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short horn patterns or riffs. The songs featured the use of
African American vernacular language, humor, and vocal call-and-response sections between Jordan and the band. Jordan’s music appealed to both African American and white audiences, and he had broad success with hit songs like "Is You Is or Is You Ain’t My Baby" (1944).
217:
One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with ... His
Tympany Five ... three horns and a rhythm section, while stylistically his music melded elements of swing and blues, incorporating the shuffle rhythm, boogie-woogie bass lines, and
308:
As this urban, jazz-based music became more popular, musicians who wanted to "play for the people" began favoring a heavy, insistent beat. which appealed to black listeners who no longer wished to be identified with "life down home".
252:". Jordan's jump blues combined good-natured novelty lyrics (some with suggestive double meanings); pushing the tempo; strengthening the beat; layering the sound with his bluesy saxophone and playful melodies.
244:", one of the first to feature a distorted electric guitar, "literally made its listeners jump to its pulsing beat". At least two other Jordan records are viewed as jump blues, "
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dances at a much lower cost than big bands, became popular with agents and ballroom owners. The saxophonist Art Chaney said "e were insulted when an audience wouldn't dance".
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described "Flying Home" as "an unusually swingy side...with a bright bounce in the medium tempo and a steady drive maintained, it's a jumper that defies standing still".
735:
Citing its unmistakable resemblance to Chuck Berry's later work, its lyrical instruction to "rock awhile," and the way the guitar crackled through an overdriven amp
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referred to rock and roll in the mid 1950s, "the sexual component had been dialled down enough that it simply became an acceptable term for dancing".
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By the mid-1950s, jump blues had been all but forgotten, with a few exceptions such as "Five Guys Named Moe" and some songs from the 1980s, by
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Both
Hampton and Jordan combined the popular boogie-woogie rhythm, a grittier version of swing-era saxophone styles as exemplified by
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usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of
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were part of the same musical world, with many musicians straddling both genres. Jump bands such as the
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The term "rock and roll" had a strong sexual connotation in jump blues and R&B, but by the time DJ
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174:. Jordan was the most popular of the jump blues stars; other artists who played the genre include
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Jump was especially popular in the late 1940s and early 1950s, through artists such as
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516:"Tell It Like It is: A History of Rhythm and Blues | Smithsonian Folklife"
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revival, achieved maximum effect with an eight-to-the-bar boogie-woogie style.
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122:. Appreciation of jump blues was renewed in the 1990s as part of the
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Deep Blues: A Musical and
Cultural History of the Mississippi Delta
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147:
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Escaping the Delta: Robert
Johnson and the Invention of the Blues
427:
All Music Guide to
Country: The Definitive Guide to Country Music
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490:"The missing link in the evolution of rock and roll JUMP BLUES"
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Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas.
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Jordan's "raucous recordings" with the
Tympany Five like "
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748:"The unexpected origins of music's most well-used terms"
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Jumptown: The Golden Years of
Portland Jazz, 1942–1957
453:. Fulham, London: Flame Tree Publishing. p. 170.
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520:
Smithsonian Center for
Folklife and Cultural Heritage
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in the early 1940s which produced musicians such as
783:Nothing but the Blues: The Music and the Musicians
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379:to be an appropriate candidate for the title of
233:, which came into being at the same time as the
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625:Listen to the Blues! Exploring a Musical Genre
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647:"Jump Blues – Grandfather of Rock 'n' Roll"
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268:recorded the stomping big-band blues song "
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780:Cohn, Lawrence; Humphrey, Mark A. (1993).
194:. Hits included singles such as Jordan's "
764:its meaning covering both sex and dancing
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272:" in 1942. Featuring a choked, screaming
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576:. Boston & London: Faber and Faber.
574:What Was the First Rock 'N' Roll Record?
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202:" and Big Jay McNeely's "Deacon's Hop".
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186:, as well as sax soloists Jack McVea,
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451:The Illustrated Encyclopedia of Music
146:Jump blues evolved from the music of
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488:Considine, J. D. (5 December 1993).
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371:also recorded some jump blues; his "
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312:Jump groups, employed to play for
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805:. Oregon State University Press.
692:O’Neal, Jim (November 10, 2016).
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598:"Louis Jordan: 'Jukebox King'"
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367:. Less frequently mentioned,
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381:first rock and roll record
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1514:Urban adult contemporary
1407:British rhythm and blues
1272:Blues musicians by genre
972:Traditional blues verses
720:"Roll Over, Ike Turner"
449:Du Noyer, Paul (2003).
242:Saturday Night Fish Fry
196:Saturday Night Fish Fry
262:
220:
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142:in New York, July 1946
962:Musical improvisation
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1438:Contemporary R&B
200:Good Rockin' Tonight
16:Style of blues music
1447:Alternative R&B
1422:New Orleans R&B
1018:American folk music
786:. Abbeville Press.
473:Dietsche, pp. 9–10.
250:Choo Choo Ch'Boogie
1638:Blues music genres
1536:Adult contemporary
1509:Urban contemporary
1494:Rhythm & grime
885:2011-08-29 at the
875:Richie Unterberger
754:. October 12, 2018
622:Perone, James E.,
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192:Bull Moose Jackson
144:
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1412:Christian R&B
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952:Call and response
853:. HarperCollins.
836:978-0-670-49511-5
628:,ABC-CLIO, 2019 (
494:The Baltimore Sun
388:the Honeydrippers
150:such as those of
138:Alto saxophonist
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209:Jordan with his
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61:Late 1930s, U.S.
58:Cultural origins
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1041:Desert blues
982:Walking bass
942:Blues ballad
930:Musical form
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845:Wald, Elijah
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758:February 22,
756:. Retrieved
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369:Goree Carter
349:Billy Wright
321:Louis Jordan
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284:" category.
264:
239:
231:Tympany Five
221:
216:
211:Tympany Five
180:Amos Milburn
160:Louis Jordan
145:
140:Louis Jordan
95:
94:
1643:Jazz genres
1585:Smooth jazz
1484:Quiet storm
1459:Crunk&B
1327:Blues songs
1219:Boogie rock
1214:Biker metal
1090:New Zealand
1073:New Orleans
947:Blues scale
729:19 December
703:23 February
656:23 February
608:23 February
566:Dawson, Jim
499:23 February
373:Rock Awhile
361:Sonny Terry
357:Louis Prima
337:Helen Humes
299:Ben Webster
270:Flying Home
184:Joe Liggins
172:Arnett Cobb
168:Earl Bostic
1632:Categories
1563:Jump blues
1504:Snap&B
1209:Blues rock
1115:West Coast
1013:Work songs
1008:Spirituals
879:Jump Blues
530:2021-02-21
413:References
395:Alan Freed
345:Roy Milton
164:Jack McVea
96:Jump blues
22:Jump blues
1551:Nederbeat
1541:Afroswing
1427:Swamp pop
1124:Subgenres
1068:Louisiana
937:Blue note
698:Blues.org
636:), p. 93.
329:Roy Brown
314:jitterbug
303:jive talk
287:Billboard
274:tenor sax
176:Roy Brown
148:big bands
102:style of
1610:Neo soul
1580:Slow jam
1570:Boogaloo
1315:Category
1183:Jug band
1163:Electric
1095:Piedmont
1027:Regional
967:Shuffles
883:Archived
847:(2004).
823:(1981).
572:(1992).
401:See also
246:Caldonia
100:up-tempo
1489:Raï'n'B
1479:Pluggnb
1417:Doo-wop
1390:General
1188:Skiffle
1141:Country
1085:Memphis
1053:Chicago
998:Origins
991:Origins
248:" and "
130:Origins
1605:Motown
1499:RnBass
1402:Boogie
1381:Genres
1236:Gospel
1178:Holler
1105:Turkey
1048:Canada
1036:Africa
1029:styles
857:
833:
809:
790:
632:
580:
457:
431:p. 912
359:, and
190:, and
182:, and
170:, and
110:, and
98:is an
1617:Urban
1558:Blues
1397:Beach
1260:Lists
1173:Hokum
1158:Dirty
1146:Delta
1100:Texas
1078:Swamp
1058:Delta
923:Blues
223:Blues
104:blues
39:swing
34:Blues
1590:Soul
1575:Funk
1546:Beat
1452:Alté
1246:Soul
1241:Jump
1224:Punk
855:ISBN
831:ISBN
807:ISBN
788:ISBN
760:2021
731:2022
705:2021
658:2021
630:ISBN
610:2021
578:ISBN
501:2021
455:ISBN
390:.
383:.
363:and
297:and
282:race
227:jazz
225:and
154:and
118:and
108:jazz
49:Jazz
752:BBC
602:NPR
1634::
877::
762:.
750:.
733:.
722:.
696:.
666:^
649:.
600:.
568:;
548:^
518:.
492:.
478:^
437:^
429:.
355:,
351:,
347:,
343:,
339:,
335:,
331:,
327:,
323:,
305:.
178:,
166:,
162:,
126:.
106:,
1362:e
1355:t
1348:v
915:e
908:t
901:v
863:.
839:.
815:.
796:.
707:.
660:.
612:.
586:.
533:.
503:.
463:.
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