384:(2004) by Artur Żmijewski features a conversation with former prisoner of Auschwitz Józef Tarnawa who, after a negotiation, lets the artist to renew his concentration camp tattoo. According to Żmijewski, it symbolizes renewing the man's honour: ˮIn the video he is handled like a monument from the past which must be kept in good condition. The other meaning is to repeat the violent act from the past. In both films I tried to reopen up the past, truly reopen, not just recall, but really jump into that past moment when the tattoo was made and people were in the gas chambers." Semiotician Mihhail Lotman regards the video as shocking but also multidimensional: ˮ92-year-old Auschwitz survivor Józef Tarnawa eventually agrees and lets to renew his tattoo 80064. The man asks not to do so, saying that it is visible enough and after, it would not be authentic etc. But director Artur Żmijewski is ruthless and soon the old man surrenders and lets them to renew his tattoo. In the end he is not happy with the result, he feels like a piece of furniture. In another interview the director says that of course he agreed in the end because he got 500 euros for it and they had a contract. The message here is vague and might be multidimensional /---/. I draw the attention of watchful jewish community to the aspect that no one said it is a Jew in the video. There is nothing distinctive about his appearances, even the artist says that he does not know what the old man's nationality is and that it doesn't even really matter. Maybe it is the Polish community who should protest?"
504:, Sirje Helme, the director of Estonian Art Museum Kumu, commented the situation as follows: ˮThis debate can't be about whether it is art or not. The question is, how far can an artwork go in its freedom to sharply touch this or that subject. /.../ I think that there are almost no limits in democratic freedom but some things are agreed upon not to be touched, and Holocaust is certainly one of those things. So the question is not whether it is a good or bad work of art, the problem is that it has touched a subject which is declared to be taboo in Europe and America. /.../ This is a political world, not a world of art. I think this subject does not belong to the art world." Anders Härm responded: ˮI think that there is no such rule. There is no theme more mediated than Holocaust if we talk about the horrors during the Second World War. The work by John Smith referred to this – commercialization of Holocaust.
86:
330:(1991) by Spiegelman is also available on the exhibition. In the review of the exhibition, Indrek Grigor sees a parallel between Spiegelman's comic and the historical experience of Estonians: ˮ...just like the Jewish community is haunted by the Holocaust trauma from generation to generation as it has been shown on the exhibition by the autobiographical comics of American cartoonist Art Spiegelman; so, too, the present writer has a box of letters sent from Siberia to Estonia describing how people dug a pentagon shaped campfire, danced and played around it and thanked their dear leader Stalin for their daily bread."
402:
who did this artwork." Afterwards, the chairwoman of
Estonian Jewish Community, Alla Jakobson, spoke out in the media. She announced that she feels insulted, she does not consider Artur Żmijewski's videos to be art at all and insists they should be removed from the exhibition: ˮIt is unacceptable and inappropriate to exhibit videos like this in a Holocaust art exhibition." On 10 February, a public statement to Estonian state leaders by Estonian Jewish Community was made, saying: "It would be unthinkable to show nudity in an exhibition dedicated to
279:, the capital of Poland: an artificial palm tree, that artist conceived while visiting Jerusalem. This work reminds the cultural diversity of pre-war Poland. It is set up on the Jerusalem Avenue in Warsaw. ˮTo me the highlight of the documentation of Rajkowska's work presented on the exhibition is not actually connected with the author but with the human rights activist campaign where a traditional Palestinian headscarf was tied around the palm tree,ˮ says Indrek Grigor.
25:
240:, 2007), a politician is talking to a deserted overgrown stadium where only a handful of scouts are listening, about reconciliation on Jews and Poles, the need for Jews to return to restore Poland's cultural diversity and create a shared future. Estonian art theorist Indrek Grigor considers it to be the central work of the exhibition: ˮFor a person like me, for whom Jews have largely been just literary characters from
462:
not be prescribed by law but should be in the hearts of people," said Laine Randjärv. "Organizers of the exhibition have been ignoring the principles of good practices and the principles of respecting other people and nations," found Jüri Ratas. "The reaction and the triggered debate in the society leads us to ask again where are the boundaries of art," said Urve Tiidus.
401:
asked the chairwoman of Tartu Jewish
Community Ilona Smuškina to visit the exhibition My Poland. She found it to be emotionally uncomfortable: ˮI couldn't watch the video of the gas chamber for more than three seconds. But the old man who was tortured in Auschwitz, now he is tortured by the young man
199:
As the museum was closed on Monday and
Tuesday and the videos were already removed by Wednesday afternoon, the videos in question were introduced only to a small part of exhibition visitors. Therefore, majority of people who have participated in the debate have not been familiar with the content of
512:
have also talked about how
Hollywood wouldn't let Jews to forgive and Germans to be forgiven." Sirje Helme said: ˮFor me, this question is in black and white. I will stick to my opinion that it is not about art with its aesthetical criteria and sensitivities. The question here is that the topic is
465:
A couple of days later, first statements supporting the curator and Tartu Art Museum started to appear, mostly made by people of art and culture. The criticism was also disputed by the interview to Eesti
Televisioon by the author of the most criticized videos, Artur Żmijewski, who said: "We recall
461:
Main critical arguments include joking about
Holocaust, mocking, lack of empathy amongst the artists and the authors of the exhibition, and the need to identify the boundaries of art. "I think that there should be ethical boundaries of freedom of speech and freedom of expression of art that should
376:
between the game and
Holocaust is the aspect that should be shocking. But this arises in the mind of the viewer, not on screen or at shooting. We can start by recognizing that none of the participants are Jewish /---/. Further, anyone who knows something about history knows that men and women were
294:
portrays two men driving through a landscape, seeing writing "Holocaust" on a hilltop in resemblance to the famous landmark "Hollywood". According to Artel, that painting draws attention to the commercialization of
Holocaust by the movie industry led by Hollywood, as it has transformed the pain of
187:
was opened on
Saturday, 7 February. On Tuesday, Tartu Art Museum announced that access to two most criticized videos was being limited. Visitors could only see those videos by stating a direct request and after being introduced to curator's written explanation. Museum's director Artel made a full
367:
on the
Internet and have been surprised that they are actually not that shocked. The one who was shocked was Żmijewski himself when he was an assistant teacher and went on an excursion to the camps with school children who started cheerfully playing tag in the concentration camp's gas chambers."
133:
in art. Originally, eight contemporary artworks were exhibited, one of them by an Estonian artist and seven from Polish artists (incl. one Polish–Israeli and one American with Polish Jewish roots). Soon after the opening of the exhibition the museum limited access to two works of art because of
250:, this video gave a glimpse of the actual cultural shock Poland went through after the genocide. If we were to translate that experience into the context of Estonian culture we could try to reappraise the influence of Russian culture on Estonia's cultural diversity and its very viability!"
466:
the past events and it is not a passive recalling but an active one. My purpose is not to provoke anyone. There are always those who feel provoked but it wasn't my intention." Among the supporters of the exhibition have been a board member of the
1125:
841:
406:. Why is Holocaust an exception justified with the artistic freedom?" Statement made after the opening of the exhibition found supporters by many organisations, politicians and cultural figures: Estonian member of European Parliament
218:
After videos were removed, the museum decided to use that room do present the documentation about the public discussion about the exhibition on both traditional and social media, considering the themes of censure and self-censorship.
350:
as follows: ˮIt is a very serious situation. There are the bodies of living people, the situation is alive – instead of a tragedy we just have life." In the publication which accompanies the exhibition, curator Rael Artel connected
377:
separated in the camps /---/. Maybe the best justification for this work (in terms of its quality I have big doubts) is that it can create a lot of grief. We need so little to bring back the memory of Holocaust."
121:, received a lot of attention from Estonian society and from both Estonian and international media. It brought out the differences of opinion and initiated a public debate about the reflection of Holocaust and
149:
is a distinctive theme. The name refers to a popular Estonian books series ("My Estonia", "My Mexico", "My St. Petersburg", etc.) which also focuses on authors' personal impressions of different countries.
1488:
1239:
866:
439:
320:(2008) is describing Jewish family heirloom as a monster locked in a chest, creating a perpetual sense of guilt. It can be understood as the guilt of surviving Holocaust.
1232:
825:
35:
1193:
1057:
1045:
157:. Curator Rael Artel has said that although she tried to find comparable works from Estonian art, the only Holocaust themed work was John Smith's painting
1406:
1118:
879:
176:
is curated by the director of Tartu Art Museum Rael Artel and exhibition's coordinator is Julia Polujanenkova, museums' keeper of the contemporary art.
1111:
994:
600:
1400:
1137:
1126:"Nestor holokausti teemalist näitust kohe maha võtma ei hakkaks, Ratas soovitab korraldajatel ebasobivad teosed näituselt eemaldada ja vabandada"
842:"Nestor holokausti teemalist näitust kohe maha võtma ei hakkaks, Ratas soovitab korraldajatel ebasobivad teosed näituselt eemaldada ja vabandada"
615:
1355:"Poola Vabariigi suursaadiku Eesti Vabariigis kiri Tartu Kunstimuuseumi direktorile seoses näitusega "Minu Poola. Mäletamisest ja unustamisest""
1341:
956:
1354:
1131:
712:
487:
1388:
164:
The exhibition is accompanied by a publication put together by Rael Artel and designed by Mikk Heinsoo. The exhibition was supported by the
1207:
471:
1200:
50:
1474:
1413:
1285:
904:
655:
1081:
916:
1320:
682:
153:
The works selected for the exhibition in Tartu Art Museum are made by well-known Polish artists most of whom have participated in the
1026:
1443:
1431:
1245:
977:
585:
188:
apology to everyone the display offended. Estonian Ministry of Culture held a discussion which was attended by Minister of Culture
1348:
1481:
89:
Curator Rael Artel talking in front of the installation "Greeting from the Jerusalem Avenue" by Polish artist Joanna Rajkowska
1514:
1181:
1099:
627:
458:
criticized the exhibition, stating that it is not enough to remove two videos as the whole exhibition should be shut down.
363:, Kadri Veermäe wrote about the background of the video: "Certainly, there are many of those who have watched Żmijewski's
196:. After the discussion Tiidus called the videos offending and Tartu Art Museum removed them from the exhibition entirely.
1455:
1313:
1419:
467:
203:
The removal of videos has been evaluated differently. For example, journalist Kadri Veermäe from major Estonian daily
1292:
1093:
700:
72:
1509:
1087:
403:
215:, did not consider this as a result of censorship. Estonian artist Kiwa regarded it as the criminalization of art.
54:
1252:
42:
310:
which is written on a white wall using a gunpowder-coated wire, cut in half into words WAR and SAW - "SAW WAR".
359:
referring to a human being who has lost all legal rights and is not protected by any cultural conventions. In
337:
165:
1168:
1013:
770:
200:
the videos or knew them only on the basis of clips shown in the news and on the basis of written summaries.
1226:
1039:
891:
742:
169:
1144:
1007:
783:
552:
1449:
1187:
669:
450:
also escalated quickly in the international press, particularly in Russia and Israel. Among others, the
1425:
1327:
1033:
1020:"В Тарту на скандальной выставке на тему Холокоста выставлены работы, запрещенные к показу в Германии"
1278:
1265:
1219:
1213:
1162:
1156:
1105:
1075:
1069:
1063:
1051:
943:
931:
853:
810:
795:
642:
1461:
1364:
1504:
85:
1489:"Une exposition sur la Shoah fait les frais des tensions entre la Russie, la Pologne et l'Estonie"
111:
1437:
1240:"Volikogu kultuurikomisjon taunib holokaustiteema käsitlemisviisi Tartu Kunstimuuseumi näitusel"
867:"Volikogu kultuurikomisjon taunib holokaustiteema käsitlemisviisi Tartu Kunstimuuseumi näitusel"
1150:
729:
411:
1220:"Anders Härm: tõlgendada ilusaid poeetilisi kujundeid antisemiitlikena on absoluutne liialdus"
260:(2003) shows smiling people in analogous positions to people in a famous photograph depicting
1194:"Lotman kunstiskandaalist: isegi Iisraelis korraldati antisemiitlike karikatuuride võistlus"
932:
Anders Härm: tõlgendada ilusaid poeetilisi kujundeid antisemiitlikena on absoluutne liialdus
1175:
1019:
758:
656:"Kaarel Tarand ei näe holokausti näituselt teoste eemaldamises tsensuuri", 16 February 2015
373:
1334:
8:
1163:"Eesti Islami Kogudus toetab juudi kogukonna protesti Tartu Kunstimuuseumi näituse vastu"
1052:"Kultuuritegelased hindavad holokausti teema kunstis lubatavaks erinevalt pornograafiast"
988:
944:"Kultuuritegelased hindavad holokausti teema kunstis lubatavaks erinevalt pornograafiast"
854:"Eesti Islami Kogudus toetab juudi kogukonna protesti Tartu Kunstimuuseumi näituse vastu"
1258:
482:(the single Estonian artist represented on the exhibition), former Minister of Culture
1467:
1407:"Estonian art museum asked to remove exhibit that 'shamefully parodies the Holocaust'"
1112:"Tartu kunstimuuseumi direktor: palume vabandust kõigilt, keda väljapanek on riivanud"
1070:"Alla Jakobson: minu poole pöördusid ka Vene kanalid, kuid ma vastasin neile eitavalt"
601:"Tartu kunstimuuseumi direktor: palume vabandust kõigilt, keda väljapanek on riivanud"
443:
1306:
1272:
1014:"Tartus avatud holokaustinäitusel "Minu Poola" näidatakse ka Saksamaal keelatud töid"
451:
394:
346:
122:
110:
in early 2015, seventy years after the end of World War II and the liberation of the
1246:"Tartu Kunstimuuseumi holokausti-teemaline näitus pälvis rahvusvahelise hukkamõistu"
1119:"Kunstiajaloolane Krista Piirimäe kritiseerib teravalt holokausti-teemalist näitust"
983:
880:"Kunstiajaloolane Krista Piirimäe kritiseerib teravalt holokausti-teemalist näitust"
431:
771:
Tartus avatud holokaustinäitusel "Minu Poola" näidatakse ka Saksamaal keelatud töid
505:
272:
146:
107:
479:
283:
1169:"Tartu kunstimuuseum lõpetab kahe holokausti-teemalise videoteose eksponeerimise"
1138:"Ministeeriumis toimunud arutelul leiti, et holokaustiteemaline näitus on solvav"
616:"Ministeeriumis toimunud arutelul leiti, et holokaustiteemaline näitus on solvav"
356:
341:
253:
193:
154:
130:
1299:
972:
538:
492:
475:
369:
321:
314:
303:
46:
1132:"Saksa meedia kirjutas «Kullimängu» keelamise puhul tsensuurist, mitte šokist"
1106:"Zuroffi vihale ajanud videot saab edaspidi vaadata ainult koos Rael Arteliga"
713:"Saksa meedia kirjutas «Kullimängu» keelamise puhul tsensuurist, mitte šokist"
1498:
1279:"Holokausti näitusele päitsete pähe panemine kurvastas Eesti kultuuriinimesi"
643:"Holokausti näitusele päitsete pähe panemine kurvastas Eesti kultuuriinimesi"
455:
208:
1040:"Zuroff: Tartus avatud näitus on haiglane irvitamine juutide massimõrva üle"
892:"Zuroff: Tartus avatud näitus on haiglane irvitamine juutide massimõrva üle"
435:
423:
246:
229:
1382:
1335:"Rael ja Rachel: Ühe kunstiprojekti anatoomia ehk hüpoteetiline mõtisklus"
1214:"Pentus-Rosimannus: pean õigeks, et muuseum solvavad eksponaadid eemaldas"
796:"Pentus-Rosimannus: pean õigeks, et muuseum solvavad eksponaadid eemaldas"
1383:"Центр Визенталя возмущен "юмористической" выставкой о Холокосте в Тарту"
1286:"Kaarel Tarand ei näe holokausti näituselt teoste eemaldamises tsensuuri"
1233:"Mikser: inimsusevastane kuritegu ei peaks olema naljategemise objektiks"
826:"Mikser: inimsusevastane kuritegu ei peaks olema naljategemise objektiks"
509:
427:
419:
415:
241:
189:
1395:"Музей эстонского Тарту предложил посетителям посмеяться над Холокостом"
1208:"Wiesenthali keskus tervitas muuseumi otsust eksponaatide eemaldamisest"
1088:"Delta. Rael Artel näitusest "Minu Poola. Mäletamisest ja unustamisest""
134:
public criticism. Later, both of them were removed from the exhibition.
1394:
1157:"Rael Artel holokausti-videotest: tundub, et meie ühiskond pole valmis"
1151:"Holokaustivideote autor AK intervjuus: minu tööd on valesti mõistetud"
1082:"Tiidus juute solvanud näitusest: minu jaoks on küsimus empaatiavõimes"
1046:"Wiesenthali keskus: Tartu Kunstimuuseumi näitus naerab holokausti üle"
1008:"SEL LAUPÄEVAL AVATAKSE EESTI ESIMENE HOLOKAUSTITEEMALINE KUNSTINÄITUS"
917:"Tiidus juute solvanud näitusest: minu jaoks on küsimus empaatiavõimes"
730:"Holokaustivideote autor AK intervjuus: minu tööd on valesti mõistetud"
553:"SEL LAUPÄEVAL AVATAKSE EESTI ESIMENE HOLOKAUSTITEEMALINE KUNSTINÄITUS"
407:
142:
126:
118:
1432:"Jewish group calls Estonian Holocaust art show a ‘sickening mockery’"
1058:"Eesti Juudi Kogukond protesteerib holokausti teemalise näituse vastu"
207:
interpreted it as a censorship or self-censorship. On the other hand,
1321:"Rael Artel: näitustel võiks käia kunsti, aga mitte skandaali pärast"
683:"Rael Artel: näitustel võiks käia kunsti, aga mitte skandaali pärast"
483:
287:
261:
204:
99:
1357:, a statement on the homepage of Polish embassy in Estonia (undated)
344:
in 2012. The author commented his work on the Estonian news program
1376:
1360:
Rael Artel "Kes kardab rääkida holokaustist?" Keskus, February 2015
1475:"Estonian museum apologizes for exhibit making light of Holocaust"
1027:"Holokausti ohvrite mälestamise näituse teosed tekitavad ärritust"
989:"Selgituseks näitusele "Minu Poola. Mäletamisest ja unustamisest""
1365:
https://www.sirp.ee/s1-artiklid/c6-kunst/repolitiseerides-kunsti/
103:
1450:"Kiverte a biztosítékot egy vicceskedő észt holokausztkiállítás"
1438:"Op-Ed: Laughing at the Holocaust in Estonia:Tale of a Travesty"
905:
Estonian museum apologizes for exhibit making light of Holocaust
1414:"Jewish Group Accuses Estonian Museum of Mocking the Holocaust"
1377:"Juutalaiskeskus pitää Tarton holokaustinäyttelyä pilkantekona"
276:
997:
Die Welt, 01.11.2011 (Artur Zmijewski's video "A Game of Tag")
372:
interpretes the situation as follows: "A prospective viewer's
1363:
Margaret Tali "(Re)politiseerides kunsti" Sirp 13 March 2015
1076:"Tiidus holokausti-näitusest: siin on küsimus empaatiavõimes"
811:"Tiidus holokausti-näitusest: siin on küsimus empaatiavõimes"
211:, former editor-in-chief of Estonian main cultural newspaper
1426:"Jewish Group Calls Holocaust Exhibit a 'Sickening Mockery'"
1420:"Jewish group calls Estonian art show a 'sickening mockery'"
1389:"Jewish group calls Estonian art show a 'sickening mockery'"
442:, Tartu City Council's Commission of Culture, art historian
1100:"Galerii: holokaustiteemaline näitus Tartu kunstimuuseumis"
326:
212:
1064:"Loe skandaalsete holokaustivideote kirjeldust ja mõtet"
318:
Breakdowns: Portrait of the Artist as a Young %@?*!
179:
1259:"Savisaar. Blogi. See ei ole piip, sest ma ei näe seda"
1253:"KOMMENTAAR: VÄLJAMÕELDISEL EI SAA TAKISTADA JUHTUMIST"
1182:
Holokaustivideote autor: minu tööd on valesti mõistetud
995:"Umstrittenes Kunstvideo zeigt Tanz in einer Gaskammer"
1456:"Botrányt okozott egy észtországi holokausztkiállítás"
1342:"Kunstniku lavastatud kullimäng, trauma ja mäletamine"
957:"Kunstniku lavastatud kullimäng, trauma ja mäletamine"
1482:"Awantura o polską sztukę w Estonii (z Rosją w tle)"
1444:"Scharfe Kritik an Holocaust-Ausstellung in Estland"
53:, and by adding encyclopedic content written from a
513:sacred and only certain people can engage in it."
1391:Global Post/Agence France-Presse, 9 February 2015
1349:"Ühest poliitilisest vahejuhtumist … ja kunstist"
1293:"Veel kord holokaustinäitusest: Neil seal Poolas"
1242:Tartu Linnavolikogu pressiteade, 12 February 2015
1094:"Vaata: videod holokaustile pühendatud näituselt"
869:Tartu Linnavolikogu pressiteade, 12 February 2015
806:
804:
701:"Veel kord holokaustinäitusest: Neil seal Poolas"
638:
636:
368:Estonian Jewish semiotician and culture theorist
275:introduces one of the most striking monuments of
1496:
859:
1266:"Arvustus. Minu Poola, sinu Poola, meie Poola"
1178:Mihhail Lotmani kodulehekülg, 11 February 2015
973:Exhibition on the homepage of Tartu Art Museum
801:
633:
355:with the notion of 'bare life' by philosopher
1462:"'Humoristisk' Holocaust-udstilling forarger"
1001:
991:Tartu Art Museum on Facebook, 7 February 2015
117:The exhibition, curated by museum's director
910:
141:emphasizes curators personal perspective to
596:
594:
581:
937:
611:
609:
579:
577:
575:
573:
571:
569:
567:
565:
563:
561:
16:Holocaust-themed art exhibition in Estonia
1401:"Une exposition sur l'Holocauste décriée"
836:
834:
821:
819:
753:
751:
695:
693:
691:
534:
532:
530:
528:
526:
73:Learn how and when to remove this message
1201:"Kunstnikul on raske mitteprovokatiivne"
872:
764:
725:
723:
721:
591:
84:
927:
925:
761:Mihhail Lotman's blog, 11 February 2015
735:
606:
558:
1497:
1370:
885:
831:
816:
789:
776:
748:
688:
665:
663:
546:
523:
422:, former Minister of Regional Affairs
95:My Poland. On Recalling and Forgetting
34:contains content that is written like
1434:Times of Israel/AFP, 10 February 2015
949:
897:
847:
718:
706:
675:
648:
180:Removal of videos from the exhibition
1477:The Jerusalem Post, 16 February 2015
1446:Das Baltikum-Vlatt, 11 February 2015
1409:The Jerusalem Post, 10 February 2015
1090:ERR/Klassikaraadio, 10 February 2015
1034:"Näitus mälestab holokausti ohvreid"
922:
907:The Jerusalem Post, 16 February 2015
621:
222:
18:
984:Exhibition's official Facebook page
660:
543:on the homepage of Tartu Art Museum
486:, journalist Kadri Veermäe, artist
13:
1379:Helsingin Sanomat, 9 February 2015
966:
468:Contemporary Art Museum of Estonia
426:, Chairman of Estonian Parliament
388:
282:John Smith's (a pseudonym used by
14:
1526:
1428:Arutz Sheva/AFP, 10 February 2015
470:Anders Härm, artist Kiwa, artist
1316:Eesti Ekspress, 18 February 2015
1188:"Kiwa manifest: tagasi keskaega"
670:"Kiwa manifest: tagasi keskaega"
404:Soviet deportations from Estonia
23:
1314:"Konn ja ahv presidendiballile"
1176:"Meie väike holokaustiskandaal"
759:"Meie väike holokaustiskandaal"
313:Short comic by American artist
269:Greetings from Jerusalem Avenue
1484:Wyborcza.pl, 23. veebruar 2015
1422:Asia One/AFP, 10 February 2015
980:(PDF, in Estonian and English)
295:millions of people into money.
256:'s photograph from the series
1:
1440:Arutz Sheva, 10 February 2015
1328:"Holokaustikunst ja kontekst"
1309:Eesti Kirik, 18 February 2015
1302:Eesti Kirik, 18 February 2015
516:
446:, etc. Criticism directed to
440:Estonian Islamic Congregation
430:, former Minister of Culture
166:Cultural Endowment of Estonia
1515:Historical events in Estonia
1464:Berlingske, 13 February 2015
1261:NO99 blogi, 13 February 2015
170:Estonian Ministry of Culture
7:
1458:hirado.hu, 11 February 2015
1351:Postimees, 21 February 2015
1323:Postimees, 19 February 2015
1295:Postimees, 17 February 2015
1275:Postimees, 14 February 2015
1255:Müürileht, 12 February 2015
1229:Postimees, 12 February 2015
1210:Postimees, 12 February 2015
1196:Postimees, 12 February 2015
1184:Postimees, 12 February 2015
1145:"Tartu näitus solvab juute"
1140:Postimees, 11 February 2015
1134:Postimees, 10 February 2015
1121:Postimees, 10 February 2015
1114:Postimees, 10 February 2015
1102:Postimees, 10 February 2015
1096:Postimees, 10 February 2015
1084:Postimees, 10 February 2015
919:Postimees, 10 February 2015
882:Postimees, 10 February 2015
784:"Tartu näitus solvab juute"
745:Postimees, 12 February 2015
715:Postimees, 10 February 2015
703:Postimees, 17 February 2015
685:Postimees, 19 February 2015
618:Postimees, 11 February 2015
603:Postimees, 10 February 2015
194:Jewish community in Estonia
192:and the representatives of
137:The name of the exhibition
10:
1531:
1470:Aish.com, 14 February 2015
1403:Le Figaro, 9 February 2015
1307:"Kindlustunnet tulevikuks"
1036:Postimees, 9 February 2015
1029:Postimees, 7 February 2015
1010:Müürileht, 3 February 2015
1002:Public response in Estonia
555:Müürileht, 3 February 2015
434:, former mayor of Tallinn
324:-winning two-volume novel
102:-themed art exhibition in
1385:Vesti.ru, 9 February 2015
1248:Pealinn, 12 February 2015
340:was exhibited on the 7th
264:prisoners being released.
1416:Artnet, 10 February 2015
1227:"Kullimäng gaasikambris"
1022:Rus.ERR, 6 February 2015
743:"Kullimäng gaasikambris"
145:where Holocaust and the
112:Nazi extermination camps
1510:Visual arts exhibitions
1468:"Mocking the Holocaust"
1452:Világ, 11 February 2015
1235:Delfi, 12 February 2015
1128:Delfi, 10 February 2015
1060:Delfi, 10 February 2015
844:Delfi, 10 February 2015
828:Delfi, 12 February 2015
143:Polish contemporary art
1397:Obzor, 9 February 2015
1337:Sirp, 20 February 2015
1330:Sirp, 20 February 2015
1048:Delfi, 9 February 2015
418:, Minister of Defence
414:, Minister of Culture
412:Keit Pentus-Rosimannus
90:
1487:Emmanuelle Jardonnet
1344:EPL, 20 February 2015
1300:"Püha on vaieldamatu"
1281:ERR, 15 February 2015
1268:ERR, 13 February 2015
1222:ERR, 12 February 2015
1203:EPL, 12 February 2015
1190:ERR, 12 February 2015
1171:ERR, 11 February 2015
1165:ERR, 11 February 2015
1159:ERR, 11 February 2015
1147:EPL, 11 February 2015
1108:ERR, 10 February 2015
1078:ERR, 10 February 2015
1072:ERR, 10 February 2015
1066:ERR, 10 February 2015
1054:ERR, 10 February 2015
959:EPL, 20 February 2015
946:ERR, 10 February 2015
934:ERR, 12 February 2015
856:ERR, 11 February 2015
813:ERR, 10 February 2015
786:EPL, 11 February 2015
672:ERR, 12 February 2015
630:ERR, 19 February 2015
306:consists of the word
234:Dreams and Nightmares
88:
55:neutral point of view
1491:Le Monde, 27.02.2015
1042:ERR, 9 February 2015
1016:ERR, 6 February 2015
978:Exhibition catalogue
894:ERR, 9 February 2015
773:ERR, 6 February 2015
500:On ETV morning show
393:On the opening day,
374:cognitive dissonance
1371:International media
410:, Foreign Minister
47:promotional content
1288:, 16 February 2015
1124:Epp-Mare Kukemelk
840:Epp-Mare Kukemelk
106:, taking place at
91:
49:and inappropriate
645:ERR, 15. veebruar
452:Wiesenthal Center
399:Aktuaalne kaamera
395:Eesti Televisioon
347:Aktuaalne kaamera
267:Documentation of
223:Works and artists
123:freedom of speech
83:
82:
75:
1522:
1480:Roman Pawłowski
1347:Peeter Talvistu
1117:Krista Piirimäe
960:
953:
947:
941:
935:
929:
920:
914:
908:
901:
895:
889:
883:
878:Krista Piirimäe
876:
870:
863:
857:
851:
845:
838:
829:
823:
814:
808:
799:
793:
787:
780:
774:
768:
762:
755:
746:
739:
733:
727:
716:
710:
704:
697:
686:
679:
673:
667:
658:
652:
646:
640:
631:
625:
619:
613:
604:
598:
589:
586:Näituse kataloog
583:
556:
550:
544:
536:
506:Jean Baudrillard
496:
397:'s news program
273:Joanna Rajkowska
147:Second World War
108:Tartu Art Museum
78:
71:
67:
64:
58:
36:an advertisement
27:
26:
19:
1530:
1529:
1525:
1524:
1523:
1521:
1520:
1519:
1505:2015 in Estonia
1495:
1494:
1373:
1251:Helen Tammemäe
1216:ERR, 12.02.2015
1174:Mihhail Lotman
1153:ERR, 11.02.2015
1004:
969:
967:Further reading
964:
963:
954:
950:
942:
938:
930:
923:
915:
911:
902:
898:
890:
886:
877:
873:
864:
860:
852:
848:
839:
832:
824:
817:
809:
802:
798:ERR, 12.02.2015
794:
790:
781:
777:
769:
765:
757:Mihhail Lotman
756:
749:
740:
736:
732:ERR, 11.02.2015
728:
719:
711:
707:
698:
689:
680:
676:
668:
661:
653:
649:
641:
634:
626:
622:
614:
607:
599:
592:
584:
559:
551:
547:
537:
524:
519:
490:
444:Krista Piirimäe
391:
389:Public response
365:The Game of Tag
357:Giorgio Agamben
353:The Game of Tag
342:Berlin Biennale
338:Artur Żmijewski
334:The Game of Tag
254:Zbigniew Libera
225:
182:
155:Venice Biennale
131:self-censorship
79:
68:
62:
59:
40:
28:
24:
17:
12:
11:
5:
1528:
1518:
1517:
1512:
1507:
1493:
1492:
1485:
1478:
1471:
1465:
1459:
1453:
1447:
1441:
1435:
1429:
1423:
1417:
1412:Sarah Cascone
1410:
1404:
1398:
1392:
1386:
1380:
1372:
1369:
1368:
1367:
1361:
1358:
1352:
1345:
1338:
1331:
1326:Eneken Laanes
1324:
1317:
1310:
1303:
1296:
1291:Indrek Grigor
1289:
1282:
1276:
1273:Inimene töötab
1269:
1262:
1256:
1249:
1243:
1236:
1230:
1225:Kadri Veermäe
1223:
1217:
1211:
1204:
1199:Marko Mäetamm
1197:
1191:
1185:
1179:
1172:
1166:
1160:
1154:
1148:
1143:Kaarel Kressa
1141:
1135:
1129:
1122:
1115:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1067:
1061:
1055:
1049:
1043:
1037:
1030:
1023:
1017:
1011:
1003:
1000:
999:
998:
992:
986:
981:
975:
968:
965:
962:
961:
948:
936:
921:
909:
896:
884:
871:
858:
846:
830:
815:
800:
788:
782:Kaarel Kressa
775:
763:
747:
741:Kadri Veermäe
734:
717:
705:
699:Indrek Grigor
687:
674:
659:
647:
632:
620:
605:
590:
557:
545:
521:
520:
518:
515:
476:Mihhail Lotman
474:, semiotician
432:Laine Randjärv
390:
387:
386:
385:
378:
370:Mihhail Lotman
331:
322:Pulitzer Prize
315:Art Spiegelman
311:
304:Wilhelm Sasnal
296:
280:
265:
251:
224:
221:
181:
178:
81:
80:
51:external links
31:
29:
22:
15:
9:
6:
4:
3:
2:
1527:
1516:
1513:
1511:
1508:
1506:
1503:
1502:
1500:
1490:
1486:
1483:
1479:
1476:
1472:
1469:
1466:
1463:
1460:
1457:
1454:
1451:
1448:
1445:
1442:
1439:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1411:
1408:
1405:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1374:
1366:
1362:
1359:
1356:
1353:
1350:
1346:
1343:
1339:
1336:
1332:
1329:
1325:
1322:
1319:Raimu Hanson
1318:
1315:
1311:
1308:
1304:
1301:
1297:
1294:
1290:
1287:
1283:
1280:
1277:
1274:
1270:
1267:
1263:
1260:
1257:
1254:
1250:
1247:
1244:
1241:
1237:
1234:
1231:
1228:
1224:
1221:
1218:
1215:
1212:
1209:
1205:
1202:
1198:
1195:
1192:
1189:
1186:
1183:
1180:
1177:
1173:
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1146:
1142:
1139:
1136:
1133:
1130:
1127:
1123:
1120:
1116:
1113:
1110:
1107:
1104:
1101:
1098:
1095:
1092:
1089:
1086:
1083:
1080:
1077:
1074:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:Raimu Hanson
1031:
1028:
1025:Raimu Hanson
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1005:
996:
993:
990:
987:
985:
982:
979:
976:
974:
971:
970:
958:
952:
945:
940:
933:
928:
926:
918:
913:
906:
900:
893:
888:
881:
875:
868:
862:
855:
850:
843:
837:
835:
827:
822:
820:
812:
807:
805:
797:
792:
785:
779:
772:
767:
760:
754:
752:
744:
738:
731:
726:
724:
722:
714:
709:
702:
696:
694:
692:
684:
681:Raimu Hanson
678:
671:
666:
664:
657:
651:
644:
639:
637:
629:
628:"Terevisioon"
624:
617:
612:
610:
602:
597:
595:
587:
582:
580:
578:
576:
574:
572:
570:
568:
566:
564:
562:
554:
549:
542:
541:
535:
533:
531:
529:
527:
522:
514:
511:
507:
503:
498:
494:
489:
485:
481:
480:Marko Mäetamm
477:
473:
469:
463:
459:
457:
456:Efraim Zuroff
453:
449:
445:
441:
437:
433:
429:
425:
421:
417:
413:
409:
405:
400:
396:
383:
379:
375:
371:
366:
362:
358:
354:
349:
348:
343:
339:
335:
332:
329:
328:
323:
319:
316:
312:
309:
305:
301:
298:Installation
297:
293:
289:
285:
284:Marko Mäetamm
281:
278:
274:
270:
266:
263:
259:
255:
252:
249:
248:
243:
239:
238:Mary Koszmary
235:
231:
227:
226:
220:
216:
214:
210:
209:Kaarel Tarand
206:
201:
197:
195:
191:
186:
177:
175:
171:
167:
162:
160:
156:
151:
148:
144:
140:
135:
132:
128:
124:
120:
115:
113:
109:
105:
101:
98:is the first
97:
96:
87:
77:
74:
66:
63:November 2015
56:
52:
48:
44:
38:
37:
32:This article
30:
21:
20:
1340:Marge Monko
1312:Kadri Karro
1305:Rita Puidet
1284:Siim Randla
1264:Mari Kartau
955:Marge Monko
951:
939:
912:
899:
887:
874:
861:
849:
791:
778:
766:
737:
708:
677:
654:Siim Randla
650:
623:
548:
539:
501:
499:
464:
460:
454:'s director
447:
424:Vallo Reimaa
398:
392:
381:
364:
360:
352:
345:
333:
325:
317:
307:
299:
291:
268:
257:
247:Odessa Tales
245:
237:
233:
230:Yael Bartana
217:
202:
198:
184:
183:
173:
163:
158:
152:
138:
136:
116:
94:
93:
92:
69:
60:
45:by removing
41:Please help
33:
1333:Leo Rohlin
1206:Raul Sulbi
510:Umberto Eco
502:Terevisioon
491: [
488:Marge Monko
428:Eiki Nestor
420:Sven Mikser
416:Urve Tiidus
290:) painting
242:Isaac Babel
190:Urve Tiidus
1499:Categories
1473:Sam Sokol
1298:Alar Kilp
1271:Janar Ala
1238:Aune Rumm
903:Sam Sokol
865:Aune Rumm
517:References
472:Jaan Elken
436:Jüri Ratas
408:Urmas Paet
380:The video
336:(1999) by
302:(2005) by
271:(2002) by
127:censorship
119:Rael Artel
43:improve it
540:My Poland
484:Rein Lang
478:, artist
448:My Poland
361:Postimees
292:Holocaust
288:Kaido Ole
262:Auschwitz
258:Residents
232:'s video
205:Postimees
185:My Poland
174:My Poland
159:Holocaust
139:My Poland
100:Holocaust
497:, etc.
104:Estonia
308:Warsaw
300:Warsaw
277:Warsaw
588:(PDF)
495:]
382:80064
508:and
327:Maus
286:and
213:Sirp
168:and
129:and
244:'s
228:In
114:.
1501::
924:^
833:^
818:^
803:^
750:^
720:^
690:^
662:^
635:^
608:^
593:^
560:^
525:^
493:et
438:,
172:.
161:.
125:,
236:(
76:)
70:(
65:)
61:(
57:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
