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René Guilleré

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lights, carpets, mirrors, vases and statuettes. Modern and affordable products were made for the mass market. Primavera also made complete sets of furniture and decoration for wealthy private or public clients, including hotels, casinos and embassies. They also submitted work to exhibitions such as the
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The atelier reopened after the war. Guilleré and his wife recruited talented young people, mostly under thirty years old and believers in the new aesthetics. They purchased the Faïencerie de Ste-Radegonde and commissioned innovative ceramicists. Primavera created furniture, fabrics, wallpaper,
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department stores, who agreed to promote the work of decorative artists in his stores. Laguionie had already arranged competitions for decorative art and had offered some modern furniture, but the energetic Guilleré persuaded him to go further and support production. The Atelier Primavera was
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Guilleré imagined elegant designs for mass-produced objects such as drain covers and automobile radiator caps. He also wanted France to assert her leadership in modern design over Germany, Britain and Italy. He was reacting to the success that the German decorators had achieved at the 1910
260:. The pavilion was one of four, with the products of the other studios placed at the other corners of the exposition, where they were the main attractions of the event. The temple-like building was criticized as being overblown, but the interior presented an elegant and refined decor. 225:. The proposal was sponsored by the leading arts associations and by more the fifty members of the decorative arts establishment. It was supported by all parties in the Chamber of Deputies in a vote in July 1912. The exposition was planned for 1915, but plans were interrupted by 156:
founded in 1912, with Guilleré's wife as its head. Guilleré codirected the workshop. In its first year it created and distributed more than 800 models, but production was halted with the outbreak of war in 1914.
114:(SAD) in 1901 "to react against commercialism, shameful copying, bad taste and the inertia of trade and industry." He helped organize the first SAD exhibition in 1904. He also contributed to various reviews. 117:
In March 1906, in Paris, Guilleré married Charlotte Chauchet (1878–1964), a young painter. They had a house built in brick and slate, with an unpretentious but elegant facade, at 13 rue Eugénie Gérard in
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in 1911. He arranged for foundation of the Atelier Primavera, which made decorative art for sale by the Printemps department stores. He was one of the moving forces behind the 1925
252:. It had a post-and-beam construction supporting a reinforced concrete dome 20 metres (66 ft) in diameter. The dome was studded with large lenses of colored glass made by 104:
René Guilleré was born in 1878. He became a lawyer. He was a lover of art and music, a collector of African art, a poet and dramatic author. He joined the movement
256:, which looked like "boulders that are still wet from the sea". Charlotte Chauchet-Guilleré undertook the interior design, with advice from her husband and from 108:, which encouraged artists interested in decorative arts. Guilleré had a passion for authentic artisan objects. He was one of the founders of the 229:(1914–18). It would eventually take place in 1925. It would focus on decorative art, where modern industry and modern design came together. 110: 725: 669: 622: 575: 823: 244:
A lavish display by Primavera was arranged for the 1925 Exposition. The Primavera pavilion was designed by the architects
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Guilleré proposed, not for the first time, that the artist, the industrialist and the artisan should collaborate.
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Lettre à l'amateur de céramique par le directeur de l'atelier Primavera au Printemps, Paris
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Cubism in the Shadow of War: The Avant-garde and Politics in Paris 1905-1914
544: 528: 249: 42: 686: 226: 199: 92:(16 August 1878 – 24 November 1931) was a French lawyer who founded the 687:"L'atelier Primavera: Atelier d'art des grands magazins du Printemps" 239:
Exposition internationale des arts décoratifs et industriels modernes
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Around 1910 Guilleré met Peter Laguionie, one of the managers of the
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Exposition internationale des arts décoratifs et industriels modernes
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René Guilleré died in 1931, aged 53. One of his books of poetry,
178:. Other department stores followed the lead of Printemps, with 390: 139:, was published posthumously with a preface by his friend 380: 378: 474: 423: 786:(in French). Réunion des Musées Nationaux. p. 451. 743:"Colette Guéden (1905-2000), Primavera et la céramique" 689:(in French). Société des Amis de la Bibliothèque Forney 640:"Primavera, l'atelier d'art des magasins du Printemps" 375: 510: 462: 440: 438: 332: 330: 328: 498: 353: 351: 349: 347: 345: 221:
Guilleré published a proposal on 1 June 1911 for an
413: 411: 409: 407: 405: 486: 435: 325: 217:1925 Exposition internationale des arts décoratifs 546:"1925 Art Deco Architecture - Pavillon Primavera" 363: 342: 800: 790: 402: 396: 717:The Modernist Garden in France: Dorothée Imbert 529:1925 Art Deco Architecture - Pavillon Primavera 282: 223:Exposition internationale des arts décoratifs 597:Primavera, naissance de la céramique moderne 309:means "Spring" in Latin, a reference to the 765:"L'atelier d'art des magasins du Printemps" 701:Hirsch, Charles-Henry (1 September 1933). 610: 480: 283:Guilleré, René; Fargue, Léon-Paul (1933). 792:Vincennes (94), un patrimoine à découvrir 457:L'atelier d'art des magasins du Printemps 781: 384: 285:Funiculaire. Préface de Léon-Paul Fargue 273: 637: 444: 801: 740: 713: 700: 599:(in French). Galerie Anne-Sophie Duval 590: 563: 516: 504: 468: 429: 369: 336: 684: 657: 492: 417: 357: 96:, which made decorative art objects. 176:Salon de la Décoration contemporaine 593:"Naissance de la céramique moderne" 13: 14: 840: 287:. impr. R. Bussière. p. 191. 122:. Guilleré was president of the 124:Société des artistes décorateurs 111:Société des artistes décorateurs 750:Les Dossiers de la faïence fine 714:Imbert, Dorothée (1993-01-01). 567:Encyclopedia of Interior Design 278:. Paris: Printemps. p. 41. 263: 300: 162:Salon des Artistes décorateurs 1: 564:Banham, Joanna (2015-04-24). 293: 146: 7: 824:19th-century French lawyers 782:Thiébaut, Philippe (1992). 741:Lajoix, Anne (April 2010). 658:Green, Christopher (2003). 172:Salon des Artistes français 10: 845: 685:Hardy, Alain-René (2015). 638:Fravalo, Fabienne (2015). 611:Cottington, David (1998). 537: 317:means "Spring" in French. 720:. Yale University Press. 664:. Yale University Press. 617:. Yale University Press. 77: 69: 50: 28: 21: 16:French lawyer (1878–1931) 819:People from Valenciennes 661:Art in France, 1900-1940 591:Candau, Antoine (2013). 274:Guilleré, René (1924). 99: 644:L’Histoire par l’image 268:Publications include: 258:Jacques-Emile Ruhlmann 397:Vincennes Patrimoine 432:, pp. 435–437. 709:(in French) (845). 208:Magasins du Louvre 184:Galeries Lafayette 94:Ateliers Primavera 727:978-0-300-04716-5 707:Mercure de France 671:978-0-300-09908-9 624:978-0-300-07529-8 577:978-1-136-78758-4 87: 86: 82:Atelier Primavera 836: 829:French designers 794: 787: 778: 776: 775: 760: 758: 757: 752:(in French) (27) 747: 737: 735: 734: 710: 697: 695: 694: 681: 679: 678: 654: 652: 651: 634: 632: 631: 607: 605: 604: 587: 585: 584: 560: 558: 557: 532: 526: 520: 514: 508: 502: 496: 490: 484: 478: 472: 466: 460: 454: 448: 442: 433: 427: 421: 415: 400: 394: 388: 382: 373: 367: 361: 355: 340: 334: 318: 304: 288: 279: 141:Léon-Paul Fargue 57: 54:24 November 1931 38: 36: 19: 18: 844: 843: 839: 838: 837: 835: 834: 833: 799: 798: 797: 773: 771: 755: 753: 745: 732: 730: 728: 692: 690: 676: 674: 672: 649: 647: 629: 627: 625: 602: 600: 582: 580: 578: 555: 553: 540: 535: 527: 523: 515: 511: 503: 499: 491: 487: 481:Cottington 1998 479: 475: 467: 463: 455: 451: 443: 436: 428: 424: 416: 403: 395: 391: 383: 376: 368: 364: 356: 343: 335: 326: 322: 321: 305: 301: 296: 291: 266: 235:Salon d'Automne 219: 213: 188:Maurice Dufrêne 167:Salon d'Automne 149: 106:L'Art dans Tout 102: 65: 59: 55: 46: 40: 34: 32: 24: 17: 12: 11: 5: 842: 832: 831: 826: 821: 816: 811: 796: 795: 788: 779: 761: 738: 726: 711: 698: 682: 670: 655: 635: 623: 608: 588: 576: 561: 541: 539: 536: 534: 533: 521: 519:, p. 215. 509: 497: 485: 473: 471:, p. 945. 461: 449: 434: 422: 401: 389: 387:, p. 331. 374: 362: 341: 323: 320: 319: 298: 297: 295: 292: 290: 289: 280: 270: 265: 262: 218: 215: 204:Studium Louvre 198:in 1923 under 186:in 1921 under 148: 145: 101: 98: 85: 84: 79: 78:Known for 75: 74: 71: 67: 66: 60: 58:(aged 53) 52: 48: 47: 41: 39:16 August 1878 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 841: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 806: 804: 793: 789: 785: 780: 770: 769:l'art nouveau 766: 762: 751: 744: 739: 729: 723: 719: 718: 712: 708: 704: 699: 688: 683: 673: 667: 663: 662: 656: 645: 641: 636: 626: 620: 616: 615: 609: 598: 594: 589: 579: 573: 570:. Routledge. 569: 568: 562: 551: 550:Pixelcreation 547: 543: 542: 530: 525: 518: 513: 507:, p. 28. 506: 501: 494: 489: 483:, p. 69. 482: 477: 470: 465: 458: 453: 446: 441: 439: 431: 426: 419: 414: 412: 410: 408: 406: 398: 393: 386: 385:Thiébaut 1992 381: 379: 371: 366: 359: 354: 352: 350: 348: 346: 338: 333: 331: 329: 324: 316: 313:store, since 312: 308: 303: 299: 286: 281: 277: 272: 271: 269: 261: 259: 255: 251: 247: 246:Henri Sauvage 242: 240: 236: 230: 228: 224: 214: 211: 209: 205: 201: 197: 196:Le Bon Marché 193: 189: 185: 181: 177: 173: 169: 168: 163: 157: 154: 144: 142: 138: 133: 131: 130: 125: 121: 115: 113: 112: 107: 97: 95: 91: 90:René Guilleré 83: 80: 76: 72: 68: 63: 53: 49: 44: 31: 27: 23:René Guilleré 20: 791: 783: 772:. Retrieved 768: 754:. Retrieved 749: 731:. Retrieved 716: 706: 703:"Les revues" 691:. Retrieved 675:. Retrieved 660: 648:. Retrieved 643: 628:. Retrieved 613: 601:. Retrieved 596: 581:. Retrieved 566: 554:. Retrieved 549: 524: 512: 500: 495:, p. 6. 488: 476: 464: 452: 445:Fravalo 2015 425: 392: 365: 360:, p. 5. 339:, p. 3. 314: 310: 306: 302: 284: 275: 267: 264:Publications 254:René Lalique 250:Georges Wybo 243: 238: 234: 231: 222: 220: 212: 203: 191: 179: 175: 171: 165: 161: 158: 150: 136: 134: 127: 123: 116: 109: 105: 103: 93: 89: 88: 81: 56:(1931-11-24) 43:Valenciennes 814:1931 deaths 809:1878 births 646:(in French) 552:(in French) 517:Imbert 1993 505:Imbert 1993 469:Banham 2015 430:Hirsch 1933 370:Candau 2013 337:Lajoix 2010 227:World War I 200:Paul Follot 180:La Maïtrise 137:Funiculaire 803:Categories 774:2015-06-16 756:2015-06-16 733:2015-06-16 693:2015-06-16 677:2015-06-16 650:2015-06-16 630:2015-06-16 603:2015-06-16 583:2015-06-16 556:2015-06-16 493:Green 2003 418:Hardy 2015 358:Green 2003 294:References 70:Occupation 35:1878-08-16 315:Printemps 311:Printemps 307:Primavera 210:in 1924. 153:Printemps 147:Primavera 120:Vincennes 64:, Belgium 62:Brussels 45:, France 784:Guimard 538:Sources 724:  668:  621:  574:  192:Pomone 73:Lawyer 746:(PDF) 722:ISBN 666:ISBN 619:ISBN 572:ISBN 248:and 202:and 174:and 100:Life 51:Died 29:Born 206:at 194:at 182:at 805:: 767:. 748:. 705:. 642:. 595:. 548:. 437:^ 404:^ 377:^ 344:^ 327:^ 190:, 170:, 164:, 143:. 132:. 777:. 759:. 736:. 696:. 680:. 653:. 633:. 606:. 586:. 559:. 531:. 459:. 447:. 420:. 399:. 372:. 37:) 33:(

Index

Valenciennes
Brussels
Société des artistes décorateurs
Vincennes
Exposition internationale des arts décoratifs et industriels modernes
Léon-Paul Fargue
Printemps
Salon d'Automne
Galeries Lafayette
Maurice Dufrêne
Le Bon Marché
Paul Follot
Magasins du Louvre
World War I
Henri Sauvage
Georges Wybo
René Lalique
Jacques-Emile Ruhlmann



Lajoix 2010





Green 2003
Candau 2013

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