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230:. At first they thought to demolish it, although the criterion was imposed to keep it open to the faithful while the construction of the new one was carried out. When the works were finished in the 18th century, they reconsidered the idea of destroying it and for that reason it is conserved at the present time. However, the south wall of the New Cathedral rests on the north wall of the Old one, which had to be reinforced towards the interior of the old temple, whose lateral nave was partially reduced with the new construction. The tower of the new cathedral was built over the bell tower of the Old Cathedral.
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1115:
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1135:. It has several arcades that house different tombs, among them those of the founder of the chapel. All the walls are decorated with about 110 statues whose golden color stands out, hence the name of the chapel. There are sculptures of characters from the Old and New Testament, including apostles, saints, sibyls, prophets, etc.. The sculptures are supported by different polychrome and gilded shelves. Quite curious are the images of Adam and Eve, which coincide with the images of Apollo and Venus that appear on the façade of the
139:
391:
403:
866:
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488:, typical of buildings from the late Romanesque period, is replaced by two tribunes running around the perimeter of the cathedral and at two heights, allowing the aisles to be raised even higher. The pillars collect the weight of the vaults where each of the ribs of the vaults descends to the floor by the pillar in a thin column that helps to unload the weight. The vaults have all kinds of combinations of ribs, cambered and
1198:. However, this cathedral retained more of its Gothic character because the authorities wanted the new cathedral to blend with the old one. Thus the new cathedral was constructed, continuing with Gothic style during the 17th and 18th centuries. However, during the 18th century, two elements were added that broke with the showy form with the predominant style of the building: a Baroque
1210:(92 m). The new cathedral was constructed without the subsequent destruction of the old cathedral, but a wall of the new cathedral leans on the North wall of the old one. For this reason, the old cathedral had to be reinforced, and the bell tower was constructed on the old one. Two of the main architects of the cathedral were
1139:. The image of death appears in a gloomy form tucked in a niche and with a toad between her legs. The toad, representation of the sin of lust, also appeared decorating the facade of the Salamanca University. A magnificent Calvary presides over the altarpiece of the Chapel, placed on a pictorial background by
728:
It is not a closed chapel as such, since it is located in the section occupied externally by the Puerta de Ramos. It highlights the tomb of Canon Diego de Neyla, who died in 1577, a
Renaissance work that incorporates a panel with the Virgin, the Child and San Juanito, surrounded by angels and God the
316:
of occupation demolished the block of houses located to the north of the cathedral, creating the current Plaza de Anaya and highlighting the north façade, which was not prepared for exhibition and was not very attractive. This fact has caused that the best known photos of the cathedral are taken from
801:
It is located in the north arm of the transept. The image is one of the most spectacular and beautiful of all the New
Cathedral. It is an anonymous work of the 15th century, it is a Crucified Christ with three nails. Its polychromy reveals a great realism in the treatment of the body and the details
268:
style. It has a rectangular plan, with three naves and two more niche chapels. In principle, the chevet was to end in an ambulatory and polygonal apses, but finally the project was changed to the current one, which finishes the temple with a rectangular chevet that makes a hall plan. The first stone
1028:
It preserves the first altarpiece in which
Solomonic columns were used in Spain. It was assembled in 1664 as an act of atonement to house a canvas of the Immaculate Conception that had been outraged that same year when the face of the Virgin was slashed with a dagger by an opponent to the Dogma of
670:
was tuned. A Belgian specialist was called, who was astonished to learn that it had not been tuned for almost a century, given its perfect condition thanks to the dry climate of the area. In 1992, with the help of the
Japanese monarchy, and at the suggestion of the Japanese master Tsuji, the organ
696:
They were designed with a single model, with the front corresponding to the part reserved for the altar or altarpiece, opening in the other walls arcosolios originally intended for burials. They are covered with different star-shaped vaults. The grilles that close them are of different styles and
515:
became the master builder of the cathedral, after the death of his father Juan Gil de Hontañón. At first an ambulatory was planned for the chevet and polygonal apses, but the delay in the work made the criteria change to a flat chevet, a decision taken in 1584 by the then master builder
1056:. To the same author is attributed a painting of the Ecce Homo that is in the chapel. Initially the altarpiece was dedicated to St. John the Baptist, later his image was replaced by another of St. Bartholomew. The images of Saint Gregory of Ostia and St. Augustine are the work of
981:
1072:
807:
890:
838:
776:
stand out. It takes its name from a dispute between a
Christian and a Jew in which he witnessed the image of the Virgin, from the 12th century re-carved and polychrome in the Baroque, with a slight head movement.
975:
of 1760, image of the end of the
Baroque. Its polychrome and the serenity of the Virgin's face announce the arrival of Neoclassicism, while the anatomy of the naked Christ is heir to the Baroque. It parades in
374:
292:
who proposed to strap it with 8 taut chains and line it with stone in the form of a slope reaching up to the body of bells (about 40 meters from the ground). The direction of this work was entrusted to
346:
473:
The plan and elevation of the building maintain a Gothic uniformity and the exterior presence of flying buttresses and buttresses, as well as the interior elevation of the naves attest to this.
326:
964:
It is located under the start of one of the towers designed for the chancel, accessed from the ambulatory through the Chapel of San José. The altarpiece, of
Neoclassical style and designed by
956:
It presents a
Baroque altarpiece of rocaille reminiscent of the Portuguese style, with a fine image of St. Joseph with Child and paintings of St. John, the Magdalene and Santiago Matamoros.
1084:
484:" scheme typical of Gothic architecture, the church gives the impression of great amplitude and luminosity due to the compensation in height and the achievement of the interior space. The
294:
1257:
Miguel Romero, following the tradition of incorporating a contemporary element in each restoration. On
September 20, 2010 it appeared with a broken right arm due to an act of vandalism.
906:
362:
643:. The choir stalls, in two sections, high and low, are the work of several artists. The grille that closes the choir and the one that closes the Main Chapel are the work of Duperier.
276:
During most of the 17th century the works were stopped and were resumed again in the 18th century, until its completion in 1733. The cathedral suffered the devastating effects of the
543:
when the works were resumed, after being stopped for almost the entire 17th century, due to lack of budget. It was finished in 1725 and it seems that it was similar to that of the
250:
288:. The belfry suffered serious damage during the earthquake, even tilting and threatening ruin. After consulting several architects who recommended its demolition, it was finally
790:
2183:
1253:
in 1993, it was decided to restore the door, which had deteriorated greatly due to the passage of time. During this restoration, the astronaut was carved in stone in 1992 by
606:
745:
620:
757:
1016:. In the arcosolios of the back there are two Neapolitan paintings with the Slaughter of the Innocents and the Expulsion of the merchants from the Temple attributed to
878:
640:
540:
2173:
918:
583:
2198:
922:
1140:
280:, which occurred on November 1, 1755, leaving visible signs in the cracks and broken stained glass windows. After the earthquake, the dome had to be rebuilt (by
802:
of the veins that can be seen in it. He is dead, with his eyes open and his mouth ajar. It has natural hair, which adds verism to the figure. It parades in the
595:
298:
666:
The Gospel Organ, Baroque style. Built in 1744 by Master Pedro
Echaverría. It was modified in the 19th century, changing its original factory. Around 1950 the
233:
The idea of building a new cathedral arose in the 15th century due to the demographic increase of the city, especially because of the strong attraction of the
965:
552:
517:
281:
2203:
1340:"Picturesque Europe: a delineation by pen and pencil of the natural features and the picturesque and historical places of Great Britain and the continent"
289:
2193:
2188:
996:, crowned by a painting of the Virgin with the sleeping Child, and another neoclassical one with a carving of the Immaculate Conception, attributed to
1064:
837:
It highlights a seated Gothic Virgin with the Child in her arms. It also guards the group of "la Borriquilla", which parades on Palm Sunday with the
733:
1353:
594:
that would be located in the transept under the dome. The project could not be carried out due to its high cost. The Cathedral Museum, designed by
463:, was changed for a flat one and during the 18th century two elements were added that broke strikingly with the predominant style of the temple: a
909:, of flesh color and with four nails, which must be dated in the first half of the 12th century. According to tradition, the image was carried by
1989:
1357:
529:
481:
317:
this side, making us forget the main facade, much more interesting but located in a narrow street and without enough width to get good pictures.
246:
390:
1088:
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1478:
2133:
785:
It presents altarpiece and titular image work of local artists in the 18th century, with a canvas of the Magdalena copy of the original of
1242:
489:
306:
1570:
849:
It contains images of Fathers of the Church coming from the old tabernacle of the main altar and an image of the titular of the chapel.
1651:
57:
1229:
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It houses an 18th-century painting representing the Coming of the Virgin to Zaragoza and a Gothic sculpture of the Virgin of Pilar.
17:
1427:
917:
in his battles against the Muslims. The altarpiece that houses the Christ is a work of the first half of the 18th century made by
459:
of its origins, between the 16th and 18th centuries, although at the end of the 16th century the chevet, thought with a Gothic
1565:
1313:
1790:
1770:
810:
on Holy Thursday at midnight. At the foot of the Cross there are bones and a skull that, according to tradition, represents
729:
Father. Above the Gothic arcosolio there is a beautiful Renaissance fresco with the Annunciation. To the right, the tomb of
2208:
1997:
1830:
575:
with the same design as the rest of those of the central nave, but with the peculiarity that it is angled and polychrome.
207:. It is one of the largest cathedrals in Spain in size and its bell tower, at 92 meters high, is also one of the tallest.
2138:
1523:
188:
1155:
It was founded by Lorenzo Sánchez de Acebes and has an altarpiece with a relief of the saint's martyrdom, attributed to
455:, one of the last two cathedrals of Gothic style to be built in Spain. The new cathedral was built, continuing with the
1969:
925:
in 1734. Also found in the chapel are an urn with the remains of Bishop Jerome and an image of the Virgin of Carmel by
1858:
1508:
1471:
1221:
Its main entrance consists of three richly decorated arcs, each leading to the three naves (sections) of the church.
1040:
1820:
1560:
1689:
1666:
829:
2007:
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It shows several Italian paintings. In the altarpiece stands out the canvas of Christ and the Veronica, work of
1868:
480:. However, despite the fact that the side naves are not at the same height as the central nave, following the "
1641:
688:
609:
from 1624, polychromed by Antonio González. The angels that accompany her are the work of Francisco Sánchez.
1108:
605:
wall there is a crimson velvet canopy and drop on which appears an image of the Virgin of the Assumption by
41:
1906:
1464:
1215:
1179:
1144:
1013:
512:
2118:
1186:
The building began at a time when the gothic style was becoming less popular and was merging with the new
651:
1053:
752:. The chapel also contains the tombs of two of the most influential bishops of the city in recent times:
503:
The New Cathedral has a plan with three naves and two more chapels-horns, which were finished in 1520 by
422:
Plan of the New cathedral of Salamanca (missing references are indicated in each section of the article):
1339:
1100:
2060:
1699:
1694:
1371:
1160:
753:
713:
445:
429:
237:. Therefore, the Old Cathedral seemed at that time "small, dark and low". They had the support of King
227:
1775:
1755:
586:, completed only 11 years earlier, was dismantled in 1743. It was planned to replace it with a marble
2042:
1211:
504:
333:
671:
was restored, regaining its primitive character and installing an electric system for the air pumps.
612:
On the entablature that crowns the walls of the presbytery appear the image of Religion, angels and
2055:
1893:
1495:
1187:
1048:
In the attic of the altarpiece there is a painting of the Virgin with the Child and San Juanito by
402:
168:
1073:
Real Cofradía Penitencial del Santísimo Cristo Yacente de la Misericordia y de la Agonía Redentora
808:
Real Cofradía Penitencial del Santísimo Cristo Yacente de la Misericordia y de la Agonía Redentora
2090:
1916:
1911:
1742:
1550:
1203:
1136:
789:, located in the attic. It emphasizes a canvas of the martyrdom of the Baptist signed in 1621 by
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525:
234:
2098:
320:
It was declared a national monument by royal decree in 1887 and in 1999 Protective Environment.
1840:
1580:
1376:
1068:
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894:
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284:) and the bell tower had to be reinforced, which was more slender, very similar to that of the
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242:
238:
204:
1810:
1114:
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1959:
1946:
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1633:
1532:
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cracked the central dome and replaced it with another Neoclassical one made by the architect
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over the transept and the upper bodies of the bell tower. This bell tower is 93 meters high.
2002:
1974:
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1873:
993:
882:
572:
452:
418:
200:
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1588:
591:
8:
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1926:
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1099:, and the Apparition of Christ Resurrected to his Mother, both seeming to be the work of
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301:. This is how it can be seen today, lined with stones and leaning to one side due to the
270:
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257:
192:
112:
107:
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1618:
913:, the first bishop of Salamanca after the repopulation of the city, when he accompanied
256:
The cathedral, after several discussions, was designed parallel to the old one, made of
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2017:
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1513:
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who is smiling. Further to the right, next to the door, there are three figures: a
720:. From this chapel there is access to the exterior terrace above the main doorway.
544:
158:
1132:
968:, is crowned by an image of God the Father and angels that could be from Carmona.
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2022:
2012:
1853:
1679:
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521:
62:
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sculpted on its left flank. On the occasion of Salamanca hosting the exhibition
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Also kept in this chapel is the image of the Recumbent Christ of Mercy, work of
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earthquake. Currently this catastrophe is remembered with the tradition of the "
215:
1805:
1760:
1593:
1156:
1128:
1057:
941:
926:
773:
749:
613:
353:
313:
138:
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1936:
1825:
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1429:
1111:
of the 17th century, from the disappeared Church of San Adrián of Salamanca.
1009:
380:
Western facade of the New cathedral of Salamanca, in 1890, color photochrom.
865:
492:, which make them very attractive for their variety and complexity of work.
245:), who in 1509 ordered the architects who had worked in Toledo and Seville,
1254:
368:
New cathedral of Salamanca between 1880-1926. Memòria Digital de Catalunya.
937:
1191:
219:
196:
142:
116:
1171:
1207:
1103:. Also found in the chapel are the Virgin of Bethlehem, attributed to "
1037:
Formerly this chapel was the one that communicated the two Cathedrals.
730:
667:
587:
579:
495:
460:
337:
261:
396:
Salamancan family posing at the entrance of the new cathedral in 1984.
1276:
1246:
1032:
485:
176:
172:
153:(Cathedral of the Assumption of the Virgin Mary), popularly known as
77:
1416:
844:
744:
The altarpiece is dedicated to the two co-patrons of Spain, work of
739:
1280:
1131:, Francisco Sánchez de Palenzuela. Its architecture corresponds to
663:
The Epistle Organ, of Renaissance style. Built in the 16th century.
1175:
698:
464:
226:
The New Cathedral was built between 1513 and 1733 preserving the
120:
1091:. In the altarpiece stand out a copy of the Burial of Christ by
1272:
1199:
1092:
914:
870:
602:
302:
1291:
representing, respectively, water, sky and earth in Salamanca.
697:
qualities, depending on the moment of their construction. The
1284:
1195:
796:
476:
The interior of the cathedral is very similar to that of the
184:
85:
982:
Hermandad Dominicana del Santísimo Cristo de la Buena Muerte
1288:
1268:
1264:
811:
536:
467:
253:, to go to Salamanca to draw the design of the new temple.
1337:
959:
860:
763:
1127:
It was ordered to be built in 1515 by the archdeacon of
992:
It presents two altarpieces: a Baroque one dedicated to
821:, the bishop who laid the first stone of the cathedral.
352:
New Cathedral of Salamanca in 1895 by Jenny Bergensten.
1083:
It has this name because it was endowed in 1577 by Don
971:
In the niche receives worship an image of the Pietà of
1486:
1012:, and the oval painting of the penitent Magdalene, by
900:
2184:
16th-century Roman Catholic church buildings in Spain
1122:
1118:
Golden Chapel, also known as the chapel of All Saints
1023:
852:
824:
571:The Main Chapel has a rectangular plan, covered by
1241:. In the Puerta de Ramos (north), in front of the
1033:Chapel of la Virgen de Morales or de San Bartolomé
893:and that processes through the streets during the
191:. It was constructed between 1533 and 1733 mixing
845:Chapel of the Virgin of Lourdes or San Tirso (10)
740:Chapel of Santiago and Santa Teresa or de Almansa
701:fronts that decorate some altars also stand out.
2165:
987:
944:Christ of the Battles, made in the 12th century.
1372:"Fotografi. Nya katedralen. Salamanca, Spanien"
1311:
905:This chapel houses the Romanesque image of the
659:The New Cathedral of Salamanca has two organs:
623:(1750) and the silver urns with the remains of
2174:Roman Catholic cathedrals in Castile and León
1472:
1143:. Under it, there is an altar decorated with
675:
2199:Renaissance architecture in Castile and León
1352:: CS1 maint: multiple names: authors list (
1003:
269:was laid in 1512, being bishop of Salamanca
723:
555:, which is the one that can be seen today.
428:25 Tower, built over the bell tower of the
1479:
1465:
1356:) CS1 maint: numeric names: authors list (
1078:
797:Altar of the Christ of the Redeeming Agony
40:
2189:Roman Catholic churches completed in 1733
1245:, there is an anachronistic figure of an
1159:. From this chapel you can access to the
891:Hermandad de Nuestra Señora de la Soledad
712:The altarpiece presents paintings of the
707:
520:, following the chevet model designed by
2204:Baroque architecture in Castile and León
1307:
1305:
1228:
1170:
1150:
1113:
1039:
947:
936:
864:
828:
780:
687:
684:Gothic central nave of the New cathedral
679:
650:
562:
547:, with ribs and baroque decoration. The
494:
417:
214:
137:
2194:Gothic architecture in Castile and León
14:
2166:
1166:
960:Chapel of los Dolores or del Santísimo
861:Chapel of Nuestra Señora de la Soledad
764:Chapel of Nuestra. Señora de la Verdad
639:It was built between 1730 and 1740 by
1460:
1302:
932:
839:Hermandad de Jesús Amigo de los Niños
2179:Roman Catholic churches in Salamanca
619:The marble and jasper tabernacle by
532:was called in to continue the work.
151:Catedral de la Asunción de la Virgen
46:Tower and dome of the New Cathedral.
1393:"Salamanca. Fachada de la Catedral"
1224:
1029:the Immaculate Conception of Mary.
901:Chapel of the Christ of the Battles
24:
1488:Roman Catholic cathedrals in Spain
1338:Taylor, Bayard, 1825-1878 (1875).
1123:The Golden Chapel or of All Saints
1024:Chapel of la Virgen del Desagravio
885:. It is an image of dress, due to
413:
25:
2220:
1410:
853:Chapel of the Virgin of the Pilar
833:Chapel of the Virgin of the Pilar
825:Chapel of the Virgin of la Cabeza
817:In front of this altar is buried
616:from the disappeared altarpiece.
1522:
1052:, apparently from the church of
528:. In 1588 the Cantabrian master
451:The cathedral is, together with
401:
389:
373:
361:
345:
325:
704:The chapels are the following:
567:Gothic vault of the Main Chapel
511:the ones on the right. In 1538
332:New Cathedral of Salamanca and
203:styles. It was commissioned by
1385:
1364:
1331:
1312:Garcia Vincente, Jose (2002).
1178:in the Golden Chapel from the
1107:", and a bust of Ecce Homo by
1085:Francisco Fernández de Liébana
877:A baroque altarpiece, work of
558:
13:
1:
1667:Archdiocese of Mérida-Badajoz
1295:
1145:Talavera de la Reina azulejos
1101:Fernández Navarrete, the Mute
988:Chapel of San Nicolás de Bari
27:Cathedral of Salamanca, Spain
1206:and the final stages of the
1190:style, giving the resulting
1180:Talavera de la Reina pottery
1089:Royal Chancery of Valladolid
869:Chapel of la Soledad during
549:earthquake of Lisbon in 1755
7:
2209:Church buildings with domes
2154:no longer used as cathedral
1771:Santo Domingo de la Calzada
1402:. United States. 1890–1906.
1271:, below the bull is seen a
1263:. Below the astronaut is a
1095:, whose original is in the
1054:San Felices de los Gallegos
748:in 1628 with sculptures by
598:, preserves a model of it.
424:17 Puerta de las sacristías
295:Jerónimo García de Quiñones
35:Catedral Nueva de Salamanca
10:
2225:
1879:San Cristóbal de La Laguna
1520:
1161:Old Cathedral of Salamanca
1067:in 1991, which parades in
921:and donated by the bishop
791:Santiago Jerónimo Espinosa
676:Lateral chapels and altars
446:Old cathedral of Salamanca
430:Old cathedral of Salamanca
210:
33:New Cathedral of Salamanca
2147:
2089:
2043:Archdiocese of Valladolid
2041:
1988:
1945:
1892:
1839:
1789:
1741:
1708:
1665:
1632:
1579:
1531:
1494:
1004:Chapel del Jesús Nazareno
911:Bishop Jerome of Périgord
758:Francisco Frutos Valiente
646:
629:Saint Thomas of Villanova
507:the ones on the left and
436:27 Portada del nacimiento
187:. It is the seat of the
126:
106:
96:
91:
73:
68:
56:
51:
39:
32:
1894:Archdiocese of Tarragona
1496:Archdiocese of Barcelona
881:, houses the carving of
756:, who died in 1904, and
754:Tomás de Cámara y Castro
724:Chapel of Diego de Neyla
634:
167:) is, together with the
18:New Cathedral, Salamanca
2091:Archdiocese of Zaragoza
1990:Archdiocese of Valencia
1743:Archdiocese of Pamplona
1509:Sant Feliu de Llobregat
1417:Cathedrals of Salamanca
1216:Rodrigo Gil de Hontañón
1137:University of Salamanca
1079:Chapel of the President
889:(1941), titular of the
746:Antonio González Ramiro
526:Cathedral of Valladolid
513:Rodrigo Gil de Hontañón
499:The tower seen at night
1841:Archdiocese of Seville
1821:Santiago de Compostela
1793:Santiago de Compostela
1581:Archdiocese of Granada
1377:Swedish History Museum
1234:
1183:
1119:
1045:
978:Holy Week in Salamanca
953:
945:
919:Alberto de Churriguera
895:Holy Week in Salamanca
879:Joaquín de Churriguera
874:
834:
819:Francisco de Bobadilla
804:Holy Week in Salamanca
708:Chapel of San Clemente
693:
685:
656:
641:Joaquín de Churriguera
584:Alberto de Churriguera
568:
541:Joaquín de Churriguera
500:
448:
314:Napoleonic French army
271:Francisco de Bobadilla
243:Ferdinand II of Aragon
239:Ferdinand the Catholic
223:
205:Ferdinand V of Castile
162:
146:
2139:Zaragoza (The Savior)
2134:Zaragoza (The Pillar)
2008:Ciutadella de Menorca
2003:Castellón de la Plana
1947:Archdiocese of Toledo
1710:Archdiocese of Oviedo
1634:Archdiocese of Madrid
1533:Archdiocese of Burgos
1342:. D. Appleton and Co.
1251:Las Edades del Hombre
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1151:Chapel of San Lorenzo
1141:Adiosdado de Olivares
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973:Luis Salvador Carmona
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907:Christ of the Battles
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625:Saint John of Sahagún
582:, as the one made by
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1443:40.96056°N 5.66583°W
1212:Juan Gil de Hontañón
994:St. Nicholas of Bari
883:Our Lady of Solitude
760:, who died in 1933.
505:Juan Gil de Hontañón
478:Cathedral of Seville
453:Cathedral of Segovia
286:Cathedral of Segovia
189:diocese of Salamanca
1439: /
1398:Library of Congress
1233:Astronaut sculpture
1167:Architectural style
1087:, President of the
998:Alejandro Carnicero
966:Juan de Sagarvinaga
923:José Sancho Granado
553:Juan de Sagarvinaga
545:Cathedral of Burgos
518:Juan Ribero de Rada
382:Library of Congress
282:Juan de Sagarvinaga
266:Gothic architecture
1448:40.96056; -5.66583
1275:with a three-ball
1235:
1184:
1120:
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954:
952:Chapel of San José
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933:Chapel of San José
875:
835:
770:Antonio Corrionero
768:Founded by Bishop
714:Virgin del Socorro
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686:
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596:Román Bravo Riesco
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408:View of the facade
299:Manuel de los Ríos
224:
147:
128:General contractor
2161:
2160:
2023:Palma de Mallorca
1642:Alcalá de Henares
1267:, to his right a
1192:Plateresque style
887:Mariano Benlliure
787:Alessandro Allori
592:Ventura Rodríguez
578:The Chapel lacks
309:" on October 31.
290:Baltasar Dreveton
278:Lisbon earthquake
171:, one of the two
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1314:"Catedral Nueva"
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1243:Palacio de Anaya
1225:1992 restoration
607:Esteban de Rueda
405:
393:
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312:Around 1812 the
251:Alonso Rodríguez
181:Castile and León
101:Cathedral church
82:Castile and León
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1907:La Seu d'Urgell
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1695:Plasencia (Old)
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1097:Museo del Prado
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1065:Enrique Orejudo
1050:Luis de Morales
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2151:co-cathedral
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1917:Lleida (New)
1912:Lleida (Old)
1657:Madrid (New)
1652:Madrid (Old)
1424:
1420:(in Spanish)
1396:
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1375:
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1333:
1322:. Retrieved
1318:the original
1260:
1238:
1220:
1214:and his son
1185:
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438:28 Left Door
334:Roman Bridge
319:
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145:South facade
92:Architecture
1970:Guadalajara
1960:Ciudad Real
1446: /
1188:Renaissance
1044:Retrochoir.
631:stand out.
559:Main Chapel
457:late Gothic
442:31 Sacristy
440:30 Sacristy
336:in 1878 by
220:Plateresque
197:Plateresque
193:late Gothic
143:Plateresque
132:(1513–1733)
117:Plateresque
113:Late Gothic
58:Affiliation
2168:Categories
2099:Albarracín
2076:Valladolid
1874:Las Palmas
1431:40°57′38″N
1324:2007-09-10
1296:References
1255:stonemason
1208:bell tower
1105:La Roldana
942:Romanesque
731:Archdeacon
588:tabernacle
580:altarpiece
490:terceletes
461:ambulatory
338:Harry Fenn
262:Villamayor
247:Antón Egas
235:University
173:cathedrals
2104:Barbastro
1927:Tarragona
1811:Mondoñedo
1751:Calahorra
1733:Santander
1599:Cartagena
1504:Barcelona
1434:5°39′57″W
1277:ice cream
1247:astronaut
1239:Astronaut
1218:in 1538.
1071:with the
1069:Holy Week
1014:Romanelli
980:with the
806:with the
486:triforium
307:Mariquelo
258:freestone
177:Salamanca
78:Salamanca
2124:Tarazona
2033:Valencia
2018:Orihuela
1998:Alicante
1975:Sigüenza
1955:Albacete
1766:Pamplona
1556:Palencia
1514:Terrassa
1348:cite web
1281:crayfish
1204:crossing
1176:Azulejos
699:azulejos
74:Location
69:Location
52:Religion
2071:Segovia
2028:Segorbe
1932:Tortosa
1922:Solsona
1884:Seville
1859:Córdoba
1816:Ourense
1756:Logroño
1718:Astorga
1685:Cáceres
1675:Badajoz
1604:Granada
1589:Almería
1400:website
1381:. 1895.
1379:website
1202:on the
601:On the
524:in the
465:Baroque
264:and in
211:History
201:Baroque
159:Spanish
121:Baroque
2129:Teruel
2114:Huesca
2109:Monzón
2081:Zamora
1980:Toledo
1965:Cuenca
1902:Girona
1864:Huelva
1801:Ferrol
1781:Tudela
1728:Oviedo
1690:Mérida
1647:Getafe
1624:Murcia
1619:Málaga
1609:Guadix
1546:Bilbao
1541:Burgos
1287:and a
1273:dragon
1200:cupola
1093:Titian
915:El Cid
871:Easter
647:Organs
603:ashlar
303:Lisbon
2051:Ávila
2013:Ibiza
1869:Jerez
1854:Ceuta
1849:Cádiz
1680:Coria
1561:Soria
1285:stork
1196:Spain
668:organ
635:Choir
297:with
260:from
185:Spain
108:Style
86:Spain
1831:Vigo
1806:Lugo
1761:Jaca
1723:León
1614:Jaén
1594:Baza
1551:Osma
1358:link
1354:link
1289:hare
1283:, a
1269:bull
1265:lynx
812:Adam
716:and
627:and
537:dome
468:dome
249:and
199:and
149:The
97:Type
1937:Vic
1826:Tui
1194:in
444:32
175:of
2170::
1395:.
1374:.
1350:}}
1346:{{
1304:^
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84:,
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1480:e
1473:t
1466:v
1360:)
1327:.
1182:.
873:.
432:.
384:.
356:.
340:.
241:(
157:(
20:)
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