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thus a family keeps the tradition intact. Some major symbols used in rangoli are the lotus flower and its leaves, mango, Tue vase, fish, different kind of birds like parrots, swans, and peacocks, human figures, and foliage. Rangoli is often made on special occasions like Diwali. Some special patterns for Diwali
Rangoli are the Diya also called Deep, Ganesha, Lakshmi, flowers or birds of India. The patterns include the face of Hindu deities, geometric shapes peacock motifs, and round floral designs. Many of these motifs are traditional and are handed down by the previous generations. This makes rangoli a representation of India's rich heritage and the fact that it is a land of festivals and colour. People celebrate rangoli with davali patterns.
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apart – separated by different groups – different icons and art media is used. In Odisha, the Murja is put at the aangan of every home in front of the Tulsi plant called "Tulasi chahura". The rangoli patterns mostly are dedicated to Lord
Krishna and Lord Jagannath. The Murja festival is observed during the auspicious month of Kartika ending on Kartika Purnima. In West Bengal, Alponas are created using rice flour. Alponas are similar to kolams and are created during major festvals that Bengalis celebrate like Durga Puja, Kali Puja, Saraswati Puja, Kojagori Lakshmi Puja and Jogodhatri Puja.
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more can be created depending on the creativity of the person who draws it. It is considered auspicious as it signifies showering of good luck and prosperity on the house and in the family. It is not drawn like a Bolka picture. Patterns are created based on certain systems. Generally, women get up early in the morning and clean the area just outside the entrance of their houses with cow dung, sprinkle the area with water and draw the Chaook. In
Maharashtra and Karnataka, rangoli are drawn on the doors of homes so that evil forces attempting to enter are repelled.
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Rangoli are typically circular. In North India, the colour is most often based on gypsum (chirodi), in South India on rice flour and Onam
Rangoli are typically flower based. The rapid and widespread migration and mixing of people within India can be seen by the way these styles are now freely adopted
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because insects and other dust microbes are fed. Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday
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Rangoli designs can be simple geometric shapes, depictions of deities, or flower and petal shapes appropriate to the given celebrations. They can also be made with elaborate designs crafted by numerous people. The geometric designs may also represent powerful religious symbols, placed in and around
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In middle India, mainly in
Chhattisgarh, Rangoli is called Chaook and is generally drawn at the entrance of a house or any other building. Powdered quartz, dried rice flour or other forms of white dust powder is used for drawing Chaooks. Although there are numerous traditional Chaook patterns, many
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The rangoli's most important element is being colourful. These are auspicious symbols that have a central role in the design. The designs are passed down from one generation to the next as they are made – and is required to make these symbols. Traditionally, each new generation learns the art and
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are painted on walls. Mmandne, various festivals, major festivals and can be categorized based on seasons. Different shapes depending on the size of it also can be shared. Kumaon's "writing beat 'or in a variety of plotting symbols Thapa, artistic designs, Bellbutoan is used. Alikhthap of society
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Rangoli have different names based on the state and culture. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after
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and artificial colouring agents are also becoming common, allowing for brilliant and vibrant colour choices. A newer but less artificial method involves using cement coloured with marble powder. This rather precise method requires training, but beautiful portraits can be drawn in this medium.
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The materials used to make the rangoli are easily found everywhere. Therefore, this art is prevalent in all homes, rich and poor. Normally the major ingredients used to make rangoli are: Pise rice solution, the dried powder made from leaves, colour, charcoal, burned soil, sawdust, and similar
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The purpose of rangoli is beyond decoration. Traditionally either powdered calcite and limestone or cereal powders are used for the basic design. The limestone is capable of preventing insects from entering the household, and the cereal powders attract insects and keep them from entering the
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shrines. Historically, basic designs were drawn around the cooking areas for the purpose of discouraging insects and pathogens. Synthetic colours are a modern variation. Other materials include red brick powder and even flowers and petals, as in the case of flower rangoli.
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cleaning the area. Traditionally, the postures needed to make a rangoli are a kind of exercise for women to straighten their spines. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome
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Over time, imagination and innovative ideas in rangoli art have also been incorporated. Rangoli have been commercially developed in places such as five star hotels. Its traditional charm, artistry and importance continue today.
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in Kerala, flowers are laid down for each of the ten days of the celebration, the design growing larger and more complex every day. In Tamil Nadu, Andhra
Pradesh and Karnataka, and many parts of Maharashtra, the rangoli or
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is drawn upon the ground or floor daily. The designs are geometric and symmetrical मूल्यतः shapes but the materials used are similar rangoli: powdered quartz, rice flour or slurry is used. In
Rajasthan the
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practice. The usage of colours and vibrant designs are showcased during occasions such as festivals, auspicious observances, marriage celebrations and other similar milestones and gatherings.
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Once the outline is complete, the artist may choose to illuminate it with colour, again using either wet or dry ingredients like paints, coloured rice-water, gypsum powder, coloured sand or
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There are two primary ways to make a rangoli, dry and wet, referring to the materials used to create the outline and (if desired) fill that outline with colour. Using a white material like
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Dehri gateway is another tradition of making rangoli. God's seat, depending on lamp, place of worship and sacrifice on the altar is a tradition of decorating rangoli.
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substances. Rangoli is also created using coloured powdered quartz, rice, dry flour, flower petals, turmeric (pasupu), vermillion (sindooram) and coloured sand.
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The background of rangoli uses a clear floor or wall or Llype is used. Rangoli can be made in a yard in the middle, corners, or as a bell is created around.
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and mixed across the country. It is also becoming common to see experimentation like sawdust-based floating rangoli, freeform designs, and exotic materials.
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in the Indian subcontinent, and are most often made during Diwali. Designs are passed from one generation to the next, keeping both the art form and the
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Shape, design and material can be influenced by regional traditions. A square grid is common in North India as is a hexagonal grid in South India;
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Rangoli is either left as uncoloured drawing or it is filled with various coloured powders.
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or stickers, are becoming common, making it easier to create detailed or precise designs.
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Rangoli drawn in front of a house door on the occasion of a festival in
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It is particularly notable that the Tamil version of the rangoli, the
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The various names for this art form and similar practices include:
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Rangoli is drawn in front of the house especially on festival days
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This article is about the Indian folk art. For other uses, see
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Rangoli being prepared by a Rangoli mould vendor in Bangalore
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A mandala rangoli, made in an Indian household during Diwali
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Pages displaying short descriptions of redirect targets
1050:. Chennai, India: National Folklore Support Centre.
56:. Unsourced material may be challenged and removed.
947: – Traditional Hindu Performing Art in India
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423:(പൂക്കളം) in
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411:chowk poorana
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403:(चौकपूजन) in
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67: –
66:
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61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
2172:Temple dance
2091:Kalpavriksha
2019:
1900:
1681:Yajnopavitam
1660:
1656:Prayer beads
1500:Hare Krishna
1437:Jai Shri Ram
1293:Purushamedha
1210:Panchamakara
1047:
1029:
1008:. Retrieved
998:
988:
981:
647:
629:dry pigments
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328:(माँडना) in
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289:(ముగ్గు) in
286:
275:
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267:rangavalli’.
266:
262:
258:
257:which means
252:
243:
235:
232:
221:
218:
216:(bad luck).
213:
206:
196:, and other
161:
160:
156:Delhi, India
112:
106:October 2010
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
2162:Firewalking
2127:Kusha grass
2071:Akshayavata
1934:Temple tank
1843:Iconography
1791:Instruments
1747:Panchagavya
1641:Panchamrita
1546:Banana leaf
1303:Viraja Homa
1235:Pushpanjali
1215:Panchamrita
1103:Main topics
957:Kuberakolam
951:Kolam/Muggu
939:Jhoti chita
468:Uttarakhand
442:Maharashtra
392:chowkpurana
373:(ମୁରୁଜ) or
353:West Bengal
315:(கோலம்) in
282:Maharashtra
154:Rangoli at
2193:Indian art
2187:Categories
1871:Panchaloha
1851:Ashtadhatu
1596:Agarabattī
1531:Puja thali
1417:Ajapa japa
1406:Meditation
1344:Nityakarma
1334:Karmakāṇḍa
1329:Ashvamedha
1283:Kamyakarma
1268:Agnikaryam
1258:Agnicayana
1040:140204559X
1010:12 January
973:References
945:Kalampattu
770:Tamil Nadu
401:chowkpujan
385:(ଚିତା) in
379:(ଝୋଟି) or
349:Bangladesh
317:Tamil Nadu
234:household
174:rice flour
134:Goa, India
76:newspapers
1886:Shaligram
1823:Mridangam
1808:Karatalas
1803:Harmonium
1752:Rudraksha
1690:Materials
1606:Kamandalu
1541:Banalinga
1472:Third eye
1462:Śaktipāta
1324:Ashirvada
1288:Pravargya
1263:Agnihotra
1220:Parikrama
1200:Abhisheka
1130:Festivals
807:'13, Pune
685:on floor
553:Materials
466:(ऐपण) in
421:pookkalam
330:Rajasthan
308:Karnataka
295:Telangana
249:Etymology
202:tradition
65:"Rangoli"
2208:Sand art
2167:Samskara
2155:See also
2096:Parijata
1995:Sannyasa
1980:Purohita
1891:Swastika
1777:Turmeric
1732:Marigold
1697:Agarwood
1671:Tilakamu
1611:Khirapat
1561:Dhunachi
1432:Jagarana
1384:Upakarma
1319:Achamana
1273:Aupasana
927:See also
644:Religion
622:stencils
604:Creation
598:universe
524:Elements
447:saathiya
277:Raangoli
2139: (
2086:Kadamba
2021:more...
2005:Satguru
1902:more...
1818:Manjira
1782:Vibhuti
1762:Sindūra
1757:Candana
1742:Panakam
1727:Kumkuma
1722:Incense
1707:Camphor
1676:Utsavar
1666:Shankha
1661:Rangoli
1626:Mulavar
1601:Kalasha
1586:Garland
1556:Coconut
1524:Objects
1487:Mantras
1379:Tarpana
1369:Shuddhi
1230:Prasada
1225:Pranāma
1184:Rituals
1137: (
1125:Deities
1120:Darshan
916:Krishna
805:GNUnify
668:Gallery
662:Krishna
633:crayons
618:peacock
596:of the
586:Mandala
502:Mandana
455:Gujarat
430:Rangoli
358:haripan
322:mandana
304:rangole
300:rangoli
263:Rangoli
214:daridra
210:Lakshmi
204:alive.
162:Rangoli
90:scholar
2137:Tulasi
2101:Peepal
2081:Banyan
2076:Ashoka
1975:Pujari
1970:Pandit
1944:Temple
1919:Ashram
1912:Places
1856:Lingam
1798:Dholak
1772:Tulasi
1646:Pandal
1631:Paduka
1591:Ghanta
1581:Cāmara
1551:Biruda
1467:Stotra
1447:Kirtan
1422:Bhajan
1401:Prayer
1374:Śrauta
1349:Ngejot
1165:Utsava
1160:Tilaka
1150:Mantra
1145:Kirtan
1115:Bhajan
1054:
1038:
1006:Rediff
689:. 2010
683:Diwali
658:Alvars
590:cosmos
539:Diwali
451:gahuli
438:bharti
425:Kerala
416:Punjab
387:Odisha
371:muruja
362:aripan
345:আল্পনা
341:alpona
336:alpana
326:mandas
259:colour
194:Pongal
182:Diwali
172:, dry
92:
85:
78:
71:
63:
2132:Lotus
2064:Trees
2043:Horse
2010:Swami
1990:Sadhu
1985:Rishi
1958:Roles
1939:Matha
1876:Pindi
1861:Murti
1833:Veena
1828:Tabla
1712:Charu
1651:Pinda
1636:Palki
1621:Kolam
1616:Kindi
1571:Dhupa
1566:Dhuni
1536:Altar
1312:Other
1278:Dhuni
1253:Yajna
1175:Yatra
1170:Vrata
1155:Murti
1139:Yajna
1110:Ārati
920:Radha
654:Andal
610:chalk
518:Kolam
497:Kolam
464:eipan
460:aipan
382:chita
376:jhoti
366:Bihar
347:) in
313:kolam
287:muggu
237:yagna
186:Tihar
170:ochre
97:JSTOR
83:books
2122:Bael
2048:Nāga
2015:Yogi
2000:Sant
1965:Guru
1929:Ghat
1896:Yoni
1813:Khol
1767:Soma
1737:Milk
1717:Ghee
1702:Alta
1576:Diya
1477:Yoga
1442:Japa
1245:Homa
1205:Bhog
1192:Puja
1135:Homa
1052:ISBN
1036:ISBN
1012:2012
918:and
705:for
510:Onam
492:Onam
351:and
293:and
226:Seva
190:Onam
145:Onam
69:news
2038:Cow
801:Tux
648:In
541:in
453:in
440:in
414:in
184:or
52:by
2189::
1866:Om
1505:Om
1452:Om
799:A
261:.
192:,
188:,
2143:)
1141:)
1088:e
1081:t
1074:v
1060:.
1033:.
1014:.
462:/
449:/
436:/
432:/
360:/
343:(
339:/
324:/
302:/
119:)
113:(
108:)
104:(
94:·
87:·
80:·
73:·
46:.
23:.
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