269:), is a 37-minute trio for sixteen different instruments grouped by type: woodwinds (Mitchell), high brass (Smith) and low brass (Lewis). For this piece and "The Maze," Mitchell uses the term "sound collages". He took inventory of every possible sound the musicians could produce, then organized the sounds into pieces based on texture, without the restriction of fixed tempos. "L-R-G" was performed once more, not long after the album came out, at
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307:"S II Examples" is a 17-minute exploration of multi-phonics on the curved soprano saxophone. The piece was originally designed to be played by a trio with Jarman and Braxton, but when they got together Mitchell discovered that one example that could be done in his curved soprano saxophone couldn't be played on their straight sopranos, so he decided to record it as a solo piece.
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300:. Chuck Nessa remembers that it took the musicians more than four hours just to set up all those instruments, but that they nailed the piece in one live take. "The Maze" would never be performed again until two decades later, when Mitchell played all three pieces from the album at the
632:, cow bells, cymbals, conga drum, cycle sprocket, dinner chimes, dome bells, frying pans, finger cymbals, gongs, hanging bell, large swinging bell, press horn, Swiss cow bells, swinging bells, swinging Swiss cow bells,
446:, Dave Lewis called the album "a splendidly recorded and mastered CD, and inasmuch as Roscoe Mitchell as classical composer is concerned, this is very close to where it truly starts."
249:. According to Chuck Nessa, who produced the album, "We spent over a year preparing for that record. I went up to Roscoe's place in Wisconsin every weekend to go over that stuff."
245:
brought sound explorations he had made in
Michigan together with the earlier innovations made by the Art Ensemble. In 1976 he found a happy medium between city and country in
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says that "it's a rather bewitching set altogether, and a useful notebook on what
Chicago's playing élite were looking into at the period."
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276:"The Maze" is a 21-minute octet for all kinds of percussion including a lot of unconventional instruments. Mitchell used on the piece
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646:, garbage can bottoms, hubkaphone, hand bells, plumbing brass, rhythm sticks, hackbrett
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to serve as percussionists, together with Art
Ensemble members
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Duets with
Tyshawn Sorey and Special Guest Hugh Ragin
213:, recorded in 1978 and released as a double LP on
962:Roscoe Mitchell and the Sound and Space Ensembles
225:Following a successful three-year stint with the
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850:. USA: Random House/Rolling Stone. p. 143.
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825:(6th ed.). London: Penguin. p. 1040.
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678:, garbage can machine, marimba can machine,
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1066:Composition/Improvisation Nos. 1, 2 & 3
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773:Original Liner Notes by John B. Litweiller
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217:. It was reissued in 1989 as a single CD.
27:
229:in Europe, in 1971 Mitchell came back to
209:is an album by American jazz saxophonist
756:Negotiating "The Maze" by Peter Margasak
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749:
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615:, cans, hand bells, shakers, seal horn,
16:1978 studio album by Roscoe Mitchell
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628:- bugle glockenspiel, bicycle horns,
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946:Snurdy McGurdy and Her Dancin' Shoes
839:
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848:The Rolling Stone Jazz Record Guide
462:All compositions by Roscoe Mitchell
405:The Rolling Stone Jazz Record Guide
341:
302:Museum of Contemporary Art, Chicago
13:
14:
1257:
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938:L-R-G / The Maze / S II Examples
789:L-R-G / The Maze / S II Examples
642:- cymbal gongs, finger cymbals,
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243:L-R-G / The Maze / S II Examples
206:L-R-G / The Maze / S II Examples
181:L-R-G / The Maze / S II Examples
22:L-R-G / The Maze / S II Examples
819:The Penguin Guide to Jazz on CD
978:This Dance Is for Steve McCall
252:
1:
1018:8 O'Clock: Two Improvisations
737:
220:
1157:Live at the Knitting Factory
478:
310:
7:
717:, temple gongs, wood blocks
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1262:
797:. Retrieved March 9, 2014.
257:"L-R-G" (which stands for
1205:Celebrating Fred Anderson
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905:
846:Swenson, J., ed. (1985).
823:The Penguin Guide to Jazz
582:, cow bells, conga drum,
449:The Penguin Guide to Jazz
372:The Penguin Guide to Jazz
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1213:Bells for the South Side
1042:First Look, Chicago Duos
1141:Roscoe Mitchell Quartet
1133:Solo Saxophone Concerts
474:"S II Examples" - 17:31
271:New York Public Theater
233:and moved to a farm in
227:Art Ensemble of Chicago
1241:Roscoe Mitchell albums
914:Before There Was Sound
674:- bass drum, cymbals,
91:CBS 30th Street Studio
994:The Day and the Night
660:, gongs, hand bells,
1246:Nessa Records albums
316:Professional ratings
237:, just northeast of
190:Sketches from Bamboo
1197:In Pursuit of Magic
970:After Fallen Leaves
317:
1181:Three Compositions
1149:The Flow of Things
1026:Song for My Sister
787:Roscoe Mitchell –
471:"The Maze" - 20:45
442:In his review for
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247:Madison, Wisconsin
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1010:In Walked Buckner
1002:Nine to Get Ready
785:Lewis, Dave.
732:soprano saxophone
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672:Anthony Braxton
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468:"L-R-G" - 36:37
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590:, hand bells,
576:Thurman Barker
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564:tenor trombone
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539:pocket trumpet
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321:Review scores
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294:Joseph Jarman
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215:Nessa Records
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98:S II Examples
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95:New York City
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68:S II Examples
66:July 27, 1978
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1165:The Bad Guys
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815:Brian Morton
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676:glockenspiel
607:- log drum,
588:glockenspiel
548:George Lewis
522:baritone sax
461:
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306:
275:
267:George Lewis
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37:Studio album
1236:1978 albums
1125:Live albums
664:, tom tom,
510:soprano sax
253:Composition
153:Chuck Nessa
1230:Categories
1106:Angel City
986:Hey Donald
832:0140515216
738:References
666:vibraphone
652:- A bell,
617:tambourine
552:sousaphone
543:flugelhorn
221:Background
161:chronology
1114:Four Ways
954:3 x 4 Eye
684:xylophone
554:, Wagner
518:tenor sax
479:Personnel
311:Reception
280:stars as
259:Leo Smith
1074:Far Side
817:(2002).
795:AllMusic
791:: Review
715:triangle
699:Don Moye
596:triangle
570:The Maze
514:alto sax
506:clarinet
444:AllMusic
335:AllMusic
290:Don Moye
149:Producer
88:The Maze
64:The Maze
57:Recorded
49:Released
39: by
1173:Numbers
711:marimba
707:balafon
693:marimba
680:marimba
662:marimba
654:balafon
630:balafon
613:balafon
600:whistle
592:marimba
535:trumpet
494:piccolo
239:Lansing
231:Chicago
194:(1979)
185:(1978)
176:(1978)
102:Chicago
1216:(2017)
1208:(2015)
1200:(2014)
1192:(2013)
1184:(2012)
1176:(2011)
1168:(2003)
1160:(1987)
1152:(1986)
1144:(1976)
1136:(1974)
1117:(2017)
1109:(2014)
1101:(2014)
1093:(2014)
1085:(2013)
1077:(2010)
1069:(2007)
1061:(2006)
1053:(2005)
1045:(2005)
1037:(2004)
1029:(2002)
1021:(2001)
1013:(1999)
1005:(1999)
997:(1997)
989:(1995)
981:(1993)
973:(1992)
965:(1983)
957:(1981)
949:(1981)
941:(1978)
933:(1977)
925:(1976)
922:Nonaah
917:(1965)
854:
829:
621:zither
329:Rating
326:Source
296:, and
120:Length
75:Studio
1034:Solo
930:Duets
703:drums
658:drums
580:drums
498:flute
484:L-R-G
172:Duets
142:Nessa
137:Label
109:Genre
78:L-R-G
60:L-R-G
1050:Turn
852:ISBN
827:ISBN
644:gong
609:gong
584:gong
556:tuba
502:oboe
284:and
278:AACM
265:and
114:Jazz
52:1978
793:at
758:at
1232::
821:.
813:;
802:^
778:^
766:^
746:^
730:-
713:,
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611:,
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562:,
558:,
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304:.
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273:.
261:,
241:.
129:53
125:74
93:,
83:,
891:e
884:t
877:v
860:.
835:.
127::
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