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379:, located in the back wall with images of Jeremiah, Isaiah and Daniel above and St. Joachim and St. Anne below, all of them under feigned architectural arches. Next to these, located in the side wall and made in the 16th century, stands out the image of the Last Judgment, painted as if it were a tapestry, where Jesus Christ is presented inside an almond, showing hands, feet and side to show the wounds of the passion, accompanied by Apostles and the Virgin, separating the saved from the damned.
518:
274:. The paintings are shown as very advanced for the artistic moment lived in Spain at that time, some of the Renaissance solutions that appear in the buildings of the paintings, as well as some domes that recall the work of Brunelleschi are too new for a country that still builds in Gothic. The vivid colors, with pink standing out among them, make the paintings very recognizable. The influence of Italian painting, in particular the
167:), which have a similar structure with two different domes, one on the inside and the other on the outside, between which there would be a filling of gravel and earth, although they rest one on the other. The exterior decoration of scaled form is very curious and difficult to trace in the History of Art, there being similar decorations in churches in Turkey, although they also appear in the decoration of the towers of the
618:. In the 20th century the space became an exhibition room-warehouse that housed different cathedral works of art without exhibition order. With the restructuring of the Cathedral Museum in the Chapter Rooms, the space was freed for its comprehensive restoration in 2018, after which it has added to its heritage character the use as a hall for holding cultural activities such as conferences and concerts.
552:, easily recognizable by the raised floors and the vanishing line that always goes diagonally to the right. This, together with the detail and realism with which the works are painted, makes them recognizable in this author. One only has to look at the panel on the right where an executioner appears cutting the head of the Saint, but the cut is so recent that the head is still half fallen.
147:
almost conical in shape, decorated with scales, and is popularly known as the "Torre del Gallo" (Tower of the
Rooster), since this animal appears on the weathervane that crowns it. It rests on a drum with sixteen columns in the interior, lightened by 32 windows, 16 nerves cross meeting in the central part of the dome. The model of the dome is based on that of the
646:, possibly by a German master; it is surrounded by a very beautiful grille (which partially prevents the vision of the sepulcher) also made in the 16th century, full of decoration and with constant allusions to death. Other members of the Anaya family are buried in the same chapel, where two of the tombs conserve the original colors with which they were made.
493:". From a certain moment on (perhaps at the beginning of the 17th century), to celebrate the feast, the doctoral student had to offer a bull to his fellow students, which, previously bullfighting and stewing, was used for the celebratory meal (which meant that obtaining a doctorate was only within the reach of people with the means to do so).
251:, to him correspond the first 12 panels, which are undoubtedly the ones with the highest quality. Dello would have the help of his two brothers, Sanson Delli made some boards of the central part of the altarpiece with the help of local artists who would work under the orders of Dello Delli. Finally, the third brother
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that gives its name to the building. The house was also used as housing for members of the cathedral chapter until it fell into disuse and became dilapidated. It has been possible to integrate it into the touristic tour of the
Cathedrals, housing the rest room, toilets, souvenir store and exit of the
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If the student passed the exam, he would go out through the main door of the cathedral where his friends would be waiting for him and together they would have a party. If the degree obtained was that of doctor (the highest of university studies), his companions would write on a wall an anagram of the
110:
was planned, it was thought to be demolished, but the long period of time that elapsed from the beginning of the works of the New
Cathedral (around 1520) and the late date of completion (around 1733), as well as the need of a space where to celebrate the cult while the construction was finished, made
504:
On
Wednesday, February 26, 2020, the Minister of Culture and Tourism, Javier Ortega, and the Bishop of Salamanca, Carlos López unveiled the works carried out in recent months in the restoration of this chapel. The altarpiece that was disassembled for cleaning and restoration. When it was dismantled,
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The student who was going to take his degree or doctorate exam had to spend the whole night locked in the chapel, (which they used to do sitting on a chair, with their feet resting on those of the recumbent sculpture of Bishop Lucero, located in the center of the chapel) and preparing (watching over
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appears walking threateningly to separate the good from the bad. The right hand of Jesus is between the blessing and the threat, the left hand is taken to his chest with the intention of opening the wound in his side and showing it to the whole world. The iconographic scheme of Jesus Christ is the
146:
The most outstanding element of the monument is the considerable dome that rises over the transept supported by four impressive pendentives, and whose date of construction should be placed around 1150. On the inside it is shaped like an open orange with sixteen segments, while on the outside it is
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kneeling, awaiting the advance of Jesus, who seems to be walking. To the right of Christ appears the saved, dressed in white, to his left the condemned, naked and seeming to walk towards the mouth of a giant monster. Between the figures of the damned, the faces of a bishop and a Pope can be seen,
114:
It is a basilica-shaped building, with a Latin cross and three naves, a marked transept and a chevet formed by three semicircular apses, which show windows with semicircular arches on the exterior. Given the frontier character of
Salamanca, it was also designed as a fortress, a quality now not so
358:
was built. It seems that the name of the Saint Martin could not be placed as titular of the
Cathedral because it was dedicated to the Virgin Mary, that is why a Saint as French as Martin, was relegated to a small chapel located at the foot of the cathedral, housed in the hollow of the torre de
481:
the books) the defense of their dissertation (degree) or their thesis (doctorate). The next morning the professors (and any other doctor who wished to intervene) would come in and sit on the benches around the chapel and discuss with the student point by point the reasons for his work.
182:, and the one on the right, which was never finished, was given the name of Torre Mocha, and can still be seen. The new doorway, shortly after being built, was partially covered, on the left side, by the stone slope that had to be made to reinforce the bell tower after the
505:
an ancient altarpiece with Gothic paintings representing the life of Saint
Barbara came to light. The solution for the two altarpieces to remain in place has been to add a mobile structure that allows the 16th-century altarpiece to be moved so that the former
740:
555:
Details like this can be seen in the panel of Jesus with the
Carrying of the Cross where one of the sayons kicks Christ while another one of them sticks out his tongue to insult him. Such detail is typical of the Flemish painting that flourished in the
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The works began to be carried out by the apse, that is why this would be the oldest part, being able to contemplate the change of style in the vaults that cover the naves, since they were projected groin vaults and were replaced by ribbed vaults.
602:
The Chapel of Santa
Catalina, also known as Capilla del Canto, was founded by Bishop Vidal in the 12th century. It was later enlarged and refurbished in the 15th century to house the chapter library. It is the largest chapel in the cloister.
363:
would be built (that is why, at the beginning it was called Plaza de San Martín). Just before entering the chapel and discovered a short time ago, there is a large painting on the wall of the temple where Saint Martin is sharing his cloak.
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in 1262. In the cloister there are some frescoes from the 13th-14th centuries that decorate the sepulchres and a series of chapels open, among which are the Chapel of
Talavera, the Chapel of Santa Barbara, with the tomb of the bishop
323:
776:
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It is the oldest of all the chapels that form the cloister. It is covered with a dome with 16 parallel ribs two by two that are supported by columns, forming an eight-pointed star in the keystone. This type of dome is of
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that the initial decision to demolish it was abandoned. In this sense, in plan, the left nave appears narrower and part of the transept arm is missing, as a consequence of the construction of the New Cathedral.
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If the student did not pass the exam, he left through another door, known as the "puerta de los carros", a close communication with the calle de Tentenecio where there were neither friends nor party.
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728:
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and there are no appreciable remains in the site. The present one is the result of a later reconstruction. On its eastern and southern sides there are a series of chapels which are detailed below.
386:, who died in 1339, and is decorated with paintings from the same period and scenes from the Adoration of the Magi. In front of this, another tomb houses the remains of the founder of the chapel,
359:
campanas. However, the name of the Saint could have been given to a Romanesque church that with a similar scheme to the cathedral, although smaller, was built outside the walls, where later the
178:
Little remains of the original main façade, covered by another of the 13th century. It is flanked by two towers; the one on the left (torre de las campanas) was left under the tower of the
852:
652:
In addition in the chapel an organ is conserved that happens to be one of the oldest that exist, dated in the 16th century; at the moment it is placed on top of a magnificent podium of
681:
building. There are also archaeological remains, which include two columns that may have belonged to the Romanesque cloister of the cathedral, have been integrated into these spaces.
614:, a place of celebration for the meals of grace and a singing chapel where music was taught in one of the main chairs of the Spanish universities, which is why it houses the tomb of
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housing some of the paintings of which the Cabildo is depositary, these chapter rooms were built in the year 1526. Among them the most outstanding are three works of the artist
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The work was placed between the years 1430-1450 and there are three authors working on the 53 panels that make up the altarpiece of the Old Cathedral of Salamanca.
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river. It must be dated in the 12th century, follows Byzantine models, immobile, holds on his knees the child, showing it to the spectator with his right hand.
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In 2013 was confirmed that the original cloister of the Old Cathedral of Salamanca was disassembled and is located reconstructed within a private estate of
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visible, since the battlements of the Mocha Tower have disappeared and the roof of the nave, formerly a walkable terrace, has been replaced by another of
322:, patron saint of the city. The image, made of wood, is covered with gilded bronze inlaid with enamel and precious stones. It comes from the disappeared
189:
Other attractions of the temple are the main altarpiece from the 15th century, attributed to Nicolò Delli (1430), and the upper fresco, representing the
64:
1926:
1040:
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270:, from the Birth of the Virgin to the passage of the Mother of Christ, all accompanied by scenes from the life of Jesus and topped by the magnificent
175:, a much more probable influence than the Turkish, if it is taken into account that people from France participated in the repopulation of the city.
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in 1334, whose tomb is in the center, and is decorated with a small altarpiece that includes paintings depicting scenes of the death and passion of
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1100:
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1690:
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In the 15th century an adage was spread extolling the four Spanish cathedrals that were considered with more greatness, which says:
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This chapel was reformed in the 16th century, as can be appreciated in the starry vault that covers the ceiling of the same one.
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and an image of the titular Saint, the latter made in the 16th century. The front of the altar shows a magnificent decoration of
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It is a house of the 16th century attached to the Chapel of Santa Catalina with door to the calle Gibraltar, in front of the
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has been maintained since the 16th century. The tomb of the founder and that of his wife are in the center of the chapel.
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209:. At the foot, under the Torre de las campanas, is the chapel of San Martín or del Aceite. The latter was painted by
55:, its construction began in the first third of the 12th century and was finished at the end of the 14th century, in
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746:"Salamanca. Some sepulchers of the Old Cathedral", chromolithograph by Teófilo Rufflé, illustrated page of 1865.
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family, bishop of Salamanca and archbishop of Seville, devotee of Saint Bartholomew and sponsor who founded the
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and when the studies were held in the cathedral, this chapel served as a place where the final exams were held.
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Reredos of the Virgen de Pópolo (c. 1533), polychrome wood, donated by Pedro Imperial, canon of the cathedral.
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It is located under the so-called Torre de las Campanas (bell tower), on which the current tower of the
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255:, better known as Niccolò Florentino, made some of the last panels of the work and the painting of the
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Virgen Abridera, dated to 13th century, a common tradition in medieval Europe, in the Cathedral Museum
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Sepulcher and reredos of the Chapel of los Anaya, photo dated 1880–1926. Memòria Digital de Catalunya.
306:. Christ appears surrounded by angels carrying different elements of the Passion. At his feet are the
1743:
367:
The most interesting thing that has this chapel are some paintings adorned with coats of arms of the
197:(1445). The apse houses a large cycle of 53 tableaux, 12 of which by the 15th-century Italian artist
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were examined to gain access to the bachelor's degree. It was also the seat of medieval compostelan
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99:, since there is no constructive continuity between them, as the former were designed to support a
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influence and very strange for such an early period in northern Spain. In this chapel, founded by
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Chapel of Talavera of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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were carried out, the chapel of Santa Catalina and the chapel of San Bartolomé or de Anaya.
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Main altarpiece of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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Interior view of the Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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Throughout its history the chapel has had different uses. It was where students of the
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13th-century Romanesque mural paintings and sepulchers inside the Chapel of San Martín.
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The most outstanding of these paintings is the triptych representing the Martyrdom of
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672:. In its origins it could have housed the Minor College of the House of Uclés of the
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followed by his name - in letter or anagram as well - which would be equivalent to "
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In the central part is the tomb of the founder of the chapel and patriarch of the
575:. A painting by Fernando Gallego depicting the Birth of Christ is preserved here.
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1713:
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Sepulchers in the interior, photo dated 1880–1926. Memòria Digital de Catalunya.
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It was on the verge of being destroyed in the Early Modern Age, since when the
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A reredos, Old Cathedral, photo dated 1880–1926. Memòria Digital de Catalunya.
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1526:
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Sepulcher of Diego de Anaya, made in the mid-15th century by a German master.
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Sepulchers of the south arm of the transept of the Old Cathedral of Salamanca
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326:, of regular canons of Saint Augustine located in the fertile valley of the
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294:
286:, come together in a masterful way to offer a magnificent pictorial cycle.
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style. It was finished thanks to the impulse given to the works by Bishop
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79:(died in 1120) after the restoration of the diocese of Salamanca by King
83:, and after the repopulation of the city carried out by his son-in-law
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Its paintings are considered to be the oldest in Europe with signature
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13th-century tombs and monuments in the interior of the Old Cathedral.
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382:
There are also several tombs in the chapel, including that of Bishop
67:. It is dedicated to Saint Mary of the See (Santa María de la Sede).
40:
979:
Sancta Ovetensis, pulchra Leonina, dives Toledana, fortis Salmantina
375:, some of which appear dated in the year 1262 and have as author to
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The second of the rooms is covered with a rich coffered ceiling in
172:
676:, which is why a relief was placed on the facade with the head of
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Torre del Gallo, Old cathedral, before 1895 by Jenny Bergensten.
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1023:"Conoce la nueva sala de conciertos de la Catedral de Salamanca"
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327:
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that would be painted in the second half of the 15th century.
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alluding to the fact that no one is free from God's judgment.
1058:
Marian Moffett, Michael W. Fazio, Lawrence Wodehouse (2003).
1041:"Nuevo uso de la Casa de la Cabeza en Salamanca, Agencia SIC"
870:
Sepulcher of Fernán Nieto, 15th century, Chapel of Los Anaya.
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413:), this led to much criticism from a part of the population.
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48:
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It began to be built on the initiative of its first bishop,
621:
1145:
Guía del Archivo y Biblioteca de la Catedral de Salamanca
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The altarpiece is presided over by an image known as the
163:, the Old Cathedral of Salamanca itself, and that of the
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or Old College (the oldest in Salamanca). It is made in
416:
1129:
BRASAS EGIDO, José Carlos: "Catedral de Salamanca", in
656:
and conserves paintings in the front that represent an
1187:
882:
Western Church Fathers in the Chapel of Santa Catalina
1922:
14th-century Roman Catholic church buildings in Spain
959:
History of medieval Arabic and Western European domes
944:
was based on the romanesque tower of this cathedral.
262:The altarpiece presents a cycle of the life of the
259:that is in the shell of the apse of the cathedral.
411:Romanesque cloister of the Mas del Vent in Palamós
1098:
1898:
578:In the third room there are works by the artist
512:
247:The main works correspond to the Italian artist
240:The main altarpiece, made between 1430 and 1450.
228:was organist at the Old Cathedral in 1717–1733.
571:ornamentation, which was made by the carpenter
525:, is one of the most outstanding works of the
441:
434:, professor and rector of the university, the
334:The Chapel of San Martín or Capilla del Aceite
1912:Roman Catholic cathedrals in Castile and León
1173:
218:, in which the examinations of degree of the
1084:: CS1 maint: multiple names: authors list (
119:. For this reason it was popularly known as
1917:Romanesque architecture in Castile and León
1010:La gaceta de Salamanca government newspaper
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103:, and the cathedral was completed in 1236.
1180:
1166:
1154:. Salamanca: Catedral de Salamanca, 2002:0
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398:The primitive cloister was damaged in the
142:Sepulcher of the south arm of the transept
660:. The organ is in perfect working order.
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593:
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293:is represented in the apse shell, where
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18:
1927:Gothic architecture in Castile and León
1143:GÓMEZ GONZÁLEZ, P. J.; VICENTE BAZ, R.
858:Polychrome medieval tomb (13th century)
622:Chapel of San Bartolomé or de los Anaya
1899:
231:
1161:
521:The altarpiece of Santa Catalina, by
450:Chapel of Santa Bárbara: the tomb of
417:Chapel of San Salvador or de Talavera
1907:Roman Catholic churches in Salamanca
324:monasterio de Santa María de la Vega
282:, mixed with the typical details of
23:Crossing tower of the Old Cathedral
13:
1189:Roman Catholic cathedrals in Spain
1123:
70:
39:, is one of the two cathedrals in
14:
1938:
1131:Las Catedrales de Castilla y León
1223:
1102:Trinity Church Tales to Remember
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827:
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1061:A World History of Architecture
1152:900 años de arte y de historia
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640:Colegio Mayor de San Bartolomé
298:same as the one later used by
169:Church of Notre-Dame la Grande
1:
1368:Archdiocese of Mérida-Badajoz
996:
940:The 1872's main tower of the
529:located in the Chapter Rooms.
527:Cathedral Museum of Salamanca
513:Chapter rooms of the cloister
428:Rodrigo Maldonado de Talavera
151:, which was the first of the
87:. This was a period in which
33:Catedral Vieja de Santa María
1147:. Salamanca: Catedral, 2007.
1136:CASASECA CASASECA, Antonio:
509:altarpiece remains in view.
499:
473:Since the beginnings of the
468:Talavera de la Reina pottery
7:
1855:no longer used as cathedral
1472:Santo Domingo de la Calzada
1140:. Salamanca: Edilesa, 2008.
1138:Las Catedrales de Salamanca
947:
442:The Chapel of Santa Bárbara
393:
10:
1943:
1580:San Cristóbal de La Laguna
1221:
1099:Megan E. Thompson (2016).
684:
658:Annunciation of the Virgin
161:Old Cathedral of Plasencia
1848:
1790:
1744:Archdiocese of Valladolid
1742:
1689:
1646:
1593:
1540:
1490:
1442:
1409:
1366:
1333:
1280:
1232:
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458:It was founded by Bishop
226:Juan Francés de Iribarren
165:Collegiate Church of Toro
1595:Archdiocese of Tarragona
1197:Archdiocese of Barcelona
964:
954:New Cathedral, Salamanca
906:Chapel of Santa Catalina
894:Chapel of Santa Catalina
598:Chapel of Santa Catalina
590:Chapel of Santa Catalina
533:It is currently used as
377:Antón Sánchez de Segovia
361:Plaza Mayor de Salamanca
302:for the Judgment of the
211:Antón Sánchez de Segovia
201:, depicting the life of
193:, which is certainly by
29:Cathedral of Santa María
16:Catholic church in Spain
1792:Archdiocese of Zaragoza
1691:Archdiocese of Valencia
1444:Archdiocese of Pamplona
1210:Sant Feliu de Llobregat
942:Trinity Church (Boston)
936:Trinity Church (Boston)
608:University of Salamanca
475:University of Salamanca
220:University of Salamanca
1542:Archdiocese of Seville
1522:Santiago de Compostela
1494:Santiago de Compostela
1282:Archdiocese of Granada
1133:, León: Edilesa, 1992.
1027:lagacetadesalamanca.es
631:
599:
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400:1755 Lisbon earthquake
351:
343:
241:
184:1755 Lisbon earthquake
143:
135:
24:
1883:40.960472°N 5.66667°W
1840:Zaragoza (The Savior)
1835:Zaragoza (The Pillar)
1709:Ciutadella de Menorca
1704:Castellón de la Plana
1648:Archdiocese of Toledo
1411:Archdiocese of Oviedo
1335:Archdiocese of Madrid
1234:Archdiocese of Burgos
678:Saint James the Great
664:The Casa de la Cabeza
629:
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560:of the 15th century.
520:
449:
409:(Girona, Catalonia) (
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239:
141:
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22:
432:Talavera de la Reina
390:, who died in 1262.
153:group of Duero domes
51:. Founded by Bishop
1888:40.960472; -5.66667
1879: /
630:Chapel de los Anaya
312:John the Evangelist
232:The main altarpiece
149:Cathedral of Zamora
85:Raymond of Burgundy
918:The two cathedrals
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600:
531:
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91:was giving way to
81:Alfonso VI of León
77:Jerome of Périgord
53:Jerome of Périgord
25:
1862:
1861:
1724:Palma de Mallorca
1343:Alcalá de Henares
1064:. Laurence King.
674:Order of Santiago
320:Virgin of la Vega
280:Florentine school
121:fortis salmantina
65:Alfonso Barasaque
1934:
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558:Crown of Castile
539:Fernando Gallego
535:Cathedral Museum
523:Fernando Gallego
369:kingdoms of León
284:Flemish painting
45:Castile and León
35:), known as the
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1105:. p. 48.
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37:Old Cathedral
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1871:40°57′37.7″N
1864:
1852:co-cathedral
1761:
1618:Lleida (New)
1613:Lleida (Old)
1358:Madrid (New)
1353:Madrid (Old)
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472:
457:
454:and Reredos.
420:
404:
397:
384:Rodrigo Díaz
381:
366:
353:
317:
300:Michelangelo
295:Jesus Christ
288:
268:Jesus Christ
261:
253:Nicolò Delli
246:
243:
224:
195:Nicolò Delli
188:
177:
145:
125:
120:
117:Spanish tile
113:
105:
101:barrel vault
74:
36:
32:
28:
26:
1886: /
1671:Guadalajara
1661:Ciudad Real
584:Dello Delli
580:Pedro Bello
573:Pedro Nieto
569:Renaissance
567:style with
485:Latin word
388:Pedro Pérez
308:Virgin Mary
264:Virgin Mary
249:Dello Delli
216:Juan Lucero
207:Virgin Mary
199:Dello Delli
1901:Categories
1800:Albarracín
1777:Valladolid
1575:Las Palmas
1150:IERONIMUS
997:References
89:Romanesque
57:Romanesque
31:(Spanish:
1805:Barbastro
1628:Tarragona
1512:Mondoñedo
1452:Calahorra
1434:Santander
1300:Cartagena
1205:Barcelona
1080:cite book
644:alabaster
500:Discovery
41:Salamanca
1874:5°40′0″W
1825:Tarazona
1734:Valencia
1719:Orihuela
1699:Alicante
1676:Sigüenza
1656:Albacete
1467:Pamplona
1257:Palencia
1215:Terrassa
948:See also
670:Casa Lis
491:Victory!
394:Cloister
205:and the
173:Poitiers
1772:Segovia
1729:Segorbe
1633:Tortosa
1623:Solsona
1585:Seville
1560:Córdoba
1517:Ourense
1457:Logroño
1419:Astorga
1386:Cáceres
1376:Badajoz
1305:Granada
1290:Almería
685:Gallery
565:Mudéjar
407:Palamós
373:Castile
276:Sienese
1830:Teruel
1815:Huesca
1810:Monzón
1782:Zamora
1681:Toledo
1666:Cuenca
1603:Girona
1565:Huelva
1502:Ferrol
1482:Tudela
1429:Oviedo
1391:Mérida
1348:Getafe
1325:Murcia
1320:Málaga
1310:Guadix
1247:Bilbao
1242:Burgos
1109:
1068:
612:synods
507:Gothic
464:Christ
424:Muslim
328:Tormes
157:Zamora
93:Gothic
61:Gothic
1752:Ávila
1714:Ibiza
1570:Jerez
1555:Ceuta
1550:Cádiz
1381:Coria
1262:Soria
965:Notes
203:Jesus
49:Spain
1532:Vigo
1507:Lugo
1462:Jaca
1424:León
1315:Jaén
1295:Baza
1252:Osma
1107:ISBN
1086:link
1066:ISBN
371:and
310:and
289:The
278:and
266:and
59:and
27:The
1638:Vic
1527:Tui
171:in
1903::
1082:}}
1078:{{
1043:.
1025:.
586:.
470:.
186:.
159:,
123:.
47:,
43:,
1181:e
1174:t
1167:v
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1088:)
1074:.
1029:.
786:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
