496:" started to break in July 1957", although he "signed no management contract with either Buddy or the Crickets who were therefore free to leave whenever they wished". "In addition to taking control of Holly's career and finances, he added his name to the songwriting credits — a dubious but not uncommon practice in those days". Other sources claim that this "was unusual for the 1950s, but today is quite common and even the standard practice in some genres." Petty "was an innovative producer who charged a fixed fee per recording rather than the hourly rate that was standard then and now, and did not take a fixed payment from mechanical royalties. To compensate for his risks and to recognize his contribution to creating the song, Petty was often listed as a cowriter of the songs he produced, and the songs were published by his music publishing company, Nor-Va-Jak Music. ... No doubt Petty took risks as the producer and deserved greater compensation for his efforts, but his percentage of performance royalties was greater than Holly's and the question is whether this was more than Petty deserved. Those who would defend Petty's greater share would point to the fact that Holly and the Crickets did not produce any hits before they recorded with Petty in his ... studio." Larry Holly, Buddy's brother, acknowledged that "Norman was responsible for getting Buddy out."
564:, a book about Petty by Frank Blanas, was published in 2014. Blanas argues that Petty's reputation as "arguably the No. 1 villain in the Buddy Holly story" has been exaggerated, and claims that he "drove royalty rates higher so everyone could share in the profits; it was a 'win or lose together' mentality that made hit records and, in theory, should have been successful for all involved. But Norman never foresaw an industry of record bootlegging, freebie promo abuse, plugging payola and slush funds. Royalties were consumed in the form of bourbon, danced away on the laps of DJs, pilfered through organized rackets, spent on gifts for executives ...". The idea "that Petty stole the money has been widely shared by various authors, artists and, subsequently, the general public. The fact is, though, that many in the 1950s record business were mobsters, racketeers and money launderers. Most writers forget that there were key middle men between the retailer and Clovis. Norman, as a small independent music businessman, was often dealing with professional crooks with known mob ties and was at their mercy in the same way as exploited artists."
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then." According to Petty's recollection of the meeting, "Elena did all the talking. She said, 'Buddy and I have decided that Buddy can do better — that you're not fit for Buddy's manager.' And I said, 'What's this — is it something I've done?' She said, 'It's what you haven't done — you haven't done near enough for him.'" Petty would recall the split rather more amicably, claiming that "When I asked Buddy if there was anything that I had done to cause the split – I think the question was answered by his wife that time. It wasn’t necessarily anything I had done, I had not done enough to exploit Buddy, the world did not know enough about Buddy Holly. I was not doing a competent job of promoting him as an artist. That to me was the basic reason. ... s far as musically speaking goes, I don’t think there ever was a rift between Buddy and myself". The remaining
Crickets,
25:
508:", he grew resentful of Petty's control. The cash-strapped musician and his new wife, Maria Elena , visited Petty at the studio to end their partnership, and seek his unpaid royalties." Santiago insisted that Holly get his "finances in order" before she would marry him, stating: "I don't want to sit around all the time, waiting for handouts from Norman Petty." She "recounted that Petty told his young protege, "You know what, Buddy? I'm gonna say this to you. I'd rather see you dead than to give you the money now."
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554:. Later in 1984, he was posthumously named Clovis Citizen of the Year. His wife, Vi, died in March 1992. She helped start the "Norman and Vi Petty Music Festival" in Clovis in 1987, which ran until 1997. It featured many artists who had recorded at the Clovis studio and also popular hit makers. Robert Linville requested the name from the Chamber of Commerce and started the festivals again from 1998 until his death in 2001.
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business; the recipients are chosen because their strength of character and citizenship, to serve as models for today's CHS students. The plaques were given to Vi's relative Nick Brady, who turned them over to
Kenneth Broad of the Petty estate to display during studio tours. The original 7th Street Studio is available for tours by appointment only.
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489:"My first impression of him was of a person ultra-eager to succeed. He wore a T-shirt and Levis. Really he was unimpressive to look at but impressive to hear. In fact businessmen around here asked me why I was interested in a hillbilly like Holly, and I told them I thought Buddy was a diamond in the rough".
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However, Petty was also accused of withholding "royalty payments to Holly", who eventually found out that the band's "recording royalties had not been banked under their name but under Petty's." However, at the time, "records sold in shops for between just sixty-nine and eighty-nine cents each, while
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at a young age. While in high school, he regularly performed on a 15-minute show on a local radio station. After his graduation in 1945, he was drafted into the United States Air Force. When he returned, he married his high-school sweetheart Violet Ann Brady on June 20, 1948. The couple lived briefly
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Petty purchased the Mesa
Theater on Main Street in Clovis in 1960. In 1963, he launched the FM radio station KTQM starting as an easy-listening station, later switching to country-and-western music, and then in 1968 to top-40 rock. The country genre had local appeal, so he applied for a new station
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Despite the success of his own records, Petty began construction of his Clovis studio in late 1954. The new studio was state of the art, estimated to have cost around $ 100,000 (US$ 1,134,572 in 2023 dollars). "Throughout his life, Petty remained a member of the
Central Baptist Church in Clovis, a
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According to
Santiago, Petty "tried to break us up ... He told Buddy not to marry me because I was a whorish kind of woman, that I'd slept with all kinds of other men who'd come in to Peer-Southern. Buddy knew that wasn't true, of course. He got so mad, he wanted to leave Norman right there and
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Norman and Vi were given awards for "Outstanding
Graduate Accomplishment" (in the classes of 1945 and 1946, respectively) by the Clovis Municipal Schools Foundation and Alumni Association in April 2011. The awards are presented to Clovis High School graduates for achievement in their sphere of
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Petty's Nor-Va-Jak record label was revived in 2016 as "Nor-Va-Jak Music", with authorization from Norman Petty
Studios, for the purpose of reissuing Petty productions that were not previously available in digital form. Previously, many Petty productions had been issued on CD in the UK by Ace
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the royalty was often as low as one cent per side." While "unable to deny that they were due sizeable sums, Petty kept on stressing the slowness with which record-companies, in particular, paid out artists' royalties." In 1958, after "Holly suffered disappointing sales for such tunes as "
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Due to the success with instrumental groups, Petty was a reputable producer for bands of that genre and his Clovis Studio was one of the top "go-to" studios for the guitar instrumental (surf) sound in the early 1960s. Notable musicians who visited during the 1960s were
204:(May 25, 1927 – August 15, 1984) was an American musician, record producer, publisher, and radio station owner. He is considered to be one of the founding fathers of early rock & roll. With Vi Ann Petty—his wife and vocalist—he founded
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in which she alleged that Petty "conspired with MCA to defraud the Holly heirs." It was eventually determined through extensive auditing that "MCA owed the Petty estate and the Holly heirs a combined $ 251,325 in additional royalties".
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With the success of "Almost
Paradise", the structure was completed in mid-1957. In his original 7th Street studio, aside from songs for his own musical group, he also produced singles (several which were hits) for West Texas musicians
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in New York. According to Petty, he took an "immediate liking to Buddy from the very first moment" they met, although in an earlier interview with journalist Norman Mark, he had delivered a possibly more pragmatic response:
474:, among others. Throughout the 1950s and 1960s, recordings produced by Petty, in various musical styles, were issued by virtually every major record label in the United States and Canada, with numerous regional successes.
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license and started KWKA 680 AM in 1971, airing country-and-western music. Petty ran both stations until 1979. The stations were sold by Curry County
Broadcasting to Zia Broadcasting in 2010.
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religious man who advised all of his acts to carry a ible with them on tour and forbade alcohol and cigarettes (and even swearing) within the studio complex."
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How Much Is That in Real Money? A Historical Price Index for Use as a
Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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Records. Petty's legendary 7th Street Studio is still open for public tours and is considered to be the world's most authentic vintage recording studio.
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in Dallas, Texas, where Petty worked as a part-time engineer at a recording studio. Eventually, they moved back to their hometown of Clovis.
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The King of Clovis: The Untold Story of Music Producer Norman Petty: The Man Behind Rock 'n Roll's Greatest Legends
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The King of Clovis: The Untold Story of Music Producer Norman Petty: The Man Behind Rock 'n Roll's Greatest Legends
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writers' award. The song had various cover versions released, with Roger Williams' version selling the best.
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and sold half a million copies of the recording, and were voted Most Promising Instrumental Group of 1954 by
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magazine. In 1957, their song "Almost Paradise" hit number 18, and Petty won his first
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at the request of the Holly family, which resulted in chart success overseas.
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Jack Vaughn. Due to the local success of their independent debut release of "
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Rock and Roll Fantasy? The Reality of Going from Garage Band to Superstardom
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Petty was asked by Holly to act as the band's "personal manager after "
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and Buddy Britten, and in Belgium for Roman Reed, Merino Costa, and
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1017:"Almost Paradise - The Sounds Of Norman Petty Studios" on Facebook
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Petty produced a number of Canadian recording artists, including
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Something Old, Something New, Something Blue, Somethin' Else
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16:American musician and record producer (1927–1984)
2015:
1025:. Rockabillyhall.com. 1997-03-21. Archived from
523:After Holly's death, Petty was put in charge of
1063:magazine, International Songwriters Association
835:Buddy: The Definitive Biography of Buddy Holly
423:were recorded at Petty's studio in the 1960s.
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586:"Norman Petty Biography, Songs, & Albums"
884:"Buddy Holly's Widow Sues Mca For Royalties"
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860:Remembering Buddy: The Definitive Biography
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767:"50 years on, Buddy Holly not fading away"
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1505:The Day the Music Died (1959 plane crash)
1500:Surf Ballroom (site of final performance)
361:", they landed a recording contract with
306:Learn how and when to remove this message
69:Learn how and when to remove this message
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32:This article includes a list of general
1434:Not Fade Away (Remembering Buddy Holly)
858:Goldrosen, John; John, Beecher (1987).
837:. London: Pan Books. pp. 252–253.
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1905:" (b/w "Rockin' 50's Rock And Roll")
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803:. New York: Springer. p. xiii.
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337:Petty was born in the small town of
244:adding citations to reliable sources
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1873:" (b/w "Teardrops Fall Like Rain")
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333:NorVaJak Music, Clovis, New Mexico
38:it lacks sufficient corresponding
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862:. London: Pavilion. p. 121.
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349:Petty and his wife, Vi, founded
322:Norman Petty Recording Studios,
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989:. Stroud: Rollercoaster Books.
931:. Stroud: Rollercoaster Books.
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477:Petty produced the majority of
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231:needs additional citations for
2044:People from Clovis, New Mexico
2039:20th-century American pianists
1704:California Sun / She Loves You
1043:"Interview with the Fireballs"
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520:, chose to remain with Petty.
417:Jimmy Gilmer and the Fireballs
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2104:Deaths from leukemia in Texas
2089:Musicians from Lubbock, Texas
1344:The Buddy Holly Story, Vol. 2
1057:"Interview with Norman Petty"
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2001:Buddy: The Buddy Holly Story
1864:Bobby Vee & the Crickets
1690:Bobby Vee Meets the Crickets
1518:Buddy: The Buddy Holly Story
910:MCA Records, Inc. v. Allison
799:Phillips, Ronnie J. (2013).
694:American Antiquarian Society
674:American Antiquarian Society
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2084:Songwriters from New Mexico
2074:Record producers from Texas
1987:Bob Montgomery (songwriter)
1386:For the First Time Anywhere
1041:Pore-Lee-Dunn Productions.
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1683:In Style with the Crickets
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1817:Love's Made a Fool of You
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773:. London. 27 January 2009
407:. Sizeable hits such as "
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2094:American audio engineers
1896:(They Call Her) La Bamba
1711:Rockin' 50's Rock'n'Roll
1485:María Elena Holly (wife)
1067:"Norman Petty Interview"
735:"Norman Petty Interview"
2069:American male organists
2049:American music managers
1942:Buddy Holly discography
1920:The 1st of Sonny Curtis
1837:" (b/w "Baby My Heart")
1828:When You Ask About Love
1669:The "Chirping" Crickets
1465:Buddy Holly discography
1407:Down the Line: Rarities
1303:The "Chirping" Crickets
1276:Brown Eyed Handsome Man
1248:Crying, Waiting, Hoping
1013:Official Studio Website
955:Kerns, William (n.d.).
888:The Dallas Morning News
833:Norman, Philip (2009).
53:more precise citations.
2109:Songwriters from Texas
2059:American male pianists
1898:" (b/w "All Over You")
1480:Bob "Bobby" Montgomery
1184:I'm Gonna Love You Too
1011:"Norman Petty Studios"
985:Blanas, Frank (2013).
927:Blanas, Frank (2013).
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103:Background information
97:Petty and his wife, Vi
2054:American pop pianists
1993:The Buddy Holly Story
1913:Crickets solo records
1511:The Buddy Holly Story
1337:The Buddy Holly Story
1244:Peggy Sue Got Married
1073:(recorded April 1968)
733:Liddane, Jim (n.d.).
550:, in August 1984, of
443:(& The Cinders),
351:the Norman Petty Trio
332:
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206:the Norman Petty Trio
2099:Apex Records artists
1524:"Buddy Holly" (song)
1212:Early in the Morning
240:improve this article
1835:More Than I Can Say
1441:Rave On Buddy Holly
1414:Memorial Collection
1237:Raining in My Heart
431:(featuring members
341:. He began playing
2064:American organists
1778:That'll Be the Day
1721:Compilation albums
1529:Buddy Holly Center
1365:Holly in the Hills
1328:Compilation albums
1317:That'll Be The Day
1141:That'll Be the Day
1045:. Classicbands.com
634:(Third ed.).
562:The King of Clovis
494:That'll Be The Day
483:Bell Sound Studios
433:Seals & Crofts
421:the String-A-Longs
419:, and "Wheels" by
339:Clovis, New Mexico
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121:Clovis, New Mexico
2114:X Records artists
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1952:Brunswick Records
1849:Don't Ever Change
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1889:Please Please Me
1842:I Fought the Law
1821:Someone, Someone
1729:20 Golden Greats
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1071:Pop Chronicles
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1023:"Norman Petty"
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1005:External links
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996:978-0957446212
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548:Lubbock, Texas
546:Petty died in
514:Joe B. Mauldin
413:Bottle of Wine
401:Carolyn Hester
314:
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255:"Norman Petty"
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506:It's So Easy!
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468:The Tremeloes
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257: –
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251:Find sources:
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229:This section
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173:Hammond organ
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1999:
1991:
1977:Tommy Allsup
1947:Norman Petty
1946:
1810:It's So Easy
1760:Just for Fun
1743:A Collection
1741:
1734:
1727:
1709:
1702:
1695:
1688:
1681:
1674:
1667:
1652:Sonny Curtis
1647:Jerry Naylor
1606:The Crickets
1516:
1509:
1490:Norman Petty
1489:
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1219:It's So Easy
1117:The Crickets
1060:
1047:. Retrieved
1031:. Retrieved
1027:the original
986:
964:. Retrieved
960:
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909:
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892:. Retrieved
887:
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775:. Retrieved
770:
742:. Retrieved
738:
707:February 29,
705:. Retrieved
685:
665:
654:
636:Virgin Books
629:
626:Colin Larkin
595:. Retrieved
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449:Eddie Reeves
425:
405:Billy Walker
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293:
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276:
269:
262:
250:
238:Please help
233:verification
230:
205:
202:Norman Petty
201:
200:
180:Years active
133:(1984-08-15)
118:May 25, 1927
85:Norman Petty
65:
59:October 2019
56:
37:
2079:Buddy Holly
2029:1984 deaths
2024:1927 births
1996:(1978 film)
1937:Discography
1676:Buddy Holly
1642:Glen Hardin
1617:Buddy Holly
1351:Reminiscing
1310:Buddy Holly
1108:Buddy Holly
678:1700–1799:
658:1634–1699:
525:overdubbing
479:Buddy Holly
472:The Pebbles
464:Brian Poole
460:Barry Allen
409:Sugar Shack
385:Roy Orbison
363:RCA Records
359:Mood Indigo
145:Occupations
51:introducing
2018:Categories
1982:Joe Osborn
1856:Punish Her
1796:Maybe Baby
1637:Earl Sinks
1269:Bo Diddley
1191:Maybe Baby
1061:Songwriter
1049:2010-09-02
1033:2010-09-02
572:References
441:JD Souther
429:The Champs
397:Sonny West
389:Buddy Knox
266:newspapers
169:Instrument
155:songwriter
114:1927-05-25
34:references
1972:David Box
1967:The Picks
1860:Bobby Vee
1495:The Picks
1226:Heartbeat
1159:Peggy Sue
597:4 October
456:Wes Dakus
355:guitarist
212:Biography
184:1947–1984
1887:" (b/w "
1819:" (b/w "
1787:" (b/w "
1785:Oh, Boy!
1547:Category
1358:Showcase
1246:" (b/w "
1235:" (b/w "
1170:Oh, Boy!
1163:Everyday
1161:" (b/w "
1150:" (b/w "
683:(1992).
663:(1997).
591:AllMusic
552:leukemia
536:MCA Inc.
151:Musician
1770:Singles
1557:Commons
1198:Rave On
1134:Love Me
1125:Singles
771:Reuters
504:" and "
502:Rave On
368:Cashbox
353:, with
280:scholar
47:improve
1922:(1968)
1762:(1963)
993:
966:29 May
935:
894:29 May
866:
841:
807:
777:29 May
744:29 May
642:
466:&
447:, and
282:
275:
268:
261:
253:
189:Labels
140:, U.S.
123:, U.S.
36:, but
1372:Giant
690:(PDF)
670:(PDF)
529:demos
415:" by
343:piano
287:JSTOR
273:books
991:ISBN
968:2024
933:ISBN
915:Text
896:2024
864:ISBN
839:ISBN
805:ISBN
779:2024
746:2024
709:2024
640:ISBN
599:2021
516:and
435:and
411:", "
259:news
128:Died
108:Born
1858:" (
1753:EPs
1069:on
439:),
373:BMI
242:by
2020::
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1823:")
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