Knowledge

880:; or "Encounter with Friendship", where Don Quixote is knocked down by his friend Bachelor Sansón Carrasco in disguise as the Knight of the White Moon. In "Encounter with Lust", a muleteer in love with Maritornes hits Don Quixote, causing him to fall. Sometimes it is fantasy itself that falls through, pulling Don Quixote along; and thus, there is a "First Shipwreck of Fantasy", a depiction of the hero's catastrophic trip in the enchanted ship; and a "Second Shipwreck of Fantasy", about another catastrophic trip on a flying horse. There are falls caused by madness: by poetic madness in "Crucifixion in Madness", where Don Quixote appears on the cross of the allegorical windmill; and by the pathological madness of Cardenio in "Encounter with Insanity". For today's observer this Via Crucis offers some interesting and polemic falls, like "Censorship", where Don Quixote is forced by some of his most prominent neighbors -the priest and the barber- to return to his village, muzzled and in a cage; or like "Encounter with Power", where Don Quixote falls from his horse, overwhelmed at the sight of the powerful aristocratic figures of the Duke and his wife. Falls of definite political nature are "The Civil War", and "Horror of the Future". In the first drawing, Spain fights against Spain, and Don Quixote, a symbol of Spain, is attacked and run over by a herd of bulls, another symbol of Spain. In the second drawing, there is a deliberate anachronism: Don Quixote falls at the doors of Barcelona, as if hit by a premonition of the Spanish Civil War. In the drawing, Lorenzo Domínguez's sculpture "Barcelona" appears as homage to the victims of bombings. In the last fall, "Crucifixion in Health", the religious dimension of Don Quixote, already suggested in "Crucifixion in Madness", becomes clearer. In this final fall, the Spanish knight stops being Don Quixote. In this drawing, Cervantes' character appears at the center, and to his right and left appear the housekeeper and the niece, mimicking the female figures of the Christian crucifixion. Upon breaking the spear, the knight's arms become the arms of a cross. Don Quixote dies on that cross, and only Alonso Quijano is left behind. Lorenzo Domínguez intended to use the drawings of the "Via Crucis of Don Quixote" to illustrate a special edition of Cervantes' novel, a project that he never abandoned, not even during his stay in Easter Island. Between 1949 and 1956, some of the drawings about Don Quixote's falls developed into large embossed metal plates. 1027:- victor hero of a competition for power and for a legendary egg); the "Series of the Moai Hands" (10 drawings); the "Series of the Komaris" (7 drawings about the komari or vulva another frequent topic for Rapa Nui petroglyphs); the "Series of the Birds" (5 drawings that have the central motif of two birds facing each other with their beaks touching, thus suggesting the second title for the drawings: "The Kiss"); the "Series of the Flying Bird" (5 drawings inspired in a particular stone relief from Anakena that Lorenzo Domínguez considered the supreme masterpiece among the Island's petroglyphs: a bird, or bird-man, whose stylization was for Domínguez "a stroke of genius"); the "Marine Series" (5 drawings on a particular type of petroglyphs, engraved on the ground and depicting some sea creatures); and the "Series of the Easter Island Stones" (5 drawings of stones of remarkable shapes, including some that suggest a skull or the idea of death). He also made 12 drawings from two other series that he would complete later: the first three drawings of the "Series of the Easter Island Torsos", a series with a total of six female torsos; and the first nine drawings of the "Series of Assorted Easter Island Themes", a series of twelve drawings of miscellaneous subjects: a ship followed by a bird that could represent the devil; a face covered by a hand and drawn with reddish soil from the Island; groups of apes or ape-men, with references to the idea of sexual potency; and the subject of flowers and fecundation. 1082:", in two of which Don Quixote is identified with Christ, creating an aesthetic synthesis of two figures that are a symbolic constant along Domínguez's artistic biography. In these two drawings, Don Quixote appears with a crown of thorns or a halo, and with his hand raised in the act of blessing. Both drawings are called "I Know Who I Am", in reference to some intriguing words pronounced by Don Quixote in chapter V of the first part of Cervantes' novel. Other drawings of this period with religious connotations are: "Saint Gemma", "Saint with Cross", and two representations of the "Virgin of Luján", conceived as the starting point for an embossed iron or a tombstone to be placed at the gravesite of the artist's mother. There is also an enigmatic drawing that has vague hagiographic echoes, entitled "The Blind Woman from Palmira", Palmira being a small city near Mendoza. During this period from February 1961 to the moment of his death, Domínguez worked on three series of nudes: "Seated Nudes", "Reclining Nudes" and "Two Nudes". He worked in a subseries of portraits entitled "Young Girl from Mendoza" and in a drawing entitled "Woman from Mendoza". A curious drawing of this period is "The Madly in Love Melon Vendor", a love message addressed to his wife Clara. 930:, Nobel Prize in literature in 1945. In this subseries of drawings, the poet's figure is represented with different levels of abstraction and detail, thus helping us to understand some of the artist's aesthetic processes. Domínguez completed another series that, at a later time, was called "Drawings Anticipating Easter Island", and he finished the series that he called "Stones". This series consists of fifteen drawings depicting monumental or monster-like figures that seem spurting from the rock: the second drawing in the series, "Stone", represents the head of an animal with prominent fangs; another one, "Johann Sebastian Bach", evokes the monument in stone that the artist had completed in Chile; three drawings called "The Milky Way", evoke the artist's sculpture from the "planetarium series"; and four drawings represent the figures of Christ and the devil as blocks of stone. Among the "Assorted Themes Series", there are some magnificent subseries on the bombing of "Barcelona" during the Spanish Civil War; the "Childbirth" theme; and "The Death of the Rabbit", that depicts the killing of rabbits by peasants. Other drawings of this last series are: "Condors", "Angel", "Kiss of Black and White", "Plato", and the extraordinary "Smiling Woman". 876:' literary hero. The series consists of thirty-two drawings, with different versions and studies for some of the falls. Lorenzo Domínguez was always attracted by this Spanish novel, both as reading matter and subject of meditation, and as an aesthetic paradigm. In the figure of the knight-errant, the artist finds everlasting symbols. His twenty-four physical falls (perhaps twenty-four spiritual triumphs) are varied in nature. Some are caused by cruelty or vulgarity: in "Encounter with Servility" Don Quixote finds some merchants and is beaten by a mule keeper; in "Encounter with Brutality" he is beaten by a goat shepherd; "Sadism" refers to a passage in the novel when the dukes, as a cruel joke, free a bag full of angry cats, and the animals attack and injure Don Quixote; in "Strangling of the Hand" Maritornes mocks him and lets him hang from a window for an entire night; and in "The Abuse of Genius", Don Quixote is run over by a herd of swine. There are falls due to ingratitude, like "The Spoliation", where Don Quixote, after freeing the galley prisoners, is robbed by them; or "Sancho's Betrayal", where he is beaten by 714: 1115:). The journal begins with the artist's words of salute to Clara while the ship "Presidente Pinto" leaves towards the Island on January 11 of 1960. Along three hundred pages Domínguez registers his aesthetic reflections and his personal emotions upon contemplating the Island's moais and petroglyphs; he speaks about the urgent need to preserve this artistic patrimony; he tells his wife about his own creative process, and gives details about what he is sculpting and drawing and about the photographs that he is taking. But the artist also writes about his everyday life in the Island, about the people he meets, about what he eats or reads, about his travels on horse back accompanied by his guide, Santiago Pakarati, and about his personal feelings of longing and love for his wife and family. The diary ends on February 7 of 1961. 706:", also in red stone, a study for a monument to the Spanish philosopher and scientist who, after discovering and describing the circulation of blood in the 16th. century, was condemned by both Catholics and Protestants and burnt alive at the stake as a heretic. During his first period in Mendoza, Lorenzo Domínguez completed several new portraits in stone: two portraits of his wife, "Clara" and "Clara Federica"; "Francisco Bernareggi"; "Beatriz Capra"; "Ramón Gómez Cornet", placed at the Museo Provincial de Bellas Artes in Santiago del Estero, Argentina; "Sergio Sergi", in black granite and one of the artist's masterpieces; "Marjorie", in Carrara marble; "Federica", a first portrait of his daughter; "La Pilo", Ramón Gómez Cornet's daughter; "Zezette Dáneo", placed at the Art Department of the 1098:, Prólogo y complementación de la obra por Clara D. de Domíguez, Estudio preliminar, nómina de sus obras y bibliografía por Diego F. Pró, Buenos Aires: Fondo Nacional de las Artes, 1968. Lorenzo Domínguez's death interrupted the preparation and edition of this book. It was completed afterwards by his wife Clara Digiovanni de Domínguez. His biographer, Diego F. Pró wrote the preliminary study as well as the extensive bibliography that includes articles published in magazines, newspapers and periodicals, catalogs of different exhibitions, and a list of unpublished articles and conferences about Lorenzo Domínguez. The book also includes photographs taken by Lorenzo Domínguez of his own drawings and embossed metal plates on Easter Island themes, and some of his photographs of the Island's 153:. Many of Lorenzo Domínguez's sculptures are portraits, others belong to his "Planetarium series" ("Portrait of the Moon", "The Planet Venus", "The Planet Saturn", "The Milky Way", "Berenice" and "The Morning Star"), some are nudes or torsos, some have existential or metaphysical subjects ("Death", "Hope", "Time Hieroglyph"), some have a political subject ("The Unknown Political Prisoner", "Barcelona", "Peace"), some have religious subjects ("Christ", "The Virgin of Hope", "Saint Olalla"), some are of Latin American inspiration ("Llaima-Llaima", "María Coya", "La Cuyanita"), and some are of Easter Island inspiration ("Father 528:, who were respectively mathematician and philologist; Edmundo Correas, first rector of the Universidad Nacional de Cuyo; professors of literature like Adolfo Ruiz Díaz, Alfredo Roggiano, Emilia Puceiro and Delia Villalobos; other professors like Matilde Zuloaga, Enrique Zuleta Álvarez, Lorenzo Mascialino and Manlio Lugaresi; the mathematician Manuel Balanzat; the medical doctors Fernando Mas Robles, Francisco Correas, Francisco Amengual, Mario Burgos and Rodolfo Muratorio Posse; several musicians, like the pianist Antonio De Raco, the composer Isidro Maiztegui, the composer and singer of folk songs 922: 161: 807:. Among them, "To Dr. Miguel Lillo", or "Flora" and "Fauna", is the most important with its two standing female nudes in stone, almost three meters high. One of the figures carries flower garlands on her head and hands, while the other holds a puma cub in her arms. The second monument, also in stone, is dedicated to "Professor Schreiter", a German ethnographer and naturalist that worked with Dr. Miguel Lillo. The third monument is an owl of wisdom, a large figure in cement that is part of the colorful "Fountain of Science". 811: 854:"Portraits", both of which he had started in Mendoza. Within this last series he did several family portraits: "Clara", "Ana Villar", two portraits of his daughter Federica, two portraits of his son Fernán, a portrait entitled "Lorenzo" and another one entitled "Little Boy". There is also a portrait of his friend, the painter "Spilimbergo"; and a portrait of an anonymous young woman entitled "Young Girl from Tucumán". An enigmatic drawing of this period is "Self Esteem". 117: 1074: 690:, two crucial historical figures who led Argentina and Chile in their wars of independence from colonial Spain. The monument, placed at the central "Chile" square in Mendoza, is a tribute to the friendship between both countries. It portrays two stone figures 3.50 m. high, standing over a massive stone base and grasping a common sword. Another monument from this period is the "Christ of the Resurrection". Located at the campus of the 710:; "Paco Correas", Dr. Francisco Correas' son; "The Poet Ramponi"; "Hipólito Digiovanni", his father in-law; and "Francisco Amengual" and his wife "Dorita Zabalza de Amengual". "Llaima-Llaima", a female bust in golden stone, excels among the works completed between 1941 and 1949 and is one of his masterpieces. There are also two large half figures: "María Ticac" in yellow stone and "Ana Villar de Domínguez", a portrait of his mother. 1233:, Mendoza: Ediciones D'Accurzio, 1965. Life, works, aesthetics. Conferences. Testimonies on the artist and his work. Listing of his works. Extensive bibliography which includes articles published in magazines, newspapers and periodicals, catalogs from different exhibitions, and a list of unpublished articles and conferences about Lorenzo Domínguez. With approximately ninety black-and-white photographs, most of them by the artist. 682:. Both monuments are in Mendoza: one at a park (Parque del Este), the other one at a school (Leandro N. Alem). Lorenzo Domínguez also completed a stone monument dedicated to "To Dr. Anacleto Gil", a 19th. century governor of the Argentine province of San Juan. It is located in Parque de Mayo, a park in the city of San Juan. The most important monument completed during this period is "To San Martín and O'Higgins", dedicated to 405:", that is now at the Museo Nacional de Bellas Artes de Santiago. There are other bronzes from this period: "Archbishop Errázuriz", "Elena Bezanilla", "Eliana", "Olga", "Graciela", "Magdalena" and a mask of "Professor Lipschutz". "Lilión", a female head in green marble from Florence, is one of his masterpieces. A bronze of "Lilión", is at the Museo Nacional de Bellas Artes de Santiago. 95: 295:, the Mexican writer; and a bronze head called "Young Woman with Short Hair". Also, Domínguez carved a stone monument dedicated to Santiago Ramón y Cajal that is placed at the College of Doctors, or "Ilustre Colegio Oficial de Médicos de Madrid" (Santa Isabel, Nº 51, Madrid). A full size cement copy has been placed at the nearby "Instituto de las Administraciones Públicas". 536:; the actress and theater director Galina Tolmacheva and the actress Niní Gambier; the folklorist and narrator Juan Draghi Lucero; the journalist Miguel Gómez Echea; the editor Gildo D'Accurzio; the photographer Antonio D'Elia; the lawyer Juan Carlos Silva; and the architects Daniel Ramos Correas, Samuel Sánchez de Bustamante, and Arturo and Manolo Civit. 726: 108:'s dream of "sculpting the mountains", as he says in his Easter Island journals. The encounter with Easter Island and with an aesthetics signed by both monumentality and line, offers Domínguez the opportunity for a new synthesis of European, Latin American pre-Columbian and Rapa Nui artistic elements. 1123: 713: 697: 1077: 1073: 959: 94: 46: 810: 164: 160: 921: 837: 725: 1354: 853: 116: 1052: 975: 1044: 1053: 992:, the priest, linguist and ethnographer who lived on Easter Island from 1935 until his death in 1969. Lorenzo Domínguez completed Englert's head in plaster in the Island, and carved it in wood in Mendoza after his return. He also carved some small reliefs on Easter Island stones. 437:. He considered Bourdelle, who had died in 1929, a genius. He unconditionally admired Maillol as a sculptor, but not as much as a drawer. He also admired Brâncuși, although at times he thought the surfaces of some of Brâncuși's sculptures were far too shiny and far too polished. 864: 897: 834:" is a musical angel also in plaster, a project for a monument to the musician that is located at the Museo Manuel de Falla, in Alta Gracia, Córdoba, Argentina. "Peace Dove", a small work in plaster, portrays a fallen dove that symbolizes the failure of the peace ideal. 850:". There are also eight iron plates that belong to the series of Don Quixote's "falls": "Strangling of the Hand", "Crucifixion in Madness", "Crucifixion in Health", "Encounter with Insanity", "The Invisible Wall", "Censorship", "The Creative Hand" and "The Spoliation". 1030: 103: 971: 818:"; two works in ceramics, "The Virgin of Hope", a seated female figure, and "The Little Mother", a playful maternity that depicts a little girl hugging her doll; several portraits in plaster, "Ana Villar de Domínguez", a new portrait of his mother; " 1226:, Tucumán: Edited by the author, 1952. Life, works, aesthetics. This book includes quotations and comments by the artist, a chronology, index of works, bibliography. With approximately ninety black-and-white photographs, most of them by the artist. 1078: 786: 385:, dedicated "To Dr. Germán Valenzuela Basterrica", the founder of Chile's Dental School. Other sculptures from this period are "Nieves", a portrait of Nieves Yáncovic; "Nana" and "Saint Olalla" in Carrara marble; a stone portrait of the writer " 372: 943: 1065: 917: 634:, Córdova Iturburu, Julio Payró, Roger Plá, José Luis Pagano, Lorenzo Varela, Miguel de los Santos and Romualdo Brughetti; photographers like Horacio Coppola, Grete Stern and Anatole Saderman; poets and writers like the Spanish poet 1148: 165: 500:, Roberto Azzoni, Rosalía Flichman, Roberto Cascarini, Fidel de Lucia, José Manuel Gil, Enrique Sobisch and Rosa Arturo; the draughtsmen Fivaller Subirats and Mario Marziali; the humorist and cartoonist Joaquín Lavado or " 91:, where he spent thirteen months studying the Island's artistic treasures and creating drawings and sculptures of his own. He returned to Argentina in February 1961. In 1963 he died in Mendoza at the age of sixty-one. 778: 838: 1164: 181: 1152: 445: 964: 1355: 783: 309: 674:": the first one at the Institute of Bacteriology in Santiago de Chile, and the other one at the Lagomaggiore Hospital for Infectious Diseases in Mendoza. Two monuments were dedicated "To 1259:, Prólogo y complementación de la obra por Clara D. de Domíguez, Estudio preliminar, nómina de sus obras y bibliografía por Diego F. Pró, Buenos Aires: Fondo Nacional de las Artes, 1968. 1003: 508:) and Heriberto Hualpa; poets and writers, like Reinaldo Bianchini, Alberto Cirigliano, Alberto Dáneo, Daniel Devoto, Jorge Enrique Ramponi, Guillermo Kaúl, Américo Calí, Ricardo Tudela, 1219:, (Includes photographs and descriptions of the artist's works. Spanish/English bilingual edition), © Library of Congress, Federica Domínguez. Published in CD-ROM, Buenos Aires, 1998. 670: 980:, the Manutara II. Parragué let Lorenzo Domínguez book a seat in his plane, and Domínguez thus became one of the first two commercial passengers to fly from Easter Island to Chile. 1158: 203: 516:, Abelardo Vázquez, Juan Villaverde, Iverna Codina, Angélica Mendoza, Fernando Lorenzo, Víctor Hugo Cúneo, Armando Tejada Gómez, Rodolfo Braceli and Hugo Acevedo; the historian 1139: 1133: 1109: 774: 1161: 449:, in the Latin American Exhibition of Fine and Applied Art ("Lilión", "Saint Olalla" and "Cajal"). Between 1939 and 1941 Lorenzo Domínguez completed the monument "To Dr. 446: 194: 830:. "The Argentine Antarctic" is a symbolic work in plaster that portrays a powerful female figure wearing boots and heavy leather clothes, with a sea lion by her side. " 457: 1155: 488:, and especially the new university, had a vibrant cultural atmosphere. During his time in Mendoza (1941–1949; 1956–1959; 1961–1963), Lorenzo Domínguez re-encountered 788: 202:. As a child Lorenzo Domínguez went to Spain with his parents, and lived in Málaga for a year studying at the Jesuit boarding school of San Estanislao de Kostka, in 283: 63:, where he began to sculpt. At thirty, he returned to Santiago de Chile. There, he continued sculpting and began teaching sculpture at the university. During the 599: 493: 450: 353: 130: 1681: 678:", a famous Argentine politician of democratic and anti-authoritarian ideas that in 1891 founded what is considered Argentina's oldest political party, the 662:, Delia Garcés, Pedro López Lagar or the scenographer Gori Muñoz; the editor Gonzalo Losada; and art collectors like Víctor Bossart and Federico Vogelius. 425:, where he was impressed by Picasso's exhibition at Paul Rosenberg's gallery. Domínguez stayed in Paris for almost a year frequenting the art workshops of 575: 402: 357: 313: 284: 173:, Moai hands, Komaris, Easter Island torsos, Birds, the Flying Bird series, the Marine series, Easter Island stones, and Assorted Easter Island themes. 819: 759: 247:, a famous neuro-histologist who left Spain after the Civil War, dying in Buenos Aires in 1945. Valle Inclán's group included writers and artists like 1326:. Santiago de Chile: Dirección de Bibliotecas, Archivos y Museos, Ministerio de Educación Pública, 1984, pp. 94–96; 102. 7. Santillán, Diego A. 548: 544: 823: 771: 623: 458: 325: 571: 521: 532:, the organist and composer Julio Perceval, Juan Salomone, Amicarelli, Julio Malaval, the pianist Estela López Lubary and the singers Mary Lan and 390: 627: 540: 482:. In Mendoza, he married Clara Digiovanni, a professor of English at the same university. They had three children: Federica, Lorenzo and Fernán. 219: 1665: 767: 556: 505: 1145: 1136: 872:". These drawings on the subject of Don Quixote's falls are an aesthetic transposition of twenty four physical and symbolic falls suffered by 1379: 1142: 1314:, Buenos Aires: Omeba, 1968. Historia I, pp. 359–360; Biographies I, pp. 359–360. 4. Heilmeyer, Alexander; and Benet, Rafael. 75:, frequenting some famous sculpture workshops. At forty, he moved to Argentina, where he lived for almost twenty years in the cities of 563:, Orlando Pardo, Leonor Rigau, Miguel Ángel Sugo, Marcelo Santángelo, Irene Pepa, Elio Mirrado, Alberto Moscatelli and José Bermúdez. 1726: 517: 1023: 1240:, Buenos Aires: Editorial Poseidón, 1944. Aesthetic analysis of his works. With approximately fifty black-and-white photographs. 381:", is placed at the Parque Forestal, in Santiago; the third one is a stone monument placed at the Department of Dentistry at the 51: 227:, winner of the 1906 Nobel Prize for Medicine, and a group of writers and artists associated with the great modernist writer, 694:, this bronze figure reaches 2.40 m. both in arm span and in height and is a posthumous cast from the original 1947 plaster. 814: 1614: 1458: 83:, teaching at the university and creating sculptures, embossed metal plates and drawings. In January 1960, he traveled to 1578:. PHAROS Revista Semestral de la Universidad de las Américas Santiago de Chile May–June 2002 Vol. 9, n.º 1, pages 101-113 1653: 1049:. He lived only two more years, and on March 21, 1963, he died in the arms of his wife, after suffering a heart attack. 827: 804: 740: 1670: 758:, Luis Lobo de la Vega, Timoteo Navarro, José Nieto Palacios, Francisco Ramoneda and Medardo Pantoja; engravers like 417:, assisting Republican groups that saved artistic treasures endangered by the civil war. Afterwards, he traveled to 223:'s dictatorship, he frequented two leftist cultural circles ("tertulias"): a scientific and medical group linked to 30: 1318:. Barcelona: Labor, 1949, section 4, pp. 340–342. 5. Humeres, Carlos. "A arte contemporãnea no Chile", in 1716: 1401: 1268: 1182: 1118: 1111: 868: 857: 1721: 256: 1007:. There are nine series of drawings from the Island: the "Series of the Moais" (29 drawings inspired by the 1046: 911: 894: 707: 691: 479: 291:. Important works from this period include two heads in marble, "Cajal" and "Julia"; a stone portrait of 264: 228: 1706: 995: 893: 603: 988: 906: 1601: 1588: 1550: 1480: 1011:(gigantic stone sculptures of the Island)); the "Series of the Make-Makes" (32 drawings inspired by 316:, Abelardo Bustamante, Inés Puyó and María Tupper, as well as painters from the Montparnasse Group ( 224: 118: 989: 739: 244: 1562: 770: 747: 643: 478: 80: 1711: 1306:, Buenos Aires: Academia Nacional de Bellas Artes, 1994, pp. 189–245. 2. Carvacho, Víctor. 775: 755: 683: 497: 292: 272: 240: 236: 138: 1640: 1627: 1537: 1524: 651: 328: 639: 220: 960: 248: 815: 751: 687: 631: 378: 308: 231:. Cajal's group included medical professionals like García del Real, professor of pathology; 142: 122: 1701: 1696: 1119: 1016: 552: 509: 382: 166: 8: 1209: 873: 679: 386: 345: 529: 1445: 976: 485: 374: 288: 76: 27: 583: 111: 1666: 1493: 1414: 1277: 1215: 1211: 1176: 1085: 1067: 1004: 843: 719: 426: 252: 154: 64: 48: 23: 1576: 763: 587: 513: 492:, whom he had met in Santiago de Chile, and befriended other artists: painters like 1330:. Buenos Aires: Ediar, 1957, vol. III, p. 88). 8. Sullivan, Edward J. (ed.). 927: 699: 647: 595: 560: 533: 454: 333: 1310:. Santiago de Chile: Andrés Bello, 1983, pp. 214–217. 3. Gesualdo, Vicente. 453:", a Chilean pediatrician. This maternity scene in black basalt is located in the 831: 675: 659: 655: 579: 260: 134: 394: 352:, Acario Cotapos, Víctor Tevah and Rosita Renard; and scientists like professor 268: 1589: 1575: 1322:. Río de Janeiro, Ministerio de Educação e Saúde, 1944. 6. Ossa Puelma, Nena. 635: 619: 539: 525: 398: 321: 1334:. London: Phaidon Press, 1996, pp. 303 and 306). 9. Westermann, Silvia. 232: 1690: 1091: 953: 715: 703: 671: 611: 607: 489: 462: 430: 349: 337: 126: 84: 1124: 968: 933: 923: 858: 1192: 1024: 961: 877: 861:", and the "Series of the Stones" with a drawing called "Reclining Woman". 800: 780: 567: 361: 341: 329: 271:, a writer and politician who would later become the last President of the 170: 146: 105: 1446: 1297: 235:, a physiologist and socialist politician who would later become the last 189: 1103: 1079: 1012: 1000: 977: 949: 869: 847: 615: 317: 195: 100: 883: 413: 1034: 591: 468: 440: 35: 298: 1302: 1272:, ed. by Fernán Domínguez, CD-ROM edition 2001. © Lorenzo Domínguez. 839: 414: 68: 1563: 822:", the engraver; "Argentina Gómez Cornet", the painter's wife; and " 377:'s dictatorship (1927–1931); the second one, a large stone head "To 199: 52: 1112: 1020: 501: 112: 31: 1282: 1086: 846:" and two very large plates, "Portrait of the Sun" and "Our Lord 465:", a portrait of the Belgian engraver, carved in Carrara marble. 434: 267:, the bullfighter and writer; Juan de la Encina, art critic; and 967: 408: 1341: 1187: 418: 56: 1338:. Santiago de Chile: Estación Mapocho, 1996, pp. 18–19). 650: 1250: 1099: 996: 945: 910:", placed at the Department of Philosophy and Letters of the 907: 646:, Nobel Prize in literature in 1967, the vanguardist authors 422: 336:, the vanguardist author responsible for "creacionismo", and 150: 96: 72: 60: 1514: 55:, in southern Spain. During his youth he spent ten years in 1565:, Ilustração Portuguesa, No. 112, August 16, 1930 - page 17 1435: 1370: 1008: 702:, in Carrara marble; "Little Red Nude", in red stone; and " 157: 934: 926:. There are also eight drawings about the Chilean poet, 729: 312:. He befriended other plastic artists like the painters 1505: 1426: 1298: 190: 1247:, AMERICAS (OAS Magazine) Washington DC: April, 1971. 1019: 884: 750: 524:, who would later become his biographer; Ernesto and 1448:. REVISTA ESPAÑOLA DE PATOLOGIA Vol. 35, n.º 4, 2002 1035: 469: 441: 209: 1492:Colavita, F., Colavita A., Digivanni Dominguez, C. 1413:Colavita, F., Colavita A., Digivanni Dominguez, C. 799:In Tucumán the artist made three monuments for the 348:, Manuel Rojas and Mariano Latorre; musicians like 299: 1656:. Página 12. Buenos Aires, Argentina. May 13, 2007 1483:, Los Andes, Mendoza, Argentina. September 3, 1955 1391:Dominguez, L. Las Esculturas de la Isla de Pascua 1336:Cincuenta años de escultura contemporánea chilena 722:and a symbol of the sufferings inflicted by war. 332:, winner of the 1971 Nobel Prize for Literature, 1688: 1617:El Mercurio. Santiago de Chile, October 7, 2000. 461:". Domínguez's masterpiece from this period is " 1470:Pro, D.F. Lorenzo Dominguez, 1952, pages 69-72 1382:La Vanguardia, Barcelona May 28, 1938. Page 3. 938: 888: 734: 473: 303: 1591:Los Andes. Mendoza, Argentina, March 15, 1964 1461:, El Mecurio, Santiago de Chile. May 20, 2000 409:From 1938 to 1939 (Spain, France and England) 1342:Articles in periodicals on Lorenzo Domínguez 566:Periodically, Lorenzo Domínguez traveled to 259:, painter and writer; occasionally the poet 214: 1481:Lorenzo Domínguez, o el Fervor de la Piedra 1332:Latin American art in the twentieth century 1279:('Look and Consider'), Buenos Aires, 1954. 397:'s wife; a bronze portrait of "The Painter 1251:Selected bibliography by Lorenzo Domínguez 842:and War", "The Abduction of Europa", "Don 71:for a few months. He then spent a year in 1304:Historia General del Arte en la Argentina 1212:Lorenzo Domínguez, Catálogo General, 1998 570:. There, his friends were sculptors like 401:" and a bronze "Portrait of the Painter 1216:Lorenzo Domínguez General Catalog, 1998 1689: 1402:Diario de la Isla de Pascua, 1960-1961 1269:Diario de la Isla de Pascua, 1960-1961 730:From 1949 to 1956 (Tucumán, Argentina) 520:; the writer and philosophy professor 1380:El Escultor Chileno Lorenzo Dominguez 1195:, directed by Dr. Jo Anne Van Tilburg 504:"; engravers like Sergio Hocevar (or 364:, María Bellet and María Fuentealba. 1316:La escultura moderna y contemporánea 1266:Spanish text available in internet: 1090:1. Lorenzo Domínguez left a book on 618:, Alfredo Guido, Ernesto Farina and 38:with a European artistic formation. 1352:Tiempo de piedra: Lorenzo Domínguez 1348:Las esculturas de la Isla de Pascua 1257:Las esculturas de la Isla de Pascua 1231:Tiempo de piedra: Lorenzo Domínguez 1127: 1096:Las esculturas de la Isla de Pascua 1094:'s sculptures: Domínguez, Lorenzo. 1055:Las esculturas de la Isla de Pascua 389:"; a beautiful bronze portrait of " 310:Escuela de Bellas Artes de Santiago 13: 1494:Lorenzo Dominguez. General Catalog 1415:Lorenzo Dominguez. General Catalog 1204: 914:, and a "Torso" in black granite. 14: 1738: 1308:Historia de la Escultura en Chile 1193:UCLA Easter Island Statue Project 1169: 658:; actors and theater people like 210:From 1920 to 1931 (Madrid, Spain) 1727:Chilean expatriates in Argentina 1654:Historia de Cronopios y gallegos 1404:. Page 29. Entry for 03/09/1960. 1312:Enciclopedia del arte en América 1264:Easter Island Journal 1960-1961. 184: 1675: 1659: 1646: 1633: 1620: 1607: 1594: 1581: 1568: 1556: 1543: 1530: 1517: 1508: 1499: 1486: 1473: 1464: 1199: 828:Universidad Nacional de Tucumán 805:Universidad Nacional de Tucumán 741:Universidad Nacional de Tucumán 263:; Juan de Echeverría, painter; 41: 1451: 1438: 1429: 1420: 1407: 1394: 1385: 1373: 1364: 1324:Museo Nacional de Bellas Artes 1: 340:; writers like the novelists 1047:Universidad Nacional de Cuyo 912:Universidad Nacional de Cuyo 895:Universidad Nacional de Cuyo 708:Universidad Nacional de Cuyo 692:Universidad Nacional de Cuyo 480:Universidad Nacional de Cuyo 251:, poet and literary critic; 7: 1328:Gran Enciclopedia Argentina 1188:Lorenzo Domínguez's website 638:and his wife, the novelist 555:. Other students included: 237:President of the Government 204:Miraflores del Palo, Málaga 198:in the Spanish province of 10: 1743: 1320:Arte chilena contemporãnea 1290:. c. Domínguez, Lorenzo. 1286:. b. Domínguez, Lorenzo. 803:Biology Institute, at the 642:, the Guatemalan novelist 1615:La Autonomía del Volumen. 1060: 983: 939:Life and cultural context 901: 889:Life and cultural context 794: 746:At the time, the city of 735:Life and cultural context 665: 474:Life and cultural context 447:New York Riverside Museum 367: 304:Life and cultural context 215:Life and cultural context 176: 1358: 1236:4. Romero Brest, Jorge. 990:Father Sebastian Englert 518:Claudio Sánchez Albornoz 356:. His students included 239:(Prime Minister) of the 1275:3. Domínguez, Lorenzo. 1262:2. Domínguez, Lorenzo. 1255:1. Domínguez, Lorenzo. 1039: 776:Enrique Anderson Imbert 604:Benito Quinquela Martín 278: 273:Second Spanish Republic 241:Second Spanish Republic 16:Latin American sculptor 265:Ignacio Sánchez Mejías 229:Ramón del Valle Inclán 225:Santiago Ramón y Cajal 119:Santiago Ramón y Cajal 1717:Artists from Santiago 1243:5. Noseda, Lydia R.. 1183:Easter Island Journal 826:", the rector of the 816:Lino Enea Spilimbergo 789:Fogón de los Arrieros 752:Lino Enea Spilimbergo 718:air raids during the 644:Miguel Ángel Asturias 379:Johann Sebastian Bach 257:José Gutiérrez Solana 123:Johann Sebastian Bach 1722:Chilean male artists 698:Argentine region of 654:, Mario Binetti and 652:Manuel Mujica Láinez 510:Antonio Di Benedetto 494:Francisco Bernareggi 383:Universidad de Chile 874:Miguel de Cervantes 766:; draughtsmen like 680:Radical Civic Union 630:; art critics like 451:Luis Calvo Mackenna 354:Alejandro Lipschutz 249:Enrique Díez Canedo 245:Pío del Río-Hortega 131:Luis Calvo Mackenna 756:Ramón Gómez Cornet 688:Bernardo O'Higgins 684:José de San Martín 632:Jorge Romero Brest 586:, Horacio Juárez, 498:Ramón Gómez Cornet 293:Martín Luis Guzmán 143:Bernardo O'Higgins 139:José de San Martín 28:Mendoza, Argentina 1707:Chilean sculptors 1641:Lorenzo Dominguez 1628:Lorenzo Dominguez 1602:Lorenzo Domínguez 1551:Lorenzo Domínguez 1538:Lorenzo Dominguez 1525:Lorenzo Dominguez 1459:El temple de Bach 1245:Lorenzo Domínguez 1238:Lorenzo Domínguez 1229:3. Pró, Diego F. 1224:Lorenzo Domínguez 1222:2. Pró, Diego F. 1068:Sebastian Englert 844:Miguel de Unamuno 720:Spanish Civil War 640:María Teresa León 622:; ceramists like 576:Antonio Sibellino 553:Carlos de la Mota 155:Sebastian Englert 65:Spanish Civil War 49:Santiago de Chile 24:Santiago de Chile 20:Lorenzo Domínguez 1734: 1682: 1679: 1673: 1663: 1657: 1650: 1644: 1637: 1631: 1624: 1618: 1613:Cardenas, E. O. 1611: 1605: 1598: 1592: 1587:Delhez, Victor. 1585: 1579: 1572: 1566: 1560: 1554: 1547: 1541: 1534: 1528: 1521: 1515: 1512: 1506: 1503: 1497: 1490: 1484: 1479:Gomez Echea, M. 1477: 1471: 1468: 1462: 1455: 1449: 1442: 1436: 1433: 1427: 1424: 1418: 1411: 1405: 1398: 1392: 1389: 1383: 1377: 1371: 1368: 1288:Cuentos de museo 1128:Works in museums 928:Gabriela Mistral 820:Pompeyo Audivert 760:Pompeyo Audivert 648:Oliverio Girondo 596:Emilio Pettoruti 594:; painters like 455:Parque Balmaceda 387:Augusto d'Halmar 346:Augusto d'Halmar 334:Vicente Huidobro 34:(Easter Island) 1742: 1741: 1737: 1736: 1735: 1733: 1732: 1731: 1687: 1686: 1685: 1680: 1676: 1664: 1660: 1651: 1647: 1638: 1634: 1625: 1621: 1612: 1608: 1599: 1595: 1586: 1582: 1573: 1569: 1561: 1557: 1548: 1544: 1535: 1531: 1522: 1518: 1513: 1509: 1504: 1500: 1491: 1487: 1478: 1474: 1469: 1465: 1456: 1452: 1443: 1439: 1434: 1430: 1425: 1421: 1412: 1408: 1399: 1395: 1390: 1386: 1378: 1374: 1369: 1365: 1361: 1344: 1300: 1292:Notas de viajes 1284:Correspondencia 1253: 1207: 1205:Main References 1202: 1177:General Catalog 1172: 1130: 1121: 1088: 1063: 1042: 1037: 1005:General Catalog 986: 941: 936: 904: 891: 886: 832:Manuel de Falla 824:Horacio Descole 797: 772:Horacio Descole 737: 732: 676:Leandro N. Alem 668: 660:Margarita Xirgu 656:Victoria Ocampo 624:Fernando Arranz 600:Héctor Basaldúa 584:José Fioravanti 580:Alfredo Bigatti 476: 471: 459:Augusto Eguiluz 443: 411: 370: 326:Augusto Eguiluz 306: 301: 289:Emiliano Barral 281: 261:Antonio Machado 221:Primo de Rivera 217: 212: 192: 187: 179: 135:Leandro N. Alem 114: 44: 17: 12: 11: 5: 1740: 1730: 1729: 1724: 1719: 1714: 1712:Male sculptors 1709: 1704: 1699: 1684: 1683: 1674: 1658: 1645: 1643:, pages 59-61. 1632: 1630:, pages 50-53. 1619: 1606: 1600:Noseda, L. R. 1593: 1580: 1567: 1555: 1549:Noseda, L. R. 1542: 1540:, pages 15-26. 1529: 1516: 1507: 1498: 1485: 1472: 1463: 1450: 1437: 1428: 1419: 1406: 1400:Domínguez, L. 1393: 1384: 1372: 1362: 1360: 1357: 1343: 1340: 1299: 1296: 1252: 1249: 1206: 1203: 1201: 1198: 1197: 1196: 1190: 1185: 1179: 1171: 1170:External links 1168: 1167: 1166: 1162: 1159: 1156: 1153: 1150: 1146: 1143: 1140: 1137: 1134: 1129: 1126: 1120: 1117: 1087: 1084: 1062: 1059: 1041: 1038: 1036: 1033: 985: 982: 940: 937: 935: 932: 903: 900: 890: 887: 885: 882: 796: 793: 764:Víctor Rebuffo 736: 733: 731: 728: 667: 664: 636:Rafael Alberti 620:Mariette Lydis 588:Noemí Gerstein 526:Joan Coromines 514:Julio Cortázar 475: 472: 470: 467: 442: 439: 410: 407: 403:Hernán Gazmuri 399:Pablo Burchard 391:Elisa Bindhoff 369: 366: 358:Lily Garáfulic 322:Pablo Burchard 314:Hernán Gazmuri 305: 302: 300: 297: 285:Juan Cristóbal 280: 277: 253:Ricardo Baroja 216: 213: 211: 208: 191: 188: 186: 183: 178: 175: 113: 110: 43: 40: 15: 9: 6: 4: 3: 2: 1739: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1694: 1692: 1678: 1672: 1671:950-12-6551-X 1668: 1662: 1655: 1649: 1642: 1636: 1629: 1623: 1616: 1610: 1603: 1597: 1590: 1584: 1577: 1571: 1564: 1559: 1552: 1546: 1539: 1533: 1526: 1520: 1511: 1502: 1495: 1489: 1482: 1476: 1467: 1460: 1457:Castillo, R. 1454: 1447: 1441: 1432: 1423: 1416: 1410: 1403: 1397: 1388: 1381: 1376: 1367: 1363: 1356: 1353: 1349: 1339: 1337: 1333: 1329: 1325: 1321: 1317: 1313: 1309: 1305: 1295: 1293: 1289: 1285: 1280: 1278: 1273: 1271: 1270: 1265: 1260: 1258: 1248: 1246: 1241: 1239: 1234: 1232: 1227: 1225: 1220: 1218: 1217: 1213: 1194: 1191: 1189: 1186: 1184: 1180: 1178: 1174: 1173: 1163: 1160: 1157: 1154: 1151: 1147: 1144: 1141: 1138: 1135: 1132: 1131: 1125: 1116: 1114: 1113: 1107: 1105: 1101: 1097: 1093: 1092:Easter Island 1083: 1081: 1075: 1071: 1069: 1058: 1056: 1050: 1048: 1032: 1028: 1026: 1022: 1018: 1014: 1010: 1006: 1002: 998: 993: 991: 981: 979: 973: 970: 965: 963: 957: 955: 954:Easter Island 951: 947: 931: 929: 925: 919: 915: 913: 909: 899: 896: 881: 879: 875: 871: 866: 862: 860: 855: 851: 849: 845: 841: 835: 833: 829: 825: 821: 817: 812: 808: 806: 802: 792: 790: 784: 782: 777: 773: 769: 765: 761: 757: 753: 749: 744: 742: 727: 723: 721: 717: 711: 709: 705: 704:Miguel Servet 701: 695: 693: 689: 685: 681: 677: 673: 663: 661: 657: 653: 649: 645: 641: 637: 633: 629: 628:Tove Johansen 625: 621: 617: 613: 612:Raquel Forner 609: 608:Lucio Fontana 605: 601: 597: 593: 589: 585: 581: 577: 573: 569: 564: 562: 561:Carlos Alonso 558: 554: 550: 549:José Carrieri 546: 545:Mariano Pagés 542: 541:Beatriz Capra 537: 535: 534:Mercedes Sosa 531: 530:Jaime Dávalos 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 490:Victor Delhez 487: 483: 481: 466: 464: 463:Victor Delhez 460: 456: 452: 448: 438: 436: 432: 428: 424: 420: 416: 406: 404: 400: 396: 392: 388: 384: 380: 376: 375:Carlos Ibáñez 365: 363: 359: 355: 351: 350:Claudio Arrau 347: 343: 339: 338:Nicanor Parra 335: 331: 327: 323: 319: 315: 311: 296: 294: 290: 286: 276: 274: 270: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 226: 222: 207: 205: 201: 197: 185:Life and work 182: 174: 172: 168: 162: 158: 156: 152: 148: 144: 140: 136: 132: 128: 127:Louis Pasteur 124: 120: 109: 107: 102: 98: 92: 90: 86: 85:Easter Island 82: 78: 74: 70: 66: 62: 58: 54: 50: 39: 37: 33: 29: 25: 21: 1677: 1661: 1648: 1635: 1622: 1609: 1596: 1583: 1570: 1558: 1545: 1532: 1519: 1510: 1501: 1488: 1475: 1466: 1453: 1440: 1431: 1422: 1409: 1396: 1387: 1375: 1366: 1351: 1347: 1345: 1335: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1303: 1301: 1291: 1287: 1283: 1281: 1276: 1274: 1267: 1263: 1261: 1256: 1254: 1244: 1242: 1237: 1235: 1230: 1228: 1223: 1221: 1210: 1208: 1200:Bibliography 1122: 1110: 1108: 1095: 1089: 1076: 1072: 1064: 1054: 1051: 1043: 1029: 1025:Tangata Manu 994: 987: 974: 966: 962:Chilean Navy 958: 942: 920: 916: 905: 892: 878:Sancho Panza 867: 863: 856: 852: 836: 813: 809: 801:Miguel Lillo 798: 785: 781:Giuseppe Cei 768:Lajos Szalay 745: 738: 724: 712: 696: 669: 572:Líbero Badii 568:Buenos Aires 565: 557:Luis Quesada 538: 522:Diego F. Pró 506:Sergio Sergi 484: 477: 444: 412: 395:André Breton 371: 362:Marta Colvin 342:Marta Brunet 330:Pablo Neruda 307: 282: 269:Manuel Azaña 218: 193: 180: 163: 159: 147:Miguel Lillo 115: 106:Michelangelo 93: 88: 45: 42:Introduction 19: 18: 1702:1963 deaths 1697:1901 births 1104:petroglyphs 1080:Don Quixote 1013:Petroglyphs 1001:petroglyphs 978:Flying boat 950:petroglyphs 870:Don Quixote 848:Don Quixote 616:Luis Seoane 318:Camilo Mori 255:, painter; 233:Juan Negrín 196:Casabermeja 101:petroglyphs 67:he went to 1691:Categories 1639:Pro, D.F. 1626:Pro, D.F. 1536:Pro, D.F. 1527:, page 31. 1523:Pro, D.F. 1444:Anaya, A. 969:Valparaíso 924:Caupolicán 859:Valparaíso 592:Lea Lublin 167:Make-Makes 36:aesthetics 1652:Viau, S. 1604:, page 34 1574:Bucci E. 1553:, page 33 1017:Make Make 840:Pachamama 427:Bourdelle 415:Barcelona 145:, to Dr. 129:, to Dr. 69:Barcelona 1165:Catalog. 1149:Catalog. 1021:Rapa Nui 431:Brâncuși 171:Bird Men 89:Rapa Nui 47:born in 32:Rapa Nui 748:Tucumán 672:Pasteur 486:Mendoza 435:Maillol 149:and to 81:Tucumán 77:Mendoza 1669:  1350:, and 419:London 243:; and 200:Málaga 177:Quotes 57:Madrid 53:Málaga 1359:Notes 1346:Both 1181:2005 1175:1998 1100:moais 997:moais 946:moais 908:Plato 502:Quino 423:Paris 151:Plato 137:, to 133:, to 125:, to 121:, to 97:moais 73:Paris 61:Spain 26:1901- 1667:ISBN 1102:and 1061:Work 1040:Life 1009:Moai 999:and 984:Work 948:and 902:Work 795:Work 762:and 716:Nazi 700:Cuyo 686:and 666:Work 626:and 590:and 551:and 433:and 421:and 368:Work 287:and 279:Work 141:and 99:and 79:and 1214:/ 1070:". 1015:of 952:of 791:". 393:", 87:or 1693:: 1294:. 1106:. 1057:. 956:. 754:, 743:. 614:, 610:, 606:, 602:, 598:, 582:, 578:, 574:, 559:, 547:, 543:, 512:, 496:, 429:, 360:, 344:, 324:, 320:, 275:. 206:. 169:, 59:, 1496:. 1417:. 787:" 22:(