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to accompany the voice of the vocalist and chorus. Most of the above-mentioned instruments are handmade folk instruments, made from locally available materials, as opposed to commercially produced instruments. The oldest surviving recordings of the marímbula in Cuba were made by
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Designs of marimbulas vary greatly, in terms of the material of resonator, the number and arrangement of keys, the overall arrangement and size of the instrument and the way it is played.
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This was one of the many instruments imported from the
Americas to Africa, which continue to be played to this day, in various forms and styles, particularly in the countries of
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428:, maracas, and vocals in the churches, where it was known as church and clap, in nightclubs where it was known as jazz jim, and among the various hotel performers, who played
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African slaves of the
Caribbean made musical instruments from whatever stray material they could lay their hands on. Early marimbulas were made from discarded wooden
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genres developed as a result of the combination of
African and Spanish musical styles and instrumentation. Thus, changüí musicians still play a pair of
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strips are attached at one end to the resonating box. These metal strips are tuned to different pitches, and are plucked to produce a
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This instrument was very important in the development of Afro-Cuban music as it was one of the basic instruments played by
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194:, used to produce complex polyphony and polyrhythms, the marimbula usually plays the role of a
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Continuum
Encyclopedia of Popular Music of the World: Volume II – Performance and Production
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With its roots in
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with a sound hole cut in the center of it. Across this hole, a number of
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support for a band, although it can produce a simple melody as well.
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The marímbula became quite popular in
Jamaica in conjunction with
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for the music. The marímbula is usually classified as part of the
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music. It can still be found in use by mento musicians such as
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Currently, the instrument is regaining popularity among
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Central
American and Caribbean percussion instruments
190:Unlike typical African lamellophones, such as the
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580:Another page on the marimbula with examples
491:Shepherd, John; Horn, David, eds. (2003).
87:Learn how and when to remove this message
585:Video of Cuban musicians playing Changui
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50:This article includes a list of general
519:Los Instrumentos De Percusión En México
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615:Dominican Republic musical instruments
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497:. London, UK: Continuum. p. 390.
272:. By the 1930s it had made its way to
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543:. México: Grupo Editorial Planeta.
465:, a similar instrument used in the
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155:. In Mexico, where it is known as
56:it lacks sufficient corresponding
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341:Sound of a marímbula being played
541:Atlas Cultural de México. Música
521:. México: Colegio de Michoacán.
151:genre, as well as old styles of
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236:family of musical instruments.
27:Lamellophone from the Caribbean
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147:. In Cuba it is common in the
141:plucked box musical instrument
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365:musicians. Both changüí and
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620:Mexican musical instruments
610:Haitian musical instruments
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288:, other Caribbean islands,
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570:The story of the marimbula
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605:Cuban musical instruments
575:Modern marimbula workshop
517:Chamorro, Arturo (1984).
332:), and box lamellophone.
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30:Not to be confused with
373:, marímbula, a pair of
167:, where it is known as
71:more precise citations.
625:Contrabass instruments
132:Spanish pronunciation:
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296:. The Cubans call it
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565:Photos of marimbulas
453:and The Jolly Boys.
136:[maˈɾimbula]
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600:Comb lamellophones
278:Dominican Republic
171:, it is played in
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217:It consists of a
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16:(Redirected from
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318:Puerto Rico
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196:bass guitar
161:son jarocho
69:introducing
594:Categories
478:References
472:Oopoochawa
463:Prempensua
358:box drum.
77:April 2021
52:references
394:in 1925.
298:marímbula
254:Caribbean
181:rumba box
175:, and in
163:; in the
145:Caribbean
128:marímbula
111:Marimbula
100:Marímbula
18:Marimbula
539:(1988).
457:See also
314:marimbol
258:Americas
230:bassline
204:harmonic
200:rhythmic
157:marimbol
635:Jarocho
441:hip hop
422:guitars
415:Nigeria
403:Liberia
375:maracas
363:changüí
330:Jamaica
326:calymba
322:calimba
310:manimba
306:malimba
302:marimba
286:Jamaica
268:to the
266:Liberia
264:, from
246:Oriente
240:History
177:Jamaica
169:marimba
149:changüí
143:of the
139:) is a
65:improve
32:marimba
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407:Guinea
381:, and
290:Mexico
276:, the
262:Africa
260:, and
256:, the
54:, but
446:mbira
430:mento
426:drums
411:Ghana
379:güiro
356:cajon
274:Haiti
270:Congo
226:metal
192:mbira
185:mento
545:ISBN
537:INAH
523:ISBN
499:ISBN
413:and
390:and
383:tres
250:Cuba
219:wood
202:and
126:The
367:son
222:box
153:son
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
