469:
contribution and individual ownership takes precedence over the concept of "community knowledge". Relying on the concept of the author, copyright is based on the assumption that without an intellectual property rights regime, authors would have no incentive to further create, and that artists cannot produce new works without an economic incentive. Liang challenges this logic, arguing that "many authors who have little hope of ever finding a market for their publications, and whose copyright is, as a result, virtually worthless, have in the past, and even in the present, continued to write." Liang points out that people produce works purely for personal satisfaction, or even for respect and recognition from peers. Liang argues that the 19th
Century saw the prolific authorship of literary works in the absence of meaningful copyright that benefited the author. In fact, Liang argues, copyright protection usually benefited the publisher, and rarely the author.
409:
733:. Creative Commons is not anti-copyright per se, but argues for use of more flexible and open copyright licences within existing copyright law. Creative Commons takes the position that there is an unmet demand for flexibility that allows the copyright owner to release work with only "some rights reserved" or even "no rights reserved". According to Creative Commons many people do not regard default copyright as helping them in gaining the exposure and widespread distribution they want. Creative Commons argue that their
544:
1173:"We conclude that the snippet function does not give searchers access to effectively competing substitutes. Snippet view, at best and after a large commitment of manpower, produces discontinuous, tiny fragments, amounting in the aggregate to no more than 16% of a book. This does not threaten the rights holders with any significant harm to the value of their copyrights or diminish their harvest of copyright revenue," wrote the court.
317:
1880:
to obtain the right holder's permission (US District Court, Stephanie Lenz v. Universal Music Corp., Universal Music
Publishing Inc., and Universal Music Publishing Group, Case No. 5:07-cv-03783-JF, January 24, 2013). Given the emergence of today's "remix" culture, and the legal uncertainty surrounding remixes and mash-ups, the time would appear to be ripe for policy makers to take a new look at copyright law.
457:, argues that current copyright is based on a too narrow definition of "author", which is assumed to be clear and undisputed. Liang observes that the concept of "the author" is assumed to make universal sense across cultures and across time. Instead, Liang argues that the notion of the author as a unique and transcendent being, possessing originality of spirit, was constructed in Europe after the
40:
2094:
478:
long" which hold little economic benefit to rights holders and prevents efforts to preserve historical artefacts. Director
Jennifer Jenkins has said that by the time artefacts enter the public domain in the United States after 95 years, many culturally significant works such as old films and sound recordings have already been lost as a consequence of the long copyright terms.
385:
1293:
477:
The Center for the Study of Public Domain has raised concerns on how the protracted copyright terms in the United States have caused historical films and other cultural works to be destroyed due to disintegration before they can be digitized. The center has described the copyright terms as "absurdly
1879:
in 2013 a district court ruled that copyright owners do not have the right to simply take down content before undertaking a legal analysis to determine whether the remixed work could fall under fair use, a concept in US copyright law which permits limited use of copyrighted material without the need
363:, argues that copyright law simply seems unable to cope with the Internet, and hence is obsolete. He argues that the Internet, and particularly Web 2.0 have brought about the uncertain status of the very idea of "stealing" itself, and that instead business models need to adapt to the reality of the
280:
law or copyright as a concept. Critics often discuss philosophical, economical, or social rationales of such laws and the laws' implementations, the benefits of which they claim do not justify the policy's costs to society. They advocate for changing the current system, though different groups have
375:
is to display millions of pages of copyrighted and uncopyrighted books as part of a business plan drawing its revenue from advertising). In contrast, others have pointed out that Google Books blocks out large sections of those same books, and they say that does not harm the legitimate interests of
468:
Liang argues that the concept of "author" is tied to the notion of copyright and emerged to define a new social relationship—the way society perceives the ownership of knowledge. The concept of "author" thus naturalised a particular process of knowledge production where the emphasis on individual
523:
Edwin
Hettinger argues that natural rights arguments for intellectual property are weak and the philosophical tradition justifying property can not guide us in thinking about intellectual property. Shelly Warwick believes that copyright law as currently constituted does not appear to have a
1279:
388:
387:
393:
391:
386:
441:
and the right to free communication. They argue that current copyright law hinders the realisation of these rights in today's knowledge societies relying on new technological means of communication and see copyright law as preventing or slowing human progress.
392:
650:, in an attempt to draw public attention to copyright reform issues and anti-copyright ideals. Reportedly over 400 sites participated including 170 that hosted the album with some protesters stating that The Grey Album illustrates a need for revisions in
395:
394:
690:; they wrote that "Decriminalising all non-commercial file sharing and forcing the market to adapt is not just the best solution. It's the only solution, unless we want an ever more extensive control of what citizens do on the Internet."
390:
428:
advance anti-copyright arguments in the name of "freedom of knowledge" and argue that knowledge should be "shared in solidarity". Such groups may perceive "freedom of knowledge" as a right, and/or as fundamental in realising the
281:
different ideas of what that change should be. Some call for remission of the policies to a previous state—copyright once covered few categories of things and had shorter term limits—or they may seek to expand concepts like
1803:
2192: – ebook by Anatoly Volynets. The book is composed of dialogues of first graders and their teacher contemplations on cultural, psychological, economical and other aspects of "Intellectual Property".
371:, solely because they provide links to files which may be copyrighted. Fleischer points out that Google, while still largely uncontested, operates in a gray zone of copyright (e.g. the business model of
519:
argues that all forms of copying are morally permissible (without commercial use), because some forms of copying are permissible and there is not a logical distinction between various forms of copying.
367:. He argues that in an attempt to rein in Web 2.0, copyright law in the 21st century is increasingly concerned with criminalising entire technologies, leading to recent attacks on different kinds of
1329:
1378:
335:
There is an argument that copyright is invalid because, unlike physical property, intellectual property is not scarce and is a legal fiction created by the state. The argument claims that,
2116:
389:
461:, to distinguish the personality of the author from the expanding realm of mass-produced goods. Hence works created by "authors" were deemed original, and merges with the doctrine of
1834:
347:
It is unclear if copyright laws are economically stimulating for most authors, and it is uncommon for copyright laws to be evaluated based on empirical studies of their impacts.
670:
is not anti-copyright per se, but proposes a reformed system for copyright enforcement and compensation. Aziz
Ridouan, co-founder of the group, proposes for France to legalise
2028:
682:). Wired magazine reported that major music companies have equated Ridouan's proposal with legitimising piracy. In January 2008, seven Swedish members of parliament from the
985:
701:
and
Amateur Creativity: A Copyright Dilemma", acknowledged the "age of remixing" and the need for a copyright reform while referring to recent law interpretations in
607:
in the light of the development of computer technology and the internet; much of the re-interpreted content discussed copyright law and privilege in
Marxist terms.
2217:
454:
1566:
922:
1626:
2001:
1564:"Is Copyright Ethical? An Examination of the Theories, Laws, and Practices Regarding the Private Ownership of the Intellectual Work of the United States."
1037:
955:
1352:
1315:
1160:
2423:
737:
allow entrepreneurs and artists to employ innovative business models rather than all-out copyright to secure a return on their creative investment.
618:
being referred to as "the most visible member of a burgeoning international anti-copyright—or pro-piracy—movement". One well-publicised instance of
1518:
1391:...censorship-by-copyright could endanger other constitutional rights, first and foremost First Amendment rights and possibly due process rights.
1058:
Property Rights and the
Efficient Exploitation of Copyrighted Works: An Empirical Analysis of Public Domain and Copyrighted Fiction Best Sellers
1529:, 10.2 (1991): 85–109. Reprinted in Robert A. Larmer (Ed.), Ethics in the Workplace, Minneapolis, MN: West Publishing Company, 1996, 278–293.
1404:
1865:
2210:
1826:
2734:
566:
advance more radical arguments, opposing copyright per se. A number of anti-copyright groups have recently emerged in the argument over
1193:
1011:
1745:
1768:
1714:
2032:
2388:
1679:
694:
1430:
2744:
2203:
1253:
17:
1215:
977:
504:, as well as business competition, academic research and artistic expression. As a consequence, copyright legislation such as
2577:
1498:
1440:
256:
2047:
1542:
2465:
725:
Groups that argue for using existing copyright legal framework with special licences to achieve their goals, include the
1649:
1795:
686:(part of the governing coalition), authored a piece in a Swedish tabloid calling for the complete decriminalisation of
1103:
2142:
1599:
1289:
2398:
1563:
1405:"The Digital Millennium Copyright Act Takedown Notice Procedure: Misuses, Abuses, and Shortcomings of the Process"
2281:
2074:
1979:
1953:
1927:
860:
300:
speaker, advocates for loosening copyright law as a means of making sharing information easier or addressing the
1622:
1034:
2562:
2005:
1975:
951:
2403:
2271:
1577:. 2nd ed. Ed. Richard A. Spinello and Herman T. Tavani. Boston: Jones and Bartlett Publishers, 2004: 305–321.
885:
880:
703:
619:
583:
53:, a Swedish organisation actively opposing modern copyright law and practices, and the previous operators of
1156:
597:, a professor of Law at Columbia University, published The dotCommunist Manifesto, which re-interpreted the
2739:
2498:
1897:
1664:
870:
292:
Opposition to copyright is often a portion of platforms advocating for broader social reform. For example,
658:
under fair use of copyrighted material, or proposing a system of fair compensation to allow for sampling.
1949:
1919:
1320:
708:
667:
579:
803:
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675:
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567:
563:
249:
2567:
2470:
2124:
2120:
2104:
734:
720:
1280:"How Winnie-the-Pooh highlights flaws in U.S. copyright law — and what that could mean for Canada"
2698:
2408:
2303:
2246:
1857:
895:
598:
495:
193:
2112:
2754:
2518:
2378:
2345:
2251:
865:
843:
828:
679:
623:
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and peer-to-peer file sharing have been termed by media commentators as "copyright wars", with
575:
336:
286:
123:
1138:
2513:
2418:
2383:
2226:
1353:"Why Yes, Copyright Can Be Used To Censor, And 'Fair Use Creep' Is Also Called 'Free Speech'"
1082:
838:
797:
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458:
438:
305:
297:
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1008:
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8:
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791:
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330:
128:
83:
31:
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854:
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54:
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1219:
1134:
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1074:
890:
848:
516:
368:
173:
88:
1186:"Google Books is 'highly transformative,' appeals court confirms in fair use ruling"
508:
has enabled copyright owners to "censor academic discussions and online criticism".
2652:
2597:
2557:
2438:
2276:
2054:
1923:
1062:
875:
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228:
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45:
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2053:. Institute of Contemporary History, Sodertorn University College. Archived from
1570:
1546:
1522:
1502:
1041:
1015:
916:
293:
2170: – Utopia of Anti-copyright applied to all types of data that can be copied
2642:
2607:
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2323:
2296:
2286:
1539:
746:
683:
646:
641:
615:
571:
450:
57:
1432:
Composition and
Copyright: Perspectives on Teaching, Text-making, and Fair Use
339:
on copyright, unlike theft, does not deprive the victim of the original item.
2728:
2632:
2357:
2174:
The
Surprising History of Copyright and The Promise of a Post-Copyright World
1473:
905:
750:
698:
559:
188:
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356:
50:
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2592:
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1097:
947:
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833:
687:
627:
552:
543:
434:
372:
213:
103:
2029:"Lecturer censored in Spanish University (UPV) for defending P2P networks"
1591:
1056:
30:"Opposition to copyright" redirects here. For the abolition movement, see
2662:
2657:
2477:
2448:
2313:
2070:
808:
773:
594:
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501:
301:
178:
93:
67:
1481:
1457:
1066:
2443:
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611:
183:
500:
Critics of copyright argue that copyright has been abused to suppress
2318:
2183:
1284:
818:
769:
651:
604:
413:
277:
163:
138:
98:
2393:
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external links, and converting useful links where appropriate into
823:
726:
462:
282:
168:
133:
2167:
2705:
2602:
910:
714:
364:
316:
158:
1893:
486:
The institution of copyright brings up several ethical issues.
548:
532:
2157:
Abandoning Copyright: A Blessing for Artists, Art, and Society
2186:
is a template for disclaiming copyright interest in software.
1827:"Swedish prosecutors dump 4,000 legal docs on The Pirate Bay"
1125:
Litman, Jessica (January 14, 2010). "Real Copyright Reform".
978:"Swedish "Pirates'" Call for IP Reform Spurs Global Interest"
927:
661:
2048:""Mechanical music" as a threat against public performance"
1861:
1858:"Remix Culture and Amateur Creativity: A Copyright Dilemma"
1458:"Censorship through Copyright: From print to digital media"
1379:"Copyrighted Crimes: The Copyrightability of Illegal Works"
505:
416:" demonstrator supporting the "freedom of knowledge" idea:
39:
350:
2179:
631:
308:
has advocated for limiting copyright to five year terms.
276:
sentiment, is a dissenting view of the current state of
60:, before it was spun off as an independent organisation
1316:"Why you can now repurpose 'Winnie-the-Pooh' for free"
1435:. State University of New York Press. p. 37-38.
923:
Sony Corp. of America v. Universal City Studios, Inc.
1623:"FSF launches anti-DRM campaign outside WinHEC 2006"
1061:. 2nd Annual Conference on Empirical Legal Studies.
952:"Larry Lessig says the law is strangling creativity"
1950:"FAQ – Is Creative Commons against copyright?"
285:that allow permissionless copying. Others seek the
2225:
1585:
1583:
626:occurred on February 24, 2004, in an event called
399:First "Minute Meme" video of QuestionCopyright.org
2107:may not follow Knowledge's policies or guidelines
1409:Minnesota Journal of Law Science & Technology
1243:
1241:
1239:
1237:
674:and to compensate artists through a surcharge on
472:
2726:
1150:
1148:
745:Scholars and commentators in this field include
49:, an anti-copyright initiative developed by the
1580:
776:, expressed their refusal to accept copyright.
1912:
1234:
1208:
715:Groups advocating using existing copyright law
2211:
1735:
1145:
622:(ECD) in the form of large scale intentional
527:
418:"Copyright is preventing access to knowledge"
250:
1704:
1516:"Intellectual Property and Copyright Ethics"
946:
740:
533:Groups advocating the abolition of copyright
445:
1793:
1647:
1250:"Copyright/Copyleft: Myths About Copyright"
2218:
2204:
1849:
1376:
662:Groups advocating changes to copyright law
511:
257:
243:
2159: – Opinion by Professor Joost Smiers
2143:Learn how and when to remove this message
2045:
1796:"Defiant Downloads Rise From Underground"
1428:
1154:
940:
433:, which is an internationally recognised
2389:Business models for open-source software
1824:
1527:Business and Professional Ethics Journal
1505:, Public Affairs Quarterly 3 (1989) 1–9.
542:
407:
383:
342:
315:
38:
2176:by Karl Fogel of QuestionCopyright.org.
1855:
1662:
1620:
1350:
1273:
1271:
403:
351:Information technology related concerns
14:
2727:
1982:from the original on November 27, 2010
1976:"FAQ – What is Creative Commons?"
1956:from the original on November 27, 2010
1930:from the original on November 27, 2010
1806:from the original on December 10, 2019
1717:from the original on December 31, 2014
1277:
1196:from the original on September 4, 2018
1124:
988:from the original on September 3, 2018
2578:Organization for Transformative Works
2199:
2026:
1769:"The Mouse that Roared, Grey Tuesday"
1707:"The Internet sure loves its outlaws"
1455:
1424:
1422:
1402:
1247:
1106:from the original on January 24, 2016
1095:
1054:
958:from the original on October 21, 2019
379:
311:
2087:
1837:from the original on August 11, 2017
1629:from the original on August 13, 2017
1602:from the original on August 13, 2017
1589:
1332:from the original on October 8, 2022
1268:
1256:from the original on August 13, 2017
1163:from the original on August 13, 2017
1868:from the original on March 23, 2016
1748:from the original on March 31, 2017
630:. Activists intentionally violated
24:
2735:Criticism of intellectual property
2004:. Creative Commons. Archived from
1900:from the original on July 29, 2008
1771:. Tech Law Advisor. Archived from
1677:
1540:"Justifying Intellectual Property"
1449:
1429:Westbrook, Steve (April 9, 2009).
1419:
1415:: 391–393 – via Hein Online.
1396:
1383:Yale Journal of Law and Technology
1296:from the original on March 8, 2022
1278:Vermes, Jason (January 10, 2022).
1055:Heald, Paul J. (January 9, 2007).
804:Criticism of intellectual property
25:
2766:
2083:
1290:Canadian Broadcasting Corporation
1248:Liang, Lawrence (February 2005).
481:
27:Dissenting views of copyright law
2399:Commercial use of copyleft works
2092:
2002:"How Does An Asian Commons Mean"
1856:Rostama, Guilda (June 1, 2015).
2379:Alternative compensation system
2064:
2039:
2020:
1994:
1968:
1942:
1886:
1825:Bangeman, Eric (January 2008).
1818:
1787:
1766:
1760:
1729:
1698:
1671:
1665:"The case for copyright reform"
1656:
1641:
1614:
1556:
1532:
1508:
1488:
1370:
1351:Masnick, Mike (July 26, 2013).
1344:
1308:
1155:Fleischer, Rasmus (June 2008).
861:Home Recording Rights Coalition
680:alternative compensation system
640:by distributing MP3 files of a
610:Recent developments related to
324:
2745:Intellectual property activism
2563:Electronic Frontier Foundation
2046:Fleischer, Rasmus (May 2006).
1590:Rose, Frank (September 2006).
1178:
1118:
1089:
1048:
1026:
1000:
970:
473:Preservation of cultural works
13:
1:
2404:Commons-based peer production
2272:Legal aspects of file sharing
2031:. Own Website. Archived from
1794:Werde, Bill (February 2004).
1736:Mitchell, Dan (August 2006).
1551:Philosophy and Public Affairs
1009:Against Intellectual Property
934:
886:New Zealand Internet Blackout
881:Missionary Church of Kopimism
704:Lenz v. Universal Music Corp.
620:electronic civil disobedience
489:
2499:Access to Knowledge movement
2075:Letter to the Free Age Press
1920:"Frequently Asked Questions"
1035:When Stealing Isn't Stealing
871:Information wants to be free
437:, as well as the right to a
7:
2027:Jorge, Cortell (May 2005).
1705:Sarno, David (April 2007).
1663:Byfield, Bruce (May 2012).
1621:Byfield, Bruce (May 2006).
1321:Australian Financial Review
982:Intellectual Property Watch
779:
709:Copyright Modernization Act
668:Association des Audionautes
580:Association des Audionautes
10:
2771:
1648:Rose, Frank (April 2012).
1501:February 21, 2014, at the
1377:Haber, Eldar (2013–2014).
1021:Ludwig von Mises Institute
718:
536:
528:Organisations and scholars
524:consistent ethical basis.
493:
328:
29:
2676:
2625:
2613:Students for Free Culture
2550:
2534:
2527:
2509:Cultural environmentalism
2491:
2466:Prizes instead of patents
2366:
2262:Digital rights management
2234:
1218:. Hipatia. Archived from
1157:"The Future of Copyright"
1045:(2012) The New York Times
1040:January 30, 2018, at the
741:Scholars and commentators
676:Internet service provider
672:peer-to-peer file sharing
568:peer-to-peer file sharing
564:The League of Noble Peers
446:Authorship and creativity
2568:Free Software Foundation
2163:Anti-Copyright Resources
1680:"dotCommunist Manifesto"
1569:January 7, 2015, at the
1521:October 4, 2013, at the
1014:October 8, 2022, at the
721:Public copyright license
320:An anti-copyright symbol
2699:RiP!: A Remix Manifesto
2409:Electronic sell-through
2304:Monopolies of knowledge
2247:Censorship by copyright
1650:"Challenging Copyright"
1575:Readings in Cyberethics
1545:March 19, 2013, at the
1496:"In Defence of Copying"
1403:Cobia, Jeffrey (2008).
1252:. Infochangeindia.org.
896:Philosophy of copyright
512:Philosophical arguments
496:Censorship by copyright
465:prevalent at the time.
355:One of the founders of
194:Opposition to copyright
99:Stock market securities
18:Opposition to copyright
2713:The Internet's Own Boy
2519:Free software movement
2346:software patent debate
2252:Copyright infringement
866:Information management
844:Freedom of information
829:Copyright alternatives
624:copyright infringement
576:freedom of information
556:
421:
400:
321:
287:abolition of copyright
270:Criticism of copyright
124:Copyright infringement
61:
2514:Free-culture movement
2424:Libertarian positions
2419:Free-software license
2384:Anti-copyright notice
2227:Intellectual property
2190:Culture vs. Copyright
1456:Ghosh, Arjun (2013).
1096:Boyle, James (2008).
984:. September 4, 2006.
839:Free culture movement
798:Culture vs. Copyright
787:Anti-copyright notice
546:
459:Industrial Revolution
455:Alternative Law Forum
411:
398:
343:Historical comparison
319:
298:free-culture movement
42:
2434:Open-design movement
2113:improve this article
1978:. Creative Commons.
1952:. Creative Commons.
1738:"Pirate Take Sweden"
809:Criticism of patents
578:; these include the
404:Freedom of knowledge
306:Swedish Pirate Party
2740:Copyright activists
2374:All rights reversed
2242:Artificial scarcity
2125:footnote references
1894:"What is Copyleft?"
1686:on November 9, 2005
1494:Selmer Bringsjord,
1328:. January 3, 2022.
1222:on December 1, 2008
1067:10.2139/ssrn.955954
792:Copyright abolition
600:Communist Manifesto
539:Copyright abolition
331:Artificial scarcity
129:First-sale doctrine
32:Copyright abolition
2692:Good Copy Bad Copy
2638:Alexandra Elbakyan
2542:Copyright Alliance
1800:The New York Times
1742:The New York Times
1553:, 18 (1989) 31–52.
1326:Nine Entertainment
1216:"Second Manifesto"
1006:Kinsella, Stephan
855:Good Copy Bad Copy
763:Siva Vaidhyanathan
557:
431:right to education
422:
401:
380:Cultural arguments
322:
312:Economic arguments
62:
55:BitTorrent tracker
2722:
2721:
2621:
2620:
2573:Open Rights Group
2153:
2152:
2145:
2060:on June 27, 2007.
1711:Los Angeles Times
1562:Warwick, Shelly.
1538:Edwin Hettinger,
1442:978-1-4384-2599-3
1099:The Public Domain
1032:Green, Stuart P.
950:(March 1, 2007).
891:Operation Payback
849:Freedom of speech
547:Demonstration in
517:Selmer Bringsjord
453:, founder of the
396:
267:
266:
174:Counter-economics
152:Political aspects
16:(Redirected from
2762:
2653:Richard Stallman
2598:Public Knowledge
2558:Creative Commons
2532:
2531:
2439:Open music model
2220:
2213:
2206:
2197:
2196:
2148:
2141:
2137:
2134:
2128:
2096:
2095:
2088:
2078:
2068:
2062:
2061:
2059:
2052:
2043:
2037:
2036:
2035:on May 21, 2005.
2024:
2018:
2017:
2015:
2013:
2008:on July 25, 2008
1998:
1992:
1991:
1989:
1987:
1972:
1966:
1965:
1963:
1961:
1946:
1940:
1939:
1937:
1935:
1924:Creative Commons
1916:
1910:
1909:
1907:
1905:
1890:
1884:
1883:
1875:
1873:
1853:
1847:
1846:
1844:
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1682:. Archived from
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755:Rasmus Fleischer
731:Creative Commons
634:'s copyright of
562:and groups like
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361:Rasmus Fleischer
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224:Regional lockout
219:Informal economy
207:Related subjects
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693:In June 2015 a
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572:digital freedom
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2668:Aaron Swartz
2593:Pirate Party
2551:Pro-copyleft
2503:
2429:Open content
2414:Free content
2314:Orphan works
2309:Music piracy
2182: – The
2139:
2130:
2115:by removing
2102:
2066:
2055:the original
2041:
2033:the original
2022:
2010:. Retrieved
2006:the original
1996:
1984:. Retrieved
1970:
1958:. Retrieved
1944:
1932:. Retrieved
1914:
1902:. Retrieved
1888:
1878:
1877:
1870:. Retrieved
1851:
1839:. Retrieved
1831:Ars Technica
1830:
1820:
1810:September 7,
1808:. Retrieved
1799:
1789:
1777:. Retrieved
1773:the original
1762:
1752:February 19,
1750:. Retrieved
1741:
1731:
1721:February 21,
1719:. Retrieved
1710:
1700:
1690:December 22,
1688:. Retrieved
1684:the original
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1631:. Retrieved
1616:
1604:. Retrieved
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1360:. Retrieved
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1334:. Retrieved
1319:
1310:
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1283:
1258:. Retrieved
1224:. Retrieved
1220:the original
1210:
1200:September 3,
1198:. Retrieved
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1108:. Retrieved
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992:September 3,
990:. Retrieved
981:
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962:February 26,
960:. Retrieved
948:Larry Lessig
942:
915:
901:Pirate Party
853:
834:Fair dealing
796:
768:Traditional
767:
744:
724:
702:
692:
688:file sharing
665:
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628:Grey Tuesday
609:
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553:file sharing
522:
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439:free culture
425:
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373:Google Books
354:
346:
334:
325:Non-scarcity
302:orphan works
291:
273:
269:
268:
214:Black market
104:Green market
44:
36:
2663:Peter Sunde
2658:Peter Suber
2478:Share-alike
2449:Open source
2444:Open patent
2071:Leo Tolstoy
1986:December 5,
1960:December 5,
1934:December 5,
1667:. Kopimism.
1652:. Kopimism.
1389:: 454–501.
954:. ted.com.
774:Leo Tolstoy
595:Eben Moglen
588:New Zealand
502:free speech
435:human right
179:Free market
68:Grey market
2750:Criticisms
2729:Categories
2588:PiratbyrĂĄn
2336:biological
2267:Gripe site
2133:March 2018
1841:August 13,
1633:August 13,
1606:August 13,
1260:August 13,
1167:August 13,
1110:August 22,
935:References
772:, such as
770:anarchists
697:article, "
612:BitTorrent
586:Church of
490:Censorship
357:PiratbyrĂĄn
337:infringing
184:Free trade
84:Automobile
51:PiratbyrĂĄn
2492:Movements
2319:Biopiracy
2184:Unlicense
2168:Gnomunism
2117:excessive
1872:March 14,
1625:. Linux.
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