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734:, was the first to produce abstract engravings, of a style however distinctly oriental for its chromaticism of soft tones and for its lyricism and imagination. Hiratsuka was more traditional in technique and choice of subjects, with a preference for black and white monochrome, in themes ranging from Buddhism to landscapes and popular scenes, in which he combined traditional methods with modern effects. Munakata was noted for his original, personal and expressive work, with an unmistakable stamp. He also focused on Buddhist themes, generally also monochrome, but with a free, carefree style, with a careless appearance but of great vitality.
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639:" that existed at this time. Publishers or individuals could buy woodblocks from one another, and thus take over the production of certain texts, but beyond the ownership of a given set of blocks (and thus a very particular representation of a given subject), there was no legal conception of the ownership of ideas. Plays were adopted by competing theaters, and either reproduced wholesale, or individual plot elements or characters might be adapted; this activity was considered legitimate and routine at the time.
606:
414:, and people lent woodblock-printed illustrated books of various genres. While the Saga Books were printed on expensive paper, and used various embellishments, being printed specifically for a small circle of literary connoisseurs, other printers in Edo quickly adapted the conventional woodblock printing to producing cheaper books in large numbers, for more general consumption. The content of these books varied widely, including travel guides, gardening books, cookbooks,
1212:, are considered independent artists, free of school associations, and presumably, without the resulting associated benefits from publishers, who might be less inclined to produce prints by an unaffiliated artist. However, many of the surviving examples speak to the contrary. The earliest examples by these artists are among the most desirable, valuable, and rarest of all ukiyo-e. Additionally, many examples exhibit very fine printing, using expensive mica (
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print. This coil is contained in a disk called an "ategawa" made from layers of very thin paper which is glued together and wrapped in a dampened bamboo leaf, the ends of which are then tied to create a handle. Modern printmakers have adapted this tool, and today barens made of aluminum with ball bearings to apply the pressure are used, as well as less expensive plastic versions.
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863:, then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used to make the lines of the image more visible. An incision is made along both sides of each line or area. Wood is then chiseled away, based on the drawing outlines. The block is inked using a brush and then a flat hand-held tool called a
890:). The development of two registration marks carved into the blocks called "kento" was especially helpful with the introduction of multiple colors that had to be applied with precision over previous ink layers. The sheet of paper to be printed is placed in the kento, then lowered onto the woodblock.
849:
The technique for printing texts and images was generally similar. The obvious differences were the volume produced when working with texts (many pages for a single work), and the complexity of multiple colors in some images. Images in books were almost always in monochrome (black ink only), and for
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Despite the appeal of moveable type, however, craftsmen soon decided that the semi-cursive and cursive script style of
Japanese writings was better reproduced using woodblocks. By 1640 woodblocks were once again used for nearly all purposes. After the 1640s, movable type printing declined, and books
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is used to press the paper against the woodblock to apply the ink to the paper. The traditional baren is made in three parts: it consists of an inner core made from bamboo leaves twisted into a rope of varying thicknesses, the nodules thus created being what ultimately applies the pressure to the
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in Kyoto and started publishing books using a domestic wooden movable type printing press instead of metal from 1599. Ieyasu supervised the production of 100,000 types, which were used to print many political and historical books. In 1605, books using a domestic copper movable type printing press
718:, author of landscapes influenced by nineteenth-century English watercolor. In 1918 the Nippon Sōsaku Hanga Kyōkai (Japan Printmaking Artists' Association) was founded, a group of artists who synthesized traditional Japanese painting with the new Western aesthetic. Notable among its members were
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in some regards, but was widely used for text as well as images. The
Japanese mokuhanga technique differs in that it uses water-based inks—as opposed to Western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors,
714:, who already shows a clear Western influence in the realism and plastic treatment of his images. With the entry into the 20th century, the artists who practiced engraving evolved to a style more in line with modern Japanese taste. One of its first exponents was
159:, and other Buddhist texts and images. For centuries, printing was mainly restricted to the Buddhist sphere, as it was too expensive for mass production, and did not have a receptive, literate public as a market. However, an important set of fans of the late
1044:—a method of using multiple blocks for separate portions of the image, using a number of colors to achieve complex and detailed images. A separate block was carved to apply only the part of the image designated for a single color. Registration marks called
1226:
Following are common
Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate; they are based on the pre-printing paper sizes, and paper was often trimmed after printing.
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gained international popularity. Institutes such as the "Adachi
Institute of Woodblock Prints" and "Takezasado" continue to produce ukiyo-e prints with the same materials and methods as used in the past.
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and introduction of modern printing technologies, woodblock printing continued as a method for printing texts as well as for producing art, both within traditional modes such as
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and
Suminokura Soan. At their studio in Saga, Kyoto, the pair created a number of woodblock versions of the Japanese classics, both text and images, essentially converting
2494:
Paine, Robert Treat, in: Paine, R. T. & Soper A, "The Art and
Architecture of Japan", Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art),
335:), in which several characters are written in succession with smooth brush strokes. As a result, a single typeface was sometimes created by combining two to four
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The great pioneers in applying the movable type printing press to the creation of artistic books, and in preceding mass production for general consumption, were
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Japanese printmaking, as with many other features of
Japanese art, tended to organize itself into schools and movements. The most notable schools (see also
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2461:
1019:—a method that thickened the ink with glue, emboldening the image. Printers often used gold, mica, and other substances to enhance the image further.
1905:
1209:
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Friese, Gordon (2007). "Hori-shi. 249 facsimiles of different seals from 96 Japanese engravers." Unna, Nordrhein-Westfalen: Verlag im bücherzentrun.
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was due to the high literacy rate of
Japanese people in those days. The literacy rate of the Japanese in the Edo period was almost 100% for the
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635:. A publisher's ownership of the physical woodblocks used to print a given text or image constituted the closest equivalent to a concept of "
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to printed books, and reproducing them for wider consumption. These books, now known as Kōetsu Books, Suminokura Books, or Saga Books
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brought with it demand for ever increasing numbers of colors and complexity of techniques. The stages of this development follow:
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Many publishing houses arose and grew, publishing both books and single-sheet prints. One of the most famous and successful was
1956:
307:, are considered the first and finest printed reproductions of many of these classic tales; the Saga Book of the Tales of Ise (
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from the 12th century to the 13th century, many books were printed and published by woodblock printing at
Buddhist temples in
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2407:
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artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the
1909:
126:, and eventually migrated to Japan in the late 700s, where it was first used to reproduce foreign literature. In 764 the
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2536:(1). Maney Publishing on behalf of the International Institute for Conservation of Historic and Artistic Works: 29–40.
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commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a
Buddhist text (
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While, again, text was nearly always monochrome, as were images in books, the growth of the popularity of
3101:
954:—red ink details or highlights added by hand after the printing process; green was sometimes used as well
35:
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Whitmore, Paul M.; Cass, Glen R. (February 1988). "The Ozone Fading of Traditional Japanese Colorants".
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254:'s forces in 1593 was also in use at the same time as the printing press from Europe. An edition of the
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master, and his cruel depictions and fantastic expressions influenced later Japanese literature and
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The Prints of Japan, Frank A. Turk, October House Inc ,1966, Lib Congress catalog Card no. 66-25524
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163:(12th century), containing painted images and Buddhist sutras, reveal from loss of paint that the
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depicting secular subjects became very popular among the common people and were mass-produced.
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wrestlers, beautiful women, landscapes of sightseeing spots, historical tales, and so on, and
136:). These were distributed to temples around the country as thanks for the suppression of the
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Fresh Impressions, Kendall Brown, Publisher: University of Washington Press, September 2013,
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The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are
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characters. In one book, 2,100 characters were created, but 16% of them were used only once.
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1002:, and other styles in which a single color was used in addition to, or instead of, black ink
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began to be published, but copper type did not become mainstream after Ieyasu died in 1616.
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With the entry into modernity, in Japan there was a renewal of woodblock printmaking, the
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in 1591. However, the use of the western printing press was discontinued after the ban on
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of 764. These are the earliest examples of woodblock printing known, or documented, from
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Ukiyo-e Studies and Pleasures, A Collection of Essays on the Art of Japanese Prints
1937:
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Bonds of Civility: Aesthetic Networks and the Political Origins of Japanese Culture
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was printed in 1598, using a Korean moveable type printing press, at the order of
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Rikardson, Anders (1978). "Japanese Woodblock Prints" Malmö: Antik & Auktion.
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a time art prints were likewise monochrome or done in only two or three colors.
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2070:(in Japanese). Nagoya Japanese Sword Museum Nagoya Touken World. Archived from
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1906:"About the Japanese and Composition, the reconstruction of history and future"
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and in a variety of more radical or Western forms that might be construed as
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Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum
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1054:) were used to ensure correspondence between the application of each block.
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with the techniques of Western paintings became popular, and the works of
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were mass-produced by conventional woodblock printing during most of the
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315:), printed in 1608, is especially renowned. For aesthetic reasons, the
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is one of the earliest works produced on a movable type press in Japan.
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and greatly developed Japanese woodblock printing culture such as
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established the technique of multicolor woodblock printing called
456:(puppet) theatre, etc. The best-selling books of this period were
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2809:
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2562:"A new vision: modern Japanese prints from the Heriot collection"
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830:) and increased use of printed colour were among the innovations
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2704:
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Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa
2508:(1961). "A History of Japan: 1334–1615." Stanford, California:
1751:
Izumi Munemura. (2010). The Surface Finishing Society of Japan.
923:
710:
practically disappeared. Its last manifestations correspond to
529:
497:
2268:
2034:
Yoshitoshi: The Splendid Decadent/the Last Master of Ukiyo-E .
1027:
instead of paint. Lacquer was rarely, if ever, used on prints.
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826:
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343:
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92:, woodblock printing was widely adopted in Japan during the
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2624:
325:, like that of traditional handwritten books, adopted the
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2310:
1777:. Old Saybrook, CT: Konecky & Konecky. p. 33.
2245:
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2055:
The Nagoya Japanese Sword Museum "Nagoya Touken World"
376:(colored woodblock print) series depicting a class at
326:
320:
222:
212:
2618:
2198:(in Spanish). Madrid: Espasa Calpe. pp. 512–513.
2053:
One Hundred Aspects of the Moon, Tsukioka Yoshitoshi.
1852:(in Japanese). Printing Museum, Tokyo. Archived from
2307:
1666:"Art of the Pleasure Quarters and the Ukiyo-e Style"
404:(farmer) class due to the spread of private schools
2478:
Images from the Floating World, The Japanese Print.
2232:
873:
122:Woodblock printing was invented in China under the
2373:Forrer, Matthi, Willem R. van Gulik, Jack Hillier
2095:Satoshi Kobayashi. (2007) Hitotsubashi University.
1943:. Stanford, California: Stanford University Press.
1936:
1749:The Past, Present and Future of Printing in Japan.
544:are the most famous artists. In the 18th century,
167:for the paintings was printed from blocks. In the
2441:Nussbaum, Louis Frédéric and Käthe Roth. (2005).
893:
250:in 1614. The printing press seized from Korea by
4280:
2333:
2301:
1992:. Konosuke Hashiguchi. (2013) Seikei University.
1218:), premium inks and the highest quality papers.
410:. There were more than 600 rental bookstores in
27:Ancient technique for reproducing images or text
3083:
2613:Creating a Woodblock Print From Start to Finish
1881:(in Japanese). Letterpress Labo. Archived from
1585:
1559:
1533:
1500:
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1399:
1371:
1345:
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386:The mass production of woodblock prints in the
300:
191:
82:) is a technique best known for its use in the
47:
1594:
1566:
1540:
1507:
1481:
1455:
1422:
1406:
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969:—orange highlights using a red pigment called
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458:Kōshoku Ichidai Otoko (Life of an Amorous Man)
308:
292:
198:
71:
41:
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2640:
484:, and these books were reprinted many times.
450:, art books, play scripts for the kabuki and
2527:
1963:The Japan Federation of Printing Industries.
1189:"New Prints" movement, from 1915, including
706:. After the death of Hiroshige in 1858, the
242:in 1590, and was first used for printing in
1971:
1969:
884:), with additional colors applied by hand (
853:The text or image is first drawn onto thin
518:From the 17th century to the 19th century,
151:temples in Japan produced printed books of
3115:
3076:
3062:
2647:
2633:
2559:
1903:
1110:, from about 1720s, including the artists
937:—monochrome prints usually printed in pink
2193:
2105:Shin hanga bringing ukiyo-e back to life.
1744:
1742:
1740:
1738:
1736:
1734:
1732:
1730:
1153:, from about 1794, including the artists
1136:, from about 1786, including the artists
1123:, from about 1725, including the artists
918:—monochrome printing using only black ink
837:Taking the Evening Cool by Ryōgoku Bridge
792:Learn how and when to remove this message
117:
1966:
1062:
1058:
878:The first prints were simply one-color (
815:
803:
755:This section includes a list of general
680:
604:
486:
365:
186:
29:
1797:
1183:, "Creative Prints" movement, from 1904
14:
4281:
2621:Japanese Woodblock print search engine
2395:Ukiyo-e: The Art of the Japanese Print
2391:
2316:
2202:
1934:
1874:
1727:
1719:: CS1 maint: archived copy as title (
3057:
2628:
2604:Encyclopedia of Woodblock Printmaking
2438:University of California Press, 1989.
1976:Edo Picture Books and the Edo Period.
1663:
1584:
1499:
1398:
2436:The Male Journey in Japanese Prints.
2422:Society for Japanese Arts and Crafts
2379:Society for Japanese Arts and Crafts
1769:
1676:from the original on 19 October 2023
1338:45.7 × 34.5 (18.0 × 13.6)
741:
2220:from the original on 19 August 2021
2093:北斎・広重－浮世絵木版画出版から探る－ 江戸時代における知的財産戦略.
1910:Japan Science and Technology Agency
1763:
1612:12 × 9 (4.7 × 3.5) –
1170:, from 1842, including the artists
361:
182:
24:
2520:
2196:Summa Artis XXI. El arte del Japón
1519:38 × 25.5 (15.0 × 10.0)
1023:can also refer to paintings using
761:it lacks sufficient corresponding
25:
4315:
2597:
2480:Oxford: Oxford University Press.
1467:76.5 × 23 (30.1 × 9.1)
1434:33 × 14.5 (13.0 × 5.7)
1312:34 × 22.5 (13.4 × 8.9)
273:established a printing school at
2683:
1286:19.5 × 13 (7.7 × 5.1)
874:Evolution of printing techniques
808:The woodblock printing process,
746:
642:
598:was several hundred yen to 1000
594:was 16 mon, so the price of one
3778:Not associated with any school
2362:from the original on 2023-10-19
2252:
2194:Gutiérrez, Fernando G. (1967).
2187:
2176:from the original on 2014-02-26
2162:
2151:from the original on 2023-10-19
2137:
2117:
2098:
2086:
2058:
2046:
2027:
2007:
1995:
1981:
1947:
1928:
1897:
1702:from the original on 2023-07-23
1605:35 × 20 (13.8 × 7.9)
1578:38 × 13 (15.0 × 5.1)
1552:38 × 17 (15.0 × 6.7)
1493:50 × 20 (19.7 × 7.9)
1441:39 × 17 (15.4 × 6.7)
1392:73 × 12 (28.7 × 4.7)
1364:26 × 19 (10.2 × 7.5)
3772:List of Utagawa school members
3005:List of Utagawa school members
1868:
1840:
1818:
1804:. Cambridge University Press.
1791:
1754:
1688:
1672:. Metropolitan Museum of Art.
1657:
1614:19 × 13 (7.5 × 5.1)
1221:
894:Advancements in color printing
659:. In the early 20th century,
96:(1603–1868). It is similar to
13:
1:
2326:
1939:A History of Japan: 1334–1615
952:, "crimson printed pictures")
840:
590:, and the price of a bowl of
394:class and 50% to 60% for the
4228:influenced non-Japanese art
2302:Faulkner & Robinson 1999
1798:Ikegami, Eiko (2005-02-28).
1775:Images of the Floating World
1526:58 × 32 (23 × 13)
1075:, 1741–1751. An example of
987:, "indigo printed pictures")
737:
665:that fused the tradition of
382:(private educational school)
238:was brought to Japan by the
7:
3102:Japanese woodblock printing
3084:Ukiyo-e schools and artists
2675:Woodblock printing in Japan
2654:
1633:
1586:
1560:
1534:
1501:
1475:
1449:
1416:
1400:
1372:
1346:
1320:
1294:
1251:
1087:) and, later, movements of
922:
730:. The first, influenced by
504:in the popular kabuki play
327:
321:
309:
301:
223:
213:
192:
68:Woodblock printing in Japan
48:
36:The Great Wave off Kanagawa
10:
4320:
2392:Harris, Frederick (2011).
2375:A Sheaf of Japanese Papers
2013:Keizaburo Seimaru. (2017)
1670:Metropolitan Museum of Art
1664:Asian Art, Department of.
1085:schools of ukiyo-e artists
586:at that time was about 20
574:was called the last great
426:(books on urban culture),
112:
62:Metropolitan Museum of Art
4143:
3858:
3832:
3539:Shunkōsai Fukushū school
3260:Ishikawa Toyonobu school
3250:Ippitsusai Bunchō school
3124:
3113:
3089:
3015:
2975:
2914:
2888:
2692:
2681:
2662:
2510:Stanford University Press
1602:
1595:
1567:
1558:
1541:
1532:
1515:
1508:
1482:
1473:
1456:
1447:
1430:
1423:
1407:
1379:
1370:
1353:
1344:
1327:
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1301:
1292:
1258:
1249:
1244:
1241:
1238:
1235:
1050:
1038:
1013:
996:
983:
963:
948:
931:
916:, "ink printed pictures")
912:
859:(Japanese paper), called
293:
199:
147:By the eleventh century,
72:
42:
2542:10.1179/sic.1988.33.1.29
2447:Harvard University Press
2123:Junko Nishiyama. (2018)
2066:
1877:
1848:
1650:
688:, 1926. From the series
4239:Japonaiserie (Van Gogh)
2530:Studies in Conservation
2416:Kaempfer, H. M. (ed.),
2336:Robinson, Basil William
1935:Sansom, George (1961).
1200:Other artists, such as
1079:format, 69.2 x 10.1 cm.
776:more precise citations.
500:actors became popular.
3170:Harukawa Eizan school
2889:Region specific themes
2346:Kodansha International
2127:. p18. Tokyo Bijutsu.
1978:National Diet Library.
1645:List of art techniques
1080:
846:
813:
699:
628:
515:
467:Nansō Satomi Hakkenden
383:
228:
118:Early, to 13th century
64:
3861:artists and movements
3752:Utagawa Hiroshige III
3107:List of ukiyo-e terms
2670:List of ukiyo-e terms
1640:List of ukiyo-e terms
1066:
1059:Schools and movements
1042:, "brocade pictures")
822:graphical perspective
819:
807:
684:
647:After the decline of
617:Twenty Views of Tōkyō
608:
602:in today's currency.
490:
477:Tōkaidōchū Hizakurige
369:
190:
50:Kanagawa-oki nami-ura
33:
4249:Anglo-Japanese style
3747:Utagawa Hiroshige II
3667:Utagawa Kunisada III
3533:Yanagawa Shigenobu I
3344:Keisai Eisen school
3129:of 17–19th centuries
2210:"JAANUS / beni-e 紅絵"
2074:on February 23, 2022
1954:History of printing.
1856:on 29 September 2022
1825:Kotobank Saga Books.
1630:(横絵), respectively.
1000:, "purple pictures")
562:influenced European
420:(satirical novels),
109:, and transparency.
3817:Kobayashi Kiyochika
3682:Utagawa Toyokuni II
3662:Utagawa Kunisada II
3418:Nishimura Shigenaga
3126:Schools and artists
2560:David Bell (2020).
2443:Japan Encyclopedia.
1232:
1104:, from 1700 to 1714
582:. The price of one
287:emaki (handscrolls)
207:: libretto for the
4254:Post-Impressionism
4078:Shōzaburō Watanabe
3737:Utagawa Kuniteru I
3722:Utagawa Yoshitoshi
3702:Utagawa Yoshitsuya
3677:Utagawa Kunimasu I
3647:Utagawa Toyokuni I
3620:Toyohara Kunichika
3543:Shunshosai Hokucho
3408:Nishikawa Sukenobu
3338:Kawamata Tsunemasa
3333:Kawamata Tsuneyuki
3323:Katsukawa Shunkō I
3234:Yanagawa Shigenobu
3224:Katsushika Hokusai
3214:Hishikawa Moronobu
3016:Related traditions
2334:Faulkner, Rupert;
2170:"木版印刷・伝統木版画工房 竹笹堂"
2145:"浮世絵・木版画のアダチ版画研究所"
2125:新版画作品集 ―なつかしい風景への旅
2110:2021-05-02 at the
2039:2022-02-10 at the
1989:第6回 和本の楽しみ方4 江戸の草紙
1959:2021-12-08 at the
1885:on 30 January 2023
1830:2021-02-25 at the
1230:
1081:
847:
814:
700:
629:
516:
502:Ichikawa Danjūrō V
384:
252:Toyotomi Hideyoshi
229:
65:
4276:
4275:
4151:Japanese painting
4053:Sekino Jun'ichirō
4033:Gihachiro Okuyama
3993:Sakuichi Fukazawa
3973:Un'ichi Hiratsuka
3887:Kiyokata Kaburagi
3742:Utagawa Hiroshige
3732:Utagawa Yoshifusa
3727:Utagawa Yoshifuji
3707:Utagawa Yoshitora
3692:Utagawa Kuniyoshi
3590:Torii Kiyomitsu I
3585:Torii Kiyomasu II
3575:Torii Kiyonobu II
3553:Shunbaisai Hokuei
3529:Shigenobu school
3523:Urakusai Nagahide
3498:Yanagawa Nobusada
3488:Shunbaisai Hokuei
3463:Shunkōsai Hokushū
3423:Ishikawa Toyonobu
3414:Nishimura school
3404:Nishikawa school
3318:Katsukawa Shunchō
3313:Katsukawa Shunsen
3308:Katsukawa Shun'ei
3303:Katsukawa Shunshō
3291:Matsuno Chikanobu
3271:Kaigetsudō school
3264:Ishikawa Toyonobu
3254:Ippitsusai Bunchō
3239:Yanagawa Nobusada
3210:Hishikawa school
3164:Furuyama Moromasa
3051:
3050:
2985:Kaigetsudō school
2455:978-0-674-01753-5
2409:978-4-8053-1098-4
2400:Tuttle Publishing
2355:978-4-7700-2387-2
1835:The Asahi Shimbun
1620:
1619:
1575:medium poem card
1283:
1102:Kaigetsudō school
802:
801:
794:
724:Un'ichi Hiratsuka
438:(romance novel),
432:(comical books),
133:Hyakumantō Darani
16:(Redirected from
4311:
4210:Mochizuki school
4128:Tadashi Nakayama
3988:Yasuhide Kobashi
3927:Takahashi Shōtei
3812:Kobayashi Eitaku
3762:Utagawa Sadafusa
3757:Utagawa Hirokage
3717:Utagawa Yoshiiku
3697:Ryusai Shigeharu
3687:Utagawa Kuniyasu
3672:Utagawa Sadahide
3657:Utagawa Kunisada
3652:Utagawa Kunimasa
3642:Utagawa Toyohiro
3637:Utagawa Toyoharu
3616:Toyohara school
3580:Torii Kiyomasu I
3570:Torii Kiyonobu I
3514:Ryūkōsai school
3438:Okumura Masanobu
3398:Miyagawa Shunsui
3388:Miyagawa Chōshun
3384:Miyagawa school
3358:Kitagawa Utamaro
3354:Kitagawa school
3329:Kawamata school
3298:Katsukawa school
3281:Kaigetsudō Anchi
3200:Hasegawa school
3180:Harunobu school
3160:Furuyama school
3119:
3078:
3071:
3064:
3055:
3054:
2990:Katsukawa school
2687:
2649:
2642:
2635:
2626:
2625:
2593:
2553:
2434:Keyes, Roger S.
2413:
2370:
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2157:
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2135:
2121:
2115:
2114:The Japan Times.
2102:
2096:
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2011:
2005:
1999:
1993:
1985:
1979:
1973:
1964:
1951:
1945:
1944:
1942:
1932:
1926:
1925:
1923:
1921:
1912:. Archived from
1904:Noriyuki Kasai.
1901:
1895:
1894:
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1890:
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1865:
1863:
1861:
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1569:
1563:
1549:large poem card
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1273:
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1263:
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1260:
1254:
1233:
1229:
1208:, Sugakudo, and
1108:Katsukawa school
1073:Okumura Masanobu
1053:
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1016:
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914:
845:
842:
832:Okumura Masanobu
797:
790:
786:
783:
777:
772:this section by
763:inline citations
750:
749:
742:
732:Vasili Kandinsky
512:Utagawa Kunimasa
362:Later Edo period
330:
324:
314:
306:
304:
298:
297:
265:Emperor Go-Yōzei
244:Kazusa, Nagasaki
231:A Western-style
226:
216:
206:
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183:Early Edo period
75:
74:
55:
53:
45:
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21:
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4312:
4310:
4309:
4308:
4299:Relief printing
4279:
4278:
4277:
4272:
4176:Hasegawa school
4139:
4113:Chosei Kawakami
4098:Fujimori Shizuo
4063:Hiroyuki Tajima
4018:Yoshitoshi Mori
4013:Matsubara Naoko
3968:Eiichi Kotozuka
3947:Yoshida Hiroshi
3937:Tsuchiya Koitsu
3922:Shiro Kasamatsu
3897:Elizabeth Keith
3877:Hashiguchi Goyō
3860:
3854:
3828:
3797:Toriyama Sekien
3712:Kawanabe Kyōsai
3625:Yōshū Chikanobu
3595:Torii Kiyotsune
3548:Gatōken Shunshi
3434:Okumura school
3428:Suzuki Harunobu
3378:Kitao Shigemasa
3286:Hasegawa Eishun
3276:Kaigetsudō Ando
3220:Hokusai school
3204:Hasegawa Settan
3184:Suzuki Harunobu
3149:Chōbunsai Eishi
3139:Gigadō Ashiyuki
3135:Asayama school
3128:
3120:
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3085:
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2971:
2910:
2884:
2688:
2679:
2658:
2653:
2615:Video (42 mins)
2600:
2556:
2523:
2521:Further reading
2518:
2410:
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2112:Wayback Machine
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2041:Wayback Machine
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2012:
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1982:
1974:
1967:
1961:Wayback Machine
1952:
1948:
1933:
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1919:
1917:
1916:on 23 July 2022
1908:(in Japanese).
1902:
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1886:
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1832:Wayback Machine
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1696:"Archived copy"
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1464:hanging scroll
1453:
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1350:
1324:
1298:
1275:
1271:
1270:
1267:
1255:
1224:
1210:Shibata Zesshin
1195:Hiroshi Yoshida
1151:Kitagawa school
1125:Suzuki Harunobu
1121:Kawamata school
1061:
1035:
1010:
993:
980:
960:
945:
928:
909:
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876:
843:
835:
798:
787:
781:
778:
768:Please help to
767:
751:
747:
740:
716:Hiroshi Yoshida
712:Goyō Hashiguchi
696:Hiroshi Yoshida
691:Seto Inland Sea
675:Hiroshi Yoshida
645:
546:Suzuki Harunobu
364:
290:
271:Tokugawa Ieyasu
196:
185:
169:Kamakura period
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4130:
4125:
4123:Kohno Michisei
4117:
4116:
4115:
4110:
4105:
4100:
4095:
4090:
4085:
4083:Hodaka Yoshida
4080:
4075:
4073:Kanae Yamamoto
4070:
4068:Sadao Watanabe
4065:
4060:
4055:
4050:
4045:
4043:Kiichi Okamoto
4040:
4035:
4030:
4025:
4023:Shikō Munakata
4020:
4015:
4010:
4005:
4003:Senpan Maekawa
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3963:Azechi Umetarō
3951:
3950:
3949:
3944:
3942:Yamakawa Shūhō
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3907:Natori Shunsen
3904:
3902:Kojima Gyokuhō
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3822:Kikukawa Eizan
3819:
3814:
3809:
3807:Sugimura Jihei
3804:
3799:
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3789:
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3644:
3639:
3632:Utagawa school
3629:
3628:
3627:
3622:
3614:
3613:
3612:
3607:
3605:Torii Kiyonaga
3602:
3600:Torii Kiyohiro
3597:
3592:
3587:
3582:
3577:
3572:
3567:
3565:Torii Kiyomoto
3557:
3556:
3555:
3550:
3545:
3537:
3536:
3535:
3527:
3526:
3525:
3520:
3518:Ryūkōsai Jokei
3512:
3511:
3510:
3505:
3500:
3495:
3490:
3485:
3480:
3475:
3473:Yoshida Hanbei
3470:
3465:
3460:
3458:Ryūkōsai Jokei
3452:
3451:
3450:
3442:
3441:
3440:
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3430:
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3412:
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3410:
3402:
3401:
3400:
3395:
3393:Miyagawa Isshō
3390:
3382:
3381:
3380:
3372:
3371:
3370:
3368:Eishōsai Chōki
3365:
3360:
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3206:
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3191:
3189:Isoda Koryūsai
3186:
3178:
3177:
3176:
3174:Harukawa Eizan
3168:
3167:
3166:
3158:
3157:
3156:
3154:Chōkōsai Eishō
3151:
3143:
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3000:Utagawa school
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2599:
2598:External links
2596:
2595:
2594:
2555:
2554:
2524:
2522:
2519:
2517:
2516:
2513:
2506:Sansom, George
2503:
2492:
2471:
2468:
2464:2012-12-04 at
2439:
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2389:
2371:
2354:
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2231:
2214:www.aisf.or.jp
2201:
2186:
2161:
2136:
2133:978-4808711016
2116:
2097:
2085:
2057:
2045:
2043:Shinichi Segi.
2026:
2023:978-4800312556
2006:
2004:Mitsui Fdosan.
1994:
1980:
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1223:
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1206:Kabukidō Enkyō
1198:
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1184:
1178:
1168:Utagawa school
1165:
1148:
1134:Hokusai school
1131:
1118:
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1028:
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820:Western-style
800:
799:
754:
752:
745:
739:
736:
728:Shikō Munakata
686:Glittering Sea
644:
641:
615:. From series
482:Jippensha Ikku
472:Takizawa Bakin
363:
360:
311:Ise monogatari
240:Tenshō embassy
236:printing-press
219:Hon'ami Kōetsu
184:
181:
119:
116:
114:
111:
26:
9:
6:
4:
3:
2:
4316:
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4244:Impressionism
4242:
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4208:
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4186:Nanpin school
4184:
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4174:
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4169:
4167:
4164:
4162:
4159:
4157:
4154:
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4134:
4133:Fujio Yoshida
4131:
4129:
4126:
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4114:
4111:
4109:
4108:Tadashige Ono
4106:
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4101:
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4096:
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4093:Suwa Kanenori
4091:
4089:
4088:Tōshi Yoshida
4086:
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4079:
4076:
4074:
4071:
4069:
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4056:
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4048:Saitō Kiyoshi
4046:
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4038:Kōshirō Onchi
4036:
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4009:
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3983:Kitaoka Fumio
3981:
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3932:Torii Kotondo
3930:
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3925:
3923:
3920:
3918:
3917:Ota Masamitsu
3915:
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3808:
3805:
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3800:
3798:
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3782:Kanbun Master
3780:
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3768:
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3610:Torii Kotondo
3608:
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3479:
3476:
3474:
3471:
3469:
3466:
3464:
3461:
3459:
3456:
3455:
3454:Osaka school
3453:
3449:
3448:Ōoka Shunboku
3446:
3445:
3443:
3439:
3436:
3435:
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3405:
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3399:
3396:
3394:
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3389:
3386:
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3383:
3379:
3376:
3375:
3374:Kitao school
3373:
3369:
3366:
3364:
3361:
3359:
3356:
3355:
3353:
3349:
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3269:
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3262:
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3259:
3255:
3252:
3251:
3249:
3245:
3244:Totoya Hokkei
3242:
3240:
3237:
3235:
3232:
3230:
3229:Katsushika Ōi
3227:
3225:
3222:
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3169:
3165:
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3161:
3159:
3155:
3152:
3150:
3147:
3146:
3145:Eishi school
3144:
3140:
3137:
3136:
3134:
3133:
3131:
3127:
3123:
3118:
3108:
3105:
3103:
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2826:
2823:
2821:
2818:
2816:
2813:
2811:
2808:
2806:
2803:
2801:
2800:Monozukushi-e
2798:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
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2643:
2638:
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2611:
2609:
2605:
2602:
2601:
2591:
2587:
2583:
2579:
2575:
2571:
2567:
2563:
2558:
2557:
2551:
2547:
2543:
2539:
2535:
2531:
2526:
2525:
2514:
2511:
2507:
2504:
2501:
2497:
2493:
2491:
2487:
2486:9780192114471
2483:
2479:
2475:
2474:Lane, Richard
2472:
2469:
2467:
2466:archive.today
2463:
2460:
2459:OCLC 48943301
2456:
2452:
2448:
2444:
2440:
2437:
2433:
2431:
2430:90-70216-01-9
2427:
2423:
2420:, The Hague,
2419:
2415:
2411:
2405:
2401:
2397:
2396:
2390:
2388:
2387:90-70265-71-0
2384:
2380:
2377:, The Hague,
2376:
2372:
2361:
2357:
2351:
2347:
2343:
2342:
2337:
2332:
2331:
2319:, p. 31.
2318:
2313:
2311:
2304:, p. 40.
2303:
2298:
2296:
2294:
2292:
2290:
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2278:
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2205:
2197:
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2140:
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2089:
2073:
2069:
2061:
2054:
2049:
2042:
2038:
2035:
2030:
2024:
2020:
2016:
2010:
2003:
1998:
1991:
1990:
1984:
1977:
1972:
1970:
1962:
1958:
1955:
1950:
1941:
1940:
1931:
1915:
1911:
1907:
1900:
1884:
1880:
1871:
1855:
1851:
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1836:
1833:
1829:
1826:
1821:
1813:
1811:9780521601153
1807:
1803:
1802:
1794:
1786:
1784:1-56852-481-1
1780:
1776:
1772:
1771:Lane, Richard
1766:
1757:
1750:
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1436:
1433:
1418:
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1397:
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1391:
1389:
1386:
1374:
1369:
1366:
1363:
1360:
1348:
1343:
1340:
1337:
1335:intermediate
1334:
1322:
1317:
1314:
1311:
1309:intermediate
1308:
1296:
1291:
1288:
1285:
1282:
1265:
1253:
1248:
1234:
1228:
1219:
1217:
1216:
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1177:
1173:
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1119:
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1106:
1103:
1100:
1097:
1094:
1093:
1092:
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1086:
1078:
1074:
1070:
1065:
1047:
1034:
1033:
1029:
1026:
1022:
1009:
1008:
1004:
992:
979:
978:
974:
972:
959:
956:
944:
943:
939:
926:
925:
920:
908:
905:
904:
903:
901:
891:
889:
888:
883:
882:
871:
868:
867:
862:
858:
857:
851:
838:
833:
829:
828:
823:
818:
811:
806:
796:
793:
785:
775:
771:
765:
764:
758:
753:
744:
743:
735:
733:
729:
725:
721:
720:Kōshirō Onchi
717:
713:
709:
705:
697:
693:
692:
687:
683:
679:
676:
672:
668:
664:
663:
658:
654:
650:
643:From Meiji on
640:
638:
634:
626:
622:
618:
614:
612:
607:
603:
601:
597:
593:
589:
585:
581:
577:
573:
569:
568:Impressionism
565:
561:
557:
553:
552:
547:
543:
539:
535:
531:
527:
523:
522:
513:
509:
508:
503:
499:
495:
494:
489:
485:
483:
479:
478:
473:
469:
468:
463:
462:Ihara Saikaku
459:
455:
454:
449:
448:
443:
442:
437:
436:
431:
430:
425:
424:
419:
418:
413:
409:
408:
403:
399:
398:
393:
389:
381:
380:
375:
374:
368:
359:
357:
351:
349:
345:
342:
338:
334:
329:
323:
318:
313:
312:
303:
296:
288:
284:
283:Honami Kōetsu
279:
276:
272:
268:
266:
262:
261:
257:
253:
249:
245:
241:
237:
234:
225:
220:
215:
210:
205:, Saga Books)
202:
194:
189:
180:
178:
174:
170:
166:
162:
158:
154:
150:
145:
143:
139:
138:Emi Rebellion
135:
134:
129:
128:Empress Kōken
125:
110:
108:
103:
99:
95:
91:
87:
86:
81:
80:
69:
63:
59:
52:
51:
38:
37:
32:
19:
4289:Japanese art
4265:Ligne claire
4263:
4231:
4225:
4214:
4205:Shijō school
4197:
4190:
4181:Kyoto school
4156:Rinpa school
4058:Toko Shinoda
4028:Tetsuya Noda
3956:Sosaku-hanga
3954:
3953:
3892:Hasui Kawase
3868:
3867:
3859:20th century
3767:Adachi Ginkō
3560:Torii school
3444:Ōoka school
3348:Keisai Eisen
3038:Sōsaku-hanga
3028:Nikuhitsu-ga
2995:Torii school
2795:Monogatari-e
2674:
2569:
2565:
2533:
2529:
2490:OCLC 5246796
2477:
2442:
2435:
2417:
2394:
2374:
2364:. Retrieved
2340:
2254:
2222:. Retrieved
2213:
2204:
2195:
2189:
2178:. Retrieved
2164:
2153:. Retrieved
2139:
2124:
2119:
2100:
2088:
2078:February 23,
2076:. Retrieved
2072:the original
2060:
2048:
2029:
2017:. Yosensha.
2014:
2009:
1997:
1988:
1983:
1949:
1938:
1930:
1918:. Retrieved
1914:the original
1899:
1887:. Retrieved
1883:the original
1875:Kazuo Mori.
1870:
1858:. Retrieved
1854:the original
1842:
1820:
1800:
1793:
1774:
1765:
1756:
1704:. Retrieved
1690:
1680:14 September
1678:. Retrieved
1669:
1659:
1627:
1623:
1621:
1388:pillar print
1280:
1279:the size of
1231:Print sizes
1225:
1213:
1199:
1191:Hasui Kawase
1181:Sōsaku-hanga
1096:Torii school
1088:
1082:
1077:pillar print
1067:"Shōki zu" (
1045:
1030:
1020:
1005:
990:
975:
970:
957:
940:
906:
899:
897:
885:
879:
877:
864:
860:
854:
852:
848:
836:
825:
788:
779:
760:
707:
703:
701:
689:
685:
671:Hasui Kawase
666:
660:
652:
648:
646:
630:
621:Hasui Kawase
616:
609:
595:
592:soba noodles
583:
575:
559:
555:
549:
528:is based on
525:
519:
517:
505:
491:
475:
465:
457:
451:
445:
439:
433:
427:
421:
415:
405:
401:
395:
385:
377:
371:
370:A two piece
352:
337:semi-cursive
280:
269:
258:
248:Christianity
233:movable type
230:
165:underdrawing
161:Heian period
146:
131:
124:Tang dynasty
121:
90:Tang dynasty
83:
78:
77:
67:
66:
49:
34:
4304:Printmaking
4259:Art Nouveau
4171:Hara school
4166:Akita ranga
4161:Kanō school
4103:Reika Iwami
3998:Masao Maeda
3978:Itow Takumi
3912:Ohara Koson
3882:Itō Shinsui
3802:Ogata Gekkō
3792:Sawa Sekkyō
3483:Hirosada II
3194:Shiba Kōkan
2942:Kappazuri-e
2619:Ukiyo-e.org
2476:. (1978).
2445:Cambridge:
2317:Harris 2011
2224:25 November
2002:Nihonbashi.
1561:chū-tanzaku
1222:Print sizes
1098:, from 1700
887:kappazuri-e
844: 1745
774:introducing
102:printmaking
100:in Western
4283:Categories
3870:Shin-hanga
3850:Yokohama-e
3845:Nagasaki-e
3840:Kamigata-e
3478:Hirosada I
3033:Shin-hanga
2957:Sumizuri-e
2947:Kirazuri-e
2937:Ishizuri-e
2927:Benizuri-e
2915:Techniques
2906:Yokohama-e
2901:Nagasaki-e
2896:Kamigata-e
2730:Hanshita-e
2608:David Bull
2590:Q106839641
2576:: 91–112.
2500:0140561080
2366:2015-10-18
2327:References
2264:0935172513
2180:2014-11-07
2155:2014-02-21
1760:Paine, 136
1706:2023-07-23
1626:(立て絵) and
1450:kakemono-e
1187:Shin-hanga
1159:Kikumaro I
1089:moku-hanga
991:Murasaki-e
942:Benizuri-e
907:Sumizuri-e
881:sumizuri-e
782:April 2023
757:references
662:shin-hanga
657:modern art
625:shin-hanga
572:Yoshitoshi
388:Edo period
356:Edo period
328:renmen-tai
94:Edo period
18:Moku hanga
4233:Japonisme
4008:Maki Haku
3833:By region
3508:Yoshitaki
3363:Tsukimaro
2952:Nishiki-e
2875:Yakusha-e
2765:Komochi-e
2735:Hashira-e
2582:1173-4337
2067:浮世絵の購入・売却
2015:江戸のベストセラー
1878:嵯峨本と角倉素庵。
1849:嵯峨本『伊勢物語』
1535:ō-tanzaku
1373:hashira-e
1176:Hiroshige
1155:Utamaro I
1069:Zhong Kui
1032:Nishiki-e
738:Technique
637:copyright
564:Japonisme
551:nishiki-e
542:Hiroshige
507:Shibaraku
496:based on
447:kusazōshi
429:kokkeibon
373:nishiki-e
256:Confucian
214:Katsuragi
79:mokuhanga
56:print by
3493:Kunimasu
3468:Ashiyuki
2967:Urushi-e
2922:Aizuri-e
2880:Yūrei-zu
2865:Uchiwa-e
2860:Surimono
2830:Omocha-e
2815:Namazu-e
2785:Mitate-e
2780:Meisho-e
2775:Megane-e
2760:Kodomo-e
2710:Bijin-ga
2586:Wikidata
2462:Archived
2424:, 1978.
2381:, 1979.
2360:Archived
2338:(1999).
2218:Archived
2174:Archived
2149:Archived
2108:Archived
2037:Archived
1957:Archived
1828:Archived
1773:(1978).
1715:cite web
1700:Archived
1674:Archived
1634:See also
1588:surimono
1321:bai-ōban
1242:cm (in)
1215:kirazuri
1172:Kunisada
1129:Koryusai
1021:Urushi-e
1007:Urushi-e
977:Aizuri-e
834:claimed.
810:Kunisada
633:Tsuta-ya
613:in Shiba
532:actors,
435:ninjōbon
423:sharebon
417:kibyōshi
407:terakoya
379:terakoya
348:hiragana
322:Saga-bon
317:typeface
302:Saga-bon
260:Analects
224:Saga-bon
193:Saga-bon
177:Kamakura
157:mandalas
149:Buddhist
4294:Ukiyo-e
4226:Ukiyo-e
4199:Nihonga
4144:Related
4119:Others
3787:Sharaku
3503:Shunshi
3097:Ukiyo-e
3090:General
3043:Tosa-ha
2977:Schools
2932:Bokashi
2845:Shita-e
2840:Shini-e
2835:Senso-e
2825:Ōkubi-e
2810:Muzan-e
2805:Musha-e
2770:Kuchi-e
2755:Kaika-e
2745:Kachō-e
2725:Fushiga
2720:Egoyomi
2715:Boshi-e
2663:General
2656:Ukiyo-e
2574:Te Papa
2550:1506238
1476:nagaban
1431:narrow
1401:hosoban
1361:medium
1274:⁄
1239:trans.
1202:Sharaku
1146:Gakutei
1138:Hokusai
1116:Shuntei
1112:Shunsho
1025:lacquer
900:ukiyo-e
770:improve
708:ukiyo-e
667:ukiyo-e
653:ukiyo-e
649:ukiyo-e
627:artist.
611:Zōjō-ji
596:ukiyo-e
584:ukiyo-e
576:ukiyo-e
560:Ukiyo-e
556:ukiyo-e
538:Hokusai
526:ukiyo-e
521:ukiyo-e
493:Ukiyo-e
441:yomihon
392:samurai
341:cursive
319:of the
275:Enko-ji
113:History
98:woodcut
85:ukiyo-e
58:Hokusai
2855:Sumo-e
2850:Shunga
2820:Ogao-e
2790:Moji-e
2750:Kage-e
2740:Jōge-e
2705:Beni-e
2693:Themes
2588:
2580:
2548:
2498:
2484:
2453:
2428:
2406:
2385:
2352:
2262:
2131:
2021:
1808:
1781:
1628:yoko-e
1624:tate-e
1516:large
1417:hoso-e
1347:chūban
1269:about
1142:Hokuei
1091:were:
1071:), by
924:Beni-e
759:, but
530:kabuki
514:, 1796
498:kabuki
474:, and
453:jōruri
397:chōnin
221:. The
153:sutras
107:glazes
43:神奈川沖浪裏
4192:Nanga
3023:E-hon
2962:Tan-e
2870:Uki-e
2700:Aka-e
2546:JSTOR
1920:8 May
1889:8 May
1860:8 May
1651:Notes
1490:long
1295:aiban
1266:small
1252:koban
1236:name
1046:kentō
958:Tan-e
866:baren
861:gampi
856:washi
827:uki-e
704:hanga
580:anime
510:, by
402:nōmin
344:kanji
211:play
173:Kyoto
142:Japan
4216:Yōga
2578:ISSN
2496:ISBN
2482:ISBN
2451:ISBN
2426:ISBN
2404:ISBN
2383:ISBN
2350:ISBN
2260:ISBN
2226:2021
2129:ISBN
2080:2022
2019:ISBN
1922:2023
1891:2023
1862:2023
1806:ISBN
1779:ISBN
1721:link
1682:2023
1568:中短冊判
1542:大短冊判
1502:ōban
1281:ōban
1245:ref
1193:and
1174:and
1161:and
1144:and
1127:and
1114:and
984:藍摺り絵
949:紅摺り絵
913:墨摺り絵
726:and
673:and
623:, a
566:and
540:and
534:sumo
400:and
339:and
175:and
2606:by
2538:doi
1457:掛物絵
1414:or
1328:倍大判
971:tan
694:by
619:by
600:yen
588:mon
480:by
470:by
460:by
412:Edo
346:or
295:嵯峨本
217:by
209:Noh
201:嵯峨本
73:木版画
4285::
2584:.
2572:.
2570:31
2568:.
2564:.
2544:.
2534:33
2532:.
2488:;
2457:;
2449:.
2402:.
2398:.
2358:.
2348:.
2344:.
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2270:^
2234:^
2216:.
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2172:.
2147:.
1968:^
1729:^
1717:}}
1713:{{
1698:.
1668:.
1596:刷物
1509:大判
1483:長判
1424:細絵
1408:細判
1380:柱絵
1354:中判
1302:合判
1259:小判
1204:,
1163:II
1157:,
1140:,
1051:見当
1039:錦絵
1014:漆絵
997:紫絵
989:,
964:丹絵
932:紅絵
841:c.
839:,
722:,
570:.
558:.
464:,
444:,
358:.
333:ja
299:,
267:.
179:.
155:,
144:.
76:,
46:,
3077:e
3070:t
3063:v
2648:e
2641:t
2634:v
2592:.
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2540::
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2502:.
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2228:.
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