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or folding screens are particularly notable, with over 90 pairs surviving to this day. These vibrant paintings depicted foreigners of all colors arriving in Japanese ports and walking in the streets of Japanese inland towns
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of c.1611-1614, Kobe City Museum. It is a work that fuses
Western themes and techniques with Japanese techniques.
172:(see figure 1). Another popular subject within Nanban art was the depiction of foreign warriors. Artists of the
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and alternative materials and techniques, appear to have had little lasting influence in Japan. Given the
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Hasegawa
Nobukata painting of a religious man with children. Edo period, early 17th century.
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in the 1850s and the 1860s, there is evidence of earlier
Japanese influence in the art of
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Hasegawa
Nobukata painting of two "Western warriors." Edo period, early 17th century.
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of the sixteenth and seventeenth centuries influenced by contact with the
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480:""Mōko Shūrai Ekotoba" (Illustrated Account of the Mongol Invasions)"
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308:. This was derived from the trade in Japanese crafts through the
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Nanban art developed after the first
Portuguese ships arrived in
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Obras-primas dos biombos Nanban, Japão-Portugal século XVII
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Screen painting of foreign ship and
Europeans in Japan.
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290:influenced pre-Hispanic lacquerware resulting in
16:Japanese art genre of the 16th and 17th centuries
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184:. Canons of western art of the period, such as
524:Japanese Architecture and Art Net Users System
458:Japanese Architecture and Art Net Users System
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192:from the end of the sixteenth century and the
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212:Painting from Momoyama period (1573-1615) by
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278:did not develop in the west until after the
216:of a European woman playing a viola de mano.
64:produced and exported at the request of the
190:persecution and prohibition of Christianity
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180:in combining foreign subject matter with
126:, originally referring to the peoples of
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264:Namban art, screen painting, circa 1600.
158:and other objects were produced, Nanban
68:. Azuchi–Momoyama period, 16th century,
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39:
18:
631:, Chandeigne, 2015 (978-2-36732-121-9)
478:Testa, Giuseppina Aurora (2020-07-03).
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324:Museums with collections of Nanban art
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365:Japanese words of Portuguese origin
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629:Nanban Folding Screen Masterpieces
112:from Europe and specifically from
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598:"Biombos Namban (Namban screens)"
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546:Namban: Art in Viceregal Mexico
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602:Museu Nacional de Arte Antiga
544:Lake, Rodrigo Rivero (2006).
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335:Museu Nacional de Arte Antiga
29:of c.1570-1616 attributed to
320:(Mexico) from 1565 to 1815.
176:were joined by those of the
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424:Okamoto, Yoshitomo (1972).
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182:Japanese styles of painting
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570:"Kobe City Museum e-guide"
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104:or 'Southern barbarians',
45:Western Kings on Horseback
312:, which traveled between
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154:in 1543. While Christian
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666:Japan–Portugal relations
634:(pt) Alexandra Curvelo,
627:(en) Alexandra Curvelo,
339:Museu do Oriente, Lisbon
671:History of art in Japan
426:The Namban Art of Japan
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70:Kyushu National Museum
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37:
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43:
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640:, Chandeigne, 2015 (
288:Japanese lacquerware
62:Japanese lacquerware
292:Mexican lacquerware
136:Nanban trade period
497:10.5209/eiko.73275
360:Hasekura Tsunenaga
280:reopening of Japan
186:linear perspective
118:Sino-Japanese word
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646:978-2-36732-120-2
555:978-84-7506-693-6
316:(Philippines) to
270:Reverse influence
214:Hasegawa Nobukata
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608:on 20 May 2011
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134:. During the
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661:Japanese art
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610:. Retrieved
606:the original
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580:. Retrieved
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527:. Retrieved
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461:. Retrieved
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350:Nanban trade
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110:missionaries
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89:Japanese art
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430:Weatherhill
178:Tosa school
174:Kanō school
31:Kanō Naizen
655:Categories
548:. Turner.
454:"Nanban-e"
381:References
355:Kirishitan
196:policy of
128:South Asia
120:, Chinese
116:. It is a
87:refers to
76:Nanban art
577:Kobe City
506:2254-8718
490:: 35–57.
612:28 March
582:28 March
529:28 March
463:28 March
370:Yamato-e
344:See also
318:Acapulco
276:Japonism
194:Tokugawa
114:Portugal
409:泰西王侯騎馬図
146:History
106:traders
23:Nanban
644:
552:
504:
436:
375:Nanman
314:Manila
274:While
198:sakoku
152:Kyushu
123:Nánmán
93:Nanban
573:(PDF)
304:makie
297:maque
160:byōbu
156:icons
140:Japan
49:byōbu
26:byōbu
642:ISBN
614:2011
584:2011
550:ISBN
531:2011
502:ISSN
465:2011
434:ISBN
397:南蛮屏風
166:南蛮屏風
130:and
108:and
82:南蛮美術
492:doi
294:or
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416:^
389:^
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99:南蛮
60:A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
