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Pedro Abrunhosa

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153: 25: 480:. He also directed and produced the program "Até Jazz" in the "Rádio Clube do Porto". Later on, he joined Boulou Ferré, Ramon Cardo, Frankie Rose, Vicent Penasse and Tommy Halferty and extensively toured Portugal and throughout Europe. Additionally, he joined the Teacher's Quartet of Hot-Club of Portugal and Carlos Martin's Quartet. 553:, Abrunhosa became "the fastest-selling artist in Portuguese record-industry history"; between October 1994 and January 1995, he performed in over 120 concerts across Portugal, with the estimated total audience surpassing 200,000. The tracks "Não Posso Mais" and "Socorro" were hits at dance clubs in the country, and 361:
under the direction of Professor Cândido Lima. At that time, he was invited to take part in the Madrid Contemporary Music Group, under the direction of Spanish composer Enrique X. Macias. This afforded him the opportunity to take part in a series of shows performed in Portugal and Spain. In 1981, he
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He won four Blitz Awards: Record of the Year, Artist of the Year, Best Song, and Best Group. A Bordalo, an award given by the press; a Globo de Ouro ("Golden Globe") awarded for the song “Se Eu Fosse Um Dia O Teu Olhar”; and five Nova Era Radio awards, given by radio stations and institutions.
306:(born 20 December 1960) is a Portuguese singer, songwriter, musician and composer. Trained in jazz music, Abrunhosa started his career in the 1980s playing in jazz bands and teaching in music and art schools in Porto. He is a co-founder of the Jazz School of Porto. 815:
In 2002, he performed two shows at the Cultural Center of Belém, after a one-year hiatus. “Intimidade” was received favorably by the critics and public alike. The show, backed by IPAE, toured Portugal and proved to be an artistic and box-office success.
823:(2002) was written and composed solely by him. It has the participation of the Helicon String Quartet. Manoel de Oliveira, the famous Portuguese director, directed the short film "Momento", as a video for the first single and title track off the album. 593:
was released. A book illustrating the adventures and trips of the group was also released. The book enjoyed the collaboration of two prestigious individuals in the literary and photographic worlds, respectively: Nuno Galopim and Kenton Thatcher.
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He co-founded the Jazz School of Porto, where he taught Harmony, Auditive Training and Group Music, during three years. He assembled and has conducted the orchestra of the Jazz School of Porto, concomitantly, composing most of its arrangements.
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Supported by his label – PolyGram – he invited The New Power Generation Horns to collaborate on this album, formed by Kathy Jensen, Kenni Holmen, Michael Nelson, David Jensen, Steve Strand, Ricky Peterson and Paul Peterson (these last two being
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He composed the music and authored the script for the musical "O Rapaz de Papel" ("The Paper Boy"), presented to the public in March 1998, integrated into "O Festival dos Cem Dias" (The Hundred Day Festival") and preceding the opening of
350:, under the guidance of Professors Álvaro Salazar and Jorge Peixinho, in the subjects of Analysis, Composition, and History of Music, having already initiated his studies in the double bass. (He has often been approached by the 811:
In 1999, he gave a number of lectures throughout Portugal, mostly in libraries, schools, and universities, on topics related to artistic production and creation, literature, music and cinema. Some of lectures were published.
636:. The album was recorded in Porto, Lisbon, Memphis, and Minneapolis. The final mixing process, as well as a substantial portion of the rhythm and voice recording were supervised by Tom Tucker, technical director of 502:
He was a teacher at the Higher Arts School of Porto (Cine-Video area), where lectured on the Formation and Analysis of the Soundtrack and at the Caius Music School on Group Music and Musical Production.
313:. This album made Abrunhosa the fastest-selling artist in Portuguese record-industry history at the time, reached number-one in the Portuguese album charts and sold over 140,000 copies. His second album 1291: 559:
considered Abrunhosa's sudden popularity a "music revolution" in a country where "music with jazzy foundations" was met with some reluctance. He was named best act in 1994 by major publications such as
317:(1996) continued the success and confirmed Abrunhosa's status as a major artist in the Portuguese music industry. Six of his eight studio albums have reached number-one in the Portuguese album charts. 53: 834:, with the participation of local artists such as Zélia Duncan, Lenine, Sandra de Sá, and Adriana Calcanhoto. (His songs are performed in Brazil by a number of artists such as Elba Ramalho, 1153: 861:
Abrunhosa is known for always wearing sunglasses in public. He was an influent personality in Portugal during the 90s, with a "strong image" and a "coherent and articulate speech".
395:. In that same year, he finished the General Course of Composition in the "Conservatório de Música do Porto" and started studying double-bass with Alejandro Erlich Oliva. 1347: 1207: 411: 392: 1301: 510:. After three years of intense work it became "Pedro Abrunhosa e a Máquina do Som", performing original pieces, all of which were composed by Pedro Abrunhosa. 605:. The musician chained himself to the building, using his significant popularity to bring public awareness to the eminent sale, that would not be completed. 491:
Film Festival for the latter. He also composed the music for the theatrical pieces "Possessos de Amor", "A Teia", and "O Aniversário da Infanta" (
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In 1995, Abrunhosa was heavily involved in the protests against the sale of one of the most emblematic concert venues in Portugal,
1008: 33: 973: 602: 1357: 433:. He was chosen as the double-bass player of the newly formed orchestra. He also participated in two other Jazz Seminars with 107: 1178: 79: 702:
In May of that same year, he returned to London, to film the video "No Way", with the collaboration of Tony Vanden Ende.
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He composed and recorded the music for the films "Amour en Latin", directed by Serge Abramovic, "Adão e Eva" directed by
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reached double platinum, and was the most played album on radio. Pedro Abrunhosa released the album in Brazil through
765: 126: 346:, Portugal. After studying at the Ruvina Music School, in 1972 he began his musical studies at the Music School of 1390: 398:
In 1985, returning to Spain, he took part in the International Jazz Seminar, and worked again with Todd Coolman,
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Plaza in September. It was the only performance from Portugal's Expo 98 which was broadcast all over the world.
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He started his new tour "Tempo Tour 97/98", with concerts across Portugal, as well as in France, Canada,
562: 429:. In Portugal, later that year, he participated in the Seminars of Direction and Interpretation of the 49: 676:), was launched at midnight on November 11, 1996. After its first week on the shelves, the album went 769: 1319: 38: 1260: 978: 574: 42: 1400: 756: 330: 691:, and the United States. In order to further the internationalization of his work, he went to 1236: 1132: 1111: 1061: 831: 269: 100: 1352: 1183: 1158: 1040: 568: 1395: 1241: 1137: 1116: 1066: 1045: 555: 354:
to attend and participate in the Meetings of Contemporary Music in that same institution.)
414:. In that same year, together with Spanish guitar player Joaquin Iglesias, he founded the 152: 8: 1212: 1013: 653: 358: 526:
with his new band Bandemónio, that included several of his former students. Released by
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In 1986, he returned to Spain to participate in the third International Jazz Seminar in
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He formed and directed the Cool Jazz Orchestra, a musical group essentially devoted to
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and Françoise Fabian, where he played the leading role. The film was awarded the
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where he played with Bob Moses, Chip Jackson, Brad Hartfield, Hoku Kim and
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In 1994 Abrunhosa launched a solo career in pop music with his debut album
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Once admitted into the "Conservatório de Música do Porto", he studied
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He was later invited to participate in the Manuel de Oliveira film,
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He is a standing board member of the Portuguese Authors Society.
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Under the band name "Pedro Abrunhosa e os Bandemónio", the album
495:). He composed the soundtrack to the video "150 Anos do Bonfim". 422: 415: 692: 688: 656:
player and bassist). He also collaborated with Ozzie Melendez (
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from the article and its talk page, especially if potentially
1237:"Portuguese Star Pedro Abrunhosa Seeks International Success" 347: 343: 193: 1131:
Tenente, Fernando (15 January 1996). Sinclair, David (ed.).
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In 1984, he went to Madrid to study with double-bass player
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He produced the solo debut album by vocalist Diana Basto,
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that has, so far, broken all the booking-office records.
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and bassist Peter Danstrup and the American musicians
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in public. Abrunhosa also played himself in the 1999
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Aside from his music, he is known for always wearing
1179:""O que seria das pessoas sem o Coliseu do Porto?"" 838:, Sandra Sá, and Rio Soul or Syang, among others.) 522:In 1994, Abrunhosa recorded his debut studio album 1235:Mooij, Thessa; Tenente, Fernando (12 April 1997). 1130: 1109: 1059: 1038: 743:Invited by Expo 98, he performed his show at the 1382: 1080: 680:with more than 200,000 copies sold in Portugal. 1314: 1286: 1255: 1034: 1032: 1151: 362:received a diploma for the Courses of Musical 1348:"Os maiores talentos portugueses dos anos 90" 1206:Morais Pinheiro, Mariana (20 February 2019). 546:with the sale of 140,000 copies in Portugal. 387:and with musicians Joe Hunt, Wallace Rooney, 1029: 968: 966: 1345: 1177:Teixeira da Silva, Helena (4 March 2005). 791:) and the strings section usually used by 538:- the sax player that usually accompanied 378: 56:about living persons that is unsourced or 16:Portuguese singer, musician and songwriter 775:He produced his third album of originals 586:as the best Portuguese album of the 90s. 127:Learn how and when to remove this message 963: 699:tracks in Spanish, French, and English. 1383: 845:went double platinum in just 2 weeks. 695:, Paris, and London to record some of 603:Universal Church of the Kingdom of God 1110:Tenente, Fernando (14 January 1995). 1039:Tenente, Fernando (14 January 1995). 1003: 1001: 624:where he finished the final phase of 616:In September 1996, Abrunhosa went to 542:. The album was a success, achieving 1411:21st-century Portuguese male singers 1406:20th-century Portuguese male singers 18: 608: 13: 1152:Martins, Simão (30 October 2009). 1060:Tenente, Fernando (25 June 1994). 998: 14: 1432: 1368: 1081:Cerejeira, Jorge (23 June 2020). 946:"Sociedade Portuguesa de Autores" 856: 1416:Golden Globes (Portugal) winners 1346:Maio, Luís (10 September 1999). 1017:(in Portuguese). 8 December 2014 151: 23: 1356:(in Portuguese). Archived from 1339: 1308: 1280: 1249: 1228: 1199: 1170: 1162:(in Portuguese). Archived from 1112:"Abrunhosa Praised in Portugal" 806: 1145: 1124: 1103: 1074: 1053: 938: 864: 352:Calouste Gulbenkian Foundation 1: 931: 337: 34:biography of a living person 7: 919: 851: 61:must be removed immediately 10: 1437: 770:1999 Cannes Film Festival 736:to integrate his show in 534:had the participation of 373: 282: 278: 257: 247: 239: 203: 177: 167: 162: 150: 143: 1041:"Abrunhosa Draws Praise" 456:In 1987, he worked with 1391:Portuguese jazz singers 379:1984–1994: Early career 370:Professor Jos Wuytack. 304:Pedro Machado Abrunhosa 173:Pedro Machado Abrunhosa 157:Pedro Abrunhosa in 2017 640:and chief engineer on 518:and mainstream success 342:Abrunhosa was born in 163:Background information 48:Please help by adding 1290:(28 September 1999). 664:, Opus Ensemble, and 1421:Musicians from Porto 1133:"Global Music Pulse" 1062:"Global Music Pulse" 632:of his second album 54:Contentious material 1316:Rosenbaum, Jonathan 783:'s percussionists, 359:musical composition 1297:The New York Times 1184:Jornal de Notícias 1166:on 24 August 2010. 979:Diário de Notícias 762:Chiara Mastroianni 732:He was invited by 644:'s latest albums. 582:was considered by 575:Diário de Notícias 508:Rhythm & Blues 418:"Banda de Bolso". 326:Manoel de Oliveira 986:. 14 October 2014 982:(in Portuguese). 926:Music of Portugal 760:), together with 729:and Los Angeles. 298: 297: 137: 136: 129: 111: 76:"Pedro Abrunhosa" 37:needs additional 1428: 1377:official website 1362: 1361: 1343: 1337: 1336: 1334: 1332: 1312: 1306: 1305: 1300:. Archived from 1284: 1278: 1277: 1275: 1273: 1253: 1247: 1246: 1232: 1226: 1225: 1223: 1221: 1203: 1197: 1196: 1194: 1192: 1174: 1168: 1167: 1149: 1143: 1142: 1128: 1122: 1121: 1107: 1101: 1100: 1098: 1096: 1078: 1072: 1071: 1057: 1051: 1050: 1036: 1027: 1026: 1024: 1022: 1005: 996: 995: 993: 991: 970: 961: 960: 958: 956: 950:www.spautores.pt 942: 599:Coliseu do Porto 402:, Bill Dobbins, 294: 291: 289: 250: 191: 188:20 December 1960 187: 185: 170: 155: 141: 140: 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 1436: 1435: 1431: 1430: 1429: 1427: 1426: 1425: 1381: 1380: 1375:Pedro Abrunhosa 1371: 1366: 1365: 1360:on 17 May 2019. 1344: 1340: 1330: 1328: 1313: 1309: 1304:on 27 May 2015. 1288:Holden, Stephen 1285: 1281: 1271: 1269: 1259:(1 June 1999). 1257:Stratton, David 1254: 1250: 1233: 1229: 1219: 1217: 1216:(in Portuguese) 1204: 1200: 1190: 1188: 1187:(in Portuguese) 1175: 1171: 1150: 1146: 1129: 1125: 1108: 1104: 1094: 1092: 1091:(in Portuguese) 1079: 1075: 1058: 1054: 1037: 1030: 1020: 1018: 1007: 1006: 999: 989: 987: 972: 971: 964: 954: 952: 944: 943: 939: 934: 922: 867: 859: 854: 841:His first DVD, 809: 721:), released by 678:double platinum 662:Carlos do Carmo 614: 544:triple platinum 520: 470:Richard Beirach 427:Stan Strickland 404:David Schnitter 381: 376: 340: 301: 286: 274: 270:Universal Music 248: 235: 192: 189: 183: 181: 168: 158: 146: 145:Pedro Abrunhosa 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 1434: 1424: 1423: 1418: 1413: 1408: 1403: 1398: 1393: 1379: 1378: 1370: 1369:External links 1367: 1364: 1363: 1338: 1325:Chicago Reader 1307: 1279: 1248: 1227: 1198: 1169: 1144: 1123: 1102: 1073: 1052: 1028: 997: 962: 936: 935: 933: 930: 929: 928: 921: 918: 917: 916: 910: 904: 898: 892: 886: 880: 874: 866: 863: 858: 857:Public persona 855: 853: 850: 808: 805: 781:Caetano Veloso 734:Caetano Veloso 658:Tower of Power 613: 607: 519: 512: 485:Joaquim Leitão 380: 377: 375: 372: 339: 336: 300:Musical artist 299: 296: 295: 284: 280: 279: 276: 275: 273: 272: 267: 261: 259: 255: 254: 251: 245: 244: 241: 237: 236: 234: 233: 228: 223: 218: 213: 207: 205: 201: 200: 179: 175: 174: 171: 165: 164: 160: 159: 156: 148: 147: 144: 135: 134: 58:poorly sourced 31: 29: 22: 15: 9: 6: 4: 3: 2: 1433: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1402: 1401:Living people 1399: 1397: 1394: 1392: 1389: 1388: 1386: 1376: 1373: 1372: 1359: 1355: 1354: 1349: 1342: 1327: 1326: 1321: 1317: 1311: 1303: 1299: 1298: 1293: 1289: 1283: 1268: 1267: 1262: 1258: 1252: 1244: 1243: 1238: 1231: 1215: 1214: 1209: 1202: 1186: 1185: 1180: 1173: 1165: 1161: 1160: 1155: 1148: 1140: 1139: 1134: 1127: 1119: 1118: 1113: 1106: 1090: 1089: 1084: 1077: 1069: 1068: 1063: 1056: 1048: 1047: 1042: 1035: 1033: 1016: 1015: 1010: 1004: 1002: 985: 981: 980: 975: 969: 967: 951: 947: 941: 937: 927: 924: 923: 914: 911: 908: 905: 902: 899: 896: 893: 890: 887: 884: 881: 878: 875: 872: 869: 868: 862: 849: 846: 844: 839: 837: 833: 829: 826:In Portugal, 824: 822: 817: 813: 804: 800: 798: 794: 790: 786: 782: 778: 773: 771: 767: 763: 759: 758: 753: 748: 746: 741: 739: 735: 730: 728: 724: 720: 716: 711: 709: 703: 700: 698: 694: 690: 686: 681: 679: 675: 671: 667: 663: 659: 655: 651: 645: 643: 639: 635: 631: 627: 623: 619: 612: 606: 604: 600: 595: 592: 587: 585: 581: 577: 576: 571: 570: 565: 564: 558: 557: 552: 547: 545: 541: 537: 533: 529: 525: 517: 511: 509: 504: 500: 496: 494: 490: 486: 481: 479: 475: 471: 467: 463: 459: 458:David Liebman 454: 452: 448: 444: 440: 436: 432: 428: 424: 419: 417: 413: 409: 405: 401: 396: 394: 390: 389:Gerry Niewood 386: 371: 369: 365: 360: 355: 353: 349: 345: 335: 333: 332: 327: 323: 318: 316: 312: 307: 305: 293: 285: 281: 277: 271: 268: 266: 263: 262: 260: 256: 252: 246: 243:Vocals, piano 242: 240:Instrument(s) 238: 232: 229: 227: 224: 222: 219: 217: 214: 212: 209: 208: 206: 202: 199: 195: 190:(age 63) 180: 176: 172: 166: 161: 154: 149: 142: 139: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: –  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 1358:the original 1351: 1341: 1329:. 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