451:
regions. Cups had reduced in size for it to be used by one person. The vast majority of these Minoan tripod cooking pots had deep featured bodies, usually being supported with three legs with either horizontal handles or vertical handles with a small opening on the top. They appear to be the most common way to cook. These cooking tripods were made from red firing clay with rock fragments to create the coarse touch that these pots had. The usage of animal goods can be identified in the tripod cooking pots, and the usage of plant byproducts can also be identified. The mixture of both can be found in the tripod cooking pots, but with plant byproducts being more evident than animal byproducts in some instances. There appears to be also found residue of beeswax in the tripod cooking pots. Most of these discoveries were found at Sissi. What that beeswax was used for is uncertain. This appears to potentially lead to the possibility of subtypes of these cooking pots. There is evidence that these pots started to show up during the EMI in the Hagia Photia; its appearance in the
500:
1089:
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1044:
827:
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32:
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582:
727:
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663:
639:
288:
1059:
687:
1237:
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1333:
more
Mycenaean in character with a large variety of decoration. Style names have multiplied and depend to some degree on the author. The names below are only a few of the most common. Some authors just use the name "Mycenaean Koine"; that is, the Late Minoan pottery of Crete was to some degree just a variety of widespread Mycenaean forms. The designs are found also on seals and ceilings, in frescoes and on other artifacts. Often Late Minoan pottery is not easily placed in sub-periods. In addition are imports from the neighboring coasts of the Mediterranean. Ceramic is not the only material used:
1032:
772:
1080:
566:
1175:
651:
1014:
1289:
1071:
896:
888:
20:
1305:
917:, of rosettes or conjoined coiling and uncoiling spirals. Designs are repetitive or sometimes free-floating, but always symmetrically composed. Themes from nature begin here with octopuses, shellfish, lilies, crocuses and palm-trees, all highly stylized. The entire surface of the pot is densely covered, but sometimes the space is partitioned by bands. One variety features extravagantly thin bodies and is called
442:, in which a cup combined with a funnel-shaped stand could be set on a hard surface without spilling. As the Pyrgos site was a rock shelter used as an ossuary, some hypothesize ceremonial usage]. This type of pottery was black, grey or brown, and burnished, with some sort of incised linear pattern. It may have imitated wood.
1166:). The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. The Marine style was the last purely Minoan style; towards the end of LMIB, all the palaces except Knossos were violently destroyed, as were many of the villas and towns.
1116:
The floral style depicts palms and papyrus, with various kinds of lilies and elaborate leaves. It appears in both pottery and frescoes. One tradition of art criticism calls this the "natural style" or "naturalism" but another points out that the stylized forms and colors are far from natural. Green,
746:
and their new type of urbanized, centralized society with redistribution centers required more storage vessels and ones more specifically suited to a range of functions. In palace workshops, standardization suggests more supervised operations and the rise of elite wares, emphasizing refinements and
397:
Studies of the relationship between EM I and FN have been conducted mainly in East Crete. There the Final
Neolithic has affinities to the Cyclades, while both FN and EM I settlements are contemporaneous, with EM I gradually replacing FN. Of the three possibilities, no immigration, total replacement
450:
The EM II era in the Minoan civilization saw the start of tripod cooking pots at places like
Knossos, with that came a brief adoption of horned stands in cooking pot production, primarily used during the EM II period. These features have not been identified elsewhere beyond Knossos and surrounding
1441:
Minoan wares were already familiar from finds on the Greek mainland, and export markets like Egypt, before it was realized that they came from Crete. In most 19th-century literature they are described as "Mycenaean", and the recognition and analysis of styles and periods had gone some way on this
1332:
must have moved into the palace of
Knossos. They were well-established by 1400, if the Linear B tablets can be dated to then. The resulting LM II culture is not a break with the Minoan past. Minoan traditions continue under a new administration. However, the vase forms and designs became more and
787:
Any population center requires facilities in support of human needs and that is true of the palaces as well. Knossos had extensive sanitation, water supply and drainage systems, which is evidence that it was not a ceremonial labyrinth or large tomb. Liquid and granular necessities were stored in
1138:, painted in reds and black on white grounds predominate, in steady development from Middle Minoan. In LMIB there is a typical all-over leafy decoration, for which first workshop painters begin to be identifiable through their characteristic motifs; as with all Minoan art, no name ever appears.
511:
was drawn with an iron-red clay slip that would fire red under oxidizing conditions in a clean kiln but under the reducing conditions of a smoky fire turn darker, without much control over color, which could range from red to brown. A dark-on-light painted pattern was then applied. From this
330:
for potting. For many, potting may well have been a seasonal activity, combined with farming, although the volume and sophistication of later wares suggests full-time specialists, and two classes of workshop, one catering to the palaces. There is some evidence that women were also potters.
620:). The mottling was produced by uneven firing of the slip-covered pot, with the hottest areas turning dark. Considering that the mottling was controlled into a pattern, touching with hot coals was probably used to produce it. The effect was paralleled in cups made of mottled stone.
1390:). This style started in LM II and went on into LM III. The palace style was mostly confined to Knossos. In the late manifestation of the palace style, fluent and spontaneous earlier motifs stiffened and became more geometrical and abstracted. Egyptian motifs such as
512:
beginning, Minoan potters already concentrated on the linear forms of designs, perfecting coherent designs and voids that would ideally suit the shape of the ware. Shapes were jugs, two-handled cups and bowls. The ware came from north and south central Crete, as did
1458:
The Linear B tablets contain records of vessels made of various materials. The vessel ideograms are not so clear as to make correlation with discovered artifacts easy. Using a drawing of the "Contents of the Tomb of the Tripod Hearth" at Zafer
Papoura from Evans'
762:
in MM IB enabled perfectly symmetrical bodies to be thrown from swiftly revolving clay. The well-controlled iron-red slip that was added to the color repertory during MM I could be achieved only in insulated closed kilns that were free of oxygen or smoke.
402:"The Neolithic Period in Crete did not end in a catastrophe; its culture developed into that of the Bronze Age under pressure from infiltration of relatively small bands of immigrants from the south and east, where copper and bronze had long been in use."
1862:; on Crete, it means the Neolithic before EM I, which features coarse wares. In a general sense, all EM might have been Final Neolithic, as bronze materials do not start until the MM period. It is not, however, used in that sense with reference to Crete.
853:"Barbotine Ware appears, in its earliest stages, a bit before MM IA, in EM III. The style gradually becomes more popular and picks up significantly in MM IA, along with the conservative incised style, dark on light style, and White on Dark Ware."
1104:
In MMIIB, the increasing use of motifs drawn from nature heralded the decline and end of the
Kamares style. The Kamares featured whole-field floral designs with all elements linked together (Matz). In MMIII patterned vegetative designs, the
1125:
LMI marks the highwater of Minoan influence throughout the southern Aegean (Peloponnese, Cyclades, Dodecanese, southwestern
Anatolia). Late Minoan pottery was widely exported; it has turned up in Cyprus, the Cyclades, Egypt and Mycenae.
331:
Archaeologists seeking to understand the conditions of production have drawn tentative comparisons with aspects of both modern Cretan rural artisans and the better-documented
Egyptian and Mesopotamian Bronze Age industries. In
1377:
showcased by them adapts elements of the previous styles but also adds features, such as the practice of confining decor in reserves and bands, emphasizing the base and shoulder of the pot and the movement towards abstraction
611:
in eastern Crete, has mottled glaze effects, early experiments with controlling color, but the elongated spouts drawn from the body and ending in semicircular spouts show the beginnings of the tradition of Minoan elegance
1836:, in which stone tools were in use along with elements of the succeeding metal age. The terms, "Chalcolithic", "Copper Age" and "Sub-Neolithic", clearly fall into this category. They are used in this general sense in the
1739:
in his book on Minoan Crete, published by Adam
Editions in 2000, but other chronologies will vary, sometimes quite considerably (EM periods especially). Sets of different dates from other authors are set out at
2407:
932:
Four stages of
Kamares ware were identified by Gisela Walberg (1976), with a "Classic Kamares" palace style sited in MM II, especially in the palace complex of Phaistos. New shapes were introduced, with
1150:
also emerges; in this style, perhaps inspired by frescoes, the entire surface of a pot was covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges (
318:. A new method, fabric analysis, involves geologic analysis of coarse and mainly non-decorated sherds as though they were rocks. The resulting classifications are based on composition of the sherds.
1627:
812:
ware, featuring the relief decoration studded with knobs and cones of applied clay in bands, waves and ridges. Such decorations are sometimes reminiscent of the marine-derived features such as the
370:), complete with its "wasters" (malformed pots), is developing understanding of the details of production. The styles of pottery show considerable regional variation within Crete in many periods.
479:"). Favored decor was incised line patterns, vertical, horizontal or herring-bone. These pots are from the north and northeast of Crete and appear to be modeled after the Kampos Phase of the
1260:
1191:
706:
in eastern Crete begin to be covered in dark slip with light slip-painted decor of lines and spirals; the first checkered motifs appear; the first petallike loops and leafy bands appear, at
913:
Finer clay, thrown on the wheel, permitted more precisely fashioned forms, which were covered with a dark-firing slip and exuberantly painted with slips in white, reds and browns in fluent
2019:
Roumpou, Maria; Tsafou, Evgenia (2023). "Culinary practices and pottery use in Minoan Crete. Integrating lipidic residue analysis in the study of cooking vessels from Sissi and Malia".
2781:
1450:. For several decades analysis of Minoan pottery was essentially stylistic and typological, but in recent decades there has been a turn towards technical and socio-economic analysis.
54:. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the
800:). About 400 pithoi were found at the palace of Knossos. An average pithos held about 1100 pounds of fluid. Perhaps because of the weight, pithoi were not stored on the upper floors.
358:. All of these characteristics remain true of later Greek pottery throughout its great period. The finest wares often have very thin-walled bodies. The excavation of an abandoned LM
1202:, however, was a specific type of which many instances have been found. The bull's head is found in ceramic as well. Other noted stone vases of LM IA and II are the "Harvester Vase"
1276:
860:
Spirals and whorls motifs appear in Minoan pottery from EM I onwards (Walberg), but they become especially popular during EM III. A new shape is the straight-sided cylindrical cup.
1088:
1442:
assumption. Only in the 1890s were the first finds on Crete recognised and published, from a cave at Kamares. These were found by a local archaeologist who allowed the young
390:
Early Minoan pottery, to some extent, continued, and possibly evolved from, the local Final Neolithic (FN) without a severe break. Many suggest that Minoan civilization evolved
792:
located in magazines, or storage rooms, and elsewhere. Pithoi make their earliest appearance just before MMI begins and continue into Late Minoan, becoming very rare by LMIII (
830:
Early Minoan jug in barbotine style; surface treatment: barnacle work; dark painting on yellowish slip - Middle Minoan IB-IIA, earlier Protopalatial period - height: 19.2 cm;
842:
Barbotine ware features three-dimensional decorations, as well as the use of the ceramic slip. Ridges and protuberances of various types are seen on the surface of vessels.
346:
appears to have been available from the MM IB, but other "handmade" methods of forming the body remained in use, and were needed for objects with sculptural shapes.
626:
2108:
Prior to the introduction of the wheel turn-table disks were used, such as were discovered in Myrtos I from EM times. The larger pots continued to be made this way.
1248:
714:. In north central Crete, where Knossos was to emerge, there is little similarity: dark on light linear banding prevails; footed goblets make their appearance (
394:
and was not imported from the East. Its other main feature is its variety from site to site, which is suggestive of localism of Early Minoan social traditions.
2402:
1829:
1043:
2725:
703:
484:
326:
Little is known about the way the pottery was produced, but it was probably in small artisanal workshops, often clustered in settlements near good sources of
3615:
2758:
2753:
535:
seem to have developed from the wares of Aghios Onouphrios. The designs are in red or black on a light background. Forms are cups, bowls, jugs and teapots (
2748:
617:
581:
2468:
1236:
2154:
1840:
588:
954:
499:
1802:
455:
during the second EMII period is questionable. Most of these discoveries were located in the Northern and Northeastern sections of the island.
2328:
2277:
1387:
1223:
1219:
1151:
970:
938:
553:
314:
Evans classified fine pottery by the changes in its forms and styles of decoration. Platon concentrated on the episodic history of the Palace of
1203:
2324:
910:
wares of Minoan civilization, though the first expressions of recognizably proto-Kamares decor predate the introduction of the potter's wheel.
674:
2823:
1410:
developed in LM IIIA, B from the Palace Style. In the Close Style the Marine and Floral Styles themes continue, but the artist manifests the
983:
2180:
2167:
950:
3636:
2078:
958:
382:
parallels or imports, suggesting a population of checkerboard ethnicity deriving from various locations in the eastern Aegean and beyond.
3703:
1529:
1207:
1113:. Matz refers to the "Age of Efflorescence", which reached an apogee in LM IA. (Some would include Kamares Ware under the Floral Style.)
662:
638:
1623:
1463:, which depicts LM II bronze vessels, many in the forms of ceramic ones, Ventris and Chadwick were able to make a few new correlations.
686:
1526:
C.Luvian tappas and H. Luvian (CAELUM)ti-pa-sº 'sky (perceived by Anatolians as a cup covering the flat Earth)' (Yakubovich 2010: 146)
565:
1873:
820:
942:
793:
715:
536:
826:
755:
1851:
1195:
613:
97:, but there was almost no overlap with metal vessels. The finest achievements came in the Middle Minoan period, with the palace
1361:
3362:
3222:
2630:
2063:
2003:
1978:
1945:
1227:
922:
3567:
1590:
650:
926:
3489:
1211:
998:
962:
420:
1353:
and other colored and patterned stone were carved into pottery forms. Bronze ware appears imitating the ceramic ware.
3046:
2816:
2703:
2616:
2589:
2565:
2551:
2300:
2253:
875:
has been studied by Angelia G. Papagiannopoulou (1991). Shards of MM IIA pottery have been recovered in Egypt and at
31:
1058:
411:
105:, and the Late Minoan all-over patterned "Marine Style" and "Floral Style". These were widely exported around the
3324:
3319:
3247:
2637:
113:
40:
1379:
3329:
3172:
2522:
2449:
1847:
However, the Final Neolithic also tends to refer to specific cultures. With reference to the Aegean, it means
857:
Gisela Walberg places Barbotine Ware, with its thin walls and dynamic motifs, in the Early Kamares Ware phase.
726:
3698:
3672:
2970:
2465:
1288:
1230:, depicting a peak sanctuary to the "mistress of animals" and featuring birds and leaping goats, and others.
1837:
3237:
3021:
2809:
1874:"The Final Neolithic-Early Minoan I/IIA Settlement History of the Vrokastro Area, Mirabello, Eastern Crete"
906:
was named after finds in the cave sanctuary at Kamares on Mt. Ida in 1890. It is the first of the virtuoso
2661:
1031:
2914:
2134:
2118:
1117:
the natural color of vegetation, appears rarely. Depth is represented by position around the main scene.
1109:, began to appear. This phase was replaced by individual vegetative scenes, which marks the start of the
1370:
516:
of the same general types but decorated by painting white patterns over a solid red painted background (
3662:
2056:
From the foundations to the legacy of Minoan archaeology: studies in honour of Professor Keith Branigan
1937:
From the foundations to the legacy of Minoan archaeology: studies in honour of Professor Keith Branigan
2651:
1013:
3620:
3509:
3371:
3355:
2424:
287:
3693:
3162:
2695:
3464:
3257:
2766:
Doumas Kristos' description of local pottery and Cretan imports from the excavations at Akrothiri
398:
of natives by immigrants, immigrants settling among natives, Hutchinson takes a compromise view:
129:
1681:
1656:
1634:
1597:
1572:
1536:
1508:
1446:
to publish them; Myres had realized that they were the same ware as finds in Egypt published by
835:
3499:
3177:
1135:
710:(Walberg 1986). Rosettes appear and spiral links sometimes joined into bands. These motifs are
2602:
2598:(translated from the Greek), Archaeologia Mundi series, Frederick Muller Limited, London, 1966
2569:
2082:
1615:
1429:
Finally, in the Subminoan period, the geometric designs of the Dorians become more apparent. (
1163:
1155:
974:
3426:
3167:
3157:
2439:
1430:
1383:
1159:
934:
914:
849:
also appear at this time. Scholars place Barbotine ware a bit earlier than the Kamares ware,
797:
751:
517:
472:
378:
Early Minoan pottery is broadly characterized by a large number of local wares with frequent
1674:
3469:
3348:
3187:
2775:
2028:
711:
480:
106:
2765:
2414:. The dates are MM and LM, which shows that the forms of the ideograms were long-standing.
1888:
1619:
8:
3708:
3580:
3542:
2832:
2192:
296:
47:
2032:
1415:
3667:
3575:
3484:
3283:
3242:
3212:
2990:
2318:
2271:
1564:
1350:
429:
416:
2706:
1848:
966:
863:
MMIA wares and local pottery imitating them are found at coastal sites in the eastern
58:
of their sites. Pots that contained oils and ointments, exported from 18th century BC
3630:
3474:
3418:
3227:
2995:
2851:
2776:
GiselaWalberg finds little influence between Minoan vase-paintings and glyptic motifs
2699:
2656:
2626:
2612:
2585:
2561:
2547:
2518:
2445:
2399:
2306:
2296:
2259:
2249:
2226:
2206:
2059:
1999:
1974:
1951:
1941:
1741:
759:
608:
350:
were not used, and none of the wares were fired to very high temperatures, remaining
343:
308:
282:
125:
1940:. Sheffield studies in Aegean archaeology. Oxford ; Philadelphia: Oxbow Books.
1752:
547:, featuring a polished surface with incised diagonals, dots, rings and semicircles.
3657:
2881:
2218:
2036:
1549:
1329:
379:
303:
in the early years of the 20th century AD. His terminology and the one proposed by
85:
The pottery includes vases, figurines, models of buildings, and burial urns called
3647:
3625:
3517:
3494:
3293:
3152:
2876:
2871:
2472:
2411:
2181:
MINOAN BARBOTINE WARE: STYLES, SHAPES, AND A CHARACTERIZATION OF THE CLAY FABRIC.
2168:
MINOAN BARBOTINE WARE: STYLES, SHAPES, AND A CHARACTERIZATION OF THE CLAY FABRIC.
2155:
MINOAN BARBOTINE WARE: STYLES, SHAPES, AND A CHARACTERIZATION OF THE CLAY FABRIC.
2040:
1855:
1844:
1832:
dating from the late 20th century means the very last, transitional phase of the
1447:
771:
339:
307:
are still generally in use and appear in this article. For more details, see the
304:
2485:
946:
3197:
3092:
2945:
2924:
2866:
2493:
1342:
1174:
816:
363:
109:
and sometimes beyond, and are the high points of the Minoan pottery tradition.
1955:
1935:
808:
New styles emerge at this time: an Incised Style (see above), and the tactile
503:
Agios Onouphrios ware with painted parallel-line decoration, 2600-1900 BC, AMH
3687:
3408:
3288:
3252:
3232:
3217:
3182:
3031:
2791:
2310:
2263:
2230:
1710:
735:
603:
435:
347:
3340:
1079:
3436:
3403:
3314:
3298:
3202:
3117:
3097:
2950:
2940:
2861:
1414:
or "dread of emptiness". The whole field of decoration is filled densely. (
1215:
903:
846:
488:
452:
300:
102:
2095:
1996:
The Alatzomouri rock shelter: an early Minoan III deposit in eastern Crete
1994:
Apostolakou, Vilē; Brogan, Thomas M.; Betancourt, Philip P., eds. (2017).
1971:
The Alatzomouri rock shelter: an early Minoan III deposit in eastern Crete
1969:
Apostolakou, Vilē; Brogan, Thomas M.; Betancourt, Philip P., eds. (2017).
3547:
3444:
3385:
3192:
3112:
3087:
2222:
1070:
864:
813:
351:
55:
1921:
3532:
3527:
3127:
3071:
3000:
2846:
1736:
1443:
907:
868:
355:
63:
2801:
2489:
895:
887:
747:
novelty, so that palace and provincial pottery become differentiated.
3652:
3642:
3552:
3522:
3102:
3051:
3026:
3005:
2769:
2380:
The ideograms vary somewhat. A link to the unicode standard is given.
1833:
1716:
809:
539:). Also from EM IIA are the cylindrical and spherical pyxides called
2745:
Dartmouth College: Prehistorical Archaeology of the Aegean website:
1194:) Some of the rhyta are ornate libation vessels, such as the noted "
19:
3557:
3479:
3278:
3273:
3207:
3132:
3122:
3036:
2965:
2909:
1859:
1317:
1304:
1187:
1023:
1005:
990:
872:
758:. In the palace workshops, the introduction from the Levant of the
743:
367:
332:
94:
36:
2293:
Greek art and archaeology : a new history, c. 2500-c. 150 BCE
2246:
Greek art and archaeology : a new history, c. 2500-c. 150 BCE
3585:
3061:
3056:
3041:
2980:
2960:
2955:
2904:
2783:
Material and Techniques of the Minoan Ceramics of Thera and Crete
1934:
Relaki, Maria; Papadatos, Giannēs; Branigan, Keith, eds. (2018).
1391:
1338:
1334:
1321:
1267:
780:
739:
707:
572:
530:
342:
were widely used, with a variety of effects well understood. The
315:
98:
24:
2058:. Sheffield studies in Aegean archaeology. Oxford: Oxbow Books.
3595:
3590:
3537:
3066:
2985:
2975:
2919:
1858:, during which painted ware was replaced by coarse ware in the
1346:
1313:
1309:
1183:
1049:
1019:
876:
831:
789:
783:
palace. Named from the raised disks, they date to MM III/LM IA.
776:
90:
86:
71:
67:
1561:
Possibly "gold and grey" if Greek or "golden vase" if Semitic
3107:
1520:
79:
75:
59:
1993:
1968:
871:
until MMIB; their influence on local pottery in the nearby
359:
327:
2492:. For a detailed linguistic presentation see Brent Vine,
476:
471:, were hand-shaped, round-bottomed, dark-burnished jugs (
2685:
The History of Greek Vases: Potters, Painters, Pictures.
2601:
Traunmueller, Sebastian, "Pots and Potters", in Cappel,
2404:
Cooking Vessels from Minoan Kommos: A Preliminary Report
632:
Another style of "teapot", Vasiliki, 2400 - 2200 BC, AMH
434:, also called "Burnished Ware". The major form was the "
2488:, but the origin of the p instead of a reflex of kW is
1933:
1282:
Clay bulls head rhyton, Palaikastro, 1500-1450 BC, AMH
2515:
Minoan Archaeology: Perspectives for the 21st Century
2207:"The First Appearances of Kamares Ware in the Levant"
1998:. Philadelphia, Pennsylvania: INSTAP Academic Press.
1973:. Philadelphia, Pennsylvania: INSTAP Academic Press.
1373:
at Knossos are similar to those on the mainland. The
1369:
During LMII, Mycenean influence became apparent. The
82:, showing the wide trading contacts of the Minoans.
1453:
1178:
Steatite rhyta in foreground, clay on shelf behind.
2711:Preziosi, Donald, and Louise A. Hitchcock. 1999.
2248:. New York: Thames & Hudson Inc. p. 30.
528:In EM IIA, the geometric slip-painted designs of
487:have suggested imports or immigrations. See also
3685:
2692:Knossos: Pottery Groups of the Old Palace Period
2053:
93:cup, were also produced in soft stones such as
2720:Tradition and Innovation. Essays in Minoan Art
2581:Preziosi, Donald and Louise A. Hitchcock 1999
2437:
2096:"Minoan settlement of Vasiliki, eastern Crete"
1182:Dated to LM IA and following also are conical
3566:
3370:
3356:
2817:
2438:Best, Jan G. P.; Woudhuizen, Fred C. (1989).
2018:
1548:Possibly *khrysyphaia or possibly containing
1328:Around 1450 BCE, the beginning of LM II, the
1312:at Knossos showing Minoan ware. Although the
1254:Floral Style ewer from Phaistos, 1500-1450 BC
523:
291:Pottery from Lebena, Crete, 3000-2100 BC, AMH
2558:The Oxford Handbook of the Bronze Age Aegean
2276:: CS1 maint: multiple names: authors list (
1436:
730:Clay house model from Archanes, 1700 BC, AMH
656:Teapot in the white style, 2300–2000 BC, AMH
494:
321:
112:The most comprehensive collection is in the
50:produced a wide variety of richly decorated
2722:(Mainz am Rhein: Verlag Philipp Von Zabern)
2517:, 2015, Presses universitaires de Louvain,
2398:Most of these vessel types can be found in
2327:) CS1 maint: multiple names: authors list (
1804:A LM IA Ceramic Kiln in South-Central Crete
1719:, then and now, a village known for pottery
1418:). The Stirrup Jar is especially frequent.
3363:
3349:
2824:
2810:
2475:to Bennett concerning this reconstruction.
2323:: CS1 maint: location missing publisher (
2204:
2195:Minoan, ca. 1800–1700 BCE. - metmuseum.org
2054:Papadatos, Giannës; Relaki, Maria (2018).
2021:Journal of Archaeological Science: Reports
1881:Mediterranean Archaeology and Archaeometry
1365:Late Minoan III Floral style, 1400-1100 BC
1242:Marine Style "Ewer of Poros", 1500-1450 BC
1397:
702:In the latest brief transition (EM III),
119:
89:. Several pottery shapes, especially the
2560:, Eric H. Cline (ed.), 2012, Oxford UP,
1360:
1303:
1173:
1094:Jug with barbotine decoration, 2100-1950
894:
886:
825:
770:
725:
507:The painted parallel-line decoration of
498:
410:
286:
30:
18:
2831:
2623:Sociolinguistics of the Luvian Language
2532:, many editions hardcover and softcover
2510:Princeton University Press. A handbook.
2389:Only names on Cretan tablets are given.
1735:This chronology of Minoan Crete is the
1226:(Hagia Triada), showing boxing scenes,
1222:", depicting a coming-of-age rite, the
1218:, which depicts a harvest procession, "
1099:
559:File:Early Minoan pottery, 3000-2600 BC
62:, have been found at sites through the
3686:
2132:
1924:, EM I through LM I, has been defined.
1871:
1757:, The Spakia Survey: Internet Edition.
445:
295:The traditional chronology for dating
130:Minoan eruption § Eruption dating
3344:
2805:
2441:Lost Languages from the Mediterranean
1134:Fluent movemented designs drawn from
680:Other shapes; two "egg-cups" at rear
335:the word for potter is "ke-ra-me-u".
2680:Philadelphia: INSTAP Academic Press.
2341:Evans' term, after the Palace Period
2198:
1820:Oxford, Chapter 30 summarizes these.
754:of the best wares were designed for
520:). The latter came from EM I tombs.
1523:(sing), cup, archaic large vessel.
1299:
1270:, from Palaikastro, 1500-1450 BC
13:
3704:Ancient Greek vase-painting styles
3223:Minoan frescoes from Tell el-Dab'a
2670:
2290:
2243:
899:A Kamare style vase, 2100-1700 BCE
421:Archaeological Museum of Heraklion
14:
3720:
2739:
2609:The Civilization of Ancient Crete
2537:The Art of Crete and Early Greece
2350:Knappet, Carl, in Cappel, 329-334
697:
2715:Oxford: Oxford University Press.
2359:Volume II, Page 634, Figure 398
2170:Thesis -- Temple University. p.9
1609:khlaron (sing), archaic oil jar
1584:amphiphoreus (sing), an amphora
1454:Written records of pots and pans
1320:, the other ware is most likely
1287:
1275:
1259:
1247:
1235:
1087:
1078:
1069:
1057:
1042:
1030:
1012:
997:
982:
867:, though not more widely in the
721:
685:
673:
661:
649:
644:Vasiliki ware, jug, 2400-2200 BC
637:
625:
596:
580:
564:
552:
39:, 1700-1600 BC displayed in the
3325:Archaeological Museum of Chania
3320:Heraklion Archaeological Museum
3248:Papoura Hill Circular Structure
2707:Bryn Mawr Classical Review 2002
2478:
2458:
2431:
2417:
2392:
2383:
2374:
2362:
2353:
2344:
2335:
2284:
2237:
2186:
2183:Thesis - Temple University. p.8
2173:
2160:
2157:Temple University -- temple.edu
2147:
2126:
2111:
2102:
2088:
2072:
2047:
2012:
1987:
1962:
1927:
1915:
1906:
1887:(1). MAA: 31–44. Archived from
1865:
1356:
1190:and also imitated in ceramic. (
1141:
1129:
882:
712:similar to those found on seals
458:
373:
114:Heraklion Archaeological Museum
41:Heraklion Archaeological Museum
35:Figurine of female worshipper,
3330:Archaeological Museum of Sitia
2687:New York: Thames & Hudson.
2205:Merrillees, Robert S. (2009).
2193:Terracotta straight-sided cup.
1823:
1814:
1796:
1787:
1778:
1769:
1760:
1746:
1729:
1120:
475:) and bulbous cups and jars ("
406:
1:
2508:The History of Minoan pottery
2500:
1737:one used by Andonis Vasilakis
1668:hydros (sing), a water-snake
935:whirling and radiating motifs
803:
668:White style jug, 2300-1900 BC
571:Bird shaped clay vessel from
16:Pottery from Bronze Age Crete
3238:Minoan Moulds of Palaikastro
2713:Aegean Art and Architecture.
2676:Betancourt, Philip P. 2007.
2662:Resources in other libraries
2611:, Barnes & Noble, 1976,
2513:Cappel, Sarah et al., eds.,
2506:Betancourt, Philip P. 1985.
2369:Documents in Mycenaean Greek
2041:10.1016/j.jasrep.2023.104050
1754:Fabric Research and Analysis
1693:ipnos (sing), a baking dish
1424:
1052:with fish in a net, Phaistos
537:Example: "Goddess of Myrtos"
7:
2678:Introduction to Aegean Art.
2583:Aegean Art and Architecture
2133:Horgan, C. Michael (2008).
1872:Hayden, Barbara J. (2003).
1704:
1316:(conical vase) is probably
1294:Bull's-head Vase from LM II
779:", or storage jars, at the
385:
10:
3725:
2728:Bibliography (see Pottery)
2291:T., Neer, Richard (2012).
2244:T., Neer, Richard (2012).
524:Koumasa and Fine Gray Ware
483:early Cycladic I culture.
415:Early Minoan pottery from
280:
123:
23:"Marine Style" flask with
3621:Corpus vasorum antiquorum
3608:
3508:
3457:
3435:
3417:
3394:
3378:
3372:Pottery of ancient Greece
3307:
3266:
3145:
3080:
3014:
2933:
2897:
2890:
2839:
2690:MacGillivray, J.A. 1998.
2657:Resources in your library
2153:Amie S. Gluckman (2015),
1807:, Joseph W. Shaw et al.,
1612:"yellow stuff" (Hoffman)
1437:Discovery and recognition
1394:and lotus are prominent.
766:
495:Agyios Onouphrios, Lebena
322:Production and techniques
244:
205:
182:
145:
3163:Hagia Triada Sarcophagus
2792:Web Tutorial for Potters
2733:Lost World of the Aegean
2696:British School at Athens
2544:Crete & Pre-Hellenic
2122:, The Modern Antiquarian
2117:C. Michael Hogan. 2007.
1723:
1198:" found at Knossos. The
1169:
819:, and barnacle growths (
692:White style teapots, AMH
3258:Wall Paintings of Thera
3173:Snake goddess figurines
2735:, Time-Life Books, 1975
2718:Walberg, Gisela. 1986.
2179:Amie S. Gluckman 2015,
2166:Amie S. Gluckman 2015,
1587:"port-about" (Hoffman)
1266:Floral Style ewer with
1186:, or drinking cups, in
845:The earliest stages of
509:Ayios Onouphrios I Ware
3178:La Parisienne (fresco)
2683:Boardman, John. 2001.
2576:Mycenaeans and Minoans
2542:Mackenzie, Donald A.,
1849:Late Neolithic Ib - II
1838:archaeology of Europe.
1398:Plain and Close Styles
1366:
1325:
1179:
900:
892:
839:
838:Antiquities Collection
784:
731:
504:
424:
292:
120:Traditional chronology
43:
28:
3458:Ancient Greece proper
3168:Horns of Consecration
3158:Akrotiri Boxer Fresco
1912:Hutchinson, Chapter 6
1775:Traunmueller, 341-350
1766:Traunmueller, 341-350
1364:
1307:
1177:
1136:flower and leaf forms
898:
890:
829:
774:
729:
502:
414:
299:was developed by Sir
290:
251:Final Palace Period)
124:Further information:
66:islands and mainland
34:
22:
3699:Minoan vase painting
3663:Terracotta figurines
3188:Prince of the Lilies
3146:Art and Architecture
2223:10.1553/AEundL13s127
2135:"Knossos Fieldnotes"
1811:Supplement 30, 2001.
1581:*amphiphorewes (pl)
1228:the Sanctuary Rhyton
1100:Age of Efflorescence
836:Schloss Wilhelmshöhe
575:, 2600–2300 BC, AMH.
210:(New Palace Period)
187:(Old Palace Period)
107:Aegean civilizations
2833:Minoan civilization
2797:Crete & Mycenae
2731:Edey, Maitland A.,
2578:, multiple editions
2211:Ägypten und Levante
2033:2023JArSR..50j4050R
1504:
601:The EM IIA and IIB
591:, 2600-1900 BC, AMH
463:Another EM I type,
446:Tripod Cooking Pots
440:Arkalochori Chalice
427:EM I types include
297:Minoan civilization
136:
48:Minoan civilization
3668:Three-phase firing
3294:Arkalochori script
3284:Cretan hieroglyphs
3243:Minoan Bull-leaper
3213:Knossos board game
2786:, Thera Foundation
2726:Dartmouth College:
2621:Yakubovich, Ilya,
2471:2007-12-15 at the
2410:2013-11-04 at the
2120:Knossos fieldnotes
1894:on August 12, 2011
1854:2006-05-25 at the
1843:2007-01-07 at the
1742:Minoan chronology
1500:
1367:
1326:
1200:Bull's Head Rhyton
1196:Bull's-head Rhyton
1180:
1037:Dish from Phaistos
901:
893:
840:
785:
732:
505:
425:
293:
135:Minoan chronology
134:
44:
29:
3681:
3680:
3631:Hellenistic glass
3604:
3603:
3475:Black-glazed Ware
3453:
3452:
3338:
3337:
3228:Malia altar stone
3141:
3140:
2852:Minoan chronology
2754:10. Middle Minoan
2638:Library resources
2631:978-90-04-17791-8
2594:Platon, Nicolas,
2535:Matz, Friedrich,
2530:Prehistoric Crete
2464:Ventris wrote a
2444:. Brill Archive.
2065:978-1-78570-926-5
2005:978-1-62303-415-3
1980:978-1-62303-415-3
1947:978-1-78570-926-5
1784:Traunmueller, 348
1702:
1701:
1567:(Early Cypriote)
1499:
1220:the Chieftain Cup
756:table and service
309:Minoan chronology
283:Minoan chronology
279:
278:
126:Minoan chronology
27:, c. 1500-1450 BC
3716:
3658:Tanagra figurine
3564:
3563:
3392:
3391:
3365:
3358:
3351:
3342:
3341:
2895:
2894:
2882:Peak sanctuaries
2826:
2819:
2812:
2803:
2802:
2694:BSA Studies 5. (
2546:, Senate, 1995,
2495:
2482:
2476:
2462:
2456:
2455:
2435:
2429:
2428:
2425:"Mycenæan Greek"
2421:
2415:
2396:
2390:
2387:
2381:
2378:
2372:
2366:
2360:
2357:
2351:
2348:
2342:
2339:
2333:
2332:
2322:
2314:
2288:
2282:
2281:
2275:
2267:
2241:
2235:
2234:
2202:
2196:
2190:
2184:
2177:
2171:
2164:
2158:
2151:
2145:
2144:
2142:
2141:
2130:
2124:
2115:
2109:
2106:
2100:
2099:
2092:
2086:
2076:
2070:
2069:
2051:
2045:
2044:
2016:
2010:
2009:
1991:
1985:
1984:
1966:
1960:
1959:
1931:
1925:
1919:
1913:
1910:
1904:
1903:
1901:
1899:
1893:
1878:
1869:
1863:
1827:
1821:
1818:
1812:
1800:
1794:
1791:
1785:
1782:
1776:
1773:
1767:
1764:
1758:
1750:
1744:
1733:
1606:*khlarewes (pl)
1505:
1466:
1465:
1330:Mycenaean Greeks
1300:Minoan-Mycenaean
1291:
1279:
1263:
1251:
1239:
1091:
1082:
1073:
1061:
1046:
1034:
1016:
1001:
986:
891:Kamares ware jug
734:The rise of the
689:
677:
665:
653:
641:
629:
607:, named for the
584:
568:
556:
419:, 3000-2600 BC,
137:
133:
74:, along coastal
3724:
3723:
3719:
3718:
3717:
3715:
3714:
3713:
3694:Ancient pottery
3684:
3683:
3682:
3677:
3626:Disjecta membra
3600:
3562:
3504:
3495:West Slope Ware
3449:
3431:
3413:
3390:
3374:
3369:
3339:
3334:
3303:
3262:
3153:Aegina Treasure
3137:
3076:
3010:
2929:
2886:
2877:Minoan eruption
2872:Minoan religion
2835:
2830:
2789:Victor Bryant,
2759:14. Late Minoan
2749:5. Early Minoan
2742:
2673:
2671:Further reading
2668:
2667:
2666:
2646:
2645:
2641:
2625:, Brill, 2010,
2574:Palmer, L. A.,
2525:, 9782875583949
2503:
2498:
2483:
2479:
2473:Wayback Machine
2463:
2459:
2452:
2436:
2432:
2423:
2422:
2418:
2412:Wayback Machine
2397:
2393:
2388:
2384:
2379:
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2367:
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2354:
2349:
2345:
2340:
2336:
2316:
2315:
2303:
2289:
2285:
2269:
2268:
2256:
2242:
2238:
2203:
2199:
2191:
2187:
2178:
2174:
2165:
2161:
2152:
2148:
2139:
2137:
2131:
2127:
2116:
2112:
2107:
2103:
2094:
2093:
2089:
2077:
2073:
2066:
2052:
2048:
2017:
2013:
2006:
1992:
1988:
1981:
1967:
1963:
1948:
1932:
1928:
1920:
1916:
1911:
1907:
1897:
1895:
1891:
1876:
1870:
1866:
1856:Wayback Machine
1845:Wayback Machine
1828:
1824:
1819:
1815:
1801:
1797:
1792:
1788:
1783:
1779:
1774:
1770:
1765:
1761:
1751:
1747:
1734:
1730:
1726:
1713:, a LM figurine
1707:
1671:"water (jars)"
1545:
1539:TRIPOD AMPHORA
1485:Classical Greek
1480:Mycenaean Greek
1461:Palace of Minos
1456:
1448:Flinders Petrie
1439:
1427:
1421:
1400:
1359:
1302:
1295:
1292:
1283:
1280:
1271:
1264:
1255:
1252:
1243:
1240:
1172:
1144:
1132:
1123:
1107:Patterned Style
1102:
1095:
1092:
1083:
1074:
1065:
1062:
1053:
1047:
1038:
1035:
1026:
1017:
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769:
724:
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693:
690:
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678:
669:
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657:
654:
645:
642:
633:
630:
599:
592:
587:Burnished cup,
585:
576:
569:
560:
557:
526:
497:
461:
448:
409:
388:
376:
324:
305:Nikolaos Platon
285:
250:
248:
209:
186:
132:
122:
17:
12:
11:
5:
3722:
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3711:
3706:
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3696:
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3676:
3675:
3670:
3665:
3660:
3655:
3650:
3645:
3640:
3633:
3628:
3623:
3618:
3612:
3610:
3609:Special topics
3606:
3605:
3602:
3601:
3599:
3598:
3593:
3588:
3583:
3578:
3572:
3570:
3568:Little Masters
3561:
3560:
3555:
3550:
3545:
3540:
3535:
3530:
3525:
3520:
3514:
3512:
3506:
3505:
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3376:
3375:
3368:
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3336:
3335:
3333:
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3304:
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3276:
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3263:
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3260:
3255:
3250:
3245:
3240:
3235:
3230:
3225:
3220:
3215:
3210:
3205:
3200:
3198:Harvester Vase
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
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3149:
3147:
3143:
3142:
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2899:
2892:
2888:
2887:
2885:
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2879:
2874:
2869:
2867:Minoan palaces
2864:
2859:
2857:Minoan pottery
2854:
2849:
2843:
2841:
2837:
2836:
2829:
2828:
2821:
2814:
2806:
2800:
2799:
2787:
2779:
2773:
2772:) (in English)
2763:
2762:
2761:
2756:
2751:
2741:
2740:External links
2738:
2737:
2736:
2729:
2723:
2716:
2709:
2688:
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2672:
2669:
2665:
2664:
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2643:Minoan pottery
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1578:a-pi-po-re-we
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1517:*dipas (sing)
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1512:
1498:
1497:
1492:
1487:
1482:
1477:
1472:
1455:
1452:
1438:
1435:
1426:
1423:
1399:
1396:
1358:
1355:
1301:
1298:
1297:
1296:
1293:
1286:
1284:
1281:
1274:
1272:
1265:
1258:
1256:
1253:
1246:
1244:
1241:
1234:
1171:
1168:
1143:
1140:
1131:
1128:
1122:
1119:
1101:
1098:
1097:
1096:
1093:
1086:
1084:
1077:
1075:
1068:
1066:
1063:
1056:
1054:
1048:
1041:
1039:
1036:
1029:
1027:
1018:
1011:
1009:
1003:
996:
994:
988:
981:
915:floral designs
884:
881:
855:
854:
805:
802:
768:
765:
760:potter's wheel
736:Minoan palaces
723:
720:
699:
698:EM III Pottery
696:
695:
694:
691:
684:
682:
679:
672:
670:
667:
660:
658:
655:
648:
646:
643:
636:
634:
631:
624:
598:
595:
594:
593:
586:
579:
577:
570:
563:
561:
558:
551:
541:Fine Gray Ware
525:
522:
496:
493:
467:, also called
460:
457:
447:
444:
408:
405:
404:
403:
387:
384:
375:
372:
348:Ceramic glazes
344:potter's wheel
323:
320:
281:Main article:
277:
276:
273:
269:
268:
265:
261:
260:
257:
253:
252:
243:
240:
236:
235:
232:
228:
227:
224:
220:
219:
216:
212:
211:
204:
201:
197:
196:
193:
189:
188:
181:
178:
174:
173:
170:
166:
165:
162:
158:
157:
154:
150:
149:
144:
141:
121:
118:
52:Minoan pottery
15:
9:
6:
4:
3:
2:
3721:
3710:
3707:
3705:
3702:
3700:
3697:
3695:
3692:
3691:
3689:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3654:
3651:
3649:
3646:
3644:
3641:
3639:
3638:
3634:
3632:
3629:
3627:
3624:
3622:
3619:
3617:
3614:
3613:
3611:
3607:
3597:
3594:
3592:
3589:
3587:
3584:
3582:
3579:
3577:
3574:
3573:
3571:
3569:
3565:
3559:
3556:
3554:
3551:
3549:
3546:
3544:
3541:
3539:
3536:
3534:
3531:
3529:
3526:
3524:
3521:
3519:
3516:
3515:
3513:
3511:
3507:
3501:
3498:
3496:
3493:
3491:
3490:South Italian
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3462:
3460:
3456:
3446:
3443:
3442:
3440:
3438:
3434:
3428:
3427:Sub-Mycenaean
3425:
3424:
3422:
3420:
3416:
3410:
3409:Vasiliki ware
3407:
3405:
3402:
3401:
3399:
3397:
3393:
3387:
3384:
3383:
3381:
3377:
3373:
3366:
3361:
3359:
3354:
3352:
3347:
3346:
3343:
3331:
3328:
3326:
3323:
3321:
3318:
3316:
3313:
3312:
3310:
3306:
3300:
3297:
3295:
3292:
3290:
3289:Phaistos disc
3287:
3285:
3282:
3280:
3277:
3275:
3272:
3271:
3269:
3265:
3259:
3256:
3254:
3253:Vasiliki ware
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3233:Malia Pendant
3231:
3229:
3226:
3224:
3221:
3219:
3218:Minoan Genius
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3183:Lustral basin
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3150:
3148:
3144:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3085:
3083:
3079:
3073:
3070:
3068:
3065:
3063:
3060:
3058:
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3032:Chryssolakkos
3030:
3028:
3025:
3023:
3020:
3019:
3017:
3013:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2938:
2936:
2932:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2906:
2903:
2902:
2900:
2896:
2893:
2889:
2883:
2880:
2878:
2875:
2873:
2870:
2868:
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2844:
2842:
2838:
2834:
2827:
2822:
2820:
2815:
2813:
2808:
2807:
2804:
2798:
2794:
2793:
2788:
2785:
2784:
2780:
2777:
2774:
2771:
2767:
2764:
2760:
2757:
2755:
2752:
2750:
2747:
2746:
2744:
2743:
2734:
2730:
2727:
2724:
2721:
2717:
2714:
2710:
2708:
2705:
2704:0-904887-32-4
2701:
2697:
2693:
2689:
2686:
2682:
2679:
2675:
2674:
2663:
2660:
2658:
2655:
2653:
2650:
2649:
2644:
2639:
2632:
2628:
2624:
2620:
2618:
2617:1-56619-749-X
2614:
2610:
2606:
2604:
2600:
2597:
2593:
2591:
2590:0-19-284208-0
2587:
2584:
2580:
2577:
2573:
2571:
2567:
2566:9780199873609
2563:
2559:
2555:
2553:
2552:1-85958-090-4
2549:
2545:
2541:
2539:, Crown, 1962
2538:
2534:
2531:
2527:
2524:
2520:
2516:
2512:
2509:
2505:
2504:
2494:
2491:
2487:
2481:
2474:
2470:
2467:
2461:
2453:
2447:
2443:
2442:
2434:
2426:
2420:
2413:
2409:
2406:
2405:
2401:
2395:
2386:
2377:
2370:
2365:
2356:
2347:
2338:
2330:
2326:
2320:
2312:
2308:
2304:
2302:9780500288771
2298:
2294:
2287:
2279:
2273:
2265:
2261:
2257:
2255:9780500288771
2251:
2247:
2240:
2232:
2228:
2224:
2220:
2216:
2213:(in German).
2212:
2208:
2201:
2194:
2189:
2182:
2176:
2169:
2163:
2156:
2150:
2136:
2129:
2123:
2121:
2114:
2105:
2097:
2091:
2084:
2080:
2075:
2067:
2061:
2057:
2050:
2042:
2038:
2034:
2030:
2026:
2022:
2015:
2007:
2001:
1997:
1990:
1982:
1976:
1972:
1965:
1957:
1953:
1949:
1943:
1939:
1938:
1930:
1923:
1918:
1909:
1890:
1886:
1882:
1875:
1868:
1861:
1857:
1853:
1850:
1846:
1842:
1839:
1835:
1831:
1826:
1817:
1810:
1806:
1805:
1799:
1790:
1781:
1772:
1763:
1756:
1755:
1749:
1743:
1738:
1732:
1728:
1718:
1715:
1712:
1711:Poppy goddess
1709:
1708:
1698:
1696:"Dutch oven"
1695:
1692:
1689:
1686:
1684:COOKING BOWL
1683:
1680:
1679:
1676:
1673:
1670:
1667:
1665:*hudroi (pl)
1664:
1661:
1658:
1655:
1654:
1651:
1648:
1645:
1642:
1639:
1636:
1633:
1632:
1629:
1625:
1621:
1617:
1614:
1611:
1608:
1605:
1602:
1599:
1596:
1595:
1592:
1589:
1586:
1583:
1580:
1577:
1574:
1571:
1570:
1566:
1563:
1560:
1557:
1554:
1551:
1547:
1541:
1538:
1535:
1534:
1531:
1528:
1525:
1522:
1519:
1516:
1513:
1510:
1507:
1506:
1503:
1502:LM II Vessels
1496:
1493:
1491:
1488:
1486:
1483:
1481:
1478:
1476:
1473:
1471:
1468:
1467:
1464:
1462:
1451:
1449:
1445:
1434:
1432:
1422:
1419:
1417:
1413:
1409:
1405:
1395:
1393:
1389:
1385:
1381:
1376:
1372:
1363:
1354:
1352:
1348:
1344:
1340:
1336:
1331:
1323:
1319:
1315:
1311:
1306:
1290:
1285:
1278:
1273:
1269:
1262:
1257:
1250:
1245:
1238:
1233:
1232:
1231:
1229:
1225:
1221:
1217:
1213:
1209:
1205:
1201:
1197:
1193:
1189:
1185:
1176:
1167:
1165:
1161:
1157:
1153:
1149:
1146:In LMIB, the
1139:
1137:
1127:
1118:
1114:
1112:
1108:
1090:
1085:
1081:
1076:
1072:
1067:
1060:
1055:
1051:
1045:
1040:
1033:
1028:
1025:
1021:
1015:
1010:
1007:
1000:
995:
992:
985:
980:
979:
978:
976:
972:
968:
964:
960:
956:
952:
948:
944:
940:
936:
930:
928:
924:
920:
919:Eggshell Ware
916:
911:
909:
905:
897:
889:
880:
878:
874:
870:
866:
861:
858:
852:
851:
850:
848:
843:
837:
833:
828:
824:
822:
818:
815:
811:
801:
799:
795:
791:
782:
778:
773:
764:
761:
757:
753:
748:
745:
741:
737:
728:
722:Middle Minoan
719:
717:
713:
709:
705:
688:
683:
676:
671:
664:
659:
652:
647:
640:
635:
628:
623:
622:
621:
619:
615:
610:
606:
605:
604:Vasiliki Ware
597:Vasiliki Ware
590:
583:
578:
574:
567:
562:
555:
550:
549:
548:
546:
542:
538:
534:
532:
521:
519:
515:
510:
501:
492:
490:
486:
482:
478:
474:
470:
466:
456:
454:
443:
441:
437:
433:
431:
422:
418:
413:
401:
400:
399:
395:
393:
383:
381:
371:
369:
366:(the port of
365:
361:
357:
353:
349:
345:
341:
338:Technically,
336:
334:
329:
319:
317:
312:
310:
306:
302:
298:
289:
284:
274:
272:1350–1100 BC
271:
270:
266:
264:1400–1350 BC
263:
262:
258:
256:1450–1400 BC
255:
254:
247:
241:
239:1500–1450 BC
238:
237:
233:
231:1600–1500 BC
230:
229:
225:
223:1650–1600 BC
222:
221:
217:
215:1700–1650 BC
214:
213:
208:
202:
200:1750-1700 BC
199:
198:
194:
192:1800–1750 BC
191:
190:
185:
184:Protopalatial
179:
177:1900–1800 BC
176:
175:
171:
169:2100–1900 BC
168:
167:
163:
161:2300–2100 BC
160:
159:
155:
153:2900–2300 BC
152:
151:
148:
142:
140:3500–2900 BC
139:
138:
131:
127:
117:
115:
110:
108:
104:
100:
96:
92:
88:
83:
81:
77:
73:
69:
65:
61:
57:
53:
49:
42:
38:
33:
26:
21:
3635:
3616:Conservation
3500:White ground
3470:Black-figure
3404:Kamares ware
3395:
3315:Arthur Evans
3299:Minoan seals
3203:Kamares ware
3118:Mount Juktas
3098:Psychro Cave
2941:Hagia Triada
2862:Minoan seals
2856:
2796:
2790:
2782:
2778:(in English)
2732:
2719:
2712:
2691:
2684:
2677:
2652:Online books
2642:
2622:
2608:
2603:google books
2595:
2582:
2575:
2570:google books
2557:
2543:
2536:
2529:
2528:Hutchinson,
2514:
2507:
2480:
2460:
2440:
2433:
2419:
2403:
2400:Betancourt's
2394:
2385:
2376:
2368:
2364:
2355:
2346:
2337:
2295:. New York.
2292:
2286:
2245:
2239:
2214:
2210:
2200:
2188:
2175:
2162:
2149:
2138:. Retrieved
2128:
2119:
2113:
2104:
2090:
2074:
2055:
2049:
2024:
2020:
2014:
1995:
1989:
1970:
1964:
1936:
1929:
1917:
1908:
1896:. Retrieved
1889:the original
1884:
1880:
1867:
1825:
1816:
1808:
1803:
1798:
1789:
1780:
1771:
1762:
1753:
1748:
1731:
1690:*ipnoi (pl)
1637:WATER BOWL?
1603:ka-ra-re-we
1600:STIRRUP JAR
1552:
1501:
1494:
1489:
1484:
1479:
1474:
1469:
1460:
1457:
1440:
1428:
1420:
1412:horror vacui
1411:
1407:
1403:
1401:
1375:Palace Style
1374:
1368:
1357:Palace style
1327:
1224:Boxer Rhyton
1216:Hagia Triada
1199:
1181:
1148:Marine Style
1147:
1145:
1142:Marine style
1133:
1130:Floral style
1124:
1115:
1111:Floral Style
1110:
1106:
1103:
931:
918:
912:
904:Kamares Ware
902:
883:Kamares Ware
862:
859:
856:
847:Kamares ware
844:
841:
807:
786:
749:
733:
701:
602:
600:
544:
540:
529:
527:
513:
508:
506:
489:Hagia Photia
481:Grotta-Pelos
468:
465:Incised Ware
464:
462:
459:Incised Ware
453:Hagia Photia
449:
439:
428:
426:
396:
391:
389:
377:
374:Early Minoan
337:
325:
313:
301:Arthur Evans
294:
249:(at Knossos;
246:Postpalatial
245:
206:
183:
146:
111:
103:Kamares ware
84:
51:
45:
3548:Nikosthenes
3445:Frying pans
3386:Minyan ware
3193:Stirrup jar
3088:Arkalochori
3081:Sanctuaries
3047:Nea Roumata
2991:Monastiraki
2951:Palaikastro
2934:Settlements
2217:: 127–142.
1922:Pyrgos I-IV
1793:Oxford, 409
1659:WATER JAR?
1542:ku-ru-su-pa
1408:Close Style
1404:Plain Style
1121:Late Minoan
975:Examples 10
865:Peloponnese
834:, Germany,
814:sand dollar
775:"Medallion
609:Minoan site
514:Lebena Ware
469:Scored Ware
407:Pyrgos Ware
352:earthenware
207:Neopalatial
147:Prepalatial
3709:Minoan art
3688:Categories
3673:Vase types
3581:Hermogenes
3543:Hypereides
3533:Euthymides
3528:Euphronios
3485:Red-figure
3128:Traostalos
3072:Yerokambos
3001:Vathypetro
2847:Minoan art
2607:Willetts,
2556:"Oxford",
2523:2875583948
2501:References
2451:9004089349
2140:2009-07-23
2083:Examples 2
2079:Examples 1
1956:1002835631
1640:po-ti--we
1444:John Myres
1388:Examples 3
1384:Examples 2
1380:Examples 1
1371:vase forms
1164:Examples 4
1160:Examples 3
1156:Examples 2
1152:Examples 1
1004:Cups from
971:Examples 9
967:Examples 8
963:Examples 7
959:Examples 6
955:Examples 5
951:Examples 4
947:Examples 3
943:Examples 2
939:Examples 1
908:polychrome
804:New styles
798:Examples 2
794:Examples 1
618:Examples 2
614:Examples 1
356:terracotta
116:on Crete.
3653:Symposium
3643:Name vase
3576:Ergoteles
3553:Pamphaios
3523:Ergotimos
3465:Bilingual
3419:Mycenaean
3103:Atsipades
3052:Odigitria
3027:Apesokari
3006:Zominthos
2770:Santorini
2490:troubling
2484:Possibly
2371:Page 326.
2319:cite book
2311:745332893
2272:cite book
2264:745332893
2231:1015-5104
1834:Neolithic
1830:This term
1717:Thrapsano
1490:Etymology
1425:Subminoan
1308:Restored
989:Cup from
927:Example 2
923:Example 1
810:Barbotine
589:Kyparissi
545:Gray Ware
3558:Sophilos
3480:Bucchero
3437:Cycladic
3308:See also
3279:Linear B
3274:Linear A
3208:Kouloura
3133:Vrysinas
3123:Petsofas
3037:Kamilari
2996:Vasiliki
2966:Troullos
2910:Phaistos
2795:, under
2469:Archived
2408:Archived
1860:Cyclades
1852:Archived
1841:Archived
1809:Hesperia
1705:See also
1687:i-po-no
1662:u-do-ro
1575:AMPHORA
1555:"vase".
1511:GOBLET?
1495:Examples
1475:Linear B
1470:Ideogram
1416:Examples
1351:dolomite
1343:chlorite
1318:steatite
1188:steatite
1064:Phaistos
1024:Phaistos
1006:Phaistos
991:Phaistos
873:Cyclades
744:Phaistos
543:or just
386:FN, EM I
380:Cycladic
368:Phaistos
333:Linear B
95:steatite
87:larnakes
37:Phaistos
3586:Phrynos
3510:Potters
3267:Writing
3093:Kamares
3062:Phylaki
3057:Phourni
3042:Koumasa
2981:Amnisos
2971:Trypiti
2961:Gournia
2956:Kydonia
2925:Galatas
2905:Knossos
2898:Palaces
2029:Bibcode
1550:Semitic
1431:Example
1392:papyrus
1339:calcite
1335:breccia
1322:ceramic
1268:papyrus
1214:, from
1192:Example
821:Example
781:Knossos
740:Knossos
716:Example
708:Gournia
573:Koumasa
531:Koumasa
518:Example
473:Example
436:chalice
392:in-situ
316:Knossos
275:LMIIIB
267:LMIIIA
226:MMIIIB
218:MMIIIA
101:called
99:pottery
78:and in
25:octopus
3596:Tleson
3591:Sokles
3538:Gryton
3518:Amasis
3396:Minoan
3379:Aegean
3067:Stylos
3022:Armeni
2986:Petras
2976:Lakkos
2946:Kommos
2920:Zakros
2840:Topics
2702:
2640:about
2629:
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2486:*aukw-
2466:letter
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1898:May 2,
1514:di-pa
1347:schist
1314:rhyton
1310:frieze
1212:View 4
1208:View 3
1204:View 1
1050:Pithos
1020:Krater
877:Ugarit
869:Aegean
832:Kassel
790:pithoi
777:Pithoi
767:Pithoi
438:", or
430:Pyrgos
417:Pyrgos
364:Kommos
203:MMIIB
195:MMIIA
164:EMIII
91:rhyton
72:Cyprus
68:Greece
64:Aegean
56:strata
3108:Karfi
3015:Tombs
2915:Malia
2891:Sites
2596:Crete
1892:(PDF)
1877:(PDF)
1724:Notes
1553:suppu
1521:depas
1184:rhyta
1170:Rhyta
1022:from
817:tests
752:forms
704:wares
477:pyxes
423:(AMH)
340:slips
259:LMII
242:LMIB
234:LMIA
180:MMIB
172:MMIA
156:EMII
80:Egypt
76:Syria
70:, in
60:Crete
3648:Slip
3637:LIMC
3113:Modi
2700:ISBN
2627:ISBN
2613:ISBN
2586:ISBN
2562:ISBN
2548:ISBN
2519:ISBN
2446:ISBN
2329:link
2325:link
2307:OCLC
2297:ISBN
2278:link
2260:OCLC
2250:ISBN
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2060:ISBN
2000:ISBN
1975:ISBN
1952:OCLC
1942:ISBN
1900:2013
1406:and
1402:The
750:The
742:and
533:Ware
485:Some
432:Ware
360:kiln
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128:and
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