553:
544:
359:
31:
523:âThe glass roofs of the studio created a furnace in the daytime, while at night, when a lot of the filming took place, arctic temperatures were recorded...French laboratories were found to be unsatisfactory. The London laboratories were too far away. Equipment set up in the studios developed defects and much negative was found to be unusable and necessitated many retakes. Eventually, technicians had to be brought in from Hollywood for this work.â
230:
912:
Brownlow, 2018 SFSFF: âPerhaps the finest sequence Ingram ever shot was the execution of Freya. For the sake of atmosphere, he hired the same bugle band that had attended the execution of Mata Hari. The 24th
Battalion de Chasseurs Alpins, âthe Blue Devils,â also appeared in the sequence, photographed
938:
estimated that the rough cut of the film reached twenty-three thousand feet âended up with two hours of film.ââ And: âIt is safe to assume that many important scenes were eliminated on orders from MGM's front office, including some anti-German scenes after complaints from the German
Embassy. An
1037:
Brownlow, 2018 SFSFF: âIn August came the French premiere, attended by the prime minister, infuriating the
Germans who banned the film...MGM, facing a boycott from Central Europe, gave a formal promise to refrain from the production of pictures âtending to provoke international animosity.â .The
587:
is mortal after all. No one who saw it could forget the execution at
Vincennes, her arrival by limousine, dressed in fashionable clothes (âI shall die in my uniformâ), her lofty bravery quenched by the actual sight of the rifles, her single horrifying glimpse of the coffin waiting to carry her
307:
Upon hearing of the death, Freya sends
Ulysses a letter denouncing the barbarity of the act; it is intercepted by Doctor Fedelmann. That, along with Freya's admission she has fallen in love with Ulysses, convinces Fedelmann that her subordinate can no longer be trusted. She sends Freya to
234:
233:
235:
902:
was big. It was shot in three countries -- France, Italy and Spain -- on such a massive scale that Ingram couldn't even direct the
Spanish sequences himself. He handed them instead to cinematographer John F. Seitz. It took so long to make the film ...15
578:
depicts spy Freya
Talberg's execution by German authorities for treason. Film archivist Kevin Brownlow describes it as âperhaps the finest sequence Ingram ever shot.â Film historian Charles Higham describes Ingram's cinematic handling of her demise:
312:, intending to betray her to the French. Freya suspects as much, and begs Ulysses to take her to safety aboard his ship. Ulysses is torn, but a vision of his son shaking his head makes him refuse. Freya is later captured, convicted, and shot by a
232:
1076:
Miller, 2004 TCM: âAlthough hard to find for years, it would have a huge influence on other filmmakers. Orson Welles drew on one sequence, a love scene between Terry and Moreno played in front of the octopus tank in an aquarium. In
1018:
Brownlow, 2018 SFSFF: âThe title didn't help: Ingram had fought as hard to retain the original Latin as he had to keep the tragic ending. He had even been reluctant to add the subtitle âOur Seaâ...(Broadway wags called it âHorse
278:, and meets Freya Talberg (Alice Terry) and the learned Doctor Fedelmann. He soon falls in love with Freya (who looks exactly like his uncle's painting of Amphitrite). Though she later informs him that she is an
931:
Miller, 2004 TCM: âIn addition, Ingram shot much more film than he could have used -- over one million feet. After much editing, MGM came up with a version running just under two hours for its New York
788:
Brownlow, 2018: Ingram âso loathed Louis B. Mayer that he refused to allow his name on his pictures... still under contract , Ingram emigrated in 1924 to the south of France...using M-G-M moneyâ to make
1540:
319:
As he is leaving Freya's apartment, Ulysses encounters Count
Kaledine. After a brief struggle, he chases Kaledine through the streets, gathering a mob. Kaledine is caught and taken into custody.
610:âRex Ingram, a major talent who specialized in big films, was more a painter than a movie director, with little sense of pace and rhythm, at best a superb pictorial flair. His finest work was
1028:
Brownlow, 2018 SFSFF: â...the picture did good business in New York for a while thanks to the
Italian and Spanish population, smashing records at the Capitol, grossing $ 118,249 in two weeks.â
592:
From the over one million feet of film Ingram shot, his editing produced a four-hour rough cut. The studio made further cuts, including scenes deemed anti-German by that country's embassy.
246:
As a young boy growing up in a
Spanish family with a long and very distinguished maritime tradition, Ulysses Ferragut is regaled with tales of the sea by his retired uncle, the "Triton" (
642:
reported that audience response at its premier was unimpressive. Ingram insisted on retaining the original title from Ibåñez's novel, which some critics and audiences found perplexing (
267:, a fast, modern freighter, and prospers. However, he finally gives in to his wife, Doña Cinta, for the sake of their son Esteban, and agrees to sell his ship. With the outbreak of
231:
1096:
Miller, 2004 TCM: âBritish director Michael Powell, who worked on Mare Nostrum as a grip, would cite Ingram as one of the influences on his own visionary epics, including
1795:
292:
Meanwhile, young Esteban leaves home without permission to find his father. After a week waiting for Ulysses at his lodgings, Esteban goes back to Barcelona aboard the
583:"Many sequences are admirably realized, but none as admirably as Freyaâs (Alice Terry) downfall and ruin. Caught up by her own side, she is imprisoned and shot:
358:
282:
spy (as is Fedelmann), Spain is neutral and his ardor is undiminished. He agrees to transport Count Kaledine to a secret rendezvous in the Mediterranean. The
896:
Brownlow, 2018 SFSFF: âShot in picturesque locations such as Barcelona, Naples, Paestum, Marseilles, and Pompeii, Mare Nostrum took fifteen months to make.â
1547:
660:, which depicts a German U-boat destruction of a Spanish merchant ship. The film was praised in France and banned in Germany. Metro-Goldwyn-Mayer issued a
527:
The film adaptation required location shooting in France, Italy and Spain, obliging Ingram to allot the sequences shot in Barcelona to his cinematographer
782:
Miller, 2004 TCM: âIngram was disgusted with Hollywood.... fled in 1924...in Nice, France... he bought his own studio in Nice, the Victorine...â to film
883:
Miller, 2004 TCM: â...the foreign shoot had more than its set of problems...Ingram solved some of these problems when he plundered the Italian sets of
552:
543:
1710:
1606:
1416:
1083:
Brownlow, 2018 SFSFF: âthe symbolic love scene with an octopus in a tank one take...(it influenced Orson Welles to try something similar in
1064:
519:. The facility required extensive upgrades, and regional technical services support was inadequate. Film archivist Kevin Brownlow writes:
1805:
1579:
447:"Between Europe and Africa stretching from Gibraltar to the Syrian Coast, lies the Mediterranean, land-locked and tideless, known to the
468:
672:
Ingram positioned the notable love scene between Alice Terry and Antonio Moreno in front of a large aquarium tank featuring a large
1880:
304:. Ulysses learns of his son's fate from a survivor, and realizes to his grief his role in the tragedy. He vows to avenge his boy.
1785:
974:
1790:
1775:
1770:
1408:
830:
Miller, 2004 TCM: âHe had scored one of his biggest successes with his adaptation of Spanish novelist Vicente Blasco Ibåñez's
1875:
1800:
217:, and follows a Spanish merchant sailor who becomes involved with a German spy. It is based on the novel of the same name by
1870:
1855:
1845:
1830:
1571:
1282:
872:. Although it required extensive modernization, he got around that by including the costs within the budget paid by MGM...â
1533:
1840:
1810:
1005:
considered it âdraggyâ and reported that the depiction of the enemy drew snickers on the first night. âBesides which,â
1835:
1440:
1148:
1142:
1060:
970:
1226:
334:. Only longtime family friend and sea cook Caragol refuses to leave him. On the voyage, they are intercepted by the
1820:
866:
Brownlow, 2018 SFSFF: Ingram âtook over a rundown former Gaumont studio ...Using MGM money, Ingram re-equipped it.â
1860:
1496:
650:
597:
939:
abbreviated version of 115 minutes had its premiere at the Criterion Theatre, New York, on February 15, 1926...â
1825:
1850:
1168:
1718:
1780:
1742:
1344:
1130:
615:
254:. Though his lawyer father, Don Esteban, wants him to follow in his footsteps, Ulysses becomes a sailor.
466:
Rex Ingram's reputation as an outstanding Hollywood director rested on the enormous success of his 1921
1734:
1678:
1614:
1598:
1556:
1255:
1241:
1220:
473:
218:
66:
1865:
717:
694:
649:
Movie-goers of Spanish and Italian descent flocked to the Mediterranean-themed picture at New York's
949:
1694:
1488:
1275:
730:
455:â'Our Sea'...Upon its bosom mankind spread the first sail, from its depths the sea gods were born."
1215:
1081:(1947), Rita Hayworth seduces Welles while in front of a tank in which one fish preys on another.â
997:
Brownlow, 2018 SFSFF: âThe initial reviews and public response were encouraging. But according to
1815:
1464:
1456:
1392:
632:
913:
at Vincennes, near the PathĂ© factory, where such executions had so frequently been carried out.â
1726:
1638:
847:, an epic tale of World War I espionage and naval battles, seemed a natural choice for Ingram.â
686:
410:
271:, however, the enormous profits to be made from the sudden demand for shipping ends this plan.
209:. It was the first production made by Ingram while in voluntary exile and stars Ingram's wife,
1686:
1320:
1292:
1202:
206:
41:
1207:
752:, who, the year before, had directed the first full-length Spanish film version of the 1869
1472:
1424:
1328:
753:
508:
496:, âan epic tale of World War I espionage and naval battles.â The title was taken from the
8:
1765:
1662:
1400:
1268:
764:
431:
380:
247:
1504:
1360:
638:
350:. As Ulysses descends into the ocean depths, Amphitrite rises to embrace and kiss him.
1702:
1432:
1368:
1352:
1336:
1304:
1180:
1161:
1138:
1056:
966:
869:
501:
488:
from bankruptcy, and earned the director the undying gratitude of the head of Metro,
425:
1038:
studio began making films portraying the Germans in a more favorable light...â And:"
1622:
1384:
1009:
continued, âit's a gruesome tale without a solid laugh during the entire telling.ââ
745:
481:
398:
1149:
https://www.tcm.com/tcmdb/title/1253/mare-nostrum#articles-reviews?articleId=70890
711:
330:, replacing his crew with French military sailors, and transporting munitions to
279:
250:), and is particularly fascinated by his claim to have once seen the sea goddess
51:
1630:
1448:
1312:
1260:
1116:
485:
477:
419:
374:
258:
84:
30:
1246:
1232:
1759:
1654:
1376:
935:
824:
Brownlow, 2018 SFSFF: â...Rex Ingram had his biggest success with 1921's The
702:
528:
108:
98:
1196:
1087:.)â And: âThe aquarium love scenes were the most annoying had witnessed...â
868:
Miller, 2004 TCM: âFor Mare Nostrum, he bought his own studio in Nice , the
221:. Long thought lost, the film has recently been re-discovered and restored.
1670:
741:
681:
512:
448:
331:
313:
263:
1185:
995:
Miller, 2004 TCM: âEven shortened, however, it was a critical triumph...â
760:
489:
392:
368:
268:
214:
210:
196:
177:
88:
1525:
1174:
653:, grossing M-G-M almost $ 20,000 in the first two weeks of its release.
1124:
749:
737:
698:
584:
309:
289:
surfaces, takes on fuel from Ulysses' ship, and departs with Kaledine.
251:
202:
181:
596:, with a running time of just under two-hours premiered at New York's
854:
1191:
343:
327:
199:
684:
admired it, adapting the imagery for the seduction scene from his
673:
656:
Post-World War I nationalism in Europe polarized the reaction to
492:.â Ingram was determined to adapt another Ibåñez novel, his 1918
275:
296:, a British passenger ship. However, the boy is killed when the
1512:
1216:
Lobby poster, theatrical; $ 2 asking price for theater entrance
1053:
Beyond Hollywood's Grasp: American Filmmakers Abroad, 1914-1945
283:
497:
416:
PĂąquerette as Doctor Fedelmann (credited as Mme. Paquerette)
1147:
Miller. Frank. 2004. Mare Nostrum. Turner Classic Movies.
815:(1923) he was considered one of Hollywood's top directors.â
809:
The Four Horsemen of the Apocalypse, The Prisoner of Zenda
709:
with influencing his own directorial efforts, among them
126:
404:
Mademoiselle Kithnou as Dona Cinta (credited as Kithnou)
428:
as Submarine Commander (credited as André von Engelman)
857:
story set during the U-boat campaignâ in World War I.
701:
on the film, having been introduced by set designer
630:
opened to encouraging critical reviews, though both
646:is Latin for âseaâ, in English, a âfemale horseâ).
1001:magazine, it was a cold premiere. A flop.â And: â
588:away...Ingram never again equaled this sequence.â
342:torpedoed and doomed, Ulysses mans the abandoned
261:), Ulysses uses his life savings to purchase the
1757:
1290:
603:
326:in the service of the Allies, arming her with a
274:On a stop in Italy, Ulysses visits the ruins of
843:Miller, 2004 TCM: â...Ibanez's favorite novel,
362:Screen shot with Alice Terry and Antonio Moreno
965:, Minneapolis: University of Minnesota, 2006,
1796:Films based on works by Vicente Blasco Ibåñez
1541:
1276:
807:Miller, 2004 TCM: â...because with hits like
1548:
1534:
1283:
1269:
1137:. Doubleday & Company, Inc. New York.
740:, was made in Spanish in 1948. It starred
515:, financed by M-G-M preliminary to making
29:
1555:
1055:, Metuchen, New Jersey: Scarecrow, 1994,
828:from the Vicente Blasco Ibåñez novel...â
620:The Art of the American Film: 1900-1971.
407:Rosita RamĂrez as Pepita, Ulysses' Niece
357:
228:
1135:The Art of the American Film: 1900-1971
1042:gradually slumped at the box office..."
1758:
1123:. San Francisco Silent Film Festival.
887:(1925), which MGM had just shut down.â
472:, a film adaption of Spanish novelist
1529:
1264:
1125:https://silentfilm.org/mare-nostrum/
898:Miller, 2004 TCM: âEverything about
676:, eliciting audience âannoyanceâ at
500:term used by ancient Romans for the
1711:The Four Horsemen of the Apocalypse
1607:The Four Horsemen of the Apocalypse
1580:The Four Horsemen of the Apocalypse
1417:The Four Horsemen of the Apocalypse
1155:
832:The Four Horsemen of the Apocalypse
664:to placate their European markets.
469:The Four Horsemen of the Apocalypse
13:
1806:Films set in the Mediterranean Sea
963:Dudley Murphy, Hollywood Wild Card
389:Kada-Abd-el-Kader as Young Ulysses
14:
1892:
386:Ălex Nova as Don Esteban Ferragut
1237:(1926) trailer for restored film
826:Four Horsemen of the Apocalypse,
551:
542:
1881:Surviving American silent films
1090:
1070:
1045:
1031:
1022:
1012:
989:
980:
955:
942:
925:
916:
724:
476:âs work that had, according to
1786:American black-and-white films
934:Brownlow, 2018 SFSFF: âEditor
906:
890:
875:
860:
837:
818:
801:
792:
776:
680:âs New York premier. Director
574:A highly regarded sequence in
1:
1791:Films based on Spanish novels
1776:American silent feature films
1771:American romantic drama films
705:. He later credited Ingram's
604:Critical and popular response
439:
371:as Freya Talberg / Amphitrite
1876:1920s English-language films
1801:Films directed by Rex Ingram
1169:AFI Catalog of Feature Films
770:
667:
535:took 15 months to complete.
507:Ingram purchased the former
7:
1871:Silent American drama films
1856:Silent romantic drama films
1846:Rediscovered American films
1831:World War I submarine films
1345:The Reward of the Faithless
141:February 15, 1926
10:
1897:
1110:
849:Brownlow, 2018 SFSFF: â...
1841:1926 romantic drama films
1811:Metro-Goldwyn-Mayer films
1590:
1563:
1299:
434:as a Servant (uncredited)
383:(Louis Uni) as The Triton
322:Ulysses then employs the
213:. The film is set during
173:
165:
155:
132:
122:
114:
104:
94:
80:
72:
57:
47:
37:
28:
23:
1836:1920s rediscovered films
761:early 17th century novel
614:(1926).ââFilm historian
257:When he is a grown man (
1821:World War I naval films
1465:Where the Pavement Ends
1223:at silentsaregolden.com
1151:Retrieved 13 June 2021.
1127:Retrieved 14 June 2021.
731:second film version of
633:Motion Picture Magazine
353:
224:
16:1926 film by Rex Ingram
1861:Silent adventure films
1639:Circe, the Enchantress
1079:The Lady From Shanghai
748:, and was directed by
687:The Lady from Shanghai
624:
590:
525:
474:Vicente Blasco Ibåñez
463:
363:
243:
1826:World War I spy films
1557:Vicente Blasco Ibåñez
1441:The Prisoner of Zenda
1321:The Chalice of Sorrow
986:Higham, 1973 p. 39-40
950:p. 131, p. 137 (note)
922:Higham,1973 p. 39-40:
853:, a retelling of the
608:
600:on 15 February 1926.
581:
521:
444:
361:
238:
219:Vicente Blasco Ibåñez
67:Vicente Blasco Ibåñez
1851:1920s American films
1425:The Conquering Power
1251:(1926) restored film
881:Brownlow, 2018 SFSFF
457:âOpening titles for
1497:The Garden of Allah
1401:Under Crimson Skies
765:Miguel de Cervantes
566:Motion Picture News
401:as Esteban Ferragut
377:as Ulysses Ferragut
195:is a 1926 American
1781:American spy films
1505:The Three Passions
1361:The Flower of Doom
1291:Films directed by
1203:TCM Movie Database
1085:Lady from Shanghai
364:
244:
1753:
1752:
1703:Beyond All Limits
1523:
1522:
1433:Turn to the Right
1409:Hearts Are Trumps
1369:His Robe of Honor
1353:The Pulse of Life
1337:The Little Terror
1305:The Great Problem
598:Criterion Theatre
502:Mediterranean Sea
426:Andrews Engelmann
422:as Count Kaledine
413:as Toni, the Mate
411:Frédéric Mariotti
236:
188:
187:
1888:
1866:Silent war films
1623:Enemies of Women
1550:
1543:
1536:
1527:
1526:
1385:The Day She Paid
1285:
1278:
1271:
1262:
1261:
1252:
1238:
1212:at silentera.com
1156:External Sources
1105:
1094:
1088:
1074:
1068:
1049:
1043:
1035:
1029:
1026:
1020:
1016:
1010:
993:
987:
984:
978:
959:
953:
946:
940:
929:
923:
920:
914:
910:
904:
894:
888:
879:
873:
864:
858:
841:
835:
822:
816:
805:
799:
798:Miller, 2004 TCM
796:
790:
780:
555:
546:
480:âmade a star of
399:Mickey Brantford
237:
148:
146:
33:
21:
20:
1896:
1895:
1891:
1890:
1889:
1887:
1886:
1885:
1756:
1755:
1754:
1749:
1743:Arroz y tartana
1586:
1559:
1554:
1524:
1519:
1295:
1289:
1247:
1233:
1158:
1131:Higham, Charles
1117:Brownlow, Kevin
1113:
1108:
1098:Black Narcissus
1095:
1091:
1082:
1075:
1071:
1051:Harry Waldman,
1050:
1046:
1036:
1032:
1027:
1023:
1017:
1013:
996:
994:
990:
985:
981:
960:
956:
947:
943:
933:
930:
926:
921:
917:
911:
907:
897:
895:
891:
882:
880:
876:
867:
865:
861:
848:
842:
838:
829:
823:
819:
806:
802:
797:
793:
787:
781:
777:
773:
759:, based on the
727:
712:Black Narcissus
699:apprentice grip
670:
651:Capitol Theatre
625:
606:
572:
571:
570:
569:
558:
557:
556:
548:
547:
464:
442:
437:
356:
300:is sunk by the
229:
227:
158:
151:
144:
142:
135:
87:
64:
52:Willis Goldbeck
17:
12:
11:
5:
1894:
1884:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1818:
1816:U-boat fiction
1813:
1808:
1803:
1798:
1793:
1788:
1783:
1778:
1773:
1768:
1751:
1750:
1748:
1747:
1739:
1735:Blood and Sand
1731:
1723:
1715:
1707:
1699:
1691:
1683:
1679:Blood and Sand
1675:
1667:
1659:
1651:
1643:
1635:
1631:Argentine Love
1627:
1619:
1615:Blood and Sand
1611:
1603:
1599:Blood and Sand
1594:
1592:
1588:
1587:
1585:
1584:
1576:
1567:
1565:
1561:
1560:
1553:
1552:
1545:
1538:
1530:
1521:
1520:
1518:
1517:
1509:
1501:
1493:
1485:
1477:
1469:
1461:
1453:
1449:Trifling Women
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
1349:
1341:
1333:
1325:
1317:
1313:Broken Fetters
1309:
1300:
1297:
1296:
1288:
1287:
1280:
1273:
1265:
1259:
1258:
1244:
1230:
1224:
1218:
1213:
1205:
1194:
1183:
1172:
1171:
1157:
1154:
1153:
1152:
1145:
1128:
1112:
1109:
1107:
1106:
1089:
1069:
1044:
1030:
1021:
1011:
999:Motion Picture
988:
979:
961:Susan Delson,
954:
941:
924:
915:
905:
889:
874:
859:
836:
817:
800:
791:
774:
772:
769:
726:
723:
695:Michael Powell
669:
666:
616:Charles Higham
607:
605:
602:
560:
559:
550:
549:
541:
540:
539:
538:
537:
509:Gaumont studio
486:Metro Pictures
478:Kevin Brownlow
443:
441:
438:
436:
435:
429:
423:
420:Fernand Mailly
417:
414:
408:
405:
402:
396:
390:
387:
384:
378:
375:Antonio Moreno
372:
365:
355:
352:
346:and sinks the
259:Antonio Moreno
226:
223:
186:
185:
175:
171:
170:
167:
163:
162:
159:
156:
153:
152:
150:
149:
138:
136:
133:
130:
129:
124:
123:Distributed by
120:
119:
116:
112:
111:
106:
102:
101:
96:
95:Cinematography
92:
91:
85:Antonio Moreno
82:
78:
77:
74:
70:
69:
59:
55:
54:
49:
45:
44:
39:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1893:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1804:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
1779:
1777:
1774:
1772:
1769:
1767:
1764:
1763:
1761:
1745:
1744:
1740:
1737:
1736:
1732:
1729:
1728:
1724:
1721:
1720:
1719:Cañas y barro
1716:
1713:
1712:
1708:
1705:
1704:
1700:
1697:
1696:
1692:
1689:
1688:
1684:
1681:
1680:
1676:
1673:
1672:
1668:
1665:
1664:
1660:
1657:
1656:
1655:The Temptress
1652:
1649:
1648:
1644:
1641:
1640:
1636:
1633:
1632:
1628:
1625:
1624:
1620:
1617:
1616:
1612:
1609:
1608:
1604:
1601:
1600:
1596:
1595:
1593:
1589:
1582:
1581:
1577:
1574:
1573:
1569:
1568:
1566:
1562:
1558:
1551:
1546:
1544:
1539:
1537:
1532:
1531:
1528:
1515:
1514:
1510:
1507:
1506:
1502:
1499:
1498:
1494:
1491:
1490:
1486:
1483:
1482:
1478:
1475:
1474:
1470:
1467:
1466:
1462:
1459:
1458:
1454:
1451:
1450:
1446:
1443:
1442:
1438:
1435:
1434:
1430:
1427:
1426:
1422:
1419:
1418:
1414:
1411:
1410:
1406:
1403:
1402:
1398:
1395:
1394:
1390:
1387:
1386:
1382:
1379:
1378:
1377:Humdrum Brown
1374:
1371:
1370:
1366:
1363:
1362:
1358:
1355:
1354:
1350:
1347:
1346:
1342:
1339:
1338:
1334:
1331:
1330:
1329:Black Orchids
1326:
1323:
1322:
1318:
1315:
1314:
1310:
1307:
1306:
1302:
1301:
1298:
1294:
1286:
1281:
1279:
1274:
1272:
1267:
1266:
1263:
1257:
1253:
1250:
1245:
1243:
1239:
1236:
1231:
1228:
1225:
1222:
1219:
1217:
1214:
1211:
1210:
1206:
1204:
1200:
1199:
1195:
1193:
1189:
1188:
1184:
1182:
1178:
1177:
1173:
1170:
1167:
1165:
1164:
1160:
1159:
1150:
1146:
1144:
1143:0-385-06935-9
1140:
1136:
1132:
1129:
1126:
1122:
1118:
1115:
1114:
1103:
1102:The Red Shoes
1099:
1093:
1086:
1080:
1073:
1066:
1062:
1061:0-8108-2841-3
1058:
1054:
1048:
1041:
1034:
1025:
1015:
1008:
1004:
1000:
992:
983:
976:
972:
971:0-8166-4654-6
968:
964:
958:
951:
945:
937:
936:Grant Whytock
928:
919:
909:
901:
893:
886:
878:
871:
863:
856:
852:
846:
840:
833:
827:
821:
814:
810:
804:
795:
785:
779:
775:
768:
766:
762:
758:
756:
751:
747:
743:
739:
736:, this one a
735:
734:
722:
720:
719:
718:The Red Shoes
714:
713:
708:
704:
703:Harry Lachman
700:
697:worked as an
696:
691:
689:
688:
683:
679:
675:
665:
663:
659:
654:
652:
647:
645:
641:
640:
635:
634:
629:
623:
621:
617:
613:
601:
599:
595:
589:
586:
580:
577:
567:
563:
554:
545:
536:
534:
530:
529:John F. Seitz
524:
520:
518:
514:
510:
505:
503:
499:
495:
491:
487:
483:
479:
475:
471:
470:
462:
460:
456:
452:
450:
433:
430:
427:
424:
421:
418:
415:
412:
409:
406:
403:
400:
397:
394:
391:
388:
385:
382:
379:
376:
373:
370:
367:
366:
360:
351:
349:
345:
341:
337:
333:
329:
325:
320:
317:
315:
311:
305:
303:
299:
295:
290:
288:
285:
281:
277:
272:
270:
266:
265:
260:
255:
253:
249:
241:
222:
220:
216:
212:
208:
204:
201:
198:
194:
193:
183:
179:
176:
172:
169:United States
168:
164:
160:
154:
140:
139:
137:
131:
128:
125:
121:
117:
113:
110:
109:Grant Whytock
107:
103:
100:
99:John F. Seitz
97:
93:
90:
86:
83:
79:
75:
71:
68:
63:
60:
56:
53:
50:
46:
43:
40:
36:
32:
27:
22:
19:
1741:
1733:
1725:
1717:
1709:
1701:
1695:Mare Nostrum
1693:
1685:
1677:
1671:Wine Cellars
1669:
1661:
1653:
1647:Mare Nostrum
1646:
1645:
1637:
1629:
1621:
1613:
1605:
1597:
1578:
1570:
1511:
1503:
1495:
1489:The Magician
1487:
1481:Mare Nostrum
1480:
1479:
1471:
1463:
1455:
1447:
1439:
1431:
1423:
1415:
1407:
1399:
1391:
1383:
1375:
1367:
1359:
1351:
1343:
1335:
1327:
1319:
1311:
1303:
1249:Mare Nostrum
1248:
1235:Mare Nostrum
1234:
1209:Mare Nostrum
1208:
1198:Mare Nostrum
1197:
1186:
1176:Mare Nostrum
1175:
1163:Mare Nostrum
1162:
1134:
1121:Mare Nostrum
1120:
1101:
1097:
1092:
1084:
1078:
1072:
1052:
1047:
1040:Mare Nostrum
1039:
1033:
1024:
1019:Linimentâ).â
1014:
1006:
1002:
998:
991:
982:
962:
957:
944:
932:premiere...â
927:
918:
908:
900:Mare Nostrum
899:
892:
884:
877:
862:
851:Mare Nostrum
850:
845:Mare Nostrum
844:
839:
831:
825:
820:
812:
808:
803:
794:
784:Mare Nostrum
783:
778:
754:
742:Fernando Rey
733:Mare Nostrum
732:
728:
725:Sound remake
716:
710:
707:Mare Nostrum
706:
692:
685:
682:Orson Welles
678:Mare Nostrum
677:
671:
661:
658:Mare Nostrum
657:
655:
648:
643:
637:
631:
628:Mare Nostrum
627:
626:
619:
612:Mare Nostrum
611:
609:
594:Mare Nostrum
593:
591:
582:
576:Mare Nostrum
575:
573:
565:
562:Mare Nostrum
561:
533:Mare Nostrum
532:
526:
522:
517:Mare Nostrum
516:
513:Nice, France
506:
494:Mare Nostrum
493:
467:
465:
459:Mare Nostrum
458:
454:
453:Mare Nostrum
446:
445:
347:
340:Mare Nostrum
339:
335:
324:Mare Nostrum
323:
321:
318:
314:firing squad
306:
301:
297:
293:
291:
286:
273:
264:Mare Nostrum
262:
256:
245:
240:Mare Nostrum
239:
205:directed by
192:Mare Nostrum
191:
190:
189:
157:Running time
134:Release date
62:Mare Nostrum
61:
24:Mare Nostrum
18:
1591:Adaptations
1457:Scaramouche
1393:Shore Acres
1100:(1947) and
813:Scaramouche
811:(1922) and
755:Don Quixote
746:MarĂa FĂ©lix
715:(1947) and
511:located in
490:Marcus Loew
432:John George
393:Hughie Mack
369:Alice Terry
338:. With the
298:Californian
294:Californian
269:World War I
215:World War I
211:Alice Terry
182:intertitles
161:102 minutes
118:William Axt
89:Alice Terry
73:Produced by
38:Directed by
1766:1926 films
1760:Categories
1727:La barraca
1293:Rex Ingram
1229:at tcm.com
903:months...â
750:Rafael Gil
738:sound film
693:The young
585:Amphitrite
440:Production
395:as Caragol
310:Marseilles
252:Amphitrite
207:Rex Ingram
203:drama film
145:1926-02-15
76:Rex Ingram
48:Written by
42:Rex Ingram
1687:The Shack
1572:The Shack
1227:Film clip
870:Victorine
855:Mata Hari
834:in 1921.â
771:Footnotes
668:Influence
662:mea culpa
482:Valentino
316:at dawn.
180:(English
105:Edited by
1473:The Arab
1192:AllMovie
1187:Synopsis
1133:. 1973.
1119:. 2018.
1104:(1948).â
948:Soares,
721:(1948).
690:(1947).
622:(1973).
484:, saved
461:(1926).
449:ancients
344:deck gun
332:Salonica
328:deck gun
280:Austrian
174:Language
115:Music by
81:Starring
58:Based on
1663:Torrent
1256:YouTube
1242:YouTube
1201:at the
1166:at the
1111:Sources
1007:Variety
1003:Variety
885:Ben-Hur
674:octopus
639:Variety
564:ads in
381:Apollon
276:Pompeii
248:Apollon
166:Country
143: (
1746:(2003)
1738:(1989)
1730:(1979)
1722:(1978)
1714:(1962)
1706:(1959)
1698:(1948)
1690:(1945)
1682:(1941)
1674:(1930)
1666:(1926)
1658:(1926)
1650:(1926)
1642:(1924)
1634:(1924)
1626:(1923)
1618:(1922)
1610:(1921)
1602:(1916)
1583:(1916)
1575:(1898)
1564:Novels
1516:(1932)
1513:Baroud
1508:(1928)
1500:(1927)
1492:(1926)
1484:(1926)
1476:(1924)
1468:(1923)
1460:(1923)
1452:(1922)
1444:(1922)
1436:(1922)
1428:(1921)
1420:(1921)
1412:(1920)
1404:(1920)
1396:(1920)
1388:(1919)
1380:(1918)
1372:(1918)
1364:(1917)
1356:(1917)
1348:(1917)
1340:(1917)
1332:(1917)
1324:(1916)
1316:(1916)
1308:(1916)
1221:Stills
1141:
1059:
969:
789:films.
757:ballet
568:, 1926
284:U-boat
242:(1926)
197:silent
178:Silent
1065:p. 37
975:p. 72
498:Latin
1181:IMDb
1139:ISBN
1057:ISBN
967:ISBN
744:and
644:mare
636:and
354:Cast
348:U-35
336:U-35
302:U-35
287:U-35
225:Plot
1254:on
1240:on
1190:at
1179:at
763:by
618:in
504:.
451:as
200:war
127:MGM
65:by
1762::
1063:,
973:,
767:.
729:A
531:.
1549:e
1542:t
1535:v
1284:e
1277:t
1270:v
1067:.
977:.
952:.
786:.
184:)
147:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_poster_1.jpg)