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390:, located in the back wall with images of Jeremiah, Isaiah and Daniel above and St. Joachim and St. Anne below, all of them under feigned architectural arches. Next to these, located in the side wall and made in the 16th century, stands out the image of the Last Judgment, painted as if it were a tapestry, where Jesus Christ is presented inside an almond, showing hands, feet and side to show the wounds of the passion, accompanied by Apostles and the Virgin, separating the saved from the damned.
529:
285:. The paintings are shown as very advanced for the artistic moment lived in Spain at that time, some of the Renaissance solutions that appear in the buildings of the paintings, as well as some domes that recall the work of Brunelleschi are too new for a country that still builds in Gothic. The vivid colors, with pink standing out among them, make the paintings very recognizable. The influence of Italian painting, in particular the
178:), which have a similar structure with two different domes, one on the inside and the other on the outside, between which there would be a filling of gravel and earth, although they rest one on the other. The exterior decoration of scaled form is very curious and difficult to trace in the History of Art, there being similar decorations in churches in Turkey, although they also appear in the decoration of the towers of the
629:. In the 20th century the space became an exhibition room-warehouse that housed different cathedral works of art without exhibition order. With the restructuring of the Cathedral Museum in the Chapter Rooms, the space was freed for its comprehensive restoration in 2018, after which it has added to its heritage character the use as a hall for holding cultural activities such as conferences and concerts.
563:, easily recognizable by the raised floors and the vanishing line that always goes diagonally to the right. This, together with the detail and realism with which the works are painted, makes them recognizable in this author. One only has to look at the panel on the right where an executioner appears cutting the head of the Saint, but the cut is so recent that the head is still half fallen.
158:
almost conical in shape, decorated with scales, and is popularly known as the "Torre del Gallo" (Tower of the
Rooster), since this animal appears on the weathervane that crowns it. It rests on a drum with sixteen columns in the interior, lightened by 32 windows, 16 nerves cross meeting in the central part of the dome. The model of the dome is based on that of the
657:, possibly by a German master; it is surrounded by a very beautiful grille (which partially prevents the vision of the sepulcher) also made in the 16th century, full of decoration and with constant allusions to death. Other members of the Anaya family are buried in the same chapel, where two of the tombs conserve the original colors with which they were made.
504:". From a certain moment on (perhaps at the beginning of the 17th century), to celebrate the feast, the doctoral student had to offer a bull to his fellow students, which, previously bullfighting and stewing, was used for the celebratory meal (which meant that obtaining a doctorate was only within the reach of people with the means to do so).
262:, to him correspond the first 12 panels, which are undoubtedly the ones with the highest quality. Dello would have the help of his two brothers, Sanson Delli made some boards of the central part of the altarpiece with the help of local artists who would work under the orders of Dello Delli. Finally, the third brother
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that gives its name to the building. The house was also used as housing for members of the cathedral chapter until it fell into disuse and became dilapidated. It has been possible to integrate it into the touristic tour of the
Cathedrals, housing the rest room, toilets, souvenir store and exit of the
495:
If the student passed the exam, he would go out through the main door of the cathedral where his friends would be waiting for him and together they would have a party. If the degree obtained was that of doctor (the highest of university studies), his companions would write on a wall an anagram of the
121:
was planned, it was thought to be demolished, but the long period of time that elapsed from the beginning of the works of the New
Cathedral (around 1520) and the late date of completion (around 1733), as well as the need of a space where to celebrate the cult while the construction was finished, made
515:
On
Wednesday, February 26, 2020, the Minister of Culture and Tourism, Javier Ortega, and the Bishop of Salamanca, Carlos López unveiled the works carried out in recent months in the restoration of this chapel. The altarpiece that was disassembled for cleaning and restoration. When it was dismantled,
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The student who was going to take his degree or doctorate exam had to spend the whole night locked in the chapel, (which they used to do sitting on a chair, with their feet resting on those of the recumbent sculpture of Bishop Lucero, located in the center of the chapel) and preparing (watching over
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appears walking threateningly to separate the good from the bad. The right hand of Jesus is between the blessing and the threat, the left hand is taken to his chest with the intention of opening the wound in his side and showing it to the whole world. The iconographic scheme of Jesus Christ is the
157:
The most outstanding element of the monument is the considerable dome that rises over the transept supported by four impressive pendentives, and whose date of construction should be placed around 1150. On the inside it is shaped like an open orange with sixteen segments, while on the outside it is
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kneeling, awaiting the advance of Jesus, who seems to be walking. To the right of Christ appears the saved, dressed in white, to his left the condemned, naked and seeming to walk towards the mouth of a giant monster. Between the figures of the damned, the faces of a bishop and a Pope can be seen,
125:
It is a basilica-shaped building, with a Latin cross and three naves, a marked transept and a chevet formed by three semicircular apses, which show windows with semicircular arches on the exterior. Given the frontier character of
Salamanca, it was also designed as a fortress, a quality now not so
369:
was built. It seems that the name of the Saint Martin could not be placed as titular of the
Cathedral because it was dedicated to the Virgin Mary, that is why a Saint as French as Martin, was relegated to a small chapel located at the foot of the cathedral, housed in the hollow of the torre de
492:
the books) the defense of their dissertation (degree) or their thesis (doctorate). The next morning the professors (and any other doctor who wished to intervene) would come in and sit on the benches around the chapel and discuss with the student point by point the reasons for his work.
193:, and the one on the right, which was never finished, was given the name of Torre Mocha, and can still be seen. The new doorway, shortly after being built, was partially covered, on the left side, by the stone slope that had to be made to reinforce the bell tower after the
516:
an ancient altarpiece with Gothic paintings representing the life of Saint
Barbara came to light. The solution for the two altarpieces to remain in place has been to add a mobile structure that allows the 16th-century altarpiece to be moved so that the former
751:
566:
Details like this can be seen in the panel of Jesus with the
Carrying of the Cross where one of the sayons kicks Christ while another one of them sticks out his tongue to insult him. Such detail is typical of the Flemish painting that flourished in the
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The works began to be carried out by the apse, that is why this would be the oldest part, being able to contemplate the change of style in the vaults that cover the naves, since they were projected groin vaults and were replaced by ribbed vaults.
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The Chapel of Santa
Catalina, also known as Capilla del Canto, was founded by Bishop Vidal in the 12th century. It was later enlarged and refurbished in the 15th century to house the chapter library. It is the largest chapel in the cloister.
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would be built (that is why, at the beginning it was called Plaza de San Martín). Just before entering the chapel and discovered a short time ago, there is a large painting on the wall of the temple where Saint Martin is sharing his cloak.
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in 1262. In the cloister there are some frescoes from the 13th-14th centuries that decorate the sepulchres and a series of chapels open, among which are the Chapel of
Talavera, the Chapel of Santa Barbara, with the tomb of the bishop
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It is the oldest of all the chapels that form the cloister. It is covered with a dome with 16 parallel ribs two by two that are supported by columns, forming an eight-pointed star in the keystone. This type of dome is of
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that the initial decision to demolish it was abandoned. In this sense, in plan, the left nave appears narrower and part of the transept arm is missing, as a consequence of the construction of the New Cathedral.
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If the student did not pass the exam, he left through another door, known as the "puerta de los carros", a close communication with the calle de Tentenecio where there were neither friends nor party.
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and there are no appreciable remains in the site. The present one is the result of a later reconstruction. On its eastern and southern sides there are a series of chapels which are detailed below.
397:, who died in 1339, and is decorated with paintings from the same period and scenes from the Adoration of the Magi. In front of this, another tomb houses the remains of the founder of the chapel,
370:
campanas. However, the name of the Saint could have been given to a Romanesque church that with a similar scheme to the cathedral, although smaller, was built outside the walls, where later the
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Little remains of the original main façade, covered by another of the 13th century. It is flanked by two towers; the one on the left (torre de las campanas) was left under the tower of the
863:
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In addition in the chapel an organ is conserved that happens to be one of the oldest that exist, dated in the 16th century; at the moment it is placed on top of a magnificent podium of
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building. There are also archaeological remains, which include two columns that may have belonged to the Romanesque cloister of the cathedral, have been integrated into these spaces.
625:, a place of celebration for the meals of grace and a singing chapel where music was taught in one of the main chairs of the Spanish universities, which is why it houses the tomb of
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housing some of the paintings of which the Cabildo is depositary, these chapter rooms were built in the year 1526. Among them the most outstanding are three works of the artist
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The work was placed between the years 1430-1450 and there are three authors working on the 53 panels that make up the altarpiece of the Old Cathedral of Salamanca.
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river. It must be dated in the 12th century, follows Byzantine models, immobile, holds on his knees the child, showing it to the spectator with his right hand.
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In 2013 was confirmed that the original cloister of the Old Cathedral of Salamanca was disassembled and is located reconstructed within a private estate of
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visible, since the battlements of the Mocha Tower have disappeared and the roof of the nave, formerly a walkable terrace, has been replaced by another of
333:, patron saint of the city. The image, made of wood, is covered with gilded bronze inlaid with enamel and precious stones. It comes from the disappeared
200:
Other attractions of the temple are the main altarpiece from the 15th century, attributed to Nicolò Delli (1430), and the upper fresco, representing the
75:
1937:
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281:, from the Birth of the Virgin to the passage of the Mother of Christ, all accompanied by scenes from the life of Jesus and topped by the magnificent
186:, a much more probable influence than the Turkish, if it is taken into account that people from France participated in the repopulation of the city.
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in 1334, whose tomb is in the center, and is decorated with a small altarpiece that includes paintings depicting scenes of the death and passion of
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In the 15th century an adage was spread extolling the four Spanish cathedrals that were considered with more greatness, which says:
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17:
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This chapel was reformed in the 16th century, as can be appreciated in the starry vault that covers the ceiling of the same one.
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and an image of the titular Saint, the latter made in the 16th century. The front of the altar shows a magnificent decoration of
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1502:
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It is a house of the 16th century attached to the Chapel of Santa Catalina with door to the calle Gibraltar, in front of the
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has been maintained since the 16th century. The tomb of the founder and that of his wife are in the center of the chapel.
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220:. At the foot, under the Torre de las campanas, is the chapel of San Martín or del Aceite. The latter was painted by
66:, its construction began in the first third of the 12th century and was finished at the end of the 14th century, in
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757:"Salamanca. Some sepulchers of the Old Cathedral", chromolithograph by Teófilo Rufflé, illustrated page of 1865.
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family, bishop of Salamanca and archbishop of Seville, devotee of Saint Bartholomew and sponsor who founded the
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and when the studies were held in the cathedral, this chapel served as a place where the final exams were held.
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Reredos of the Virgen de Pópolo (c. 1533), polychrome wood, donated by Pedro Imperial, canon of the cathedral.
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It is located under the so-called Torre de las Campanas (bell tower), on which the current tower of the
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266:, better known as Niccolò Florentino, made some of the last panels of the work and the painting of the
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Virgen Abridera, dated to 13th century, a common tradition in medieval Europe, in the Cathedral Museum
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Sepulcher and reredos of the Chapel of los Anaya, photo dated 1880–1926. Memòria Digital de Catalunya.
317:. Christ appears surrounded by angels carrying different elements of the Passion. At his feet are the
1754:
378:
The most interesting thing that has this chapel are some paintings adorned with coats of arms of the
208:(1445). The apse houses a large cycle of 53 tableaux, 12 of which by the 15th-century Italian artist
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were examined to gain access to the bachelor's degree. It was also the seat of medieval compostelan
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1605:
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110:, since there is no constructive continuity between them, as the former were designed to support a
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influence and very strange for such an early period in northern Spain. In this chapel, founded by
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Chapel of Talavera of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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were carried out, the chapel of Santa Catalina and the chapel of San Bartolomé or de Anaya.
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Main altarpiece of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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Interior view of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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Throughout its history the chapel has had different uses. It was where students of the
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13th-century Romanesque mural paintings and sepulchers inside the Chapel of San Martín.
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The most outstanding of these paintings is the triptych representing the Martyrdom of
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683:. In its origins it could have housed the Minor College of the House of Uclés of the
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followed by his name - in letter or anagram as well - which would be equivalent to "
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In the central part is the tomb of the founder of the chapel and patriarch of the
586:. A painting by Fernando Gallego depicting the Birth of Christ is preserved here.
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Sepulchers in the interior, photo dated 1880–1926. Memòria Digital de Catalunya.
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It was on the verge of being destroyed in the Early Modern Age, since when the
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A reredos, Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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Sepulcher of Diego de Anaya, made in the mid-15th century by a German master.
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Sepulchers of the south arm of the transept of the Old Cathedral of Salamanca
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337:, of regular canons of Saint Augustine located in the fertile valley of the
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297:, come together in a masterful way to offer a magnificent pictorial cycle.
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style. It was finished thanks to the impulse given to the works by Bishop
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90:(died in 1120) after the restoration of the diocese of Salamanca by King
94:, and after the repopulation of the city carried out by his son-in-law
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Its paintings are considered to be the oldest in Europe with signature
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13th-century tombs and monuments in the interior of the Old Cathedral.
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There are also several tombs in the chapel, including that of Bishop
78:. It is dedicated to Saint Mary of the See (Santa María de la Sede).
51:
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Sancta Ovetensis, pulchra Leonina, dives Toledana, fortis Salmantina
386:, some of which appear dated in the year 1262 and have as author to
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The second of the rooms is covered with a rich coffered ceiling in
183:
687:, which is why a relief was placed on the facade with the head of
793:
Torre del Gallo, Old cathedral, before 1895 by Jenny Bergensten.
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1034:"Conoce la nueva sala de conciertos de la Catedral de Salamanca"
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that would be painted in the second half of the 15th century.
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alluding to the fact that no one is free from God's judgment.
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Marian Moffett, Michael W. Fazio, Lawrence Wodehouse (2003).
1052:"Nuevo uso de la Casa de la Cabeza en Salamanca, Agencia SIC"
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Sepulcher of Fernán Nieto, 15th century, Chapel of Los Anaya.
622:
424:), this led to much criticism from a part of the population.
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It began to be built on the initiative of its first bishop,
632:
1156:
Guía del Archivo y Biblioteca de la Catedral de Salamanca
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The altarpiece is presided over by an image known as the
174:, the Old Cathedral of Salamanca itself, and that of the
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or Old College (the oldest in Salamanca). It is made in
427:
1140:
BRASAS EGIDO, José Carlos: "Catedral de Salamanca", in
667:
and conserves paintings in the front that represent an
1198:
893:
Western Church Fathers in the Chapel of Santa Catalina
1933:
14th-century Roman Catholic church buildings in Spain
970:
History of medieval Arabic and Western European domes
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was based on the romanesque tower of this cathedral.
273:The altarpiece presents a cycle of the life of the
270:that is in the shell of the apse of the cathedral.
422:Romanesque cloister of the Mas del Vent in Palamós
1109:
1909:
589:In the third room there are works by the artist
523:
258:The main works correspond to the Italian artist
251:The main altarpiece, made between 1430 and 1450.
239:was organist at the Old Cathedral in 1717–1733.
582:ornamentation, which was made by the carpenter
536:, is one of the most outstanding works of the
452:
445:, professor and rector of the university, the
345:The Chapel of San Martín or Capilla del Aceite
1923:Roman Catholic cathedrals in Castile and León
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229:, in which the examinations of degree of the
1095:: CS1 maint: multiple names: authors list (
130:. For this reason it was popularly known as
1928:Romanesque architecture in Castile and León
1021:La gaceta de Salamanca government newspaper
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114:, and the cathedral was completed in 1236.
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1177:
1165:. Salamanca: Catedral de Salamanca, 2002:0
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409:The primitive cloister was damaged in the
153:Sepulcher of the south arm of the transept
671:. The organ is in perfect working order.
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304:is represented in the apse shell, where
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1938:Gothic architecture in Castile and León
1154:GÓMEZ GONZÁLEZ, P. J.; VICENTE BAZ, R.
869:Polychrome medieval tomb (13th century)
633:Chapel of San Bartolomé or de los Anaya
14:
1910:
242:
1172:
532:The altarpiece of Santa Catalina, by
461:Chapel of Santa Bárbara: the tomb of
428:Chapel of San Salvador or de Talavera
1918:Roman Catholic churches in Salamanca
335:monasterio de Santa María de la Vega
293:, mixed with the typical details of
34:Crossing tower of the Old Cathedral
24:
1200:Roman Catholic cathedrals in Spain
1134:
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50:, is one of the two cathedrals in
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1142:Las Catedrales de Castilla y León
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1113:Trinity Church Tales to Remember
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1072:A World History of Architecture
1163:900 años de arte y de historia
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651:Colegio Mayor de San Bartolomé
309:same as the one later used by
180:Church of Notre-Dame la Grande
13:
1:
1379:Archdiocese of Mérida-Badajoz
1007:
951:The 1872's main tower of the
540:located in the Chapter Rooms.
538:Cathedral Museum of Salamanca
524:Chapter rooms of the cloister
439:Rodrigo Maldonado de Talavera
162:, which was the first of the
98:. This was a period in which
44:Catedral Vieja de Santa María
1158:. Salamanca: Catedral, 2007.
1147:CASASECA CASASECA, Antonio:
520:altarpiece remains in view.
510:
484:Since the beginnings of the
479:Talavera de la Reina pottery
7:
1866:no longer used as cathedral
1483:Santo Domingo de la Calzada
1151:. Salamanca: Edilesa, 2008.
1149:Las Catedrales de Salamanca
958:
453:The Chapel of Santa Bárbara
404:
10:
1954:
1591:San Cristóbal de La Laguna
1232:
1110:Megan E. Thompson (2016).
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669:Annunciation of the Virgin
172:Old Cathedral of Plasencia
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1755:Archdiocese of Valladolid
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469:It was founded by Bishop
237:Juan Francés de Iribarren
176:Collegiate Church of Toro
1606:Archdiocese of Tarragona
1208:Archdiocese of Barcelona
975:
965:New Cathedral, Salamanca
917:Chapel of Santa Catalina
905:Chapel of Santa Catalina
609:Chapel of Santa Catalina
601:Chapel of Santa Catalina
544:It is currently used as
388:Antón Sánchez de Segovia
372:Plaza Mayor de Salamanca
313:for the Judgment of the
222:Antón Sánchez de Segovia
212:, depicting the life of
204:, which is certainly by
40:Cathedral of Santa María
27:Catholic church in Spain
18:Old Cathedral, Salamanca
1803:Archdiocese of Zaragoza
1702:Archdiocese of Valencia
1455:Archdiocese of Pamplona
1221:Sant Feliu de Llobregat
953:Trinity Church (Boston)
947:Trinity Church (Boston)
619:University of Salamanca
486:University of Salamanca
231:University of Salamanca
1553:Archdiocese of Seville
1533:Santiago de Compostela
1505:Santiago de Compostela
1293:Archdiocese of Granada
1144:, León: Edilesa, 1992.
1038:lagacetadesalamanca.es
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411:1755 Lisbon earthquake
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195:1755 Lisbon earthquake
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35:
1894:40.960472°N 5.66667°W
1851:Zaragoza (The Savior)
1846:Zaragoza (The Pillar)
1720:Ciutadella de Menorca
1715:Castellón de la Plana
1659:Archdiocese of Toledo
1422:Archdiocese of Oviedo
1346:Archdiocese of Madrid
1245:Archdiocese of Burgos
689:Saint James the Great
675:The Casa de la Cabeza
640:
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571:of the 15th century.
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420:(Girona, Catalonia) (
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33:
443:Talavera de la Reina
401:, who died in 1262.
164:group of Duero domes
62:. Founded by Bishop
1899:40.960472; -5.66667
1890: /
641:Chapel de los Anaya
323:John the Evangelist
243:The main altarpiece
160:Cathedral of Zamora
96:Raymond of Burgundy
929:The two cathedrals
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102:was giving way to
92:Alfonso VI of León
88:Jerome of Périgord
64:Jerome of Périgord
36:
1873:
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1735:Palma de Mallorca
1354:Alcalá de Henares
1075:. Laurence King.
685:Order of Santiago
331:Virgin of la Vega
291:Florentine school
132:fortis salmantina
76:Alfonso Barasaque
16:(Redirected from
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534:Fernando Gallego
380:kingdoms of León
295:Flemish painting
56:Castile and León
46:), known as the
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1116:. p. 48.
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302:Last Judgment
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48:Old Cathedral
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19:
1882:40°57′37.7″N
1875:
1863:co-cathedral
1772:
1629:Lleida (New)
1624:Lleida (Old)
1369:Madrid (New)
1364:Madrid (Old)
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468:
465:and Reredos.
431:
415:
408:
395:Rodrigo Díaz
392:
377:
364:
328:
311:Michelangelo
306:Jesus Christ
299:
279:Jesus Christ
272:
264:Nicolò Delli
257:
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206:Nicolò Delli
199:
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156:
136:
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128:Spanish tile
124:
116:
112:barrel vault
85:
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43:
39:
37:
1897: /
1682:Guadalajara
1672:Ciudad Real
595:Dello Delli
591:Pedro Bello
584:Pedro Nieto
580:Renaissance
578:style with
496:Latin word
399:Pedro Pérez
319:Virgin Mary
275:Virgin Mary
260:Dello Delli
227:Juan Lucero
218:Virgin Mary
210:Dello Delli
1912:Categories
1811:Albarracín
1788:Valladolid
1586:Las Palmas
1161:IERONIMUS
1008:References
100:Romanesque
68:Romanesque
42:(Spanish:
1816:Barbastro
1639:Tarragona
1523:Mondoñedo
1463:Calahorra
1445:Santander
1311:Cartagena
1216:Barcelona
1091:cite book
655:alabaster
511:Discovery
52:Salamanca
1885:5°40′0″W
1836:Tarazona
1745:Valencia
1730:Orihuela
1710:Alicante
1687:Sigüenza
1667:Albacete
1478:Pamplona
1268:Palencia
1226:Terrassa
959:See also
681:Casa Lis
502:Victory!
405:Cloister
216:and the
184:Poitiers
1783:Segovia
1740:Segorbe
1644:Tortosa
1634:Solsona
1596:Seville
1571:Córdoba
1528:Ourense
1468:Logroño
1430:Astorga
1397:Cáceres
1387:Badajoz
1316:Granada
1301:Almería
696:Gallery
576:Mudéjar
418:Palamós
384:Castile
287:Sienese
1841:Teruel
1826:Huesca
1821:Monzón
1793:Zamora
1692:Toledo
1677:Cuenca
1614:Girona
1576:Huelva
1513:Ferrol
1493:Tudela
1440:Oviedo
1402:Mérida
1359:Getafe
1336:Murcia
1331:Málaga
1321:Guadix
1258:Bilbao
1253:Burgos
1120:
1079:
623:synods
518:Gothic
475:Christ
435:Muslim
339:Tormes
168:Zamora
104:Gothic
72:Gothic
1763:Ávila
1725:Ibiza
1581:Jerez
1566:Ceuta
1561:Cádiz
1392:Coria
1273:Soria
976:Notes
214:Jesus
60:Spain
1543:Vigo
1518:Lugo
1473:Jaca
1435:León
1326:Jaén
1306:Baza
1263:Osma
1118:ISBN
1097:link
1077:ISBN
382:and
321:and
300:The
289:and
277:and
70:and
38:The
1649:Vic
1538:Tui
182:in
1914::
1093:}}
1089:{{
1054:.
1036:.
597:.
481:.
197:.
170:,
134:.
58:,
54:,
1192:e
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1099:)
1085:.
1040:.
797:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
