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163:, then dedicated lines are usually installed by the local telephone company in order to save on costs. With low range radio stations, and at events with no telephone lines, several radio stations will call into the studio request line with a cell phone and microphone setup. From there, another DJ in the studio will put them on-location live on the air via the studio request line. Some stations use this method when doing live broadcasts in areas where the signal is weak.
159:, remotes are often used for special events, such as concerts or sporting events, where either the entire event or advertisements for the event are broadcast on location. The cost of personnel and equipment is usually paid for by the host at each performance. However, if the event is recurring, such as a weekly broadcast from a
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In Latin
America on 27 October 1920, Dr Sussini made the first remote transmission in Argentina from the theatre El Coliseo in Buenos Aires. In Mexico on 27 September 1921, Adolfo Gomez Fernandez made a transmission from the Teatro Ideal, Mexico DF
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to provide the first link in what became called cabaret broadcasting." By early 1925, Granlund had established remote lines between WHN and more than thirty New York City jazz nightclubs, including the Silver
Slipper, The Parody Club, the
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The very first live remote broadcast to the nation was by the
Canadian Broadcasting Corporation in 1938 when Frank Willis reported on the Moose River Gold Mine disaster in Nova Scotia
134:'s announcement of his New York City mayoral candidacy through a remote broadcast from the New York Press Club as the first such remote link for a political forum.
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On 11 June 1955, NBC, The
National Broadcasting Company, provided the 1st live remote broadcast to the nation from Niagara Falls, New York.
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back to the studio. In addition, modern remote pickup units have become extremely portable and can transmit single-channel
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down on one end and back up on the other, providing a reasonable reproduction of the original
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remotes may often be used in a manner similar to radio remotes (and vice versa) as well.
174:, which, although low quality, were found to be acceptable for voice broadcasts. Later,
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314:; Doerksen, Clifford J.;University of Pennsylvania Press, 2005; Page 32.
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Broadcasting done from a location away from a formal television studio
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http://archives.cbc.ca/economy_business/natural_resources/clips/3860/
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To get to the scene quickly, a live remote may be done from a
326:; Granlund, Nils T.;Van Rees Press, New York, 1957; Page 102.
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Radio World
Magazine, edited in USA, 2 January 2002, page 15
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were developed that used additional lines, shifting higher
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The first airing of a remote broadcast came in 1924, when
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Nils T. Granlund cited the 1925 WHN airing of
Senator
106:publicist and WHN (New York City) station manager
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344:Buffalo Evening News, Buffalo, NY, 11 June 1955
119:, the Strand Roof, and Club Moritz. These
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43:done from a location away from a formal
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261:(ENG), remotes are meant to bring the
257:broadcasts in the U.S. As a part of
189:. Currently, digital lines, such as
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237:Remote report at Toronto Police HQ
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324:Blondes, Brunettes, and Bullets
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53:electronic field production
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259:electronic news gathering
79:. Other methods include
59:(RPU) is usually used to
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27:(usually just called a
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361:Broadcast engineering
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51:and is considered an
21:broadcast engineering
229:Outside broadcasting
94:lines if necessary.
197:, are used to send
176:frequency extenders
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57:remote pickup unit
183:audio frequencies
172:telephone hybrids
85:production trucks
73:broadcast station
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71:back to the
49:radio studio
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117:Cotton Club
33:live remote
299:References
270:helicopter
223:Television
217:POTS codec
206:monophonic
199:compressed
45:television
161:nightclub
92:telephone
87:and even
55:(EFP). A
37:live shot
355:Category
282:See also
263:audience
253:part of
77:airchain
61:transmit
98:History
89:regular
67:and/or
213:MPEG-4
180:treble
29:remote
251:daily
187:sound
157:radio
151:Radio
69:video
65:audio
39:) is
31:or a
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195:DSL
193:or
155:In
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19:In
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209:FM
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