472:
879:
394:, but Bender gave the NMI first refusal on it. This was despite the changed remit of the museum under the new Irish Free State, with an aim to concentrate its collecting and interpretation of Irish material culture, and Mahr's attempts to dissuade Bender from donating to the Irish museum, stating: "We are not good enough an institution to be favoured with such magnificent gifts ... why shall we go to the trouble to force such a fine Far East collection ... upon a country which is not yet mature for it?" Despite this, Bender donated elements of his collection from 1932 to 1937 in honour of his mother, Augusta Bender, to whom the exhibition room in Kildare Street was dedicated. The "Augusta Bender Memorial Room of Far Eastern Art" was opened by
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and other storage buildings. This resulted in the display of some objects for the first time in decades. A lecture theatre, restaurant, and education rooms were also created. The site also is the location of the museum's conservation lab, and main offices for the documentation department. In the first year of opening, the museums saw 200,000 visitors. The opening of this new museum site also saw a marked expansion in the educational department of the museum across all of its sites. The museum was officially opened in its first phase in
September 1997 by Minister for Arts, Heritage, Gaeltacht and the Islands,
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910:
212:
616:, was one of the inaugural exhibitions of the museum at its opening in 1997. It features clothing and jewellery manufactured in Ireland from the previous 250 years from the 1760s to the 1960s. The initial exhibition was expanded further in 2000, and it was the largest and most expensive exhibition of historical costume in Ireland when it opened. It cost £750,000 to mount the exhibition over 300 square meters across 3 galleries, and drew on the museum's collection as well as a number of loan objects from museums such as the
36:
178:
59:
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example. By 1889, the Art and
Industrial Division had accessioned 10,372 objects that were stored at the museum's main building on Kildare Street. In this early phase of the museum, the industrial collections were given prominence both for display in Kildare Street, and in collections acquisition. Large sections of the ground floor at Kildare Street were given over to displays of antiquities deemed useful for Irish industry.
670:, Paris. The items were part of Gray's personal collection, from her apartment in Paris, and included personal objects, furniture, and models. These were placed on permanent display, curated by Dr Jennifer Goff, opening on 22 March 2002. It features a number of her most recognisable furniture designs, and its opening was marked with a conference dedicated to her.
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447:
silver medal for conservation in 2002. This involved converting former infantry quarters into long exhibition areas, retaining the original staircases. The museum's conservation department is housed in a red brick extension to the original buildings of the
Transport Square, and was completed in 2001.
442:
The adaptation and development of the museum has led to a number of phased building projects. These included a collaboration between the Office of Public Works and the Gilroy McMahon architectural firm to redevelop the western and southern ranges of the main
Palatine Square into exhibition spaces for
304:
The
Decorative Arts & History Department of the NMI, formerly called the Art and Industrial Division of the Dublin Museum of Science and Art, was founded in 1877, alongside the Natural History Division, and the Antiquities Division. Early objects for this division were purchased in 1878 and 1879,
536:
in
Kildare Street from 1991 to 2005. It was removed from display in 2005, in line with the museum's policy on the display of human remains due to the presence of brain matter and blood inside the hat as well as conservation issues with the long-term display. The coat that Collins was wearing the day
597:
The exhibition opened in 2016 was the museum's eighth exhibition on the subject of the Easter Rising, and featured a number of objects which had not been put on public display before. The current exhibition is laid out over 10 zones, which track the events of the Easter Rising semi-chronologically,
434:
developed and refurbished the site for the museum at the cost of £15 million. The development of this new museum site led to the drafting of the NMI's first strategic plan. The museum opened in 1997, with both exhibition and storage spaces for the collections that were relocated from
Kildare Street
410:
In
December 1988, the Irish government made the decision to close Collins Barracks as a military facility, and in 1993 an agreement was reached for the NMI to take possession of the site as a new museum campus. This was part of a wider plan to rejuvenate a neglected and deprived area of Dublin city
374:
in 1932 in
Kildare Street, with objects that would form the centre of what would become known as the Easter Week Collection. This was the museum's first contemporary and thematic collection, and this remained an active area of collecting for a large part of the 20th century. Many of the objects in
827:
in 2018. Malone started collecting political posters the morning after the vote, as well as putting a call out on social media for members of the public to donate items relating to the campaign, on both sides, to the museum using the hashtags #Archivingthe8th and #Collectingthe8th alongside other
329:
was opened, art and industry were featured in the displays, in a similar manner to the South
Kensington Museum. The art and industry collections were deemed essential teaching material for the instruction of art students, as well as those working in industry, to learn from the best international
463:, and were donated to the museum by his friend, Bridget O'Connor, in 1958. The bright blue slippers with an embroidered wolf head pattern inspired a large volume of interest. The slippers have never been on public display, but there are now plans to create a range of gift items based on them.
516:
exhibition features military artefacts and memorabilia tracing Ireland's military history from 1550 to the present. It opened to the public in 2005, and spans over 1,700 square metres of exhibition space. The exhibition is organised chronologically, with the phases of military occupation and
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was opened to coincide with the centenary of the events in 2016. It draws on the museum's Easter Week Collection, a collection of over 15,000 objects relating to the events of the Rising and the period immediately after. It was opened to the public on 3 March 2016 by
517:
development in Ireland covered, as well as the role of Irish soldiers in armies around the world up to modern-day peace-keeping activities with the United Nations. Curated by Lar Joye, it won best exhibition in Ireland 2009–2010 in the museum awards hosted by the
644:. The exhibition is mounted using single or small groups of simple mannequins with the stories of the individual outfits described alongside. As well as military outfits and formal dresses, it also features a Celtic Revival dress from the early 20th century by
717:
The exhibition of the collection of Albert Bender was remounted at Collins Barracks in 2008, a collection which had been previously displayed at the museum in Kildare Street from the 1930s to 1973. Bender was an Irish-born Jew who had emigrated to
722:, where he amassed a large fortune from his work in insurance. The modern remounting of this exhibition displays a selection from the 260 objects of Asian art Bender donated, with one of the most important set of objects being the set of rare
1143:
349:, which displayed locally commissioned enamel work, lace, and tapestries. Exhibition materials of silver and furniture were loaned out, and lectures given to people employed in these industries. From 1908, under the new directorship of Count
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Special temporary exhibitions are mounted regularly in the former Riding School, which is behind the western side of the Palatine Square, behind the reception area and museum shop. It was opened in 2005. In summer 2007 replicas of six Irish
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The exhibition is dominated by the clothing of wealthier sections of Irish society historically, as those tended to be the clothes that were preserved. The exhibition also includes outfits worn by the spouses of Irish presidents, including
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became the seat of the new Irish parliament. It was from this point on that the art and industry division was tasked with collecting objects relating to Irish military and political history. The museum mounted its first exhibition on the
2001:
1206:
1499:
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878:
415:. This area was designated as part of the Historic Area Rejuvenation Project (HARP), with the museum being the central piece of a new "museum quarter". Included in this plan was the construction of the new
1681:
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726:, or Buddhist tapestries from 18th-century Tibet. There is also a large display of Japanese woodblock prints, Chinese metalwork, and numerous religious figures. The new exhibition was curated by Dr
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1882:
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In 2021, it was announced that a new gallery dedicated to the 20th century would be opened at the museum. Scheduled to open in 2023, it would coincide with the centenary of the foundation of the
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system in Ireland. It received an "Honourable Mention" from the Annual Global Fine Arts Awards 2019 and nominated for the Global Humanity category in the same awards. Artists featured include
2832:
1997:
819:
The museum began a programme of rapid response or contemporary collecting in the mid-2010s in response a number of seminal events in Irish culture, the first of which centred around the
451:
In March 2021, a pair of slippers held in the museum's collections went viral. A screen shot of curator Brenda Malone holding the slippers as she showed them to a group of students from
598:
as well as reflecting on its continuing legacy. A number of objects directly relating to the execution of the leaders of the Rising were exhibited, including the blood-stained shirt of
1373:
333:
In the early 20th century, the art and industry collection was primarily used for teaching and instruction on a range of arts and crafts disciplines. Material was often loaned to the
2280:
1491:
2034:
112:
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2739:
287:
This museum holds historical and contemporary collections relating to military history and decorative arts, with core collections relating to historical Irish events such as the
2884:
1944:
1530:
479:
The museum contains displays of Irish coins and currency, silverware, furniture, Asian art, folk life and costumes, ceramics, and glassware. Other permanent exhibitions include
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828:
cultural institutions in Ireland. As Malone has noted, it was more difficult to collect items from the "no" side in the referendum despite attempts to solicit more donations.
51:
2220:
2385:
2146:
3172:
2931:
2673:
2250:
1821:
2446:
2325:
1560:
402:. Bender eventually stopped sending further objects to the museum when the room, to which he had donated over 250 items, was reported to him as full by Mahr in 1937.
2642:
3018:
823:. Under the direction of the curator Brenda Malone, the museum collected ephemera relating to the political campaigns. This included the campaign materials for the
2415:
1673:
2764:
1975:
1621:
471:
3182:
2068:
820:
765:
of the museum was opened at the Riding School. The exhibition took place while the main Natural History museum on Merrion Street was closed for refurbishment.
2858:
843:
about homophobia in 2014 as part of their "Noble Call" series. Overall, this work led to the museum adopting a formal Contemporary Collecting policy in 2019.
3177:
824:
502:
as part of the Decade of Centenaries 2012–2023 Programme. The government announced the museum would receive €2.2 million in capital funding for the project.
1261:
1083:
3142:
456:
2347:
1874:
3137:
1109:
807:. The exhibition was due to run until May 2020, and in January 2021 the museum announced it would acquire the glass piece by Lowry from the exhibition,
2954:
1407:
1184:
2580:
2794:
1711:
1590:
788:
2611:
2506:
1998:"3 March 2016: Opening of 'Proclaiming a Republic: the 1916 Rising', National Museum of Ireland, Collins Barracks, Dublin 7 – Decade Of Centenaries"
796:
762:
245:
2549:
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1913:
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that were subsequently shown internationally. In 2019, a temporary exhibition of 100 photographs of Ireland in the 1950s from the collection of
1468:
804:
776:
800:
1362:
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of San Francisco. Bender, who was Jewish, donated the collection to the National Museum of Ireland during the tenure of curator and director
240:
2189:
444:
326:
230:
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on 25 June 1934, with de Valera delivering a speech written by Mahr. The event was attended by members of the Yeats family and the artist
3157:
2026:
921:
854:
2731:
1936:
1522:
2113:
1761:
2212:
2377:
2138:
3187:
897:
3167:
2915:
2665:
2476:
624:, oversaw the work. It was opened by Síle de Valera, Minister for Arts and Heritage, and her counterpart in Northern Ireland,
3104:
2242:
1813:
337:, and some of the collection was sent around the country to schools and other institutions in loan boxes, being known as the
2438:
1437:
3085:
2317:
1552:
353:, there was an increased emphasis on collecting objects that were "distinctively Irish" across all the museum's divisions.
2634:
1791:
909:
540:
Further exhibition galleries dedicated to Irish military history have been created, many commemorating the centenaries of
2988:
684:
exhibition features 25 objects selected by curators from across the museum's four divisions. Artefacts exhibited include
2407:
334:
1967:
532:
in 2017. The hat that Michael Collins was wearing when he was fatally shot was part of a previous exhibition entitled
3147:
1613:
866:
2060:
1851:
2854:
452:
1253:
1075:
419:
line which would create easier public transport links to not only the new museum in Collins Barracks, but to the
3152:
1292:
1011:
784:
460:
703:. One of the most notable pieces in this exhibit is a Chinese porcelain vase from about 1300 AD, known as the
2825:"(A)Dressing Our Hidden Truths | Alison Lowry at National Museum of Ireland, Dublin | Visual Artists Ireland"
1004:
Politics, archaeology, and the creation of a national museum in Ireland : an expression of national life
835:, donated her wedding dress to the museum in 2018. In 2019, Rory O'Neill known by his drag performance name,
792:
1399:
1176:
105:
1703:
1582:
2603:
2498:
2572:
2541:
1750:"Museum Eye: Soldiers and chiefs, the Irish at war National Museum of Ireland Collins Barracks, Dublin"
518:
420:
322:
269:
219:
783:. It explores themes of institutional abuse, reflecting on the experiences of those who spent time in
1905:
569:
549:
313:
objects, including enamels, ceramics, and textiles were added to the collections which came from the
2408:"A Dubliner's Collection of Asian Art: The Albert Bender Exhibition | Decorative Arts & History"
1906:"Explainer: The curious case of Michael Collins' bloodstained cap being removed from museum display"
1492:"'Not every man would wear those, even today' – the slippers of Irish revolutionary Michael Collins"
1460:
3162:
390:
chapter. The collection was sought after by a number of other cultural institutions, including the
318:
273:
2169:
561:
2061:"James Connolly's Bloodstained Vest: Mediating Death and Violence in Commemorative Exhibitions"
685:
557:
431:
365:, had to operate on a much-reduced budget, and lost a large part of its exhibition spaces when
3121:
3097:
Dublin: The City Within the Grand and Royal Canals and the Circular Road with the Phoenix Park
744:
350:
2885:"What's the National Museum of Ireland collecting? Repeal posters, bees and a wedding dress"
1321:"National Museum of Ireland Collins Barracks, Benburb Street, Arbour Hill, Dublin 7, DUBLIN"
378:
The 1930s saw the donation of a large and important collection of Asian art by Dublin-born
314:
2348:"Guided tour of National Museum of Ireland; Decorative Arts and History, Collins Barracks"
2105:
1749:
662:
In 2000, the museum purchased a large collection of works from the designer and architect
8:
689:
412:
281:
633:
211:
565:
1875:"Michael Collins' relative calls for hat to 'always' be on display at National Museum"
621:
395:
194:
3100:
3081:
3010:
2923:
1461:"Wild style: Wolf slippers belonging to Michael Collins cause a stir on social media"
1288:
1007:
832:
710:
625:
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while he was imprisoned in the Barracks, and an oar and life belt salvaged from the
436:
3000:
2181:
889:
645:
499:
399:
379:
173:
93:
1644:"Minister Catherine Martin announces 2021 Programme for the Decade of Centenaries"
3042:"Dress worn by Panti Bliss during 'Noble Call' speech to go on display at museum"
2765:"(A)Dressing Our Hidden Truths by Alison Lowry at the National Museum of Ireland"
1429:
667:
553:
345:; it was never reinstated after the war. The museum mounted an exhibition called
147:
1674:"Decade of Centenaries: Call for 'sensitive' commemoration of contested history"
1110:"Museum Eye: A Dubliner's collection of Asian art: the Albert Bender exhibition"
568:
in 1915, while a later gallery opened in 2017 documents the Irish who fought at
58:
2916:"Posters, Banners, Boarding Passes: Museums Try to Get a Head Start on History"
2499:""A DUBLINER'S COLLECTION OF ASIAN ART" CONFERENCE, COLLINS BARRACKS, NOV 14TH"
1783:
649:
599:
366:
261:
3131:
3014:
2927:
2795:"Alison Lowry: (A)Dressing Our Hidden Truths | Decorative Arts & History"
2185:
840:
831:
As part of the collection relating to marriage equality government minister,
727:
719:
704:
697:
641:
637:
628:, and was the first exhibition of its kind in the museum for over 100 years.
617:
583:
545:
371:
288:
127:
114:
2378:"National Museum of Ireland - Decorative Arts and History, Collins Barracks"
361:
After Irish independence in 1922, the museum as a whole, now known as the
1843:
663:
541:
342:
2855:"National Museum of Ireland acquires works from Alison Lowry – Craft NI"
885:
740:
693:
591:
424:
383:
182:
341:. This collection was highly successful, but was put on hiatus during
3078:
The Story of Irish Museums 1790-2000: Culture, Identity and Education
730:, and a conference on the collections was convened in November 2008.
588:
3005:
514:
Soldiers and Chiefs - The Irish at War at Home and Abroad since 1550
2065:
Remembrance and Solidarity Studies in 20th Century European History
775:
In March 2019, the museum mounted the exhibition curated by artist
712:
A Dubliner's Collection of Asian Art: The Albert Bender Exhibition
723:
2955:"Collecting drive gets underway after Irish abortion referendum"
375:
the collection were donated or loaned by members of the public.
35:
761:
In 2009 and 2010, a temporary exhibition of specimens from the
391:
387:
277:
97:
839:, donated the dress he wore on the night of his speech at the
1814:"Overview – Soldiers and Chiefs Exhibition, Collins Barracks"
836:
325:(now the V&A) in London. When the new museum building on
306:
2139:"3 centuries of Irish fashion exhibited: 'the way we wore'"
825:
referendum on the constitutional ban on abortion in Ireland
416:
310:
177:
1553:"National Museum of Ireland-Decorative Arts & History"
1523:"Collins's slippers to feature on new range of gift items"
1144:"An Unexpected Relationship: Albert Bender and Adolf Mahr"
575:
22:
National Museum of Ireland – Decorative Arts & History
2213:"National Museum acquires Eileen Gray's Paris collection"
2027:"Taoiseach opens Proclaiming a Republic: The 1916 Rising"
1301:
1731:
1729:
1343:
1044:
1020:
971:
258:
National Museum of Ireland – Decorative Arts and History
2604:"Rarely shown images of 1950s Irish life go on display"
1614:"New gallery to commemorate 20th Century Irish history"
266:
Ard-Mhúsaem na hÉireann – Na hEalaíona Maisiúla ⁊ Stair
28:
Ard-Mhúsaem na hÉireann – Na hEalaíona Maisiúla ⁊ Stair
2732:"Shining a light on Ireland's hidden history of abuse"
2295:
2083:
1726:
1229:
2521:
1430:"Michael Collins' wolf slippers spark Twitter storm"
1056:
1032:
983:
959:
947:
749:
Ireland in Focus: Photographing Ireland in the 1950s
3173:
Military and war museums in the Republic of Ireland
448:In 2018, visitor numbers were reported as 198,974.
2318:"Curator's Choice | Decorative Arts & History"
2243:"RTÉ Arena goes inside the Eileen Gray collection"
1006:. Dublin: Irish Academic Press. pp. 123–125.
321:. Material was also loaned from what was then the
1400:"The story behind Michael Collins' wolf slippers"
455:was shared on Twitter by author and lecturer, Dr
3129:
768:
572:, the 36th (Ulster) and 16th (Irish) Divisions.
443:the museum, and for which they were awarded the
411:spanning 270 acres between Collins Barracks and
1363:"National Museum of Ireland Annual Report 2018"
1287:. Kinsale: Gandon Editions. pp. 102, 345.
620:. The keeper of the Art and Industry Division,
1489:
3183:Art museums and galleries established in 1997
1934:
1704:"Exhibitions | Decorative Arts & History"
1583:"Exhibitions | Decorative Arts & History"
1076:"Material Culture and 1916 | Century Ireland"
3178:Collection of the National Museum of Ireland
445:Royal Institute of the Architects of Ireland
3143:National museums of the Republic of Ireland
2729:
2666:"Snake a dead loss but cockroaches popular"
1937:"Sea at Gallipoli ran red with Irish blood"
1397:
814:
537:he died is still on display in the museum.
3138:History museums in the Republic of Ireland
2663:
1458:
582:This exhibition on the events of the 1916
521:and the Northern Ireland Museums Council.
210:
34:
3004:
2664:Cunningham, Grainne (26 September 2009).
614:250 Years of Irish Clothing and Jewellery
2953:Adams, Geraldine Kendall (30 May 2018).
2913:
2210:
1282:
811:along with a number of her other works.
733:
470:
466:
2694:
1747:
1459:O’Donoghue, Denise (24 February 2021).
1107:
821:referendum on marriage equality in 2015
577:Proclaiming a Republic: The 1916 Rising
3130:
3075:
3039:
2986:
2882:
2635:"Oh deer! Headless moose on the loose"
2632:
2601:
2570:
2539:
2301:
2089:
2054:
2052:
1735:
1611:
1490:O'Loughlin, Ciara (25 February 2021).
1307:
1235:
1062:
1050:
1038:
1026:
1001:
989:
977:
965:
953:
779:and curator Dr Audrey Whitty entitled
666:at a cost of £900,000, outbidding the
505:
386:, who was also the head of the Dublin
3094:
3021:from the original on 28 February 2021
2982:
2980:
2952:
2878:
2876:
2759:
2757:
2527:
2436:
2312:
2310:
2223:from the original on 26 November 2020
2133:
2131:
2100:
2098:
2058:
2021:
2019:
2004:from the original on 11 December 2020
1903:
1502:from the original on 26 February 2021
1471:from the original on 25 February 2021
1349:
1264:from the original on 17 December 2020
1254:"National Museum At Collins Barracks"
1248:
1246:
1244:
1171:
1169:
1103:
1101:
995:
556:. One exhibition is dedicated to the
2989:"Collecting the Abortion Referendum"
2835:from the original on 25 January 2021
2805:from the original on 23 January 2021
2775:from the original on 16 January 2021
2633:McHugh, Michael (25 February 2010).
2614:from the original on 21 January 2021
2583:from the original on 20 October 2012
2479:from the original on 27 January 2021
2358:from the original on 4 December 2017
2328:from the original on 16 January 2021
2167:
2037:from the original on 21 October 2019
1978:from the original on 4 December 2017
1965:
1935:Abayawickrema, Ronan (13 May 2014).
1794:from the original on 27 January 2021
888:and oldest in Ireland introduced by
754:
612:This exhibition, which is subtitled
430:Over the course of three years, the
3122:Decorative Arts & History pages
2711:from the original on 19 August 2020
2388:from the original on 9 January 2020
2273:"Exhibition on life of Eileen Gray"
2049:
1885:from the original on 6 January 2021
1207:"Eamon De Valera and Albert Bender"
860:Exhibit of military history objects
673:
530:A History of Ireland in 100 Objects
13:
3158:Decorative arts museums in Ireland
2977:
2934:from the original on 13 March 2021
2873:
2754:
2730:O'Brien, Gillian (18 April 2020).
2602:Connor, Dyane (20 November 2019).
2571:Barnes, Eileen (27 October 2007).
2307:
2128:
2095:
2071:from the original on 21 March 2020
2016:
1818:Military Heritage of Ireland Trust
1684:from the original on 27 April 2021
1654:from the original on 28 April 2021
1624:from the original on 27 April 2021
1563:from the original on 30 April 2021
1440:from the original on 12 April 2021
1241:
1166:
1098:
1086:from the original on 17 March 2021
605:
16:Museum division in Dublin, Ireland
14:
3199:
3115:
3040:Devane, Michelle (25 June 2019).
2895:from the original on 18 June 2019
2883:Falvey, Deirdre (16 April 2019).
2742:from the original on 6 March 2021
1916:from the original on 5 March 2021
1872:
1714:from the original on 1 April 2021
1593:from the original on 1 April 2021
1533:from the original on 9 April 2021
1520:
1398:O'Brien, Gillian (2 March 2021).
1379:from the original on 16 July 2020
1177:"Letters from our 'No. One Nazi'"
688:'s gauntlets that he wore at the
335:Dublin Metropolitan School of Art
3052:from the original on 18 May 2021
2965:from the original on 18 May 2021
2861:from the original on 18 May 2021
2697:"(Ad)dressing Our Hidden Truths"
2676:from the original on 18 May 2021
2645:from the original on 18 May 2021
2552:from the original on 18 May 2021
2509:from the original on 16 May 2021
2449:from the original on 15 May 2021
2437:Ahern, Donna (4 December 2008).
2418:from the original on 16 May 2021
2283:from the original on 15 May 2021
2253:from the original on 16 May 2021
2211:McDonald, Frank (29 June 2000).
2192:from the original on 15 May 2021
2149:from the original on 18 May 2021
2116:from the original on 16 May 2021
1947:from the original on 15 May 2021
1854:from the original on 15 May 2021
1764:from the original on 15 May 2021
1410:from the original on 14 May 2021
1331:from the original on 15 May 2021
1217:from the original on 15 May 2021
1187:from the original on 18 May 2021
1154:from the original on 16 May 2021
1124:from the original on 16 May 2021
920:
908:
896:
877:
865:
853:
453:Liverpool John Moores University
347:Applications of Art and Industry
176:
66:Location of the museum in Dublin
57:
50:
40:Front facade of Collins Barracks
3033:
2946:
2914:Marshall, Alex (18 June 2018).
2907:
2847:
2817:
2787:
2723:
2688:
2657:
2626:
2595:
2564:
2540:Hamill, Gillian (31 May 2007).
2533:
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2461:
2430:
2400:
2370:
2340:
2265:
2235:
2204:
2161:
1990:
1968:"In victory and then in defeat"
1959:
1928:
1904:Duffy, Rónán (8 January 2021).
1897:
1866:
1836:
1824:from the original on 6 May 2021
1806:
1776:
1741:
1696:
1666:
1636:
1612:Murphy, David (27 April 2021).
1605:
1575:
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1483:
1452:
1422:
1391:
1355:
1313:
1276:
1199:
1136:
1068:
405:
3188:1997 establishments in Ireland
3080:. Cambridge University Press.
655:
1:
3168:Numismatic museums in Ireland
2573:"Ancient art in high crosses"
1002:Crooke, Elizabeth M. (2000).
935:
781:(A)Dressing Our Hidden Truths
770:(A)Dressing Our Hidden Truths
692:, a pocket book belonging to
459:. The slippers were owned by
236:Decorative Arts & History
2993:Science Museum Group Journal
2542:"High crosses go on display"
648:, and pleated linen gown by
356:
299:
272:(NMI) located at the former
7:
2170:"Mairéad Dunlevy 1941–2008"
475:Main entrance to the museum
276:in the Arbour Hill area of
10:
3204:
3068:
2799:National Museum of Ireland
2412:National Museum of Ireland
2322:National Museum of Ireland
2168:Ward, Alex (8 June 2018).
1708:National Museum of Ireland
1587:National Museum of Ireland
1370:National Museum of Ireland
1285:The construction of Dublin
1211:National Museum of Ireland
1148:National Museum of Ireland
903:Display of Japanese armour
846:
747:was put on display titled
421:Irish Museum of Modern Art
363:National Museum of Ireland
294:
270:National Museum of Ireland
220:National Museum of Ireland
3099:. Yale University Press.
3095:Casey, Christine (2005).
2473:Irish Museums Association
1966:Joye, Lar (22 May 2017).
1788:Irish Museums Association
915:Michael Collins' slippers
884:The only extant Ashworth
550:Irish War of Independence
226:
218:
189:
169:
161:
153:
143:
104:
89:
74:
45:
33:
26:
3148:Museums in Dublin (city)
2695:Goddard, Brandi (2019).
2503:Glass Society of Ireland
2186:10.1179/174963009X419845
1283:McDonald, Frank (2000).
940:
815:Contemporary collections
763:Natural History Division
319:Museum of Irish Industry
27:
2987:Malone, Brenda (2020).
2059:Doyle, Siobhan (2018).
562:Royal Munster Fusiliers
493:Irish Country Furniture
489:Irish Silver Exhibition
323:South Kensington Museum
185:routes: 25, 25a, 66, 67
3076:Bourke, Marie (2011).
2382:www.askaboutireland.ie
1748:Canavan, Tony (2007).
1557:www.discoverireland.ie
1108:Canavan, Tony (2009).
476:
432:Office of Public Works
339:Circulation Collection
265:
3153:Arts in Dublin (city)
1183:. 19 September 2000.
789:Mother and Baby Homes
745:Henri Cartier-Bresson
734:Temporary exhibitions
528:, was featured among
524:One of the exhibits,
474:
467:Permanent exhibitions
351:George Noble Plunkett
268:) is a branch of the
170:Public transit access
1436:. 27 February 2021.
1325:Buildings of Ireland
930:permanent exhibition
534:Road to Independence
315:Royal Dublin Society
2959:Museums Association
2439:"orient expression"
2354:. 23 October 2013.
2145:. 12 January 2000.
2110:The Costume Society
1850:. 31 January 2019.
1844:"Stokes 'Tapestry'"
785:Magdalene Laundries
690:Battle of the Boyne
526:The Stokes Tapestry
507:Soldiers and Chiefs
124: /
23:
2920:The New York Times
2443:The Evening Herald
1352:, p. 249-250.
1310:, p. 345-347.
1053:, p. 329-330.
1029:, p. 322-324.
980:, p. 195-196.
477:
128:53.3484°N 6.2859°W
96:, Benburb Street,
21:
3124:on museum.ie site
3106:978-0-30010-923-8
3046:Irish Independent
2831:. 30 April 2019.
2670:Irish Independent
2639:Irish Independent
2279:. 14 March 2002.
2106:"The Way We Wore"
1941:Irish Independent
1496:Irish Independent
833:Katherine Zappone
793:industrial school
756:Dead Zoo at Large
626:Michael McGimpsey
254:
253:
205:/arts-and-history
82:18 September 1997
78:18 September 1997
3195:
3110:
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3087:978-185918-475-2
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890:Anthony Trollope
881:
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682:Curator's Choice
675:Curator's Choice
646:Kitty MacCormack
634:Sinead de Valera
622:Mairead Dunleavy
519:Heritage Council
500:Irish Free State
481:What's In Store?
413:O'Connell Street
400:Estella Solomons
274:Collins Barracks
214:
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174:Museum Luas stop
139:
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94:Collins Barracks
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3163:Fashion museums
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2889:The Irish Times
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2769:www.herstory.ie
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2546:The Irish Times
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2469:"Audrey Whitty"
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2249:. 21 May 2020.
2241:
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2217:The Irish Times
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1972:The Irish Times
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1678:BreakingNews.ie
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668:Pompidou Centre
660:
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607:The Way We Wore
580:
554:Irish Civil War
510:
469:
461:Michael Collins
457:Gillian O'Brien
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396:Eamon de Valera
359:
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246:Natural History
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148:National museum
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