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170:, first published in full in 1843, went through six printings and was widely read in England, France, and Germany but banned in Russia. Nevertheless, some books printed in France were smuggled in and made an impact on Russian society. From 1890 to 1891, fragments of the book were published in Russian journals. Poorly-abridged versions of the book were published in 1910 and in 1930 in the
127:"In Russia, everything you notice, and everything that happens around you, has a terrifying uniformity; and the first thought that comes into the traveler's mind, as he contemplates this symmetry, is that such entire consistency and regularity, so contrary to the natural inclination of mankind, cannot have been achieved and could not survive without violence."
123:. Custine said that Russia's aristocracy had "just enough of the gloss of European civilization to be 'spoiled as savages' but not enough to become cultivated men. They were like 'trained bears who made you long for the wild ones.'" Other tart and much-quoted observations included:
133:"A wealth of unnecessary and petty precautions here engenders a whole army of clerks, each of whom carries out his task with a degree of pedantry and inflexibility, and a self-important air solely designed to add significance to the least significant employment."
130:"The nature of its Government is interference, negligence and corruption. You rebel against the notion that you could become accustomed to all this, yet you do become accustomed to it. In that country, a sincere man would be taken for an idiot."
108:. He was struck by the "smothering enormity of power and the randomness of everyday life and death". Custine criticized St. Petersburg for being the creation of one man and not the result of spontaneous historical forces. Custine, however, loved
96:, but he was appalled by autocracy as practiced in Russia and equally by the Russian people's apparent collaboration in their own oppression. He attributed this state of affairs to what he saw as the backwardness of the
155:. In the mid-20th century, many commentators drew parallels between Custine's description of Russia and contemporary Soviet Union as well as noticing many similarities between his character outline of Nicholas I and
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has no more of mercy in his heart than he reveals in his policies, then I pity Russia; if, on the other hand, his true sentiments are really superior to his acts, then I pity the
Emperor" (Kennan 76).
205:. This work can be interpreted as an attempt to provide an objective research of Russia's traditional social institutions, which the Tsar's advisors believed would effectively counter Custine's work.
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to pen an extensive refutation. However, as the scandal of
Custine's work had subsided by then, the Tsar decided it was best not to remind the public of the book, and the project was abandoned.
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Kennan wrote that
Custine describes Russia as a horrible domain of obsequious flattery of the Tsar and spying. Custine said the air felt freer the moment one crossed into
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136:"The profession of misleading foreigners is one known only in Russia ... everyone disguises what is bad and shows what is good before the master's eyes."
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work, in late 1830s
Custine decided that Russia would be the subject of his next writing effort. Custine visited Russia in 1839, spending most of his time in
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A political reactionary in his own country, fearful that democracy would inevitably lead to mob rule, Custine went to Russia looking for arguments against
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Custine criticized Tsar
Nicholas for the constant spying he ordered and for repressing Poland. Custine had more than one conversation with the
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architecture and predicted that Russia would be a great power if its capital were ever moved back to the older city.
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and concluded it was possible that the Tsar behaved as he did only because he felt he had to. "If the
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Studien über die Zustände, das
Volksleben, und insbesondere die ländlichen Einrichtungen Russlands
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Due to this work, Custine was later dubbed by some historians as "the de
Tocqueville of Russia".
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299:"Word for Word/The Marquis de Custine; A Long-Ago Look at Russia: (So What Else Is New?)"
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Examen de l'ouvrage de M. le marquis de
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ed. Jeffery A. Auerbach & Peter H. Hoffenberg. Ashgate, 2008: p. 124.
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Daring the
Impossible!: Heinrich Dirks (1842-1915) Missionary on Sumatra
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Due to this work, Custine was later dubbed by some historians as "the
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Britain, the Empire, and the World at the Great
Exhibition of 1851
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Un mot sur l'ouvrage de M. de Custine, intitulé: La Russie en 1839
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Several Russian authors published works critical of Custine's
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Custine in this work coined the description of Russia as the
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was translated from German into French and English in 1848.
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Fisher, David C. "Russia and the Crystal Palace 1851" in
343:Čubar·Jan, Aleksandr O.; Čubarʹjan, Aleksandr O. (2006).
174:. Finally, an unabridged version was published in 1996.
398:, Australian Journal of French Studies, Vol 11, Issue 3
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A Saint-Simonian writer: Hippolyte Auger (1797–1881)
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115:Most of Custine's mockery was reserved for the
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102:Mongol invasion of medieval Russia
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273:. Word Alive Press. p. 155.
244:"Czarist Origins of Communism, I"
203:Studies on the Interior of Russia
297:Erlanger, Steven (1996-06-16).
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452:French-language books
199:August von Haxthausen
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58:prison of the peoples
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349:. ОЛМА Медиа Групп.
346:Российский европеизм
185:by Xavier Labenski (
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248:Museum of Communism
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457:Books about Russia
329:George F. Kennan,
303:The New York Times
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416:Project Gutenberg
412:La Russie en 1839
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223:References
121:Nicholas I
64:Background
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311:0362-4331
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88:Contents
207:Studies
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