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In his books, Horowitz posits that the late 19th century was the apex of
American classical music, before it degenerated into a "culture of performance,“ spotlighting celebrity conductors and instrumentalists, whom he terms “performance specialists" in contradistinction to the composer/performers of
394:
Beginning in 1999, Horowitz has served as a freelance artistic consultant; he has conceived more than five dozen thematic interdisciplinary music festivals for a variety of orchestras and performing arts institutions. Funded by the
National Endowment of the Humanities, he created "Music Unwound,"
391:(November 1997), "When Joseph Horowitz became executive director, the Brooklyn Philharmonic more or less went off the grid of American orchestral culture. The subscription-series template – overture, concerto, symphony – has been thrown away. Programs have become miniature weekend festivals."
448:. In 2004, he was awarded a certificate of appreciation by the Czech Parliament "for his exceptional explorations – both as a scholar and as the organizer of Dvorak festivals throughout the United States – of Dvorak’s historic sojourn in America". He has taught at the
614:"Dolly Parton, Woody Guthrie, Film Composer Max Steiner, Jazz Pianist Mary Lou Williams, and "Songpoet" Eric Andersen Are Among Subjects of 53rd ASCAP Foundation Deems Taylor/Virgil Thomson Award-Winning Music Books, Articles, Liner Notes and Broadcasts"
444:, and has served as project director of a National Education Project, "Dvorak in America", for the National Endowment for the Humanities. He serves as artistic director of an annual music critics institute for the
237:
also proposes that
American Wagnerism of the 1880s and 1890s was (compared to European and Russian Wagner movements) distinctly meliorist and "proto-feminist", the vast majority of American Wagnerites having been
232:
became the first non-composer to be widely regarded the "world's greatest musician", and that no prior conductor of comparable eminence and influence had been so divorced from the music of his own time.
60:
802:
200:) with coining the phrase "post-classical music" to describe an emerging 21st-century musical landscape merging classical music with popular and non-Western genres.
291:, he produced nine PCE CDs and four DVDs featuring little-known American works. He also directed Music Unwound (restarted later as Music Unwrapped), a national
228:, he treats the “Toscanini cult” of the mid-twentieth century as a metaphor for the decline of classical music in the United States, arguing that the conductor
246:
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173:(1992–1997) attracted national attention for its radical departure from tradition. He is the host of the "More than Music" radio series on
919:
303:, he wrote and produced a series of six Naxos documentary films called "Dvorak’s Prophecy". This led to his "More than Music" series for
949:
165:, he promotes thematic programming and new concert formats. His tenure as artistic advisor and subsequently executive director of the
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224:, he argues that American classical music of the late nineteenth century cannot be viewed as an instrument of affluent elites. In
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culture challenges prevalent notions of "social control" and "sacralization" as defined by such cultural historians as
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orchestra in
Washington, D.C., for which he served as executive director, then executive producer through 2022. For
379:, and chamber music (1981–1994). During his tenure with the Brooklyn Philharmonic, the orchestra received the 1996
909:
445:
100:
954:
807:
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Understanding
Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music
410:
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Understanding
Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music
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The Ivory Trade: Music and the
Business of Music at the Van Cliburn International Piano Competition
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387:(ASOL), as well as five ASCAP/ASOL awards for Adventuresome Programming. According to Alex Ross in
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45:
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This article is about the
American cultural historian. For the British composer and conductor, see
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who writes mainly about the institutional history of classical music in the United States. As a
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Artists in Exile: How
Refugees from War and Revolution Transformed the American Performing Arts
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The
Propaganda of Freedom: JFK, Shostakovich, Stravinsky and the Cultural Cold War.
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which produced festivals linking orchestras with educational institutions.
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The Propaganda of Freedom: JFK, Shostakovich, Stravinsky and the Cold War
414:; he has also written for a variety of scholarly publications, including
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from 1976 to 1980. From 1998 to 2011, he was a regular contributor to
375:, for which he created all-day Schubert symposium incorporating film,
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429:
420:. He is the author of the articles on classical music for both
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As a concert producer, Horowitz was an artistic advisor to the
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Dvorak's Prophecy: And the Vexed Fate of Black Classical Music
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from the article and its talk page, especially if potentially
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Dvorak's Prophecy and the Vexed Fate of Black Classical Music
775:. John Simon Guggenheim Memorial Foundation. Archived from
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The Post-Classical Predicament: Essays on Music and Society
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Moral Fire: Musical Portraits from America's Fin de Siècle
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Classical Music in America: A History of Its Rise and Fall
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Classical Music in America: A History of Its Rise and Fall
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of orchestras and universities originally funded by the
729:"Translating Schubert — "Clairvoyance or Somnambulism""
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440:(twice), and the National Arts Journalism Program at
352:. He collaborated with choreographer Igal Perry on a
256:Award) creates a "new paradigm" for the history of
332:for narrator and orchestra, incorporating text by
260:, replacing the standard narrative popularized by
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417:The New Grove Dictionary of Music and Musicians
348:and chamber ensemble, adapts the Scherzo from
504:Dvořák in America: In Search of the New World
157:(born 1948 in New York City) is an American
422:The Oxford Encyclopedia of American History
383:Award for Innovative Programming from the
321:He is also active as a vocal accompanist.
63:about living persons that is unsourced or
324:As a composer, Horowitz co-created (with
134:Learn how and when to remove this message
733:Unanswered Question: an ArtsJournal blog
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16:American cultural historian (born 1948)
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190:an earlier era. He is credited (as by
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596:(8 February 2004). "Musical Events".
543:The Marriage: The Mahlers in New York
531:, George Gershwin, and Porgy and Bess
438:National Endowment for the Humanities
315:The Marriage: The Mahlers in New York
297:National Endowment for the Humanities
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592:
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920:21st-century American male writers
492:Wagner Nights: An American History
426:The Encyclopedia of New York State
385:American Symphony Orchestra League
360:song cycle and dance piece titled
328:Michael Beckerman) a piece called
218:Wagner Nights: An American History
14:
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950:American male non-fiction writers
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755:(24 November 1997). "New Blood".
527:"On My Way": The Untold Story of
313:. He has released two more books,
945:Historians from New York (state)
925:American classical music critics
915:21st-century American historians
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446:National Endowment for the Arts
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808:The Times Literary Supplement
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411:The Times Literary Supplement
279:In 2002, Horowitz co-created
276:, and Black classical music.
204:Horowitz's treatment of late
727:Horowitz, Joe (2023-06-26).
41:biography of a living person
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450:City University of New York
68:must be removed immediately
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940:Writers from New York City
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862:, blog at artsjournal.com
506:(for young readers, 2003)
428:. He is the recipient of
171:Brooklyn Academy of Music
656:"PostClassical Ensemble"
474:Conversations with Arrau
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462:New England Conservatory
350:Mahler's Fourth Symphony
268:and instead privileging
258:American classical music
454:Eastman School of Music
910:American musicologists
458:Mannes School of Music
317:(his first novel) and
281:PostClassical Ensemble
151:
55:Please help by adding
860:"Unanswered Question"
545:(a novel, April 2023)
434:Guggenheim Foundation
167:Brooklyn Philharmonic
149:
245:(2022; winner of an
61:Contentious material
815:on 6 September 2008
632:"Dvorak's Prophecy"
442:Columbia University
853:josephhorowitz.org
845:josephhorowitz.com
801:(27 August 2008).
620:. 27 October 2022.
405:The New York Times
330:Hiawatha Melodrama
159:cultural historian
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570:"Joseph Horowitz"
301:COVID-19 pandemic
210:Alan Trachtenberg
177:, distributed by
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904:Categories
753:Ross, Alex
738:2023-11-06
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689:2023-11-06
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641:2023-11-06
594:Ross, Alex
579:2023-11-06
556:References
362:Einsamkeit
342:concertino
334:Longfellow
293:consortium
206:Gilded Age
94:newspapers
882:Biography
432:from the
283:(PCE), a
192:Alex Ross
46:citations
358:Schubert
338:Mahlerei
72:libelous
868:Portals
285:chamber
169:at the
108:scholar
680:"Home"
539:(2021)
533:(2013)
523:(2012)
512:(2005)
500:(1995)
494:(1994)
488:(1990)
482:(1987)
476:(1982)
460:, and
456:, the
452:, the
377:Lieder
354:Mahler
336:. His
238:women.
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825:Also
708:Naxos
660:Naxos
618:ASCAP
468:Books
289:Naxos
247:ASCAP
216:. In
115:JSTOR
101:books
39:This
849:and
827:here
821:2011
785:2011
424:and
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344:for
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