227:
124:
242:, with foliate motifs. Follot acquired a taste for wooden motifs and carvings from Grasset. The stylized motifs of baskets of fruit or of flowers were typically carved from solid wood by Laurent Malclès. Follot made well-upholstered pieces in gently curved and ornamented giltwood frames. He liked using rare materials, with inlays of contrasting colors and gilded bronze friezes. His furniture became closer to the styles of Louis XVI or of the Empire than to contemporary
271:
Follot designed textiles and wallpapers in traditional and modern styles. In 1928 Follot said, “We know that the 'necessary' alone is not sufficient for man and that the superfluous is indispensable for him, otherwise let us also suppress music, flowers, perfumes… and the smiles of ladies!” Writing
171:
company of
England. Between 1910 and 1914 he designed new forms of jewelry. In 1913 he designed furniture for Germain Lubin in which the motif was the cornucopia. Follot also taught a course on decorative art for the city of Paris. Follot became one of the leaders of the Art Deco movement. He had
158:
From 1910 Follot headed his own decorating company, catering to a wealthy clientele, and gained a reputation for quality and elegance. He made luxury furniture for his company. He designed textiles for
Cornille et Cie, carpets for the
267:
of
January 1912. The backs of the chairs in this set had an openwork design that represented a basket of fruit and flowers. Follot was an Art Deco "purist", and saw his work as refinement of classical French design.
31:
204:
he introduced the motifs of fruit, garlands and cornucopia to the firm. Follot resumed an independent practice as a decorator in 1931. In 1935 he was commissioned to decorate the liner
175:
After World War I more of the large department stores began to operate workshops to make furniture and decorative art objects for the middle classes. In 1923 Follot took charge of the
190:
280:
stated that “ne breathes a comfortable and precious atmosphere, sheltered from the noise, agitation, and tumultuousness of the outside world. No violence, no brutality.”
193:
in Paris was a great success. Follot had designed every room in the pavilion, and also contributed an antechamber to the exposition's model “Modern French
Embassy.”
185:
department store, which made affordable, good quality furniture and decorations. He designed the symbol of the workshop, a tree laden with fruit. The
155:(Art in Everything), a group of artists who strongly promoted French artisan work in the face of industrial products, particularly from Germany.
103:(17 July 1877 – 1941) was a French designer of luxury furniture and decorative art objects before World War I. He was one of the leaders of the
226:
212:
804:
729:
646:
619:
592:
527:
544:
799:
762:
123:
311:
Modern Art in French & English
Decoration & Furniture: Exhibition, Waring & Gillow Galleries, 1928
809:
239:
259:
in 1912, is considered to be one of the first examples of Art Deco. It follows the precepts defined by
151:
also worked for Meier-Graefe, and strongly influenced Follot. In 1903 Follot was a founding member of
131:
Paul Follot was born in 1877 in Paris. His father was the wallpaper manufacturer FĂ©lix Follot, of the
160:
719:
636:
609:
582:
517:
127:
Art
Nouveau entrance with ceramics of Follot's house built in 1911 at 5 rue Schoelcher, Paris
107:
movement, and had huge influence in France and elsewhere.After the war he became head of the
794:
789:
562:
249:
After 1910 Follot's designs became quieter and more classical as his style evolved towards
8:
320:
Follot Paul, 1877-1941, arts décoratifs XXe: vente, Paris, Drouot
Montaigne, 22 mars 2011
680:
408:
406:
404:
699:
662:
255:
197:
143:
silver objects, textiles, bronzes and jewelry for Julius Meier-Graefe's Paris showroom
148:
768:
758:
725:
642:
615:
588:
523:
401:
136:
201:
253:. Follot's dining room ensemble in sycamore, ebony and amaranth, exhibited at the
181:
112:
91:
30:
277:
783:
772:
115:
department store, making affordable but still elegant and high-quality work.
66:
260:
205:
243:
140:
561:
412:
231:
164:
349:
347:
345:
343:
341:
339:
337:
379:
377:
334:
250:
168:
104:
374:
191:
International
Exposition of Modern Industrial and Decorative Arts
427:
425:
423:
421:
172:
huge influence beyond France and his style was often copied.
167:
throughout his career. In 1911 he made china designs for the
444:
442:
440:
135:. Paul Follot trained as a sculptor. He became a student of
418:
317:
757:(25th anniversary ed.). Köln: Taschen. p. 248.
437:
679:
353:
661:
383:
364:
362:
196:
From 1928 Follot was a director of the Paris branch of
481:
302:
Interieures français au salon des artistes décorateurs
200:, an English furniture company. In collaboration with
389:
471:
469:
359:
454:
493:
466:
781:
697:
431:
293:Documents de bijouterie et orfèvrerie modernes
545:"The purists Paul Follot and Maurice Dufrène"
318:Camard & associés; Follot, Paul (2011).
308:
634:
448:
413:Follot Paul (1877–1941) – Art et décoration
309:Waring, Samuel James; Follot, Paul (1928).
218:Paul Follot died in 1941 in Sainte-Maxime.
752:
29:
519:The Grove Encyclopedia of Decorative Arts
718:Widmann, Melanie Paquette (2012-07-02).
515:
487:
238:Paul Follot's early designs reflect the
225:
122:
753:Fiell, Charlotte; Fiell, Peter (2005).
717:
580:
395:
368:
782:
607:
460:
299:
290:
542:
499:
475:
322:. Camard & associés. p. 254.
721:Eugene Grasset: a Passion for Design
13:
746:
698:Samoyault-Verlet, Colombe (2015).
313:. Waring & Gillow. p. 25.
14:
821:
587:. Princeton Architectural Press.
213:Brussels International Exposition
635:Nadelhoffer, Hans (2007-10-18).
584:Twentieth Century Pattern Design
211:. That year he exhibited at the
139:. Between 1901 and 1903 he made
543:Cerio, Gregory (October 2009).
516:Campbell, Gordon (2006-11-09).
283:
805:Furniture designers from Paris
581:Jackson, Lesley (2007-02-08).
1:
608:Miller, Judith (2005-10-03).
354:Paul Follot – Ketterer Kunst
234:, 1903, Musée d'Orsay, Paris
7:
700:"FOLLOT PAUL - (1877-1941)"
522:. Oxford University Press.
384:Paul Follot – Belovedlinens
295:. Henri Laurens. p. 4.
179:decorative art workshop of
111:decorative art workshop of
10:
826:
755:Design of the 20th Century
508:
800:French decorative artists
563:"Follot Paul (1877–1941)"
272:of Follot's interiors in
82:
74:
59:
40:
28:
21:
704:Encyclopædia Universalis
328:
304:. C. Moraeu. p. 48.
221:
118:
235:
161:Savonnerie manufactory
133:Societé Charles Follot
128:
432:Samoyault-Verlet 2015
300:Follot, Paul (1927).
291:Follot, Paul (1900).
229:
189:pavilion at the 1925
126:
810:French cabinetmakers
641:. Chronicle Books.
198:Waring & Gillow
724:. CTG Publishing.
276:(1929) the critic
236:
129:
731:978-1-4782-1061-0
648:978-0-8118-6099-4
621:978-0-7566-4906-7
614:. DK Publishing.
594:978-1-56898-712-5
567:Art et décoration
529:978-0-19-518948-3
274:Art et DĂ©coration
263:in his manifesto
145:La Maison Moderne
98:
97:
817:
776:
741:
739:
738:
714:
712:
711:
694:
692:
691:
676:
674:
673:
658:
656:
655:
631:
629:
628:
604:
602:
601:
577:
575:
574:
558:
556:
555:
539:
537:
536:
503:
497:
491:
485:
479:
473:
464:
458:
452:
449:Nadelhoffer 2007
446:
435:
429:
416:
410:
399:
393:
387:
381:
372:
366:
357:
351:
323:
314:
305:
296:
202:Serge Chermayeff
89:workshop of the
50:
48:
33:
19:
18:
825:
824:
820:
819:
818:
816:
815:
814:
780:
779:
765:
749:
747:Further reading
744:
736:
734:
732:
709:
707:
689:
687:
671:
669:
653:
651:
649:
626:
624:
622:
599:
597:
595:
572:
570:
569:. December 1926
553:
551:
534:
532:
530:
511:
506:
498:
494:
486:
482:
474:
467:
459:
455:
447:
438:
430:
419:
411:
402:
394:
390:
382:
375:
367:
360:
352:
335:
331:
326:
286:
265:L'Art décoratif
256:Salon d'Automne
224:
163:and silver for
153:L'Art dans Tout
149:Maurice DufrĂŞne
121:
70:
64:
55:
52:
46:
44:
36:
24:
17:
16:French designer
12:
11:
5:
823:
813:
812:
807:
802:
797:
792:
778:
777:
763:
748:
745:
743:
742:
730:
715:
695:
685:Ketterer Kunst
677:
659:
647:
632:
620:
605:
593:
578:
559:
540:
528:
512:
510:
507:
505:
504:
492:
480:
465:
453:
451:, p. 337.
436:
417:
415:, p. 181.
400:
398:, p. 163.
388:
373:
358:
332:
330:
327:
325:
324:
315:
306:
297:
287:
285:
282:
278:Gabriel Mourey
240:Gothic Revival
223:
220:
137:Eugène Grasset
120:
117:
96:
95:
84:
83:Known for
80:
79:
76:
72:
71:
65:
61:
57:
56:
53:
42:
38:
37:
35:Follot in 1927
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
822:
811:
808:
806:
803:
801:
798:
796:
793:
791:
788:
787:
785:
774:
770:
766:
764:9783822840788
760:
756:
751:
750:
733:
727:
723:
722:
716:
705:
701:
696:
686:
682:
681:"Paul Follot"
678:
668:
667:Belovedlinens
664:
663:"Paul Follot"
660:
650:
644:
640:
639:
633:
623:
617:
613:
612:
606:
596:
590:
586:
585:
579:
568:
564:
560:
550:
546:
541:
531:
525:
521:
520:
514:
513:
501:
496:
490:, p. 42.
489:
488:Campbell 2006
484:
477:
472:
470:
463:, p. 28.
462:
457:
450:
445:
443:
441:
433:
428:
426:
424:
422:
414:
409:
407:
405:
397:
392:
385:
380:
378:
371:, p. 51.
370:
365:
363:
355:
350:
348:
346:
344:
342:
340:
338:
333:
321:
316:
312:
307:
303:
298:
294:
289:
288:
281:
279:
275:
269:
266:
262:
258:
257:
252:
247:
245:
241:
233:
230:Tea tray for
228:
219:
216:
214:
210:
209:
203:
199:
194:
192:
188:
184:
183:
182:Le Bon Marché
178:
173:
170:
166:
162:
156:
154:
150:
146:
142:
138:
134:
125:
116:
114:
113:Le Bon Marché
110:
106:
102:
94:
93:
92:Le Bon Marché
88:
85:
81:
77:
73:
69:, Var, France
68:
67:Sainte-Maxime
62:
58:
54:Paris, France
43:
39:
32:
27:
20:
754:
735:. Retrieved
720:
708:. Retrieved
703:
688:. Retrieved
684:
670:. Retrieved
666:
652:. Retrieved
637:
625:. Retrieved
610:
598:. Retrieved
583:
571:. Retrieved
566:
552:. Retrieved
548:
533:. Retrieved
518:
502:, p. 1.
495:
483:
478:, p. 2.
456:
396:Widmann 2012
391:
369:Jackson 2007
319:
310:
301:
292:
284:Publications
273:
270:
264:
254:
248:
237:
217:
207:
195:
186:
180:
176:
174:
157:
152:
144:
132:
130:
108:
100:
99:
90:
86:
51:17 July 1877
795:1941 deaths
790:1877 births
706:(in French)
461:Miller 2005
244:Art Nouveau
141:Art Nouveau
101:Paul Follot
23:Paul Follot
784:Categories
737:2015-06-25
710:2015-06-24
690:2015-06-24
672:2015-06-25
654:2015-06-25
627:2015-06-25
600:2015-06-25
573:2015-06-24
554:2015-06-25
535:2015-06-25
500:Cerio 2009
476:Cerio 2009
261:André Vera
232:Christofle
165:Christofle
75:Occupation
47:1877-07-17
773:809539744
208:Normandie
78:Decorator
611:Art Deco
549:Antiques
251:Art Deco
169:Wedgwood
105:Art Deco
638:Cartier
509:Sources
771:
761:
728:
645:
618:
591:
526:
187:Pomone
177:Pomone
109:Pomone
87:Pomone
329:Notes
222:Style
769:OCLC
759:ISBN
726:ISBN
643:ISBN
616:ISBN
589:ISBN
524:ISBN
119:Life
63:1941
60:Died
41:Born
206:SS
786::
767:.
702:.
683:.
665:.
565:.
547:.
468:^
439:^
420:^
403:^
376:^
361:^
336:^
246:.
215:.
147:.
775:.
740:.
713:.
693:.
675:.
657:.
630:.
603:.
576:.
557:.
538:.
434:.
386:.
356:.
49:)
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
