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317:. Lewis became more involved with the AACM, and Jackson encouraged him to apply to join the group. After his acceptance, Lewis was voted reading secretary and began taking minutes at weekly meetings. Lewis regularly played late gigs with the Muhal Richard Abrams Big Band during his year off, and in the daytime held a
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Lewis was born July 14, 1952, in
Chicago, Illinois. Lewis's father, George Thomas Lewis, was a postal worker who studied electronics under the GI Bill and had a deep love of jazz music; his mother, Cornelia Griffith Lewis, liked blues, soul, and R&B singers.
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Lewis began his education at a public elementary school, but he was one of many Black students who could only attend half-days, allegedly to relieve "overcrowding"; this was widely understood to be an excuse to enforce de facto segregation under superintendent
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His parents wanted him to learn an instrument as a way to make friends, and Lewis chose the trombone, which was paid for in monthly installments. He played in the school orchestra and concert band, took private lessons from
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in 1969, and at age 17 began his studies in prelaw. He also took music theory classes and met a number of artists in the community, but began to lose interest in school after his sophomore year and decided to take a break.
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289:. Lewis was invited to check out a show at the Pumpkin Room, but misunderstood the invitation and brought his trombone; they let him play anyway, as part of a group that also included
635:, a documentary about the first symposium of electronic music held in Africa. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on
3108:
Lewis, George E. (2005). "The Secret Love between
Interactivity and Improvisation, or Missing in Interaction: A Prehistory of Computer Interactivity". In Fähndrich, Walter (ed.).
2768:
Lewis, George E. (2017). "From
Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactivity". In Born, Georgina; Lewis, Eric; Straw, Will (eds.).
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graduate students, and as a teenager joined the school's new jazz band, run by jazz historian Frank Tirro (then working on his PhD) and Dean Hey. In the late 1960s, classmate
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196:, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a
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Lewis has long been active in creating and performing with interactive computer systems, most notably his software
Voyager, which "listens" and reacts to live performers.
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Lewis (compositions, live electronic processing, live electronics and spatialization performance) with large ensembles (Ensemble Erik Satie, Wet Ink, Vancouver
Olympiad)
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Lewis, George E. (2021). "'Is Our
Machines Learning Yet?' Machine Learning's Challenge to Improvisation and the Aesthetic". In de Assis, Paulo; Giudici, Paolo (eds.).
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2259:"Information Station No. 1" (2000), multi-screen videosonic interactive installation for the Point Loma Wastewater Treatment Plant, San Diego, Calif.
192:) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of
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In 1971, during his time off in
Chicago, Lewis heard some musicians practicing together near his parents' house; he introduced himself, and met
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Lewis, George E. (30 March 2004). "Afterword to "Improvised Music After 1950": The
Changing Same". In Fischlin, Daniel; Heble, Ajay (eds.).
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1957:
4458: (archived May 17, 2006) Interview with George Lewis, discussing computer music and other topics, including improvisation and Voyager
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Lewis, George E. (2007). "Living with
Creative Machines: An Improvisor Reflects". In Everett, Anna; Wallace, Amber J. (eds.).
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1997:
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301:. Lewis worried about his performance, but McCall invited him to play another concert; at rehearsal, he was introduced to
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Lewis, George E. "Leben mit kreativen
Maschinen: Reflexionen eines improvisierenden Musikers". In Knauer, Wolfram (ed.).
2018:
2005:
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Lewis, George E. (2020). ""Foreword: On the Art of Becoming"". In MacDonald, Raymond A.R.; Wilson, Graeme B. (eds.).
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Lewis, George E. (2008). "Stan Douglas's Suspiria: Genealogies of Recombinant Narrativity". In Douglas, Stan (ed.).
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2250:"Mbirascope/Algorithme et kalimba" (1985), interactive mbira-driven audiovisual installation, with David Behrman
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Lewis, George E. (2018). "Why Do We Want Our Computers To Improvise?". In McLean, Alex; Dean, Roger T. (eds.).
2293:"Interactive Trio" (2007), for interactive computer-driven piano, human pianist, and additional instrumentalist
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to create performances of interactive music and interactive video controlled by Lewis's improvised trombone.
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2222:"Virtual Discourse" (1993), composition for infrared-controlled "virtual percussion" and four percussionists
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1970:
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241:, where he started classes at age 9. Lewis attended the Lab School from 1961 until his graduation in 1969.
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2262:"Rio Negro II" (2007), robotic-acoustic sound installation, with Douglas Ewart and Douglas Irving Repetto.
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3867:"A New Book Assesses the Four-Decade Legacy of the Association for the Advancement of Creative Musicians"
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Lewis (computer, conductor, trombone), Sarah Cahill, Steven Schick, Quincy Troupe, and the NOW Orchestra
368:. Lewis met many more musicians among Yale's students, faculty, and others living near New Haven such as
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2253:"A Map of the Known World" (1987), interactive mbira-driven audiovisual installation, with David Behrman
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212:. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at
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4286:"Atelier George Lewis: Rainbow Family 1984 - George Lewis; Joëlle Léandre; Derek Bailey; Steve Lacy"
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4391:"Live at the Public Theater in New York, Vol. 1 - Gil Evans | Songs, Reviews, Credits, Awards"
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Gale, Peggy (1996). ""Stan Douglas: Evening and others."". In Gale, Peggy; Steele, Lisa (eds.).
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1100:& Levy Lorenzo, Seth Parker Woods, Dana Jessen & Eli Stine, software by Damon Holzborn
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298:
2281:"Chamber Music for Humans and Non-Humans" (1980), for micro-computer and improvising musician
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2683:. New York: Scala Arts Publishers & John and Mable Ringling Museum of Art. pp. 31–41
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2228:"Crazy Quilt" (2002), for infrared-controlled "virtual percussion" and four percussionists
8:
4418:"BBCSSO/Volkov review – brisk and beautiful Beethoven but Lewis premiere is hard to like"
3382:
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Lewis, George E. (2018). "Toni Dove's Nonmodern Ontologies". In McLendon, Matthew (ed.).
2296:"Interactive Duo" (2007), for interactive computer-driven piano and human instrumentalist
2237:"Les Exercices Spirituels" (2010) for eight instruments and computer sound spatialization
2225:"North Star Boogaloo" (1996), for percussionist and computer, with text by Quincy Troupe
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Composing While Black: Afrodiasporische Neue Musik Heute / Afrodiasporic New Music Today
1195:
1985: Misha Mengelberg / Steve Lacy / George Lewis / Harjen Gorter / Han Bennink –
686:
announced the appointment of Lewis as its next artistic director, effective April 2022.
671:(University of Chicago Press). Lewis later wrote an opera based on the book, titling it
4656:
4364:"Joëlle Léandre / Pauline Oliveros / George Lewis - Play As You Go (Trost, 2021) *****"
4312:"George Lewis' The Recombinant Trilogy Reimagines the Boundaries of Experimental Music"
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Lewis, George E. (2009). ""Interactivity and Improvisation"". In Dean, Roger T. (ed.).
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2359:"The Imaginary Suite" (1977), two movements for tape, live electronics, and instruments
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84:
3129:"Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination"
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2256:"Rio Negro" (1992), robotic-acoustic sound-sculpture installation, with Douglas Ewart
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1984:
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188:. He has been a member of the Association for the Advancement of Creative Musicians (
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2374:"Artificial Life 2007" (2007), composition for improvisors with open instrumentation
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2726:"The Situation of a Creole: In 'Defining Twentieth-and-Twenty First-Century Music'"
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2194:"Dancing in the Palace" (2009), for tenor voice and viola, with text by Donald Hall
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Years given are for the recording(s), not first release, unless stated otherwise.
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VIDEO Re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video
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Organized by year of release; year(s) of recording noted if known to be earlier.
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Organized by year of release; year(s) of recording noted if known to be earlier.
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4008:"Why George Lewis' revolutionary 'Shadowgraph, 5' can last 3 minutes or 4 hours"
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2284:"Rainbow Family" (1984), for soloists with multiple interactive computer systems
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2290:"Virtual Concerto" (2004), for improvising computer piano soloist and orchestra
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2219:"Nightmare At The Best Western" (1992), for baritone voice and six instruments
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4553:
3237:
Zorn, John, ed. (2000). "Teaching Improvised Music: An Ethnographic Memoir".
2287:"Voyager" (1987), for improvising soloist and interactive “virtual orchestra"
2234:"Sour Mash" (2009), composition for vinyl turntablists, with Marina Rosenfeld
1979:
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237:. An African American teacher convinced Lewis's parents to enroll him at the
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2185:"Collage" (1995), for poet and chamber orchestra, with text by Quincy Troupe
726:
in 2018. Lewis has received four honorary degrees: Doctor of Music from the
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4605:
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4562:
3164:
The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
3109:
2749:
Lewis, George E. (2017). "The Sound of Terry Adkins". In Berry, Ian (ed.).
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Since 2004, he has served as Edward H. Case Professor of American Music at
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3628:"Frederic Rzewski, Politically Committed Composer and Pianist, Dies at 83"
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4754:
4215:"George Lewis, Les Exercices Spirituels. Tzadik Records TZA 8081CD, 2011"
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His work "Morning Blues for Yvan" was featured on the compilation album
184:(born July 14, 1952) is an American composer, performer, and scholar of
4834:
3788:
3258:"Improvised Music after 1950: Afrological and Eurological Perspectives"
3214:
3190:
2306:"The Empty Chair" (1986), computer-driven videosonic music theatre work
2113:
1477:
1282:
286:
3441:
A Power Stronger Than Itself: The AACM and American Experimental Music
3284:
2393:
A Power Stronger Than Itself: The AACM and American Experimental Music
747:
A Power Stronger Than Itself: The AACM and American Experimental Music
714:'s Music in American Culture Award in 2009. He became a Fellow of the
669:
A Power Stronger Than Itself: The AACM and American Experimental Music
206:
A Power Stronger Than Itself: The AACM and American Experimental Music
4661:
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4558:
4546:
3982:"The daring debut album of AACM historian George Lewis gets reissued"
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1262:
598:
478:
454:
337:
3763:"UC San Diego Composer Rand Steiger Wins 2015 Guggenheim Fellowship"
2981:. Santa Barbara: Center for Black Studies Research. pp. 83–99.
372:, who began visiting Lewis early in the morning before his classes.
328:; artists brought to campus during Lewis's remaining years included
4946:
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4395:
4341:
3276:
2630:
2278:"The KIM and I" (1979), for micro-computer and improvising musician
1422:
1336:
1314:
2006: Muhal Richard Abrams / George Lewis / Roscoe Mitchell –
2490:
2368:"Homage to Charles Parker" (1979), for improvisors and electronics
1206:
1987: Mengelberg / Lacy / Lewis / Ernst Reÿseger / Bennink –
3961:"Penn's 2022 Commencement Speaker and Honorary Degree Recipients"
2825:. New York and Oxford: Oxford University Press. pp. 457–66.
2614:
2231:"Hello Mary Lou" (2007) for chamber ensemble and live electronics
324:
Lewis returned to Yale in 1972, just as the university began its
3919:"Outspoken Composer to Lead International Contemporary Ensemble"
3191:"Too Many Notes: Computers, Complexity and Culture in 'Voyager'"
2309:"Changing With The Times" (1991), radiophonic/music theatre work
2216:"Atlantic" (1978), for amplified trombones with resonant filters
2128:
What Is the Difference Between Stripping and Playing the Violin?
4474:
3547:"Fifty years ago today, the school boycott that rocked Chicago"
2855:. Special issue on Technology and Black Music in the Americas.
2492:
Machinic Assemblages of Desire: Deleuze and Artistic Research 3
2463:
The Oxford Handbook of Critical Improvisation Studies: Volume 2
2442:
The Oxford Handbook of Critical Improvisation Studies: Volume 1
2268:"Ikons" (2010), interactive sound sculpture, with Eric Metcalfe
1807:
602:
383:
375:
Lewis graduated from Yale in 1974 with a degree in philosophy.
1353:
2009: Glasgow Improvisers Orchestra & George Lewis –
989:
Lewis (trombone, conductor, compositions) / The NOW Orchestra
4163:"The Shadowgraph Series: Compositions for Creative Orchestra"
3154:
Improvisieren: Darmstädter Beiträge zur Jazzforschung, Band 8
2937:"Mobilitas Animi: Improvising Technologies, Intending Chance"
2912:"Improvising Tomorrow's Bodies: The Politics of Transduction"
2774:. Durham and London: Duke University Press. pp. 91–109.
640:
2191:"Signifying Riffs" (1998), for string quartet and percussion
3167:. Middletown: Wesleyan University Press. pp. 131–162.
2888:. Ostfildern, Germany: Hatje Cantz Verlag. pp. 42–53.
980:
The Shadowgraph Series: Compositions for Creative Orchestra
2362:"Chicago Slow Dance" (1977), for electro-acoustic ensemble
911:
Lewis (trombone, computer, compositions), Roscoe Mitchell
1410:
2019: Kimmig-Studer-Zimmerlin & George Lewis –
3377:
3375:
3348:
3346:
3344:
2702:. New York: Oxford University Press. pp. 123–130.
1066:
Lewis (computer programming, hardware hacking), Ewart,
3318:
3316:
3314:
3312:
3310:
3070:"Improvisation and the Orchestra: A Composer Reflects"
2371:"Sequel" (2004), for eight electro-acoustic performers
2356:"Monads" (1977), graphic score for any instrumentation
2240:"Anthem" (2011), for chamber ensemble with electronics
2200:"The Will To Adorn" (2011), for large chamber ensemble
663:
In 2008, Lewis published a book-length history of the
4707:
3815:"UNYAZI Electronic Music Symposium and Festival 2005"
3156:(in German). Hofheim: Wolke Verlag. pp. 123–144.
2847:
Lewis, George E. (May 2008). Lewis, George E. (ed.).
1213:
1988: John Zorn / George Lewis / Bill Frisell –
1182:
1982: Derek Bailey / George Lewis / John Zorn –
597:
and Oliver Johnson; the installation was featured at
570:
From 1988-1990, Lewis collaborated with video artist
3372:
3341:
2523:. Oxford: Oxford University Press. pp. vii–xx.
1303:
1998: George E. Lewis & Bertram Turetzky –
807:
Monads-Triple Slow Mix-Cycle-Shadowgraph, 5 (Sextet)
5124:
Members of the American Academy of Arts and Letters
4461:Golden, Barbara. "Conversation with George Lewis."
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3423:
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3419:
3417:
3415:
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3409:
3407:
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3403:
2547:"Lifting the Cone of Silence From Black Composers"
2520:The Art of Becoming: How Group Improvisation Works
2365:"Blues" (1979), graphic score for four instruments
1754:(hat ART; recorded in 1982; rereleased in 1999 as
932:Lewis (trombone), Daniel Koppelman, Ruth Neville,
4034:"The African Influence on Pop and Jazz Musicians"
3496:
3494:
2460:Lewis, George E.; Piekut, Benjamin, eds. (2016).
2439:Lewis, George E.; Piekut, Benjamin, eds. (2016).
2188:"Ring Shout Ramble" (1998), for saxophone quartet
577:In 1992, Lewis collaborated with Canadian artist
268:
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3935:
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3107:
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2755:. New York: Prestel Publishing. pp. 105–129
2748:
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2516:
2488:
2418:Kisiedu, Harald; Lewis, George E., eds. (2023).
321:union job at Illinois Slag and Ballast Company.
3569:
3567:
3400:
27:American composer, performer, and music scholar
4260:"George Lewis : Les Exercices Spirituels"
3491:
3477:The Department of Music at Columbia University
3467:
3465:
3463:
3461:
2586:Lewis, George E.; Calico, Joy H. (Fall 2019).
1384:2016: George Lewis & Splitter Orchester –
612:in New York City. He previously taught at the
265:at another concert on his high school campus.
4693:
4490:
3355:"George Lewis, 20th Century musician at UCSD"
2800:Journal of the American Musicological Society
2592:Journal of the American Musicological Society
2481:
864:Lewis (trombone, electronics), Ewart, Davis,
816:Lewis (alto and tenor trombones, sousaphone,
5059:Corresponding fellows of the British Academy
3893:"The Creative Constructions of George Lewis"
3564:
3151:
2796:""Americanist Musicology and Nomadic Noise""
2615:"Listening for Freedom with Arnold Davidson"
2417:
1958:Space Minds, New Worlds, Survival of America
5049:University of California, San Diego faculty
3458:
2585:
2459:
2438:
1096:Works for solo instrument and electronics:
285:, John Shenoy Jackson, Steve Galloway, and
4700:
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4497:
4483:
4415:
3243:. New York: Granary Books. pp. 78–109
1675:Live at the Public Theater (New York 1980)
1412:Kimmig-Studer-Zimmerlin & George Lewis
1197:Change of Season (Music Of Herbie Nichols)
4329:
4219:Journal of the Society for American Music
3387:John Simon Guggenheim Memorial Foundation
3034:Journal of the Society for American Music
3005:"Live Algorithms and the Future of Music"
2864:
2853:Journal of the Society for American Music
2603:
2074:1987: Joe Sachse with David Moss, Lewis,
585:, featuring Lewis in an improvisation of
4212:
4031:
3979:
3679:"George E. Lewis—The Story's Being Told"
2699:The Oxford Handbook of Algorithmic Music
2140:2001: Bert Turetzky & Mike Wofford,
1342:2009: George Lewis / Marina Rosenfeld –
618:
382:
4388:
4309:
4283:
4088:"George Lewis: Changing With the Times"
3943:"Harvard awards seven honorary degrees"
3732:. Toronto: Art Metropole. p. 363.
3544:
3500:
3352:
2424:(in German and English). Wolke Verlag.
2319:"The Shadowgraph Series, 1-5" (1975–77)
2265:"Travelogue" (2009), sound installation
1417:2019: George Lewis / Roscoe Mitchell –
886:Lewis (electronics, trombones), Ewart,
749:received the 2009 American Book Award.
730:in 2015, Doctor of Humane Letters from
718:in 2015, a Corresponding Fellow of the
239:University of Chicago Laboratory School
14:
4991:
4213:Banfield, William C. (November 2012).
3890:
3864:
3676:
3599:
3507:Oxford African American Studies Center
2655:"(Machine) Listening as Improvisation"
2179:"Toneburst" (1976) for three trombones
1428:2021: Joelle Léandre / George Lewis /
1040:George Lewis: Les Exercices Spirituels
738:in 2018, and Doctor of Music from the
4681:
4478:
4310:DeGroot, Jillian (22 February 2021).
4057:
3760:
3625:
3515:10.1093/acref/9780195301731.013.37354
3437:
3255:
3188:
3126:
3067:
3027:
3002:
2934:
2909:
2846:
2822:The Oxford Handbook of Computer Music
2793:
2723:
2652:
2612:
2564:
2544:
2411:
2389:
2378:
1141:Jila Save! Mon. - The Imaginary Suite
940:, Bernard Mixon, Peter Gonzales III,
716:American Academy of Arts and Sciences
637:New Interfaces for Musical Expression
401:Lewis has recorded or performed with
5119:21st-century American male musicians
4005:
3725:
3545:Strauss, Valerie (22 October 2013).
3236:
3030:"The Virtual Discourses of Pamela Z"
2978:AfroGEEKS: Beyond the Digital Divide
2110:Genesis & The Opening of the Way
1946:1979: Leo Smith Creative Orchestra,
1226:1992: Zorn / Lewis / Frisell –
1012:, compositions), Siegfried Rössert,
724:American Academy of Arts and Letters
689:
4284:Broomer, Stuart (5 February 2021).
4138:"George Lewis : Endless Shout"
3980:Margasak, Peter (30 October 2015).
2771:Improvisation and Social Aesthetics
2495:. Leuven: Leuven University Press.
1375:International Contemporary Ensemble
1169:1980: Evan Parker / George Lewis –
684:International Contemporary Ensemble
614:University of California, San Diego
261:concert, and Lewis first heard the
24:
3917:Javier C. Hernández (2022-04-08).
3028:Lewis, George E. (February 2007).
2653:Lewis, George E. (December 2018).
677:Museum of Contemporary Art Chicago
25:
5145:
4710:SEAMUS Lifetime Achievement Award
4438:
4337:"George Lewis: Album Discography"
3786:
3651:
3600:Palmer, Robert (2 October 1977).
3353:Schinto, Jeanne (19 April 2001).
3133:Critical Studies in Improvisation
2565:Lewis, George E. (January 2020).
2206:"Float, Sting" (2018), for sextet
2203:"Thistledown" (2012), for quartet
2182:"Endless Shout" (1994), for piano
2091:The Storming of the Winter Palace
1294:The Usual Turmoil and Other Duets
757:
698:. His many honors also include a
627:Lewis is featured extensively in
589:"Spirits Rejoice" with musicians
326:Duke Ellington Fellowship Program
233:, whose policies led to the 1963
4504:
3256:Lewis, George E. (Spring 1996).
2613:Lewis, George E. (Winter 2019).
2545:Lewis, George E. (3 July 2020).
2351:Graphic and instructional scores
1821:L-R-G / The Maze / S II Examples
1519:Four Compositions (Quartet) 1983
649:Crosstalk: American Speech Music
40:
4464:eContact! 12.2 — Interviews (2)
4409:
4382:
4356:
4303:
4277:
4252:
4206:
4181:
4155:
4130:
4105:
4080:
4051:
4032:Rockwell, John (1 March 1981).
4025:
3999:
3973:
3953:
3910:
3884:
3858:
3833:
3807:
3780:
3754:
3719:
3695:
3670:
3645:
3626:Robin, William (27 June 2021).
3619:
3602:"The New Intimacy Of Solo Jazz"
3444:. University of Chicago Press.
2885:Past Imperfect: Works 1986-2007
2396:. University of Chicago Press.
2322:"Hello and Goodbye" (1976/2000)
2168:
2147:2008: Musica Elettronica Viva,
2032:1985: Evan Parker (with Lewis,
1109:
46:George E. Lewis playing at the
3593:
3538:
2849:"Foreword: After Afrofuturism"
2794:Lewis, George E. (Fall 2011).
2126:1998: Miya Masaoka Orchestra,
1558:(New Tone; recorded 1971–1976)
1546:Creative Orchestra (Köln) 1978
752:
734:in 2017, Doctor of Music from
712:American Musicological Society
673:Afterword: The AACM (as) Opera
559:In the 1980s, Lewis succeeded
269:Education and joining the AACM
235:Chicago Public Schools boycott
13:
1:
5094:Black Saint/Soul Note artists
5079:Globe Unity Orchestra members
4447:from Columbia University site
4113:"George Lewis: Endless Shout"
4006:Swed, Mark (19 August 2020).
3677:Hunter, Trevor (2010-06-01).
3300:
3003:Lewis, George E. (May 2007).
2383:
2142:Transition and Transformation
1537:Ensemble (Victoriaville) 1988
1497:Creative Orchestra Music 1976
1440:
1172:From Saxophone & Trombone
722:in 2016, and a member of the
219:
106:Musician, composer, professor
5074:American male jazz musicians
5064:Jazz musicians from Illinois
4445:George Lewis faculty profile
3265:Black Music Research Journal
3111:Improvisation V: 14 Beiträge
2680:Toni Dove: Embodied Machines
2337:"Something Like Fred" (2009)
2334:"The Chicken Skin II" (2007)
1922:You Can't Name Your Own Tune
1878:(Black Saint; recorded 1981)
1604:Quintet (Moers) 1977 - 05.30
1588:Orchestra (Los Angeles) 1992
1506:The Montreux/Berlin Concerts
1463:(Black Saint; recorded 1978)
1143:(Black Saint; recorded 1978)
675:; the work premiered at the
7:
5054:American Book Award winners
5044:Columbia University faculty
4189:"Sequel (For Lester Bowie)"
3865:Chinen, Nate (2 May 2008).
2571:Curating Contemporary Music
2466:. Oxford University Press.
2445:. Oxford University Press.
556:(Instant Composer's Pool).
10:
5150:
5134:Members of Skull and Bones
3761:Sutro, Dirk (2015-04-30).
3240:Arcana: Musicians on music
2605:10.1525/jams.2019.72.3.607
2482:Articles and book chapters
2273:Interactive computer music
2016:1982: John Lindberg Trio,
1386:Creative Construction Set™
1239:& George Lewis –
1179:(2002) and Otoroku (2023))
1122:/ George Lewis Duo –
740:University of Pennsylvania
694:In 2002, Lewis received a
581:on the video installation
5084:Sackville Records artists
5004:American male trombonists
4999:American jazz trombonists
4717:
4645:Donaueschingen (Duo) 1976
4624:
4521:
4512:
4416:Tim Ashley (2021-08-27).
4231:10.1017/S1752196312000405
3841:"NIME 06 Session Program"
3438:Lewis, George E. (2008).
3189:Lewis, George E. (2000).
3127:Lewis, George E. (2004).
3086:10.1080/07494460600989812
3074:Contemporary Music Review
3068:Lewis, George E. (2006).
3046:10.1017/S1752196307070034
2953:10.1080/13534640701682867
2935:Lewis, George E. (2007).
2910:Lewis, George E. (2007).
2866:10.1017/S1752196308080048
2780:10.1215/9780822374015-005
2724:Lewis, George E. (2017).
2567:"A Small Act of Curation"
2390:Lewis, George E. (2008).
2197:"Ikons" (2010), for octet
2042:Hook, Drift & Shuffle
1685:(New Tone; recorded 1981)
1567:(hatOLOGY; recorded 1977)
1373:2016: George Lewis &
1288:1998: George Lewis &
1242:Donaueschingen (Duo) 1976
1008:Lewis (trombone, laptop,
1001:Sequel (For Lester Bowie)
563:as the music director of
378:
156:
152:
110:
102:
80:
60:
55:
39:
32:
18:George Lewis (trombonist)
5089:Music & Arts artists
5069:21st-century trombonists
4530:Homage to Charles Parker
4467:(April 2010). Montréal:
3789:"Recharging Unyazi 2005"
3767:UC San Diego News Center
2588:"Editorial Introduction"
1645:Variations in Dream Time
1481:(Pi; recorded 2009–2010)
1232:(hat Hut; recorded 1989)
856:Homage to Charles Parker
708:Alpert Award in the Arts
391:In 1976, Lewis released
387:George E. Lewis in 2006.
3795:. Africa Open Institute
3707:Aesthetic-machinery.com
3207:10.1162/096112100570585
2730:Twentieth-Century Music
2121:Through Love to Freedom
2081:1987: Heiner Goebbels,
2003:1981: Laurie Anderson,
1939:1979: Jacques Bekaert,
1795:Roscoe Mitchell Quartet
1615:(Braxton Bootleg, 2013)
1607:(Braxton Bootleg, 2013)
1599:(Braxton Bootleg, 2012)
1591:(Braxton Bootleg, 2011)
1583:(Braxton Bootleg, 2011)
1575:(Braxton Bootleg, 2011)
1549:(hatART; recorded 1978)
1531:(hatART; recorded 1976)
1528:Dortmund (Quartet) 1976
1245:(hatART; recorded 1976)
1089:The Recombinant Trilogy
923:Changing With the Times
728:University of Edinburgh
706:Fellowship (2011), the
643:, Paris, in June 2006.
546:Musica Elettronica Viva
354:Willie "The Lion" Smith
263:Art Ensemble of Chicago
76:Chicago, Illinois, U.S.
5104:Charly Records artists
5039:Yale University alumni
5034:Tzadik Records artists
5029:Musicians from Chicago
4452:"Person to... person?"
4060:"Listening to Voyager"
3703:"Don Ritter Biography"
3501:Wriggle, John (2013).
3195:Leonardo Music Journal
2174:Solo and chamber music
2047:1985: Joelle Leandre,
1919:1977: Barry Altschul,
1728:Bospaadje Konijnehol I
1711:Globe Unity – 40 Years
1580:Orchestra (Paris) 1978
1540:(Victo; recorded 1988)
1436:(Trost; recorded 2014)
732:New College of Florida
629:Unyazi of the Bushveld
624:
388:
273:Lewis was accepted to
89:contemporary classical
56:Background information
5109:Incus Records artists
5099:Pi Recordings artists
5009:Free jazz trombonists
4962:Scott A. Wyatt (2018)
4795:Bebe and Louis Barron
4450:Casserley, Lawrence.
4012:The Los Angeles Times
3114:. Winterthur: Amadeus
2752:Terry Adkins: Recital
2659:Technosphere Magazine
2133:1999: NOW Orchestra,
2108:1997: Steve Coleman,
2083:Der Mann im Fahrstuhl
2054:1986: Ushio Torikai,
1955:1979: Leroy Jenkins,
1932:1979: Fred Anderson,
1692:Globe Unity Orchestra
1678:(Trio; recorded 1980)
1612:Quartet (Berlin) 1976
1419:Voyage And Homecoming
1399:& George Lewis –
1360:2014: George Lewis /
1333:Transatlantic Visions
1135:1979: George Lewis /
1059:Rainbow Family (1984)
704:United States Artists
700:Guggenheim Fellowship
658:Mendi + Keith Obadike
622:
550:Globe Unity Orchestra
386:
247:University of Chicago
202:Guggenheim Fellowship
4723:Vladimir Ussachevsky
4633:Elements of Surprise
4595:Muhal Richard Abrams
4368:Free Jazz Collective
4316:I Care If You Listen
3328:MacArthur Foundation
2025:1983: Rhys Chatham,
1830:Sketches from Bamboo
1564:Quintet (Basel) 1977
1451:Muhal Richard Abrams
1175:(Incus; reissued on
1125:Elements of Surprise
842:Muhal Richard Abrams
786:Solo Trombone Record
696:MacArthur Fellowship
639:, which was held at
631:(2005), directed by
511:Muhal Richard Abrams
483:Karl E. H. Seigfried
393:Solo Trombone Record
283:Muhal Richard Abrams
198:MacArthur Fellowship
182:George Emanuel Lewis
5129:Psi Records artists
4370:. 13 September 2021
3819:Art Africa Magazine
3551:The Washington Post
2325:"Angry Bird" (2007)
2097:1996: India Cooke,
1815:; recorded 1976–77)
1572:Quartet (Graz) 1976
1397:Ensemble Dal Niente
682:In April 2022, the
610:Columbia University
319:United Steelworkers
253:took Lewis to hear
214:Columbia University
210:American Book Award
4657:More News for Lulu
4169:. 20 November 2008
4038:The New York Times
3923:The New York Times
3891:Gottschalk, Kurt.
3871:The New York Times
3632:The New York Times
3606:The New York Times
3009:CT Watch Quarterly
2551:The New York Times
2412:Edited collections
2379:Books and articles
2314:Creative orchestra
2119:1998: Evod Magek,
1968:1979: Sam Rivers,
1885:Richard Teitelbaum
1513:; recorded 1975–6)
1229:More News for Lulu
1014:Guillermo E. Brown
879:Chicago Slow Dance
866:Richard Teitelbaum
736:Harvard University
625:
519:Richard Teitelbaum
395:to great acclaim.
389:
313:, Aaron Dodd, and
186:experimental music
5014:MacArthur Fellows
4986:
4985:
4675:
4674:
4067:PaulSteinbeck.com
4058:Steinbeck, Paul.
3787:Lewis, George E.
3581:. 24 October 2016
3579:The HistoryMakers
3575:"George E. Lewis"
3524:978-0-19-530173-1
3473:"George E. Lewis"
3383:"George E. Lewis"
3324:"George E. Lewis"
2832:978-0-19-971593-0
2709:978-0-19-022699-2
2530:978-0-19-084091-4
2340:"Triangle" (2009)
2328:"Fractals" (2007)
2088:1988: Schweizer,
1990:1981: John Zorn,
1949:Budding of a Rose
1941:Summer Music 1970
1843:Nine to Get Ready
1555:News from the 70s
1405:New World Records
1379:The Will to Adorn
1331:& G. Lewis –
1273:/ George Lewis /
1107:
1106:
934:Jerome Rothenberg
795:Lewis (trombone)
690:Honors and awards
623:Lewis, circa 2003
176:
175:
16:(Redirected from
5141:
5114:RogueArt artists
4979:
4971:
4963:
4958:
4950:
4942:
4934:
4926:
4918:
4910:
4902:
4894:
4886:
4878:
4870:
4862:
4854:
4846:
4838:
4830:
4822:
4814:
4811:Pauline Oliveros
4806:
4803:Morton Subotnick
4798:
4790:
4782:
4774:
4766:
4758:
4750:
4742:
4739:Mario Davidovsky
4734:
4726:
4702:
4695:
4688:
4679:
4678:
4611:Wadada Leo Smith
4499:
4492:
4485:
4476:
4475:
4432:
4431:
4429:
4428:
4413:
4407:
4406:
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4380:
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4256:
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4210:
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4185:
4179:
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3997:
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3994:
3992:
3977:
3971:
3970:
3968:
3967:
3957:
3951:
3950:
3947:News.harvard.edu
3939:
3933:
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3914:
3908:
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3498:
3489:
3488:
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3469:
3456:
3455:
3435:
3398:
3397:
3395:
3393:
3379:
3370:
3369:
3367:
3365:
3359:San Diego Reader
3350:
3339:
3338:
3336:
3334:
3320:
3295:
3293:
3291:
3262:
3252:
3250:
3248:
3233:
3231:
3229:
3185:
3183:
3181:
3157:
3148:
3146:
3144:
3123:
3121:
3119:
3104:
3102:
3100:
3080:(5/6): 429–434.
3064:
3062:
3060:
3024:
3022:
3020:
2999:
2997:
2995:
2971:
2969:
2967:
2931:
2929:
2927:
2906:
2904:
2902:
2878:
2868:
2843:
2841:
2839:
2815:
2813:
2811:
2790:
2788:
2786:
2764:
2762:
2760:
2745:
2743:
2741:
2720:
2718:
2716:
2692:
2690:
2688:
2673:
2671:
2669:
2649:
2647:
2645:
2619:Critical Inquiry
2609:
2607:
2582:
2580:
2578:
2561:
2559:
2557:
2541:
2539:
2537:
2513:
2511:
2509:
2477:
2456:
2435:
2407:
2331:"Shuffle" (2007)
2103:Music & Arts
1977:1981: Material,
1850:; recorded 1997)
1802:; recorded 1975)
1706:; recorded 1986)
1700:20th Anniversary
1657:India Navigation
1596:Trio (Pisa) 1982
1430:Pauline Oliveros
1362:Wadada Leo Smith
1355:Metamorphic Rock
1300:; recorded 1997)
1298:Music & Arts
1275:Bertram Turetzky
1132:; recorded 1976)
1028:, DJ Mutamassik
1010:Buchla Lightning
938:Jeannie Cheatham
818:Moog synthesizer
762:
761:
710:(1999), and the
539:Frederic Rzewski
535:Wadada Leo Smith
503:Misha Mengelberg
495:Marina Rosenfeld
451:Frederic Rzewski
411:Bertram Turetzky
370:Wadada Leo Smith
346:William Warfield
172:
169:
167:
165:
163:
135:Music & Arts
93:avant-garde jazz
74:
70:
68:
44:
30:
29:
21:
5149:
5148:
5144:
5143:
5142:
5140:
5139:
5138:
4989:
4988:
4987:
4982:
4974:
4966:
4961:
4953:
4945:
4937:
4929:
4921:
4915:George E. Lewis
4913:
4907:Laurie Anderson
4905:
4897:
4889:
4883:Miller Puckette
4881:
4873:
4865:
4857:
4849:
4841:
4833:
4825:
4817:
4809:
4801:
4793:
4785:
4777:
4769:
4761:
4753:
4745:
4737:
4729:
4721:
4713:
4712:
4706:
4676:
4671:
4650:Anthony Braxton
4638:Anthony Braxton
4620:
4599:Roscoe Mitchell
4517:
4508:
4503:
4456:Wayback Machine
4441:
4436:
4435:
4426:
4424:
4414:
4410:
4401:
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4026:
4016:
4014:
4004:
4000:
3990:
3988:
3978:
3974:
3965:
3963:
3959:
3958:
3954:
3949:. May 24, 2018.
3941:
3940:
3936:
3927:
3925:
3915:
3911:
3901:
3899:
3889:
3885:
3875:
3873:
3863:
3859:
3849:
3847:
3839:
3838:
3834:
3824:
3822:
3821:. December 2005
3813:
3812:
3808:
3798:
3796:
3785:
3781:
3771:
3769:
3759:
3755:
3740:
3724:
3720:
3711:
3709:
3701:
3700:
3696:
3687:
3685:
3683:NewMusicBox.org
3675:
3671:
3662:
3660:
3654:"ICP Orchestra"
3652:Layne, Joslyn.
3650:
3646:
3636:
3634:
3624:
3620:
3610:
3608:
3598:
3594:
3584:
3582:
3573:
3572:
3565:
3555:
3553:
3543:
3539:
3529:
3527:
3525:
3503:"Lewis, George"
3499:
3492:
3482:
3480:
3479:. 22 April 2016
3471:
3470:
3459:
3452:
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3401:
3391:
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2507:
2505:
2503:
2484:
2474:
2453:
2432:
2414:
2404:
2386:
2381:
2171:
2156:Paul Rutherford
2078:(Jazzwerkstatt)
2068:Live at Taktlos
2063:Irene Schweizer
1893:Concerto Grosso
1786:Roscoe Mitchell
1488:Anthony Braxton
1443:
1237:Anthony Braxton
1146:1980: Company (
1120:Anthony Braxton
1112:
834:Roscoe Mitchell
820:, sound-tube),
760:
755:
720:British Academy
692:
656:), produced by
523:Roscoe Mitchell
515:Nicole Mitchell
487:Laurie Anderson
463:Irène Schweizer
403:Anthony Braxton
381:
358:Marion Williams
342:Dizzy Gillespie
303:Roscoe Mitchell
275:Yale University
271:
231:Benjamin Willis
222:
204:, and his book
179:
170:/george-e-lewis
160:
75:
72:
66:
64:
51:
35:
34:George E. Lewis
28:
23:
22:
15:
12:
11:
5:
5147:
5137:
5136:
5131:
5126:
5121:
5116:
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5096:
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5031:
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5016:
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5006:
5001:
4984:
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4981:
4980:
4976:Annea Lockwood
4972:
4964:
4959:
4955:Carla Scaletti
4951:
4943:
4935:
4931:Barry Schrader
4927:
4923:Laurie Spiegel
4919:
4911:
4903:
4895:
4887:
4879:
4871:
4863:
4855:
4847:
4839:
4831:
4823:
4815:
4807:
4799:
4791:
4783:
4779:Milton Babbitt
4775:
4767:
4759:
4751:
4743:
4735:
4727:
4718:
4715:
4714:
4708:
4705:
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4673:
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4653:
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4523:
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4509:
4502:
4501:
4494:
4487:
4479:
4473:
4472:
4459:
4448:
4440:
4439:External links
4437:
4434:
4433:
4408:
4381:
4355:
4328:
4302:
4276:
4251:
4225:(4): 493–494.
4205:
4193:All About Jazz
4180:
4154:
4129:
4104:
4079:
4050:
4024:
3998:
3986:Chicago Reader
3972:
3952:
3934:
3909:
3883:
3857:
3832:
3806:
3779:
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3277:10.2307/779379
3253:
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3186:
3173:
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3149:
3124:
3105:
3065:
3025:
3000:
2987:
2972:
2947:(4): 108–122.
2932:
2907:
2894:
2879:
2859:(2): 139–153.
2844:
2831:
2816:
2791:
2765:
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2721:
2708:
2693:
2674:
2650:
2631:10.1086/700996
2625:(2): 434–447.
2610:
2598:(3): 607–611.
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2079:
2072:
2059:
2052:
2049:Les Douze Sons
2045:
2030:
2023:
2014:
2001:
1988:
1975:
1966:
1953:
1944:
1943:(Lovely/Vital)
1937:
1930:
1911:
1910:
1903:
1896:
1880:
1879:
1870:
1852:
1851:
1838:
1825:
1816:
1803:
1781:
1780:
1773:
1770:The Beat Suite
1766:
1759:
1737:
1736:
1734:ICP Plays Monk
1730:
1715:
1714:
1707:
1687:
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1501:
1483:
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1473:
1469:Mama and Daddy
1464:
1442:
1439:
1438:
1437:
1434:Play As You Go
1426:
1415:
1408:
1393:
1382:
1371:
1364:/ John Zorn –
1358:
1351:
1340:
1325:
1312:
1301:
1286:
1267:
1246:
1233:
1224:
1211:
1204:
1193:
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1167:
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1133:
1111:
1108:
1105:
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1101:
1094:
1091:
1086:
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1078:
1068:Joëlle Léandre
1064:
1061:
1056:
1052:
1051:
1048:
1045:
1042:
1037:
1033:
1032:
1029:
1022:Kaffe Matthews
1006:
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799:
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793:
788:
783:
779:
778:
775:
772:
769:
766:
759:
758:As sole leader
756:
754:
751:
745:His monograph
691:
688:
654:Bridge Records
587:Albert Ayler's
543:Alvin Curran's
537:, as well as
475:Joëlle Léandre
380:
377:
334:Charles Mingus
330:Duke Ellington
307:Malachi Favors
270:
267:
221:
218:
194:computer music
178:Musical artist
177:
174:
173:
158:
154:
153:
150:
149:
112:
108:
107:
104:
100:
99:
97:computer music
82:
78:
77:
62:
58:
57:
53:
52:
48:Moers Festival
45:
37:
36:
33:
26:
9:
6:
4:
3:
2:
5146:
5135:
5132:
5130:
5127:
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5117:
5115:
5112:
5110:
5107:
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5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5024:Living people
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
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5000:
4997:
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4994:
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4848:
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4836:
4832:
4828:
4824:
4820:
4816:
4812:
4808:
4804:
4800:
4796:
4792:
4788:
4787:Charles Dodge
4784:
4780:
4776:
4772:
4768:
4764:
4763:John Chowning
4760:
4756:
4752:
4748:
4744:
4740:
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4724:
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4703:
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4587:
4584:
4580:
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4571:
4567:
4564:
4560:
4556:
4555:
4554:News for Lulu
4551:
4548:
4544:
4540:
4539:
4535:
4532:
4531:
4527:
4526:
4524:
4522:Studio albums
4520:
4516:
4511:
4507:
4500:
4495:
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4457:
4453:
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4423:
4419:
4412:
4398:
4397:
4392:
4389:Scott Yanow.
4385:
4369:
4365:
4359:
4344:
4343:
4338:
4332:
4317:
4313:
4306:
4291:
4290:The WholeNote
4287:
4280:
4265:
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4255:
4240:
4236:
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4228:
4224:
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4209:
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3516:
3512:
3508:
3504:
3497:
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3478:
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3451:9780226477039
3447:
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3360:
3356:
3349:
3347:
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3329:
3325:
3319:
3317:
3315:
3313:
3311:
3306:
3286:
3282:
3278:
3274:
3271:(1): 91–122.
3270:
3266:
3259:
3254:
3242:
3241:
3235:
3224:
3220:
3216:
3212:
3208:
3204:
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3196:
3192:
3187:
3176:
3174:9780819566829
3170:
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2988:9780976503637
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2895:9783775720212
2891:
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2522:
2521:
2515:
2504:
2502:9789461663603
2498:
2494:
2493:
2487:
2486:
2475:
2473:9780190627973
2469:
2465:
2464:
2458:
2454:
2452:9780195370935
2448:
2444:
2443:
2437:
2433:
2431:9783955932626
2427:
2423:
2422:
2416:
2415:
2405:
2403:9780226477039
2399:
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2373:
2370:
2367:
2364:
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2358:
2355:
2354:
2353:
2352:
2345:
2344:Minds in Flux
2342:
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2336:
2333:
2330:
2327:
2324:
2321:
2318:
2317:
2316:
2315:
2308:
2305:
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2302:
2301:Music Theatre
2295:
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2280:
2277:
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2274:
2267:
2264:
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2255:
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2249:
2248:
2247:
2246:
2245:Installations
2239:
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2233:
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2227:
2224:
2221:
2218:
2215:
2214:
2213:
2212:
2205:
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2178:
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2163:
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2100:
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2064:
2060:
2057:
2053:
2050:
2046:
2043:
2039:
2035:
2031:
2028:
2024:
2022:(Black Saint)
2021:
2020:
2019:Give and Take
2015:
2012:
2008:
2007:
2002:
1999:
1995:
1994:
1989:
1986:
1982:
1981:
1980:Memory Serves
1976:
1973:
1972:
1967:
1964:
1960:
1959:
1954:
1951:
1950:
1945:
1942:
1938:
1935:
1934:Another Place
1931:
1928:
1924:
1923:
1918:
1917:
1916:
1915:
1908:
1904:
1901:
1897:
1894:
1890:
1889:
1888:
1887:
1886:
1877:
1876:
1871:
1869:(Black Saint)
1868:
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1862:
1861:
1860:
1859:
1858:
1849:
1845:
1844:
1839:
1836:
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1745:
1744:
1743:
1735:
1731:
1729:
1725:
1724:
1723:
1722:
1721:
1720:ICP Orchestra
1712:
1708:
1705:
1701:
1697:
1696:
1695:
1694:
1693:
1684:
1683:Lunar Eclypse
1680:
1677:
1676:
1671:
1670:
1669:
1668:
1667:
1658:
1654:
1653:
1652:Hidden Voices
1649:
1647:(Gramavision)
1646:
1643:
1641:(Gramavision)
1640:
1637:
1634:
1630:
1627:
1626:
1625:
1624:
1623:
1622:Anthony Davis
1614:
1613:
1609:
1606:
1605:
1601:
1598:
1597:
1593:
1590:
1589:
1585:
1582:
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1569:
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1560:
1557:
1556:
1551:
1548:
1547:
1542:
1539:
1538:
1533:
1530:
1529:
1524:
1522:(Black Saint)
1521:
1520:
1515:
1512:
1508:
1507:
1502:
1499:
1498:
1493:
1492:
1491:
1490:
1489:
1480:
1479:
1474:
1472:(Black Saint)
1471:
1470:
1465:
1462:
1461:
1456:
1455:
1454:
1453:
1452:
1446:
1435:
1431:
1427:
1424:
1420:
1416:
1414:(ezz-thetics)
1413:
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1406:
1402:
1398:
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1391:
1387:
1383:
1380:
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1341:
1338:
1334:
1330:
1326:
1323:
1319:
1318:
1313:
1310:
1306:
1305:Conversations
1302:
1299:
1295:
1291:
1287:
1284:
1280:
1279:Triangulation
1276:
1272:
1268:
1265:
1264:
1259:
1255:
1251:
1247:
1244:
1243:
1238:
1234:
1231:
1230:
1225:
1222:
1218:
1217:
1216:News for Lulu
1212:
1209:
1208:Dutch Masters
1205:
1202:
1198:
1194:
1191:
1187:
1186:
1181:
1178:
1174:
1173:
1168:
1165:
1161:
1157:
1153:
1149:
1145:
1142:
1138:
1137:Douglas Ewart
1134:
1131:
1127:
1126:
1121:
1117:
1116:
1115:
1102:
1099:
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1038:
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1007:
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1002:
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991:
988:
986:
983:
981:
978:
975:
974:
970:
967:
965:
962:
960:
959:Endless Shout
957:
954:
953:
949:
947:
946:Quincy Troupe
943:
939:
935:
931:
929:
926:
924:
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910:
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896:
892:
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843:
839:
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831:
830:Leroy Jenkins
827:
826:Douglas Ewart
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819:
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810:
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591:Douglas Ewart
588:
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566:
562:
557:
555:
554:ICP Orchestra
551:
547:
544:
540:
536:
532:
528:
524:
520:
516:
512:
508:
504:
500:
499:Michel Portal
496:
492:
491:Leroy Jenkins
488:
484:
480:
476:
473:, Joel Ryan,
472:
468:
464:
460:
456:
452:
448:
447:Fred Anderson
444:
440:
436:
435:Douglas Ewart
432:
428:
424:
423:David Behrman
420:
416:
412:
408:
407:Anthony Davis
404:
399:
396:
394:
385:
376:
373:
371:
367:
363:
362:Tony Williams
359:
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351:
350:Papa Jo Jones
347:
343:
339:
335:
331:
327:
322:
320:
316:
315:Douglas Ewart
312:
311:Sabu Toyozumi
308:
304:
300:
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292:
291:Joseph Jarman
288:
284:
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276:
266:
264:
260:
256:
255:Fred Anderson
252:
248:
242:
240:
236:
232:
226:
217:
215:
211:
208:received the
207:
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199:
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159:
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148:
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136:
132:
128:
124:
120:
116:
113:
109:
105:
103:Occupation(s)
101:
98:
94:
90:
86:
83:
79:
73:(age 72)
71:July 14, 1952
63:
59:
54:
49:
43:
38:
31:
19:
4968:Gordon Mumma
4914:
4899:Curtis Roads
4891:Larry Austin
4875:Joel Chadabe
4867:Alvin Lucier
4859:Wendy Carlos
4851:Barry Vercoe
4843:Jon Appleton
4827:Herbert Brün
4747:Otto Luening
4666:Bill Frisell
4655:
4643:
4631:
4606:Sonic Rivers
4604:
4588:
4583:Gary Valente
4579:Craig Harris
4575:Ray Anderson
4568:
4563:Bill Frisell
4552:
4543:Derek Bailey
4536:
4528:
4514:
4506:George Lewis
4505:
4463:
4425:. Retrieved
4422:The Guardian
4421:
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4141:
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4117:AllMusic.com
4116:
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4091:
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3239:
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3077:
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3017:. Retrieved
3012:
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2992:. Retrieved
2977:
2964:. Retrieved
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2919:
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2884:
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2836:. Retrieved
2821:
2808:. Retrieved
2803:
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2783:. Retrieved
2770:
2757:. Retrieved
2751:
2738:. Retrieved
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2733:
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2713:. Retrieved
2698:
2685:. Retrieved
2679:
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2662:
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2622:
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2550:
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2519:
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2491:
2462:
2441:
2420:
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2350:
2349:
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2313:
2312:
2300:
2299:
2272:
2271:
2244:
2243:
2210:
2209:
2173:
2172:
2169:Compositions
2159:
2148:
2144:(Nine Winds)
2141:
2134:
2127:
2120:
2109:
2098:
2089:
2082:
2076:Berlin Tango
2075:
2066:
2055:
2048:
2041:
2026:
2017:
2011:Warner Bros.
2004:
1991:
1978:
1969:
1956:
1947:
1940:
1933:
1920:
1913:
1912:
1906:
1899:
1892:
1882:
1881:
1873:
1864:
1857:David Murray
1854:
1853:
1841:
1828:
1819:
1806:
1793:
1783:
1782:
1776:
1769:
1762:
1755:
1749:
1739:
1738:
1733:
1727:
1717:
1716:
1710:
1699:
1689:
1688:
1682:
1673:
1663:
1662:
1650:
1644:
1638:
1628:
1619:
1618:
1610:
1602:
1594:
1586:
1578:
1570:
1562:
1553:
1544:
1535:
1526:
1517:
1504:
1495:
1485:
1484:
1476:
1467:
1460:Spihumonesty
1458:
1448:
1447:
1444:
1433:
1418:
1411:
1400:
1385:
1378:
1367:Sonic Rivers
1365:
1354:
1343:
1332:
1315:
1304:
1293:
1290:Miya Masaoka
1278:
1261:
1256:, G. Lewis,
1240:
1227:
1214:
1207:
1196:
1183:
1170:
1159:
1152:Dave Holland
1148:Derek Bailey
1140:
1123:
1113:
1110:As co-leader
1098:Claire Chase
1088:
1072:Derek Bailey
1058:
1039:
1026:Miya Masaoka
1000:
979:
958:
922:
901:
878:
861:Black Saint
854:
806:
785:
746:
744:
693:
681:
672:
668:
662:
647:
645:
628:
626:
607:
582:
579:Stan Douglas
576:
569:
561:Rhys Chatham
558:
507:Miya Masaoka
471:James Newton
467:J. D. Parran
439:Alfred Harth
431:Derek Bailey
427:David Murray
400:
397:
392:
390:
374:
366:Slam Stewart
323:
299:Steve McCall
280:
272:
251:Ray Anderson
243:
227:
223:
205:
181:
180:
85:Experimental
5019:1952 births
4819:Paul Lansky
4771:Max Mathews
4755:Robert Moog
4625:Live albums
4167:NOW Society
2916:E-misférica
2806:(3): 691–95
2211:Electronics
2151:(New World)
2123:(Black Pot)
2038:Paul Lytton
2006:Big Science
1914:With others
1772:(Sunnyside)
1639:Hemispheres
1633:Gramavision
1271:Vinny Golia
1250:R. Anderson
1210:(Soul Note)
1156:Evan Parker
1018:Jeff Parker
942:Mary Oliver
888:J.D. Parran
838:Adbul Wadud
812:Black Saint
768:Album Title
753:Discography
605:, Germany.
599:documenta 9
595:Kent Carter
583:Hors-champs
565:The Kitchen
459:Han Bennink
443:Evan Parker
419:Count Basie
415:Conny Bauer
295:Kalaparusha
123:Black Saint
4993:Categories
4939:Dave Smith
4835:Don Buchla
4427:2022-04-18
4402:2014-07-26
4374:7 February
4348:10 January
4295:7 February
3966:2022-05-30
3928:2022-04-18
3902:7 February
3897:Musicworks
3739:0920956378
3712:2014-07-26
3688:2014-07-26
3663:2007-10-03
3301:References
2384:Monographs
2114:RCA Victor
1763:Futurities
1751:Prospectus
1742:Steve Lacy
1478:SoundDance
1441:As sideman
1401:Assemblage
1329:J. Léandre
1283:Nine Winds
1258:G. Valente
1103:2016–2020
1093:New Focus
1076:Steve Lacy
1050:2008–2010
971:1995–1997
702:(2015), a
572:Don Ritter
531:Steve Lacy
527:Sam Rivers
287:Pete Cosey
220:Early life
67:1952-07-14
4662:John Zorn
4615:John Zorn
4590:Streaming
4570:Slideride
4559:John Zorn
4547:John Zorn
4239:193098793
4017:26 August
3991:26 August
3201:: 33–39.
3094:194029038
3054:194105202
2961:143489398
2875:194949189
2639:165901758
2161:Tetralogy
2099:RedHanded
2056:Go Where?
2034:Barry Guy
1998:Parachute
1985:Celluloid
1971:Contrasts
1900:Cyberband
1895:(hat Hut)
1800:Sackville
1777:Last Tour
1765:(hat Hut)
1666:Gil Evans
1344:Sour Mash
1317:Streaming
1266:(hat Hut)
1263:Slideride
1254:C. Harris
1201:Soul Note
1158:) –
1154:, Lewis,
936:, Ewart,
928:New World
791:Sackville
774:Personnel
742:in 2022.
679:in 2015.
479:John Zorn
455:Gil Evans
338:Max Roach
164:.columbia
127:Soul Note
115:Sackville
4947:Pamela Z
4731:Les Paul
4396:AllMusic
4342:AllMusic
4321:23 March
4269:23 March
4244:23 March
4198:23 March
4173:23 March
4147:23 March
4122:23 March
4097:23 March
4072:23 March
4043:23 March
3748:35330872
3658:Allmusic
3556:22 March
3530:22 March
3290:23 March
3247:23 March
3228:23 March
3223:57566736
3180:23 March
3143:23 March
3118:23 March
3099:23 March
3059:23 March
3019:23 March
2994:23 March
2966:23 March
2941:Parallax
2926:23 March
2901:23 March
2838:23 March
2810:23 March
2785:23 March
2759:23 March
2740:23 March
2715:23 March
2687:23 March
2668:23 March
2644:23 March
2577:23 March
2556:23 March
2536:23 March
2508:23 March
2164:(Emanem)
2094:(Intakt)
2071:(Intakt)
2058:(Victor)
2027:Factor X
1909:(Tzadik)
1779:(Emanem)
1713:(Intakt)
1629:Episteme
1500:(Arista)
1423:RogueArt
1390:Mikroton
1381:(Tundra)
1370:(Tzadik)
1357:(Iorram)
1337:RogueArt
1063:Carrier
765:Released
552:and the
548:and the
4668:, 1989)
4652:, 1976)
4640:, 1976)
4617:, 2013)
4601:, 2005)
4585:, 1994)
4565:, 1987)
4549:, 1983)
4538:Yankees
4454:at the
3215:1513376
2137:(Spool)
2130:(Victo)
2044:(Incus)
2029:(Moers)
1993:Archery
1952:(Moers)
1936:(Moers)
1902:(Moers)
1824:(Nessa)
1756:Cliches
1377:–
1292:–
1277:–
1260:–
1221:hat Hut
1185:Yankees
1139:–
1044:Tzadik
1005:Intakt
902:Voyager
883:Lovely
667:titled
157:Website
50:in 2009
4978:(2020)
4970:(2019)
4957:(2017)
4949:(2016)
4941:(2015)
4933:(2014)
4925:(2013)
4917:(2012)
4909:(2011)
4901:(2010)
4893:(2009)
4885:(2008)
4877:(2007)
4869:(2006)
4861:(2005)
4853:(2004)
4845:(2003)
4837:(2002)
4829:(2001)
4821:(2000)
4813:(1999)
4805:(1998)
4797:(1997)
4789:(1996)
4781:(1995)
4773:(1994)
4765:(1993)
4757:(1991)
4749:(1990)
4741:(1989)
4733:(1988)
4725:(1987)
4660:(with
4648:(with
4636:(with
4609:(with
4593:(with
4581:, and
4573:(with
4557:(with
4541:(with
4533:(1979)
4264:Tzadik
4237:
4142:Tzadik
3876:4 July
3850:4 July
3825:4 July
3799:4 July
3772:4 July
3746:
3736:
3637:4 July
3611:4 July
3585:4 July
3521:
3483:4 July
3448:
3392:4 July
3364:4 July
3333:4 July
3285:779379
3283:
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3213:
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2959:
2892:
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2829:
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2637:
2527:
2499:
2470:
2449:
2428:
2400:
2346:(2021)
2154:2009:
2149:MEV 40
2061:1986:
2051:(NATO)
1963:Tomato
1905:1995:
1898:1993:
1891:1988:
1872:1982:
1863:1980:
1840:1999:
1827:1979:
1818:1978:
1808:Nonaah
1805:1977:
1792:1976:
1775:2004:
1768:2001:
1761:1985:
1748:1983:
1732:1986:
1726:1986:
1709:2007:
1698:1993:
1681:1993:
1672:1981:
1561:2000:
1552:1999:
1543:1995:
1534:1992:
1525:1991:
1516:1983:
1511:Arista
1503:1977:
1494:1976:
1475:2011:
1466:1980:
1457:1979:
1395:2017:
1348:Innova
1327:2009:
1269:1996:
1248:1994:
1235:1994:
1190:Charly
1160:Fables
1118:1978:
964:Tzadik
603:Kassel
533:, and
379:Career
364:, and
297:, and
257:at an
200:and a
147:Tzadik
119:Charly
111:Labels
81:Genres
4235:S2CID
4063:(PDF)
3793:Herri
3281:JSTOR
3261:(PDF)
3219:S2CID
3211:JSTOR
3090:S2CID
3050:S2CID
2957:S2CID
2871:S2CID
2635:S2CID
2135:WOWOW
2112:(BMG/
2085:(ECM)
1974:(ECM)
1907:Golem
1883:With
1855:With
1835:Moers
1813:Nessa
1784:With
1740:With
1718:With
1690:With
1664:With
1620:With
1486:With
1449:With
1309:Incus
1164:Incus
1130:Moers
1085:2021
1080:1984
1055:2020
1036:2011
1031:2004
997:2006
992:1999
985:Spool
976:2001
955:2000
950:1993
919:1993
914:1993
907:Avant
898:1993
893:1977
875:1981
870:1979
851:1979
846:1977
803:1978
798:1976
782:1976
777:Rec.
771:Label
641:IRCAM
168:/bios
162:music
143:Incus
131:Avant
4664:and
4613:and
4597:and
4561:and
4545:and
4376:2023
4350:2017
4323:2023
4297:2023
4271:2023
4246:2023
4200:2023
4175:2023
4149:2023
4124:2023
4099:2023
4092:DRAM
4074:2023
4045:2023
4019:2021
3993:2021
3904:2023
3878:2021
3852:2021
3845:NIME
3827:2021
3801:2021
3774:2021
3744:OCLC
3734:ISBN
3639:2021
3613:2021
3587:2021
3558:2023
3532:2023
3519:ISBN
3485:2021
3446:ISBN
3394:2021
3366:2021
3335:2021
3292:2023
3249:2023
3230:2023
3182:2023
3169:ISBN
3145:2023
3120:2023
3101:2023
3061:2023
3021:2023
2996:2023
2983:ISBN
2968:2023
2928:2023
2903:2023
2890:ISBN
2840:2023
2827:ISBN
2812:2023
2787:2023
2761:2023
2742:2023
2717:2023
2704:ISBN
2689:2023
2670:2023
2646:2023
2579:2023
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2558:2023
2538:2023
2525:ISBN
2510:2023
2497:ISBN
2468:ISBN
2447:ISBN
2426:ISBN
2398:ISBN
1927:Muse
1875:Home
1866:Ming
665:AACM
541:and
259:AACM
190:AACM
166:.edu
61:Born
4469:CEC
4227:doi
3511:doi
3273:doi
3203:doi
3139:(1)
3082:doi
3042:doi
3015:(2)
2949:doi
2922:(2)
2861:doi
2776:doi
2627:doi
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1848:ECM
1704:FMP
1177:Psi
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