761:
something that has been done before. However, changes in his work gradual, rather than leaping from one style to another. His work from the mid-1970s involves the use of computing processes, the subject continues to be geometrical shapes. The idea of the use of computers evolved from the repetition of forms, those findings were published by
Felguerez in his book "El espacio multiple" (The Multiple Space). In 1975 after obtaining a scholarship from the Guggenheim Foundation which allowed him to do research at Harvard University, he started experimenting with computers aided by the computer science engineer Mayer Sasson with whom he published the book "La Máquina Estética" (The Aesthetic Machine). Felguérez is considered to have been a pioneer of the digital art in Mexico. His emphasis on the new as well as his negative experience with establishment artists of the 1940s caused him to state emphatically that he did not want to create another school of art in Mexico.
717:
52:
443:
773:. In 1975 he was granted a Guggenheim fellowship and received the Gran Premio de Honor of the XIII Bienal de São Paulo, Brazil. In 1988 he received the Premio Nacional de Arte. In 1987, he was named an "illustrious citizen" by the state of Zacatecas. In 1988, he received the Premio Nacional de Artes. In 1993, he was designated a Creator Emeritus by presidential decree.
389:. He met his first wife, Ruth Rohde in 1951. Their families would not let them marry so they eloped. To appease the families, they later married again in a Catholic church. He tried to sell sculptures made in his workshop without success, but he did make some money by designing lamps for Enrique Anhalt. He and his wife moved to
681:, where he had his own computer, the results of his experimentation were published in a book called "multiple space", which gave him the status of being a pioneer in digital art in Mexico. Later, the project "Difference and continuity”, which consisted of 24 serigraphs, was carried out in 1975 after a research stay at the
418:
Over the course of his lifetime Felguérez took on a variety of occupations in addition to art, sometimes out of necessity. These roles included: taxidermist, anthropologist, artisan, researcher and teacher. He was a professor at the Ibero-American
University and the National Autonomous University of
796:
building which used to be a seminary and later a jail. The permanent collection contains about 100 works by the artists that represent his development over his long career as well as over 110 pieces by
Mexican and international abstract artists. The initial donation was from Felguérez's own private
454:
Felguérez's career included painting, planning sculptures, thirty years as a professor, work in theatre and cinema and handcraft design. He had over 250 individual exhibitions and over 1,500 with other artists. He felt that his most significant work was his sculpted murals and public sculptures. He
707:
In this work, the author created an artist-computer link, creating a "prototype of artificial intelligence", a computer with sensitive decisions, based on the information provided by the user, certain specific aesthetic criteria (shapes, measurements, colors), so that the machine generated several
534:
He worked in both painting and sculpture, specializing in combining sculpture as mural, creating sculpted murals in metal for public and private buildings. Most of these were done early in his career with thirty relief murals using materials such as scrap metal, stones, sand and shells finished by
292:
Felguérez grew up with his mother and her family, which owned the Ideal
Theater on Dolores Street in Mexico City. The change from rural farm life to city life was essential to his development. The family had a number of financial downturns, first losing the theatre then losing a grocery store they
288:
Felguérez's mother never returned to
Zacatecas, warning her son that if he ever returned to Valparaíso, they would kill him, and she also preferred to be with her parents in the capital city. Felguérez would return about six decades later to Zacatecas for the first time to open an art museum named
285:, which took away most of the family's holdings. The family decided to flee and later completely abandon the hacienda in 1934 for Mexico City. Felguérez's father hoped for compensation for the lost lands from the federal government, but he died after a year when Felguérez was only eight years old.
756:
His creations never reference death because to him art is life. He did not believe that art is necessarily for catharsis and his emotions are not reflected in his work. His focus is on aesthetics, painting more with the head then the hands. Felguérez described himself as a "producer and seller of
261:
in Mexico, he did most of his studies in France, where he specialized in abstract art (which was not accepted in Mexico at the time). His exhibitions were initially limited to galleries and the production of "sculpted murals" using materials such as scrap metals, stones, and sand. As attitudes in
673:
Felguérez ventured into digital art by becoming a teacher at the Ibero-American university, at that time there were only three computers in Mexico, one in the IMSS and another at the UNAM, only one open to the student body in general; there he managed to work once a week for an hour and started
760:
He characterized himself as a person of constant experimentation, as he believed constant evolution distinguishes the artist from the artisan, who repeats styles and forms. He was against the "Neo-nationalism" movement in
Mexican art as he did not like "neo" anything, since it means repeating
342:
which he could not pay. The two found cheaper passage and got to France on their own, angering the
Mexican Scout leadership, who expelled them. They then decided to hitchhike around various countries including Italy, Switzerland, France, and England, staying at houses of Scouting contacts and
703:
The aesthetic machine was a project where Felguérez again makes use of technology, where he uses a coding process, selection of original models of his mathematical drawings, and manages to reproduce and multiply selected designs, and make a sort of translator of "forms" ideas ", resulting in
419:
Mexico, retiring after thirty years, and never depended on art sales to live. As a teacher, his most important focus was to teach students to be original. He stated that it was hard for him to sell his work and sometimes large quantities of pieces could accumulate without sale.
740:
which he was exposed to in his early training. He melded these elements into his own style. His work often contains basic geometric figures such as circles, triangles, rectangles and squares, in combinations to form his own "language." His work has been compared to that of
535:
the end of the 1960s. Some of the more important works of this type are at the Diana
Theater and the Bahía water park. The "Mural de chatarra" (Mural of junk) was made for the Diana Cinema and was considered by the press to be a provocation as it did not refer to the
620:
Felguérez's works are still shown actively, and murals were still created by the artist in his eighties. In 2009 was the exhibition Manuel Felguérez, Invención
Constructiva at the Palacio de Bellas Artes in Mexico City which was inaugurated by President
2104:
612:
in Paris (1981), Libro objeto at the Galería Juan Martín in Mexico City (1982), Obra reciente at the Galería Arte Actual
Mexicano in Monterrey (1984), Confrontación 86 at the Palacio de Bellas Artes (1986), and at the
1336:
656:
In his eighties, he still spent eight hours a day experimenting and working on his art as well as traveling for exhibitions. He also used computers to program designs, experimenting with them as a new medium.
411:, who was then married to Ricardo Guerra. He divorced his wife in 1959, with two children, and soon afterwards married Carrillo. They remained married until Carrillo died in 1974, five years after a ruptured
280:
Some of the hacienda's workers demanded control of the land by force, with battles between loyalists and the insurgents occurring on the property. In the 1930s, there were land expropriations under President
1616:
1412:
1358:
670:
According to Felguérez, his work, the multiple space, can be considered as a kind of pre-sculpture, a system of symbols, an "auto-productive" system, where the author is constantly participating.
2069:
1894:
382:
1361:[Manuel Felguérez: Obra Reciente exposition opens in China] (in Spanish). Mexico: Agencia Mexicana de Coperación Internacional para el Desarrollo. March 22, 2012. Archived from
347:
and announced to Ibarguengoitia that he would become an artist. Although Ibarguengoitia laughed at the time, he later wrote that he felt that this is when Felguérez's vocation began.
1609:
634:
686:
1978:
2094:
1887:
596:
Since then, major exhibitions of his work have included; the I and II Biennials in Paris, the VI in São Paulo, the IV in Tokyo and the XX Biennial in Watercolors at the
1973:
1602:
1008:
Omar Garcia (March 14, 2003). "Entrevista/ Manuel Felguerez/ 'Cada pincelada es una decision'" [Interview/Manuel Felguérez/Every brushstroke is a decision].
257:. In 1947, he had the chance to travel to Europe and, impressed with the art there, decided to dedicate himself to the vocation. Unhappy with the education at the
692:
He commented that he liked to experiment with the computer and how it accelerated the work and that it would have taken him more time to do in a traditional way.
593:. It was the only exhibition where he sold all out the entire show and earned him a scholarship to return to France. His first individual exhibition was in 1958.
1183:
366:
and other areas to find archeological pieces to sell. At that time, there was not the consciousness that they were part of Mexico's heritage. He studied at the
1880:
984:
Silvia Cherem S. (December 14, 2003). "Entrevista / Manuel Felguerez / Contrapesos en tension" [Interview/Manuel Felguérez/Counterweights in tension].
626:
1212:
2114:
2023:
1431:
303:
He tried marijuana in his youth and he favored its legalization until his death. He received his primary, secondary and high school education through the
1933:
1362:
1306:
Alejandro Alonso (July 18, 1997). "Corredor/ Manuel Felguerez: El Limite de una Secuencia" [Corridor/Manuel Felguerez: The limit of a sequence].
516:
507:. As a member of the group he faced both political and artistic stigma. He is also associated with other writers and artists of his generation including
1464:
2008:
1983:
1943:
2018:
1938:
1993:
1255:
1988:
1968:
1963:
547:
343:
visiting museums. Although his mother wanted him to be a doctor, he was impressed by the European art he saw, especially that of English painter
1560:
1096:
840:
555:
488:
1165:
Maria Luisa Medellin (June 9, 1995). "Manuel Felguerez: No quiere crear escuela" [Manuel Felguérez: doesn't want to create a school].
797:
collection and given to the museum on the condition that it would be dedicated to the abstract art of his generation and those thereafter.
1321:"Reconoce el presidente Calderón trayectoria de Manuel Felguérez" [President Calderón recognizes the career of Manuel Felguérez].
614:
689:, to explore the possibilities of combining the creative faculties of the artist with the computer ability to analyze and systematize.
426:
and the Olivar de los Padres neighborhood of Mexico City, as well as a workshop at the Abstract Art Museum in Zacatecas. He died from
653:
in the United States which features original works by Felguérez. The enterprise's house wine label features a design by the artist.
354:
in 1948, but lasted only four months, as he did not like its conformity with the dominant artistic movement in Mexico at that time,
277:, the great-great-grandson of landholders, but by the early 20th century, these landowners were despised by the general populace.
2109:
753:. He claimed many influences but did not follow any one specifically. He regularly visited art museums to look for inspiration.
1288:
Oscar Cid de León (November 28, 2009). "'Toma' Manuel Felguérez Bellas Artes" [Manuel Felguérez takes Bellas Artes].
2099:
777:
1036:
Leticia Sanchez (July 11, 1997). "Manuel Felguerez: La huella de su arte" [Manuel Felguérez: The mark of his art].
682:
570:
in 1960, which hurt his career in the United States as his visa was canceled for being a "communist." He was able to visit
367:
2074:
1067:
1483:
728:
The formation of Felguérez's style and imagery is closely tied to the various movements of Europe such as incorporating
273:
and while the fighting initially began over religion, it quickly became about land as well. His father owned the family
293:
opened after only two years, making the family poor. There was pressure to join gangs and rob; he liked to box and see
887:
2079:
262:
Mexico changed towards art, Felguérez found acceptance for his work and remained active at over eighty years of age.
540:
1123:
630:
394:
1490:
581:
His first exhibition was in 1954 at the Instituto Francés de América Latina, where he was favorably received by
2064:
1425:
605:
308:
1561:
http://www.revistadelauniversidad.unam.mx/ojs_rum/files/journals/1/articles/11563/public/11563-16961-1-PB.pdf
1339:[President Calderon inaugurates mural by Manuel Felguérez] (in Spanish). Mexico: Government of Mexico
1238:
645:. In the same year, Estética de lo real: Caos y orden de la obra de Manuel Felguérez" was presented at the
524:
381:
and history, while also taking classes in modern art at Mascarones and studying the craft of terracotta at
1721:
1551:
Fuentes Mata, Irma. Creación y Expresión en el Museo de Arte Abstracto Manuel Felguerez. CONACULTA. 20010.
407:
He returned to France with his wife and daughter, with a large studio in the Casa de Mexico, where he met
629:, Felguérez's mural "Ecuación en Acero" (Equation in Steel) was inaugurated by the same president at the
431:
377:
He returned to Mexico in 1950 for family reasons, and he studied through 1954 for a bachelor's degree in
1746:
1671:
890:[Manuel Felguerez and the Abstract Art Museum] (in Spanish). Mexico: Mexico Desconocido magazine
456:
234:
1626:
1414:
La era de la discrepancia: arte y cultura visual en méxico art and visual culture in mexico 1968 - 1997
638:
1781:
695:
In 1977 he obtained his appointment as a researcher at the Aesthetics research institute of the UNAM.
559:
550:
and Felguérez was mostly limited to exhibiting in galleries. His art was supported by artists such as
2084:
2059:
1741:
1711:
793:
721:
1821:
1651:
807:
2089:
1594:
528:
390:
484:
266:
79:
1691:
1517:
646:
601:
344:
1872:
1836:
1731:
1696:
460:
312:
1641:
1572:
737:
641:
in 2012, the Mexican government sponsored the exhibition "Manuel Felguérez: Obra reciente" in
415:
in her back left her paralyzed. He married his third wife Mercedes Oteyza shortly thereafter.
1771:
575:
504:
400:
In 1952, he obtained a scholarship from the French government to study again in Paris at the
386:
351:
258:
401:
2054:
2049:
2028:
1706:
1656:
789:
729:
520:
282:
1491:"Restrospectiva de Manuel Felguerez pionero de la abstracción y el arte digital en méxico"
582:
334:
when the cultural scene was recovering. His intention was to go with Ibarguengoitia for a
253:
in 1928, but political instability caused his family to lose their land there and move to
51:
8:
1826:
1458:
1456:
1454:
1452:
335:
1918:
1509:
468:
1861:
1776:
1736:
1661:
716:
571:
536:
1958:
1831:
1449:
622:
1686:
1666:
1421:
1385:
1131:
770:
563:
472:
1681:
500:
330:
Scouting gave him the opportunity to travel to Europe in 1947 just after the end of
2003:
1904:
1756:
750:
567:
480:
355:
320:
1998:
1726:
1646:
492:
1953:
1215:[The Manuel Felguérez:Gráfica y Escultura exhibition arrives to Cenart].
921:
597:
590:
496:
269:, on December 12, 1928. It was a turbulent time as Zacatecas was involved in the
2105:
Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" alumni
1948:
1676:
324:
300:
2013:
1811:
1796:
1791:
1701:
1186:[Felguérez affirms that only disability would take him away from art].
677:
Later he obtained a Guggenheim scholarship and served as a guest researcher at
650:
408:
265:
Manuel Felguérez was born on his family's San Agustín del Vergel hacienda near
169:
1761:
1071:
2043:
1856:
1846:
1841:
1816:
1806:
1786:
1766:
1135:
746:
586:
464:
371:
1851:
1258:[the Aguascalientes Museum will exhibit work by Manuel Felguérez].
609:
574:
in 1966 but only under special invitation and similarly when he received a
378:
359:
339:
331:
270:
238:
230:
22:
1923:
1801:
815:
733:
546:
In the late 1950s and during the 1960s, abstract art was not accepted by
512:
476:
363:
316:
295:
254:
1184:"Afirma Felguérez que sólo incapacidad física lo alejara de la plástica"
539:
and the people of Mexico. A later work was the tzompantli-mural for the
442:
1751:
1213:"Llegó al Cenart la exposición 'Manuel Felguérez: Gráfica y Escultura'"
508:
600:, the I Bienal de escultura in Mexico City (1962), Confrontación 66,
250:
83:
1624:
633:. In 2011, 'Manuel Felguérez: Gráfica y Escultura' exhibited at the
1359:"Exposición "Manuel Felguérez: Obra reciente" se inauguró en China"
788:
The Manuel Felguérez Abstract Art Museum was opened in 1998 in the
427:
423:
412:
274:
422:
Felguérez worked as an artist until late in life. He had homes in
1902:
742:
678:
642:
304:
26:
649:. There is also a hotel/museum/boutique called The Sebastian in
229:(December 12, 1928 – June 8, 2020) was a Mexican
1542:
Debroise, Olivier. The Age of Discrepancies. Turner-UNAM, 2006.
2070:
Academic staff of the National Autonomous University of Mexico
554:, Juan Martin and Juan Garcia Ponce and heavily criticized by
687:
Harvard Laboratory for Computer Graphics and Spatial Analysis
1256:"Exhibirá Museo de Aguascalientes obra de Manuel Felguérez"
841:"Murió el pintor y escultor Manuel Felguérez a los 91 años"
551:
1518:"Reseña: La máquina del deseo. Manuel Felguérez en Páramo"
1124:"Manuel Felguérez, Mexican Abstract Artist, Is Dead at 91"
1383:
1465:"Manuel Felguérez, precursor del arte digital en México"
1420:. Universidad Nacional Autónoma de México. p. 142.
1337:"Inaugura Presidente Calderón Mural de Manuel Felguérez"
776:
In addition, he received an honorary doctorate from the
358:. He decided to go back to Europe along with his friend
311:
from age eight to age twenty-three with his best friend
1097:"Felguérez advierte a los artistas sobre la repetición"
783:
315:. The Scouts encouraged him to read authors including
1103:(in Spanish). Guadalajara, Mexico. September 13, 2011
1219:(in Spanish). Guadalajara, Mexico. November 10, 2011
1164:
1099:[Felguérez warns artists about repetition].
1404:
1190:(in Spanish). Guadalajara, Mexico. November 1, 2011
608:in San Francisco (1978), México ayer y hoy at the
1287:
1262:(in Spanish). Guadalajara, Mexico. April 17, 2012
1250:
1248:
637:(Cenart). To commemorate the 40th anniversary of
491:, following the more abstract style pioneered by
2041:
1575:[Manuel Felguérez Abstract Art Museum].
1305:
983:
1035:
888:"Manuel Felguerez y el Museo de Arte Abstracto"
698:
548:Instituto Nacional de Bellas Artes y Literatura
33: and the second or maternal family name is
1245:
1178:
1176:
979:
977:
975:
973:
971:
969:
967:
965:
963:
2095:Alumni of the Académie de la Grande Chaumière
1888:
1610:
961:
959:
957:
955:
953:
951:
949:
947:
945:
943:
835:
833:
370:in Paris, under French-Russian Cubist artist
1384:Cristina Pérez-Stadelmann (March 11, 2012).
1325:(in Spanish). Mexico City. December 4, 2009.
1283:
1281:
1279:
1277:
1091:
1089:
1065:
1003:
1001:
999:
997:
995:
915:
913:
911:
909:
907:
905:
665:
2115:Deaths from the COVID-19 pandemic in Mexico
1314:
1301:
1299:
1173:
1169:(in Spanish). Monterrey, Mexico. p. 1.
1007:
1895:
1881:
1617:
1603:
1573:"Museo de Arte Abstracto Manuel Felguérez"
1160:
1158:
1156:
1154:
1152:
1031:
1029:
1027:
1025:
1023:
1021:
1019:
940:
830:
604:, Mexico City (1966), Mexico Today at the
323:and he took hiking trips including one to
50:
1274:
1207:
1205:
1086:
992:
902:
882:
769:In 1973 he was made a member of Mexico's
450:at the Universidad Autónoma Metropolitana
237:that broke with the muralist movement of
1388:[Manuel Felguérez, below zero].
1377:
1329:
1296:
1121:
919:
880:
878:
876:
874:
872:
870:
868:
866:
864:
862:
715:
615:Museo de Arte Contemporáneo de Monterrey
441:
1149:
1061:
1059:
1057:
1055:
1053:
1051:
1049:
1047:
1016:
184: 1959; died 1974)
2042:
1565:
1410:
1310:(in Spanish). Mexico City. p. 21.
1292:(in Spanish). Mexico City. p. 25.
1202:
1876:
1598:
1462:
1351:
1239:"Manuel Felguérez murió por Covid-19"
1040:(in Spanish). Mexico City. p. 1.
1012:(in Spanish). Mexico City. p. 3.
988:(in Spanish). Mexico City. p. 6.
859:
627:Bicentennial of Mexico's Independence
362:. To get the money, they went to the
1515:
1044:
784:Manuel Felguérez Abstract Art Museum
683:Carpenter Center for the Visual Arts
241:and others in the mid 20th century.
1122:Kitroeff, Natalie (June 17, 2020).
847:(in European Spanish). June 8, 2020
434:on June 8, 2020, at the age of 91.
249:Felguérez was born in the state of
13:
1070:. Latin Art Museum. Archived from
778:Universidad Autónoma Metropolitana
14:
2126:
920:Martínez, Uriel (July 10, 2011).
792:. It is housed in a 19th-century
455:is classified as a member of the
156:
1579:(in Spanish). Mexico: CONACULTA
1577:Sistema de Informacion Cultural
1554:
1545:
1536:
1231:
631:Secretariat of Public Education
205:
181:
152:
111:Académie de la Grande Chaumière
2110:20th-century Mexican sculptors
1497:. Artishock. February 12, 2018
1115:
764:
660:
541:Museo Nacional de Antropología
1:
1903:Artists who collaborate with
1386:"Manuel Felguérez, bajo cero"
823:
674:experimenting with geometry.
244:
699:The aesthetic machine (1975)
635:Centro Nacional de las Artes
25:, the first or paternal
7:
1411:Medina, Cuauhtemoc (2006).
800:
711:
432:COVID-19 pandemic in Mexico
356:Escuela Mexicana de Pintura
10:
2131:
2075:Cornell University faculty
1627:Faculty of Arts and Design
704:sculptures and paintings.
338:, but the trip cost 5,000
20:
16:Mexican artist (1928–2020)
2100:Académie Colarossi alumni
1911:
1722:Gabriel Fernández Ledesma
1712:Francisco Eppens Helguera
1634:
1392:(in Spanish). Mexico City
928:(in Spanish). Mexico City
666:The multiple space (1973)
437:
374:, who became his mentor.
216:
131:
123:
115:
107:
91:
61:
49:
42:
2080:Harvard University staff
730:geometric-constructivist
457:Generación de la Ruptura
393:and had a store selling
368:Grande Chaumière Academy
235:Generación de la Ruptura
127:Generación de la Ruptura
1979:Francisco Castro Leñero
1782:Nicolás Moreno (artist)
749:by art experts such as
708:possible compositions.
647:Museo de Aguascalientes
602:Palacio de Bellas Artes
560:Jorge González Camarena
1822:Alfredo Ramos Martínez
1652:Ramón Alva de la Canal
1642:Rodolfo Aguirre Tinoco
808:Fuente de la República
738:abstract expressionism
725:
724:in Medillín, Colombia.
639:Mexico–China relations
451:
227:Manuel Felguérez Barra
66:Manuel Felguérez Barra
2065:People from Zacatecas
1974:Alberto Castro Leñero
1772:Luis Ortiz Monasterio
1066:Deledda Cros (2006).
757:aesthetic pleasure."
719:
576:Guggenheim Fellowship
485:Fernando García Ponce
445:
352:Academy of San Carlos
267:Valparaíso, Zacatecas
259:Academy of San Carlos
2029:Marcela Lobo Crenier
1837:Sebastián (sculptor)
1732:Arturo García Bustos
1707:Francisco Dosamantes
1697:José Clemente Orozco
1657:Carlos Alvarado Lang
1495:artishockrevista.com
1469:www.conacytprensa.mx
521:Alejandro Jodorowski
461:Vicente Rojo Almazán
313:Jorge Ibargüengoitia
155: 1951;
1827:Aurora Reyes Flores
1516:Ascencio, Paulina.
926:Replicante magazine
566:. He supported the
2024:Cristina Rubalcava
1777:Roberto Montenegro
1737:Alfredo Guati Rojo
1692:José Chávez Morado
1662:Luis Arenal Bastar
1463:Rodríguez, Érika.
1437:on August 22, 2020
1128:The New York Times
1068:"Manuel Felguérez"
922:"Manuel Felguérez"
726:
572:Cornell University
537:Mexican Revolution
479:, Lilia Carrillo,
452:
2037:
2036:
1934:Ricardo Regazzoni
1870:
1869:
1687:Julio Castellanos
1667:Margarita Azurdia
1522:revistacodigo.com
790:city of Zacatecas
771:Academia de Artes
583:Justino Fernández
525:Alejandro Galindo
517:Juan Jose Gurrola
473:Alberto Gironella
448:Puerta del tiempo
402:Colarossi Academy
271:Cristero uprising
224:
223:
102:Zacatecas, Mexico
76:December 12, 1928
56:Felguérez in 2008
2122:
2085:Abstract artists
2060:Mexican painters
2004:Pedro Friedeberg
1929:Manuel Felguérez
1919:José Luis Cuevas
1905:Uriarte Talavera
1897:
1890:
1883:
1874:
1873:
1757:Irving Kriesberg
1717:Manuel Felguérez
1619:
1612:
1605:
1596:
1595:
1589:
1588:
1586:
1584:
1569:
1563:
1558:
1552:
1549:
1543:
1540:
1534:
1533:
1531:
1529:
1524:. Revista Codigo
1513:
1507:
1506:
1504:
1502:
1487:
1481:
1480:
1478:
1476:
1460:
1447:
1446:
1444:
1442:
1436:
1430:. Archived from
1419:
1408:
1402:
1401:
1399:
1397:
1381:
1375:
1374:
1372:
1370:
1365:on July 25, 2014
1355:
1349:
1348:
1346:
1344:
1333:
1327:
1326:
1318:
1312:
1311:
1303:
1294:
1293:
1285:
1272:
1271:
1269:
1267:
1252:
1243:
1242:
1235:
1229:
1228:
1226:
1224:
1209:
1200:
1199:
1197:
1195:
1180:
1171:
1170:
1162:
1147:
1146:
1144:
1142:
1119:
1113:
1112:
1110:
1108:
1093:
1084:
1083:
1081:
1079:
1074:on April 2, 2003
1063:
1042:
1041:
1033:
1014:
1013:
1005:
990:
989:
981:
938:
937:
935:
933:
917:
900:
899:
897:
895:
884:
857:
856:
854:
852:
837:
751:Teresa del Conde
568:Cuban Revolution
481:Francisco Corzas
469:José Luis Cuevas
391:Puerto Escondido
387:Francisco Zúñiga
321:G. K. Chesterton
209:
207:
185:
183:
160:
158:
154:
98:
75:
73:
54:
44:Manuel Felguérez
40:
39:
2130:
2129:
2125:
2124:
2123:
2121:
2120:
2119:
2090:Modern painters
2040:
2039:
2038:
2033:
2019:Maribel Portela
1959:Feliciano Béjar
1954:Silvia Barbescu
1939:Georgina Farias
1907:
1901:
1871:
1866:
1832:Antonio M. Ruíz
1747:María Izquierdo
1672:Alberto Beltrán
1630:
1623:
1593:
1592:
1582:
1580:
1571:
1570:
1566:
1559:
1555:
1550:
1546:
1541:
1537:
1527:
1525:
1514:
1510:
1500:
1498:
1489:
1488:
1484:
1474:
1472:
1471:. conacytprensa
1461:
1450:
1440:
1438:
1434:
1428:
1417:
1409:
1405:
1395:
1393:
1382:
1378:
1368:
1366:
1357:
1356:
1352:
1342:
1340:
1335:
1334:
1330:
1320:
1319:
1315:
1304:
1297:
1286:
1275:
1265:
1263:
1254:
1253:
1246:
1241:. June 8, 2020.
1237:
1236:
1232:
1222:
1220:
1211:
1210:
1203:
1193:
1191:
1182:
1181:
1174:
1163:
1150:
1140:
1138:
1120:
1116:
1106:
1104:
1095:
1094:
1087:
1077:
1075:
1064:
1045:
1034:
1017:
1006:
993:
982:
941:
931:
929:
918:
903:
893:
891:
886:
885:
860:
850:
848:
839:
838:
831:
826:
803:
786:
767:
714:
701:
668:
663:
623:Felipe Calderón
598:Brooklyn Museum
591:Mathias Goeritz
497:Cordelia Urueta
440:
350:He entered the
283:Lázaro Cárdenas
247:
231:abstract artist
212:
211:
208: 1974)
203:
199:
196:
195:
194:Mercedes Oteyza
187:
179:
175:
172:
162:
159: 1959)
150:
146:
143:
103:
100:
96:
87:
77:
71:
69:
68:
67:
57:
45:
38:
17:
12:
11:
5:
2128:
2118:
2117:
2112:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2035:
2034:
2032:
2031:
2026:
2021:
2016:
2014:Luis Nishizawa
2011:
2006:
2001:
1996:
1991:
1986:
1981:
1976:
1971:
1966:
1961:
1956:
1951:
1946:
1941:
1936:
1931:
1926:
1921:
1915:
1913:
1909:
1908:
1900:
1899:
1892:
1885:
1877:
1868:
1867:
1865:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1812:Melchor Peredo
1809:
1804:
1799:
1797:Gabriel Orozco
1794:
1792:Luis Nishizawa
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1749:
1744:
1742:Gabriel Guerra
1739:
1734:
1729:
1724:
1719:
1714:
1709:
1704:
1702:Minerva Cuevas
1699:
1694:
1689:
1684:
1682:Celia Calderón
1679:
1674:
1669:
1664:
1659:
1654:
1649:
1644:
1638:
1636:
1632:
1631:
1625:Alumni of the
1622:
1621:
1614:
1607:
1599:
1591:
1590:
1564:
1553:
1544:
1535:
1508:
1482:
1448:
1426:
1403:
1376:
1350:
1328:
1313:
1295:
1273:
1244:
1230:
1201:
1172:
1148:
1114:
1085:
1043:
1015:
991:
939:
901:
858:
828:
827:
825:
822:
821:
820:
812:
802:
799:
785:
782:
766:
763:
722:Cerro Nutibara
713:
710:
700:
697:
667:
664:
662:
659:
651:Vail, Colorado
606:Mexican Museum
501:Günther Gerzso
439:
436:
409:Lilia Carrillo
345:William Turner
246:
243:
233:, part of the
222:
221:
218:
214:
213:
201:
197:
193:
192:
191:
190:
177:
173:
170:Lilia Carrillo
168:
167:
166:
165:
148:
144:
141:
140:
139:
138:
135:
133:
129:
128:
125:
121:
120:
117:
116:Known for
113:
112:
109:
105:
104:
101:
99:(aged 91)
93:
89:
88:
78:
65:
63:
59:
58:
55:
47:
46:
43:
15:
9:
6:
4:
3:
2:
2127:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2073:
2071:
2068:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2047:
2045:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2009:Cisco Jiménez
2007:
2005:
2002:
2000:
1999:Demián Flores
1997:
1995:
1992:
1990:
1989:Alex Dorfsman
1987:
1985:
1984:Joaquín Conde
1982:
1980:
1977:
1975:
1972:
1970:
1969:Marcos Castro
1967:
1965:
1964:Marna Bunnell
1962:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1944:Aída Aguilera
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1916:
1914:
1910:
1906:
1898:
1893:
1891:
1886:
1884:
1879:
1878:
1875:
1863:
1862:Ángel Zárraga
1860:
1858:
1857:Alfredo Zalce
1855:
1853:
1850:
1848:
1847:Rufino Tamayo
1845:
1843:
1842:Luciano Spano
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1817:Antonio Pujol
1815:
1813:
1810:
1808:
1807:Sergio Peraza
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1787:Rodolfo Nieto
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1767:Adolfo Mexiac
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1727:Demián Flores
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
1683:
1680:
1678:
1675:
1673:
1670:
1668:
1665:
1663:
1660:
1658:
1655:
1653:
1650:
1648:
1647:Abraham Ángel
1645:
1643:
1640:
1639:
1637:
1633:
1628:
1620:
1615:
1613:
1608:
1606:
1601:
1600:
1597:
1578:
1574:
1568:
1562:
1557:
1548:
1539:
1523:
1519:
1512:
1496:
1492:
1486:
1470:
1466:
1459:
1457:
1455:
1453:
1433:
1429:
1423:
1416:
1415:
1407:
1391:
1387:
1380:
1364:
1360:
1354:
1338:
1332:
1324:
1317:
1309:
1302:
1300:
1291:
1284:
1282:
1280:
1278:
1261:
1260:El Informador
1257:
1251:
1249:
1240:
1234:
1218:
1217:El Informador
1214:
1208:
1206:
1189:
1188:El Informador
1185:
1179:
1177:
1168:
1161:
1159:
1157:
1155:
1153:
1137:
1133:
1129:
1125:
1118:
1102:
1101:El Informador
1098:
1092:
1090:
1073:
1069:
1062:
1060:
1058:
1056:
1054:
1052:
1050:
1048:
1039:
1032:
1030:
1028:
1026:
1024:
1022:
1020:
1011:
1004:
1002:
1000:
998:
996:
987:
980:
978:
976:
974:
972:
970:
968:
966:
964:
962:
960:
958:
956:
954:
952:
950:
948:
946:
944:
927:
923:
916:
914:
912:
910:
908:
906:
889:
883:
881:
879:
877:
875:
873:
871:
869:
867:
865:
863:
846:
842:
836:
834:
829:
819:, Mexico City
818:
817:
813:
811:, Mexico City
810:
809:
805:
804:
798:
795:
791:
781:
779:
774:
772:
762:
758:
754:
752:
748:
747:Rufino Tamayo
744:
739:
735:
731:
723:
720:Sculpture in
718:
709:
705:
696:
693:
690:
688:
684:
680:
675:
671:
658:
654:
652:
648:
644:
640:
636:
632:
628:
624:
618:
616:
611:
607:
603:
599:
594:
592:
588:
587:Paul Westheim
584:
579:
577:
573:
569:
565:
564:Juan O’Gorman
561:
557:
553:
549:
544:
542:
538:
532:
530:
529:Alberto Isaac
526:
522:
518:
514:
510:
506:
502:
498:
494:
493:Carlos Mérida
490:
486:
482:
478:
474:
470:
466:
465:Rodolfo Nieto
462:
458:
449:
444:
435:
433:
429:
425:
420:
416:
414:
410:
405:
403:
398:
396:
392:
388:
384:
380:
375:
373:
372:Ossip Zadkine
369:
365:
361:
357:
353:
348:
346:
341:
337:
333:
328:
326:
322:
318:
314:
310:
306:
302:
298:
297:
290:
286:
284:
278:
276:
272:
268:
263:
260:
256:
252:
242:
240:
236:
232:
228:
219:
215:
189:
188:
171:
164:
163:
137:
136:
134:
130:
126:
122:
118:
114:
110:
106:
94:
90:
85:
81:
64:
60:
53:
48:
41:
36:
32:
28:
24:
19:
1994:Mónica Dower
1949:Luis Argudín
1928:
1852:Shino Watabe
1716:
1677:Ángel Bracho
1581:. Retrieved
1576:
1567:
1556:
1547:
1538:
1526:. Retrieved
1521:
1511:
1499:. Retrieved
1494:
1485:
1473:. Retrieved
1468:
1439:. Retrieved
1432:the original
1413:
1406:
1394:. Retrieved
1390:El Universal
1389:
1379:
1367:. Retrieved
1363:the original
1353:
1341:. Retrieved
1331:
1322:
1316:
1307:
1289:
1264:. Retrieved
1259:
1233:
1221:. Retrieved
1216:
1192:. Retrieved
1187:
1166:
1139:. Retrieved
1127:
1117:
1105:. Retrieved
1100:
1076:. Retrieved
1072:the original
1037:
1009:
985:
930:. Retrieved
925:
892:. Retrieved
849:. Retrieved
844:
814:
806:
794:Neoclassical
787:
775:
768:
759:
755:
727:
706:
702:
694:
691:
676:
672:
669:
655:
619:
610:Petit Palais
595:
580:
556:Raquel Tibol
545:
533:
505:Juan Soriano
489:Arnaldo Coen
453:
447:
421:
417:
406:
399:
383:La Esmeralda
379:anthropology
376:
360:Jorge Wilmot
349:
332:World War II
329:
325:Iztaccíhuatl
301:Arena México
294:
291:
287:
279:
264:
248:
239:Diego Rivera
226:
225:
119:Abstract art
97:(2020-06-08)
95:June 8, 2020
34:
30:
23:Spanish name
18:
2055:2020 deaths
2050:1928 births
1924:Jan Hendrix
1802:Sandra Pani
1762:Jorge Marín
1528:October 28,
1501:October 28,
1475:October 28,
1441:October 28,
816:Puerta 1808
765:Recognition
734:informalism
661:Digital art
513:Octavio Paz
477:Myra Landau
459:along with
430:during the
364:La Huasteca
317:Dostoyevsky
296:lucha libre
289:after him.
255:Mexico City
2044:Categories
1752:Jazzamoart
1427:968905600X
824:References
625:. For the
509:Juan Rulfo
446:Sculpture
395:handcrafts
307:and was a
245:Early life
142:Ruth Rohde
80:Valparaíso
72:1928-12-12
1136:0362-4331
578:in 1975.
309:Boy Scout
251:Zacatecas
108:Education
84:Zacatecas
31:Felguérez
1167:El Norte
801:See also
712:Artistry
685:and the
617:(1997).
428:COVID-19
424:Colorado
413:aneurysm
336:jamboree
275:hacienda
217:Children
124:Movement
86:, Mexico
21:In this
1912:Artists
1635:Artists
1629:of UNAM
1583:June 3,
1396:June 3,
1369:June 3,
1343:June 3,
1323:NOTIMEX
1308:Reforma
1290:Reforma
1266:June 3,
1223:June 3,
1194:June 3,
1141:July 2,
1107:June 3,
1078:June 3,
1038:Reforma
1010:Reforma
986:Reforma
932:June 3,
894:June 3,
851:June 8,
845:infobae
743:Picasso
679:Harvard
643:Beijing
305:Marists
299:at the
210:
202:
198:
186:
178:
174:
161:
149:
145:
132:Spouses
27:surname
1424:
1134:
438:Career
1435:(PDF)
1418:(PDF)
385:with
340:pesos
204:(
200:
180:(
176:
151:(
147:
35:Barra
1585:2012
1530:2018
1503:2018
1477:2018
1443:2018
1422:ISBN
1398:2012
1371:2012
1345:2012
1268:2012
1225:2012
1196:2012
1143:2020
1132:ISSN
1109:2012
1080:2012
934:2012
896:2012
853:2020
745:and
736:and
589:and
562:and
552:Jomi
527:and
503:and
487:and
319:and
157:div.
92:Died
62:Born
29:is
2046::
1520:.
1493:.
1467:.
1451:^
1298:^
1276:^
1247:^
1204:^
1175:^
1151:^
1130:.
1126:.
1088:^
1046:^
1018:^
994:^
942:^
924:.
904:^
861:^
843:.
832:^
780:.
732:,
585:,
558:,
543:.
531:.
523:,
519:,
515:,
511:,
499:,
495:,
483:,
475:,
471:,
467:,
463:,
404:.
397:.
327:.
206:m.
182:m.
153:m.
82:,
1896:e
1889:t
1882:v
1618:e
1611:t
1604:v
1587:.
1532:.
1505:.
1479:.
1445:.
1400:.
1373:.
1347:.
1270:.
1227:.
1198:.
1145:.
1111:.
1082:.
936:.
898:.
855:.
220:2
74:)
70:(
37:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
