:electric guitar
648:great migration
629:
624:
570:religious music
566:classical music
485:
381:brown-eyed soul
169:
145:electric guitar
71:
49:
42:
35:
28:
23:
22:
15:
12:
11:
5:
7769:
7759:
7758:
7753:
7748:
7743:
7738:
7733:
7716:
7715:
7710:
7709:
7706:
7705:
7703:
7702:
7697:
7692:
7686:
7684:
7680:
7679:
7677:
7676:
7671:
7666:
7660:
7658:
7654:
7653:
7651:
7650:
7645:
7640:
7635:
7630:
7629:
7628:
7623:
7613:
7603:
7598:
7593:
7588:
7583:
7578:
7573:
7568:
7563:
7557:
7555:
7548:
7547:Related topics
7544:
7543:
7540:
7539:
7537:
7536:
7531:
7526:
7521:
7516:
7511:
7506:
7501:
7496:
7491:
7486:
7481:
7476:
7471:
7466:
7464:Brazilian bass
7461:
7459:Baltimore club
7456:
7451:
7446:
7440:
7438:
7434:
7433:
7431:
7430:
7429:
7428:
7423:
7422:
7421:
7411:
7401:
7399:Tropical house
7396:
7391:
7386:
7381:
7376:
7371:
7370:
7369:
7362:Outsider house
7359:
7354:
7349:
7344:
7339:
7338:
7337:
7332:
7322:
7317:
7312:
7307:
7306:
7305:
7300:
7295:
7293:Big room house
7285:
7284:
7283:
7273:
7268:
7263:
7258:
7253:
7248:
7243:
7237:
7235:
7228:
7222:
7221:
7214:
7213:
7206:
7199:
7191:
7182:
7181:
7169:
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7158:
7157:
7152:
7147:
7142:
7137:
7131:
7130:
7128:
7124:
7123:
7120:
7119:
7114:
7107:
7102:
7096:
7095:
7093:
7089:
7088:
7085:
7084:
7079:
7074:
7068:
7067:
7065:
7058:
7054:
7053:
7051:
7050:
7049:
7048:
7043:
7033:
7032:
7031:
7021:
7015:
7013:
7006:
7005:
7003:
7002:
6997:
6992:
6987:
6982:
6976:
6974:
6967:
6966:
6964:
6963:
6962:
6961:
6956:
6946:
6941:
6931:
6925:
6923:
6916:
6915:
6908:
6907:
6900:
6893:
6885:
6876:
6875:
6873:
6872:
6867:
6865:Soul musicians
6862:
6857:
6852:
6847:
6842:
6837:
6832:
6827:
6826:
6825:
6818:Motown Records
6815:
6810:
6805:
6800:
6794:
6792:
6788:
6787:
6785:
6784:
6782:United Kingdom
6779:
6774:
6769:
6764:
6759:
6753:
6751:
6747:
6746:
6744:
6743:
6738:
6733:
6728:
6723:
6718:
6713:
6708:
6703:
6698:
6693:
6688:
6683:
6681:Cinematic soul
6678:
6673:
6668:
6666:Blue-eyed soul
6662:
6660:
6656:
6655:
6648:
6647:
6640:
6633:
6625:
6616:
6615:
6613:
6612:
6607:
6602:
6597:
6592:
6587:
6582:
6577:
6572:
6567:
6562:
6556:
6554:
6550:
6549:
6547:
6546:
6541:
6540:
6539:
6529:
6524:
6519:
6513:
6511:
6507:
6506:
6504:
6503:
6498:
6493:
6491:2 Tone Records
6488:
6483:
6481:Trojan Records
6478:
6473:
6467:
6465:
6461:
6460:
6458:
6457:
6452:
6447:
6442:
6437:
6432:
6426:
6424:
6420:
6419:
6417:
6416:
6411:
6406:
6400:
6398:
6394:
6393:
6391:
6390:
6385:
6383:Third wave ska
6380:
6375:
6370:
6365:
6359:
6357:
6353:
6352:
6345:
6344:
6337:
6330:
6322:
6313:
6312:
6310:
6309:
6297:
6285:
6277:
6274:
6273:
6270:
6269:
6267:
6266:
6261:
6256:
6251:
6246:
6241:
6235:
6233:
6227:
6226:
6224:
6219:
6214:
6208:
6204:
6203:
6201:
6196:
6187:
6184:
6183:
6181:
6176:
6171:
6162:
6159:
6158:
6156:
6151:
6146:
6144:New jack swing
6137:
6134:
6133:
6131:
6126:
6121:
6112:
6109:
6108:
6106:
6101:
6096:
6091:
6082:
6079:
6078:
6076:
6071:
6066:
6057:
6054:
6053:
6051:
6046:
6041:
6032:
6029:
6028:
6026:
6021:
6016:
6007:
6004:
6003:
6001:
6000:
5995:
5990:
5985:
5980:
5975:
5970:
5965:
5960:
5955:
5946:
5943:
5942:
5934:
5931:
5930:
5915:
5914:
5907:
5900:
5892:
5883:
5882:
5880:
5879:
5867:
5855:
5840:
5837:
5836:
5834:
5833:
5828:
5823:
5818:
5812:
5810:
5806:
5805:
5803:
5802:
5797:
5792:
5787:
5782:
5781:
5780:
5775:
5770:
5765:
5755:
5749:
5747:
5743:
5742:
5740:
5739:
5734:
5729:
5724:
5719:
5714:
5709:
5704:
5703:
5702:
5697:
5687:
5685:Classic female
5682:
5676:
5674:
5670:
5669:
5667:
5666:
5661:
5659:United Kingdom
5656:
5651:
5646:
5641:
5636:
5631:
5630:
5629:
5624:
5614:
5609:
5604:
5599:
5594:
5593:
5592:
5581:
5579:
5573:
5572:
5570:
5569:
5564:
5559:
5554:
5549:
5543:
5541:
5537:
5536:
5534:
5533:
5528:
5523:
5518:
5513:
5508:
5503:
5498:
5493:
5488:
5482:
5480:
5476:
5475:
5468:
5467:
5460:
5453:
5445:
5439:
5436:
5435:
5423:
5422:
5420:
5419:
5414:
5413:
5412:
5407:
5402:
5397:
5395:Blue-eyed soul
5387:
5382:
5377:
5372:
5367:
5366:
5365:
5355:
5354:
5353:
5343:
5338:
5332:
5330:
5329:Related topics
5326:
5325:
5322:
5321:
5319:
5318:
5317:
5316:
5306:
5301:
5296:
5291:
5286:
5281:
5276:
5274:New jack swing
5271:
5266:
5261:
5256:
5255:
5254:
5243:
5241:
5233:
5232:
5230:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5193:
5191:
5184:
5176:
5175:
5166:
5165:
5158:
5151:
5143:
5137:
5136:
5117:
5114:
5113:
5112:
5103:
5098:978-0822340416
5097:
5077:
5071:
5057:Palmer, Robert
5053:
5044:Pop Chronicles
5026:
5023:
5020:
5019:
4993:
4968:
4948:
4944:Gilliland 1969
4936:
4915:
4883:
4879:Gilliland 1969
4871:
4839:
4822:
4805:
4777:
4743:
4739:Gilliland 1969
4731:
4710:
4676:
4657:
4637:
4611:
4592:(9): 637–649.
4576:
4545:
4515:
4485:
4460:
4427:
4397:
4380:Potentbrew.com
4367:
4337:
4307:
4295:
4291:Gilliland 1969
4283:
4279:Gilliland 1969
4271:
4239:
4220:
4185:
4153:
4126:
4105:"Brook Benton"
4096:
4081:
4077:Gilliland 1969
4069:
4037:
3977:
3961:
3935:
3927:Whitburn, Joel
3919:
3888:
3857:
3803:
3774:
3749:
3745:Gilliland 1969
3737:
3733:Gilliland 1969
3725:
3709:
3705:Gilliland 1969
3697:
3693:Gilliland 1969
3685:
3669:
3665:Gilliland 1969
3657:
3631:
3599:
3596:. p. 177.
3580:
3576:Gilliland 1969
3568:
3538:
3512:
3486:
3484:, p. 227.
3474:
3472:, p. 231.
3459:
3455:Gilliland 1969
3447:
3417:
3387:
3370:Cduniverse.com
3357:
3327:
3323:Gilliland 1969
3312:
3284:
3267:
3255:
3246:
3233:
3212:
3195:
3182:
3169:
3160:
3151:
3130:
3117:
3097:
3084:
3075:
3049:
3036:
3024:
3012:
2992:
2979:
2949:
2928:
2915:
2902:
2888:
2875:
2862:
2832:
2802:
2772:
2757:
2725:
2695:
2688:
2670:Palmer, Robert
2661:
2631:
2605:
2573:
2564:
2531:
2498:
2469:
2463:Gilroy, Paul.
2456:
2440:
2425:
2418:
2404:Palmer, Robert
2395:
2383:
2374:
2367:
2347:
2316:
2309:
2295:Whitburn, Joel
2286:
2270:
2263:
2230:
2200:
2191:
2182:
2149:
2119:
2102:
2101:
2099:
2096:
2095:
2094:
2089:
2084:
2079:
2074:
2068:
2067:
2051:
2048:
2043:mod subculture
1886:Main article:
1883:
1880:
1860:Main article:
1857:
1854:
1818:LaFace Records
1806:Tevin Campbell
1761:Main article:
1758:
1755:
1696:blue-eyed soul
1684:Chubby Checker
1662:
1659:
1651:Smokie, Part 2
1607:Motown Records
1564:Jailhouse Rock
1494:
1491:
1257:Little Richard
1230:Cupid's Boogie
1203:Little Richard
1195:
1192:
990:
987:
984:
946:Little Richard
822:
819:
752:Sonny Thompson
733:Wynonie Harris
721:Big Joe Turner
709:R&B charts
692:
689:
657:Lonnie Johnson
653:Harlem Hamfats
628:
625:
623:
620:
484:
481:
467:, soul, funk,
442:electric blues
401:
400:
399:
398:
393:
388:
383:
378:
376:blue-eyed soul
373:
365:
364:
360:
359:
358:
357:
355:United Kingdom
352:
347:
339:
338:
334:
333:
332:
331:
324:
319:
314:
312:new jack swing
309:
304:
296:
295:
291:
290:
289:
288:
283:
278:
273:
268:
263:
258:
250:
249:
245:
244:
243:
242:
237:
232:
227:
222:
217:
212:
207:
202:
197:
192:
187:
185:Brill Building
182:
175:
171:
170:
168:
167:
162:
157:
152:
150:electric organ
147:
142:
137:
131:
129:
125:
124:
121:
117:
116:
115:
114:
109:
104:
99:
94:
89:
84:
77:
73:
72:
68:Big Joe Turner
66:
58:
57:
26:
9:
6:
4:
3:
2:
7768:
7757:
7754:
7752:
7749:
7747:
7744:
7742:
7739:
7737:
7734:
7732:
7729:
7728:
7726:
7701:
7698:
7696:
7693:
7691:
7688:
7687:
7685:
7681:
7675:
7672:
7670:
7667:
7665:
7664:Electro dance
7662:
7661:
7659:
7655:
7649:
7646:
7644:
7641:
7639:
7636:
7634:
7631:
7627:
7624:
7622:
7619:
7618:
7617:
7614:
7611:
7607:
7604:
7602:
7599:
7597:
7596:Jungle terror
7594:
7592:
7589:
7587:
7584:
7582:
7581:Electro swing
7579:
7577:
7574:
7572:
7569:
7567:
7564:
7562:
7559:
7558:
7556:
7552:
7549:
7545:
7535:
7532:
7530:
7527:
7525:
7522:
7520:
7517:
7515:
7512:
7510:
7507:
7505:
7502:
7500:
7497:
7495:
7492:
7490:
7487:
7485:
7482:
7480:
7479:Chicago house
7477:
7475:
7472:
7470:
7467:
7465:
7462:
7460:
7457:
7455:
7454:Balearic beat
7452:
7450:
7447:
7445:
7442:
7441:
7439:
7435:
7427:
7424:
7420:
7417:
7416:
7415:
7414:Pumping house
7412:
7410:
7407:
7406:
7405:
7404:UK hard house
7402:
7400:
7397:
7395:
7392:
7390:
7387:
7385:
7384:Soulful house
7382:
7380:
7377:
7375:
7372:
7368:
7365:
7364:
7363:
7360:
7358:
7355:
7353:
7352:Melodic house
7350:
7348:
7345:
7343:
7340:
7336:
7333:
7331:
7328:
7327:
7326:
7323:
7321:
7318:
7316:
7313:
7311:
7308:
7304:
7301:
7299:
7296:
7294:
7291:
7290:
7289:
7288:Electro house
7286:
7282:
7279:
7278:
7277:
7274:
7272:
7269:
7267:
7264:
7262:
7259:
7257:
7254:
7252:
7249:
7247:
7246:Ambient house
7244:
7242:
7239:
7238:
7236:
7232:
7229:
7227:
7223:
7219:
7212:
7207:
7205:
7200:
7198:
7193:
7192:
7189:
7179:
7175:
7172:
7167:
7156:
7153:
7151:
7148:
7146:
7143:
7141:
7138:
7136:
7133:
7132:
7129:
7125:
7118:
7115:
7113:
7112:
7108:
7106:
7103:
7101:
7098:
7097:
7094:
7090:
7083:
7080:
7078:
7075:
7073:
7070:
7069:
7066:
7062:
7059:
7055:
7047:
7044:
7042:
7039:
7038:
7037:
7034:
7030:
7027:
7026:
7025:
7022:
7020:
7017:
7016:
7014:
7011:
7007:
7001:
6998:
6996:
6993:
6991:
6988:
6986:
6983:
6981:
6978:
6977:
6975:
6972:
6968:
6960:
6957:
6955:
6952:
6951:
6950:
6947:
6945:
6942:
6939:
6935:
6932:
6930:
6927:
6926:
6924:
6921:
6917:
6913:
6906:
6901:
6899:
6894:
6892:
6887:
6886:
6883:
6871:
6868:
6866:
6863:
6861:
6858:
6856:
6853:
6851:
6848:
6846:
6843:
6841:
6838:
6836:
6833:
6831:
6828:
6824:
6821:
6820:
6819:
6816:
6814:
6811:
6809:
6806:
6804:
6801:
6799:
6796:
6795:
6793:
6789:
6783:
6780:
6778:
6775:
6773:
6770:
6768:
6765:
6763:
6760:
6758:
6755:
6754:
6752:
6748:
6742:
6739:
6737:
6734:
6732:
6731:Southern soul
6729:
6727:
6724:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6706:Northern soul
6704:
6702:
6699:
6697:
6694:
6692:
6689:
6687:
6684:
6682:
6679:
6677:
6674:
6672:
6669:
6667:
6664:
6663:
6661:
6657:
6653:
6646:
6641:
6639:
6634:
6632:
6627:
6626:
6623:
6611:
6608:
6606:
6603:
6601:
6598:
6596:
6595:Skank (dance)
6593:
6591:
6588:
6586:
6583:
6581:
6578:
6576:
6573:
6571:
6568:
6566:
6563:
6561:
6558:
6557:
6555:
6551:
6545:
6542:
6538:
6535:
6534:
6533:
6530:
6528:
6525:
6523:
6520:
6518:
6515:
6514:
6512:
6508:
6502:
6499:
6497:
6494:
6492:
6489:
6487:
6484:
6482:
6479:
6477:
6474:
6472:
6469:
6468:
6466:
6464:Record labels
6462:
6456:
6453:
6451:
6448:
6446:
6443:
6441:
6438:
6436:
6433:
6431:
6428:
6427:
6425:
6421:
6415:
6414:Orange County
6412:
6410:
6407:
6405:
6402:
6401:
6399:
6395:
6389:
6386:
6384:
6381:
6379:
6376:
6374:
6371:
6369:
6366:
6364:
6363:Christian ska
6361:
6360:
6358:
6354:
6350:
6343:
6338:
6336:
6331:
6329:
6324:
6323:
6320:
6308:
6298:
6296:
6286:
6284:
6283:
6279:
6278:
6275:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6242:
6240:
6237:
6236:
6234:
6228:
6223:
6220:
6218:
6215:
6212:
6209:
6205:
6200:
6197:
6195:
6192:
6190:
6185:
6180:
6177:
6175:
6172:
6170:
6167:
6165:
6160:
6155:
6152:
6150:
6147:
6145:
6142:
6140:
6135:
6130:
6127:
6125:
6122:
6120:
6117:
6115:
6110:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6085:
6080:
6075:
6072:
6070:
6067:
6065:
6062:
6060:
6055:
6050:
6047:
6045:
6042:
6040:
6039:Rock and roll
6037:
6035:
6030:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6005:
5999:
5996:
5994:
5991:
5989:
5986:
5984:
5981:
5979:
5978:Boogie-woogie
5976:
5974:
5971:
5969:
5966:
5964:
5961:
5959:
5956:
5954:
5951:
5950:
5949:
5944:
5939:
5938:
5932:
5927:
5922:
5913:
5908:
5906:
5901:
5899:
5894:
5893:
5890:
5878:
5877:
5868:
5866:
5865:
5856:
5854:
5853:
5842:
5841:
5838:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5813:
5811:
5807:
5801:
5800:Southern rock
5798:
5796:
5793:
5791:
5788:
5786:
5783:
5779:
5778:Southern rock
5776:
5774:
5771:
5769:
5766:
5764:
5761:
5760:
5759:
5756:
5754:
5751:
5750:
5748:
5746:Fusion genres
5744:
5738:
5735:
5733:
5730:
5728:
5725:
5723:
5720:
5718:
5717:Fife and drum
5715:
5713:
5710:
5708:
5705:
5701:
5698:
5696:
5693:
5692:
5691:
5688:
5686:
5683:
5681:
5680:Boogie-woogie
5678:
5677:
5675:
5671:
5665:
5662:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5628:
5625:
5623:
5620:
5619:
5618:
5615:
5613:
5610:
5608:
5605:
5603:
5600:
5598:
5595:
5591:
5588:
5587:
5586:
5583:
5582:
5580:
5574:
5568:
5565:
5563:
5560:
5558:
5555:
5553:
5552:Field hollers
5550:
5548:
5545:
5544:
5542:
5538:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5483:
5481:
5477:
5473:
5466:
5461:
5459:
5454:
5452:
5447:
5446:
5443:
5437:
5430:
5418:
5415:
5411:
5408:
5406:
5403:
5401:
5398:
5396:
5393:
5392:
5391:
5388:
5386:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5364:
5361:
5360:
5359:
5356:
5352:
5349:
5348:
5347:
5344:
5342:
5339:
5337:
5334:
5333:
5331:
5327:
5315:
5312:
5311:
5310:
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5282:
5280:
5277:
5275:
5272:
5270:
5269:Latin R&B
5267:
5265:
5262:
5260:
5257:
5253:
5250:
5249:
5248:
5245:
5244:
5242:
5240:
5234:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5194:
5192:
5188:
5185:
5183:
5177:
5173:
5164:
5159:
5157:
5152:
5150:
5145:
5144:
5141:
5135:
5134:0-06-096049-3
5131:
5127:
5123:
5120:
5119:
5109:
5104:
5100:
5094:
5090:
5086:
5085:Eric Weisbard
5082:
5081:Sublette, Ned
5078:
5074:
5068:
5064:
5063:
5058:
5054:
5050:
5046:
5045:
5037:
5033:
5029:
5028:
5016:
5015:0-87930-653-X
5012:
5008:
5002:
5000:
4998:
4982:
4978:
4972:
4966:
4965:1-85868-255-X
4962:
4958:
4952:
4945:
4940:
4933:
4932:0-7894-9998-3
4929:
4925:
4919:
4903:
4899:
4898:
4893:
4887:
4880:
4875:
4859:
4855:
4854:
4849:
4843:
4836:
4832:
4831:"Jimmy James"
4829:A. Hamilton,
4826:
4819:
4815:
4809:
4794:
4793:
4788:
4781:
4774:
4773:0-87930-653-X
4770:
4766:
4760:
4758:
4756:
4754:
4752:
4750:
4748:
4740:
4735:
4728:
4727:0-7546-5580-6
4724:
4720:
4714:
4698:
4694:
4687:
4680:
4664:
4660:
4654:
4650:
4649:
4641:
4625:
4621:
4615:
4607:
4603:
4599:
4595:
4591:
4587:
4580:
4564:
4560:
4556:
4549:
4533:
4529:
4528:Village Voice
4525:
4519:
4503:
4499:
4495:
4489:
4474:
4470:
4464:
4448:
4444:
4443:
4438:
4431:
4415:
4411:
4407:
4401:
4385:
4381:
4377:
4371:
4355:
4351:
4350:Mp3fiesta.com
4347:
4341:
4325:
4321:
4317:
4311:
4304:
4299:
4292:
4287:
4280:
4275:
4259:
4255:
4254:
4249:
4243:
4237:
4236:1-55652-614-8
4233:
4229:
4224:
4208:
4204:
4203:
4198:
4192:
4190:
4173:
4169:
4168:
4163:
4157:
4141:
4137:
4130:
4114:
4110:
4106:
4100:
4094:, p. 82.
4093:
4088:
4086:
4078:
4073:
4057:
4053:
4052:
4047:
4041:
4034:
4033:
4028:
4027:
4026:Untamed Youth
4022:
4018:
4017:
4012:
4011:
4006:
4005:
4000:
3999:
3994:
3993:
3988:
3987:
3981:
3975:
3974:0-7868-6073-1
3971:
3965:
3949:
3945:
3939:
3932:
3928:
3923:
3907:
3903:
3899:
3892:
3876:
3872:
3868:
3861:
3854:
3842:
3838:
3834:
3830:
3826:
3822:
3818:
3814:
3807:
3800:
3788:
3784:
3778:
3763:
3759:
3753:
3746:
3741:
3734:
3729:
3723:
3722:0-7868-6073-1
3719:
3713:
3706:
3701:
3694:
3689:
3683:
3682:0-7868-6073-1
3679:
3673:
3666:
3661:
3645:
3641:
3635:
3619:
3615:
3614:
3609:
3603:
3595:
3591:
3584:
3577:
3572:
3556:
3552:
3548:
3542:
3527:
3523:
3516:
3500:
3496:
3490:
3483:
3478:
3471:
3466:
3464:
3456:
3451:
3435:
3431:
3427:
3421:
3405:
3401:
3397:
3391:
3375:
3371:
3367:
3361:
3345:
3341:
3337:
3331:
3324:
3319:
3317:
3301:
3297:
3291:
3289:
3280:
3279:
3271:
3265:, p. 69.
3264:
3263:Sublette 2007
3259:
3250:
3243:
3237:
3230:
3229:1-886502-80-3
3226:
3222:
3216:
3209:
3208:Sublette 2007
3204:
3202:
3200:
3192:
3191:Popular Music
3186:
3179:
3173:
3164:
3155:
3149:
3145:
3141:
3134:
3127:
3126:Popular Music
3121:
3115:
3111:
3107:
3101:
3094:
3088:
3079:
3064:
3060:
3053:
3046:
3045:Spin Magazine
3040:
3034:, p. 82.
3033:
3032:Sublette 2007
3028:
3022:, p. 60.
3021:
3016:
3010:
3006:
3002:
2996:
2989:
2983:
2967:
2963:
2959:
2953:
2946:
2932:
2925:
2919:
2912:
2906:
2899:
2892:
2885:
2879:
2872:
2866:
2850:
2846:
2842:
2836:
2820:
2816:
2812:
2811:"Hucklebuck!"
2806:
2790:
2786:
2782:
2781:"Hucklebuck!"
2776:
2770:
2766:
2761:
2745:
2741:
2740:
2735:
2729:
2713:
2709:
2705:
2699:
2691:
2685:
2681:
2677:
2676:
2671:
2665:
2649:
2645:
2641:
2635:
2619:
2615:
2609:
2593:
2589:
2588:
2583:
2577:
2568:
2552:
2548:
2544:
2538:
2536:
2528:
2516:
2512:
2508:
2502:
2495:
2483:
2479:
2473:
2466:
2460:
2454:
2453:0-252-06538-7
2450:
2444:
2438:
2434:
2429:
2421:
2415:
2411:
2410:
2405:
2399:
2392:
2387:
2378:
2370:
2364:
2360:
2359:
2351:
2335:
2331:
2327:
2324:Rye, Howard.
2320:
2312:
2310:0-89820-115-2
2306:
2302:
2301:
2296:
2290:
2283:
2279:
2274:
2266:
2260:
2256:
2252:
2251:
2243:
2241:
2239:
2237:
2235:
2227:
2214:
2210:
2204:
2195:
2186:
2170:
2166:
2165:
2160:
2153:
2145:
2141:
2134:
2132:
2130:
2128:
2126:
2124:
2114:
2112:
2110:
2108:
2103:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2069:
2065:
2054:
2047:
2044:
2040:
2036:
2035:boogie woogie
2032:
2028:
2024:
2022:
2018:
2014:
2010:
2006:
2005:Steve Winwood
2002:
1998:
1994:
1990:
1986:
1982:
1977:
1975:
1971:
1967:
1963:
1959:
1955:
1954:Alexis Korner
1951:
1947:
1943:
1939:
1935:
1932:by guitarist
1931:
1927:
1923:
1919:
1915:
1911:
1902:
1898:
1894:
1889:
1879:
1877:
1873:
1869:
1863:
1853:
1851:
1847:
1843:
1838:
1836:
1831:
1827:
1823:
1819:
1816:, the CEO of
1815:
1811:
1810:Mary J. Blige
1807:
1803:
1799:
1795:
1791:
1787:
1786:Janet Jackson
1783:
1779:
1775:
1770:
1764:
1754:
1752:
1748:
1744:
1739:
1737:
1733:
1729:
1725:
1721:
1717:
1713:
1709:
1705:
1701:
1697:
1693:
1689:
1685:
1681:
1677:
1671:
1667:
1658:
1656:
1652:
1648:
1643:
1641:
1637:
1633:
1629:
1625:
1621:
1620:Frank Sinatra
1617:
1616:Nat King Cole
1612:
1608:
1604:
1600:
1595:
1593:
1589:
1585:
1581:
1577:
1576:Nat King Cole
1573:
1569:
1568:Treat Me Nice
1565:
1560:
1558:
1557:the Flamingos
1554:
1550:
1546:
1542:
1538:
1537:the Cleftones
1534:
1530:
1526:
1522:
1518:
1514:
1513:Frankie Lymon
1510:
1503:
1499:
1490:
1488:
1487:
1486:Rolling Stone
1481:
1479:
1478:
1473:
1472:rock and roll
1468:
1466:
1462:
1458:
1454:
1450:
1446:
1445:Leonard Chess
1441:
1439:
1435:
1431:
1427:
1426:Chess Records
1422:
1420:
1416:
1412:
1407:
1401:
1397:
1396:I Got a Woman
1393:
1389:
1385:
1381:
1379:
1375:
1371:
1367:
1363:
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1328:
1324:
1320:
1318:
1313:
1312:rock and roll
1309:
1305:
1301:
1297:
1292:
1290:
1286:
1285:Elvis Presley
1282:
1278:
1274:
1270:
1266:
1262:
1258:
1253:
1251:
1247:
1243:
1239:
1235:
1231:
1227:
1223:
1219:
1217:
1212:
1204:
1200:
1191:
1188:
1184:
1180:
1179:Ahmet Ertegun
1176:
1172:
1168:
1164:
1160:
1152:
1148:
1144:
1140:
1138:
1133:
1129:
1125:
1116:
1108:
1104:
1102:
1097:
1095:
1091:
1087:
1083:
1079:
1075:
1073:
1069:
1065:
1061:
1057:
1053:
1051:
1037:
1033:
1031:
1027:
1019:
1014:
1008:
1004:
1003:Gerhard Kubik
994:
983:
981:
977:
973:
969:
965:
959:
954:
950:
947:
943:
938:
929:
925:
921:
919:
918:Robert Palmer
912:
907:
905:
901:
897:
893:
889:
886:
882:
878:
877:Spanish tinge
874:
870:
866:
862:
853:
849:
847:
843:
839:
835:
831:
827:
818:
816:
812:
808:
804:
800:
796:
792:
788:
784:
780:
776:
772:
768:
767:Paul Williams
764:
760:
755:
753:
750:
746:
742:
738:
734:
730:
726:
722:
718:
714:
713:boogie-woogie
710:
706:
702:
698:
688:
686:
682:
678:
674:
673:T-Bone Walker
670:
666:
662:
658:
654:
649:
637:
633:
619:
617:
612:
610:
606:
602:
598:
594:
588:
584:
582:
577:
573:
571:
567:
563:
559:
558:Lawrence Cohn
555:
551:
547:
546:Robert Palmer
543:
538:
535:
531:
527:
523:
519:
515:
512:
508:
504:
500:
496:
495:
490:
480:
478:
474:
470:
466:
462:
457:
455:
451:
447:
444:, as well as
443:
439:
438:rock and roll
435:
430:
427:
423:
419:
418:popular music
415:
411:
407:
397:
394:
392:
389:
387:
384:
382:
379:
377:
374:
372:
369:
368:
366:
361:
356:
353:
351:
348:
346:
343:
342:
340:
335:
329:
325:
323:
320:
318:
315:
313:
310:
308:
307:Latin R&B
305:
303:
300:
299:
297:
294:Fusion genres
292:
287:
284:
282:
279:
277:
274:
272:
269:
267:
264:
262:
259:
257:
254:
253:
251:
246:
241:
238:
236:
233:
231:
228:
226:
223:
221:
218:
216:
215:rock and roll
213:
211:
208:
206:
203:
201:
198:
196:
193:
191:
188:
186:
183:
181:
178:
177:
176:
172:
166:
163:
161:
158:
156:
153:
151:
148:
146:
143:
141:
138:
136:
133:
132:
130:
126:
122:
118:
113:
110:
108:
105:
103:
102:boogie-woogie
100:
98:
95:
93:
90:
88:
85:
83:
80:
79:
78:
74:
69:
64:
59:
54:
51:
47:
40:
33:
19:
7576:Dream trance
7494:French house
7426:Scouse house
7394:Tribal house
7325:Ghetto house
7320:Garage house
7315:Future house
7303:Fidget house
7170:
7140:French house
7109:
7057:Other topics
6855:Stax Records
6845:Sophisti-pop
6830:Plastic soul
6791:Other topics
6777:Philadelphia
6691:Hip hop soul
6553:Other topics
6449:
6281:
6188:
6163:
6138:
6113:
6104:Garage house
6083:
6058:
6033:
6023:
6008:
5958:Field holler
5947:
5935:
5874:
5862:
5843:
5752:
5700:Hill country
5612:Hill country
5590:Desert blues
5531:Walking bass
5491:Blues ballad
5479:Musical form
5400:British soul
5264:Hip hop soul
5179:
5169:
5125:
5107:
5088:
5061:
5042:
5006:
4986:November 11,
4984:. Retrieved
4971:
4956:
4955:T. Russell,
4951:
4939:
4923:
4922:Bill Wyman,
4918:
4906:. Retrieved
4895:
4886:
4874:
4862:. Retrieved
4851:
4842:
4834:
4825:
4817:
4808:
4798:November 11,
4796:. Retrieved
4790:
4780:
4764:
4734:
4718:
4713:
4701:. Retrieved
4692:
4679:
4667:. Retrieved
4647:
4640:
4628:. Retrieved
4623:
4614:
4589:
4585:
4579:
4567:. Retrieved
4563:the original
4558:
4548:
4536:. Retrieved
4527:
4518:
4506:. Retrieved
4502:the original
4497:
4488:
4478:November 30,
4476:. Retrieved
4472:
4463:
4453:February 13,
4451:. Retrieved
4440:
4430:
4418:. Retrieved
4414:the original
4410:Web.fccj.edu
4409:
4400:
4388:. Retrieved
4379:
4370:
4358:. Retrieved
4354:the original
4349:
4340:
4328:. Retrieved
4319:
4310:
4298:
4286:
4274:
4264:December 23,
4262:. Retrieved
4258:the original
4251:
4242:
4227:
4223:
4213:December 23,
4211:. Retrieved
4207:the original
4200:
4176:. Retrieved
4172:the original
4165:
4156:
4146:December 23,
4144:. Retrieved
4140:the original
4134:Simon, Tom.
4129:
4117:. Retrieved
4108:
4099:
4072:
4062:December 23,
4060:. Retrieved
4056:the original
4049:
4040:
4030:
4024:
4020:
4014:
4008:
4002:
3996:
3990:
3984:
3980:
3964:
3952:. Retrieved
3938:
3930:
3922:
3910:. Retrieved
3901:
3891:
3879:. Retrieved
3870:
3860:
3852:
3845:. Retrieved
3823:(1): 31–47.
3820:
3816:
3806:
3798:
3793:December 25,
3791:. Retrieved
3786:
3777:
3765:. Retrieved
3761:
3752:
3740:
3728:
3712:
3700:
3688:
3672:
3660:
3650:December 23,
3648:. Retrieved
3644:the original
3634:
3624:December 23,
3622:. Retrieved
3618:the original
3611:
3602:
3589:
3583:
3571:
3559:. Retrieved
3550:
3541:
3531:December 26,
3529:. Retrieved
3525:
3515:
3505:December 26,
3503:. Retrieved
3499:The Guardian
3498:
3489:
3477:
3450:
3440:February 12,
3438:. Retrieved
3429:
3420:
3408:. Retrieved
3404:the original
3399:
3390:
3378:. Retrieved
3369:
3360:
3348:. Retrieved
3339:
3330:
3303:. Retrieved
3299:
3276:
3270:
3258:
3249:
3241:
3236:
3220:
3215:
3210:, p. 83
3190:
3185:
3177:
3172:
3163:
3154:
3139:
3133:
3125:
3120:
3108:. Schirmer.
3105:
3100:
3092:
3087:
3078:
3068:September 7,
3066:. Retrieved
3062:
3052:
3044:
3039:
3027:
3015:
3003:. Schirmer.
3000:
2995:
2987:
2982:
2972:February 12,
2970:. Retrieved
2961:
2952:
2944:
2931:
2923:
2918:
2910:
2905:
2897:
2891:
2883:
2878:
2870:
2865:
2853:. Retrieved
2849:the original
2844:
2835:
2823:. Retrieved
2814:
2805:
2793:. Retrieved
2784:
2775:
2760:
2750:December 23,
2748:. Retrieved
2744:the original
2737:
2728:
2716:. Retrieved
2712:the original
2707:
2698:
2674:
2664:
2652:. Retrieved
2648:the original
2643:
2634:
2622:. Retrieved
2618:the original
2608:
2598:December 23,
2596:. Retrieved
2592:the original
2585:
2576:
2567:
2555:. Retrieved
2551:the original
2546:
2526:
2521:February 22,
2519:. Retrieved
2510:
2501:
2493:
2488:December 25,
2486:. Retrieved
2481:
2472:
2464:
2459:
2443:
2428:
2408:
2398:
2393:, p. 8.
2386:
2377:
2357:
2350:
2338:. Retrieved
2329:
2319:
2299:
2289:
2277:
2273:
2249:
2224:
2219:September 4,
2217:. Retrieved
2212:
2203:
2194:
2185:
2173:. Retrieved
2162:
2152:
2039:Carl Douglas
2025:
2017:Van Morrison
1989:Bobby Womack
1978:
1958:Eric Clapton
1945:
1906:
1865:
1834:
1826:Toni Braxton
1773:
1766:
1740:
1728:Memphis soul
1720:The Mar-Keys
1712:Carla Thomas
1708:Stax Records
1700:the Miracles
1674:
1644:
1624:Tony Bennett
1611:Brook Benton
1596:
1592:Looking Back
1572:All Shook Up
1561:
1553:the Platters
1549:the Treniers
1541:the Spaniels
1517:Carl Perkins
1506:
1484:
1482:
1475:
1469:
1442:
1423:
1408:
1382:
1354:Shake a Hand
1346:What a Dream
1332:
1316:
1304:Sam Phillips
1293:
1289:Otis Redding
1273:Tutti Frutti
1269:Billy Wright
1254:
1220:
1211:Jerry Wexler
1208:
1187:Ned Sublette
1156:
1121:
1098:
1082:rhumba blues
1081:
1078:Ned Sublette
1076:
1068:The Hawketts
1054:
1042:
1026:rumba-boogie
1025:
1015:
1007:key patterns
1001:
975:
967:
961:
956:
952:
934:
914:
909:
868:
858:
837:
824:
758:
756:
729:Billy Wright
717:Tympany Five
705:Louis Jordan
694:
665:Cab Calloway
645:
636:Louis Jordan
613:
609:the Dominoes
590:
586:
578:
574:
561:
560:, author of
539:
529:
510:
498:
492:
489:Jerry Wexler
486:
458:
431:
413:
409:
405:
404:
363:Other topics
337:Local scenes
50:
7657:Dance moves
7648:Witch house
7626:Moombahsoul
7621:Moombahcore
7519:Latin house
7509:Jersey club
7504:Italo house
7484:Dutch house
7469:Changa tuki
7367:Lo-fi house
7310:Funky house
7271:Disco house
7218:House music
7171:Categories:
7155:Future funk
7100:Larry Levan
7041:Afro-cosmic
7036:Italo disco
6835:Rare groove
6813:Mod revival
6772:New Orleans
6726:Smooth soul
6686:Future soul
6510:Subcultures
6199:Drill music
5876:Blues songs
5768:Boogie rock
5763:Biker metal
5639:New Zealand
5622:New Orleans
5496:Blues scale
5385:Smooth jazz
5284:Quiet storm
5259:Crunk&B
5065:. Harmony.
4785:John Bush.
4569:November 3,
4538:November 3,
4508:November 3,
4360:February 1,
4303:Palmer 1995
4178:December 9,
4092:Palmer 1995
3954:January 18,
3561:January 18,
3095:. Brooklyn.
3020:Palmer 1995
2391:Palmer 1995
2175:January 11,
1981:the Beatles
1970:John Mayall
1966:Peter Green
1962:Mick Taylor
1942:Jimmy James
1910:beat groups
1901:the Animals
1897:Eric Burdon
1868:Arnold Shaw
1830:Boyz II Men
1736:the Grammys
1704:Shop Around
1661:1960s–1970s
1640:Personality
1636:Stagger Lee
1628:Lloyd Price
1603:Berry Gordy
1601:'s Sar and
1533:Della Reese
1502:Della Reese
1451:reworked a
1449:Chuck Berry
1392:Ray Charles
1384:Fats Domino
1370:The Orioles
1281:James Brown
1261:RCA Records
1238:The Clovers
1222:Johnny Otis
1137:Johnny Otis
1094:Ray Charles
1056:Johnny Otis
972:Blue Monday
942:Fats Domino
928:Fats Domino
888:second line
885:New Orleans
830:contradanza
771:Andy Gibson
749:band leader
741:Paul Gayten
669:Count Basie
601:the Orioles
597:Fats Domino
552:. However,
386:rare groove
350:New Orleans
302:Jazz fusion
281:quiet storm
230:smooth jazz
210:mod revival
135:Double bass
7725:Categories
7616:Moombahton
7606:Madchester
7601:Hard dance
7444:Afro house
7389:Tech house
7379:Slap house
7357:Microhouse
7347:Jazz house
7335:Juke house
7330:Ghettotech
7298:Complextro
7276:Diva house
7266:Deep house
7251:Bass house
7241:Acid house
7174:Dance-rock
7019:Disco polo
7012:connection
6990:Dance-rock
6985:Dance-punk
6973:connection
6922:connection
6912:Post-disco
6870:Yacht soul
6860:Swamp rock
6840:Samba rock
6736:Soul blues
6721:Retro-soul
6696:Latin soul
6652:Soul music
6600:Ska stroke
6570:Dance hall
6527:Scooterboy
6476:Studio One
6455:Rocksteady
6423:Influences
6194:Trap music
6174:Snap music
5963:Spirituals
5928:(timeline)
5758:Blues rock
5664:West Coast
5562:Work songs
5557:Spirituals
5363:Jump blues
5304:Snap&B
4881:, show 30.
4741:, show 27.
4630:August 30,
4559:Soul Train
4420:January 7,
4390:January 7,
4293:, show 25.
4281:, show 52.
3695:, show 15.
3482:White 2003
3470:White 2003
3148:1466462302
3114:0534642950
3009:0534642950
2988:Deep Blues
2924:60 Minutes
2884:Latin Jazz
2873:1979: 41).
2654:January 7,
2624:January 5,
2098:References
2001:Zoot Money
1950:blues rock
1922:the Equals
1824:, TLC and
1724:Last Night
1692:soul music
1680:Chain Gang
1655:Hi Records
1647:Bill Black
1525:Cathy Carr
1509:Al Hibbler
1493:Late 1950s
1465:Alan Freed
1461:Maybellene
1434:Bo Diddley
1430:Bo Diddley
1411:the Chords
1350:Faye Adams
1334:Ruth Brown
1327:Ruth Brown
1300:Ike Turner
1246:Alan Freed
1159:conga drum
1147:Bo Diddley
1132:Bo Diddley
1090:Ike Turner
1064:Ike Turner
881:ring shout
775:Roy Alfred
739:. Already
737:jump blues
701:RCA Victor
691:Late 1940s
661:Leroy Carr
627:Precursors
616:Alan Freed
605:the Ravens
593:Joe Turner
550:jump blues
526:Ralph Peer
518:race music
514:RnB chart.
450:soul music
180:Beat music
107:jump blues
92:spirituals
7695:Nightclub
7586:Eurodance
7566:Chill-out
7489:Eurohouse
7342:Hip house
7226:Subgenres
7135:Acid jazz
7029:Eurodance
7010:Eurodisco
6971:Post-punk
6944:Dance-pop
6938:Freestyle
6741:Soul jazz
6544:Suedehead
6404:Australia
6264:UK garage
6259:Vaporwave
6249:Synth-pop
6244:Dance-pop
6239:Chillwave
6231:Elsewhere
5673:Subgenres
5617:Louisiana
5486:Blue note
5351:Nederbeat
5341:Afroswing
5227:Swamp pop
4812:J. Bush,
4703:March 20,
4669:March 20,
4606:0140-9174
4253:Billboard
4202:Billboard
4167:Billboard
4109:Billboard
4051:Billboard
3912:March 15,
3881:March 15,
3847:March 15,
3767:April 20,
3762:Billboard
3613:Billboard
3380:April 20,
3350:April 20,
3305:April 20,
3300:Billboard
2855:April 20,
2845:Billboard
2825:April 20,
2795:April 20,
2739:Billboard
2718:April 20,
2587:Billboard
2557:April 20,
2213:Billboard
1997:Yardbirds
1952:musician
1934:Pete Gage
1835:Billboard
1814:L.A. Reid
1774:Billboard
1688:The Twist
1676:Sam Cooke
1670:Sam Cooke
1599:Sam Cooke
1588:Too Young
1584:Mona Lisa
1578:, also a
1519:, whose "
1438:I'm a Man
1366:Hound Dog
1296:Rocket 88
1265:Roy Brown
1128:3–2 clave
1086:Otis Rush
1050:time line
920:recalls:
807:Specialty
725:Roy Brown
685:saxophone
642:July 1946
530:Billboard
524:producer
511:Billboard
499:Billboard
494:Billboard
487:Although
248:Subgenres
165:saxophone
7669:Footwork
7633:Nu-disco
7591:Footwork
7561:Big beat
7529:New beat
7449:Amapiano
7437:Regional
7419:Hardbass
7409:Hard NRG
7261:Ballroom
7256:Bassline
7234:Specific
7145:Nu-disco
7127:See also
7092:Articles
7046:Eurobeat
7000:New wave
6929:City pop
6701:Neo soul
6671:Boogaloo
6610:Toasting
6532:Skinhead
6522:Rude boy
6388:Two-tone
6373:Ska punk
6368:Ska jazz
6282:Category
6154:Neo soul
5864:Category
5732:Jug band
5712:Electric
5644:Piedmont
5576:Regional
5516:Shuffles
5410:Neo soul
5380:Slow jam
5370:Boogaloo
5036:"Show 1"
5034:(1969).
4934:, p. 137
4908:June 29,
4902:Archived
4897:AllMusic
4864:June 29,
4858:Archived
4853:AllMusic
4835:Allmusic
4818:Allmusic
4792:AllMusic
4729:, p. 28.
4697:Archived
4663:Archived
4532:Archived
4447:Archived
4384:Archived
4324:Archived
4113:Archived
4029:(1957),
4023:(1957),
4019:(1956),
4013:(1956),
4007:(1956),
4001:(1956),
3995:(1956),
3989:(1956),
3948:Archived
3906:Archived
3875:Archived
3841:Archived
3555:Archived
3434:Archived
3374:Archived
3344:Archived
2966:Archived
2819:Archived
2789:Archived
2515:Archived
2437:AllMusic
2340:July 20,
2334:Archived
2297:(1996).
2169:Archived
2144:Archived
2050:See also
1782:R. Kelly
1409:In 1954
1255:In 1951
1234:Gee Baby
1101:backbeat
869:habanera
861:cakewalk
846:backbeat
844:and the
842:tresillo
834:habanera
815:Atlantic
803:Imperial
554:AllMusic
391:slow jam
326:various
200:hard bop
140:drum kit
7674:Jacking
7638:Nu jazz
7281:Hardbag
6954:Chicago
6934:Electro
6850:Soulboy
6767:Memphis
6762:Chicago
6450:R&B
6430:Calypso
6119:Electro
6099:Hip-hop
6019:Doo-wop
5988:Rapping
5983:Ragtime
5737:Skiffle
5690:Country
5634:Memphis
5602:Chicago
5547:Origins
5540:Origins
5289:RaĂŻ'n'B
5279:Pluggnb
5217:Doo-wop
5190:General
5087:(ed.).
5039:(audio)
5025:Sources
4330:May 21,
4119:June 8,
3944:"BLUES"
3837:1214792
3410:May 21,
1837:Hot 100
1794:Aaliyah
1769:hip-hop
1457:Ida Red
1453:country
1415:Sh-Boom
1374:doo-wop
1344:" and "
1275:" and "
1205:in 1967
1167:maracas
1060:guajeos
930:in 1956
890:music.
865:ragtime
836:). The
622:History
473:hip hop
410:R&B
345:Detroit
330:fusions
328:hip hop
317:raĂŻ'n'B
271:doo-wop
205:hip hop
70:in 1955
7643:Techno
7554:Genres
7514:Kwaito
7178:Boogie
7105:P-Funk
7024:Hi-NRG
6959:Garage
6920:Boogie
6757:Africa
6659:Genres
6445:Reggae
6378:Spouge
6356:Genres
6207:Legacy
6129:Techno
6064:Motown
5968:Gospel
5940:series
5785:Gospel
5727:Holler
5654:Turkey
5597:Canada
5585:Africa
5578:styles
5405:Motown
5299:RnBass
5202:Boogie
5181:Genres
5132:
5095:
5069:
5013:
4963:
4930:
4771:
4725:
4655:
4604:
4234:
4035:(1959)
3972:
3835:
3720:
3680:
3227:
3146:
3112:
3007:
2941:
2937:
2686:
2451:
2416:
2365:
2307:
2261:
2029:was a
2019:&
2015:, and
1968:, and
1920:, and
1903:(1964)
1899:&
1798:Brandy
1749:, and
1555:, and
1539:, and
1404:
1287:, and
1171:claves
1163:bongos
1070:, in "
1046:
1030:guajeo
1022:
1011:
731:, and
671:, and
507:Harlem
475:, and
446:gospel
240:zydeco
220:reggae
97:gospel
7756:1940s
7683:Other
7610:Baggy
7571:Disco
7064:Lists
6949:House
6823:sound
6440:Mento
6409:Japan
6254:K-pop
6189:2010s
6179:Hyphy
6169:Crunk
6164:2000s
6139:1990s
6124:House
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