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L-R-G / The Maze / S II Examples

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269:), is a 37-minute trio for sixteen different instruments grouped by type: woodwinds (Mitchell), high brass (Smith) and low brass (Lewis). For this piece and "The Maze," Mitchell uses the term "sound collages". He took inventory of every possible sound the musicians could produce, then organized the sounds into pieces based on texture, without the restriction of fixed tempos. "L-R-G" was performed once more, not long after the album came out, at 433: 395: 428: 423: 418: 413: 390: 385: 380: 362: 357: 352: 347: 342: 307:"S II Examples" is a 17-minute exploration of multi-phonics on the curved soprano saxophone. The piece was originally designed to be played by a trio with Jarman and Braxton, but when they got together Mitchell discovered that one example that could be done in his curved soprano saxophone couldn't be played on their straight sopranos, so he decided to record it as a solo piece. 29: 300:. Chuck Nessa remembers that it took the musicians more than four hours just to set up all those instruments, but that they nailed the piece in one live take. "The Maze" would never be performed again until two decades later, when Mitchell played all three pieces from the album at the 632:, cow bells, cymbals, conga drum, cycle sprocket, dinner chimes, dome bells, frying pans, finger cymbals, gongs, hanging bell, large swinging bell, press horn, Swiss cow bells, swinging bells, swinging Swiss cow bells, 446:, Dave Lewis called the album "a splendidly recorded and mastered CD, and inasmuch as Roscoe Mitchell as classical composer is concerned, this is very close to where it truly starts." 249:. According to Chuck Nessa, who produced the album, "We spent over a year preparing for that record. I went up to Roscoe's place in Wisconsin every weekend to go over that stuff." 245:
brought sound explorations he had made in Michigan together with the earlier innovations made by the Art Ensemble. In 1976 he found a happy medium between city and country in
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says that "it's a rather bewitching set altogether, and a useful notebook on what Chicago's playing élite were looking into at the period."
1065: 276:"The Maze" is a 21-minute octet for all kinds of percussion including a lot of unconventional instruments. Mitchell used on the piece 889: 945: 1188: 404: 301: 855: 1017: 1240: 1172: 977: 830: 814: 755: 691:- bamboo table, cymbals, cow bells, large chimes, small chimes, door bell, gongs, hanging bells, little bells, 1245: 882: 714: 595: 1049: 1204: 822: 810: 547: 448: 371: 266: 1212: 1041: 875: 1140: 1132: 270: 226: 913: 636:, tuned cymbals, temple blocks, triangles, wood blocks, wood desk, zizzle cymbals 90: 993: 794: 1235: 1164: 189: 8: 1196: 969: 1180: 1148: 1105: 1025: 656:, bike horns, cymbals, Chinese cymbals, conga drums, chimes, cymbal rack, conch shell, 646:, garbage can bottoms, hubkaphone, hand bells, plumbing brass, rhythm sticks, hackbrett 246: 1113: 1009: 1001: 851: 826: 731: 80: 28: 1097: 1073: 639: 530: 285: 258: 84: 1089: 1057: 898: 727: 671: 625: 489: 281: 262: 210: 158: 148: 41: 759: 604: 575: 563: 538: 525: 297: 234: 786: 1229: 688: 649: 633: 559: 293: 214: 141: 94: 675: 587: 521: 136: 509: 108: 709:, cow bells, conga drums, cymbal rack, gongs, hand bells, little horns, 985: 682:, orchestra bells, sloshing can machine, snare drum, wash tub machine, 665: 616: 551: 542: 953: 683: 517: 698: 513: 505: 443: 334: 289: 867: 710: 706: 692: 679: 661: 653: 629: 612: 599: 591: 534: 493: 238: 230: 101: 1033: 921: 695:, metal xylophone, winding bell, wooden cow bell, zizzle cymbal 620: 288:
to serve as percussionists, together with Art Ensemble members
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Duets with Tyshawn Sorey and Special Guest Hugh Ragin
213:, recorded in 1978 and released as a double LP on 962:Roscoe Mitchell and the Sound and Space Ensembles 225:Following a successful three-year stint with the 1227: 850:. USA: Random House/Rolling Stone. p. 143. 809: 825:(6th ed.). London: Penguin. p. 1040. 805: 803: 339: 883: 769: 767: 800: 678:, garbage can machine, marimba can machine, 410: 377: 1066:Composition/Improvisation Nos. 1, 2 & 3 890: 876: 781: 779: 773:Original Liner Notes by John B. Litweiller 764: 217:. It was reissued in 1989 as a single CD. 27: 229:in Europe, in 1971 Mitchell came back to 209:is an album by American jazz saxophonist 756:Negotiating "The Maze" by Peter Margasak 751: 749: 747: 615:, cans, hand bells, shakers, seal horn, 16:1978 studio album by Roscoe Mitchell 845: 776: 1228: 871: 744: 628:- bugle glockenspiel, bicycle horns, 320: 946:Snurdy McGurdy and Her Dancin' Shoes 839: 897: 848:The Rolling Stone Jazz Record Guide 462:All compositions by Roscoe Mitchell 405:The Rolling Stone Jazz Record Guide 341: 302:Museum of Contemporary Art, Chicago 13: 14: 1257: 412: 379: 938:L-R-G / The Maze / S II Examples 789:L-R-G / The Maze / S II Examples 642:- cymbal gongs, finger cymbals, 455: 431: 426: 421: 416: 411: 393: 388: 383: 378: 360: 355: 350: 345: 340: 243:L-R-G / The Maze / S II Examples 206:L-R-G / The Maze / S II Examples 181:L-R-G / The Maze / S II Examples 22:L-R-G / The Maze / S II Examples 819:The Penguin Guide to Jazz on CD 978:This Dance Is for Steve McCall 252: 1: 1018:8 O'Clock: Two Improvisations 737: 220: 1157:Live at the Knitting Factory 478: 310: 7: 717:, temple gongs, wood blocks 10: 1262: 797:. Retrieved March 9, 2014. 257:"L-R-G" (which stands for 1205:Celebrating Fred Anderson 1124: 905: 846:Swenson, J., ed. (1985). 823:The Penguin Guide to Jazz 582:, cow bells, conga drum, 449:The Penguin Guide to Jazz 372:The Penguin Guide to Jazz 328: 325: 165: 157: 147: 135: 119: 107: 74: 56: 48: 35: 26: 21: 1213:Bells for the South Side 1042:First Look, Chicago Duos 1141:Roscoe Mitchell Quartet 1133:Solo Saxophone Concerts 474:"S II Examples" - 17:31 271:New York Public Theater 233:and moved to a farm in 227:Art Ensemble of Chicago 1241:Roscoe Mitchell albums 914:Before There Was Sound 674:- bass drum, cymbals, 91:CBS 30th Street Studio 994:The Day and the Night 660:, gongs, hand bells, 1246:Nessa Records albums 316:Professional ratings 237:, just northeast of 190:Sketches from Bamboo 1197:In Pursuit of Magic 970:After Fallen Leaves 317: 1181:Three Compositions 1149:The Flow of Things 1026:Song for My Sister 787:Roscoe Mitchell – 471:"The Maze" - 20:45 442:In his review for 315: 247:Madison, Wisconsin 1223: 1222: 1010:In Walked Buckner 1002:Nine to Get Ready 785:Lewis, Dave. 732:soprano saxophone 440: 439: 202: 201: 198: 197: 81:Van Gelder Studio 1253: 1098:Conversations II 892: 885: 878: 869: 868: 862: 861: 843: 837: 836: 807: 798: 783: 774: 771: 762: 753: 640:Henry Threadgill 531:Wadada Leo Smith 436: 435: 434: 430: 429: 425: 424: 420: 419: 415: 414: 398: 397: 396: 392: 391: 387: 386: 382: 381: 365: 364: 363: 359: 358: 354: 353: 349: 348: 344: 343: 318: 314: 286:Henry Threadgill 167: 166: 131: 130: 126: 85:Englewood Cliffs 31: 19: 18: 1261: 1260: 1256: 1255: 1254: 1252: 1251: 1250: 1226: 1225: 1224: 1219: 1120: 1090:Conversations I 1058:No Side Effects 901: 899:Roscoe Mitchell 896: 866: 865: 858: 844: 840: 833: 808: 801: 784: 777: 772: 765: 754: 745: 740: 728:Roscoe Mitchell 672:Anthony Braxton 626:Roscoe Mitchell 619:, temple gong, 490:Roscoe Mitchell 481: 468:"L-R-G" - 36:37 458: 432: 427: 422: 417: 394: 389: 384: 361: 356: 351: 346: 313: 282:Anthony Braxton 263:Roscoe Mitchell 255: 223: 211:Roscoe Mitchell 193: 184: 175: 159:Roscoe Mitchell 128: 124: 123: 100:Streeterville, 99: 97: 89: 87: 79: 70:August 17, 1978 69: 67: 65: 63: 61: 44: 42:Roscoe Mitchell 17: 12: 11: 5: 1259: 1249: 1248: 1243: 1238: 1221: 1220: 1218: 1217: 1209: 1201: 1193: 1189:Improvisations 1185: 1177: 1169: 1161: 1153: 1145: 1137: 1128: 1126: 1122: 1121: 1119: 1118: 1110: 1102: 1094: 1086: 1078: 1070: 1062: 1054: 1046: 1038: 1030: 1022: 1014: 1006: 998: 990: 982: 974: 966: 958: 950: 942: 934: 926: 918: 909: 907: 903: 902: 895: 894: 887: 880: 872: 864: 863: 856: 838: 831: 799: 775: 763: 760:Chicago Reader 742: 741: 739: 736: 735: 734: 724: 723: 719: 718: 696: 686: 669: 668:, temple gongs 647: 637: 623: 605:Malachi Favors 602: 594:, slap stick, 590:, hand bells, 576:Thurman Barker 572: 571: 567: 566: 564:tenor trombone 545: 539:pocket trumpet 528: 526:bass saxophone 486: 485: 480: 477: 476: 475: 472: 469: 465: 464: 457: 454: 438: 437: 408: 400: 399: 375: 367: 366: 337: 331: 330: 327: 323: 322: 312: 309: 298:Malachi Favors 254: 251: 235:Bath, Michigan 222: 219: 200: 199: 196: 195: 186: 177: 163: 162: 155: 154: 151: 145: 144: 139: 133: 132: 121: 117: 116: 111: 105: 104: 76: 72: 71: 62:August 7, 1978 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1258: 1247: 1244: 1242: 1239: 1237: 1234: 1233: 1231: 1215: 1214: 1210: 1207: 1206: 1202: 1199: 1198: 1194: 1191: 1190: 1186: 1183: 1182: 1178: 1175: 1174: 1170: 1167: 1166: 1162: 1159: 1158: 1154: 1151: 1150: 1146: 1143: 1142: 1138: 1135: 1134: 1130: 1129: 1127: 1123: 1116: 1115: 1111: 1108: 1107: 1103: 1100: 1099: 1095: 1092: 1091: 1087: 1084: 1083: 1079: 1076: 1075: 1071: 1068: 1067: 1063: 1060: 1059: 1055: 1052: 1051: 1047: 1044: 1043: 1039: 1036: 1035: 1031: 1028: 1027: 1023: 1020: 1019: 1015: 1012: 1011: 1007: 1004: 1003: 999: 996: 995: 991: 988: 987: 983: 980: 979: 975: 972: 971: 967: 964: 963: 959: 956: 955: 951: 948: 947: 943: 940: 939: 935: 932: 931: 927: 924: 923: 919: 916: 915: 911: 910: 908: 906:Studio albums 904: 900: 893: 888: 886: 881: 879: 874: 873: 870: 859: 857:0-394-72643-X 853: 849: 842: 834: 828: 824: 820: 816: 812: 811:Cook, Richard 806: 804: 796: 792: 790: 782: 780: 770: 768: 761: 757: 752: 750: 748: 743: 733: 729: 726: 725: 722:S II Examples 721: 720: 716: 712: 708: 704: 700: 697: 694: 690: 689:Douglas Ewart 687: 685: 681: 677: 673: 670: 667: 663: 659: 655: 651: 650:Joseph Jarman 648: 645: 641: 638: 635: 634:thunder sheet 631: 627: 624: 622: 618: 614: 610: 606: 603: 601: 597: 593: 589: 585: 581: 577: 574: 573: 569: 568: 565: 561: 560:alto trombone 557: 553: 549: 546: 544: 540: 536: 532: 529: 527: 523: 519: 515: 511: 507: 503: 499: 495: 491: 488: 487: 483: 482: 473: 470: 467: 466: 463: 460: 459: 456:Track listing 453: 451: 450: 445: 409: 407: 406: 402: 401: 376: 374: 373: 369: 368: 338: 336: 333: 332: 324: 321:Review scores 319: 308: 305: 303: 299: 295: 294:Joseph Jarman 291: 287: 283: 279: 274: 272: 268: 264: 260: 250: 248: 244: 240: 236: 232: 228: 218: 216: 215:Nessa Records 212: 208: 207: 192: 191: 187: 183: 182: 178: 174: 173: 169: 168: 164: 160: 156: 152: 150: 146: 143: 140: 138: 134: 122: 118: 115: 112: 110: 106: 103: 98:S II Examples 96: 95:New York City 92: 86: 82: 77: 73: 68:S II Examples 66:July 27, 1978 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1211: 1203: 1195: 1187: 1179: 1171: 1165:The Bad Guys 1163: 1155: 1147: 1139: 1131: 1112: 1104: 1096: 1088: 1080: 1072: 1064: 1056: 1048: 1040: 1032: 1024: 1016: 1008: 1000: 992: 984: 976: 968: 960: 952: 944: 937: 936: 928: 920: 912: 847: 841: 818: 815:Brian Morton 788: 676:glockenspiel 607:- log drum, 588:glockenspiel 548:George Lewis 522:baritone sax 461: 447: 441: 403: 370: 306: 275: 267:George Lewis 256: 242: 224: 205: 204: 203: 188: 180: 179: 170: 37:Studio album 1236:1978 albums 1125:Live albums 664:, tom tom, 510:soprano sax 253:Composition 153:Chuck Nessa 1230:Categories 1106:Angel City 986:Hey Donald 832:0140515216 738:References 666:vibraphone 652:- A bell, 617:tambourine 552:sousaphone 543:flugelhorn 221:Background 161:chronology 1114:Four Ways 954:3 x 4 Eye 684:xylophone 554:, Wagner 518:tenor sax 479:Personnel 311:Reception 280:stars as 259:Leo Smith 1074:Far Side 817:(2002). 795:AllMusic 791:: Review 715:triangle 699:Don Moye 596:triangle 570:The Maze 514:alto sax 506:clarinet 444:AllMusic 335:AllMusic 290:Don Moye 149:Producer 88:The Maze 64:The Maze 57:Recorded 49:Released 39: by 1173:Numbers 711:marimba 707:balafon 693:marimba 680:marimba 662:marimba 654:balafon 630:balafon 613:balafon 600:whistle 592:marimba 535:trumpet 494:piccolo 239:Lansing 231:Chicago 194:(1979) 185:(1978) 176:(1978) 102:Chicago 1216:(2017) 1208:(2015) 1200:(2014) 1192:(2013) 1184:(2012) 1176:(2011) 1168:(2003) 1160:(1987) 1152:(1986) 1144:(1976) 1136:(1974) 1117:(2017) 1109:(2014) 1101:(2014) 1093:(2014) 1085:(2013) 1077:(2010) 1069:(2007) 1061:(2006) 1053:(2005) 1045:(2005) 1037:(2004) 1029:(2002) 1021:(2001) 1013:(1999) 1005:(1999) 997:(1997) 989:(1995) 981:(1993) 973:(1992) 965:(1983) 957:(1981) 949:(1981) 941:(1978) 933:(1977) 925:(1976) 922:Nonaah 917:(1965) 854:  829:  621:zither 329:Rating 326:Source 296:, and 120:Length 75:Studio 1034:Solo 930:Duets 703:drums 658:drums 580:drums 498:flute 484:L-R-G 172:Duets 142:Nessa 137:Label 109:Genre 78:L-R-G 60:L-R-G 1050:Turn 852:ISBN 827:ISBN 644:gong 609:gong 584:gong 556:tuba 502:oboe 284:and 278:AACM 265:and 114:Jazz 52:1978 793:at 758:at 1232:: 821:. 813:; 802:^ 778:^ 766:^ 746:^ 730:- 713:, 705:, 701:- 611:, 598:, 586:, 578:- 562:, 558:, 550:- 541:, 537:, 533:- 524:, 520:, 516:, 512:, 508:, 504:, 500:, 496:, 492:- 304:. 292:, 273:. 261:, 241:. 129:53 125:74 93:, 83:, 891:e 884:t 877:v 860:. 835:. 127::

Index


Studio album
Roscoe Mitchell
Van Gelder Studio
Englewood Cliffs
CBS 30th Street Studio
New York City
Chicago
Genre
Jazz
Label
Nessa
Producer
Roscoe Mitchell
Duets
Sketches from Bamboo
Roscoe Mitchell
Nessa Records
Art Ensemble of Chicago
Chicago
Bath, Michigan
Lansing
Madison, Wisconsin
Leo Smith
Roscoe Mitchell
George Lewis
New York Public Theater
AACM
Anthony Braxton
Henry Threadgill

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