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321:. To this end, he orders splendid new clothes and is very happy when the tailor's boy mockingly addresses him as "my Lord". He applies himself to learning the gentlemanly arts of fencing, dancing, music and philosophy, despite his age; in doing so he continually manages to make a fool of himself, to the disgust of his hired teachers. His philosophy lesson becomes a basic lesson on language in which he is surprised and delighted to learn that he has been speaking
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candlelight as the only lighting source on stage and a frontal performance style even during conversations between characters gave the production a distinctly baroque air and was well received. The 2005 production was the first ever since the play's first performance to render it in its entirety, as faithful as possible to the original score and script by Molière and Lully.
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372:. Jourdain is taken in and is very pleased to have his daughter marry foreign royalty. He is even more delighted when the "Turkish prince" informs him that, as father of the bride, he too will be officially ennobled at a special ceremony. The play ends with this ridiculous ceremony, including the
352:
Madame
Jourdain, his intelligent wife, sees that he is making a fool of himself and urges him to return to his previous middle-class life, and to forget all he has learned. A cash-strapped nobleman called Dorante has attached himself to M. Jourdain. He secretly despises Jourdain but flatters his
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and the work was presented in its entirety. The wardrobe was notably bourgeois and ridiculous, evidently the intent of the directors to present
Monsieur Jordain as a naive, stunned and yet vulnerable man new to the world of money and privilege "victim and architect of the action". The use of
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The original production brought together the finest actors and musicians of the time. Molière played the role of
Monsieur Jourdain, clothed in bright colors trimmed with silver lace and multicolored feathers; André Hubert played Madame Jourdain
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and removing the opera. Strauss provided further incidental music including some arrangements of Lully. Meanwhile, the entertainment was provided with a separate operatic prologue and this is the form in which
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at the
Utrecht Baroque Festival. Informed by the musical and theatrical traditions of 17th century France, the production revived the musical and dance interludes originally scored by
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My faith! For more than forty years I have been speaking prose while knowing nothing of it, and I am the most obliged person in the world to you for telling me so.
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Par ma foi ! il y a plus de quarante ans que je dis de la prose sans que j'en susse rien, et je vous suis le plus obligé du monde de m'avoir appris cela.
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293:: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman. The play is in
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Then Cléonte, with the assistance of his valet
Covielle and Mme Jourdain, disguises himself and presents himself to Jourdain as the son of the
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Many male and female musicians, instrumentalists, dancers, cooks, tailor's apprentices, and others are needed for the interludes.
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707:. The combination of play and opera proved problematic. Hofmannsthal created a revised version of the play, reinstating the
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317:. The foolish Jourdain now has one aim in life, which is to rise above this middle-class background and be accepted as an
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This article is about Molière's play. For
Balanchine's 1979 ballet of the same title, see
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aristocratic dreams. For example, by telling
Jourdain that he mentioned his name to the
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in 1669, affirmed the superiority of the
Ottoman court over that of the Sun King.
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also choreographed one scene near the end of the ballet. The production starred
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by Molière's troupe of actors. Subsequent public performances were given at the
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by
Hofmannsthal, in which Jourdain's eccentric requirements have led to
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An hour-long version adapted by Harry McFadden was broadcast on the
313:. Jourdain is a middle-aged "bourgeois" whose father grew rich as a
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being marooned on a desert island where there just happens to be a
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Covielle: Cléonte's lackey and who takes an interest in Nicole
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34:. For Strauss's 1917 orchestral suite of the same title, see
1021:, Stanley Hochman, editor in chief. New York: McGraw-Hill.
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Garreau, Joseph E. (1984). "Molière", pp. 397–418 in
778:, who stepped in during a period of Balanchine's illness.
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beginning on 23 November 1670. The music was composed by
239:, first presented on 14 October 1670 before the court of
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intermingled with music, dance and singing – written by
998:"Balanchine-Robbins Work for Nureyev From Molière"
770:. The most well-known version, from 1979 for the
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309:The play takes place at Mr. Jourdain's house in
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297:(except for the ballet openings which are in
281:, poking fun both at the vulgar, pretentious
1043:English translation on the Gutenberg Project
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1091:International Music Score Library Project
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862:Lucile: the daughter of Monsieur Jourdain
638:Performed by the Advent Chamber Orchestra
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1019:McGraw-Hill Encyclopedia of World Drama
955:pp. 13–18 of the programme to the 2008
703:troupe. The production was directed by
606:10. Chaconne des Scaramouche, Trivelins
14:
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624:11. Marche pour la Ceremonie des Turcs
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411:reflected the then-current trend for
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1163:Sganarelle, or The Imaginary Cuckold
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1746:Plays adapted into television shows
1726:Compositions by Jean-Baptiste Lully
24:
979:"A Balanchine Ballet for Nureyev,"
874:Dorante: Count, suitor of Dorimène
646:Problems playing these files? See
432:
376:language standing in for Turkish.
263:and the costumes were done by the
36:Le bourgeois gentilhomme (Strauss)
25:
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1532:George Dandin ou le Mari confondu
1226:George Dandin ou le Mari confondu
1051:English translation by Sue Rippon
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389:); Mlle de Brie played Dorimène;
325:all his life without knowing it.
32:Le Bourgeois Gentilhomme (ballet)
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191:Frontispiece and title page of
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877:Dorimène: Marchioness, a widow
27:1670 comédie-ballet by Molière
13:
1:
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1149:L'Étourdi ou les Contretemps
758:(taking over for an injured
679:was replaced by an appended
7:
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1065:public domain audiobook at
752:Ballet Russe de Monte-Carlo
736:Ballet Russe de Monte-Carlo
689:, composed by Strauss to a
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289:. The title is meant as an
249:theatre of the Palais-Royal
219:The Middle-Class Aristocrat
10:
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1736:Plays adapted into ballets
1653:Académie Royale de Musique
835:(choreographer) presented
722:choreographed a number of
415:all things related to the
255:, the choreography was by
210:[ləbuʁʒwaʒɑ̃tijɔm]
116:October 14, 1670
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886:Pupil of the Music Master
868:Cléonte: suitor of Lucile
859:Madame Jourdain: his wife
804:School of American Ballet
655:The first performance of
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1610:Jean-Baptiste Lully fils
1578:Jubilate Deo omnis terra
1546:Monsieur de Pourceaugnac
1539:Le Bourgeois gentilhomme
1247:Le Bourgeois gentilhomme
1240:Monsieur de Pourceaugnac
1156:Les Précieuses ridicules
1085:Le Bourgeois gentilhomme
1073:Le Bourgeois gentilhomme
1041:Le Bourgeois gentilhomme
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409:Le Bourgeois gentilhomme
271:Le Bourgeois gentilhomme
201:Le Bourgeois gentilhomme
193:Le Bourgeois gentilhomme
55:Le Bourgeois gentilhomme
44:Le Bourgeois gentilhomme
18:Le bourgeois gentilhomme
1170:The School for Husbands
1062:The Bourgeois Gentleman
657:Der Bürger als Edelmann
285:and the vain, snobbish
215:The Bourgeois Gentleman
1049:The Bourgeois Nobleman
921:on December 18, 1938.
813:in collaboration with
774:, featured input from
716:is now usually given.
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273:satirizes attempts at
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1571:Plaude Laetare Gallia
1275:The Imaginary Invalid
1212:Le Médecin malgré lui
1080:from site-moliere.com
942:Garreau 1984, p. 417.
853:Monsieur Jourdain: a
824:(stage director) and
784:Jean-Pierre Bonnefoux
665:Hugo von Hofmannsthal
570:8. Air des Espagnoles
436:
279:bourgeois personality
206:French pronunciation:
190:
1375:List of compositions
1177:The School for Wives
880:Master of Philosophy
802:and students of the
516:5. Gaillarde Canarie
108:Marchioness Dorimène
1676:Tragédie en musique
1505:(completed 1687 by
1502:Achille et Polyxène
1366:Jean-Baptiste Lully
1268:Les Femmes Savantes
898:Tailor's apprentice
841:Jean-Baptiste Lully
811:Le Poème Harmonique
772:New York City Opera
768:Nathalie Krassovska
756:Nicholas Magallanes
403:cérémonie des Turcs
395:Jean-Baptiste Lully
265:chevalier d’Arvieux
259:, the sets were by
253:Jean-Baptiste Lully
245:Château of Chambord
195:from a 1688 edition
132:Château de Chambord
75:Jean-Baptiste Lully
1721:1670s compositions
1390:Cadmus et Hermione
1261:Scapin the Schemer
1002:The New York Times
982:The New York Times
953:Between Two Worlds
865:Nicole: their maid
700:commedia dell'arte
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223:The Would-Be Noble
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1632:Philippe Quinault
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1308:Troupe of Molière
1142:Le Médecin volant
1012:Sources consulted
961:Ariadne auf Naxos
957:Royal Opera House
909:Audio adaptations
760:Frederic Franklin
720:George Balanchine
686:Ariadne auf Naxos
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588:9. Menuet 1 and 2
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143:Original language
94:Monsieur Jourdain
16:(Redirected from
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1751:Plays by Molière
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1615:Jean-Louis Lully
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1089:: Scores at the
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1004:(April 9, 1979).
994:Kisselgoff, Anna
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984:(April 9, 1979).
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788:Patricia McBride
748:Alexandre Benois
744:Tamara Toumanova
728:Wassily de Basil
669:incidental music
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128:Place premiered
120:1670-October-14
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462:2. Gravement
444:1. Ouverture
421:Suleiman Aga
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81:Choreography
1761:Bourgeoisie
1598:Louis Lully
1563:Other works
1438:Bellérophon
1325:(2007 film)
1317:(1978 film)
1078:(in French)
951:David Nice
919:Great Plays
901:Two lackeys
829: [
818: [
397:danced the
363:Marchioness
287:aristocracy
1716:1670 plays
1710:Categories
1446:Proserpine
1219:Amphitryon
925:References
648:media help
534:6. Gavotte
359:Versailles
319:aristocrat
136:Versailles
91:Characters
61:Written by
1670:Intermède
1622:Louis XIV
1233:The Miser
915:NBC radio
855:bourgeois
732:René Blum
709:turquerie
677:turquerie
498:4. Bourée
425:Louis XIV
241:Louis XIV
1695:Category
1507:Collasse
1191:Dom Juan
1184:Tartuffe
1067:LibriVox
809:In 2005
691:libretto
681:operatic
552:7. Loure
387:travesti
305:Synopsis
291:oxymoron
277:and the
138:, France
104:Covielle
71:Music by
1646:Related
1627:Molière
1462:Phaëton
1398:Alceste
1322:Molière
1314:Molière
1285:Related
1127:Molière
1087:(Lully)
917:series
754:, with
714:Ariadne
695:Ariadne
661:adapted
243:at the
237:Molière
178:Setting
155:Subject
118: (
102:Cléonte
65:Molière
1603:Alcide
1588:People
1553:Psyché
1497:(1686)
1489:(1686)
1486:Armide
1481:(1685)
1478:Roland
1473:(1684)
1470:Amadis
1465:(1683)
1457:(1682)
1454:Persée
1449:(1680)
1441:(1679)
1433:(1678)
1430:Psyché
1425:(1677)
1417:(1676)
1409:(1675)
1406:Thésée
1401:(1674)
1393:(1673)
1382:Operas
1299:(wife)
1254:Psyché
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895:Tailor
766:, and
675:. The
162:satire
146:French
100:Nicole
98:Lucile
1594:Sons
1134:Works
930:Notes
848:Roles
833:]
822:]
667:with
399:mufti
374:Sabir
323:prose
311:Paris
299:verse
295:prose
221:, or
181:Paris
168:Genre
149:Sabir
1422:Isis
1414:Atys
1023:ISBN
742:and
730:and
355:King
233:play
231:– a
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