316:. The first exhibition, entitled "The Applied Arts," consisted entirely of women's clothing and accessories, seeking to promote the revival of German fashion and increase cooperation between artists and manufacturers. The second exhibition was an enormous undertaking with the display of more than 1,600 objects, many chosen by Reich, to showcase the quality and breadth of German industrial design. Over 4,000 people visited the exhibition between 18 April and 31 May 1922 and the Newark Museum acquired over sixty-five objects from the exhibition, including a children's clothing design by Reich. The show did not travel in the United States as hoped, given a strong anti-German sentiment subsequent to the First World War. Nonetheless, the show had a profound effect on American design and its influences may be seen in the work of U.S. designers after this date.
301:, or German Work Federation, an organization founded in 1907 that aimed to ally art and industry as a means to improve German-made products and designs., a group similar to the Vienna Workshop whose purpose was to help improve competitiveness of German companies in the global market. The Werkbund sponsored lectures for shopkeepers and consumers as well as sought the assistance of museums to influence public taste through exhibitions. In 1912 she designed a sample working-class flat in the Berlin Gewerkschaftshaus, or Trade Union House. It received much praise for the clarity and functionalism of the furnishings. The 1913 Werkbund yearbook carried a series of photographs which included one by Reich: Elephant Pharmacy, Berlin 1913.
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also worked as a shop window decorator at this time. In 1911, after working for many of Berlin's most fashionable department stores, Reich designed store windows and clothing installations for
Wertheim Department Store of Berlin. In 1912, two seminal events helped establish her reputation as an influential designer and exhibition organizer. First, she designed well-received interiors for a worker's apartment and two stores for the Lyzeum-Klub exhibition
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along with Mies on behalf of the German government for the 1929 World
Exhibition in Barcelona, Spain. The Barcelona Pavilion is considered to be a masterpiece of modern design, however, Lilly Reich is rarely mentioned in textbooks, nor given proper credit for her contributions. Lilly Reich traveled
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One of her larger expositions was during the
International Exposition of 1929 in Barcelona. During this, she stressed the need for connection to the industry and serial production. With this she created mass-produced objects, neatly stacked side by side by the hundreds in elegant, tailored contexts,
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in
Cologne in 1914. On 25 October 1920, Reich was formally recognized by her peers when she was named to the Board of Directors of Deutsche Werkbund. She was the first woman to be appointed to the Werkbund's governing board. It was her responsibility to plan and curate design exhibits hosted by the
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and moved from
Frankfurt to Berlin to work with him in 1926. She was Mies' personal and professional partner for 13 years from 1925 until his emigration to the U.S. in 1938. It is said that they were constant companions, working together on curating and implementing exhibitions for the Werkbund, as
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Reich returned to Berlin by 1911. There she began to design furniture, textiles and women's clothes. This experience was to be formative for her â giving her a particular interest in contrasting textures and materials, as well as specific skills with regard to the use of textiles in furniture. She
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It became more than a coincidence that Mies's involvement and success in exhibition design began at the same time as his personal relationship with Reich... It is interesting to note that Mies did not fully develop any contemporary furniture successfully before or after his collaboration with
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states that Reich "also manage much of the daily administration of the
Bauhaus for Mies." Her tenure was short-lived as the Bauhaus was closed in 1933 by the Nazis, who referred to it as an "oriental palace" and "synagogue" filled with "Bolshevists" and "cultural Marxists" dedicated to
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in Berlin. She was forced to resign due to ill health in 1945. She was instrumental in the revival of the
Deutsche Werkbund, but died in Berlin before its formal re-establishment in 1950. She died on 14 December 1947, aged 62 in Berlin.
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for equality in architecture. The grant was specifically addressed to the study of the work by Lilly Reich herself, and to delving into the knowledge and dissemination of an essential figure in the history of modern architecture.
220:. Her fame was posthumous, as the significance of her contribution to the work of Mies van der Rohe and others with whom she collaborated with only became clear through the research of later historians of the field.
381:, Mies emigrated to the U.S. Reich continued to manage her own interior design firm in Germany, until her death. She visited him in the U.S. in September 1939, but did not stay, returning instead to Berlin.
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277:, a visual arts production company of designers, artists, and architects. Hoffmann was a celebrated modernist designer, responsible for designs such as the Kubus chair (1918), Cabinet (
354:, heading the interior finishings department, which included, weaving, wall painting, metalwork, and cabinetry workshops. Writing about Reich's tenure at the Bauhaus, art historian
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in New York presented an exhibition on her work "Lilly Reich: Designer and
Architect" which for the first time brought attention to this influential but almost forgotten designer.
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Her studio was bombed in 1943 and she was sent to a forced labour camp, where she remained until 1945. After her release at the end of the war, Reich briefly taught at the
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and direct the interior design workshop. She was one of a small number of female teachers on staff, and only the second to hold the title of "Master". She taught
363:. In 1931 she had an exhibition called "Dwelling in Our Time Berlin" and in 1934 the "Material Show: Wood" exhibit, as well as "German People â German Work".
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to the United States, England, and
Austria to study and work with the designers of her time. She also curated exhibitions on behalf of her government.
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In 1914, Reich converted her studio to a dressmaker's shop and maintained it through the duration of World War I. She contributed work to the
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da Costa Meyer, Esther (Winter 1999). "Cruel
Metonymies: Lilly Reich's Designs for the 1937 World's Fair".
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period from 1925 until his emigration to the U.S. in 1938. Reich was an important figure in the early
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In 1921â22, Reich organized and prepared two large exhibitions to be shown at the Newark Museum in
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made its first appearance. This pavilion was considered the highlight of their design efforts.
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of textiles, furniture, interiors, and exhibition spaces. She was a close collaborator with
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297:(Woman at Home and at Work). That same year, 1912 she was elected to membership in the
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971:"Mies van der Rohe Foundation Launches Lilly Reich Grant for Equality in Architecture"
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Lilly Reich. La rivoluzione della spazialitĂ tessile tra emancipazione e avanguardia
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Werkbund and intended to promote German designers both in Germany and abroad.
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West 86th: A Journal of Decorative Arts, Design History, and Material Culture
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Reich in fact dissolved the individual unit in an abstract and global image.
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721:"Ketterer Kunst, Art auctions, Book auctions Munich, Hamburg & Berlin"
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There are streets named after Lilly Reich in the German cities of
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Reich collaborated and co-designed the Brno Chair, the famous
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Albert Pfeiffer, Vice President of Design and Management at
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by Albert Pfeiffer, Vice President of Design Management at
861:. Association of Women Industrial Designers. Archived from
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799:"How the Bauhaus Kept the Nazis at Bay, Until It Couldn't"
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374:'s Nazi Pavilion, during an extremely tense World's Fair.
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as part of larger architectural commissions, such as the
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In 1932, Reich was asked by van der Rohe to teach at the
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Through her involvement with the Werkbund, Reich met
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49:. Unsourced material may be challenged and removed.
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366:In 1937, Reich displayed and installation at the
247:(1929) photographed in situ at the reconstructed
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997:"Lilly Reich Grant for equality in architecture"
885:"Lilly Reich Grant for equality in architecture"
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236:, designed by Reich and Mies van der Rohe (1927)
774:"Lilly Reich Was More Than Mies's Collaborator"
200:(16 June 1885 â 14 December 1947) was a German
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1105:. Roma: TabEdizioni. ISBN 978-88-9295-208-9
927:"Lilly Reich: Designer and Architect | MoMA"
568:Schuldenfrei, Robin; Fisher, Annika (2014).
470:in Spain presented the first edition of the
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541:10.1093/gao/9781884446054.article.t2021963
370:. Her installation would become a part of
109:Learn how and when to remove this message
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1983:Martin Luther King Jr. Memorial Library
1765:(1928â1929; reconstructed, 1986) (with
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1880:Cullinan Hall and the Brown Pavilion,
1085:. New York: The Museum of Modern Art.
953:"A Modernist Steps Out Of the Shadows"
651:(76). Duke University Press: 161â189.
527:Sherin, Aaris (2018). "Reich, Lilly".
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951:Muschamp, Herbert (9 February 1996).
910:"Lilly Reich: Designer and Architect"
319:From 1924 to 1926, she worked at the
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47:adding citations to reliable sources
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1812:Interior of Villa Tugendhat in Brno
1079:Lilly Reich: Designer and Architect
570:"Lilly Reich: Questions of Fashion"
208:for more than ten years during the
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1898:Pavilion and Colonnade Apartments
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915:. The Museum of Modern Art. 1996.
265:training to use when she went to
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1947:Lafayette Towers Apartments West
1941:Lafayette Towers Apartments East
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2101:Portrait of Sir David Webster
1865:Lafayette Pavilion Apartments
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261:In 1908, age 23, she put her
1803:German Pavilion in Barcelona
1753:(1925â1926; destroyed, 1945)
1586:Thomas Ferguson & Co Ltd
1136:of Lilly Reich organization.
468:Mies van der Rohe Foundation
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2232:German industrial designers
1995:Kluczynski Federal Building
1935:Highfield House Condominium
1847:Lake Shore Drive Apartments
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393:Work with Mies van der Rohe
16:German designer (1885â1947)
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1773:Haus Lange and Haus Esters
1001:FundaciĂł Mies van der Rohe
889:FundaciĂł Mies van der Rohe
749:"Biographies: Lilly Reich"
329:Barcelona World Exposition
295:Die Frau in Haus und Beruf
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857:Pfeiffer, Albert (1997).
557:. Carnegie Museum of Art.
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377:In 1938, just before the
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2237:Ludwig Mies van der Rohe
1977:Nuns' Island gas station
1965:Richard King Mellon Hall
1929:Dirksen Federal Building
1859:900-910 North Lake Shore
1759:(four homes) (1927â1928)
1735:Ludwig Mies van der Rohe
1127:from the Werkbundarchiv
931:The Museum of Modern Art
399:Ludwig Mies van der Rohe
325:Ludwig Mies van der Rohe
224:Early life and education
206:Ludwig Mies van der Rohe
2207:German women architects
1971:Toronto-Dominion Centre
1917:Bacardi Office Building
679:"Lilly Reich Biography"
368:1937 Paris World's Fair
189:Allied-occupied Germany
2227:Architects from Berlin
1894:(co-authorship) (1959)
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1626:Brigitta Scherzenfeldt
1099:Conti, Giulia (2022).
846:. Bauhaus Kooperation.
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1829:Promontory Apartments
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1646:Margaretha Zetterberg
1332:Barber-Colman knotter
1022:"Lilly Reich Strasse"
753:www.kettererkunst.com
725:www.kettererkunst.com
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273:(Vienna Workshop) of
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2063:God is in the detail
1959:New National Gallery
1955:(Canada) (1964â1967)
1919:(Mexico) (1958â1961)
1841:Carr Memorial Chapel
1655:Employment practices
1616:Margaretha Reichardt
1606:Maria Elisabet Ăberg
1571:Micheline Beauchemin
1325:Tools and techniques
1150:Museum of Modern Art
1142:at Kettererkunst.com
1051:adresse.data.gouv.fr
844:100 Years of Bauhaus
508:Women of the Bauhaus
461:Museum of Modern Art
216:in architecture and
43:improve this article
1882:Museum of Fine Arts
1667:Kissing the shuttle
683:www.lilly-reich.com
649:New German Critique
306:Werkbund exhibition
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1873:(1955â1958) (with
1861:(completion, 1956)
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1540:Warp-weighted loom
1148:Exhibition at the
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402:well as designing
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710:, pp. 14â17.
472:Lilly Reich Grant
271:Wiener WerkstÀtte
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58:"Lilly Reich"
55:
54:Find sources:
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32:This article
30:
26:
21:
20:
2099:
2093:
2068:Less is more
2045:
2035:
2025:
2015:
1888:(1958; 1974)
1782:
1766:
1742:Berlin years
1636:Gunta Stölzl
1621:John Rylands
1610:
1601:Ethel Mairet
1535:Roberts loom
1485:Air-jet loom
1221:Double weave
1101:
1078:
1070:Publications
1055:. Retrieved
1050:
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1029:. Retrieved
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1004:. Retrieved
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979:. Retrieved
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867:. Retrieved
863:the original
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824:McQuaid 1996
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809:18 September
807:. Retrieved
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783:18 September
781:. Retrieved
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756:. Retrieved
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728:. Retrieved
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708:McQuaid 1996
688:19 September
686:. Retrieved
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630:McQuaid 1996
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372:Albert Speer
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179:(1947-12-14)
159:16 June 1885
120:
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41:Please help
36:verification
33:
2197:1947 deaths
2192:1885 births
2171:Wikiversity
2094:Lilly Reich
2046:Lilly Reich
2036:Lilly Reich
2026:Lilly Reich
2016:Lilly Reich
1997:(1960â1974)
1973:(1964â1969)
1931:(1960â1964)
1910:(1960â1969)
1900:(1958â1960)
1867:(1955â1958)
1855:(1950â1956)
1849:(1949â1951)
1843:(1949â1952)
1837:(1945â1951)
1822:(1939â1959)
1789:Lemke House
1783:Lilly Reich
1775:(1928â1930)
1767:Lilly Reich
1744:(1907â1938)
1611:Lilly Reich
1566:Otti Berger
1561:Anni Albers
1530:Rapier loom
1261:Plain weave
1201:Basketweave
1129:(in German)
1116:Lilly Reich
1057:22 November
1053:(in French)
1031:30 November
1026:Google Maps
936:8 September
282: 1915
198:Lilly Reich
149:Lilly Reich
139:Lilly Reich
127:Lilly Reich
2186:Categories
2151:Wiktionary
2032:Brno chair
1853:Crown Hall
1751:Villa Wolf
1662:More looms
1525:Power loom
1495:Dobby loom
1490:Dandy loom
1299:Components
1251:Pile weave
1241:Leno weave
1226:Even-weave
1006:1 November
981:1 November
514:References
488:Ingolstadt
484:Hildesheim
446:, and the
424:Brno Chair
263:embroidery
155:1885-06-16
69:newspapers
2161:Wikibooks
2141:Wikiquote
2005:Furniture
1989:IBM Plaza
1908:Worldwide
1581:Ada Dietz
1475:Types of
1231:Gabardine
1140:Biography
1125:Biography
975:Archdaily
803:Bloomberg
610:191078785
594:2153-5531
2131:Wikinews
1444:Tapestry
1392:Pibiones
1306:Textiles
1211:Coverlet
894:10 April
730:30 March
502:See also
321:Messeamt
202:designer
2121:Commons
2084:Bauhaus
2077:Related
1886:Houston
1549:Weavers
1412:Shuttle
1206:Charvet
1187:Weaving
1134:Webpage
869:7 March
758:7 March
492:Rösrath
344:Bauhaus
83:scholar
2056:Quotes
1991:(1973)
1985:(1972)
1967:(1968)
1949:(1963)
1943:(1963)
1937:(1964)
1925:(1962)
1831:(1949)
1791:(1933)
1556:Acesas
1459:Wicker
1454:Wattle
1449:Temple
1439:TÄniko
1417:Sizing
1377:Kasuri
1362:Heddle
1337:Beamer
1276:Swivel
1246:Oxford
1236:Lampas
1194:Weaves
1089:
778:Core77
665:488661
663:
608:
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592:
496:Nantes
490:, and
480:Munich
455:Legacy
438:Reich.
288:Career
267:Vienna
256:Berlin
232:MR 10
218:design
210:Weimar
185:Berlin
163:Berlin
85:
78:
71:
64:
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1681:Mills
1477:looms
1464:Resin
1434:Talim
1342:Braid
1281:Twill
1266:Satin
1256:Piqué
1216:Dobby
1083:(PDF)
913:(PDF)
661:JSTOR
606:S2CID
598:JSTOR
431:Knoll
90:JSTOR
76:books
1407:Shed
1397:Reed
1382:Loom
1367:Ikat
1316:Yarn
1271:Shot
1087:ISBN
1059:2023
1033:2022
1008:2020
983:2020
938:2022
896:2019
871:2016
811:2022
785:2022
760:2016
732:2017
690:2022
590:ISSN
422:and
416:Brno
350:and
174:Died
145:Born
62:news
653:doi
582:doi
537:doi
414:in
45:by
2188::
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831:^
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279:c.
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39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
