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on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and
Hofmannsthal accordingly opted to separate the two works entirely. In the case of the opera, this meant Strauss
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premiered four years later and has been a success ever since.) As regards the play, Hofmannsthal devised an ending closer to Molière's original, with
Strauss adding to his existing incidental music to support the new conclusion. This premiered in 1917.
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It was from the now-lengthened incidental music that
Strauss compiled his orchestral suite. He finished this task on Christmas Day 1917, and the resulting concert work received its premiere in
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was presented and recorded in 1997 with
Ustinov narrating and playing the parts, incorporating Strauss' music.
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David Nice "Between Two Worlds" pp. 13–18 of the programme to the 2008 Royal Opera House production of
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on 9 April 1918 with
Strauss himself conducting. The suite lasts half an hour and is in nine sections:
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Strauss in London, June 1914 after receiving his honorary
Doctorate from Oxford University
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composing a new “Prologue” for it to explain the presence of the comedians. (The revised
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This article is about
Strauss's orchestral suite. For Molière's 1670 comédie-ballet, see
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Trenner, Franz. Richard
Strauss Chronik, Verlag Dr Richard Strauss Gmbh, Wien, 2003.
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Omitted from the suite were ballets added for the 1917 version of the play: one for
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works by
Strauss also found inspiration in the French Baroque: his 1923
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Divertimento for chamber orchestra after keyboard pieces by
Couperin
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Divertimento for chamber orchestra after keyboard pieces by Couperin
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Divertimento for chamber orchestra after keyboard pieces by Couperin
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The work has a complex genesis. Originally, Strauss collaborator
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Dance suite after keyboard pieces by François Couperin
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Dance suite from keyboard pieces by François Couperin
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flavor. In fact he based sections 5 to 7 on music by
1754:Tanzsuite aus Klavierstücken von François Couperin
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1851:Music based on works by Hugo von Hofmannsthal
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180:. This idea did materialize, as planned, in
143:from music he wrote between 1911 and 1917.
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846:Duet concertino for clarinet and bassoon
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1861:Arrangements of classical compositions
1813:
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160:, simplifying its plot, introducing a
1406:
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1619:Concerto in E-flat (Dumbarton Oaks)
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13:
436:(Arte Nova Classics 82876 61103-2)
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56:, the title character in the play.
14:
1872:
428:Program notes by Stephen Rose to
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898:Till Eulenspiegel's Merry Pranks
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233:(Entry and Dance of the Tailors)
1856:Adaptations of works by Molière
250:(Entry of Cléonte; after Lully)
231:Auftritt und Tanz der Schneider
409:
1:
796:Wiener Philharmoniker Fanfare
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1846:20th-century classical music
7:
1741:Symphony in Three Movements
1686:Piano Sonata No. 3 (Enescu)
1681:Piano Sonata No. 3 (Chávez)
1676:Piano Sonata No. 1 (Enescu)
1348:Treatise on Instrumentation
10:
1877:
1691:Piano Suite No. 2 (Enescu)
422:
415:Trenner, page 392 and 394.
18:
1821:Suites by Richard Strauss
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1718:El retablo de maese Pedro
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1107:Traum durch die Dämmerung
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890:Death and Transfiguration
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150:had the idea of reviving
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1601:Le bourgeois gentilhomme
782:Le bourgeois gentilhomme
157:Le bourgeois gentilhomme
128:Le bourgeois gentilhomme
54:Le bourgeois gentilhomme
32:Le bourgeois gentilhomme
21:Le Bourgeois Gentilhomme
1725:Sonatine bureaucratique
1241:Utan svafvel och fosfor
966:Cello Sonata in F major
907:Also sprach Zarathustra
813:Japanese Festival Music
133:Der BĂĽrger als Edelmann
1790:Neoromanticism (music)
1761:Le Tombeau de Couperin
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1158:Des Dichters Abendgang
1085:Heimliche Aufforderung
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601:Die Frau ohne Schatten
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432:'s recording with the
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65:The merchant gentleman
1841:Neoclassicism (music)
1311:Hugo von Hofmannsthal
624:Die ägyptische Helena
434:Kammerorchester Basel
148:Hugo von Hofmannsthal
121:
1631:Harpsichord Concerto
1580:Antiche arie e danze
1558:Germaine Tailleferre
647:Die schweigsame Frau
505:List of compositions
248:Auftritt des Cléonte
227:(The Fencing Master)
38:orchestral suite by
1785:Neoclassical ballet
1711:The Rake's Progress
1594:Le baiser de la fée
934:Symphonia Domestica
826:Horn Concerto No. 2
758:Horn Concerto No. 1
675:Die Liebe der Danae
430:Christopher Hogwood
276:Jean-Baptiste Lully
1747:Symphony of Psalms
1563:Heitor Villa-Lobos
1434:Neoclassical music
1233:Wandrers Sturmlied
1169:Freundliche Vision
1063:Ruhe, meine Seele!
942:An Alpine Symphony
358:and the following
163:commedia dell'arte
124:
1836:1917 compositions
1831:1912 compositions
1808:
1807:
1800:Modernism (music)
1608:Concert champĂŞtre
1493:Camargo Guarnieri
1400:
1399:
1276:Der Rosenkavalier
1200:Der Krämerspiegel
728:Verklungene Feste
586:Ariadne auf Naxos
571:Der Rosenkavalier
441:Ariadne auf Naxos
237:Menuett des Lully
193:An adaptation of
187:Ariadne auf Naxos
177:Ariadne auf Naxos
135:), Op. 60, is an
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99:Chamber orchestra
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1826:Incidental music
1644:Mathis der Maler
1533:Sergei Prokofiev
1518:Bohuslav MartinĹŻ
1488:Radamés Gnattali
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1335:Related articles
1287:Family and peers
1268:Film adaptations
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239:(Lully's Minuet)
225:Der Fechtmeister
168:incidental music
137:orchestral suite
91:25 December 1917
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16:Orchestral suite
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1657:Octet for winds
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1553:Igor Stravinsky
1548:Richard Strauss
1528:Francis Poulenc
1508:Arthur Honegger
1483:Manuel de Falla
1458:Alfredo Casella
1436:
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1364:Neo-romanticism
1330:
1300:Pauline de Ahna
1282:
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1257:Die Tageszeiten
1220:
1209:Four Last Songs
1190:Brentano Lieder
1129:Der Arbeitsmann
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925:Ein Heldenleben
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752:Violin Concerto
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489:Richard Strauss
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299:Instrumentation
166:troupe, adding
141:Richard Strauss
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40:Richard Strauss
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1731:Symphony No. 1
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1697:Premier Menuet
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764:Symphony No. 2
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746:Symphony No. 1
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709:Josephslegende
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500:List of operas
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1736:Symphony in C
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1637:Jeu de cartes
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1614:Concerto in D
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1538:Maurice Ravel
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1513:Zoltán Kodály
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1478:George Enescu
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1468:Aaron Copland
1466:
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1463:Carlos Chávez
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1448:Georges Auric
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1359:Neoclassicism
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1343:
1342:Elektra chord
1340:
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1327:
1326:Joseph Gregor
1324:
1322:
1319:
1317:
1316:Max Reinhardt
1314:
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1298:
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1294:Franz Strauss
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978:Violin Sonata
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972:Piano Quartet
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840:Oboe Concerto
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833:Metamorphosen
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452:3-901974-01-6
449:
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427:
426:
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381:
377:
373:
369:
365:
362:(3 players):
361:
357:
354:
352:
351:bass trombone
348:
344:
340:
337:
334:
333:contrabassoon
330:
326:
322:
318:
314:
310:
306:
303:
302:
296:
294:
292:
288:and his 1942
287:
286:
281:
280:Neo-Classical
277:
273:
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261:
258:
255:
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241:
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235:
232:
229:
226:
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209:
207:
202:
200:
199:Peter Ustinov
196:
191:
188:
183:
179:
178:
173:
169:
165:
164:
159:
158:
154:'s 1670 play
153:
149:
144:
142:
138:
134:
130:
129:
120:
112:April 9, 1918
111:
107:
102:
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72:
68:
64:
60:
55:
52:M. Jourdain,
49:
44:
41:
36:
33:
29:
26:
22:
1778:Other topics
1766:
1759:
1752:
1745:
1723:
1716:
1709:
1702:
1695:
1668:
1661:
1649:
1642:
1635:
1623:
1606:
1600:
1599:
1592:
1585:
1578:
1572:Compositions
1503:Vagn Holmboe
1346:
1321:Stefan Zweig
1275:
1255:
1247:
1239:
1231:
1207:
984:
960:Piano Sonata
940:
932:
914:
896:
888:
880:
872:
864:
831:
811:
781:
727:
682:
664:
631:
613:
540:
440:
411:
384:glockenspiel
321:English horn
311:(1 doubling
290:
283:
265:
262:(The Dinner)
259:
256:(Intermezzo)
253:
247:
242:
236:
230:
224:
218:
212:
203:
192:
186:
175:
161:
155:
145:
139:compiled by
132:
131:(in German,
127:
126:
125:
53:
31:
25:
1795:Neotonality
1768:Gli uccelli
1663:Oedipus rex
1473:Louis Durey
1453:BĂ©la BartĂłk
1278:(1926 film)
1041:Winternacht
1030:Allerseelen
985:Enoch Arden
974:(1884–1885)
916:Don Quixote
866:Aus Italien
719:Schlagobers
657:Friedenstag
197:'s play by
1815:Categories
1704:Pulcinella
1543:Erik Satie
857:Tone poems
739:Orchestral
615:Intermezzo
590:(1912/16)
403:References
380:snare drum
368:tambourine
360:percussion
215:(Overture)
1441:Composers
1354:Modernism
1249:Taillefer
1118:Sehnsucht
1052:Ständchen
1019:Die Nacht
1008:Zueignung
945:(1911–15)
786:(1911–17)
776:(1885–86)
766:(1883–84)
760:(1882–83)
754:(1881–82)
684:Capriccio
533:Feuersnot
376:bass drum
325:clarinets
293:, Opus 86
260:Das Diner
213:Ouverture
182:Stuttgart
70:Catalogue
1382:Category
1296:(father)
1184:" (1906)
1173:" (1900)
1162:" (1900)
1151:" (1899)
1149:Notturno
1144:" (1898)
1133:" (1898)
1122:" (1896)
1111:" (1895)
1100:" (1894)
1089:" (1894)
1078:" (1894)
1067:" (1894)
1056:" (1886)
1045:" (1886)
1034:" (1885)
1023:" (1885)
1012:" (1885)
882:Don Juan
772:Burleske
636:(1933)
633:Arabella
605:(1919)
575:(1911)
560:(1909)
545:(1905)
372:triangle
329:bassoons
319:(2 with
305:Woodwind
254:Vorspiel
243:Courante
221:(Minuet)
104:Premiere
88:Composed
73:TrV 228c
1670:Orpheus
1212:(1948)
1140:Befreit
1096:Morgen!
1074:Cäcilie
874:Macbeth
700:Ballets
687:(1942)
556:Elektra
523:Guntram
423:Sources
397:strings
364:cymbals
356:Timpani
347:trumpet
313:piccolo
272:baroque
219:Menuett
195:Moliere
174:called
152:Molière
96:Scoring
62:English
1587:Apollo
1302:(wife)
1260:(1928)
1252:(1903)
1244:(1889)
1236:(1884)
1225:Choral
1204:(1918)
1194:(1918)
997:Lieder
988:(1897)
980:(1888)
968:(1883)
962:(1881)
937:(1903)
929:(1898)
919:(1897)
911:(1896)
901:(1895)
893:(1889)
885:(1888)
877:(1888)
869:(1886)
848:(1947)
842:(1945)
836:(1945)
828:(1942)
822:(1941)
816:(1940)
808:(1936)
798:(1924)
792:(1923)
748:(1880)
731:(1940)
723:(1924)
713:(1914)
679:(1940)
669:(1938)
666:Daphne
661:(1938)
651:(1935)
628:(1928)
618:(1924)
542:Salome
537:(1901)
527:(1894)
514:Operas
450:
309:flutes
268:sylphs
206:Berlin
1651:Mavra
1392:Audio
389:piano
343:horns
339:Brass
323:), 2
317:oboes
315:), 2
172:opera
448:ISBN
393:harp
349:, 1
345:, 1
341:: 2
327:, 2
307:: 2
109:Date
79:Opus
1817::
395:,
391:,
382:,
378:,
374:,
370:,
366:,
295:.
83:60
1426:e
1419:t
1412:v
1176:"
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1114:"
1103:"
1092:"
1081:"
1070:"
1059:"
1048:"
1037:"
1026:"
1015:"
1004:"
481:e
474:t
467:v
454:.
443:.
335:)
23:.
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