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in Rome. Ibert, with the enthusiastic support of his wife "threw himself wholeheartedly into his administrative role and proved an excellent ambassador of French culture in Italy." He held the post until the end of 1960, except for an enforced break while France and Italy were at war during World War
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Ibert refused to ally himself to any particular musical fashion or school, maintaining that "all systems are valid", a position that has caused many commentators to categorise him as "eclectic". His biographer
Alexandra Laederich writes, "His music can be festive and gay … lyrical and inspired, or
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and encouraged the young Ibert's musical interests. From the age of four, he began studying music, first learning the violin and then the piano from his mother, despite his father's wishes that his son would follow in his business profession. After leaving school, he earned a living as a private
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Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including
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Ibert's musical studies were interrupted by the outbreak of World War I, in which he served as a naval officer. After the war he married
Rosette Veber, daughter of the painter Jean Veber. Resuming his studies, he won the Conservatoire's top prize, the
335:, a choreographic piece incorporating chorus and two reciters, is in an epic style. Ibert's practice of collaborating with other composers extended to his works for the ballet stage. His first work composed expressly for the ballet was a waltz for
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teacher, as an accompanist, and as a cinema pianist. He also started composing songs, sometimes under the pen name
William Berty, and helped his father's business, which had suffered a financial setback. In 1910, Ibert became a student at the
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descriptive and evocative … often tinged with gentle humour … all the elements of his musical language bar that of harmony relate closely to the
Classical tradition." The early orchestral works, such as
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government in Paris, and for a time he went into exile in
Switzerland. Restored to his former eminence in French musical life after the war, his final musical appointment was in charge of the
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As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces:
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In addition to composing, Ibert was active as a conductor and in musical administration. He was a member of professional committees, and in 1937 he was appointed director of the
186:), inspired by his experiences of Mediterranean ports while he was serving in the navy. The first of these works was played at the Concerts Colonne in October 1922, conducted by
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productions. His cinema scores covered a similarly broad range. He wrote the music for more than a dozen French films, and for
American directors he composed a score for
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at his first attempt, in 1919. The prize gave him the opportunity to pursue further musical studies in Rome. In the course of these, Ibert composed his first opera,
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recalled him to Paris. In 1955 Ibert was appointed administrator of the Réunion des Théâtres
Lyriques Nationaux, which ran both the
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130:(composition). GĂ©dalge also gave him private lessons in orchestration; Ibert's fellow-students at these private classes included
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1244:"Entr'acte, for flute (or violin) & harp (or guitar)(from "Le médecin de son honneur"). "ALLMUSIC", accessed 30 March 2014
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For the theatre and cinema, Ibert was a prolific composer of incidental music. His best-known theatre score was music for
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Ibert was born in Paris. His father was a successful businessman, and his mother a talented pianist who had studied with
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was produced; it was the most successful of his operas, a musical farce, displaying eclectic style and flair.
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characters and much musical pastiche in a style both accessible and sophisticated. For the farcical
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for flute, oboe, clarinet, bassoon, trumpet, harp, 2 violins, viola, and cello (1936–1938)
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displays his "eclectic style and his accomplished writing of pastiche set pieces".
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Ibert's stage works similarly embrace a wide variety of styles. His first opera,
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the music is in set pieces in the manner of an operetta. By contrast
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at his first attempt, despite studies interrupted by his service in
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for flute, clarinet, trumpet, violin, cello and percussion (1924)
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is written, in part in a simple folklike style. The opéra bouffe
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In tandem with his creative work, Ibert was the director of the
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for 2 flutes (or flute and oboe), clarinet and bassoon (1921)
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Performed by
Michael Henoch, Larry Combs and William Buchman
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30:(15 August 1890 – 5 February 1962) was a French composer of
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for small orchestra is lighthearted, even frivolous, and
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for flute (or other instrument) and piano (1927, 1930)
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commissioned two collections of piano music from him,
69:(1922) is a ripely romantic work for large orchestra.
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for Alto
Saxophone and Eleven Instruments (1935–1936)
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The war years were difficult for Ibert. In 1940 the
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1230:, Oxford Music Online, accessed 18 September 2010
1164:. Oxford Music Online, accessed 18 September 2010
734:for flute, violin and harpsichord (or harp) (1946)
710:for flute (or violin) and harp (or guitar) (1935)
1192:, Grove Music Online, accessed 18 September 2010
869:El médico de su honra (Le médecin de son honneur)
650:for organ Pièce Solennelle, Musette, Fugue (1920)
166:Among Ibert's early orchestral compositions were
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606:(1961; first movement of an unfinished symphony)
317:is another essay in the old opera bouffe style.
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265:Ibert died in Paris aged 71, and is buried at
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298:for small orchestra and the Flute Concerto.
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1225:"Ibert, Jacques (François Antoine Marie)."
1223:Griffiths, Paul and Richard Langham Smith
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728:Trio for violin, cello and harp (1944)
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1268:The official website of Jacques Ibert
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704:for oboe, clarinet and bassoon (1935)
662:, Sonatine for flute and piano (1923)
598:Tropismes pour des amours imaginaires
238:banned his music and he retreated to
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28:Jacques François Antoine Marie Ibert
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412:Cinq Pieces en Trio - II. Andantino
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680:for flute, violin and piano (1927)
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1668:French expatriates in Switzerland
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1206:Ibert, Jacques (François Antoine)
1190:The New Grove Dictionary of Opera
804:(Petite suite en forme de ballet)
528:La ballade de la geĂ´le de Reading
482:(1937, Acts 1 and 5, the rest by
168:La Ballade de la geĂ´le de Reading
1618:French male film score composers
1608:20th-century classical composers
829:(arr. for piano by the composer)
792:(arr. for piano by the composer)
434:Problems playing this file? See
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1259:Works by or about Jacques Ibert
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517:, épopée choréographique (1951)
492:(1938, operetta, with Honegger)
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1056:Les Petites du quai aux fleurs
723:Capriccio pour dix instruments
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1678:20th-century French composers
1643:Conservatoire de Paris alumni
1439:Jean-Auguste-Dominique Ingres
1228:The Oxford Companion to Music
1185:Langham Smith, Richard 1992,
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876:
866:for Pedro Ignacio CalderĂłn's
783:, ten pieces for piano (1922)
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356:Un chapeau de paille d'Italie
84:he was proscribed by the pro-
1673:Directors of the Paris Opera
1633:Prix de Rome for composition
1463:Joseph-Nicolas Robert-Fleury
1391:Louis-Jean-François Lagrenée
885:(director, Jean Arroy), 1931
764:for bassoon and piano (1953)
758:for trumpet and piano (1950)
564:for chamber orchestra (1930)
557:for chamber orchestra (1930)
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1628:French male opera composers
1397:François-Guillaume Ménageot
38:and won its top prize, the
16:French composer (1890–1962)
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1415:Guillaume Guillon-Lethière
719:String Quartet (1937–1942)
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154:Composer and administrator
111:Antoine François Marmontel
1658:Burials at Passy Cemetery
1517:Paul-Maximilien Landowski
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1131:, H & D, 2004, p. 135
857:A Midsummer Night's Dream
818:Petite suite en 15 images
644:for harp solo (1916–1917)
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1349:Charles-François Poerson
972:The Former Mattia Pascal
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393:
284:
1638:French ballet composers
1337:Matthieu de La Teulière
1232:(subscription required)
1210:(subscription required)
1194:(subscription required)
1166:(subscription required)
1084:Invitation to the Dance
796:Le vent dans les ruines
692:for wind quintet (1930)
387:Invitation to the Dance
260:Académie des Beaux-Arts
1623:French opera composers
1427:Pierre-Narcisse Guérin
1373:Charles-Joseph Natoire
1308:French Academy in Rome
1157:Laederich, Alexandra,
752:for violin solo (1950)
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1475:Jules Eugène Lenepveu
1367:Jean François de Troy
1044:La Comédie du bonheur
977:L'Homme de nulle part
770:for bassoon and piano
746:for cello solo (1950)
740:for cello solo (1949)
716:for flute solo (1936)
666:Le Jardinier de Samos
509:Les amours de Jupiter
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1603:Composers from Paris
1343:René-Antoine Houasse
1129:Jean-Pierre Thiollet
1116:"Jacques Ibert", in
1096:Marianne of My Youth
1024:The Phantom Carriage
826:L'Ă©ventail de Jeanne
636:Chamber/Instrumental
626:Concertino da camera
548:L'Ă©ventail de Jeanne
490:Les petites cardinal
337:L'Ă©ventail de Jeanne
329:Les petites Cardinal
1613:Composers for piano
1565:Frédéric Mitterrand
1547:Pierre-Jean Angremy
1505:Paul-Albert Besnard
1481:Louis-Nicolas Cabat
1457:Jean-Victor Schnetz
1445:Jean-Victor Schnetz
1409:Pierre-Adrien Pâris
1403:Joseph-Benoît Suvée
1361:Pierre de l’Estache
1032:Heroes of the Marne
938:Justin de Marseille
907:Georg Wilhelm Pabst
852:Suite Élisabéthaine
702:Cinq pièces en trio
690:Trois pièces brèves
580:Louisville Concerto
515:Le chevalier errant
451:Persée et Andromède
333:Le chevalier errant
303:Persée et Andromède
271:16th arrondissement
196:Orchestre Lamoureux
148:Persée et Andromède
126:(counterpoint) and
116:Paris Conservatoire
36:Paris Conservatoire
1204:Kuhn, Laura (ed.)
1162:Grove Music Online
854:for Shakespeare's
840:Le poète et la fée
560:Suite symphonique
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325:commedia dell'arte
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219:Académie de France
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162:Ibert in the 1930s
74:Académie de France
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1385:Joseph-Marie Vien
1355:Nicolas Vleughels
1187:"Ibert, Jacques."
1159:"Ibert, Jacques."
890:Moon Over Morocco
786:Toccata (D major)
698:for guitar (1935)
674:for guitar (1926)
574:Ouverture de fĂŞte
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248:General de Gaulle
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941:(Tourneur), 1935
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846:Incidental Music
813:Noel en Picardie
586:Hommage Ă Mozart
568:Symphonie marine
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280:Ibert's grave
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184:Ports of Call
181:
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145:
139:
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133:
129:
125:
124:André Gedalge
121:
120:Émile Pessard
117:
112:
97:
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94:Opéra-Comique
91:
87:
83:
79:
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68:
64:
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41:
37:
33:
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23:Jacques Ibert
21:
1553:Bruno Racine
1522:
1238:
1227:
1200:
1189:
1161:
1117:
1112:
1094:
1082:
1081:(ballet for
1078:
1073:Orson Welles
1066:
1054:
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1030:
1022:
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986:
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962:
952:
944:
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867:
863:
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851:
839:
834:Vocal/Choral
824:
817:
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801:
795:
789:
780:
767:
761:
755:
749:
743:
737:
731:
722:
713:
707:
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695:
689:
683:
677:
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665:
659:
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648:Trois Pièces
647:
641:
603:
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585:
579:
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561:
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533:
527:
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385:
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368:Orson Welles
359:
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223:Villa Medici
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144:Prix de Rome
140:
108:
82:World War II
78:Villa Medici
71:
66:
62:
60:
55:
51:
48:
40:Prix de Rome
27:
26:
1598:1962 deaths
1593:1890 births
1511:Denys Puech
1325:Noël Coypel
1037:André Hugon
1000:The Patriot
953:Le Coupable
883:S.O.S. Foch
744:Ghirlarzana
611:Concertante
496:Barbe-bleue
380:ballet for
364:Shakespeare
252:Paris Opera
230:Later years
172:Oscar Wilde
122:(harmony),
105:Early years
90:Paris Opera
54:(1930) and
44:World War I
1587:Categories
1451:Jean Alaux
1379:Noël Hallé
1104:References
1089:Gene Kelly
964:Anne-Marie
931:Jean Choux
926:Motherhood
877:Film Music
642:Six pièces
604:Bostoniana
592:Bacchanale
522:Orchestral
436:media help
382:Gene Kelly
376:, and the
192:Paul Paray
128:Paul Vidal
1304:Directors
864:Entr'acte
823:Valse de
781:Histoires
768:Arabesque
762:Carignane
756:Impromptu
750:Caprilena
708:Entr'acte
672:Française
545:Valse de
459:Angélique
390:in 1952.
307:Angélique
212:Angélique
204:Histoires
100:Biography
1125:& Co
1091:), 1952;
1008:Angelica
988:Conflict
946:Golgotha
540:FĂ©erique
479:L'Aiglon
472:Gonzague
320:L'Aiglon
315:Gonzague
254:and the
92:and the
58:(1922).
1529:Balthus
1306:of the
1261:at the
1075:), 1948
1068:Macbeth
1063:), 1944
1051:), 1940
1039:), 1939
995:), 1938
983:), 1937
959:), 1936
933:), 1934
921:), 1933
909:), 1932
897:), 1931
872:(1937)
790:Escales
696:Ariette
534:Escales
503:Ballets
373:Macbeth
345:Poulenc
292:Escales
240:Antibes
221:at the
180:Escales
76:at the
67:Escales
56:Escales
1573:(2009)
1567:(2008)
1561:(2002)
1555:(1997)
1549:(1994)
1543:(1985)
1537:(1977)
1531:(1961)
1525:(1937)
1519:(1933)
1513:(1921)
1507:(1913)
1501:(1905)
1495:(1891)
1489:(1885)
1483:(1879)
1477:(1873)
1471:(1867)
1465:(1866)
1459:(1853)
1453:(1847)
1447:(1841)
1441:(1835)
1435:(1829)
1429:(1823)
1423:(1816)
1417:(1807)
1411:(1807)
1405:(1792)
1399:(1787)
1393:(1781)
1387:(1775)
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1375:(1751)
1369:(1738)
1363:(1737)
1357:(1725)
1351:(1704)
1345:(1699)
1339:(1684)
1333:(1675)
1327:(1673)
1321:(1666)
1079:Circus
1027:(1939)
1019:(1939)
1011:(1939)
1003:(1938)
967:, 1936
860:(1942)
820:(1944)
622:(1934)
600:(1957)
594:(1956)
588:(1955)
582:(1953)
576:(1940)
570:(1931)
551:(1927)
542:(1924)
536:(1922)
530:(1920)
498:(1943)
474:(1931)
468:(1930)
462:(1927)
454:(1921)
444:Operas
378:Circus
178:, and
775:Piano
714:Pièce
562:Paris
394:Works
341:Ravel
285:Music
1123:Mule
684:Aria
660:Jeux
343:and
226:II.
206:and
176:poem
134:and
86:Nazi
1119:Sax
979:) (
384:'s
354:'s
174:'s
1589::
1216:^
1172:^
1136:^
1127:,
1121:,
1087:,
273:.
262:.
138:.
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46:.
1296:e
1289:t
1282:v
1071:(
1059:(
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1035:(
991:(
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917:(
905:(
893:(
486:)
438:.
182:(
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