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and planes without a specific front nor back. The interior breaks as well with the classical patterns of an underused best room and tiny back room by designing one big living room of 7 x 4,25 meter. Because of the 60 centimeters interior floor difference between the side entrance and the living area,
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The association restored the original vivid blue and yellow colors to the inner circle, but kept the non-original white and black colors of the outer ring for esthetic reasons. The contractors Boele & van
Eesteren realized the plans and in October 1989 the definitive acceptance took place. This
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Wils configured the
Papaverhof housing units as two horseshoes around a lawn square, creating the spatial effect of a garden city. The inner ring contained 68 two story high family houses. The outer contained 60 apartments. Wils placed the units in a ‘back to back’ configuration that multiplied the
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wrote in 1921 that the
Papaverhof grouped houses were very detailed and innovative. “The houses don’t have facades anymore, but each building part is expressed in detail and brought into relation with the surroundings through proportion and dimensions in contrast and harmonious in the same time.”
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The association commissioned the restoration firm Franso and
Partners Architects to study the Papaverhof's building history. The 1958/1960 renovation eaves that many critics pointed out as being an example of Frank Lloyd Wright style, actually deviated from the original plan and were removed.
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and P. Verhagen to be the architects. However, their design was missing a municipal extension plan. At
Berlage's suggestion, the association finally selected Wils' design for Papaverhof. The cooperative had great respect for Wils, allowing him to design atypical housing for that period.
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The
Papaverhof includes 128 middle-class homes built in horseshoe fashion around a sunken garden. Besides the communal garden in the middle, each home has its own yard with enclosing wooden fence and cement flower pots in matching architectural style.
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Gemeente 's-Gravenhage
Afdeling Verkeer en Vervoer Openbare Werken en Monumentenzorg, Victor Freijser, and Gerard van Hoorn. De Stijl Van Jan Wils; Restauratie Van De Papaverhof. Vom-Reeks 1989 Nr. 4. 's-*Gravenhage: Gemeente 's-Gravenhage,
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are often linked with the
Papaverhop design, as this housing complex with light wells is also configured around a rectangular courtyard. But the closed façade makes the spatial feeling rather massive than planar of fragmented.
275:(1917) has many similarities. It is remarkable that the explanations they have for their design are both related to ‘planes and masses with rhythmic ordering’. Frank Lloyd Wright's Lexington Terraces (1894) project in
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In 1971, the Daal en Berg association completed an extensive renovation of the
Papaverhof. However, by 1986, the complex was suffering extensive problems with water infiltration and needed another renovation.
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In 1917, the
Cooperative Residential Construction Association Garden City Neighborhood ‘Daal en Berg’ decided to build the Papaverhof, a complex of houses and apartments between The Hague and
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The association originally planned to sponsor a competition for the project design, but the association commissioner, Hendrik Berlage, objected to it. The association originally chose
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Feddes, Fred. "Papaverhof." In Zo Goed Als Nieuw; Esthetiek En Particuliere Woningverbetering, edited by Stuurgroep Experimenten Volkshuisvestiging, 72–77. Amsterdam: De Balie, 1991.
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Eerenbeemt, Sjo van den. "Papaverhof Den Haag gerestaureerd - Witte parel met groen hart tussen grauwe middelmaat." Renovatie & Onderhoud 11, no. November (1989): 20–23.
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renovation was largely covered in the journal press in the Netherlands, and received a nomination for the National Renovation Price and the National Painting Price in 1991.
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Valk, H.W. "Tentoonstelling van Middenstandswoningen in De Kon. School voor Techniek en Ambacht te 'S-Hertogenbosch." Bouwkundig Weekblad 42, no. 3 (1921): 18–22.
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also the exterior detachment of the main mass jumps out. With the repetition of the module it creates a rhythmical collective façade with two singular ends.
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Meeder, Nel. "Negen beste inzendingen; Veel kwaliteit bij nominaties Nationale Renovatie Prijs." Renovatie & Onderhoud 1, no. Januari (1991): 18–24.
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The Papaverhof can be an example for color use and architecture of De Stijl, but its brick surroundings could fit better in the descriptions of The
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is a style from the interwar period, that distinguishes itself through the sleek design of the Modern Movement and luxurious implementation.
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In 1920, while the Papaverhof was still under constructions, its design was exhibited in the Royal School of Art, Technology and Craft in
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for the main door, automatically dimming lights and waste disposal chutes. Such innovations illustrate Wils' forwarding thinking.
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Franso, Jaap. "The Papaverhof and the Modern Movement." Conference Proceedings First International DOCOMOMO (1990): 287–90.
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Fries, H. de. "Zu den Arbeiten des Architekten Jan Wils, Holland." Wasmuths Monatshefte fur Baukunst V (1920/1921): 274–50.
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The Papaverhof design may contain references to other contemporaneous architects. Oud's design for a strand boulevard in
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Brouwer, B.H. "Papaverhof Jan Wils gerenoveerd; restauratie en renovatie in evenwicht." Bouw 44, no. 25 (1989): 42–46.
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360:"Winnend project Nationale Schildersprijs 'Modern in oude stijl hersteld'." Bouwwereld 86, no. 23 (1990): 8–9.
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Wils, Jan. "Gevel ii-iii." Edited by original colours on the façades: Nederlands Architectuur Instituut, 1919.
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for the first 30 Papaverhof homes. However, the poor quality of this material and its minimal
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The technical innovations of the Papaverhof design are demonstrated by the pivoting windows,
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Wouters, W.F. Bernard. "Woningbouw te 's-Gravenhage." Architectura 25, no. 49 (1917): 376.
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Schreurs, Gerrit. "De Papaverhof." Den Haag: Kandidaat culturele hoofdstad Europa, 2012.
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Balcony on one of the houses at the opposite of the Papaverhof, also built by Jan Wils
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Bergeijk, Herman van. Jan Wils. De Stijl en verder. Rotterdam: Uitgeverij 010, 2007.
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for the remaining houses. The builders then covered the brick family houses with
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Priester, Sjaak. "Eenvoudig en strak." Ons Amsterdam 60, no. 1 (2008): 33–35.
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In the Papaverhof interior design, Wils created a rhythmic composition of
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External isolation was applied with respect for the proportions.
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and bedrooms without lowering the density of the neighborhood.
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